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fd_The_L_Word_02x03 | fd_The_L_Word_02x03_0 | TEXT: EXT. - A JUNGLE - DAY [Wild jungle music and jungle noises are heard. Alice sits at a table, furiously typing on her laptop. We see that she's typing, over and over and over: "Dana is a friend of mine, she will do it anytime. For a nickel or a dime 50 cents for overtime. Down the cellar she will go, she will strip from head to toe. Dana is a friend of mine..."] [Suddenly, Tonya puts her hand on Alice's shoulder. Alice's eyes get huge.] Alice: (gasps) Tonya! [Tonya, in a ton of makeup and a pink nighty, sits down next to her.] Tonya: (seductively) Alice, you're a bad, bad girl. [Tonya waves her finger in Alice's face. Alice stares directly into Tonya's ample cleavage with a look of fear and confusion.] Alice: What? Why?! [Tonya grabs Alice's chin.] Tonya: (seductively) Don't lie. Tonya knows all. And she's mad... [Tonya runs a red-painted fingernail across Alice's chest.] Tonya: Do you know how to say you're sorry? [Alice, squinting her eyes shut, unties the bow on the front of Tonya's nighty.] Tonya: (seductively) That's right. If you're gonna play, don't play without the Ton-Ton. [Tonya grabs Alice and smothers her in a rough kiss. Alice flails. Tonya breaks the kiss. Her lipstick is smeared all over.] Alice: (gasping for air) What about Dana! Tonya: Shhhhh. [Tonya smooshes her finger against Alice's lips. Alice gawks.] Tonya: (hissing) Someone's hungry... [Tonya points down at Alice' lap. Alice looks down just as Dana, hiding under the
SUMMARY: | When she is rejected from the writing class of Charlotte Birch, Jenny sets out to win over her intimidating professor by writing a page based on her life story. Shane moves in with Jenny at the house. When Jenny meets Carmen for the first time, an attraction between them develops almost at once. Bette goes on a downward spiral over Tina's lawsuit. Joyce also offers Tina a place to stay at her guest house during her legal battle. Dana and Alice continue to hide their attraction, while Tonya decides to make a show of her impending marriage to Dana. Kit tries to find an opening act for The Planet's grand re-opening and things heat up, then cool down, between Shane and Carmen. Tina is devastated when she finds an e-mail love letter from Candace on Bette's computer. |
fd_Alias_02x19 | fd_Alias_02x19_0 | TEXT: (Night. It's raining outside. Sydney and Dixon stand on either side of Emily's coffin. An SUV backs up and two men get out, there to take the coffin.) DIXON: I didn't have a clean shot, and I took it anyway. I'm putting in for reassignment to the directorate of intelligence. SYDNEY: If I had the shot, I might have taken it. DIXON: I know what Emily meant to you. I'm sorry. (The SUV is now gone with the coffin. Dixon walks away.) (Sloane sits behind a desk looking out at nothing. Irina stands beside the desk, a bandage on her arm.) IRINA: Arvin? Arvin? This plan might not hold up. The CIA knows too much, they could guess why we were after the genetic database. SLOANE: I'm not interested in the database. I want satellite footage of Tuscany. I want to know who murdered my wife. IRINA: We both had to make sacrifices, Arvin. You won't for yourself if you stop now. We're so close to knowing what Rambaldi knew. SLOANE: I wish I never heard that man's name. (Irina puts her hand over his. He looks at it.) (CIA ops center, Sydney holds a file and talks to her father.) SYDNEY: I don't understand how we don't have a single lead on Sloane or Mom. JACK: There's a difference between intelligence and actionable intelligence. SYDNEY: What about the earrings Mom left me? JACK: Analysis couldn't trace the signal source. Marshall's trying to figure out how they receive anything. SYDNEY: Dad, we have to get ahead of them. We know they're acquiring Rambaldi artifacts, we know they tried to access a DNA database. So there must be some way to predict what they're going to do. JACK: Sydney, I understand your frustration, particularly in light of Emily's death, but sometimes there isn't a clear move to make. SYDNE
SUMMARY: | Sydney defies her father in her attempt to rescue kidnapped scientist Neil Caplan, while Sloane, seeking revenge for the assassination of his wife orders that Dixon's wife be taken out. Meanwhile, Allison in the guise of Francie manipulates an unsuspecting Will for his agency connections. |
fd_CSI__Crime_Scene_Investigation_07x13 | fd_CSI__Crime_Scene_Investigation_07x13_0 | TEXT: FLASH IN: [EXT. VARIOUS LAS VEGAS CITY (STOCK) - DAY] Radio: (V.O.) Welcome back to the voice of Las Vegas, KWMS Radio. [EXT. LAS VEGAS DESERT ROAD - NIGHT] (A lone car drives along the road.) Radio: (V.O.) The city remains in mourning, as we try to make sense of the murder of Assemblyman Danilo Zamesca. (At the end of the road is another parked car. Danilo Zamesca parks his car and engages the brakes. He looks over at the driver in the next car.) (Zamesca gets out of his car.) Radio: (V.O.) After his only son was gunned down by a drug dealer, Zamesca dedicated his life to public service. (Zamesca heads over toward the other parked car. The other car door opens and a man gets out.) Radio: (V.O.) He set his sights on the drug traffickers and the drug suppliers. (The man is holding a extra-large drink and a folded photo. He hands the photo to Zamesca.) Radio: (V.O.) He believed you get drugs off the streets by putting the suppliers out of business. (Zamesca takes the photo, looks at it, and rips it to shreds while saying a few choice words to the man.) Radio: (V.O.) That was his mission. (He tosses the ripped photo to the wind. A piece of the photo falls to the ground.) (CLOSE-UP: It shows Zamesca doing lines with a woman with a Scorpion sign tattooed on her inner left arm.) Radio: (V.O.) His murder's rocked headlines, -- [SCENE_BREAK] [EXT. DESERT ROAD -- DAY TIME (PRESENT)] (A corner ruler is positioned next to the photo.) Radio: (V.O.) -- uniting Democrats and Republicans alike, all of us asking the same question: (Nick snaps a couple
SUMMARY: | Keppler persuades Catherine to help him fake a crime scene and deceive their colleagues in a controversial plan to catch the west coast's biggest illegal drug supplier, who is the leading suspect in the murder of an anti-drug assemblyman who was gunned down in the desert. Keppler concocts the plan when the suspect disappears and his trail grows cold after several weeks. Meanwhile, Sara and Greg investigate a heroin addict found dead in her apartment due to blunt force trauma. |
fd_Grey_s_Anatomy_02x02 | fd_Grey_s_Anatomy_02x02_0 | TEXT: MVO: I have an aunt who, whenever she poured anything for you, would say, "Say when." (Meredith is lying on the bathroom floor) Meredith: It's not us. It's them. Them and their stupid boy penises. They didn't tell me they had a wife. They gave absolutely no warning that they were going to break up with you. (Cristina opens the shower door, where she is lying completely dressed) Cristina: It's not that Burke broke up with me. It's how he broke up with me. Like it was business. Like it was a business trans like he's the boss of me! Meredith: He is the boss of you. Cristina: And what's worse is that I care. Meredith: I'm gonna throw up again. (Cristina closes the shower door) MVO: My aunt would say, "Say when," and of course we never did. (Meredith looks like she's going to throw up) Meredith: No. Wait. False alarm. (Cristina opens the shower door) Cristina: Look, the problem is estrogen. Meredith: No, the problem is tequila. Cristina: I used to be all business, and then he goes and gets me pregnant. Meredith: With the stupid boy pen1s. Cristina: Now, I'm having hormone surges. He ruined me. I'm ruined. He turned me into this fat, stupid, pregnant girl. Who cares! Estrogen! (She slides the shower door shut again) Meredith: Penises. Penises Izzie. (The bathroom door opens and Izzie and George walk in. George to brush his teeth and Izzie with a bottle of water. The shower door is open again) Cristina: Estrogen George. George: Okay. (To Izzie) What did I miss? (Izzie pours some water into a glass that Cristina is holding out) Izzie: I came home to full on vomit drama. Apparently she dumped Derek and her (sounds scandalized) she's been sleeping with Burke! George: I knew that. M
SUMMARY: | Adele cuts her vacation short to come and care for Dr. Webber who is still recovering from surgery. Cristina and Meredith both express a great deal of bitterness toward their past doctoral flames. After having worked with nurse Olivia all day, George admits that he likes someone else. Cristina, Alex and Izzie treat the victims from a car crash where the father needs a liver transplant, but his son doesn't want to donate because of the way his father abuses his mother. Meredith and Bailey treats a man who has swallowed the heads of ten Judy dolls. George consults Derek when he believes that an organ donor is still alive. |
fd_Teen_Wolf_01x04 | fd_Teen_Wolf_01x04_0 | TEXT: Radio: In other news, local authorities remain perplexed by the animal attacks plaguing Beacon Hills. Kate: Nice driving, Kate. Nice. No! No! No! Come on! Come on! Allison: What's going on? Chris: Your aunt Kate just texted. I'm heading out to pick her out. Allison: But it's 2:00 in the morning. Is everything okay? Chris: Yeah, yeah. She's just having a little car trouble. Allison: Not serious, is it? Chris: No, just a flat tire. Go - go back to bed, sweetheart. Chris: Get in. Kate: Not even "hello," "nice to see you"? Chris: All I've got at the moment is "please put the assault rifle away before someone notices." Kate: That's the brother I love. Chris, there were two of 'em. Chris: The Alpha? Kate: I don't know, but one of them tried to kill me - Chris: One of them is gonna lead us to the other. He can't do that if he's dead. Kate: Well, I can't help kill either of them if one of them kills me first. Chris: How long will it take? Kate: Give him 48 hours - If that. Kate: I don't see you for a year, and you turn into a fricken runway model? Allison: Oh - Kate: Look at you! Oh! Hate you. Allison: I haven't even showered yet. Kate: Sweetie, you're a knockout. In fact, I hope you have the boys knocking each other's teeth out for your attention. Allison: I kind of have one. Kate: You kind of have one? Well, you should kind of have a million. Allison: Need some help unpacking? Kate: No, not that one. Oh. See? You turn out beautiful, and I end up with this kung fu death grip. Sorry, sweetie. I didn't mean to be so rough. Allison: No worries. Hey, is everything okay with your car? Kate: Uh, yeah. I just needed a jumpstart, that's all. Allison: A
SUMMARY: | Kate Argent, Allison's aunt, arrives in town and is attacked by the Alpha. While fighting it off, she shoots Derek. Now, Scott has to make it through an awkward family dinner with the Argents to get a bullet to save him, while Stiles and Derek attempt to slow the effects of the wound. |
fd_Doctor_Who_1963_21x05 | fd_Doctor_Who_1963_21x05_0 | TEXT: THE AWAKENING BY: ERIC PRINGLE Part One First Air Date: 19 January 1984 Running time: 25:18 [SCENE_BREAK] JANE: Ben? Ben? Are you there, Ben? JANE: Careful! You'll kill someone. [SCENE_BREAK] JANE: Don't touch me! Get off! WOLSEY: It's only me. JANE: Ben. Ben, you're mad! WOLSEY: Nonsense, my dear. Just a bit of fun. JANE: Fun? JANE: Sir George, you must stop these war games. HUTCHINSON: Stop them? Why, Miss Hampden, you of all people, our school teacher, should appreciate the value of reenacting actual events. It's a living history. JANE: It's getting out of hand. The village is in turmoil. HUTCHINSON: So there's been a little damage. That's the way people used to behave in those days. It's a game. You must expect high spirits. JANE: Not when people can get hurt. It must stop. HUTCHINSON: And so it shall. We have but one last battle to fight. Join us. See the merit of what we do. [SCENE_BREAK] TURLOUGH: Is that any better? DOCTOR: Er, no. No, no, still some time distortion. TEGAN: Is there a problem? We are going to Earth? DOCTOR: Date, time and place asked for. How else could you visit your grandfather? TURLOUGH: We're nearly there. DOCTOR: See? DOCTOR: Hmm. Well, we've arrived. TURLOUGH: We've hit an energy field. DOCTOR: Unexpected aura for a quiet English village. TEGAN: Let's get out of here. TURLOUGH: Quickly, Doctor. Relocate the TARDIS. TEGAN: Hold on! There's something out there. DOCTOR: He's trapped. If there's another fall, he'll be killed. TURLOUGH: We
SUMMARY: | The TARDIS arrives in Little Hodcombe, Tegan wants to visit her Grandfather while they are there. Also, a war re-enactment is going on that starts to get more and more out of hand and realistic for unknown reasons. |
fd_Once_Upon_A_Time_03x20 | fd_Once_Upon_A_Time_03x20_0 | TEXT: SCENE: Storybrooke. Present day. Mary Margaret is in labor and Emma Swan is driving to the Storybrooke General Hospital. Mary Margaret screams in pain. [SCENE_BREAK] David: Hey, over here. Mary Margaret: Okay, okay. (David helps Mary Margaret into a wheelchair and Emma and Henry Mills get out of the car.) [SCENE_BREAK] SCENE: Storybrooke. Present day. Witch Farmhouse. An imprisoned Mr. Gold spins straw into gold. [SCENE_BREAK] SCENE: Storybrooke. Present day. Storybrooke General Hospital. [SCENE_BREAK] David: All right, breathe. (They enter the hospital.) [SCENE_BREAK] SCENE: Storybrooke. Present day. Witch Farmhouse. Zelena observes Mr. Gold as he continues spinning. [SCENE_BREAK] SCENE: Storybrooke. Present day. Storybrooke General Hospital. [SCENE_BREAK] Man: Let's get that man in two. (Mary Margaret screams.) Dr. Whale: (to Mary Margaret) How are you feeling? (to a nurse) Nurse, a little help here. Nurse: Yes, doctor. (opens a door for them) [SCENE_BREAK] SCENE: Storybrooke. Present day. Witch Farmhouse. Zelena watches Mr. Gold. [SCENE_BREAK] Zelena: There. That'll do. You said it yourself: Spinning clears your mind. (Using magic she transforms the spun gold threads into a brain made of solid gold. Zelena opens a casket. Charming's sword hilt and Regina's heart are already stored inside. Carefully, Zelena places the brain inside.) There's just one more ingredient to collect. [SCENE_BREAK] SCENE: Storybrooke. Present day. Storybrooke General Hospital. Once again Mary Margaret doubles over in pain. David helps his wife to settle herself down. [SCENE_BREAK] SCENE: Enchanted Forest. Past. Rumplestiltskin teaches Regina magic. Using magic Rumplestilt
SUMMARY: | With Mary Margaret in labor and due to give birth at any moment, the residents of Storybrooke go on high alert in an attempt to ensure that Zelena doesn't try to steal her newborn baby for use in her ultimate game plan to turn back time and change her destiny -- while obliterating Regina's existence. Meanwhile, in the land of Oz of the past, Glinda tries to convince Zelena to fight her evil tendencies and join her and her sister witches as a protector of Oz. But the appearance of a young girl from Kansas could turn out to be her undoing. |
fd_Frasier_08x15 | fd_Frasier_08x15_0 | TEXT: ACT ONE Scene One - Apartment Frasier opens the door to Roz, holding an envelope. Frasier: Oh Roz, to what to I owe the pleasure? Roz: A messenger delivered this for you after you left. It's marked "Personal and Confidential." I thought it might be important. He holds the letter up to the light, trying to see through it. Roz: Oh, I already tried that, forget it. We could use some brighter bulbs at the office. Frasier: Yes well, a brighter bulb wouldn't have admitted it. [opens the envelope] Let's see - oh! "Dear Dr. Crane, enclosed are four tickets to tonight's Sonics game as thanks for your advice on today's show. Sincerely, Allen from Earlemont." Roz: That is gonna be a great game! You should take your dad and have a boy's night out. Frasier: Well, actually Niles and I are already having a boy's night out. We're gonna go see the Northwest Chamber Ensemble's Spring Sing. After that, a late dinner at Le Cigare Volant! Roz: Ooh, throw in a couple of strippers and that still sounds boring. Frasier: And to think I was going to offer you these basketball tickets. Roz: Well, can't use 'em anyway. I have a date with this French guy. Frasier: So that's it, huh? No Americans left. Roz: That's very funny. You know, I hope it goes well, because he doesn't speak any English, and the only French I know is "oui" and "non." Frasier: I suppose you'll just be using one of those. Roz: Before you get too clever, you're the one who's going out with his brother. Frasier: [can say nothing but] Have a nice date, Roz. She leaves. Martin comes out. Frasier: Oh Dad, I've got something here that I think you might be interested in. Martin: Whoa-ho! Sonics tickets, how about that! Well, looks like
SUMMARY: | Frasier receives four free tickets to a Seattle SuperSonics basketball game from a grateful caller and Martin is delighted, thinking his son put a lot of effort into getting them. They both go with Niles to the game, and Martin sells the fourth ticket. Niles's seat number is selected to attempt a shot at the basket at half-time with the chance to win a pickup truck. He makes the shot, and spends the next few days enjoying the fame. Frasier soon becomes annoyed at all the glory Niles is receiving for a fluke shot. Meanwhile, Roz has started dating a Frenchman who speaks no English. |
fd_The_Office_05x27 | fd_The_Office_05x27_0 | TEXT: Erin: Oh my God! I can't believe it! I jut won an art contest! [Erin screams, Pam and Jim look at each other, Dwight, laughing, gets up and hands her some money] Erin: [whispering] Thanks. I still don't understand why you wanted me to say that. Dwight: Shut up. [SCENE_BREAK] Dwight: [laughs hysterically] I got her! [SCENE_BREAK] Pam: Not cool, Dwight. [Dwight continues laughing] Jim: Not cool. [Dwight still laughing] [SCENE_BREAK] Michael: [caught by camera crew dancing to "At the Car Wash", but laughing] Oh, no. I still have the lease on the Michael Scott Paper Company, so occasionally I will sneak down here for a little coffee and dancing. I actually dance all the time. Tip-toeing around corporate - it is a ballet. When I am breaking all the rules, I am break dancing. And expresso. [SCENE_BREAK] Michael: Guys, I'm scared. I'm really scared. I think I'm growing into a giant. Because look at this normal sized coffee cup. Looks so tiny in my giant hand now. Anybody want to go to lunch with me later on? Dwight: I do. Michael: Okay. How about a woman? Pam? Pam: Oh, I can't do lunch. I was just sending you an email. Jim and I need to leave early today to meet with our contractor. Michael: Oh, really? Ok. Pam: Just sent it. Michael: What about the rest of you? [complete silence] [SCENE_BREAK] Michael: At Dunder-Mifflin there is a very strict no lunch with the boss policy and I don't know who instituted it. I think it started right after my predecessor stepped down, but at the Michael Scott Paper Company I really enjoyed having lunch with Pam and Ryan everyday. So, rules be damned, I wanna have lunch with these people. [SCENE_BREAK] Michael: Who else? Who else? Ryan? Ryan: I don't do lunch. I
SUMMARY: | To break the staff of the focus Charles instilled in them, Michael opens a cafe-disco in the downstairs office to release stress. While initially resistant, all the staff (even Angela) join as Kelly and Andy bond in a dance-off. Pam and Jim plan to elope but later reconsider. Phyllis suspects Bob will have an affair, but drops her suspicions as they sound absurd saying them aloud. Cafe disco ends up being a hit. |
fd_The_Vampire_Diaries_01x06 | fd_The_Vampire_Diaries_01x06_0 | TEXT: FLASHBACK Mystic Falls, Virginia, 1864. Stefan waiting on the doorstep. A carriage arrives. Katherine goes down. STEFAN: You must be Miss Pierce. KATHERINE: Please, call me Katherine. [Salvatore's House. Stefan and Elena.] ELENA: What are you? What are you? STEFAN: You know. ELENA: No, I don't. STEFAN: Yes, you do, or you wouldn't be here. ELENA: It's not possible. It can't be. STEFAN: Everything you know... And every believe that you have is about to change. Are you ready for that? ELENA: What are you? STEFAN: I'm a vampire. ELENA: I shouldn't have come. STEFAN: No. Please. ELENA: No. No. How did you do that? STEFAN: Please don't be afraid of me. ELENA: Let me go. STEFAN: No. Elena, there's things that you have to know and understand. ELENA: Let me go! STEFAN: Elena, please. [Elena's house.] STEFAN: Elena. I would never hurt you. You're safe with me. ELENA: All those animal attacks, those people who died-- STEFAN: No. That was damon. ELENA: Damon? STEFAN: Yes. I don't drink human blood. That's not how I choose to survive, but Damon does. I'll explain everything to you, but I beg you, Elena, do not tell anybody. ELENA: How can you ask me that? STEFAN: Because you knowing this is dangerous for so many reasons. You can hate me, but I need you to trust me. ELENA: Just go. Just go, please. Go. If you mean me no harm, then just go. STEFAN: I never wanted this. ELENA: Mmm. [At the cemetery, Damon burns the boodies.] Cell phone rings. STEFAN: Hello. DAMON: I want my
SUMMARY: | Stefan explains his and Damon's past with Katherine to Elena. In 1864, they both loved a woman named Katherine Pierce, who then turned both of them into vampires. Meanwhile, Damon spends the day trapped inside the Salvatore Boarding House with Vicki. They feed off of each other and he changes her into a vampire. Stefan discovers this and attempts to persuade her to die instead of completing the transformation into a vampire by feeding on human blood. Logan uses the pocket watch that tracks down vampires and finds Stefan and Vicki in the woods. Logan shoots Stefan with a wooden bullet, thinking Stefan was attacking Vicki. Damon saves Stefan by attacking Logan. Vicki is overcome by the hunger and feeds on Logan, killing him and completing her transformation. Stefan tells Elena that Vicki has become a vampire, and Elena decides to keep this a secret, but not without ending their relationship. |
fd_Charmed_08x12 | fd_Charmed_08x12_0 | TEXT: Piper: Oh, no, sweetie. No, no, no, no no. That's not funny. What are you doing? What are you doing? Buddy...wyatt, you know better than that. [Gasps] No, swee [Whispers] Ok, comee. Listen, why don't you go play with your toys, ok, in the other room while mommy cleans this up, ok? See you later. Elder: It isn't easy, is it? Sorry, I should have knocked before I orbed. Piper: What is it? Do you know something about leo? Elder: No more than you do, I'm sorry to say. But the deal you made with the angel of destiny will be honored. I assure you, leo will be returned to you-- Piper: if and when we defeat whoever the hell it is. Any ideas? Elder: If I knew, I'd tell you, piper. But for whatever reason, you're supposed to find it out on your own. Piper: Yeah, well, I'm sick and tired of all these reasons that don't really make any sense. I mean, I barely understand it, let alone wyatt, whose father is here one day and then just disappears the next day. I mean, the kid's a wreck. What am I supposed to do? Elder: Everything you are doing, piper. Living your lives. Celebrating his birthday. Never giving up hope. You know, he's a good kid. He's just acting out. Oh! [Piper laughs] Piper: He's a good boy. [SCENE_BREAK] Rohtul: Aah! Aah! Billie: Once again, who does this symbol belong to? Rohtul: I told you I don't know. I'm a possessor demon, not a--aah! Billie: Here's the thing, rohtul. I'm gonna find this demon, and I'm gonna find my sister. So the question is do you want to help me, or do you want to die stupid like all the others?
