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fd_How_I_Met_Your_Mother_04x16 | fd_How_I_Met_Your_Mother_04x16_0 | TEXT: Ted (2030): In 2009, your Aunt Robin had a morning show.She had to get up early enough. At what point? 1:45, Robin joined Barney, Ted, Marshall and Lily to McClaren's. Robin: Hello, everyone. Marshall: So you do really? You really gonna go to work at 2am. Robin: I do not for me. I do it for the fans. Marshall: Who is a fan of a program broadcast at 4am? Lily: Those with a show at 5am? Ted: The addicts who have not sold their TV? Barney: The strippers in this weird time between work and waking the children? Robin: They are. Put me know. It's been what? Marshall: You know, as usual. Barney: Really, as usual.? Think the funniest thing that ever happened. Robin: It's good. Barney: And twice that. Robin: So a chimpanzee wearing two tuxedos? Barney: Something even funnier happened to Marshall today. Marshall: First, nothing is funnier than that. Then it's not such a good story. Robin: Come on, guys. You are four young people active in the most exciting city in the world. And you have nothing to tell me? Lily: What do you want? Sometimes it's like that. The same thing over and over again. One of my students ate glue. Barney: I have used questionable methods to skip a very silly girl. Ted: My ex, Karen, is in New York. The usual routine. Lily: Karen is here? Barney: You're kidding me! Ted (2030): Children, I think you talked about Karen. Flashback Ted (2030): It was my girlfriend in high school and at times in college. She was beautiful, intelligent. I was crazy in love with her. The only problem, Marshall and Lily were not. It should probably come out of this as soon as we opened. Ted is on his bed, kissing a girl while Lily and Marshall are playing cards. Karen: I like you live in a dorm. It's so American. Like eating rotten sandwiches and be racist. End flashback Lily: My God, it
SUMMARY: | When Lily and Marshall get wind of the fact that Ted's college girlfriend Karen ( Laura Prepon ), who they always hated, has moved to New York, they try to persuade him not to contact her. |
fd_Doctor_Who_1963_21x12 | fd_Doctor_Who_1963_21x12_0 | TEXT: RESURRECTION OF THE DALEKS BY: ERIC SAWARD Part Two Running time: 46:52 [SCENE_BREAK] DALEKS: Exterminate the Doctor. Exterminate the Doctor. Exterminate the Doctor. Exterminate LYTTON: Wait. DALEK: He is an enemy of the Daleks. He must be exterminated. LYTTON: He must be duplicated first. Confirm with the Supreme Dalek. DALEK: Supreme Dalek confirms the order. We must take the prisoner to the duplication chamber. Proceed. STIEN: Impulsive, aren't they. LYTTON: They'd kill anybody, even if they need them. STEIN: Now much longer before it's your turn? [SCENE_BREAK] MERCER: It's here. STYLES: It isn't guarded. MERCER: Be grateful. TURLOUGH: What is it? MERCER: Self-destruct chamber. STYLES: Right, let's get it open. TURLOUGH: What are you going to do? STYLES: Guess. [SCENE_BREAK] LAIRD: Would anyone like some tea? TEGAN: Please. LAIRD: Colonel? ARCHER: No. LAIRD: How much longer will the ambulance be? ARCHER: I don't know. LAIRD: Tegan has severe concussion. It's vital she receives proper medical attention. ARCHER: She will receive medical attention as soon as it is available. TEGAN: Thanks very much. LAIRD: Pity he didn't want any tea. He'd have slept for hours. TEGAN: We've got to get out of here. TEGAN: Do you think we could free one of these? LAIRD: I should think so. [SCENE_BREAK] DALEK: Proceed. [SCENE_BREAK] ARCHER: They know. CALDER: What do we do? ARCHER: The Daleks will instruct us. [SCENE_BREAK] DALEK: It is vital you complete your researches as
SUMMARY: | The Daleks capture the Doctor and plan to duplicate him and his companions as part of their plan to attack the high Council of Gallifrey. Davros starts converting Daleks and their helpers over to his control. |