SUMMARY: | With the intention of helping his parolee get a loan, Henry, along with Paige, go to a bank but instead the parolee decides to take everyone at the bank hostage. Meanwhile, Phoebe and Piper have their hands full when, during Wyatt's third birthday party, Wyatt uses his projection power to turn three of his toys into real people. Unfortunately the situation at the bank degenerates when Henry is accidentally shot and a possessor demon, wanting to expose the Charmed Ones, possesses the parole and tries to force Paige to orb Henry to a hospital and expose herself. Unexpectedly she develops the Whitelighter healing power and heals Henry's wound before switching places with Billie using her glamouring power. Paige is taken hostage by the demon who takes her to Magic School, but Paige orbs them to the manor attic where Piper and Phoebe dispossesses the parolee and Billie vanquishes the demon. |
fd_Doctor_Who_1963_03x31 | fd_Doctor_Who_1963_03x31_0 | TEXT: THE CELESTIAL TOYMAKER by BRIAN HAYLES and GERRY DAVIS first broadcast - 9th April 1966 running time - 24mins 45secs [SCENE_BREAK] 1. INSIDE THE TOYROOM (STEVEN and DODO have defeated CLARA and JOEY. At the far end of the toyroom, one of the walls lights up and a police box appears. They cautiously move across the room and examine it only to discover that it is not the real TARDIS.) DODO: (With disbelief.) It can't be empty! STEVEN: It is. Look. (Just the square outline of an empty police telephone box is inside.) DODO: What's that? (DODO bends down and picks up a piece of paper from the floor and reads it.) DODO: "Four legs, no feet, of arms no lack, it carries no burden on its back. Six deadly sisters, seven for choice, call the servants without voice." What does it mean? STEVEN: A riddle. Look, here's a way out. (The back of the police box swings open.) DODO: Perhaps this is to tell us where the TARDIS is. STEVEN: (Shrugging.) Or perhaps it's just another game. Anyway, we've got to find out. (STEVEN goes through the opening. DODO remains behind and looks back at the two clowns. All she sees are two, small, twisted clown figures, now the size of dolls. Shocked, she turns and runs quickly after STEVEN.) DODO: This is the next game? STEVEN: No. We'll find the next game behind this door. (STEVEN waves his hand at her, motioning to a large door at the back of the police box.) DODO: How can you be sure? STEVEN: (Nodding.) Look. (STEVEN points to the center of the door where there is a panel showing the DOCTOR's tally recorder. The top line reads 1,023 and the bottom reads 415.) DODO: The Doctor's move record
SUMMARY: | Missing episode The travellers arrive in a strange domain presided over by the Celestial Toymaker - an enigmatic, immortal entity who forces them to play a series of games, failure at which will render them his playthings for all eternity. |
fd_The_L_Word_01x13 | fd_The_L_Word_01x13_0 | TEXT: INT. - C.A.C. PARKING GARAGE - MORNING [title card: Los Angeles, California, Three Days Ago] [Bette pulls into a parking spot and parks her car. She gets her things and steps out of the car. When she closes the door, she sees Candace pull into the garage in her old El Camino. Bette watches as she parks. The first few strains of "Roads" by Portishead plays, setting the mood of the episode to come.] [Candace gets her things together and is getting out of the car when Bette suddenly gets in on the passenger side. Bette stares straight ahead for several seconds, her expression that of someone stuck in an internal war with themselves.] Bette: Take me somewhere. [Candace looks at her with concern, but Bette stares straight ahead, not returning the gaze. Finally, Candace starts her car and they drive off.] [main titles] INT. - THE GARAGE - MORNING ["Roads" by Portishead plays. Jenny and Robin are in bed, naked, lying close to one another. They talk quietly, in intimate whispers.] Robin: So when do I see you again? Jenny: What are you doing on Thursday night? (a beat) My neighbor, Bette... she's having a thingamajiggy. [Robin giggles.] Jenny: (smiling) What? Robin: (groans) I have something on Thursday. Jenny: Really? Robin: Yeah. Jenny: f*ck. Robin: If she asked me today, I would say no. Jenny: Mm-hmm. Robin: I would. Jenny: You would? Robin: (smiling) Yes. Jenny: I have a date tonight. Robin: Oh, you do? Jenny: I do. Robin: (smiling) Huh. Jenny: What? Robin: (smiling) I'm a little jealous. Jenny: You are? That's good. Robin: (thoughtful) Yeah, it is. [Jenny kisses Robin tenderly. They begin to make love.] Robin: Oh, god... [Robin kiss
SUMMARY: | The "Provocations" art show finally premieres at the CAC to mixed reviews and Bette commits adultery with Candace. Marina continues to flirt with Robin despite knowing she's dating Jenny, who has also begun sleeping with Gene. Shane's life turns from bad to worse when her attempt to let Clea down gently turns disastrous. Next, Cherie abandons Shane when their tryst is discovered and Steve terminates his business arrangement with Shane. Dana's pet cat dies and Tonya proposes marriage. At the end of the episode, Tina finds out about Candace's affair with Bette, who forces herself on Tina while apologizing. Alice realizes that she is in love with Dana and goes to her apartment to tell her. They kiss, but Alice returns home alone, where she finds Tina sitting on her couch, crying. |
fd_The_Big_Bang_Theory_03x19 | fd_The_Big_Bang_Theory_03x19_0 | TEXT: cene: Leonard and Penny are in Penny's bed. Penny: Having a little trouble catching your breath there? Leonard: No, no, I'm good. If my P.E. teachers had told me this is what I was training for, I would have tried a lot harder. Penny: Do or do not. There is no try. Leonard: Did you just quote Star Wars? Penny: I believe I quoted Empire Strikes Back. Leonard: Oh, my God. I'm lying in bed with a beautiful woman who can quote Yoda. I love you, Penny. Penny: Oh. Oh. Thank you. Leonard: You're welcome. I just wanted to put that out there. Penny: Oh, yeah, no, I, I'm, I'm glad. Leonard: Good. Glad is good. Penny: Yeah. Yeah. No, no. Um. So, it's getting pretty late. We should probably go to sleep. Leonard: Yeah. Penny: Okay. Leonard: Yeah. Penny: Hmm. Leonard: Yeah, probably. Penny: Okay, good night, sweetie. Leonard: Good night. Credits sequence Scene: The apartment. Howard: Hey, Leonard, where do you come down on giant ants? Raj: Sheldon says impossible. Howard and I say not only possible, but as a mode of transportation, way cooler than a Batmobile. Sheldon: You are ignoring the square-cube law. The giant ant would be crushed under the weight of its own exoskeleton. And for the record, the appropriate ranking of cool modes of transportation is jet pack, hoverboard, transporter, Batmobile, and then giant ant. Leonard: Seriously? You have nothing better to do than sit around and discuss the possibility of giant ants? Howard: What's with him? Sheldon: Perhaps he's at a sensitive point in his monthly cycle. Howard: Are you saying he's man-struating? Sheldon: Not literally. But as far back as the 17th century, scientists observed a 33-day fluctuation in men's hormone levels. Raj: Interesting. That might explain my weepy days in the middle of the month. You know what
SUMMARY: | Leonard and Penny reflect on their relationship after Penny does not reciprocate when Leonard tells her he loves her. At a bowling match with Stuart and others, including Sheldon's rival Wil Wheaton, the two question their future together, but Wheaton may also be interfering. |
fd_Alias_01x09 | fd_Alias_01x09_0 | TEXT: (In the cave, Sydney hangs upside down on a rung of the ladder a few feet from the ground. She gasps, looks around and starts climbing up the ladder. Above, she comes out, breathing heavily. She starts looking for Dixon and picks up her walkie talkie.) SYDNEY: Dixon? Dixon, do you copy? Dixon? (No answer.) SYDNEY: Dixon, please tell me... (She gets up and gets her pack, and starts walking around. Radio static can be heard. She sees Dixon's fallen walkie talkie on the ground, and she spots some blood. She runs to a clearing and finds Dixon laying on his side. Sydney runs to him and kneels down.) SYDNEY: Dixon, Dixon, oh, no, no, no, no! Oh, no, no... (She opens his shirt to see a white undershirt drenched in blood.) SYDNEY: You weren't wearing your vest! Oh, why weren't you wearing your vest? DIXON: S-Syd... SYDNEY: You're going to be okay. You're going to be okay. Dixon, just hang in! (Sydney takes out a large phone and starts dialing, pausing briefly.) (Flashback. In the self-storage facility, Vaughn gives Sydney the phone.) VAUGHN: Take this with you. It's a satcom phone. It'll let you contact the C.I.A. from anywhere. SYDNEY: And what happens when SD-6 sees me lugging around a C.I.A.-issue phone? VAUGHN: Just don't let them see it. SYDNEY: This thing's like a brick. I can't take this. VAUGHN: Take it. Worse case scenario -- you might need it. (Back to the clearing. Sydney talks into it.) SYDNEY: Base ops, base ops, this is Freelancer. How copy? Over. C.I.A. OPERATIVE: B-ops reads you,
SUMMARY: | Sydney's life is placed in mortal danger when Sloane is informed by his superior that she is the SD-6 mole . Meanwhile, Dixon's life hangs in the balance after he is shot by Anna Espinosa on a mission, trying to recover a Rambaldi manuscript hidden in the mountains of South America. Will realizes that his discovery of Kate Jones' pin could uncover some unexpected information. |
fd_Veronica_Mars_03x17 | fd_Veronica_Mars_03x17_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars... Bronson and Mac lie in bed and kiss in 314 "Mars, Bars." BRONSON: I like being sweet to you. MAC: I'm really glad. Cut to Mac and Max at Parker's birthday party in 316 "Un-American Graffiti." MAC: You sell tests. MAX: Yeah, it's not easy. MAC: Tell me you're a business major. MAX: Philosophy. They laugh. Cut to Veronica and Piz on the balcony. VERONICA: You've been so sweet to me. I just- Piz kisses her. Cut to a few moments later with them kissing again outside the doors of the lift. The doors open to reveal Logan. End previously. INT - MARS RESIDENCE - NIGHT. Wallace is sitting in the armchair, taking notes. Veronica is stretched out on the couch. The Women is playing on the television. Wallace is concentrating hard on the movie. LADY #2 IN BLACK'S: [on TV] Oh, that old bag! One more permanent and she won't have a hair on her head! LADY #1 IN BLACK'S: [on TV] Um, she's got plenty on her arms, baby! LADY #2 IN BLACK'S: [on TV] She sure does shed, don't she? Veronica is sceptical. VERONICA: I can't believe this is a class. WALLACE: Hey, without film studies, how will we know what movies mean? VERONICA: So...Piz didn't say anything...about the whole party...thing? WALLACE: Like how you two made out in the hall and then you took off? Veronica pulls a face. Wallace chuckles. WALLACE: Why? Is he calling you all the time? VERONICA: He called once. The day after. But...how would you interpret his mood? WALLACE: You want me to have this talk? Am I a twelve-year-old girl? VERONICA: No. But you're drinking Fresca and watching Joan Crawford movies. WALLACE: Look, I told
SUMMARY: | Washed-up rock star Desmond Fellows arrives at Hearst to play a charity concert for the campus radio station to find that his backing tapes have disappeared. With his job and the survival of the radio station at stake, Piz calls Veronica despite their recent post-kiss awkwardness. Piz and Veronica are tasked with tracking down the tapes and babysitting a drunk, irresponsible, and depressed Desmond Fellows. Meanwhile, a new and surprising contender emerges to challenge Keith in the race for Sheriff. |
fd_Reign_01x09 | fd_Reign_01x09_0 | TEXT: (After leaving the castle, Mary and Bash are being chased by the King's guards through the woods on horseback. Bash leads them to a clearing in the woods) BASH: This way, Mary, quick. (That clearing leads off the side of a cliff facing a large body of water) BASH: We're trapped. There's no way around. MARY: We have to go back. The king's guards... BASH: Will intercept us. We'll never outrun them in the woods anyway. MARY: We'll be captured and dragged back to French court. The king wants England; he won't give up. If we're found... (The king's men are catching up to them quickly. The hooves of the horses sound like they have arrived) BASH: Get down, quickly. I'm going to get you back to Scotland. MARY: How? GUARD' (alerting' 'the other men 'to their location): This way. (Bash starts taking off his heavy armor and sword) MARY: Bash, what are you doing? BASH: Just trust me. Can you swim? This is the only way out. MARY: Are you mad? We'll never survive it. BASH: You can do this. GUARD: Stop! In the name of the king! Seize them! (Mary and Bash told hands and jump off the cliff, into the water) BACK AT THE CASTLE: GUARD: We've checked every outbound ship from Dunkirk to Bayeux, Your Majesty. The Scottish Queen and your son must still be in France, but... KING HENRY: They didn't just disappear. Bash has many talents, but magic isn't one of them. Find them! Go. QUEEN CATHERINE: They've been gone for more than a week. You'll never find them. Francis is back from his own search. I tell him it's pointless, they're long gone, but he persists. KING HENRY: What did you expect? Mary's his fiancée. They were hours from being wed
SUMMARY: | Queen Mary and Bash are captured by King Henry's men after a week of being on the run together. They are brought back to the castle, where Queen Mary tells a disbelieving Prince Francis about Nostradamus's prophecy. King Henry threatens to execute Bash if Queen Mary won't marry Francis. Queen Mary counter-proposes that Bash be legitimized as King Henry's new heir and she marry him instead; if King Henry agrees, Queen Mary will claim the English throne as King Henry wants. As this would require an annulment of King Henry and Queen Catherine's marriage, and would turn Prince Francis and his two younger brothers into bastards. Queen Catherine sends an assassin to kill both Queen Mary and Bash. King Henry II has the assassin killed before he can complete his task, and Queen Catherine is imprisoned. King Henry II agrees to Queen Mary's terms and leaves for Rome to seek the Pope's approval for Bash's legitimization. Clarissa is chained in a cell by Nostradamus as punishment for killing Aylee, but she stabs him and escapes. |
fd_How_I_Met_Your_Mother_04x01 | fd_How_I_Met_Your_Mother_04x01_0 | TEXT: Ted(2030): Kids, there is something I wish my dad told me. The longest pause you will ever experience in your life is the one that follows asking the question... Ted is in a playroom with Stella... Ted: Will you marry me? Ted(2030): Your brain goes into overdrive, imaging every possible response. Stella: No. Stella: Oh, God, no. Stella: You want me to marry..(laughing).No. Stella: Oh, I'm sorry, Ted. I can't. Mark Johnson, the quarterback from your high school football team, already asked me. Mark Johnson: What's up, Turd? Ted: It's Ted! Ted (2030): But if you're lucky, she may answer with the single greatest word in the English language. Stella: Yes. Ted (2030): Stella and I spent that summer happily engaged. Marshall was still coping with unemployment. Marshall to lily: What are you doing? Ted(2030): Lily threw herself into her painting. Marshall to Barney: What are you doing? Ted(2030): Barney was rehabilitating from his bus accident. Marshall to himself: What are you doing? Ted(2030): And well, Marshall just kept coping with unemployment. Marshall to Robin: What are you doing? Ted(2030): And Robin continued to uphold the high journalistic standards of Metro News 1. Robin: Is your favorite brand of dental floss poisoning your entire family? Tune in at 11:00 for the shocking... Tooth. At the bar... Robin: Okay, I officially hate my job. I'm not a reporter, I'm just someone who shows up at night and scares people. I'm the bogeyman with a teleprompter. Barney: "Bogeyman with a teleprompter." That's hilarious! Great joke, Robin, great joke. Lily: Barney, no offense to Robin, but that wasn't that funny. Barney: Are you kidding? That was a great joke. It's smart, funny, beautiful, the whole package. It's everything you're afraid to let yourself want. In a joke. "
SUMMARY: | As Stella finally gives Ted an answer on his proposal, Barney realizes that he may be in love with Robin. |
fd_Charmed_07x21 | fd_Charmed_07x21_0 | TEXT: [Scene: Campus college. Parking garage.] (Tim is changing Phoebe's car tire.) Tim Cross: Can you hand me the tire iron? (Phoebe picks up a piece and hands it to him.) Phoebe: Uh, yeah, sure. Here. (He turns and looks at it.) Tim Cross: That's a lug bolt. Phoebe: Oh. (Phoebe laughs. Tim reaches for the tire iron.) Tim Cross: That's all right, I got it. (He starts changing the tire.) Phoebe: That's a tire iron, huh? Well, I really appreciate you doing this for me. I mean, I probably could've just called a tow truck, you know? Tim Cross: It's no problem. Too bad you didn't get this before class. You could've avoided Dr. Rousseau's lecture on cognitive dissonance. Phoebe: Yeah, pretty dull, huh? Tim Cross: I thought about leaving, but I felt bad about skipping class, so I ended up staying. Phoebe: To avoid your own dissonance? Tim Cross: You know, you're pretty good at this psychology stuff. Phoebe: You should read my column. Tim Cross: I do. Why don't we get together sometime and study? Phoebe: Well, I may not know the difference between a lug bolt and a tire iron, but I do believe that you just asked me out on a date, Tim. Tim Cross: Yeah, so... how about dinner tomorrow night? Phoebe: Okay, but it's my treat. It's the least I can do. Tim Cross: Deal. Phoebe: So you're gonna take me up on that? Tim Cross: It's reverse psychology. (A demon covered completely in black appears in the garage. Tim turns and sees the demon.) Tim Cross: Whoa. (With a burst of speed, the demon rushes toward Tim and scratches him in the face. He falls to the ground.) (Phoebe gasps.) (
SUMMARY: | Through the help of an evil alchemist, Zankou is able to cast a spell on the sisters to face the innocents they lost, thinking that it's the best and easiest way to weaken them and gain control of the Book of Shadows. Inspector Sheridan grows increasingly suspicious of Darryl after seeing him help Phoebe and tries to get him to confess that the sisters are evil. Paige get a new charge: a future Whitelighter and attempts to get her to continue down her path of goodness. |
fd_FRIENDS_08x02 | fd_FRIENDS_08x02_0 | TEXT: [Scene: The Hotel Lobby, Rachel and Phoebe are at the front desk checking out.] Rachel: Listen y'know what sir? For the last time, I don't care what the computer says, we did not take a bag of Mashuga nuts from the mini-bar and we did not watch Dr. Do-Me-A-Little! Joey: (entering) Hey! Phoebe: Oh! Joey uh, were you in our room last night? Joey: No. (Phoebe grabs the receipt and shows it to Joey who gets mad.) I was told the name of the movie would not appear on the bill! (Chandler and Monica enter.) Chandler: (to the front desk clerk) Hi! We're checking out of the bridal suite. Monica: (depressed) That's right. I'm no longer a bride. I'll never be a bride again. Now, I'm just someone's wife! Chandler: And I'm the happiest guy in the world! (Monica goes and sits down in a huff.) Oh honey, come on don't be upset. We still have so much to look forward to! Monica: Oh yeah, right. (Rolls her eyes.) Chandler: We got the honeymoon. Monica: That's not 'til Thursday. Chandler: The wedding pictures? Monica: They won't be ready for weeks. Chandler: Not the disposable cameras from the tables. Monica: That's true! (Happily) I knew I married you for a reason! Chandler: I'll tell you what, I will go get them developed and you can go home. Monica: Okay. (Joey giggles.) Chandler: What? What did you take a picture of? Joey: Nothing! It was something. Chandler: Okay Ross has the cameras, has he checked out yet? Rachel: Are you joking? Check out is not 'til noon and he has a good (checks her watch) eleven minutes left. Chandler: Oh. Monica: Ross has never checked out of a room a minute before he had to. Rachel: Yeah, one time,
SUMMARY: | Rachel refuses to reveal who the baby's father is until after she tells him. Joey tells Monica and Phoebe about an unknown guy who slept with Rachel a few weeks earlier and who left a red sweater behind. Phoebe thinks it is Tag Jones' sweater and arranges a meeting between him and Rachel. Ross and Chandler attempt to recreate the wedding reception pictures, after Chandler loses the disposable cameras. Monica opens all the wedding presents without waiting for Chandler. Monica, Joey, and Phoebe learn that Tag is not the father of Rachel's baby. As they are still pondering the mystery, Ross arrives and retrieves his "lost" red sweater, unaware of its significance. |
fd_Doctor_Who_1963_10x21 | fd_Doctor_Who_1963_10x21_0 | TEXT: THE GREEN DEATH BY: ROBERT SLOMAN 5:50pm - 6:15pm [SCENE_BREAK] 1: EXT. LLANFAIRFACH COLLIERY (The decommissioned mine of Llanfairfach sits in a pretty and green Welsh valley. The red-brick collection of buildings are collected round the tower of the lift crane with its large double wheels at the top of the winding gear. Around the site is collected the clinker filled slag heaps of decades of profitable mining, but no more. At the entrance to the site, the metal gate is firmly shut and a "CLOSED" sign has been pasted over the board underneath with the name of the colliery.) [SCENE_BREAK] 2: INT. LLANFAIRFACH COLLIERY. GALLERY (Deep below the ground, a maintenance man - HUGHES - runs along one of the worked-out galleries in something approaching a blind panic. A mist, glowing a florescent shade of green covers the ground. HUGHES looks round desperately and carries on.) [SCENE_BREAK] 3: EXT. GLOBAL CHEMICALS. MAIN GATE (Some distance away, a white Range Rover drives up to the entrance to a modern factory complex. A sign of the side of the factory reads: GLOBAL CHEMICALS RESEARCH CENTRE A group of discontented male villagers, including a MILKMAN with his float, hang around outside the factory gate. The Range Rover sweeps past them and underneath a barrier which the entrance guards then lower. The vehicle comes to a stop just beyond the barrier and the villagers walk up to the lowered barrier. A uniformed thuggish looking chauffeur - HINKS - gets out of the driver's door and allows his passenger to get out via the lowered front seat. He is STEVENS, the Director of the complex. He is a middle-aged man, with a moustache wearing a smart coat and homburg hat and carrying a briefcase. A younger coated man, also with a moustache
SUMMARY: | While the Doctor plans a holiday to Metebelis Three, Jo and the Brigadier are intrigued by a mysterious death at a coal mine in Llanfairfach, which is being blamed on local company Global Chemicals. |
fd_Dawson_s_Creek_02x21 | fd_Dawson_s_Creek_02x21_0 | TEXT: "Ch...Ch...Changes" CAST Dawson Leery: James Van Der Beek Joey Potter: Katie Holmes Pacey Witter: Joshua Jackson Jen Lindley: Michelle Williams Andie McPhee: Meredith Monroe Jack McPhee: Kerr Smith Joseph McPhee: David Dukes Mike Potter: Gareth Williams Written by Dana Baratta Directed by Lou Antonio (Cut to Dawson watching "Casablanca" on his television while sitting at his desk by his laptop.) Dawson: (Thinking) Compare and contrast Humphrey Bogart's character arc in "Casablanca" to one in your own life. Use examples. (He stares blankly at the laptop.) Dawson: (cont.) Number one...Mrs. Kennedy. The character starts out as a sadistic film teacher/father's new girlfriend who maliciously conjures up a finals assignment for the sole purpose to slowly torturing her helpless nemesis, played by Dawson Leery, to death. An example of a purely evil character...with absolutely no arc whatsoever. (He highlights and deletes what he had and gets up and walks towards the bed where we see Joey.) Dawson: (Speaking) Why is it that we're so ridiculously intent on pleasing the people who dislike us the most? Joey: I don't know why you're making such a big deal about this, Dawson. I mean, it's your film final. It should be a no-brainer for you. Dawson: I know. Joey: Why don't you just...I don't know...interview somebody? Dawson: On camera! That's it! I'll present my film final on camera! (laughs) I mean, I'm bound to get points for ingenuity if nothing else, right? Joey: There you go.. (Dawson moves over and sits on the bed, pointing the camera at Joey.) Dawson: So...Joey? Talk... Joey: No! Forget it, Dawson. Dawson: C'mon! You've gone through changes this year. You have a character arc!
SUMMARY: | All of the gang's lives go through changes. After Andie begins seeing her dead brother Tim in the last episode, Jack and Pacey agree to call Mr. McPhee, who decides that he wants his daughter to be treated in Providence, not Capeside. All are stunned at the new changes, and Andie and Pacey must decide if Andie's mental health is more important than being together. Jack also must decide whether or not to go with Andie or stay. His decision is complicated when his father implies that Jack's homosexuality can be 'treated'. Dawson, while helping Mr. Potter extend the Ice House, interviews him for a film project about his supposedly changed life, but inadvertently catches him in the act of a drug deal. Jen decides to make a change so she calls her mother and inquires about returning home or visiting. She is upset to be told that it is an inconvenient time. She ends up moving in with Jack, as she has no other place to go. Andie leaves, and Jack and Pacey watch her go. |
fd_Gilmore_Girls_03x21 | fd_Gilmore_Girls_03x21_0 | TEXT: 3.21 - Here Comes the Son OPEN AT WESTON'S BAKERY [Lorelai and Rory are sitting at a table with books spread open in front of them] LORELAI: "Where's the ladies room?" "More coffee, please." "Does Antonio Banderas live near here?" RORY: We do not need to know how to say "Does Antonio Banderas live near here?" LORELAI: Oh, yes, we do. RORY: Mom. LORELAI: When we're in Spain, we need to know how to say, "Does Antonio Banderas live near here?" When in France, "Does Johnny Depp live near here?" RORY: When in Rome, "Does Gore Vidal live near here?" LORELAI: You know, you look like me, yet my ways are completely lost on you. Come on, honey, put that down. You've been studying all day. RORY: I can't put it down, I've got finals coming up. LORELAI: I know you have finals coming up, but you also have a piece of pie sitting there that you've been completely ignoring. RORY: Just let me get to the end of this chapter. LORELAI: Oh, fine. Hey, how important do you think it is to be able to say, "Help, I'm bleeding from the head"? RORY: Just bring the phrase books. LORELAI: No. If we learn all the phrases we need, then the phrase books are one less thing we have to lug around. RORY: We will never be able to learn all the phrases in every language that we're going to need. Bring the books. LORELAI: We can learn enough. Plus, doesn't everybody speak English over there anyway? RORY: Ugly American, party of one. LORELAI: Fine, we'll bring the books. RORY: Okay, five minutes for pie. LORELAI: Finally. [Lane walks in and sits down with them] LANE: They're here, I've got them. LORELAI: You've got what? LA
SUMMARY: | Jess heads out to Venice, California only to learn that his father's community is just as quirky as Stars Hollow. The rift widens between Lorelai and Emily. Luke tells Lorelai that Jess took off for good. Lorelai waits for the right moment to break the news to Rory, who is stressing over finals and graduation. Note: This was to be a backdoor pilot for a spin-off called "Windward Circle", that would focus on Jess living in Venice, California and befriending a group of skateboarders. However, The WB did not pick up the series. |
fd_Merlin_05x09 | fd_Merlin_05x09_0 | TEXT: KILGHARRAH: In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a young man. His name: Merlin. [NEW SCENE: GUINEVERE IS WALKING THROUGH A DARK CORRIDOR IN THE CASTLE, KEEPING TO THE SHADOWS, AND IS JUST ABOUT TO LEAVE WHEN PERCIVAL SEES HER.] PERCIVAL: You there! Show yourself. [GUINEVERE TURNS AROUND TO FACE HIM, TO HIS SURPRISE.] PERCIVAL: Your Highness. Are you alright? Is something wrong? GUINEVERE: No, no. All is well. PERCIVAL: It's dangerous to be out at such an hour. GUINEVERE: I am grateful you are so scrupulous in your duties. PERCIVAL: It's not where I thought to have found you, Your Highness. GUINEVERE: One does not always wish to be "Your Highness", Percival. I miss the old town, its streets, its people, so I go back sometimes. PERCIVAL: Is that wise? GUINEVERE: Well, people only see a Queen when they expect to. PERCIVAL: All the same- GUINEVERE: And it reminds me of Elyan... and I need that sometimes. PERCIVAL: Of course. I understand. GUINEVERE: I'm not sure Arthur would. PERCIVAL: I won't mention it. GUINEVERE: Thank you. [NEW SCENE: GUINEVERE IS MEETING MORGANA IN THE WOODS.] MORGANA: You're late. GUINEVERE: I'm sorry. MORGANA: Was there a problem? GUINEVERE: Nothing I could not handle. MORGANA: Did you get what I asked for? [GUINEVERE HANDS MORGANA A SCROLL.] GUINEVERE: It wasn't easy. It details the route the levy collection will take, the names of the knights, their arms, and the
SUMMARY: | Merlin reveals Guinevere's betrayal to Arthur. Merlin resolves to bring the old Gwen back and Gaius suggests that he travel to the Dochraid. Under threat, the Dochraid explains that Gwen must enter a magic lake willingly to be cleansed by the White Goddess. Arthur, Merlin and Mordred take the unconscious Gwen to the lake where Merlin takes on the guise of Dolma, a female sorceress, to perform the ceremony. Arthur must use Gwen's love for him to convince her to enter the lake. Merlin, still in disguise, asks Arthur not to forget that magic saved his Queen. Mordred confronts Merlin on the way back knowing that the magic that saved Gwen was his. |
fd_FRIENDS_04x21 | fd_FRIENDS_04x21_0 | TEXT: With Help from: Darcy Partridge [Scene: Central Perk, Joey and Chandler are sitting and talking.] Chandler: Y'know what? It seems like all of the sudden; so much has happened. Joey: I know. Ross is getting married. Chandler: Phoebe is, making people. Joey: Everybody's doing stuff! Chandler: And we just sit here. I mean if I die the only way people would even know I was here, would be by the ass print on this chair! Look, we have to do something. Okay? Something huge! Joey: (snaps his fingers) We could climb Mt. Everest! Chandler: No-no, not something stupid, something huge. Joey: No-no-no-no-no, I saw an ad for this video, people climb that thing everyday! We could totally do that! Chandler: Why not?! I mean it's just, it's just climbing! It's just, it's just steep! Joey: Yeah! Chandler: We're going to Everest! Okay, it would be nice to leave an ass print on Everest! Phoebe: (entering) Hey! Joey: Hey! Phoebe: What-what's up? Joey: We're gonna climb Mt. Everest! Chandler: Yeah baby! Phoebe: Really?! I looked into that. Yeah, but, I mean it costs like $60,000 and y'know you can die. And, you would die! Chandler: (dejected) Yeah, well... Joey: We could get that Everest video though. Chandler: Yeah, we could do that without y'know risking our lives at all! Joey: And while we're down at the video store, you know what else we could rent? Die Hard! (Chandler's excited.) Oh, y'know what? I just remembered, that Everest thing is only available through mail order. Chandler: (dejected) Oh, well... Phoebe: So you guys'll stay here and hang out with me? Chandler: Yeeeeahhhh. Joey: Yeah. Yeah. Chandler: But I'll tell
SUMMARY: | A clip show where pregnant Phoebe is frustrated at being unable to attend Ross' London wedding. Ross surprises Emily by inviting Rachel, causing him to reminisce about their time together. Rachel believes it will be too heart-breaking to attend and decides not to go. This episode includes much footage of Ross and Rachel's relationship throughout the show. |
fd_The_100_01x07 | fd_The_100_01x07_0 | TEXT: Clarke (V.O.): I was born in space. I've never felt the sun on my face or breathed real air or floated in the water. None of us have. For three generations, the Ark has kept what's left of the human race alive, but now our home is dying, and we are the last hope of mankind, A hundred prisoners sent on a desperate mission to the ground. Each of us is here because we broke the law. On the ground, there is no law. All we have to do is survive, but we will be tested by the Earth, by the secrets it hides, and most of all by each other. [SCENE_BREAK] Bellamy (V.O.): Previously on The 100 [SCENE_BREAK] [ Flashbacks ] ( Camera flashes between the scene where CLARKE and FINN are sleeping together and RAVEN as she confronts CLARKE. ) Raven: Tell me Finn didn't make this for you. Tell me you weren't screwing my boyfriend! Clarke: I can't tell you that. ( Camera pans to CLARKE speaking to the 100 ) Clarke: Life support on the Ark is failing. ( Now we see ABBY making an announcement to the Ark's citizens ) Abby: In twelve hours, three hundred and twenty people will be sacrificed to boost our oxygen supply. ( Officer KANE explaining the process of killing the citizens of the Ark ) Kane: It'll appear to be a malfunction of the Fire Containment System. ( Chancellor JAHA watching the 320 citizens die. ) Jaha: And we hereby commit these souls to the deep. ( We flash back to Earth, and see OCTAVIA BLAKE being grabbed by LINCOLN as she watches ROMA be impaled, then see her being carried by LINCOLN. ) Octavia: Thank you, you saved my life. ( Later in that scene with OCTAVIA in LINCOLN's cave as he attaches her to the wall ) Octavia: 'The hell are you doing? ( She knocks out LINCOLN and we see BELLAMY BLAKE rejoice
SUMMARY: | In the midst of a hurricane on the ground, Finn is near death from a poisoned stab wound. Bellamy, having captured the grounder who stabbed Finn, tortures him for the antidote but he does not speak. Raven successfully connects with The Ark; Abby assists Clarke with treating Finn. Octavia convinces the grounder to reveal the antidote by poisoning herself with the same blade. On The Ark, Abby is released due to the unexpected support of Kane, but is removed from the Council as punishment for her actions. Replacing her is the former chancellor, Diana Sydney, whose intentions are questionable. After learning that Earth is habitable, The Ark begins preparations for Project Exodus: their re-colonization of Earth. However, their dropships can only carry about 25% of The Ark's population. In addition, residual tension from the culling causes mistrust in the Council. Clarke finally confronts her mother who insists that she only intended to have Jaha talk Clarke's father out of his plan, not execute him. |
fd_The_Vampire_Diaries_02x16 | fd_The_Vampire_Diaries_02x16_0 | TEXT: [Salvatore's house] (Elena and Stefan are in Stefan's bedroom, preparing for school) Elena: Stefan, we're late for school Stefan: Let's be later Elena: Stefan, it's school. Remember, that thing that we keep forgetting about? Stefan: School? (He kisses her) Stefan: Doesn't ring a bell (He kisses her, carries her and lays her on the bed) Elena: Stefan! Ok, 5 minutes, only 5 minutes (They kiss) (Elena is dressed, she's putting her coat. Damon is reading one of Jonathan Gilbert's journal) Elena: Good morning, Damon (He looks at her and pushes her against the wall) Damon: What are you doing here? I told you to leave Elena: What is your problem? Damon: You're wearing her clothes? Like that's going to work Elena: You think I'm Katherine? Why would you think that? Katherine's in a tomb! Isn't she? (He realeases her. Stefan arrives) Stefan: What the hell's going on here? Elena: I don't know, you tell me. Is Katherine in the tomb or not? (Stefan rushes over Elena and pushes her against the wall) Elena: What are you doing?! Stefan: How could you do this?! Elena: Stefan, you're hurting me! Stefan: Stop it, Katherine! Katherine: Stop what? It's getting really easy being you (Katherine is here. She was posing as Elena with Damon) (Damon is here too) Elena: What is she doing here? Damon: When we killed Elijah, it broke the compulsion and freed the bitch from the tomb Stefan: How's that possible? Katherine: He's an Original. They have all sorts of special skills Elena: I don't want you here. Get her out of here Katherine: You need me, Elena. You all do Stefan: Like hell Katherine: We all want the same thing... Klaus dead. Yet here you all are, running around like chickens with their heads cut off Elena: I don't need your help and I don't want it Katherine:
SUMMARY: | Discovering that Katherine is free, Elena is upset. Stefan and Bonnie try to persuade Jonas and Luka to work with them, but Jonas wants Elijah alive again. He performs a ritual that puts Luka in the boarding house in invisible form. Luka tries to remove the dagger from Elijah's body, but Katherine stops him. Luka then stakes Katherine, but Damon uses a flamethrower to prevent the removal of the dagger. Luka is fatally burned, and Jonas vows to avenge him by killing Elena. Bonnie tells Elena about her relationship with Jeremy and is surprised by Elena's positive response. Jonas appears at the Grill, looking for Elena. Bonnie tries to stop him, but he disables her; Matt intervenes, but Jonas stabs him. Caroline sees Matt dying and forces him to drink her blood to save his life. Jonas attacks Elena, but she proves to be Katherine, and she bites him. Alaric tells Jenna that he loves her. Bonnie reveals that Jonas has restored her powers and told her how to kill Klaus. Caroline tells Matt that she is a vampire, but he takes the news badly. Isobel shows up at Elena's house and tells Jenna that she is Elena's mother. |
fd_Justified_06x01 | fd_Justified_06x01_0 | TEXT: [PREVIOUSLY_ON] Art: You're hit! Alison: [panting] No, i-it's not me. It's you. Tim: He lost a lot of blood. He went out in the ambulance. Hasn't opened his eyes since. Dewey: That's my heroin! Boyd: Dewey... Dewey: Or you don't think I'll shoot?! I will shoot... the way I shot Wade Messer! Raylan: We got you on tape, Dewey, talking heroin, big dreams. Dewey: You heard that? Raylan: About Messer, too. Raylan: You're saying you're going after Boyd Crowder? Vasquez: We're going after him under the rico statute. We're gonna bury him. Raylan: And you want me to help? Rachel: Before you go? Yeah. Katherine: You were lousy at running heroin, Boyd Crowder. But from what I'm told, you are really good at robbing banks. Raylan: I came here to go over the rules. How you make a call. How you record a conversation. Ava: How I send an emergency signal. What to do if I'm in danger. Yeah. Raylan: And you're clear? Ava: Mm-hmm. Raylan: Then we're good. Winona: Are you serious? This is... is really happening? Raylan: Paperwork's been filed. Just as matter of routine approvals. I'll be there, all moved in, in a few weeks. God damn, she's beautiful. Oh, little lady, you're wide awake, aren't you? [baby cooing] Want mister turtle? [sighs] I'll tell you a secret. Your daddy is pretty tough, but he is no match for the graveyard shift. [cooing continues] [chuckles] Oh, Raylan, what in the world is worth missing this for? [loud music] [horns honking] [all conversing in Spanish, laughter] [scoffs] Raylan: Bourbon. Tequi
SUMMARY: | Raylan remains separated from his infant daughter so he can work on the RICO case against Boyd Crowder, abducting crooked Federale Agular from Mexico where he is compelled to say that Dewey Crowe was a witness to Boyd's murder of Johnny and the others. Dewey has just been released from jail on a bad confession and a record of harassment from Raylan, who despite a petition to keep a thousand feet away attempts to coerce Dewey into turning on Boyd. Dewey claims ignorance and wanders Harlan until circumstances cause him to return to Boyd, apologizing and asking Boyd to trust him and bring him back in. When Raylan busts drug dealer Cyrus who had recently met with Boyd, Boyd employs Dewey to drive a truck (apparently using Hot Rod Dunham's old trick of towing a car with a bag of drugs in the trunk). Raylan decides to pull surveillance off Boyd to follow Dewey, who gets scared at a state police roadblock and drives off the road, Raylan realizing too late that Dewey was a decoy. Boyd uses the opportunity to rob the safety deposit boxes of a bank he'd cased earlier, but his crew are frustrated to find that the boxes do not contain cash as promised but a ledger and deeds. Raylan pressures a scared Ava to fulfill her obligations as an informant and produce actionable information on Boyd or be returned to prison. Ty Walker earns Raylan's suspicion by offering a suitcase of cash for Arlo's old house and farmland. At the end of the episode, Dewey reminisces with Boyd about Crowder's Commandos saying it was the happiest time of his life, but Boyd believes there's no future left in Harlan and those days are behind them. Boyd kills Dewey, saying that he couldn't trust Dewey any more, then in the final scene is shown contemplating a sleeping Ava. |
fd_Greek_01x20 | fd_Greek_01x20_0 | TEXT: CRU - Tina's room Rusty : How about a movie? Tina : We could watch a movie here. Rusty : You don't have a TV. Tina : Right. Rusty : We can go to dinner? Tina : I had a late lunch. Rusty : Let's take a walk? Tina : I'm trying to cut back. You know, Emma won't be back for a couple of hours. We don't have to go anywhere. Rusty : It's not about have to. I thought you might want... Tina : Nope. CRU - Street Beaver : We got enough for some bread, peanut butter, maybe a couple bags of Cheesaritos, and three cases of Sandusky. Cappie : That's all? We should raise our dues. Beaver : There might be change under the TV room couch but Gonzo and his girlfriend slept there... Cappie : Say no more. We'll leave it for future generations. Rusty : Hey guys, wait up! Sorry I'm late. Ben Bennett : Thought you weren't going to make it because your date. Rusty : My "date" took less time then I'd planned. Cappie : A lover's spat? Rusty : Well, that'd require talking. 'Cause all Tina and I do is, You know... Cappie : If you can't say it, you really should not be doing it. Rusty : s*x. Cappie : Usually guys are a lot happier in these situations, Spittoon. Rusty : It's not that I don't like it, it's just... it's weird. I guess she's my girlfriend, but I don't even know her middle name. Or her last name. Ben Bennett : If you don't talk, is she technically a girlfriend? Rusty : What else would she be? Pickle : More like a friend with benefits? Cappie : No, no. No,
SUMMARY: | Since the party restrictions have now been lifted, Omega Chi and Kappa Tau throw competing parties to celebrate. But the Kappa Taus discover they might not have the funds to put on the kind of party they are known for - will they be able to pull it off? Find out which fraternity party prevails. |
fd_The_Big_Bang_Theory_06x20 | fd_The_Big_Bang_Theory_06x20_0 | TEXT: Scene: The cafeteria. Leonard: I was reading about this jellyfish that never dies. Instead, it reverts to its asexual state and then grows up again. Howard: We thought my 90-year-old grandfather had reverted to an asexual state, but the lawsuit from his Jamaican caregiver proved us all wrong. Leonard: My point is, immortality is not only a possibility, it is real. Raj: Only if you're this jellyfish which periodically reverts to a mass of undifferentiated protoplasm. Sheldon: If I could keep my Gmail account, I'd be okay with that. Barry: - Hewwo, fewwas. All: Hey. Barry: Wemember when we were twying to figuwe out what that smell coming fwom Pwofessor Tupperman's office was? Howard: Yeah? Barry: Turns out it was Tupperman. Dead at his desk for two weeks. Howard: That's terrible. Leonard: Oh, my God. Barry: In wieu of fwowers, the department chair is asking that evewyone donate a bottle of Febweze. Sheldon: If we're going to change the topic from jellyfish, I'd be okay with brine shrimp or the history of the unicycle. Howard: Show a little compassion, a man died. Barry: And turned into a puddew of goo. Now, we can either sit awound and cwy over spilt pwofessor, or we can wejoice in the knowwedge that a tenured position has just opened up. I choose to do the watter. Sheldon: Excuse me, the whole tenure system is ridiculous. A guaranteed job for life only encourages the faculty to become complacent. If we really want science to advance, people should have chips implanted in their skulls that explode when they say something stupid. Raj: Well, I believe people do their best work when they feel safe and secure. Sheldon: Pchew! Barry: If you need my nose, you'll find it firmwy wodged up the qectum of the
SUMMARY: | After Professor Tupperman's death, Sheldon, Leonard, Raj and Kripke fight for his tenured position and try to impress Janine Davis, Caltech's HR administrator and head of the tenure committee. Leonard and Kripke exercise with her at the gym to talk to her, but Leonard suffers an asthma attack. Raj sends her a 90-minute video autobiography. Sheldon gives her a DVD of the TV miniseries Roots to make up for his racist comments in The Egg Salad Equivalency but when she doesn't appreciate it, he offends her by asking "you are black, right?". Sheldon, Leonard and Raj attend Tupperman's memorial service, Sheldon and Leonard taking Amy and Penny to impress the tenure committee. On their encounter before the memorial service they lash out at each other, even Amy and Penny joining in. The fight stops only when Leonard realizes he would rather lose the tenured post than lose his friends. The five decide to leave, but stay after observing Kripke flatter Mrs. Davis. Sheldon, Leonard and Raj are eventually shortlisted for the tenured position purely on the basis of their accomplishments. Sheldon thanks Mrs. Davis, but offends her yet again by offering her a supposed "traditional black handshake". |
fd_London_Spy_01x03 | fd_London_Spy_01x03_0 | TEXT: Journalist: You were his sexual partner for eight months. He never mentioned sadism, never asked you to participate? Danny: Well, that's what I'm trying to tell you. I don't think anything did go on up there. I never saw him use those items. Frances: Alistair was... as precocious sexually as he was intellectually. Danger, pain, submission, domination. Policewoman: Is it possible that you enjoyed extreme sexual encounters with someone who didn't want you to know their name? Frances: I don't know what went on in that attic... and the truth is neither do you. Alex (O.C.): I have to buy a battery for my laptop. American: Lots of people think they have nothing to lose. But in my professional experience, they just haven't thought it through. Danny: You threatening me? American (O.C.): Once in a while, someone unexpected tells you something that might save your life. [SCENE_BREAK] ( Panting ) Police (O.C.): Armed police! Police! Stay where you are! Show us your hands! Sara (O.C.):Danny? Danny, what's going on? Let me go! Get your hands off him. Danny! [SCENE_BREAK] ( Sirens wail ) [SCENE_BREAK] Detective Taylor: The trunk. An antique. Wood. Leather. Steel frame. Very strong. You claim it was used to store hiking boots and other outdoor equipment in the back of his car? With a man inside, oxygen levels drop 17%. The temperature jumps ten degrees. You become breathless. Sweaty. There's a moment of euphoria. Danny: Euphoria? Detective Taylor: Have you ever experimented with erotic asphyxiation? "When the brain is deprived of oxygen, it induces a semi-hallucinogenic state called hypoxia. Combined with orgasm..." Danny: I know what it is. Detective Taylor: "..the rush is said to be no less powerful than cocaine, and highly addictive." You know what it is, because you've tried it? Danny: There was
SUMMARY: | Danny is arrested, and admits to having experimented with auto-asphyxiation . The interrogators show him the logo of a rent boy agency they say Alex used, and suggest he confess that, while high on drugs, he accidentally asphyxiated him. If not, he will be charged if they discover his DNA on the sheets in the attic room. Once released, Danny visits an old acquaintance, a record producer called Rich, and asks for help to find the rent boy agency. Rich offers to help in return for sex, but Danny refuses. Danny's flatmate informs him that the tablet left by the American is anti-HIV medication. Danny is tested, and told that he is HIV positive. Scottie takes Danny to see a friend who says she will try to arrange a meeting with Alex's old professor who may be able to make sense of the contents of the code-locked cylinder which he took from Alex's flat. Later, at Scottie's club, Scottie blackmails a former colleague into revealing that every major espionage agency agreed Alex was a threat. Later, Danny is walking when a car draws up. Rich is in the back, and gives him a phone. |
fd_CSI__Crime_Scene_Investigation_03x07 | fd_CSI__Crime_Scene_Investigation_03x07_0 | TEXT: [EXT. LAS VEGAS CITY (STOCK) - NIGHT] [SCENE_BREAK] [EXT./INT. VENETIAN HOTEL -- NIGHT] (Billboard with the picture of the two fighters.) (The guests walk on the red carpet to the front door. The doorman opens the door for them.) (The hotel door opens and the guests walk inside.) (Cut to: The fight inside.) (Cut to: The sign outside the lobby reads: "STEELE vs. MOLINA", "Revenge of the Century" and "November 9, 2002".) (Cut to: Inside the ring. / Photographers snap pictures.) (The fighter throws a punch.) (The MAN and The WOMAN wave to the crowd as photographers take their pictures. They enter the hotel.) (Cut to: Fight scenes inside the ring.) (The Man and the WOMAN walk across the hotel lobby. A MAN runs across the lobby floor. A group of young, black men saunter across the lobby floor after him. The leader wears a thick silver necklace.) (Cut to: The Man and The Woman walk through the double doors and into the tunnel. Scenes of the main audience area.) (Close up of the Everlast Belt around the fighter's waist.) (The Man and The Woman walk under the tunnel. They enter the main audience area. They move to the side to take their seats. The audience cheers.) (The camera moves in toward the main ring where the fight is happening.) Man: (shouting) Put your hands up! Put your hands up! (Bell dings. The round ends.) Referee: That's enough! (The audience applauds and cheers.) (MOLINA raises his hands high in the air.) (LAROI takes a seat in his corner.) Trainer: Come on, Laroi. TRAINER: He's okay! TRAINER: We're going to dry it up, Laroi. TRAINER: We're going to dry it up. (The Manager claps from outside the
SUMMARY: | A boxing champ dies in the ring after taking a brutal beating from his nemesis, but Grissom finds evidence that points to murder. Outside, in a nearby parking lot, Catherine works a crime scene where a Los Angeles gang member was gunned down, apparently by a rival gang. Also, Nick investigates a jewelry-store robbery. |
fd_Frasier_10x22 | fd_Frasier_10x22_0 | TEXT: Act 1 Scene 1 - Cafe Nervosa Fade in. Niles and Daphne are at a table together, Frasier joins them. Frasier: What is this? St. Osric's Pre-Kindergartener Academy and Day Care Center? Do I hear the pitter-patter of petite elite feet? Niles: No, no, no. It's just that the wait list for St. Osric's is up to four years. So I thought we should get our application in now to be safe. Frasier: Very wise, Niles. You know, Lilith and I waited until Frederick was conceived before we enrolled him in private school. Niles: Mr. Procrastinator. Daphne: It's pre-kindergarten. They run around, they sing, they nap. I mean, how special can St. Osric's really be? Niles: Well, I hear the top two percent in coloring and putting away can pretty much write their own ticket. Frasier: Oh, Niles, guess who's coming to visit? Leland Barton. Niles: Really. From the Empire Club? Frasier: No, that's Barton Leland. Leland Barton was Mom's research assistant. They worked together closely for years. Niles: I don't remember him. Frasier: Oh, that's right. We were just boys when he moved to France. Apparently he gave up psychiatry and immersed himself in the Paris art world. Today he sits on the board of the Paris Museum of Modern Art. Niles: Wow. It takes a brave man to just chuck it all. Cross the ocean in pursuit of a new life in a new country. Daphne: [getting up] Or a brave woman. Niles: Oh, yes, that's absolutely right. That's exactly what you did. The brothers get up as well. Frasier: Just like Dr. Barton you bade farewell to the comforts of hearth and home and filled your sails with the winds of change and adventure. Daphne: I never looked at it that way. Now I'll
SUMMARY: | Frasier and his family receive a visit from Dr. Leland Barton ( David Ogden Stiers ), his late mother's research assistant, now settled in Paris. They find him sophisticated and erudite, with an interest in sherry and the arts - in short, surprisingly similar to Frasier and Niles. Roz even observes that they have some similar mannerisms, and when Leland confides in her how close he was to their mother, she cannot help considering the possibility that the similarities are more than just a coincidence. Martin makes some similar observations, and begins to feel unsettled by the thought. Niles and Daphne are also thinking about parenting , and although there are no children on the way yet, Niles is keen to get a place in advance at a decent kindergarten . The problem is that they have to put a name on the form. |
fd_Doctor_Who_1963_25x11 | fd_Doctor_Who_1963_25x11_0 | TEXT: THE GREATEST SHOW IN THE GALAXY PART ONE Run time: 24:23 [SCENE_BREAK] Big Top [SCENE_BREAK] Ringmaster: Now welcome folks, I'm sure you'd like to know, we're at the start of one big circus show. There are acts that are cool and acts that amaze. Some acts are scary and some acts will daze. Acts of all kinds, you can count on that, from folks that fly to disappearing acts. There are lots of surprises for the family at the Greatest Show in the Galaxy! So many strange surprises, I'm prepared to bet, whatever you've seen before, you ain't seen nothing yet. [SCENE_BREAK] TARDIS [SCENE_BREAK] Ace (O.C.): Professor? The Doctor: Yes? Ace (O.C.): Have you seen my Nitro Nine? The Doctor: Isn't it in your rucksack? Ace (O.C.): Yeah, but where's my rucksack? The Doctor: Interesting question. Ace: Things don't just vanish. The Doctor: No. [SCENE_BREAK] Landing bay [SCENE_BREAK] TARDIS [SCENE_BREAK] The Doctor: What's that peculiar noise? Ace: What peculiar noise? I don't hear any peculiar. The Doctor: How extraordinary. The Doctor: It materialised inside the TARDIS. Just the kind of thing you'd expect to see in this part of the galaxy. Ace: Is that just what you'd expect too, Professor? The Doctor: Not entirely, no. Advert: Yes, it's festival time at the Psychic Circus, the Greatest Show in the Galaxy! So why not come along and have the time of your life with the nonstop action of its glittering circus ring. There's big prizes... Ace: No, I don't believe it. Junk mail. Used to get loads of this stuff through the letterbox and now we're being bombarded with it inside the TARDIS. The Doctor: Yes, junk mail gets everywhere. Advert: If you want to watch or you want to compete, there's a great time
SUMMARY: | Bellboy and Flowerchild escape the Psychic Circus but are pursued by the Chief Clown. The Doctor and Ace meet other visitors to Segonax, some of whom are not what they seem... |
fd_How_I_Met_Your_Mother_03x05 | fd_How_I_Met_Your_Mother_03x05_0 | TEXT: INT. MACLAREN'S (subtitled, 'the year 2007,' Robin, Ted, Barney, Lily and Marshall sit at booth, Ted waves at girl entering bar who waves back and walks over to him) Future Ted VO: Kids, back in the fall of 2007, I was dating this girl named...oh God, what was her name? It's been 23 years, I can't remember all this stuff. For the sake of the story, let's call her... Ted: Everyone, this is Blah-blah. Blah-blah: Please call me Blah. Marshall: So, Blah, how did you two meet? Blah-blah: Well, I was taking this cooking class, French fusion, and everyone already had a partner but then I looked up, and across a crowded room, I saw Ted. It was magical. Ted: It was so magical. (Ted and Blah-blah kiss) Future Ted VO: Except it wasn't. (flashback to 'one hour earlier,' Barney, Robin, Ted, Marshall and Lily enter MacLaren's) Ted: She's gonna tell some bogus story about a cooking class because she's embarrassed we met online. Marshall: Ay, Chihuahua. (Everyone sits down at booth) Ted: What? There's no stigma anymore. Robin: Oh, there's a stigma. That's why people always say there's no stigma anymore. Barney: So, she's hot. Ted: Oh, she's gorgeous. Barney: Then she's crazy. Ted: No she's not. Barney: Ted, the only hot girls that troll the Internet for dudes are crazy, hookers or dudes. Ted: OK, she's not crazy, she's not a hooker, she's not a dude. Though there's this guy I pass on my work every day who's all three, scares the crap out of me. Barney: There's no way she's above the line on the hot-crazy scale. Ted: She's not even on the hot-crazy scale. She's just hot. Robin
SUMMARY: | Ted's new girlfriend becomes jealous that the story about how Ted and his friends met is better than how she met him, resulting in her ranking on Barney's "crazy scale" to go through the roof. |
fd_The_Originals_02x06 | fd_The_Originals_02x06_0 | TEXT: [PREVIOUSLY_ON] Klaus: I assume I have the misfortune of speaking to my mother. Esther: I have come to heal our family. I will undo everything that has been done, thereby giving you a new life. Elijah: I don't believe I've had the pleasure. Vincent/Finn: You mean you don't recognize me? Klaus: It's been a long time, Finn. Cami: I have to get back to campus. I'm meeting my new advisor. Mr. Griffith? Call me Vincent. Elijah: Aiden, you and Oliver escort the children. We'll handle the rest. Elijah: Uh! Ugh! No more. Esther: Oh, I'm afraid we've just begun. Klaus: What is it, Hayley? Hayley: Something has happened to Elijah....he's vanished. Lenore: Stop fighting, Elijah. Esther: I want you to rejoin our family... Take the body of a mortal, and we can all be happy again. Elijah: Get out of my head. Esther: The only way to find peace is my way. [SCENE_BREAK] [ FLASHBACK: KINGDOM OF NORWAY, 972 A.D. ] ( A young Esther is bundled up and walking through the cold and snow toward a cottage. Inside the cottage is a darker-haired witch named Dahlia, who is in the midst of performing a spell as she clutches a necklace in her hand. She is surrounded by human skulls, reindeer antlers, and dozens of lit candles ) Dahlia: In unim edito, domino sae domina, cutlas sino liberos, sino liberos. ( Esther finally arrives at the cottage and pushes the door open, closing it behind her. Dahlia is startled and doesn't look happy ) Esther: ( removes her mittens ) Sister, I've come to beg for your help. Dahlia: ( skeptical ) What for? Esther: You know I've always wanted children of
SUMMARY: | Fed up with her antics, Klaus becomes agitated and demands that Esther release Elijah, whom she has captured. However, Esther reveals a few dark secrets from Klaus' past in an attempt to make him an offer he can't refuse. Meanwhile, Oliver ends up in a dangerous situation, prompting Hayley to reconnect with Jackson, who has been living a new life out in the bayou. Elsewhere, Cami, who still believes baby Hope's death was her fault, teams up with Marcel and Gia after she becomes suspicious of her faculty advisor Vincent/Finn. Lastly, in a surprising turn of events, Klaus comes face-to-face with his true father who came back from the dead. In flashbacks to Esther's past we see why she wanted to kill Klaus' daughter Hope. |
fd_Doctor_Who_1963_17x25 | fd_Doctor_Who_1963_17x25_0 | TEXT: SHADA PART FIVE by DOUGLAS ADAMS would have been transmitted - 16th February 1980 [SCENE_BREAK] 1. MAIN CONTROL ROOM (With the experiment over, the DOCTOR tries to wake CHRIS.) DOCTOR: Bristol? (no answer. The DOCTOR checks CHRIS's heart.) Bristol? Are you alright? (CHRIS's eyes opened) CHRIS: I feel marvelous! DOCTOR: Good, good, it'll pass. You're fit. (He pats CHRIS on he back as CHRIS gets up.) CHRIS: What did you find out? DOCTOR: Not much, not enough to locate Skagra, just enough to frighten me out of my wits. (Suddenly K-9 enters the chamber.) K-9: Master! DOCTOR: K-9! Why aren't you back at...? (The DOCTOR stops short as he sees that behind K-9 is the Krarg. Its footsteps leave a smoking trail in its wake, and its head and torso glow with a red haze. The glow lights the room, and the zombie scientists cower from it in fear. It smashes its weapon into the wall and a shower of sparks results.) K-9, try and keep it back! K-9: Power supply at danger level. (The DOCTOR moves towards the cone as though to pull CALDERA and the other scientists onto his side of the room, but the Krarg's heat forces him to move to the side. The Krarg swings its prod device into the cone and forces the DOCTOR away. The DOCTOR backs away as the Krarg advances toward him slowly. The DOCTOR tries crawling over the cone slightly differently.) CHRIS: Doctor, look out! (The Krarg slams the cone again, this time knocking the DOCTOR away from the cone altogether and back towards CHRIS. The two back away from the advancing Krarg until they are almost at the wall. The DOCTOR looks straight into the searing read haze of the coal-like creature as it paces forward towards them...) DOCTOR: Bristol!