fd_Frasier_08x02 | fd_Frasier_08x02_0 | TEXT: Act 3 Scene 1 - Frasier's Apartment Fade in. Niles and Daphne are sitting on the couch, Frasier is on the arm of Martin's chair talking to them. Daphne: Explain to me again how you and Mel masquerading as husband and wife is a good thing? Niles: Well... Frasier: If I may? Uh, Daphne, it's basically to give Mel a little wiggle room so she can get out of this debacle with her dignity intact. Daphne reaches over and takes Niles' hand. Daphne: And what about Niles' dignity? Frasier: Well, Maris got that in the divorce. [laughing] Sorry, Niles. [rising] Would you like some sherry? Niles: Uh, yes, thanks. Frasier: Daphne? Daphne: [rising] Yeah, all right, I'll get your precious wedge of brie and your water crackers. Frasier: No, I meant would you like some sherry? Daphne: [stunned] Oh, love some, thanks. [She sits back down.] Niles: Listen, Daphne, I know this is all very awkward, but if it speeds up the divorce process and avoids the misery I went through with Maris, isn't it worth it? Daphne: Well, I... Niles: Oh, come on, Schnookums, we can get through this together. What do you say? Daphne: What did you just call me? Niles: Schnookums. Daphne: Schnookums... Niles: It was an attempt at a pet name. Daphne: Well, if it's all the same to you, can we keep looking? Niles: Absolutely, there's no rush whatsoever... Truffles. [an awkward pause] It's the chocolate, not the fungus. [another pause] It's a work in progress. Daphne: Yes. Frasier returns with the sherry. Frasier: Here we are. Niles: Thank you. Frasier: For you... here it
SUMMARY: | Daphne considers dumping Niles after Donny and Mel's plotting stresses her out. Fortunately, Frasier comes to the lovers' aid once again. |
fd_Game_of_Thrones_01x02 | fd_Game_of_Thrones_01x02_0 | TEXT: ( Cawing ) There was a raven from King's Landing. Jon Arryn is dead. The King rides for Winterfell with the Queen and all the rest of them. The Queen has two brothers? There's the pretty one, and there's the clever one. I would name you the Hand of the King. We were meant to rule together. I have a son, you have a daughter. We'll join our houses. The boy I beheaded... he was talking madness. Said the others slaughtered his friends. Ned: A Wildling ambush. Maybe. You're Tyrion Lannister. You... you're Ned Stark's b*st*rd, aren't you? Let me give you some advice, b*st*rd. Never forget what you are and it can never be used to hurt you. It's a direwolf. There are no direwolves south of the wall. Now there are five, one for each of the Stark children. What about you? I'm not a Stark. That one's yours, Snow. May I present Viserys of House Targaryen, the rightful King of the Andals, and his sister Daenerys? I don't want to be his queen. I want to go home. We go home with an army... with Khal Drogo's army. From your sister. She says Jon Arryn was murdered by the Lannisters. She says the King is in danger. What if Jon Arryn told someone? Whatever Jon Arryn knew died with him. The things I do for love. <unk> Game of Thrones 1x02 <unk> The Kingsroad Original Air Date on April 24, 2011 [SCENE_BREAK] Jorah Mormont : You need to drink, child. And eat. Daenerys Targaryen : Isn't there anything else? Jorah Mormont : The Dothraki have two things in abundance : grass and horses. People can't live on grass. In the Shadow Lands beyond Asshai, they say there are fields of ghost grass with stalks as pale as milk that glow in
SUMMARY: | Ned, the new Hand of the King, travels to King's Landing accompanied by his daughters, Sansa and Arya . Catelyn remains at Winterfell to care for the still unconscious Bran. An assassin attacks Bran, but Catelyn fends him off and Bran's direwolf , Summer, kills him. Catelyn suspects the Lannisters were behind the attack. Ned's illegitimate son, Jon , heads north with his uncle, Benjen Stark, to join the Night's Watch, the protectors of the Wall, a massive ice structure that keeps the Wildling tribes and the mythical White Walkers from civilized Westeros. Before departing, Jon gave tomboy Arya a thin sword she names, "Needle". Queen Cersei's younger brother, Tyrion Lannister , a dwarf also known as "The Imp," accompanies Jon to the Wall. In King's Landing, Prince Joffrey threatens Arya's young commoner friend, later having him killed. Nymeria, Arya's direwolf, defends her, biting Joffrey. Cersei demands that Robert have the wolf killed, but Arya releases Nymeria to the wild. Sansa's direwolf, Lady, is killed instead. In Winterfell, Brandon awakens, remembering nothing about his fall. He will live, but his legs are permanently paralyzed. Meanwhile, Daenerys is befriended by Ser Jorah Mormont , a disgraced knight, while she focuses on learning how to please Drogo. |