SUMMARY: | See Shada, Part One for the full summary of all six Parts. |
fd_Doctor_Who_1963_15x18 | fd_Doctor_Who_1963_15x18_0 | TEXT: UNDERWORLD BY: BOB BAKER AND DAVE MARTIN Part Two Running time: 21:27 [SCENE_BREAK] K9 (OOV.): One hundred metres. Penetration. You have penetration. JACKSON: Now, Tala. Full acceleration. DOCTOR: That's the P7E. TALA: Captain, the fuel's going. JACKSON: What do you mean? That's a planet. DOCTOR: That's where the signal's coming from. JACKSON: Where? DOCTOR: Right in the middle. The planet formed around it. TALA: Captain, the fuel's gone. JACKSON: That's it, then. There's nothing else we can do. LEELA: Sit down! We're going to crash! DOCTOR: Full speed! K9 (OOV.): Mach twelve. Impact in eleven seconds. Ten, nine, eight, seven, six, five, DOCTOR: Hold tight. K9 (OOV.): Four, three. LEELA: Hold tight? K9 (OOV.): Two, one, zero. Stand by for impact. DOCTOR: You can relax now. Relax, everyone. It's a soft planet in the process of formation. Only the core will be solid and with any luck this stuff should slow us down so we don't hit it with too much of a bang. [SCENE_BREAK] K9: Two hundred and fifty kilometres below planet surface. Speed mach point three, decreasing. [SCENE_BREAK] JACKSON: Orfe, the signal. Tune in on the signal! ORFE: That's it! JACKSON: We've got it! DOCTOR: Fascinating. The Quest and nothing but the Quest. ORFE: Contact. R1C to P7E. R1C to P7E. JACKSON: We must be right on top of it! [SCENE_BREAK] MAN: The sky is falling! IDMON: Help, damn you. Help us! SON: They won't, father, they won't. Don't say any more. IDMON: Then
SUMMARY: | Crashing inside a newly formed planet, the Doctor and others find it inhabited by a slave labor mining society, where rocks are harvested for their radioactive energy and human life has little value. With a population controlled by deliberate cave-ins, poison gas, and periodic sacrifices to an Oracle, the miners, called Trogs, are also descendants from Minyos, and who desperately desire freedom. |
fd_Charmed_02x18 | fd_Charmed_02x18_0 | TEXT: [Scene: Manor. Living room. Prue's kneeling on the floor holding her camera and taking photos of Piper, who's looking out the window.] Prue: Hmm, so I think I'll call this "woman not pretending to look out the window." Piper: How about "girl about the pour hot tea on sisters head." Let me see. (Prue shows her the photo.) Either I'm that transparent or you're that good. Prue: Well, I don't think I'll comment since you do have hot liquid over my head. Piper: I'm sorry, I just, I was watching Dan come home alone and I think a more appropriate title for that photo would be " witch with a severe case of the guilt's." And he was a nice guy who did nothing wrong and... Prue: Piper, you had to end the relationship, alright. Your heart wasn't in it and it was the only way not to break his. Piper: I know, I just feel like Dan got the short end of the stick. Prue: There are so many ways that I can go with that but I think I'll just... Piper: Thank you. Prue: Besides, you shouldn't be worried about your past when your future is in town tonight for dinner and a movie. Piper: I know, I know, I know. My first real date with Leo as a normal couple. And normal couples usually shower before their dates, so I'll see you later. Prue: Okay. (Piper walks out of the living room and Phoebe walks in.) Phoebe: Hi doody. Piper: Hi doody. Prue: Hey. (Phoebe sits down on the couch. She has a smile on her face.) Someone's in a good mood. What's his name? Phoebe: Billy. Prue: Phoebe, you didn't? Phoebe: What? Prue: You went to go see "Kill It Before It Dies" at the revival house didn't you? Phoebe: No, why would you think that I... (Prue raises her
SUMMARY: | Prue, Piper, and Phoebe battle the Demon of Illusion after he brings to life one of Phoebe's favorite movie characters. Realizing what he can do, the demon sends an axe murder after the sisters in an attempt to kill them. What happens as a result is that the sisters and the demon get drawn into a horror movie where a battle of good and evil ensues before they're able to vanquish the demon. |
fd_Gilmore_Girls_06x18 | fd_Gilmore_Girls_06x18_0 | TEXT: [Before the teaser there is a montage of scenes from previous episodes.] LOGAN'S APARTMENT [Rory answers her cell phone] RORY: Hey, you. [Lorelai is on the bed in the house] LORELAI: Okay, so weird dream. Weird, weird dream. RORY: Weirder than the one where you step into a boxing ring and your hands are suddenly giant cream puffs? LORELAI: Weirder, scarier. RORY: Let's hear it. LORELAI: Well I was home, and I was finishing up my usual morning routine you know, coffee, shower. And then - picture this, very weird - I take Paul Anka for a walk. RORY: You walk Paul Anka every day. What's weird about that? LORELAI: Not the dog Paul Anka. The real Paul Anka. RORY: Whoa. LORELAI: Yeah. RORY: Was he nice? LORELAI: Very pleasant, natty dresser. Then suddenly, he sees something, a cat or something, and darts right into the middle of the street. RORY: The real Paul Anka? LORELAI: The dog Paul Anka. So I call him and call him, but he completely ignores me and runs right into Doose's Market. RORY: You didn't train him well enough. Too much affection, not enough discipline. LORELAI: I go after him into Doose's, and apparently he's got a job there. RORY: The dog Paul Anka? LORELAI: The real Paul Anka. PAUL ANKA: You picked yourself some beautiful cucumbers, Mrs. Clancey. You have the cucumber eye. LORELAI: So I run out of Doose's, and I'm approaching Luke's apartment, I guess to get help or something, and I'm walking to the door, and I open it, and there's Paul Anka in front of a microphone giving a little concert. RORY: The real Paul Anka. LORELAI:
SUMMARY: | Although Rory and Logan are back together, Logan is miserable knowing that Rory hasn't really forgiven him, and he takes off with his friends for another stunt with the Life and Death Brigade. Rory accepts Jess's invitation to attend an open house at his new book store/art gallery/publishing house in Philadelphia. While there, she is surprised to run into Luke, who is accompanying his daughter April on an academic field trip. Back in Stars Hollow, Lorelai is horrified to find that Richard and Emily have been looking at real estate in her town. (Last appearance of Milo Ventimiglia .) |
fd_The_Office_04x07-08 | fd_The_Office_04x07-08_0 | TEXT: Michael: Coat! [throws coat at Pam] [SCENE_BREAK] Pam: Michael just rented The Devil Wears Prada. He has his NetFlix sent here to the office, and he watches them in pieces when things are slow. [SCENE_BREAK] Michael: Steak! Where's my steeaaak? [SCENE_BREAK] Pam: He's a big Meryl Streep fan, so I shouldn't be surprised that he's identified with her character. [SCENE_BREAK] Michael: Get me Armani. Pam: A suit? Michael: On the phone. Pam: Like the main company number? Because I'm gonna have to call information. Michael: Where's Armani? He's on the phone. Too slow. You are not going to Paris. I'm so much better than you are. [breaks into laughter] [SCENE_BREAK] Michael: I owe you an apology. Pam: You finished the movie. Michael: Yeah. It was awesome. Big surprise ending. Won't ruin it for you. Pam: No. Go ahead. Michael: Meryl Streep is the bad guy. Never see it coming. Anyways, if I was mean in any way to you, I am sorry. I just want what's best for you, Mo Chuisle. [SCENE_BREAK] Pam: Mo Chuisle. He's watching Million Dollar Baby... He's gonna try to kill me. [SCENE_BREAK] Micahel: So this one goes with my eyes and this one goes with your eyes. People have said I have very pretty eyes. Jan: You do. Michael: I haven't heard the same about you. So let's just go with mine. Jan: Well, they both go with the carpet I've ordered, and if you go with the brown leather on the sofas, then they go with that too. Michael: We already have a sofa. So why do--- Jan: A futon's not a sofa. Michael: It... folds up. You've only seen it flat. Jan: I know what a futon is, Michael. Michael: I--- Ok. How much
SUMMARY: | When Jan, now living with Michael in his condominium, forces costly changes in Michael's life, he worries about his financial situation. To remedy the problem, Michael leaves work early for a late night job as a telemarketer until 1 a.m. When Ryan finds out, he forces Michael to quit, who then fears that there is no way in which he can support Jan and himself. He hops a train to run away, but Jan meets him and tells him that they can work together to find a way to live. Meanwhile, Dwight pines over Angela, who is later asked out by Andy. After a pep-talk by Jim, Dwight returns as his normal annoying self, to Jim's pleasure. Pam and Jim visit Dwight's family farm, which he has fashioned into a bed and breakfast . |
fd_Roswell_01x06 | fd_Roswell_01x06_0 | TEXT: "River Dog" 7th Episode of Roswell Production Code: 1ADA06 [SCENE_BREAK] (Start off with the same scene from the end of previous episode) Michael: Whoever's up there looking for us isn't gonna stop until they find us. I'm gonna find out everything I can before they do. (Maria and Liz observe a rat crawling around in the room and Liz finds a tunnel leading out of the room) Liz: Max. Max. Liz: Come on! Come on! Max: Go, go, go, go, go. (Isabel is drawn to a necklace and is lost in deep thought for a brief moment) Max: Isabel! Isabel! (Opening credits) Voice-Over: All logic is gone. Here were my plans last night - finish my shift, dinner with the parents, half hour of talking to Maria on the phone, then dive into this issue I've been having with geometry, and hopefully finish in time to watch this A&E biography on Madame Curie. Instead, I took off in an open-air vehicle that probably shouldn't be allowed on the road to begin with, broke into a house, essentially stole things from it, and engaged in general bonding with aliens. Welcome to my world. (Michael and Maria are driving back in Maria's car) Michael: What? Maria: No, it's just kind of funny how surprising things can get. All this time that i've known you, I've just always thought of you as, like, this guy, you know. Like this weird guy from the other side of the tracks going nowhere in life, which, of course, you know, you still are that but...what i didn't realize was that there's this whole other side to you. Michael: What, that I'm from-- Maria: Well, clearly there's that, but putting that aside, underneath that, um, weird, poorly bathed exterior, there's, like, this whole...deeply wounded, vulnerable guy. Michael: Listen, all right, in terms of what happened yesterday between us, that was just we were on the road. All right, we talked. That's all over. Maria: Of course. Wait. You think
SUMMARY: | Michael finds a lead when his art teacher reveals information about the geodesic dome. Meanwhile, the dome continues to haunt his dreams and it forces him to hijack Maria's car with her in it all the way to Texas. Max, Isabel, and Liz follow shortly after they discover what has happened. When they all arrive together, Michael finds that the key he has opens a door to a secret underground room which could possibly holds all the answers they are looking for. While in the secret room they discover someone is really not who they say they are. To be continued... |
fd_FRIENDS_03x25 | fd_FRIENDS_03x25_0 | TEXT: Story by: Pan-ni Landrum & Mark J. Kunerth Teleplay by: Adam Chase [Scene: Central Perk, everyone except Phoebe is there. Bonnie is telling them of her sex-capades.] Chandler: (to Bonnie) So ah, your first sexual experience was with a woman?! Bonnie: All right, I was 15, it was my best friend, Ruth, and we got drunk on that hard cider, and then suddenly, I don't know, we were, we were making out. Chandler: Tell it again. (pause, we see Rachel is not amused.) Seriously. [cut to Rachel and Monica at the counter.] Rachel: (to Monica) I mean is that woman capable of talking about anything else but s*x? Joey: Yeah, sure. Well y'know, earlier she was talking about geography. Monica: Joey, she was listing the countries she's done it in. Joey: Well, I think we all learned something. Phoebe: (entering, hurridly) Hey, you guys! Look what I found! Look at this! (She hands Chandler a picture) That's my Mom's writing! Look. Chandler: (reading the back of the picture) Me and Frank and Phoebe, Graduation 1965. Phoebe: Y'know what that means? Joey: That you're actually 50? Phoebe: No-no, that's not, that's not me Phoebe, that's her pal Phoebe. According to her high school yearbook, they were like B.F.F. (Ross and Bonnie look at her quizzically) Best Friends Forever. All: Oh! Rachel: That is so cool. Phoebe: I know! So this woman probably could like have all kinds of stories about my parents, and she might even know like where my Dad is. So I looked her up, and she lives out by the beach. So maybe this weekend we could go to the beach? All: Yeah! Yeah, we can! Bonnie: (to Ross) Shoot! I can't go, I have to work! Ross: That's too bad. Rachel: (sarcastic
SUMMARY: | Chandler tries proving to Monica that he is 'boyfriend material'. The gang goes to Montauk for the weekend, but their borrowed beach house is filled with sand after a storm. The gang plays strip Happy Days game, with Joey losing more than his shirt. Rachel and Ross flirt until Bonnie unexpectedly shows up. Phoebe meets the woman, also named Phoebe, who knew her parents. She suspects the elder Phoebe knows more than she is telling, so she breaks into her house looking for information about her father. Elder Phoebe catches her, then confesses that she is Phoebe's birth mother. Ross discovers that Rachel still loves him and may want to reconcile. He must choose between her and sex-crazy and newly-bald Bonnie (thanks to some coercive advice from Rachel). |
fd_Doctor_Who_1963_07x25 | fd_Doctor_Who_1963_07x25_0 | TEXT: INFERNO by: DON HOUGHTON 5:15pm - 5:40pm [SCENE_BREAK] 1: INT. DOCTOR'S GARAGE SECTION LEADER ELIZABETH SHAW: (Shouts.) Go on, Doctor! Go now! DOCTOR: (Shouts.) I can't! It's still too erratic! (A red glow comes through the open door. PETRA turns to look.) DR. PETRA WILLIAMS: (Screams.) Greg! (GREG and the SECTION LEADER turn. Through the open doors, a wall of lava is pouring towards the garage, engulfing everything in its path. The survivors within watch helplessly as death flows straight at them...) [SCENE_BREAK] 2: INT. DOCTOR'S GARAGE (The DOCTOR lies unconscious on the floor of the garage. All is quiet. In place of the neat storage shelves of the fascist world, the garage is lined with the packed wooden shelves. The TARDIS console and Bessie have also made it back. He has made it back to his world. A buzzing is heard from the doors and they open. LIZ is stood outside holding the sonic screwdriver. At a glance she takes in the scene presented to her.) LIZ: Doctor! (She runs over to him and quickly feels his neck and forehead. She then runs back to the doors.) [SCENE_BREAK] 3: EXT. DOCTOR'S GARAGE (She yells across the area.) LIZ: (Shouts.) Sergeant! Over here! Quickly! [SCENE_BREAK] 4: INT. DOCTOR'S GARAGE (She runs back inside and starts to examine the DOCTOR again. SERGEANT BENTON quickly follows.) SERGEANT BENTON: What's the matter? (He sees who is back.) SERGEANT BENTON: It's the Doctor! LIZ: (Sharply.) I can see that. Tell the Brigadier. SERGEANT BENTON: Right, Miss
SUMMARY: | The Doctor is back in his own universe and must stop Stahlman before his earth suffers the same fate as the parallel one. |
fd_Doctor_Who_1963_05x18 | fd_Doctor_Who_1963_05x18_0 | TEXT: THE ENEMY OF THE WORLD by DAVID WHITAKER first broadcast - 30th December 1967 running time - 23mins 48secs [SCENE_BREAK] 1. KENT'S OFFICE (The door to the office opens and the DOCTOR enters... But he has changed into a suit like the one SALAMANDER was wearing on the video. His hair is now almost perfectly combed. It is almost impossible to see that it wasn't the DOCTOR.) DOCTOR: (In an attempt at SALAMANDER's accent.) Hello Bruce, what are you doing here, eh? BRUCE: (Surprised.) I was under the impression you were in the Central European Zone, Leader. DOCTOR: That's what you were meant to believe. BRUCE: Why? DOCTOR: (With mock anger.) I do not care to be questioned by my own security! BRUCE: Well that's just it. How can I possibly maintain security when you behave like this? I'm at least entitled to know your movements. DOCTOR: You have a policeman's mind, Bruce. BRUCE: That may be! Only a few days ago you questioned me about this man and his activities. And we agreed that he was dangerous! Now, I find you in his office. DOCTOR: Sometimes I like to deal with matters in my own way. BRUCE: They're not holding you here? DOCTOR: (Mock surprised.) Holding me? BRUCE: Under some threat or other. DOCTOR: No one threatens Salamander! BRUCE: I still think I deserve an explanation, Leader. DOCTOR: Yes, of course, you shall have it. But not now. When I return from the Central European Zone. BRUCE: Very well. (He turns to ASTRID.) BRUCE: Now what about the dead man found in your bungalow. He was one of your lot, wasn't he? ASTRID: Yes. Um, he was trying to protect me. The other two wanted to kill me. BRUCE: (Doesn't believe it for a moment.) Now why
SUMMARY: | Jamie and Victoria agree to accompany Astrid to Hungary to observe Salamander's activities. |
fd_FRIENDS_01x18 | fd_FRIENDS_01x18_0 | TEXT: Originally written by Jeffrey Astrof and Mike Sikowitz.. Transcribed by Dan Silverstein. Special thanks to Nancy Brown, who pointed out that 'crudites' is not French. :) [The whole gang is helping Rachel mail out resumes while whistling the theme from The Bridge on the River Kwai.] Ross: Uh, Rach, we're running low on resumes over here. Monica: Do you really want a job with Popular Mechanics? Chandler: Well, if you're gonna work for mechanics, those are the ones to work for. Rachel: Hey, look, you guys, I'm going for anything here, OK? I cannot be a waitress anymore, I mean it. I'm sick of the lousy tips, I'm sick of being called 'Excuse me...' Ross: Rach, did you proofread these? Rachel: Uh... yeah, why? Ross: Uh, nothing, I'm sure they'll be impressed with your excellent compuper skills. Rachel: [upset] Oh my Goood! Oh, do you think it's on all of them? Joey: Oh no, I'm sure the Xerox machine caught a few. Credits [Scene: Central Perk. Ross and Chandler are sitting at a table. Rachel is working. Monica and Phoebe enter.] Monica: Hey, guys. Chandler, Ross: Hey. Rachel: Hey... hi, ladies... uh, can I get you anything? [to Monica, quietly]: Did you bring the mail? Monica: Lots of responses. Rachel: [to Monica]: Really? [out loud]: Sure, we have scones left! [to Monica]: OK, read them to me. Phoebe: [reading]: Dear Ms. Green, thank you for your inquiry, however... oh... [crumples up letter] Rachel: [out loud]: We have apple cinnamon... Monica: [reading]: OK... Dear Ms. Green... yeah... yeah... yeah... No. [crumpes up letter] Phoebe: Wow! Rachel: What? Phoebe: [reading]: Your Visa bill
SUMMARY: | Tired of customers referring to her as "Excuse me," Rachel applies for jobs in the fashion industry. She is excited to land an interview at Saks Fifth Avenue as an assistant buyer but does not get the job. Ross's normally docile demeanor disappears when the girls face the boys during a not-so-friendly poker game. Monica later seeks help from her aunt who is an expert player. |
fd_The_Vampire_Diaries_05x12 | fd_The_Vampire_Diaries_05x12_0 | TEXT: [Mystic Falls' Square] (Elena rejoins Matt) Elena: Guess who! Matt: Hmm. I wonder. Elena Gilbert? Elena: Yep Matt: You're in a good mood Elena: Well, it's a good day. We're alive Matt: Yes, we are, and we are partying tonight Elena: Yes, we are Matt: So what did you want to talk to me about? Elena: Are you still drinking Vervain? Matt: No. I wear this bracelet in case anyone needs my blood, remember? Elena: This is gonna hurt me more than it hurts you Matt: What are you doing? I need that Elena: Long story short-- I'm Katherine, not Elena Matt: Katherine's dead Elena/Katherine: Not exactly. While you guys were all playing drinking games, toasting to what a horrible person I am, I was plotting a way to passenger myself into Elena's cute, little head Matt: Oh, my God Elena/Katherine: Anyway, I need a crash course on all things Elena Gilbert. She's in college now, all grown up, and I figured who knows her better than her compellable best friend? So what do you think? How's my dress? It screams safe and predictable. Am I right, or am I right? Matt: I'm not doing this (Nadia rejoins them) Nadia: Just compel him already Elena/Katherine: Take the fun right out of it, why don't you? Play along with my secret, Matty pants. Would Elena wear this outfit to a party? Matt: No to the dress, yes to the shoes Elena/Katherine: Now let's talk honestly about the red thing that's happening in my hair Matt: So you're dead and, what, hitching a ride in her brain? Elena/Katherine: For now until I make it permanent Matt: Permanent? How? Elena/Katherine: Hello! The hair. Why did she dye it? Matt: I don't know. She did it in New York right after she shut her humanity off Elena/Katherine: But her humanity's back now. Perfect. It's gone. Ok. What
SUMMARY: | In order to give Katherine permanent control over Elena's body, Nadia's friend Mia plans to cast a spell for which she needs to use Katherine's corpse. However Damon has already buried it himself, in the tomb where Katherine was supposed to have been buried alive in the 1800s. Katherine compels Matt to give her personal information about Elena so that she can impersonate her at Tyler's welcome home party, and hopefully learn the whereabouts of her corpse. Caroline reveals to Katherine (posing as Elena) that she slept with Klaus, which Tyler overhears and becomes extremely angry and hurt. Enzo brings Aaron Whitmore to Damon, who tells him to complete his killing streak and kill him (just like his parents and grandparents), however Damon declines. Katherine and Nadia are able to find Katherine's corpse, and then complete the spell. Later, Katherine (possessing Elena) breaks up with Damon, which angers Damon and causes him to attack Aaron in the final scene. |
fd_Justified_05x11 | fd_Justified_05x11_0 | TEXT: [PREVIOUSLY_ON] [screams] [groans] Raylan: sh1t, Danny. I swear to god, I didn't see it, either. Darryl: That's rich coming from a woman so ashamed of her own son, she don't even admit she got one. [grunting] You need to decide right now. You a Crowe or not? Kendal: Yeah. Raylan: I was dating this social worker, Alison Brander. Kendal went to see her this afternoon... Art: And now you think they might be coming after her. All right, I'll take care of it. Raylan: Well, I can, uh... Art: No. I'll handle it myself. We just learned that Boyd Crowder has lost half our shipment. You have to ask yourself a question. Who am I gonna work with? Him, who most certainly's gonna get you killed... or me, who most certainly is gonna get you rich? You got yourself caught between a Detroit rock and a shitkicker hard place. Wynn: I could use some help. So what do you need? Wynn: An assessment. The rock or the shitkicker. You think you got protection from Judith, but you don't mean sh1t to her. [Ava grunts] [grunting] [indistinct shouting in distance] [faucet handles squeak] [indistinct conversations] [alarm blaring] [door closes] [sighs] Ava. Your elbow. [clears throat] Somebody gonna tell us what the hell's going on here? sh1t, Penny, I know you didn't forget the rules. No talking during lockdown. Matter of fact, next one opens her mouth buys a week in the hole. I want to let you know, my loyalty was always to you, Boyd. Boyd: Hm. That little fella give you what you needed? Boyd: As it happens, he did not. Can't help feeling it's a shame, you shelling out money and not getting anything in return. There's got to be something I
SUMMARY: | A shooting close to home forces Raylan and Boyd to decide which lines they're willing to cross. |
fd_Doctor_Who_08x05 | fd_Doctor_Who_08x05_0 | TEXT: [ INT. Clara's place ] The Doctor: The Satanic Nebula! The Doctor: Or...the lagoon of lost stars... or we could go... to Brighton! I've got a whole day worked out. Clara: Sorry, but as you can see, I've got plans. The Doctor: Have you? Clara: Look at me. The Doctor: Yeah, OK. Clara: No, no, no. No. Look at me. The Doctor: Yep, looking. Clara: Seriously? The Doctor: Why is your face all coloured in? [SCENE_BREAK] [ INT. class ] Danny: 7.15. Meeting me. You are. Date. Second one. Clara: Got the words out. Not in the right order, but, hey... maths teacher! Both: Out. [SCENE_BREAK] [ INT. Clara's place ] The Doctor: Are you taller? Clara: Heels. The Doctor: What, do you have to reach a high shelf? Clara: Right, got to go. Going to be late. The Doctor: For a shelf? Clara: Bye! [ PHONE RINGS ] Clara: There you go, you've got another playmate. The Doctor: Hardly anyone in the universe has that number. Clara: Well, I've got it. The Doctor: Yes, from some woman in a shop. We still don't know who that was. Clara: Is that her now? The Doctor: There are very few people that it could be. [ PHONE CONTINUES TO RING ] Clara: Don't. The Doctor: Why not? Clara: Because, if you answer it, something will happen. The Doctor: What? Clara: A thing. The Doctor: Huh. It's just a phone, Clara. Nothing happens when you answer the phone. [SCENE_BREAK] [ INT. room ] [ THE DOCTOR SCREAMS ] [ CLARA SCREAMS ] Clara: Doctor? The Doctor: Don't touch it. Clara: Where are we? How did we get here? Psi: Who are you? Sorry, what'
SUMMARY: | The TARDIS' phone rings in Clara's apartment, and the Doctor and Clara find themselves in a strange chamber suffering from memory loss along with Psi the augmented human and Saibra the mutant human. They have been recruited by the Architect to rob the Bank of Karabraxos. The quartet collect the tools required for their heist, before witnessing a mysterious alien named the Teller melt the brain of a criminal with its psychic abilities. Saibra is later caught by the Teller, and activates an atomic shredder. Psi soon follows when caught by the Teller, and Clara and the Doctor gain access to the vaults of the bank. They gain the rewards of their heist, and proceed to the Private Vault, after finding Psi and Saibra; the shredders were really teleporters. The Doctor regains his lost memories back from the Teller, revealing himself as the Architect, set up to rejoin the Teller with the only other one of its species, after the bank's director, Madame Karabraxos, regretted leaving the Teller's mate in the vault to die in a solar storm and phoned the TARDIS. The Teller frees its mate. The Doctor takes the two aliens away to live out their lives. |
fd_One_Tree_Hill_08x11 | fd_One_Tree_Hill_08x11_0 | TEXT: [PREVIOUSLY_ON] ALEX: So, what's up with this need for sudden male bonding? JULIAN: I need to find a best man for my wedding. NATHAN: "Deficit"! JAMIE: D-e-f-I-c-I-t. "Deficit." NATHAN: Very nice! Okay, next one. You ready? "Fiduciary." CLAY: Nate, there's something that I've never told you. I used to be married before you and I met. Her name was Sara. And she died. CLAY: Sara! Hey! KATIE: I'm gonna get that Agent. As it turns out...I'm his type. CLAY: What are you doing here? KATIE: Honey, it's Sara. CLAY: Don't say that. KATIE: Clay... CLAY: Sara's dead. And she's not coming back. And neither are you. All right? Do you understand me? Don't ever come back here. Out. QUINN: Why do you have a photo with her? CLAY: Because it's not her. It's Sara. KATIE: You'll never be Sara. QUINN: Neither will you. KATIE: We'll see about that. CLAY: Quinn? ROAD A car is reversed, the radio always functions. MAN(Voice-over): Well, it's rainy, and it's windy, and it's cold out there, and at this point, i would advise everyone to batten down the hatches and get inside because we are fast approaching one serious storm. SPELLING BEE Jamie and Madison are the last competitors to be the winner. Nathan and Halley came to support Jamie. LAUREN: Madison, your word is "Tsunami." MADISON: "Tsunami." T-s-u-n-a-m-i. "Tsunami." LAUREN: That's correct! Jamie, your word is "entrepreneur." HALEY: Ohh. NATHAN: No, no, no, he's got this. He corrected this on my last
SUMMARY: | A major hurricane hits Tree Hill and Katie comes back to finish what she started with Quinn and Clay, but she is eventually shot and stopped for good. Meanwhile, Brooke and Julian fight over moving to L.A. which angers Brooke and leaves, driving into the storm. As Brooke reaches the bridge she finds Lauren's car crashed on the bridge with Jamie, Chuck and Madison trapped inside. Brooke helps Chuck, Madison and Lauren and sends them to get help while Brooke rushes in to save Jamie who is stuck in the car. A passing vehicle knocks the car into the lake and Julian dives in after them. Julian manages to save Jamie and Brooke. This episode is named after a song by Bruce Springsteen . Opening theme song performed by Gavin DeGraw . |
fd_Charmed_01x08 | fd_Charmed_01x08_0 | TEXT: [Scene: Car park. Dr Mitchell is walking to his car. Gavin (the warlock) is there.] Gavin: Excuse me, are you Dr Mitchell? Dr Oliver Mitchell? Dr Mitchell: Yes. Gavin: What a pleasure. I can't tell you how long I've waited for this. Dr Mitchell: Excuse me but have we... Gavin: Met? I'm sorry, only in print. I've read your work. Your studies, specifically on cell degeneration are ahead of their time. Dr Mitchell: You're very kind. Gavin: No really. It's fascinating. You've become kind of a hobby of mine. I found your article on the mutant retina gene to be particularly intriguing. Dr Mitchell: But I haven't even -- Gavin: Published it yet? Don't worry, you will. And you'll help to find the vaccine. Dr Mitchell: The vaccine? Against what? Gavin: Against this. (A laser beam comes out of Gavin's forehead and burns a hole in Dr Mitchell's forehead.) [Scene: Movie theatre. Prue, Piper and Phoebe are waiting in line. Phoebe's holding a magic 8 ball.] Phoebe: (Reading the 8 ball) "Ask again later." Hello, vague. How am I suppose to plan my future without a little direction? Prue: You, who can see the future is now looking for a magic 8 ball. Phoebe: My visions don't help me remember. Piper: I've got an idea. Why don't we ask if Prue and Andy will get back together. Prue: Oh, Phoebe, please don't. (Phoebe shakes up the 8 ball.) Phoebe: Ooh... interesting. Piper: Very. (Piper's pager beeps. Prue tries to look at what the ball says but Phoebe shakes it up before she can see it.) Prue: You are cruel. Piper: I forget what a day off feels like. That was my boss, Martin. I have to get back to the restaurant
SUMMARY: | Acting on Phoebe's premonition of a woman electrocuted magically through the center of her forehead, the sisters race to stop a mysterious warlock, who came from the future for killing those responsible for creating a vaccine against warlocks. Prue casts a truth spell to find out how Andy will react to her secret. Prue sadly finds out that Andy cannot handle the knowledge of her powers and the magical parallel reality she has to deal with. She breaks up with him while Prue and Piper vanquish the warlock before he can kill a pregnant woman whose baby he is truly after. |
fd_Doctor_Who_1963_08x16 | fd_Doctor_Who_1963_08x16_0 | TEXT: COLONY IN SPACE BY: MALCOLM HULKE 6:10pm - 6:35pm [SCENE_BREAK] 1: INT. LEESON'S DOME (The DOCTOR holds up his sample tube for examination. Suddenly he sees something in the doorway and jumps up. A tank-like ROBOT glides into the room. Marked with a logo that reads "IMC", it has two razor sharp metal diggers on the end of its two arms. It moves swiftly towards the DOCTOR who falls back against a wrecked table as the ROBOT looms over him. A man walks into the dome.) CALDWELL: Right! (He is dressed in a red and black tunic uniform. He wears a similarly colored mining helmet and has a remote control device attached to his belt with which he operates the ROBOT. From his defensive position, the DOCTOR looks up at the stranger in puzzlement and wariness.) CALDWELL: You can get up now. (The DOCTOR rises to his feet.) DOCTOR: Thank you very much. You know, you really ought to keep this thing of yours under better control. (The man takes off his helmet and strokes his dark thinning hair into place. He sports a moustache and has a cheerful calm voice.) CALDWELL: (Smiles.) Yeah, I'm sorry. He's only a mark three servo-robot. He's not very bright. (He looks round. A note of concern enters his voice.) CALDWELL: What happened in here? DOCTOR: Well, I only wish I knew. Something attacked this place late last night. CALDWELL: Is it your place? DOCTOR: No. No, it belonged to two colonists. CALDWELL: (Surprised.) Colonists? According to Earth control, this planet hasn't been colonized. DOCTOR: It appears they we wrong, doesn't it? CALDWELL: Mmm. DOCTOR: May I ask what you're doing here? CALDWELL: I
SUMMARY: | The Doctor discovers an Interplanetary Mining Corporation ship has landed on the planet in order to mine its duralinium, while Norton begins causing trouble at the colony. |
fd_The_Originals_01x16 | fd_The_Originals_01x16_0 | TEXT: FLASHBACK - 1000 YEARS AGO [A storm rages outside as a very young Rebekah lays in her bed, frightened. Young Klaus walks over to comfort her] REBEKAH: [sniffling and crying] KLAUS: Hush now. It's just a storm. Don't be afraid. I won't let it hurt you. [Klaus leaves to grab a small wooden toy, before returning to his little sister] REBEKAH: Nik, don't go. KLAUS: I carved it for father. It's a brave knight. Now you can be brave, too. REBEKAH: Will you stay with me 'til the storm ends? KLAUS: I will always stay with you, Rebekah. No matter what. END FLASHBACK LAFAYETTE CEMETERY [Klaus, Elijah, and Rebekah are in a standoff while all three are trapped in the cemetery. Klaus has the indestructible white oak stake, while Elijah is holding Papa Tunde's blade] KLAUS: Rebekah! ELIJAH: [to Klaus] Walk away. KLAUS: Don't move! ELIJAH: [to Rebekah] Leave us now. REBEKAH: [scared and angry] I can't. I'm stuck here. Elijah, he has the white oak stake. KLAUS: [points the stake in her direction] I brought it for you, sister. ELIJAH: [to Rebekah] Get out of his sight. Your presence here only serves to anger him. Leave him to me now. [to Klaus] [Rebekah vamp-speeds away] ELIJAH: I'm asking you, brother to brother--we end this nonsense now. KLAUS: You would side with that traitor. ELIJAH: I am not choosing sides, but I will not allow you to hurt our sister. KLAUS: We cannot leave this cemetery, Elijah. How long do you think you can defend her? [Klaus vamp-speeds away, but
SUMMARY: | Since Davina has returned, Marcel hopes to save Rebekah, who is stuck in the Cemetery with Klaus and Elijah because of Celeste's spell. Cami meets Davina, who immediately finds that she visited her with a purpose, which is to reverse the spell over her uncle. Marcel turns to Genevieve in order to save Rebekah's life, which she agrees with the deal to have Davina returned to the witches. Klaus viciously stabs Elijah with Papa Tunde's blade, and later Rebekah with the White Oak Stake, however he doesn't kill her. Instead, Klaus frees Rebekah and leaves her to finally live the life she always wanted. After a farewell with Elijah, Marcel and Hayley, Rebekah finally leaves New Orleans. |
fd_Roswell_02x16 | fd_Roswell_02x16_0 | TEXT: "Heart of Mine" 38th Episode of Roswell Production Code: 2ADA16 [SCENE_BREAK] (The episode opens with Liz twirling down the bowling lanes in her prom dress and socks.) Liz: It's April 27th. I'm Liz Parker and I think I've figured out why I haven't written in this journal in nearly a year. (The scene changes to her balcony and we see Liz writing in her journal.) Liz: It's just ironic that I would figure something out really deep from like the least deep guy in America. (The scene changes to a restaurant where Liz and Sean are sitting at a table.) (Sean is regaling her with a polar bear joke, throwing fries up in the air to catch in his mouth while she just watches him with a slight smile on her face. Then we see them sitting inside his VW bug outside of the Crashdown Cafe. They look at each other. Sean clears his throat.) Sean: You wanna go bowling? Liz: Um, uh, I think that the alley is closed. Sean: To the public. Liz: Oh. Sean: I have access. Liz: Well, yeah, but it's a weeknight so I probably shouldn't. You know... commit a felony. Sean: he gives a small chuckle Yeah, that's cool, maybe some other time. Liz: Look Sean, you know despite what people say, I think you're a really nice guy. Sean: There's something about you Liz. Liz: What?? Sean: I've just always thought there was something about you, you know. Something special. Liz: Thank you Sean, thanks, a lot. Uh, good... good night Sean. Sean: Good night Liz. (Sean leans over and kisses her, she kisses back but breaks it off first, then looks away, looking upset.) [ OPENING CREDITS ] (The scene opens in the school bathroom, Liz sitting on the counter, Maria is reflected in the mirror.) Liz: No. One minute I was letting him down easy and the next minute he was kissing me, what was I supposed to do? Maria:
SUMMARY: | The onset of junior prom stirs up emotional tumult as Liz tempts fate by asking Max to be her date, Isabel decides Alex is the man she's been searching for, and Michael tells Maria he won't take her to prom. |
fd_Gilmore_Girls_05x08 | fd_Gilmore_Girls_05x08_0 | TEXT: [Elder Gilmore Pool House: terrace] LORELAI: I smell meat, is that meat? VALET: Why, yes, miss, it is meat. LORELAI: Oh, he called me miss. There's meat and a miss, I'm happy. RORY: What's the occasion? RICHARD: Well, I thought we might like some appetizers with our cocktails tonight. LORELAI: Would we ever. VALET: The first batch is ready, sir. RICHARD: Wonderful, on the table please. LORELAI: Mm, God it smells good. RORY: I love a good steak on a stick. RICHARD: Me, too. RORY: We should form a club. LORELAI: Steak-On-A-Stick club. RICHARD: We could have t-shirts made up. RORY: Grandpa, I've never seen you wear a t-shirt. RICHARD: Well, I've just never found a proper occasion. LORELAI: Hmm. To the proper occasion. [They toast.] RICHARD: I'll drink to that. EMILY [storming in]: I knew I smelled something, you're barbecuing! RICHARD: So what? EMILY: So what? The agreement was the girls have drinks with you and dinners with me! RICHARD: We are having drinks. Drinks and appetizers. EMILY: Those are not appetizers! Those are skewers! LORELAI: Little skewers. RORY: Little tiny skewers. EMILY: This is not tiny! [She rips a skewer from Lorelai's hand as she's about to bite.] LORELAI: Mom, that's mine! EMILY: This is a main course and a cheap way of cheating me out of my dinner. RICHARD: You are the most paranoid woman I've ever met. EMILY: I highly doubt that. RICHARD: You were the one who designated the drinks portion of the evening to me. EMILY: You love drinks
SUMMARY: | After Emily discovers that Rory is seeing Dean again, she calls a temporary truce with Richard so that they can jointly host a Yale alumni party whose express purpose is to find a suitable match for their unsuspecting granddaughter; Liz and T.J. buy a house in Stars Hollow; Mrs. Kim flips out after Kyon tells her that Lane and Zach hugged in Luke's Diner; when the pressures of being new homeowners lead Liz and T.J. to quarrel, T.J. seeks refuge with his brother-in-law, and ruins the romantic dinner and evening Luke prepared for Lorelai; Logan appears at the party just in time to rescue Rory from yet another prospective bridegroom, and Rory learns that he's very well acquainted with her grandparents; Lane leads Kyon over to the culinary dark side and reveals the secrets to living a happy teenage life at the Kim house; Dean realizes that he no longer fits into Rory's life, and Logan gallantly steps in to dry her tears. |
fd_The_Vampire_Diaries_06x02 | fd_The_Vampire_Diaries_06x02_0 | TEXT: [PREVIOUSLY_ON] Bonnie: The other side is collapsing, and everyone in it is going away. We need to start the spell again. We can't. That was our one shot. But Damon's on the other side. The spell the travelers cast across Mystic Falls eliminates spirit magic. Aah! Vampires can't get into Mystic Falls? They can lurk around the borders. Luke Parker has been feeding Elena some concoction that allows her to hallucinate Damon. Elena: The herbs, they make me so thirsty. Aah! Please help me. Caroline: Stefan didn't say good-bye. Damon and Bonnie died, and he just left. Elena: I need you to tell me that you're gonna find Damon and bring him back because I don't think I can live forever without him. Stefan: I can't I gave up. I moved on. I want you to take away Damon. I want you to compel me to forget that I ever loved him. [Rumbling] Do you think it will hurt? [Breaking up] I don't know. [SCENE_BREAK] [ IN MYSTIC FALLS ] (Four Months Ago) (Bright white screen, slowly fading onto Damon's face, he's opening his eyes. They are in the same place they were when they died. He looks over at Bonnie, their hands are still interlaced and they both let go.) Damon: Huh. That got awkward fast. (They are both still looking around confusedly.) Bonnie: What happened? Where are we? (She begins to walk away, out of the woods.) Damon: Where are you going? Hey. (He follows her and now they are in the middle of the street, still in Mystic Falls, Damon reaches up to touch his teeth.) Damon: Well, I feel a fang. I'm still a vampire. Either I'm a dead vampire or Mystic Falls is no longer magic free. Bonnie: Look. (Damon follows her gaze and sees that she is looking at the Mystic Grill, he's confused.)
SUMMARY: | Knowing she needs to come to terms with the loss of Damon, Elena turns to Alaric to help her move on with her life. So that Alaric can compel her to forget she ever loved Damon, Elena has to admit the moment she first realized she loved him. Caroline and Enzo try to convince Stefan not to give up on Damon, but Stefan is determined to start a new life away from everything that reminds him of Damon. Meanwhile, Matt worries about Jeremy who is spending time with Sarah, a mysterious girl supposedly from new York, who has recently arrived in Mystic Falls. Elsewhere,Tripp (leader of the community protection program) makes an interesting confession to Matt about his connection to the town. Lastly, with the Other Side destroyed and gone for good, Damon and Bonnie reluctantly band together to uncover the mystery of where they are and how they are going to get back home. Bonnie and Damon discover they are trapped in a time loop, and discover some one is in the house with them. |
fd_FRIENDS_02x08 | fd_FRIENDS_02x08_0 | TEXT: Originally written by Marta Kauffman and David Crane Trascribed by Mindy Mattingly Phillips [[email protected]] Minor additions and adjustments by Dan Silverstein. [Scene: Monica and Rachel's apartment. Phoebe, Monica, and Rachel are there, discussing the night before.] RACH: Ross kissed me. MNCA: Oh my god, oh my god, oh my god! RACH: It was unbelievable! MNCA: Oh my god, oh my god, oh my god! PHOE: Ok, all right. We want to hear everything. Monica, get the wine and unplug the phone. Rachel, does this end well or do we need to get tissues? RACH: Oh, it ended very well. PHOE: Oh. MNCA: [getting the wine] Do not start without me. Do not start without me. PHOE: Ok, all right, let's hear about the kiss. Was it like, was it like a soft brush against your lips? Or was it like a, you know, a "I gotta have you now" kind of thing? RACH: Well, at first it was really intense, you know. And then, oh, god, and then we just sort of sunk into it. PHOE: Ok, so, ok, was he holding you? Or was his hand like on your back? RACH: No, actually first they started on my waist. And then, they slid up, and then, they were in my hair. PHOE/MNCA: Ohhhh. [Scene: Ross' apartment. Ross, Chandler, and Joey are there eating pizza.] ROSS: And, uh, and then I kissed her. JOEY: Tongue? ROSS: Yeah. JOEY: Cool. Opening Credits [Scene: Central Perk. Joey, Phoebe, Monica, and Chandler are there; Chandler is showing everyone his new computer.] CHAN: All right, check out this bad boy. 12 megabytes of ram. 500 megabyte hard drive. Built-in spreadsheet capabilities and a mode
SUMMARY: | Ross struggles choosing between his childhood crush, Rachel, and his current girlfriend, Julie. Joey and Chandler suggest making a list of each girl's pros and cons. Ross chooses Rachel, ending it with Julie, though Rachel later finds the list, reading the negative comments. Hurt and angry, she breaks up with Ross. Monica is hired to create recipes using a vile-tasting synthetic chocolate called, Mockolate. |
fd_Doctor_Who_1963_06x08 | fd_Doctor_Who_1963_06x08_0 | TEXT: THE MIND ROBBER BY PETER LING 5:20pm - 5:40pm [SCENE_BREAK] FOREST (Against a black background, a unicorn rushes towards the companions, shaking its head, whinnying.) JAMIE: (Poised to run away, to escape.) It's coming straight for us. Run! (He and Zoe start to take a step away from the Doctor to escape, but the Doctor grabs them each by the arm in an unshakeable grip.) DOCTOR: No! JAMIE: We haven't got a chance! Don't you see, it's my dream all over again. ZOE: It's real DOCTOR: (Shouting.) No, it's not real, it's a legend. You mustn't believe in it, you mustn't. Say it "doesn't exist", say it. (The unicorn continues to approach.) JAMIE AND ZOE: (Together OOV.) It doesn't exist. (The unicorn freezes. They all stare with open mouths.) JAMIE: What happened? (The Doctor sighs with relief. They approach the unicorn, which has transformed into a cardboard statue cut-out.) DOCTOR: Another test. JAMIE: But, it was alive, we all saw it. ZOE: It was terrifying. (She looks up at the unicorns face.) DOCTOR: He challenged us to believe it. JAMIE: Who? The Master? DOCTOR: Whoever it is who's setting up all these conjuring tricks. ZOE: But I don't understand. DOCTOR: The unicorn appeared to be real until you said it wasn't, then we were safe. ZOE: But we believe in it, Jamie and I. DOCTOR: Yes, but that was just the danger. Your belief was affecting me. JAMIE: Who would think up a crazy notion like this? DOCTOR: I don't know. A fantastic mind. [SCENE_BREAK] UNKNOWN PLACE 2 (The figure of The Master is sitting behind a console with his back
SUMMARY: | The Doctor realises that the travelers are trapped in a world where fiction is real and where creatures are a threat if people believe in them. |
fd_Doctor_Who_1963_04x35 | fd_Doctor_Who_1963_04x35_0 | TEXT: THE FACELESS ONES by DAVID ELLIS and MALCOLM HULKE first broadcast - 6th May 1967 running time - 23mins 34secs [SCENE_BREAK] 1. AIRPORT CONTROL ROOM (JEAN puts down her phone.) JEAN: Negative report from Air Sea Rescue, sir. COMMANDANT: But with two aircraft ditching, there must be some signs of wreckage. DOCTOR: (Gently.) Why do you think the Chameleon plane crashed into the sea? (The COMMANDANT stares at him.) COMMANDANT: Because it disappeared off our radar screen! DOCTOR: But it stood still first! COMMANDANT: Because it must have collided with the RAF plane and dropped like a stone. DOCTOR: Why do you think that? (The COMMANDANT snatches a note-pad from his desk and draws a big circle, bisected by a horizontal line.) COMMANDANT: You see, when a plane on that radar appears to stand still, it is in point of fact dropping straight down. DOCTOR: What about straight up? COMMANDANT: (Wearily.) Oh my dear Doctor! To get above our radar umbrella like that it would have to climb vertically until it was a hundred miles high. The darned thing would be in outer space. DOCTOR: Exactly! [SCENE_BREAK] 2. SPACE (As they speak the Chameleon spaceship is streaking upwards, Earth's atmosphere left far behind. Far above in the blackness of deep space there hangs the giant gleaming sphere that is the Chameleon space station. The spaceship speeds towards it. The entry doors slide open and the space craft disappears inside. Flight Four-One-Nine has arrived...) [SCENE_BREAK] 3. CHAMELEON PLANE, INTERIOR (The Chameleon space craft has now landed in the space station hangar, and BLADE and ANN DAVIDSON come out of the flight deck and head for the exit door. ANN DAVIDSON is carrying her large metal tray,
SUMMARY: | Jamie finds himself aboard the Chameleons' satellite and meets their Director while the Doctor forces the Chameleon Meadows to tell him the aliens' plans. |
fd_The_100_05x13 | fd_The_100_05x13_0 | TEXT: [PREVIOUSLY_ON] The valley is ours. As long as you stay here, we won't have a problem. This war is about to be fought on the last survivable land on earth. Retreat! Go back to the wasteland! Did you see Bellamy? He's with Octavia. We gotta go back and get them. No one else is dying to save Blodreina. INDRA: The child with Clarke is a real Natblida. She alone can unify Wonkru. Clarke, there's no time. We have to go. You have to go. I have to stop that transport ship from taking off. OCTAVIA: When they open fire, run like hell. MURPHY: Somebody call for a rescue? Octavia, get in now! [PEOPLE MOANING] [INDISTINCT CONVERSATIONS] We can't stay here. We need medical equipment. There's no food. There's no water. And the rain isn't drinkable from the ash. It's time to surrender. The people who tried to surrender were slaughtered in the gorge. The enemy, they don't want prisoners. They want us dead. That's what they're gonna get if we don't do something. HARPER: We have to fight. The longer we wait, the harder it's gonna be. Nobody's gonna follow me back into that gorge. Then we're already dead. [DISTANT ENGINE RUMBLING] They made it. MAN: We don't know it's them. MILLER: Gunners, spread out and take aim. Fire only on my command. MAN: Little help, little help. We got wounded. Stand down! Stand down! They're with us. BELLAMY: Monty, where's Jackson? She's lost a lot of blood. I got her! I got her! She'll be OK now. Will she? Look around you. Do you see signs of hope here? What do I do? MAN: Blodreina's coming. Protect your Commander! - What are you
SUMMARY: | Bellamy's group along with Madi, Octavia, Gaia, and Indra return to Wonkru. Octavia publicly submits to Madi, unifying Wonkru under Madi's command. Clarke frees Diyoza and holds her and McCreary's unborn child hostage, grounding the transport ship. Bellamy's group freely enter the gorge and take out its defenses, clearing the way for Wonkru. McCreary triggers a protocol that will destroy the valley before he's killed by Clarke. Octavia helps Abby get Kane to safety. Everyone on Earth flees the planet and head towards the Eligius mothership before the valley is destroyed. Everyone decides to enter cryogenic sleep for 10 years in order to give Earth time to recuperate. Clarke and Bellamy awaken first and are greeted by Jordan, the son of the now-deceased Monty and Harper, who had elected to not undergo cryostasis. They're informed by Jordan that 125 years have passed and through a series of video diaries left by Monty and Harper they learn that Earth never fully recovered. However, Monty managed to hack the Eligius Three mission file, leading to the discovery of another planet on a distant binary star system where he sends the survivors prior to his death. |
fd_Doctor_Who_1963_25x07 | fd_Doctor_Who_1963_25x07_0 | TEXT: THE HAPPINESS PATROL PART THREE Run time: 24:25 [SCENE_BREAK] Forum Square [SCENE_BREAK] The Doctor: I want to find out if there's an artist appearing in the Forum tonight. Doorman: I'll just have a look at my list. The Doctor: Her name is Ace. Doorman: I can't do anything till I find my list, now can I? Doorman: Oh dear. Doesn't look like Daphne S went down too well, now does it? Daisy: Big smiles, girls. It's show time. [SCENE_BREAK] Helen A's home [SCENE_BREAK] Helen: Look at them, Fifi. Dreary clothes, turgid music and terrible deportment. Oh, they really are so depressing. Happiness will prevail. Happiness Patrol section F, prepare to effect a large scale disappearance. A drone demonstration is heading towards Forum Square. Proceed there directly. Take no prisoners. [SCENE_BREAK] Forum Square [SCENE_BREAK] Doorman: Ace Sigma, wasn't it? The Doctor: Yes. Doorman: What does she do, then? The Doctor: Do? Doorman: Sing, dance, juggle, magic, vent or impressions? The Doctor: She makes things disappear. Doorman: Magic. The Doctor: (quietly) Nothing magical about the way she does it. Doorman: No, I've nothing down here under magic, but I can do you an Ace Sigma on the miracle survival act. The Doctor: What does that mean? No, don't tell me. If she survives, it's a miracle. [SCENE_BREAK] Helen A's home [SCENE_BREAK] Helen: There we are. And the last one. Ah, there we are, my darling. All mended. We're a team, Fifi, you and I. We help each other, and we will make this a happy planet, in spite of all the killjoys and the bunglers that surround us. And if they're miserable, we put them out of their misery. After all, it's for
SUMMARY: | As the Doctor leads the Pipe People towards reclaiming their world, Helen A faces betrayal from those closest to her and the Kandyman comes to a sticky end. |
fd_The_Office_03x18 | fd_The_Office_03x18_0 | TEXT: Michael: Can you confirm that the straps are tight? Dwight: Yes. But this [pulls at straight jacket] seems to be... Michael: And now, the chains. [SCENE_BREAK] Michael: A lot of people think that magic camp is just for kids. And that's why so many other people in my class were kids. Self fulfilling prophecy. It's um, it's really for anybody with a dream and a belief in magic and a little extra time after school. [SCENE_BREAK] Michael: MAGIC MAGIC Magic Magic magic magic... And now, Michael the Magic, will attempt to escape from extreme bondage. [Kevin giggles] Can he do it? I don't see how he can. Dwight: I know how. Dislocate his shoulder and slip his arm out from underneath. Michael: No. No. Everyone, now count down with me. THREE! Jim: Sorry, quick thing. Is it true that if you can't get out, you don't want anyone to help you? Michael: I will get out. Oh yes, I will. Pam: So we shouldn't help you, no matter how much you might beg and plead? Michael: No. Alright, this is getting hot. So let's just do this. Ok, ready? Three, two, one, go. [Michael spits out key, Jim covers it with his foot.] Michael: AHHHH! Kevin: Is everything ok, Michael? Michael: Yes. [SCENE_BREAK] Michael: I cannot tell you how I plan to escape. Other than by using magic. That is the magician's code. Separately, on an unrelated note, if you happen to find a small brass key... [SCENE_BREAK] Michael: Alright. Dwight: [trumpet sounds] Michael: Ready? Come on guys. Early worm gets the worm. Jim: Another worm? Like, are they friends? Dwight: It's early bird gets the worm. Michael: Pam, would you smell my breath? Pam: No, no. Dwight: Let me smell. [Michael
SUMMARY: | The Dunder Mifflin CFO David Wallace holds a cocktail party at his house, which Jan, Michael, Jim, Karen and Dwight attend. Michael's antics around their "coming out" appear to annoy Jan, but she later attempts to have sex with him in a bathroom. Michael feels uncomfortable and turns her down, angering her. Meanwhile Dwight assesses the structural soundness of the house. Jim and David Wallace bond over shooting hoops when they see Dwight on the chimney. While at a bar, Pam reveals to Roy that Jim kissed her at the casino night. Roy is infuriated and proceeds to trash the bar, assisted by his brother. Pam immediately breaks up with Roy, who then declares that he's going to 'kill' Jim. |
fd_CSI__Crime_Scene_Investigation_03x11 | fd_CSI__Crime_Scene_Investigation_03x11_0 | TEXT: [EXT. (VARIOUS) LAS VEGAS CITY (STOCK) - NIGHT] [SCENE_BREAK] [EXT. METEOR MEAT - NIGHT] (The METEOR MEAT delivery trucks back into the loading stall. The driver gets out of the truck and looks at HARLAN who stands in front of the doorway.) Delivery Man: Hey, Harlan. Special delivery. Fresh shipment in from Nebraska. Harlan: Great. Just stack it in the freezer, will you? I got to open up. Delivery Man: All right, you got it, boss. [SCENE_BREAK] [EXT. METEOR MEAT - NIGHT] (HARLAN opens up the main meat packing area and turns on the lights. He walks inside and powers up the conveyer belt where meat is already placed upon.) (HARLAN reaches up and turns on the overhead fluorescent lights.) (He continues his morning routine and reaches the next machine to turn it on. He looks over and notices that it's already been used with ground up meat in the metal bin on the side.) (HARLAN walks over to the bin and looks inside. His eyes widen as he sees a bloody human hand sticking out.) FLASH TO WHITE: [SCENE_BREAK] [INT. METEOR MEAT - NIGHT]] (BRASS escorts GRISSOM and CATHERINE through the main meat packing area.) Brass: Ever wonder what's in that hot dog? Human body in a meat grinder. Shop foreman found an arm. The rest of him is prime grade a sirloin. Catherine: Body in a meat grinder. Sounds kind of "mob-ish" except they left town in the '80s. (They stop. BRASS points to an officer interviewing MANNY SALDANO.) Brass: The last guy to operate the meat grinder is this guy over here. Manny Saldano, age 37. Worked for meteor for eleven years. Shop foreman vouches for him. Says he inspected all three of his machines before he clocked him out. Grissom: Well
SUMMARY: | Grissom and Catherine investigate when the chef of a fancy restaurant ends up in a meat grinder . They soon discover a lot more went on in the kitchen than cooking. Meanwhile Sara and Warrick find out that the apparent suicide of a young woman who suffered from bipolar disorder is actually a murder. |
fd_Bones_05x08 | fd_Bones_05x08_0 | TEXT: TEASER (A quiet neighborhood) (The camera focuses on all the "For Sale" signs in front of each house. It pans over to a house. We go inside and the realtor is showing a couple around) KATIE SELNICK: It's a buyer's market so this place is a steel. The owner's wife died so he's motivated. I'd be surprised if another agent doesn't already have an offer. WOMAN: Mmm, what's that smell? (Katie leads the couple through a hallway and up the stairs) KATIE: It's probably the neighbors. I hear they love to barbeque. It's a very friendly neighborhood. (After reaching the upstairs hallway) Now the master bedroom has been beautifully redone with coffered ceilings and all new carpeting. If you ask me, it's to die for. (Katie leads the couple into the bedroom. They're smiles drop immediately and the camera pans over to the bed. On it is a pile of ash with a foot still in tact and ash in the shape of a hand.) KATIE: I'm sorry, he was supposed to clean up. MAN: That's a foot. WOMAN: Oh my god! (She runs from the room screaming and hitting the door. The vibrations from the smack make the ash attached to the foot fall apart. Her husband follows) KATIE: (sighing in anger) Crap! (She stares at the bed for a moment, then shakes her head and leaves the room) (The Royal Diner) (Sweets, Bones and Booth are all eating breakfast at a table) SWEETS: (to Booth) I thought your grandfather lived in a nursing home. BOOTH: It's a retirement community. It's not a prison. He can leave anytime that he wants. BRENNAN: I think it's nice that he wants to stay with you for awhile. SWEETS: Did something happen...in the nursing home? BOOTH: You know what? If I tell you, you're just going to read into it
SUMMARY: | Booth's grandfather Hank comes to live with him and tags along as Brennan and Booth investigate ashes and charred remains found by a real estate agent while showing a property to prospective buyers. The team identifies the victims as plus-size lovers, neither of whom seemed to have many enemies. Meanwhile, Hank tries to play matchmaker for Booth and lets Brennan in on some family secrets. |
fd_Buffy_the_Vampire_Slayer_04x21 | fd_Buffy_the_Vampire_Slayer_04x21_0 | TEXT: Guest starring Leonard Roberts (Forrest Gates) Amber Benson (Tara) Bailey Chase (Graham Miller) Jack Stehlin (Doctor Engleman) Conor O'Farrell (Colonel McNamara) George Hertzberg (Adam) and Lindsay Crouse as Maggie Walsh Fade into Walsh talking to Adam. Walsh: Almost time to wake up, Adam, and take your first look at the world. I know you're gonna make me proud. Cut to Walsh getting skewered by Adam. Walsh: Aah! Giles (v.o.): Previously on Buffy the Vampire Slayer: Walsh (v.o): Adam... She falls to the floor. Cut to Adam and Spike. Adam: Spike, I want you to come with me. You're going to help me with my problem. Spike: Slayer's got powers. Adam: Take them away from her. Spike: This all goes down, the chip comes out. Adam: Scout's Honor. Cut to the crypt where Buffy and Forrest fought Adam. Forrest: Riley had a career. He had a future 'till he met you and yeah, I got a problem with that. Forrest uses his blaster on Adam, shocking him. Adam just looks at Forrest. Adam: Thank you. Forrest runs up to Adam, only to get a skewer put in him. Cut to Giles' apartment. Buffy: Okay, Adam was at that cave, so maybe he was there for a reason. I'll go back, I'll scope it out-- Giles: You don't train with me anymore. He's going to kick your ass. Buffy: Giles! Xander: Stupid. So you finally had the guts to say it to my face. Willow: What exactly do you mean by 'witch stuff'? Buffy: You guys, what is happening?! Willow: Buffy, things have been wrong for a while! Buffy: I'm starting to understand why there's no ancient prophecy about a Chosen One and her friends. As she storms out: Buffy: If I need help, I'll go
SUMMARY: | The Scoobies reveal Adam's plan of releasing an army of hybrid cyborg monsters. A composite being created by a spell, combining the powers and personalities of Buffy, Willow, Xander, and Giles kill Adam after an intense fight. |
fd_The_L_Word_06x01 | fd_The_L_Word_06x01_0 | TEXT: There's the police. Someone's been killed. A men: Alright, I got it. An other:Take this inside. Get it back off the truck. The policemen: Sergeant, the investigation team is on their way. The policewomen: Okay, tell me what we know. The policemen: It seemed to be having a party of some kind, there are seven ladies inside and a little girl. The little girl was asleep when they found the woman in the swimming pool. The policewomen: Any evidence of drugs or alcohol? The policemen: Oh, just a few drinks and a bottle of wine. That's about it. The policewoman: What about the victim? The policewoman: Evening. My name is Sergeant Marybeth Duffy. Who's the homeowner, please? Bette: Hi, I am Bette Porter. Sergeant Duffy: Bette Porter? Bette: Yes, and this is my partner, Tina Kennard. Tina: Hi. Sergeant Duffy: It's a very beautiful family. Bette: Thank you. Duffy: I don't plan on keeping you long, but I'm sure you understand I've gotta ask a few questions. The dead body comes into the house to go away. We see that it's Jenny. Credits. We return at the past. 3 months earlier. Back at the end of the production of LezGirls. Adele: Jennyfer Schecter. People: We love you Jenny! We love you too, Jenny! Jenny: Thank you. I wanna thank my incredible friends who I, I really love you, guys. You guys have, have shown me loyalty, and so much compassion. And friendship and I, I think that's what "Lez Girls" is all about. It means the world to me more than any other movie or lover. Is, is Nikki here? Cammie: I saw her outside, by the little pagoda. Jenny: I wanna tell her something, 'cause I, I was...I realized something really important this afternoon. That I am madly in love with someone, and it's changed the way I feel about all of this. Thank you for putting up with me. Bette: Thank
SUMMARY: | Picking up immediately after where Season 5 left off, Niki tries to deal with her betrayal to Jenny as they both attempt to figure out their feelings for one another. Shane awkwardly tries to apologize to Jenny, who responds by threatening to evict Shane from her house. Jenny further meddles in Shane's life when she has a run-in with Molly, and tells her that Shane is dating someone else. Jenny then invites Niki over back at the house where they have a passionate night of sex, only for Jenny to reject her the next morning for the sole purpose to emotionally hurt Niki. Meanwhile, Bette and Tina get worried when Angelica (Olivia Windbiel) comes down with a fever which gradually gets worse. Alice and Tasha cannot decide whether to break up or stay together since their different views on life strain their romance to the breaking point. Alice and Tasha end up at Papi's apartment seeking relationship advice. Elsewhere, Helena and Kit celebrate after taking over SheBar nightclub and formally rename the place, Hit! |
fd_One_Tree_Hill_05x09 | fd_One_Tree_Hill_05x09_0 | TEXT: [PREVIOUSLY_ON] PEYTON : I still love you, Lucas. LUCAS : Peyton, I... LINDSEY : Lucas asked me to marry him. WHITEY : What the hell is this? MOUTH : Well, we have this website. JIMMY : Yeah, we're sports announcers. JIMMY : Everyone get away from the door! MOUTH : Jim, you can't do this. JIMMY : It's a little late for that, Mouth. LUCAS : You're bleeding. We got to get you somewhere safe. PEYTON : No, I can't! I can't walk. I tried. KEITH : Jimmy, please... JIMMY : I'm sorry. KEITH : No! MOUTH : He was my friend. I... I miss him a lot. PEYTON : Lucas, look me in the eye and tell me that that kiss did not feel exactly the same as it felt three years ago. LUCAS : I'm in love with her, Peyton. MOUTH (voiceover) : Take a look at this picture. What do you see? There's a high school basketball game tonight somewhere in America, and there's a great story there. But sometimes, to find it, you have to look away... into the shadows, on the fringe of the obvious. Can you see it? Look closer. CLASSEROOM While we hear Mia singing, we see Haley with some student in a classroom. Then one of the student is actually Mia. PEYTON : Cut! Cut! Great. Really great work, Mia. Excellent. Thank you guys very much. We can check that and move on. HALEY : Hey PEYTON : How crazy is this? It looks just like your classroom. HALEY : It's so crazy. GUY: All right, it's good. Let's move on. PEYTON : Thank you. HALEY : I kind of need to get out of here. I don't know if you need me for closeups...
SUMMARY: | At the first Raven's basketball game of the season, Haley, Brooke, Peyton, Lindsey and Mia find themselves locked in the Tree Hill High library. Tensions run high as Peyton and Lindsey face off over Lucas. Brooke tries to stand up for her mother when her friends go on the attack. Haley plays mentor to Mia, who is experiencing the elation and disappointment of fame. Meanwhile, Mouth, who is covering the game as his first official TV reporting assignment, struggles to find a story. Finally, Lucas and Nathan grapple with the decision to tell their loved ones about various indiscretions. |
fd_The_Office_03x10-11 | fd_The_Office_03x10-11_0 | TEXT: Dwight: Merry Christmas! [holds up dead goose and puts it on Pam's desk] Pam: Merry Christ--[looks up] NO! Why... why did you bring that here? Dwight: Don't worry, she's dead. Oh wait. He's dead. Pam: Dwight, what uh... Dwight: I accidentally ran over it. It's a Christmas miracle! Pam: Well, get it out of here. Dwight: Relax, OK. And because this is Christmas, I am going to roast this goose and prepare it with a wild rice dressing. Do we have any cayenne pepper in the kitchen? Jim: Merry Christmas Dwight. Dwight: Jim. Jim: Wow. What have we got here? Dwight: What does it look like? Jim: Dead goose. Dwight: And circle gets the square. Jim: All right. Dwight: [to Pam] So can you watch this? I'm gonna get my carving knife out of the trunk. Toby: Oh, Dwight, we talked about this. Dwight: No, Toby, this is different. He's already dead. [SCENE_BREAK] Dwight: Once I brought in a duck. To prepare for lunch. And people got upset. Apparently, they got attached to the duck and didn't want to see it killed. [SCENE_BREAK] Dwight: He was already dead. And we Schrutes use every part of the goose. The meat has a delicious, smoky, rich flavor. Plus you can use the molten goose grease and save it in the refrigerator, thus saving you a trip to the store for a can of expensive goose grease. Jim: Wow. Win-Win. Dwight: Exactly. Thank you, Jim. Phyllis: I like goose. If it's already dead is it so crazy we eat it? Creed: That's crazy. It's crazy. Toby: Dwight, you cannot keep that here. Dwight: Ok, that is ridiculous. And totally against the spirit of Christmas. Toby: Come on Dwight. We went over this, like for a half an hour
SUMMARY: | Michael plans to invite Carole to Jamaica with him for Christmas, but she breaks up with him before he has a chance. Andy takes Michael to a local Benihana to cheer him up, and they both convince waitresses to come back to the Christmas party with them. Back at the office, a disagreement within the Party Planning Committee leads Karen and Pam to create their own Christmas party, separate from Angela's. When the majority of the office decide to go to Karen and Pam's party, Angela becomes upset, and seeing this, Karen and Pam decide to combine the parties. Soon after, Michael and Andy's dates leave them, but Michael nevertheless finds someone to go to Jamaica with him. |
fd_True_Blood_01x08 | fd_True_Blood_01x08_0 | TEXT: SCENE 1: Four charred coffins are beside one another outside of the house burned by Royce, Wayne, and Chuck. One of the coffins is partly opened. Various emergency personnel perform their duties as Sookie looks at the scene from a short distance. She is approached by Sheriff Bud Dearborn. Sheriff Dearborn: Sookie, are you okay? You want some water? Sookie: Four? (Sookie turns to face Detective Andy Bellefleur.) Sookie: You're sure you found four bodies? Andy Bellefleur: We shouldn't even be tellin' ya this. Sookie: Andy, not now! Not with me. Andy Bellefleur: [sigh] There's four sets of remains inside four coffins. Sookie: Oh, my God! (Sookie starts toward the house, but is pulled away by Andy.) Andy Bellefleur: We can't let you go in there! Sookie: Andy, if you don't take your hands off me right now, I swear to God, I will kill you! (Sookie breaks free of Andy's grip, and runs up the small hill toward the house, but is met by an unidentified young man in a blue jacket with something illegible printed in white letters on the back of it. There is another man present, wearing a black ball-cap and a black vest with "CORONER" in silver/white letters on the back of his.) Unidentified Young Man In Blue Jacket: No, no, sweetheart, you don't wanna come up here... (The unidentified young man looks at the contents of one of the burned coffins. There are no bones, only a slurry of slightly bubbling blood.) Unidentified Young Man In Blue Jacket: Jiminy Christmas. That's what happens to vampires? Unidentified Man in Ball-cap: (off-camera): Evidently. Plus, we got three more. (Sookie looks down at the blood soup with a worried look on her face.) Unidentified Man in Ball-cap (to the young man in the blue jacket): I hope you skipped breakfast. [chuckle] Unidentified Man In Blue Jacket: Sookie,
SUMMARY: | Sookie thinks Bill was killed in the fire, while Jason wakes up with Amy, thinking they had sex, but it turns out that they were simply V-tripping. Jason opens up to her about his parent's tragic deaths. Tara is amazed at Lettie Mae's seemingly instantaneous recovery and fights with Sookie about Bill. That night, Sookie takes flowers to Bill's grave. As she is walking back, she is attacked by Bill and they have sex. The next day, Jason introduces Amy to Merlotte's and she is hired as a new waitress, but Sookie tries to warn her about Jason. Tara lashes out at her mother's born-again Christianity and, after sleeping with Sam again, snaps at him. Sookie and Bill babysit Arlene's kids and Rene proposes to Arlene, who accepts. Mike Spencer, the coroner, identifies the fourth body in the fire as Neil, his assistant who was secretly a "fang banger". Sam is interrogated by Bud and Andy. Sam claims that he comes from a family of naturists and runs naked through the woods once a year to honor them. But Andy checks and finds out Sam was lying. After talking with Lafayette, Tara starts thinking that she may need an exorcism . Jason sees Amy's darker side when she reveals that she needs more V, but Lafayette won't sell it to him. They decide to follow him and discover that he gets his V-juice from a gay vampire, Eddie. Bill finds Eric in his bathtub who needs Sookie to work for him. Tara goes to Miss Jeanette to get her exorcism. After Lafayette leaves, Jason and Amy kidnap Eddie and shove him into Jason's truck. Sookie reluctantly goes to Fangtasia, where Eric uses her telepathy to find who has embezzled . Sookie learns that a woman named Ginger knows the money was taken, but her memory has been wiped, which means a vampire must have stolen it. At that moment, Longshadow attacks her. |
fd_Roswell_01x10 | fd_Roswell_01x10_0 | TEXT: "Toy House" 11th Episode of Roswell Production Code: 1ADA10 [SCENE_BREAK] (Episode opens with a blurry image of a bird flying away. Scene switches to the Evans household where Mrs. Evans, AKA Diane, is cooking dinner) Max: Why don't you put a little more garlic in that, mom? Diane: You know how I get when your father's away on business, honey. Fried foods, red meat... Max: You're a real party animal. Diane: Oh, shut up. Oh...so, what's that, biology? Max: Yeah. Everything you always wanted to know about a dead frog. Diane: Oh...not my strongest subject. Max: Mine, either. But I have a good lab partner. She's really good in science, so... Diane: She? Max: Mom... Diane: Well, I'm just curious. Does, uh, she have a name? (Mrs. Evans knocks over the bottle of oil and oil is oozing over the counter top towards the skillet) Max: Liz. Diane: Oh, right. Liz Parker. Isn't she the one that came by the other day? Max: Yeah. Diane: So...what are you, just...friends or... Max: Yeah. Just... (The oil reaches the skillet and bursts into a giant fireball) Diane: Aah! Max: Mom! Watch out! (Mrs. Evans falls to the floor and has her head turned away as Max rushes over and puts out the grease fire with his power) Max: You all right? You all right? Diane: Max...oh...I, uh...I...think so. (Opening credits) (Back in the Evans' kitchen, firemen are surveying the damage from the fire) Fireman: You're lucky you didn't get hurt. You sure you're all right, ma'am? Diane: Oh, I'm fine, really. Thank you. Fireman: At least we know the security system's working. Diane: Yeah. Max: Yeah, thanks. Max: Sorry you guys had to come out here for no reason. Fireman: Oh, no problem. Diane:
SUMMARY: | At the Indian reservation, Michael becomes gravely ill after undergoing a mystic sweat ritual, requiring all his friends to band together to save him. |
fd_NCIS_02x08 | fd_NCIS_02x08_0 | TEXT: INT. NURSES' STATION - DAY DOOLEY: Tell me he's asleep. NURSE: Doctor Byers saw to that. Gave him Percocet before she left. DOOLEY: If I were her, and he called me in at two in the morning, I would have killed him. (SFX: FLAMES EXPLODE) (DOOLEY AND CORPSMAN RUSH TO THE DOOR) (FADE OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) [SCENE_BREAK] INT. BASEMENT - MORNING (SFX: RADIO B.G.) (SFX: PHONE RINGS) GIBBS: (INTO PHONE) Yeah, it's Gibbs. No, you did not wake me up, DiNozzo. Mmm...okay, I'll meet you there. (TO REDHEAD) Hey, can you drop me by Bethesda? [SCENE_BREAK] EXT. HOSPITAL - DAY TONY: Ho! You got here quick. Where were you? KATE: Home asleep. TONY: Asleep, maybe. But not at home. I got you on your cell. KATE: Drop it, DiNozzo. TONY: Do not make this a challenge, Kate. I will find out. Oh boy. (CAR BRAKES TO A STOP) GIBBS: See ya. TONY: Looks like you and I were the only ones flying solo last night, McGee. MCGEE: Speak for yourself. (TO GIBBS) Morning, Boss. GIBBS: Where? KATE: First floor. A-wing. TONY: Some kind of explosion. Guy went up in flames. [SCENE_BREAK] INT. HOSPITAL CORRIDOR - DAY GIBBS: Name? TONY: Commander Michael Dornan, Safety Officer on the Kennedy. GIBBS: Which just got back from the Gulf. TONY: <unk>Y
SUMMARY: | A Navy commander explodes in his hospital bed after successful surgery, leading McGee to hypothesize that it was spontaneous human combustion . However while researching the dead man's past, the team discovers that he had gained a lot of enemies recently, not least of all a young ensign , who makes himself the prime suspect with some bizarre behavior. Unfortunately they have to find a new suspect when the ensign forces Kate to shoot him and dies as a result. But while analyzing the evidence from the scene of the death, Abby and Tony discover the truth behind the commander's death, and in turn find a new suspect. In the meantime, Ducky develops a soft spot for the doctor who was treating the commander. |
fd_The_Originals_02x10 | fd_The_Originals_02x10_0 | TEXT: [PREVIOUSLY_ON] Klaus: I assume I have the misfortune of speaking to my mother. Esther: I have come to heal our family. I will undo everything that has been done, thereby giving you a new life. Klaus: Well, I'd prefer you both to join me against our mother, but I'll happily settle for one or the other. Finn: I will not stop until every single vampire in New Orleans has ceased to exist, and I will show no mercy to anyone who dares stand with them. Hayley: My wolves... I think I figured out a way to release them from the witches. I have to marry Jackson. Rebekah: Hello, mother. I believe you're offering a deal. Esther: Your beautiful soul will live on in the body of another. Klaus: You must be feeling a little twitchy. That's what happens when you're in transition. I couldn't stop the spell. Davina: You swear she's safe? Kol: ( nods ) Perfectly. [Gasps] Rebekah: I'm Rebekah Mikaelson! [SCENE_BREAK] [ Mikaelson Safe House - Arkansas ] (Hayley is doting on Hope in the living room) Hayley: (to Hope) Hi, honey! Mama's here. (She lifts Hope up and carries her into the kitchen) Ooh! (Hayley and Hope enter the kitchen where Elijah is making breakfast. Hayley and Elijah look as though they're about to kiss, but instead Elijah just kisses Hope's head) (Klaus begins to speak in voiceover as he drives to the safe house with Cami. As he speaks about each of his family members in turn, the camera cuts to them. First is Elijah, who becomes overwhelmed by flashbacks of attacking Tatia, his red door, and the restaurant staff he killed. Second is Kol, in a flashback to The Map of Moments, when he kissed Davina in front of the Dowager Fauline's mansion. Third is Finn, who dresses his wounds
SUMMARY: | With Vincent on the loose and hell bent on revenge, Klaus brings Cami to the safe house as he and Hayley return to the compound. Hayley and Jackson devise a plan to bring the vampires and werewolves together to consider a truce, but tensions grow when Vincent places a spell on the compound, trapping the two sides together. Meanwhile, Elijah grows concerned when Rebekah fails to show up at the safe house, prompting Klaus to confront Kaleb for answers. Lastly, after accepting her mother's offer to jump into a new body, Rebekah turns to former Harvest girl Cassie for help when she finds herself trapped inside an insane asylum. |
fd_How_I_Met_Your_Mother_03x13 | fd_How_I_Met_Your_Mother_03x13_0 | TEXT: Ted is waiting for his turn in the tattoo removal center. Ted from 2030: Kids, sometimes in life you see someone and you just instantly know this is the person for you. It can happen anywhere. Even the waiting room of a tattoo removal clinic. And that's what happened when I met..Stella. Ted is inside the doctor's office Stella: Ah, the butterfly tramp stamp. My bread and butter. So I'm guessing that the real story involves a bad breakup and some booze. Unless it's a gang tattoo, in which case, I think it's time to find a new gang. Ted: No, I just thought it would be cool to get a caterpillar tattoo, and then a few weeks went by, and all of a sudden... Stella: Well, I can get rid of it in ten one-hour sessions, but, I should warn you, laser surgery's very painful. Ted: Well, I think you'll find I have a very high tolerance for pain. Just last night, I sat through the worst movie ever made. Stella: Oh, Plan 9 From Outer Space? Ted: No, the worst movie... Manos: Hands of Fate. Stella: Uh, I'm a doctor, went to medical school. It's Plan 9. If you don't believe me, it's playing down at the Pamela Theater. Ted: Uh-huh. I don't believe you, Doctor. Stella: Well, what are you doing tonight? At the movie theater (Ted arrives there, Stella is already there and is waiting to buy a ticket) Stella: Hey, Ted. Ted: Hey. Hey, put that away. Tonight's on me. Stella: Oh, no, no, don't... Ted: Come on, I insist. Stella: That's so nice. Thank you. Hey, guys, this is my friend Ted. (3 women approaches) He wants to pay. Ted: Oh, wow. Oh, yay. Wow, thank you. One, two, three, four. (Later, the movie has begun, Stella's friends are sitting between she and Ted) Woman 1, to Ted: Is something
SUMMARY: | Continuing his passionate quest to find the woman who will one day be his wife, Ted pursues his beautiful dermatologist, Stella. While Stella turns down his repeated efforts for a date, her office receptionist, Abby, becomes smitten with Ted. |
fd_Game_of_Thrones_06x07 | fd_Game_of_Thrones_06x07_0 | TEXT: [ EXT. RIVERLANDS - BROTHER RAY'S ENCAMPMENT ] [SCENE_BREAK] (Many men are performing various tasks pertaining to the construction of a church. Many women are preparing food.) Man: That's it. Get it to the top. Man #2: Steady. Steady. (BROTHER RAY is standing beneath the framing, addressing two men who are hoisting up a log.) Ray: Up she goes. (RAY turns to another man and slaps him on the back.) Ray: Hey, come on. Put your back into it, huh? (RAY walks a few paces away, grabs an ax, and lifts it up to a man standing on the church framing.) Ray: Here you are, son. (The man standing on the framing takes the ax. RAY turns to see two men carrying a log into the opening beneath the framing. He waves them in.) Ray: Oh, gentlemen, please. (RAY walks out from beneath the framing and addresses more men carrying logs.) Ray: And you lot, come on. Come on, get it moving. Come on, come on. (RAY hurries beneath one of the logs and laughs. He turns and looks up at the church framing, smiles, and nods. In a field a little ways off, more men are carrying larger logs towards the church framing. Four men carry each log. A man carrying one of these heavy logs by himself comes into view. He drops the log in front of the church framing and pants, then turns to look out over the landscape. The man is SANDOR CLEGANE, The Hound.) [SCENE_BREAK] [ TITLE SEQUENCE ] [SCENE_BREAK] [ EXT. RIVERLANDS - BROTHER RAY'S ENCAMPMENT OUTSKIRTS ] [SCENE_BREAK] (SANDOR repeatedly swings an ax into a horizontal log. Woods chips fly everywhere. RAY walks up behind SANDOR.
SUMMARY: | The Hound is alive and living a simple, non-violent life, having been saved by a Septon and his followers. When rogue Brotherhood members threaten and eventually slaughter the group, the Hound seeks revenge. Margaery convinces her grandmother to return to Highgarden after the High Sparrow threatens to punish Olenna following her and Jaime's confrontation with the Faith. Margaery then secretly signals to Olenna that she has not converted to the Faith. Jon, Sansa, and Davos recruit the Wildlings, House Mormont, and others but remain outnumbered by the Boltons. Sansa secretly sends a message to the Vale requesting aid. Jaime arrives in Riverrun with Bronn and assumes command of the siege. Jaime unsuccessfully parleys with Brynden Tully. Theon and Yara spend their last night in Volantis before sailing to Meereen to ally with Daenerys. Arya prepares to return to Westeros until the Waif, disguised as an old crone, viciously stabs her. |
fd_Frasier_11x19 | fd_Frasier_11x19_0 | TEXT: Act 1 Scene 1 - Frasier's Apartment Fade in. It is raining. Ronee, in her robe, comes into the living room from Martin's room, Frasier is at the table. Ronee: Hey, you're up early. Rain wake you? Frasier: Oh, no, just a little preoccupied. Ronee: Well, if there's something on your mind you can tell me. Won't be long before I'm your mom. Frasier: I was actually gonna tell you before you said that. Ronee: [sitting] Oh, come on. Frasier: Well, there's this woman I can't seem to get off of my mind. A woman with a boyfriend. Ronee: Why don't you just get her drunk and see what happens? Frasier: You are nothing like my mother. Martin comes in from his room. Martin: Hey, Ronee, better get dressed. You can't look like that when she gets here. Ronee: Oh, she not coming for another hour. Frasier: Who? Martin: Ronee's mother. Ronee: Your grandmother. Frasier: Stop that! Martin: She's visiting with her church group from Spokane. He goes into the kitchen. Ronee: Yeah, and if she sees me like dressed this she'd know that I spent the night and then she'd be carping about it the whole weekend. Frasier: What, she doesn't approve of pre-marital s*x? Ronee: Judging by the diving bell she wore as a nightgown, she wasn't real big on post-marital s*x either. Martin comes back from the kitchen with his coffee. Martin: Plus, I'm startin' out with one strike against me. Ronee: Mother still remembers a night he drove me home from babysitting you and Niles, thirty years ago... Martin: Forty years ago. Ronee: I'm telling this story. I was all weepy because this guy had just dumped me, and your father put his arm around me, just to be nice. And Mom saw
SUMMARY: | Martin is soon to meet Ronee's mother again, and given that she is opposed to pre-marital sex , they have to pretend that they are not practising it. Frasier is distracted constantly by thoughts of Charlotte, the matchmaking agent with whom he had dinner the other night, and who is already in a relationship. Niles agrees with him that his feelings could be transference , but after seeing Frasier when he talks to Charlotte, Roz dismisses that theory instantly. She decides to help Frasier out by taking him to a bar, where he meets a flirtatious woman called Kim ( Jennifer Tilly ). They both go back to his place, but receive several interruptions, the last of which is by Charlotte, who has just had an argument with her boyfriend and wished to be consoled by Frasier. Meanwhile, Niles has developed an uncharacteristic taste for fast food , and it is driving Daphne to distraction. |
fd_Bones_04x25 | fd_Bones_04x25_0 | TEXT: "The Critic in the Cabernet" [SCENE_BREAK] TEASER (Open: Bedford Creek Vineyard, Aging Cellar- Several people stand around a wine cask sampling wine.) SEAN MORTENSON: Now this cab is young, so limited finish, of course, but still has a nice depth. DR. LES GRANGER: I can taste cherries, a bit of ginger... KIM MORTENSON: Plums and cassis. RACHEL GRANGER: And a hint of dark chocolate. Lovely. BRUCE HANOVER: In another five years, it's going to be an exceptional wine. SEAN MORTENSON: Yes, Bruce is a magician with my grapes. Of course, he convinced me to sink a mint into the vineyard over the last two years alone. But, money well spent. DR. LES GRANGER: You're going to make Virginia the next California, Sean. SEAN MORTENSON: Doc, wait until you taste the '97. Gotta be the best year we've ever had at Bedford Creek. Wouldn't you say, Bruce? BRUCE HANOVER: Perfect balance of sun and rain, limestone and gravel. It was a year one dreams about. Now, some sediment is normal, especially in such a big wine. (Bruce pours several glasses of wine and passes them out. They toast and begin to drink. They make faces and gagging sounds and spit it out.) SEAN MORTENSON: What the hell is going on, Bruce? BRUCE HANOVER: I don't know, sir. RACHEL GRANGER: Something's in my glass. (Her husband reaches into her glass and pulls out a purple object.) DR. LESS GRANGER: My God, that's a human finger! (Rachel screams and drops her glass which shatters on the ground. The other guests make similar gestures.) (Cut to: Dr. Lance Sweets' office at the FBI building. He's having a session with Booth and Brennan.) SWEETS: (He opens the blinds on his office window and walks back to
SUMMARY: | The team is on the case when human remains are found inside a barrel of wine during a wine tasting. When the victim turns out to be a wine critic whose scathing reviews were capable of sending a vineyard to its ruin, everyone from the winery's owner to the victim's own wife becomes a suspect. Meanwhile, Brennan decides to have a baby and asks Booth to be the father; when Booth begins to doubt himself, he finds himself talking to Stewie Griffin from Family Guy . |
fd_Frasier_01x19 | fd_Frasier_01x19_0 | TEXT: ACT ONE Scene One - KACL Frasier is at his console. Frasier: [on air] To start off the second hour, I would like to depart from my usual format because I recently read a book that... well, it truly just knocked my mental socks off. It's called "The Menopausal Male," and its author, the distinguished psychiatric scholar Dr. Helmut Bruga, has graciously agreed to join us today from his offices at the University of Washington. Dr. Bruga, guten tag. I've been an admirer of yours for a long time. Bruga: [v.o.] Thank you. I enjoy your show as well. Frasier: Really? Bruga: Yes. Though I do not in most cases agree with your analysis. Frasier: Back to your book. Now, we're all very familiar with the changes in the female menopause, but your research indicates... Bruga: Excuse me, Dr. Crane. May I say hello to Roz? Frasier: Yes, of course. Bruga: Hello, Roz. Roz: Hello, Dr. Bruga. Frasier: Yes, your research indicates that the reproductive imperative is re-awakened in later life, when the man is... Bruga: You have a very sensuous voice. Frasier:...Thank you. Bruga: Not you, Roz. Frasier: Yes well, back to male menopause. Bruga: Would you perhaps like to go to a movie or something, maybe grab a bite? Roz: Well, that would be very... Frasier holds up the book so she can see the photo on the dust jacket. Roz: No. No, thank you very much. Frasier: Well, our time has just flown by. Thank you for joining us, Dr. Bruga, and for so vividly proving your point. Bruga: You will give Roz my number? Frasier: Oh, I think Roz has your number! [SCENE_BREAK] SITTING PRETTY Scene Two - Apartment The doorbell bing-bongs and Daphne answers. It's Niles. Daphne: Oh
SUMMARY: | Frasier is tired of Martin's favorite chair and replaces it, but Martin demands his old chair back. The old chair is easily located on the set of a school production, but the recovery proves more difficult. |
fd_Frasier_03x24 | fd_Frasier_03x24_0 | TEXT: ACT ONE Scene One - KACL Frasier is just wrapping up. Frasier: This is Dr. Frasier Crane, wishing you all good mental health. He goes off the air. Roz comes into his booth with a small gift box. Roz: Happy anniversary! Frasier: Oh, Roz! Oh, this is so much fun, Roz! I got you one too! He hands her a similar-size gift box. Roz: Oh, thank you! O.K., you first. I mean, it's nothing really, it's not expensive or anything, you probably won't even like it, I'm not good with gifts- Frasier: Look, don't oversell it, Roz. [unwraps it] It's a tape. [reads] "The Dr. Frasier Crane Show: Show #1, May 21st, Roz: It's our first broadcast. Frasier: Oh, Roz! I can't wait to listen to it! Did you ever think I'd stay on the air this long? Roz: Oh, hell no. [reads her card] "To Roz, who believed in me from the start." Frasier: Yes, it's from Hallmark's "Irony" section. Roz: [opens hers] Oh, Frasier, they're beautiful! Earrings! Thank you, thank you! Frasier: [hugs her] You deserve them. Working side by side for three years, one can't help but become close friends. And they're blue! To match your... lips when they're cold! She rolls her eyes at him as he goes out the door. [SCENE_BREAK] Scene Two - Frasier's Apartment It's later that afternoon. Outside, the rain is pouring. Daphne is wandering around the apartment, dusting things and talking on the cordless phone. Daphne: Oh, Mum, it's not that I don't want to come home. I'd love a visit! It's just that I can't! He won't let me. Behind her back, Frasier comes in the door
SUMMARY: | Frasier and Roz celebrate the third anniversary of Frasier's show, and their time spent together making it, with presents: Roz gives Frasier a taped copy of the first ever episode of the show. Later that day, Frasier returns home to find Daphne on the phone to her mother, calling him a dictatorial tyrant who will not let her go home to Britain. She is trying to avoid having to make a visit. Frasier puts on the tape of his first ever show, and as his awkward voice starts, he remembers his first show and his early days back in Seattle. |
fd_Justified_05x07 | fd_Justified_05x07_0 | TEXT: [PREVIOUSLY_ON] Just got transferred from the Harlan lockup. I'm Gretchen Swift. Ava: Ohh! You know, there's a rumor going around that a federal lawman was instrumental in the death of Nicky Augustine. Art: No sh1t. Raylan: It wasn't Barkley. And I can tell you that for a fact. Raylan: [ Groans ] Kendal: Couldn't wait to see me again, huh? Wendy: Let Ms. Brander do her job. Kendal: Talking to me is her job. Who else's wellness is she here to check on? Wendy: How long have you been going with that marshal? I have an eye for that sort of thing. [ Tires screeching ] Danny: [ Barking ] [ Door beeping ] [ Laughing ] Girl give you my message? [ Groans ] Boyd's got another shipment coming in. He's striking up a connection with the Mexicans. Well, sh1t. Boyd: I come in peace. Darryl: What you want? Boyd: I've got a job that needs doing. Both: What's the job? [ Gun cocks ] [SCENE_BREAK] Kendal: Hey, where y'all going? Danny: Nowhere. Darryl: Gonna make some money. You in charge while we gone. You up to it, right, little man? Danny: 'Course he's up to it. He's a man now, ain't he? Look after Chelsea while I'm gone. Darryl: You all right? Seem a little off the last few days. Kendal: No, I'm good. I'll take care of everything. Darryl: All right. Let me know. [ Indistinct conversations ] Five minutes left. Ava: I know. See, I know my guy ain't coming. In the beginning, they visit all the time. Then there's work emergencies, sick relatives. Last week, my guy had a "flat tire." That's why you ought to rely on the
SUMMARY: | Boyd and the Crowes fly South for a crucial drug score, while Raylan pursues a small time grifter with big time enemies. |
fd_One_Tree_Hill_06x19 | fd_One_Tree_Hill_06x19_0 | TEXT: on "One Tree Hill"... Mouth : I could have sent that to you. Millicent : I came to get my car. I'm driving it back. Mouth : I guess this is goodbye for a while, then. Millicent : Actually, it's goodbye forever. Deb : I think we should end this... us. You deserve more than this. Mrs Rimkus : You'll address your literature class and explain that you were wrong. Haley : And if I don't? Mrs Rimkus : You'll be fired. Haley : I should probably say goodbye. Sam : I'm glad you're here. Julian : I said I loved you, and you didn't say it back. And I said it was fine, but it wasn't. Brooke : I don't want you to go. Julian : But I have to. Lucas : If continuing this pregnancy means I lose you, then we end it. Peyton : I'm having this baby. Lucas : We're having this baby. AT LUCAS'S HOUSE Nathan : Up and at 'em. Lucas : What? Nathan : It's a beautiful day... you, me, Jamie, the river court. Come on. Let's go, chop-chop. Lucas : I thought I'd go shoot a round with Nate and Jamie. Think you'll be okay? Peyton : Honey, you don't have to check up on me every five minutes, even though I do love you for it. Lucas : I know. I guess it's just 'cause, well, I'm the only one who knows. Peyton : I know. I know. I should tell Brooke the whole "no secrets" thing. Maybe I will. You go play. Lucas : Okay. I love you. Peyton : Yeah, I sort of like you, too. AT PEYTON'S STUDIO Haley : It's kind of quiet in here. Peyton : Yeah, Mia had a couple of gigs left on the schedule, but the label really loves that new song I sent. Haley : Another one
SUMMARY: | Julian asks Brooke to move to LA with him. Lucas brings Nathan and Jamie to an important place from his past, while Peyton prepares for the future. Sam and Jack take a stand against the principal who fired Haley. Skills takes Mouth on a road trip to get his mind off Millie. Towards the end of this episode Brooke shows up at the airport and turns Julian's offer to go to LA down. This episode is named after a song by Paul McCartney and Wings . |
fd_The_Vampire_Diaries_06x14 | fd_The_Vampire_Diaries_06x14_0 | TEXT: Elena: I know what you've been going through. Go to art school. Find the life that you want... and don't look back. Enzo: Meet the real Sarah Salvatore. Stefan set me up to die, which resulted in days of torture. That's when I started plotting my revenge. I'm going to make her do things she'd never dream of doing until she begs me to make her a vampire. Damon: I don't know if you remember this, but Liz and I are pretty close. Liz: I need you to promise me something. When I'm gone, Caroline is gonna need you to help her move on with her life. Promise me that you will do that, Stefan. Stefan: (takes Liz's hand) I promise. (Crying) [SCENE_BREAK] [ FLASHBACK: 23 MAY 2009 - SHERIFF'S OFFICE ] Liz: Hey, Tony, I'm headed home for the night. Could you do me a favor and check up on the Lockwood place? Carol called again, another 5-Martini stalker sighting, oh, and some teenagers are planning a bonfire off route 13. No one's called to complain yet, but they will. See you. (Telephone rings - Ring - Ring - Ring) : Forbes. Liz: I'll be right there. [SCENE_BREAK] [ FLASHBACK: 23 MAY 2009 - HOSPITAL - MYSTIC FALLS ] (Sirens) Liz: Hey, what happened? Police officer: Accident up at Wickery bridge. Driver lost control, careened off into the water. Liz: Any other casualties? Police officer:Two. Liz: Survivors? Police officer:One. We found her up on the bank unconscious. She must have crawled out of the car and passed out. Liz: Elena Gilbert. Where's her brother? Who are the casualties? Police officer:Miranda and Grayson, her parents. (Police radio chatter) [SCENE_BREAK] [ HIGH SCHOOL - MYSTIC FALLS ] Elena: Principal Weber, I know that graduation is
SUMMARY: | With help from Elena and Damon, Jeremy graduates high school months earlier and is leaving town to go to art school. Caroline, on the other hand has Stefan help her surprise her mother with a vacation while the sheriff is with Damon attempting to solve an old unsolved case: the Gilberts' accident. Elena and Jeremy get stoned together while bonding and talking about their old memories. Matt is still being blackmailed by Enzo, but he is starting to develop feelings for Sarah. Enzo calls Matt and threatens to kill Jeremy, who he has pinned down, unless Matt takes Sarah to a certain tunnel. Matt reluctantly goes on a walk with Sarah to the tunnel, and Enzo purposely hits Matt with a car. While Sarah panics, Enzo tells her to stay calm and gives Matt some of his blood. As Jeremy leaves, it is revealed that he lied and instead of going to art school, he is going to go hunt vampires and Alaric is the only one who knows about it. Meanwhile, Liz realizes that the events surrounding the Gilberts' accident were natural and that she had been hoping for a supernatural reason so she could have someone to blame. Stefan and Caroline are setting up Liz's room together and the two of them kiss on the porch. Liz's condition rapidly deteriorates and she has to go back to the hospital, where she lies unconscious. Caroline rushes to the hospital and is upset because she didn't get to say goodbye, but Stefan helps her by suggesting that she goes inside her mom's mind, which is what she does and with that the Sheriff dies. |
fd_Dawson_s_Creek_06x23 | fd_Dawson_s_Creek_06x23_0 | TEXT: Series Finale (Part 1 of 2) [Scene: A set dressed up like Dawson's Bedroom. Actors playing Colby and Sam are acting out a scene from Dawson's New TV show <unk>The Creek.<unk>] Colby: Feelings and emotions have an inexplicable way of manifesting themselves in subconscious and not always se-aware behavior. Sam: Verbal deconstruction of teen angst is really outdated, Colby. There's nothing going on between me and Petey. He's just a friend. Your best friend, I might add. I have no subconscious subliminal intentions towards him. Colby: Just a friend, huh? Sam: Yes. That's all. Period. End of sentence, dissertation, and postmodern diatribe. Now can we go to sleep? Colby: So, is Petey a friend the same way you and I are just friends? Sam: Yeah... of course. Colby: That's what I was afraid of. [They lie back down on the bed together, and lie together awkwardly. The camera pulls back from the TV and we see that Joey was watching the show on the couch with a tear in her eye. Another man comes over to her.] Christopher: Thank god that's over. Joey: Tread lightly, book boy. Christopher: Watch this. This'll be fun. [He grabs the remote and turns off the TV] Joey: Hey! Christopher: Ahh... back to intelligent life as we know it. Yeah, you know that show? It's like bad airplane food. You know, the teen hyperbole, it's hard on the stomach. And the writers must sit around with a thesaurus just seeking out 4-syllable ways to abuse the English language. Joey: Well, I only watch it to torture you. Christopher: Yeah? Well, it works. I mean, who talks like that Colby guy? He's like some mutant English professor, psychotherapist freak. Joey: We can't all be brilliant literary snobs like yourself. You should read some of the crap I have to edit. Christopher: You edit my stuff. Joey: [Whispering] Except your stuff. [They begin kissing
SUMMARY: | Five years have passed and everyone is reunited in Capeside for a special wedding. Dawson has been living in Los Angeles producing his autobiographical television series The Creek and has never forgotten the love of his life, Joey. She is now a successful book editor living in New York City with her boyfriend, Chris, but comes home to realize she still loves her childhood sweethearts. Pacey is the owner of the new Ice House and still carries a torch for Joey, Jen is a single mom living with Grams in New York and managing an art gallery in SoHo, and Jack is a teacher at Capeside High and has fallen in love with Doug who is now the Sheriff of Capeside. Together all the secrets come out as tragedy and love becomes clear. With Jen in the hospital dying from a terminal heart condition, the gang tries not to be too sad about it. Dawson helps Jen make a video for her daughter, asking her to never stop loving and dreaming. Jen also asks Joey as her last wish to end the chasing and running and to finally pick between Pacey and Dawson. Joey tells Jen that she has always known who she is supposed to be with. Jack tells Jen that she's his soul mate and asks to raise baby Amy for her. Jen passes away and while mourning the death of their close friend, the gang has to move on. Doug tells Jack he's willing to spend his life with him and wants to help raise Amy. Joey breaks up with Chris over the phone while she tries to decide whom she will choose: Dawson or Pacey. After Jen's funeral, Pacey privately tells Joey that she's "off the hook"; despite his endless love for her, he can't hold her back any more despite them growing up together and relating to each other over their unhappy childhood and adolescence; Joey dealing with her mother's death from cancer and her father's imprisonment for drug trafficking, plus Pacey dealing with his outrageously immature and neglectful parents. But as much as Joey wanted, all her life, was to leave Capeside and travel the world, Pacey seems forever destined to be stuck there just like his alcoholic loser father and grandfather, etc. Before returning to New York, Joey sits with Dawson and confesses that even though they may never be together, he and she are soul mates and nothing should ever change that, but, in the end, she decides it is Pacey she wants to be with. In the final moments of the series, Dawson answers a phone call from Pacey and Joey who have just watched an episode of The Creek. Dawson tells them that he's meeting someone tomorrow and Pacey and Joey figure out it is Steven Spielberg, Dawson's idol. The episode ends when the camera lingers on a picture on Dawson's desk of him and his friends before cutting to a scene of them all walking down the beach from season one. In 2011, the whole two-part finale was ranked #16 on the TV Guide Network special, TV's Most Unforgettable Finales.[2] |
fd_NCIS_01x18 | fd_NCIS_01x18_0 | TEXT: INT. BEDROOM - NIGHT VICKI: Rod! Wake up! ROD: What? VICKI: I heard a noise. Come on, aren't you going to check? ROD: Check what? VICKI: That. ROD: (V.O.) It's probably just Bella. (PASSAGE OF TIME) VICKI: Rod? Rod? Damn it, Rod! Why didn't you answer me! You scared the heck--! JACK: Turn over and lay on your stomach. Do as I say and you won't get hurt. Do it. (MUSIC OVER ACTION/MAN DISROBES) (MUSIC OUT) (THEME MUSIC UP OVER OPENING TITLE/CREDITS AND OUT) [SCENE_BREAK] INT. SQUAD ROOM - DAY (SFX: ELEVATOR DINGS/DOORS SLIDE OPEN) TONY: It's three o'clock in the morning, you hear a strange noise in your house. What do you do? KATE: I slide a pistol from under my pillow and I go after the guy. TONY: I'm talking about real people, Kate. Why do they always feel the need to go and look? KATE: It's called human nature, Tony. TONY: Ah, let me guess. You're that person in a horror movie that decides since all your friends are dead, you really need to go check out the demonic breathing noise down in the basement. KATE: Well, that beats being the girl who twists her ankle and gets everybody else killed. TONY: You sleep with a gun under your pillow every night? KATE: That depends. TONY: On what? KATE: On who I'm sleeping with. (BEAT) (TO GIBBS) Um, I'm sorry. I didn't mean that the way it sounded. Tony just asked me what I would do if a man came into my bedroom and I said it depends. I mean, it doesn't depend on the man. Tony, could you help me out here, please? TONY: She sleeps with a gun,
SUMMARY: | A former Navy SEAL convicted of double homicide escapes from Leavenworth , resulting in Kate and McGee being assigned to protect the son and in-laws of the escaped prisoner. During the night, the SEAL breaks into the house to see his son before fleeing, leaving Todd tied to a chair and unarmed, her weapon having been taken by the SEAL as a form of protection and to be possibly used in another crime of some sort. Using her profiling skills, Kate theorizes that he may actually be innocent and had discovered the identity of the real killer while in jail. At headquarters, the team has to contend with the antagonistic defense and prosecution attorneys, one of which is Lt. Commander Faith Coleman as they review the evidence in order to find the real murderer before the SEAL delivers his own brand of justice: revenge . |
fd_Doctor_Who_1963_14x23 | fd_Doctor_Who_1963_14x23_0 | TEXT: THE TALONS OF WENG-CHIANG BY: ROBERT HOLMES Part Three Running time: 21:56 [SCENE_BREAK] LEELA: Doctor. DOCTOR: Shush. LEELA: Doctor. DOCTOR: Shush. LEELA: Doctor. CHANG: Sin! DOCTOR: Where's Litefoot? LEELA: He went out. He said he'd seen a Chinaman outside the window. DOCTOR: And you jumped through it. LEELA: Something like that. DOCTOR: Stay here. DOCTOR: Leela! Leela, no! Don't! Leela. [SCENE_BREAK] DOCTOR: Ice! LITEFOOT: The sheer criminal effrontery. Things are coming to a pretty pass when ruffians will attack a man in his own home. DOCTOR: Well, they were Chinese ruffians. LITEFOOT: I wonder what they intended? DOCTOR: Robbery? LITEFOOT: Well, there are some pretty valuable things here. That K'ang-hsi vase, for instance. My family brought that back from Peking. Or that Chinese puzzle box. LITEFOOT: It doesn't open. Chap spent a week here once looking for a secret spring. DOCTOR: Fused molecules. LITEFOOT: No, no, no, no. Lacquered bronze. DOCTOR: It's extraordinary. It's from this planet. LITEFOOT: A parting gift from the Emperor. DOCTOR: Technology this advanced? Ah! Got it! Well, of course, that's the answer. LITEFOOT: What the Dickens are you raving about, Doctor? DOCTOR: Weng-Chiang. LITEFOOT: Weng-Chiang? DOCTOR: Weng-Chiang. I do hope that girl Leela isn't in danger. [SCENE_BREAK] WENG (OOV.): You will explain yourself, Li H'sen. [SCENE_BREAK] WENG: I will not tolerate failure! CHANG: There has been no failure, Lord
SUMMARY: | Leela follows Chang in order to find Greel's hideout while the Doctor and Litefoot set about finding her. |
fd_One_Tree_Hill_08x07 | fd_One_Tree_Hill_08x07_0 | TEXT: [PREVIOUSLY_ON] SYLVIA: Trick or treat! BROOKE: Can I help you? SYLVIA: Is my son here? BROOKE: Oh, please, God, no. MIA: Hey. I just wanted to say that I'm really sorry Alex left town. CHASE: Look, we both know you wanted her gone. And now she's gone. Just do me a favor... don't pretend you care, okay? CLAY: I was thinking about what you said about that quarterback, Troy Jameson. NATHAN: Yeah? You gonna talk to him? CLAY: No. But you are. NATHAN: I can't do that. I'm not an agent. CLAY: Look, if you want to help me out with the agency, this is where you can start. SYLVIA: So the reason that I came a few weeks early is that I want to help with the wedding. Financially. JULIAN: Mom, what are you talking about? SYLVIA: I'm gonna pay for everything. I'm gonna make this the wedding that you both always dreamed of. HALEY: Crisis intervention. ERIN: Hi. Haley? HALEY: Hi. You haven't called in a while. ERIN: I wanted to call, but I figured I shouldn't be wasting all your time. I'm not the only person with problems. HALEY: Trust me. You're not wasting a second of my time. ERIN: Slainte, Haley. HALEY: Sorry? ERIN: It means "cheers." HALEY: Slainte, Erin. HALEY: Hey. You were great... I mean really great. ERIN: Thanks very much. Slainte. HALEY: Cheers. BRULIAN'S HOUSE Julian sees his documentary. Brooke joins him. BROOKE: I wonder if they'd all be smiling if they knew you were filming them from the bushes. JULIAN: I was just thinking about the wedding, and I realized I don't have a best man.
SUMMARY: | As the wedding approaches, Brooke tries to connect with Sylvia, while Julian looks for his best man at a guys' poker night. Meanwhile, Nathan struggles in his new job, while Haley stumbles on finding Erin, and Skills returns to town with a new friend as Lucas' Mannequin. This episode is named after a song by Frank Sinatra . Opening theme song performed by Lucas Field. |
fd_Frasier_08x03 | fd_Frasier_08x03_0 | TEXT: Skyline: Doppler Waves radiate from the tip of the Space Needle as if from a radio antenna. ACT ONE WHEN BAD THINGS HAPPEN TO GOOD BMW OWNERS Scene One - Bus - Night As the bus pulls over, it makes a heavy splash. The door opens, and Frasier and Roz step on. Frasier is soaking wet. Roz: Rule number one: always stand in back of the curb until the bus has come to a complete stop. Now take your money and put it right in here. Frasier: Yes, thank you, Roz, but I am not completely lacking in street smarts. [to the driver] Good day, busman. The northwest corner of Highland and 1st, please. Driver: That's not a stop. Frasier: I know. [takes out a dollar bill] Perhaps if I just shove a little encouragement into this box- Roz: Come on! She shoves him back into the passenger area, which is packed. Roz: Keep your eyes peeled for a seat, and hold on to a pole. Frasier: Doesn't look very clean, Roz. Roz: [looks down] Well, would you rather wind up on the floor? Frasier: [looks down] Dear God! As the last passengers board the bus, an attractive blond woman (Miranda) gets on and sits next to a brunette woman (Francine). Frasier is immediately captivated. Miranda: [British accent] Francine! Francine: Miranda! Oh, long time. How are things at the Colonnade? Miranda: Oh, just for you, a mess. Things have gotten so crazy there, they put me in charge. Francine: Oh, that's great! You deserve it. Miranda: Oh, thank you. How are you doing? Roz: [whispering] Which one are you staring at? Frasier: I'm not staring. That would be rude. Roz: Which one? Frasier: Blonde. Roz: Why don't you go over and talk to her? Frasier: Oh please,
SUMMARY: | Frasier spies an attractive woman while traveling on a bus in the rain. He gathers that her name is Miranda, and she works at a retirement home called The Colonnade. He visits the home under the pretext of considering putting Martin in there. He later learns that his father has filled in the application. Niles and Daphne have planned a romantic dinner together, hoping to watch a meteor shower. Frasier moves them onto the roof of Elliott Bay Towers, so that he and Miranda can have some privacy. In the course of the evening, the door onto the roof closes, separating Niles and Daphne until the night watchman arrives. |
fd_Doctor_Who_1963_21x13 | fd_Doctor_Who_1963_21x13_0 | TEXT: PLANET OF FIRE BY: PETER GRIMWADE Part One Running time: 24:26 [SCENE_BREAK] AMYAND: Come on, Roskal. ROSKAL: It's no good, I can't make it. AMYAND: Give me your hand. ROSKAL: No. Amyand, I'm afraid. AMYAND: So am I. We've come this far. We can't turn back now. Come on, just a short climb then we can see into the heart of the mountain. The others are depending on us. [SCENE_BREAK] TIMANOV: Since my father's time, unbelievers have been sent to the flames. MALKON: That was barbaric. TIMANOV: Yes, a little overzealous, perhaps. In those days, people didn't tolerate dissenters as they do now. MALKON: But the unbelievers are harmless. TIMANOV: Yes, but it's still a wise precaution to send the occasional free-thinker to the flames. Encourages faith in our traditions. MALKON: I could never order a burning. TIMANOV: When the time comes, you will be given the strength. It can be a rewarding experience for those consumed in the flames. Unbelievers are such, such unhappy souls. MALKON: Is it not sometimes good to doubt, Timanov? TIMANOV: Malkon, for our people to survive we must have faith, and never more so than at this moment. Logar is testing us. We must not seem to be wanting. [SCENE_BREAK] ROSKAL: I can't breathe. My feet are burning. AMYAND: Timanov says Logar is benevolent. Perhaps he's waiting with a cool drink and new shoes. ROSKAL: How can you joke? AMYAND: Keep going. It's now or never, Roskal. AMYAND: There's nothing there! ROSKAL: Not even a machine. AMYAND: Logar's a myth. [SCENE_BREAK] CURT: Be careful. Do you wish to achieve what the sea could
SUMMARY: | The Tardis receives a distress signal and at the same time Kamelion seems to be having problems while linked into the Tardis. Following the distress signal the Doctor arrives on Lanzarote and Turlough rescues Peri. Turlough seems to know where the distress signal is coming from. |
fd_Teen_Wolf_01x12 | fd_Teen_Wolf_01x12_0 | TEXT: 1x12 Code Breaker Chris: Move! Stiles: No - I'm not just letting you leave her here. Peter: You don't have a choice, Stiles. You're coming with me. Stiles: Just kill me. Look, I don't care anymore. Peter: Call your friend. Tell Jackson where she is. That's all you get. Chris: It's all right. Allison: No. Chris: You're okay. You're okay, baby. Jackson: Come on, Lydia. Stay with me. Come on. Help me! Somebody help! Help me! Get help, please! Peter: Don't feel bad. If she lives, she'll become a werewolf. She'll be incredibly powerful. Stiles: Yeah, and once a month, she'll go out of her freaking mind and try to tear me apart. Peter: Well, actually, considering that she's a woman - twice a month. Kate: Feeling better? Chris: Don't push me, Kate! Kate: I thought it was a pretty healthy display of aggression, actually. Chris: You told her. Kate: She found out. Chris: Don't think I don't know about the clues that you've been leaving, starting with that necklace. She knows because you wanted her to. Kate: Because she needs to. Chris: Why are you back here? You hate this town. I had a network of names I could've called a lot closer than you. But you called first. Kate: So now you don't want my help? Chris: I'm not sure I know who you're helping. Kate: Oh, come on. I'm here to catch the Alpha. Remember the one running around here, killing people at random? Chris: Not random. Kate: What? Chris: Tyhurst said that Sheriff Stilinski can connect every murder back to the Hale fire. Kate: Well, then that's even more reason for her to know, 'cause they've always blamed us for that fire. It had to have been Derek and some other relative. But I guarantee they're circling around to us as their last targets. Chris: I know. It's why you're taking
SUMMARY: | Argent decides to send Allison and his sister Kate to Washington. Stiles helps Peter locate Derek. Meanwhile, Jackson is called to get Lydia to the hospital. Scott must cope with the girl he loves knowing his secret. Argent and the hunters try to get Scott's location out of Stiles and Jackson. Scott locates Derek and tells him Peter killed his sister on purpose. Kate tries to get Allison to kill Derek and Scott, but Argent stops them, having learned from Stiles that Kate was behind the Hale's house fire. Peter appears and kills Kate. Derek and Scott fight Peter, but they're overpowered. Stiles and Jackson appear with Lydia's self-igniting Molotov cocktails , which badly burn Peter before Derek slashes his throat, becoming the new Alpha. Scott and Allison reconcile. Jackson asks Derek for the bite. |
fd_CSI__Crime_Scene_Investigation_07x05 | fd_CSI__Crime_Scene_Investigation_07x05_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY - EARLY MORNING] [INT. CHURCH - EARLY MORNING] (Two nuns, Sister Elizabeth and Sister Bridget, walk into the church. Both are carrying large vases of flowers. The vases are so large, they can barely see in front of them. Sister Elizabeth sniffs the air.) Sister Elizabeth: Urine. (Sister Bridget sniffs the air. They make their way to the front of the church.) Sister Bridget: I don't smell it. Sister Elizabeth: Ever since Father started leaving the church open at night -- Sister Bridget: -- the church has gotten a lot more use. Sister Elizabeth: Yeah, as an orgy house and a toilet. Sister Bridget: No. People come in at all hours of the night to pray. Sister Elizabeth: "Dear Jesus, please keep me from blowing all my laundry money on the nickel slots at the Gas 'n' Go." (Sister Bridget puts her vase down on the floor next to a pew. Sister Elizabeth continues to the front. She sees a stream of liquid leading to the base of the statue of Jesus.) Sister Elizabeth: Oh, somebody's done their business right here next to Jesus. (She puts her vase down on the floor near the statue of Jesus. She steps back, her eyes wide and fixed on the statue in front of her. Sister Bridget heads over.) Sister Bridget: Oh, no, not again. (She turns and sees the older nun's reaction. She looks at the statue of Jesus and sees the blood on the palms of the statue's open hands.) (The two nuns look at each other. Sister Bridget gasps. Sister Elizabeth crosses herself.) Sister Elizabeth: Right here on the eve of the apocalypse, a miracle. CU: BLOODY STATUE HAND (SLOW MOTION. A single drop of blood falls and spatters on the statue's hand.) (The two nuns look up.) (There hanging from the rafters is a woman dressed in a white gown, her arms spread out wide and away from her body.) [SC
SUMMARY: | Grissom and his team investigate the case of a woman found dead in a church. They soon discover evidence of a love triangle dating all the way back to the victim's high school years that could reveal who is responsible for her death. |
fd_The_Big_Bang_Theory_02x22 | fd_The_Big_Bang_Theory_02x22_0 | TEXT: : The comic book store. Sheldon: Smell that? That's the smell of new comic books. Oh, yes! Howard: They're on me today, boys. Raj: You're paying? Have you been selling your sperm again? Howard: No, I'm celebrating. As we speak, the space shuttle is docking at the International Space Station where it will deploy the Wolowitz Zero-Gravity Waste Disposal System. Raj: Oh, get over yourself, it's a high-tech toilet. Leonard: Just think. Thanks to your hard work, an international crew of astronauts will boldly go where no man has gone before. Howard: Is that supposed to be funny? Sheldon: I believe it is. The combination of the Star Trek reference and the play on words involving the double-meaning of the verb to go suggests that Leonard is humorously mocking your efforts in space plumbing. Howard: Okay, make your little jokes, but of the four of us, I'm the only one making any real-world contribution to science and technology. Raj: He's right. This is an important achievement, for two reasons. Number one, and, of course, number two. Sheldon: Oh, clever! Playing on the use of cardinal numbers as euphemisms for bodily functions. Stuart: Here, Sheldon, I pulled the new Hellboy for you. It's mind-blowing. Sheldon: Excuse me, spoiler alert. Stuart: I didn't spoil anything. Sheldon: You told me it's mind-blowing, so, my mind is going into it pre-blown. And once a mind is pre-blown, it cannot be re-blown. Stuart: I'm sorry. Sheldon: Said the Grinch to Christmas. Stuart: Uh, hey, Leonard, can I talk to you about something? Leonard: Oh, sure, what's up? Stuart: Remember I went out with your friend Penny a couple weeks ago? Leonard: Yeah, vaguely. Raj: Sure you remember. You went to the bar and made a fool of yourself trying to pick up strange women. Leonard: What about it? Stuart: Well, uh, the thing is,
SUMMARY: | Howard celebrates the launch of his latest invention, a zero-gravity human-waste disposal system (a space toilet) to be used in the ISS, by buying all of his friends new comic books. However, later Howard discovers he made a mistake that will cause the toilet to fail and burst after 10 flushes, so the guys convene to try and fix it (a la Apollo 13's Ken Mattingly), working for a whole night to find a solution and even testing the toilet with meatloaf from Howard's mother, all thewhile he treats it like it's a classified weapon. At the end of the episode, the ISS astronauts report to NASA that they are all going on an unscheduled "spacewalk", implying that Howard ultimately failed. At the comic book store, Stuart tells Leonard that he is having a second date with Penny and asks for advice. Leonard deliberately avoids Stuart for as long as possible, and finally gives him bad advice. The next day, Leonard feels guilty and goes to apologize to him. Stuart reveals the date went well until they started making out in his car and Penny accidentally called him "Leonard." Leonard is secretly delighted. |
fd_Frasier_04x20 | fd_Frasier_04x20_0 | TEXT: ACT THREE PROFESSOR CRANE'S SELF-DELUSION 101 Scene One - Frasier's apartment. Frasier is asleep on his couch that same evening as Daphne walks in ready to leave. Daphne: Dr. Crane, are you alright? Frasier: Daphne, shh... do you hear that? Daphne: What? Frasier: The sound of a Sherry-free apartment. [Daphne rolls her eyes] I've been basking in it for the last thirty minutes. Right now, I feel like a seafront village after the Vikings have left. The doorbell rings and Frasier jumps off of his couch. Frasier: That must be Niles! [opens the door to Niles] Niles: Frasier. Frasier: [happy:] Niles. I'd offer you a sherry, but I'm fresh out! They slam their chests together, causing them both to stagger a bit. Niles: I can't believe Dad finally came to his senses! Oh, shall we attempt a high-five? Frasier: Well no, not after what happened last time - your watchband got caught in my hair. Niles: What a relief to finally have things back to normal. Frasier: Yes. Daphne creeps up behind him and greets him in her American accent: Daphne: Hey there, Dr. Crane! How's tricks? Niles turns round and gives a startled scream which even knocks Daphne back a bit. Daphne: I'm trying my American accent. Niles: Well, stop it! I mean, we Americans are sensitive about our... crude speech patterns. Daphne: [reverts back to Manchester:] I'm sorry, I didn't mean to offend. Niles: No, no it's quite alright. You have a real flare for accents. Just out of curiosity, have you ever tried a saucy French chamber maid? Frasier: Niles! [with hands tells him to quit] Niles: Frasier's just been telling
SUMMARY: | Conclusion. Sherry (Marsha Mason) intrudes on Frasier's romantic life---and then appears to be out of his life entirely after a breakup with Martin. |
fd_The_Office_09x12 | fd_The_Office_09x12_0 | TEXT: Dwight: Gotta clear out these file cabinets people, a lot of these are dead accounts. "Scranton Mimeograph Corp?" I don't think we're doing business with them any time soon. That's odd. A letter from Robert Dunder. "A valuable artifact has come into my possession. I have hidden it until such time as a person of strong intellect may safely recover it. This golden chalice is of immeasurable historical and religious significance." The Holy Grail. [SCENE_BREAK] Pam: [on phone]: Did you send Dwight on a quest for the Holy Grail? Jim: I think I'm a little too busy these days to s--- [whispering] Oh,my God. I did send Dwight on a quest for the Holy Grail. [SCENE_BREAK] Jim: The Dunder Code! I completely forgot about that prank. That had to be like six or seven years ago. Stayed late every night for a month. Had a lot more free time back then. [SCENE_BREAK] Kevin: I don't get it. Dwight: Aha! A lightbulb. Kevin: A lightbul-- Dwight: A lightbulb. Okay. Okay. [holding note over lamp] Invisible ink. Kevin: Whoa. Dwight: "Higher than numbers go." The ceiling above accounting! Angela: Dwight! Down, Dwight! Dwight! Jim: [on phone]: Man, I wish I was there to see his face when he gets to the end... [SCENE_BREAK] Jim:...and finds the... fake grail? No grail? [SCENE_BREAK] Pam: You don't remember? [SCENE_BREAK] Jim: I don't. [SCENE_BREAK] Dwight: An "X." Oscar: Annex. It must open something in the annex. [SCENE_BREAK] Dwight: Oh. Kevin: Whoa. Dwight: "Sedes introiti." Seat of entrance. [SCENE_BREAK] Dwight: [shouts while cutting up seat
SUMMARY: | Jim is forced to miss Cece's first recital after a major investor exits his company. Dwight tries to prevent Darryl from leaving the office. Nellie accidentally outs Pete and Erin. Jim is upset with Pam because of her failure to record Cece's recital, but the argument quickly escalates into a major fight about Jim's business venture. Boom mic operator Brian ( Chris Diamantopoulos ) enters the shot to comfort a distressed Pam. |
fd_Doctor_Who_01x09 | fd_Doctor_Who_01x09_0 | TEXT: EXT. SPACE The TARDIS hurtles through space. INT. TARDIS ROSE: What's the emergency? THE DOCTOR: It's mauve. Rose and the Doctor rush around the console, as the TARDIS shudders and shakes. ROSE: Mauve? THE DOCTOR: The universally recognized colour for danger. ROSE: What happened to red? THE DOCTOR: That's just humans. By everyone else's standards, red's camp. Oh, the misunderstandings. All those red alerts, all that dancing. He gestures to the object they are following through the Time Vortex on the monitor. THE DOCTOR: It's got a very basic flight computer - I've hacked in, slaved the TARDIS. Where it goes, we go. ROSE: And how safe is it? THE DOCTOR: Totally. Part of the console explodes. THE DOCTOR (CONT'D) Okay, reasonably. Should have said reasonably there. EXT. TIME VORTEX The object hurtles through the Vortex. INT. TARDIS THE DOCTOR: Oh, no, no, no, no, no! It's jumping time tracks, getting away from us. ROSE: What exactly is this thing? THE DOCTOR: No idea. ROSE: And why are we chasing it? THE DOCTOR: It's mauve and dangerous. And about 30 seconds from the centre of London. EXT. SPACE The object hurtles towards Earth, with the TARDIS in hot pursuit. OPENING CREDITS EXT. LONDON ALLEYWAY The TARDIS materializes behind some bleak looking houses in London. Rose exits, followed by the Doctor. THE DOCTOR: Do you know how long we can knock around space without having to bump into Earth? ROSE: Five days? Or is that just when we're out of milk? THE DOCTOR: Of all the species in all the universe and it has to come out of a cow. There is a sudden distorted view of something over head as though something is watching them. They walk away from the TARDIS. THE DOCTOR: Must have
SUMMARY: | Chasing a metal cylinder marked as 'dangerous' through the Time Vortex, the Doctor and Rose land in London, 1941, during the Blitz . Rose follows a young boy in a gas mask who repeatedly asks if she is his mother. She climbs a rope attached to a barrage balloon that rises into the air, and is rescued by a Captain Jack Harkness (previously a time agent, now a con man), who interests her in buying a valuable warship. The Doctor talks with a young woman named Nancy who knows the boy is connected to a bomb-like object that recently fell. She directs the Doctor to a hospital where Dr Constantine shows him patients with injuries and gas masks identical to the boy's. Nancy reveals the child is her brother, Jamie. Rose and Jack arrive in time to save the Doctor as Constantine begins to transform like his patients. |
fd_Justified_02x03 | fd_Justified_02x03_0 | TEXT: Dewey: Bourbon! You can keep the ice. Hey, Boyd. You mind? Boyd: Not at all, Dewey Crowe. Dewey: Kind of surprised to see you in here. I thought you'd given up these poisons. Boyd: Well, I had. But many things have changed since last we spoke. Dewey: You mean when yon pointed your gun at me? Boyd: Well, the irony in that is that without me pointing my gun at you, you wouldn't be alive today. [SCENE_BREAK] Dewey: There's 25...35... 5...10...There's a couple pennies. It's currency, ain't it? What? Dewey Crowe. How you doin this fine afternoon? I'm good Ellen Mae, and you? I don't know, you tell me. Dewey: Yeah, I'm afraid I-I got nothing for you right at this second, but I'll be back real soon, and I'm gonna be flush. Ellen May: You ever get it together, you know where to find me. Boyd: I'd be more than happy to contribute to the cause, if you'd like. Dewey: I don't need your charity, Boyd. I got things lined up. Boyd: Whatever puts a smile on your face, Dewey Crowe. Dewey: You know, Boyd, for a guy who's supposedly changed, you sound an awful lot like you always did. [ Instruments tuning ] Raylan: What are we doing, Winona? Winona: What are we... Raylan: What are we doing? Winona: We're having some beers, and we're waiting for Dave Alvin to come on. Raylan: At a roadhouse 50 miles outside of Lexington? Winona: Was he playing somewhere else tonight? Raylan: No, that's not my point. Winona: What is your point? Raylan: If he was playing in Lexington, would we go see him? No. No, 'cause we drive to the middle of nowhere anytime we want to be seen in public. We lie to
SUMMARY: | Dewey Crowe returns and tries to score on a drug shipment, but the bus carrying the drugs is hijacked, and he tries to impersonate Raylan Givens to get it back. Meanwhile Boyd gets a proposition from some fellow coal miners. |
fd_Charmed_08x04 | fd_Charmed_08x04_0 | TEXT: [PREVIOUSLY_ON] Leo: I should have gone taller. I always wanted to be taller. Why'd you go blond? Piper: I don't know. I didn't have a lot of time to think about it. Piper: They think I'm somebody else. Paige: You are somebody else. Piper: But I'm not a fugitive. This is not the alias that I picked, at least, not intentionally. Paige: So, missy, where are you gonna get your next alias from? Time magazine? Piper: I came up with this one on my own, thank you. Paige: Well, just make sure it's not off the most wanted list. Piper: Trust me. Dex: Dex Lawson. Phoebe: Nice to meet you, Dex. Dex: You, too. Piper: So, what happened to the demon? Paige: I don't know. This chick came along and scared him off. Piper & Phoebe: What chick? Billie: I'm here because you need me, right? So the more you teach me, the more I can get out there and go kick some demon ass. Paige: We want to keep the use of magic to a minimum so the demons don't find out we're still alive. [SCENE_BREAK] Leo: Knowing how untrained and untethered magic could lead to disaster, the one in Atlantis being the prime example, the elders they knew that they needed to nurture young magic. The elders knew they needed to nurture young magic. Billie. Billie, are you listening to me? Billie: Yeah, yeah, yeah. Untethered magic, elders, yada-yada-yada. Leo: Okay, listen, if you're gonna take over the fight for the greater good, I really don't think it's a bad idea if you know the history of good magic. Listen, Paige wanted me to teach you something good, and I think you're kind of making me look bad right now.
SUMMARY: | Wyatt's school play Cinderella brings out the competitive nature in Piper when her hand-sewn costume and parenting abilities are criticized by another mother. Things go from bad to worse when it is revealed that this Stepford-wife-like "Oh-so-perfect" mother is in fact possessed by a demoness focused on kidnapping Piper's son Wyatt and using him in a plot with other demons to resurrect the Source of All Evil at Magic School ; which the demons have forcibly taken possession of after the (believed and faked) deaths of the three Charmed Ones. Meanwhile, Paige sees Dex with another woman, who turns out to be his ex-girlfriend who is a compulsive liar, and despite Phoebe's objections, interferes by masquerading as the woman and expecting evidence Dex is two-timing Phoebe. Dex apologizes to Phoebe after Paige commits her interfering faux pas and her masquerade crashes, saying he probably shouldn't have stayed in touch with and should have made a more complete break with his old girl earning points for earnestness and honesty. Meanwhile, Billie and Leo sniff out the plot at magic school and research a spell to return Billie to our world for power-of-three reinforcements while Leo stays nearby with Wyatt who has accompanied the possessed mother there. With Wyatts powerful help, the demoness has conjured the source who appears to be fully resurrected and ready to take command again in the Underworld. Billie's timely return with Paige, Phoebe and Piper enables the three to intervene in the demon's festivities. Piper vanquishes both threats by dealing with the demoness-who has linked the two by her conjuration of the source which consequently was not as powerful and troublesome as the original incarnation of source because the magical link to the demoness gave it a new vulnerability. |
fd_The_Vampire_Diaries_01x10 | fd_The_Vampire_Diaries_01x10_0 | TEXT: [Jenna's house] Jenna: Why are you here Logan? Logan: I missed you. I was out of town. Jenna: yeah, I got the email! Logan: you got an email? Jenna: You didn't send an email? Logan: I can explain. Just invite me in and I tell you everything. Jenna: I'm not gonna invite you in. Forget it! Logan: come on Jenna. It's me! Jenna: the answer is no! Logan: I know you. You're always one step from "maybe", tidy nasty "yes" Jenna: you've just pointed it out that I've no self-control. Clever strategy! [Jenna closes the door and Logan is on the street] A neighbor: Good evening! [Logan looks at him then a woman passes] The woman: hey, you're the guy from the news, Logan Fell. I watch you every night. Oh, I used to, I mean. You've been missing from my TV. Logan: I took some time off. The woman: I noticed. I'm Daphne. Logan: hey you know something, Daphne? The woman: No, what? [Logan bites her] [House- Jeremy is reading the book of his father] "I live in fear. It consumes me. In the early evening that I see the sun begins the fade; the fear comes because I know that the night brings death." [Elena and Jenna are in the hall of their houses and talk] Elena: Jeremy is gonna sketch pad note. Jenna: You're kidding? Elena: Nope but don't say word. The minute we encourage him, he'll put it away. Jenna: psychology major. Check that! Jenna: You and Stefan? Update? Elena: He knows how I feel and works and I know where he stands and it doesn't matter. He's leaving, moving away. Jenna: Where is he going? Elena: I stopped asking questions. The answers get scary. [Out of the house] Jenna: your leaves, mine returns. Elena: Logan? Jenna: He's back.
SUMMARY: | Jeremy decides to return to his hobby of sketching fantasy creatures that he had stopped upon the death of his parents. Meanwhile, the vampire Logan attacks and kills several people throughout the town. Matt and Caroline continue to hang out together. He tells Tyler that he likes hanging out with Caroline. Sheriff Forbes tells Damon of a new recent attack, and he discovers Logan doesn't know who turned him. Stefan meets with Elena and he tells her about the new vampire in town and has no idea who it is. Alaric helps with a small dispute among Jeremy, Tyler and Mayor Lockwood. Logan kidnaps Caroline after a dispute with the sheriff, but Stefan and Damon save her. Logan tells Damon he knows of another way to resurrect Katherine. Elsewhere, Elena tells Stefan that she loves him and he decides to stay in Mystic Falls. Stefan and Elena then sleep together. But when Stefan goes to get a drink for Elena, she discovers the photo of Katherine see that she looks exactly like her and leaves his house abruptly, leaving her vervain necklace behind with the photo. Alaric confronts Logan and tells him to leave Jenna alone. Logan tries to attack him, but gets staked and dies. Elena is involved in a car crash while trying to avoid a man in the middle of the road, but realizes that the man is more than human. The last shot is of the stranger approaching the car and Elena screaming. |
fd_One_Tree_Hill_03x20 | fd_One_Tree_Hill_03x20_0 | TEXT: Nathan (voice over) : Stepping up, it's a simple concept. It basically means to rise above yourself to do a little more, to show you're something special. Something like this. It is involved in the gymnasium. Then, it is during a match where it marks. Nathan (voice over) : Lucas is gone, but that doesn't mean the season is over. As a matter of fact, I'd say it's just beginning. You might want to stay out of my way for a while. It marks Mouth : Another ferocious dunk by Nathan Scott and this crowd is on their feet! Nathan (to Haley) : You sure you don't want to sleep with me until the ceremony? I know I look pretty sexy right now. Haley laughs. Nathan (voice over) : Life's funny sometimes. It can push pretty hard. Like when you fall in love with someone but they forget to love you back. Like when your best friend and your boyfriend leave you alone. Like when you pull the trigger or light the flame and you can't take it back. Like I said, in sports they call this stepping up. In life, I call it pushing back. At Jake's, in the morning, Peyton awakes in Savannah. Jake : Hey. Peyton : Hey. Jake : Jenny didn't wake you up, did she? Peyton : No. I mean, not... Not really. So what happened to you last night? Jake : Jenny was a little fussy, so we slept on the couch. Peyton : Oh. I didn't get a chance to thank you before I crashed for getting in touch with me after the whole shooting thing. It's a pretty good deal, right? You know, take a bullet, get a call from Jake. Jake : I really wish I could've been there for you Peyton. Peyton : I know. Jake : So listen, this is all kind of last minute, but I actually sort of had plans today. Peyton : Oh, yeah, of course, you did, I'm sorry, I... Jake : No, it's just that Jenny and I, we usually spend
SUMMARY: | Nathan deals with a player who is a rival both on and off the court. Dan is given a restraining order from Deb and Nathan. Brooke and Mouth look to get even with Rachel, who has tricked Cooper into thinking she is 26 and a model. Dan has a run-in with Cooper. Peyton makes a major decision and goes to see Jake and Jenny who are in Savannah. At the end of the episode Peyton asks Jake to marry her. This episode is named after an album by The Blackouts . |
fd_The_4400_02x01 | fd_The_4400_02x01_0 | TEXT: L'heure du Réveil (2x01 et 2x02: Wake Up Call) **Previously On The 4400** Flashbacks to season one Six Months Later Richard is running through some woodland. The sound of a baby can be heard in the background. Richard: Isabelle! Isabelle! A loud scream is heard, followed by a gunshot. Richard see's blood on his hands and begins to scream. He suddenly wakes up and sits up in bed, waking Lily. Lily: What is it baby? It's a bad dream. Richard: It's the same one. She puts her arms around him Lily: She's fine Richard. We're all fine. Come back to bed. They hear footsteps outside. Lily: It's just a racoon Richard get's out of bed and picks up a stick. Opening the door he looks around and see's the taillights of a car. He returns inside and closes the door. Lily: Who was it? Richard: They took off before I could ask. Lily: They left something behind. A note has been pushed under the door. On the top in large red letters, are the words 'YOU ARE WARNED' The rest of the piece of paper is fulled with passages from the bible. Lily: Someone tracked us down. Richard: Who? NTAC? Collier? This look like their calling card, to you? Lily: I don't know who it is, but someone knows we're 4400's. Richard: Start packing. I'll drive into town tomorrow, pick up my last paycheck and then we're out of here. Lily: Can't we just go now? Richard: We're gonna need that money, Lily. A car pulls up outside the 4400 centre. Devon comes out to meet it. Devon: Mr and Mrs Sumlin. Peter? If you'll follow me. They enter the lobby, which is in the middle of being decorated. Devon: Forgive our appearance. As you know, the centre doesn't officially open until tomorrow. Mrs Sumlin: Peter doesn't have time to wait. Collier appears. Collier: That's where you'
SUMMARY: | Tom and Diana investigate a mysterious structure which is being built at a psychiatric hospital, based on the drawings of a schizophrenic 4400, Tess Doerner . Richard must protect his family when he and Lily are discovered to be 4400s. This is a two-part episode. |
fd_Angel_03x04 | fd_Angel_03x04_0 | TEXT: [PREVIOUSLY_ON] Fred: "Handsome man. Saved me from the monsters." Gunn: "Anyone talked Fred lately?" Angel: "She's been back in this world for three months and she still hasn't gone out into it." Gavin: "I'm working on a little something aimed at Angel Investigations." Lilah: "What are you doing? Building code violations." Gavin: "I'm fighting Angel in my *own* way." Lilah: "I bet he's really terrified." Lilah to Angel: "It's just business." Angel: "Don't you come at me through Cordelia ever again." Night, Hyperion Lobby, Cordy is looking through a magazine, Wes is reading a book and Gunn is playing a hand-held video game. Fred comes down the stairs and walks up to Cordy. Cordy jumps and lets out a scream as Fred leans in to look at the magazine. Wes jumps and looks around at them. Gunn without looking up from his game: "Hey, Fred." Fred: "Sorry! Did - did I startle you guys?" Wes: "No." Cordy: "Only in the sense of shocking and jolting us. - What's up?" Fred: "Nothing. Just taking a little stroll and... (looks at open magazine) Why would girls wanna look like that? I spent years in a cave starving. What's their excuse?" Cordy: "Fashion." Fred laughs. Stops, sits down beside Cordy and looks around the lobby. Fred: "So - everybody's just reading and hanging out?" Cordy: "Angel's upstairs." Fred: "Oh. - He's probably reading, too. He's so deep, you know? Thoughtful. I'm guessing "The Brothers Karmazov", Joyce, a little Goethe to round things out." Angel appears on the open hallway overlooking the lobby, holding a newspaper. Angel: "Am I the only one who read this?" Wes: "Read what?" Angel: "Charlton Heston. Double feature! (
SUMMARY: | While investigating some mysterious deaths, Angel switches bodies with a old guy named Marcus. Marcus immediately takes over Angel's life, while Angel is stuck in a retirement home. When Marcus realizes that Angel's body gives him vampire powers, he decides that they only way to keep it is to get rid of Angel once and for all. |
fd_The_Office_06x21 | fd_The_Office_06x21_0 | TEXT: Dwight: [Michael grunts and strains while doing push-ups] Breathe. Work your core. Come on. Michael: How many is that? Dwight: Not counting the last one, 25. Michael: Count the last one. Dwight: Ok, 25 and one girl push-up! Michael: Oh, new record! Dwight: Okay. Michael: Oh, what did you do today? Jim: I made a sale. Michael: Oh, yeah, sitting on your big fat butt. Alright, that is the number to beat. Meredith: What do we get if we do 'em? Michael: My respect. [everyone returns to work] Okay, I'll make it a little more interesting. Anyone who does more than 25 push-ups - Dwight: And one girl push-up. Michael: Gets to go home. [everyone starts to do push-ups] Ooh! I say 'dance,' they say 'how high?' Here we go. Oh, no. No, no, no. Butt to high. [steps on Angela] Disqualified! Angela: Ow! Michael: What do we got? Creed, disqualified. Creed: [from desk chair] Oh, come on! Jim: 19. [grunts] I had a really hard work out this morning. Michael: [Stanley straining and breathing heavily] Oh, wow, that is adorable! Phyllis: Ten... Michael: Yeah, I'm betting one more. Phyllis: Eleven, wow! Michael: Good. Everyone: [chanting] Stan-ley! Stan-ley! Stan-ley... Michael: Alright, alright. [chanting continues] [SCENE_BREAK] Oscar: Essentially, what we have here is one of those stories where a mother lifts a car to save her baby. [SCENE_BREAK] Michael: Well, it's not exactly fair. He's got all of his weight that's helping him go down. [SCENE_BREAK] Dwight: 25. Yeah! Come on, you can do it! Phyll
SUMMARY: | Oscar arranges a happy hour with the warehouse staff so he can flirt with Matt. Pam is excited to see the staff and brings a date for Michael, but he ends up connecting with the bar manager, Donna ( Amy Pietz ), instead. Meanwhile, Andy and Erin announce their relationship. Dwight meets Isabel and drops Angela to hang out with Isabel, making Angela jealous. When Dwight tells Angela to forget about the pre-natal contract, she confronts him in front of Isabel. |