fd_CSI__Crime_Scene_Investigation_07x04 | fd_CSI__Crime_Scene_Investigation_07x04_0 | TEXT: FLASH IN: [EXT. VARIOUS LAS VEGAS CITY LIGHTS (STOCK) -- NIGHT] [CU: CLOCK] (The time clock reads midnight. Vasco Ruiz punches out. He takes his name tag off and puts it in his pocket and walks through the hallway.) [INT. GOLDEN SAPPHIRE -- GARAGE - CORRIDOR -- NIGHT] (Vasco Ruiz takes out his cell phone and dials.) Vasco Ruiz: (to phone) Hola, cari<unk> o. Todo bien? Estan mis bebes durmiendo como bebes? (He continues walking through the corridor and heads for the garage. He passes by a man dressed for work walking in the opposite direction.) Vasco Ruiz: (to phone) S<unk>, ya se, ya se. No me reganes mas. S<unk>, s<unk>. Comida para el bebe. S<unk>, pan, leche. Mira, cari<unk> o, ahorita vengo. (He reaches the garage and continues walking. A car slowly drives down the ramp. He doesn't pay any attention to it.) Vasco Ruiz: (to phone) Te quiero. (He hangs up with a smile on his face. He kisses the phone, folds it and continues walking through the dark garage.) (Vasco Ruiz walks down the ramp and passes by a drunk singing in the dark.) Drunk: (singing) Danke schoen / Oh, darling / danke schoen / danke schoen, oh, darling / danke schoen / thank you for all the joy and pain... (He continues through the garage.) (A figure moves swiftly across the camera and disappears back into the darkness.) (Vasco Ruiz continues walking. The drunk's singing fades into the background. Vasco has his keys in his hand. He turns when he hears clanking behind him.) (He continues walking.) (Suddenly,
SUMMARY: | The team investigates a series of brutal tourist beatings that take place within the span of a few hours throughout the city, all done by a bizarre group of hooded people with strange physical features. The case gets personal for the CSI when one of their own is badly beaten trying to save one of the victims during an assault. |
fd_Buffy_the_Vampire_Slayer_02x09 | fd_Buffy_the_Vampire_Slayer_02x09_0 | TEXT: Prologue: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer. Sunnydale High School. The career fair is going on in the lounge. Willow comes into the hall from outside and looks around at some of the displays being set up on her way to sign up for the career aptitude test. Buffy and Xander are already sitting at a table filling out their tests. Xander: (reads) 'Are you a people person, or do you prefer keeping your own company?' Well, what if I'm a people person who keeps his own company by default? Willow heads for their table with a test to join them. Buffy: So, mark 'none of the above'. Xander: Well, there are no boxes for 'none of the above'. That would introduce too many variables into their mushroom head, number-crunching little world. Willow: (sits) I'm sensing bitterness. Xander: No, it's just these people can't tell from one multiple-choice test what we're gonna be doing for the rest of our lives. It's ridiculous! Willow: (smiles) I'm kinda curious to find out what sort of career I could have. Xander: What, and suck all the spontaneity out of being young and stupid? I'd rather live in the dark. Willow: You're not gonna be young forever. Xander: Yes, but I'll always be stupid. (smirks and looks at the girls) Okay, let's not all rush to disagree. Buffy: (looks up at him seriously) You're not stupid. Xander gives her an acknowledging sarcastic grin, then looks up when he hears Cordelia. She has a clipboard, and is taking her test as she walks into the lounge accompanied by two of her groupies. Cordelia: 'I aspire to help my fellow man.' (marks her test) Check. As long as he's not smelly, dirty or something gross. (walks by the table) Xander: Cord
SUMMARY: | To get help killing Buffy while he intensifies his search for Dru's cure, Spike calls upon the Order of Taraka. Buffy is attacked by a series of assassins, including her heir "Kendra, the Vampire Slayer", who was called when Buffy died at the end of Season 1 and initially mistakes Buffy for a vampire. Kendra, having seen "vampire" Buffy kissing vampire Angel, has already taken Angel out of the picture. |
fd_The_Big_Bang_Theory_02x23 | fd_The_Big_Bang_Theory_02x23_0 | TEXT: Scene: The apartment. Leonard is working on a whiteboard. Sheldon: Oh, boy. Leonard: What? Sheldon: I can't comment without violating our agreement that I don't criticize your work. Leonard: Then what was oh, boy? Sheldon: Great restraint on my part. Leonard: There's nothing wrong with the science here. Sheldon: Perhaps you mean a different thing than I do when you say science. Leonard (making a change): Okay, how's that? Sheldon: You actually had it right in the first place. Once again, you've fallen for one of my classic pranks. Bazinga! Well, now here's a peculiar e-mail. The president of the university wants me to meet him at his office tomorrow morning at 8 a.m. Leonard: Why? Sheldon: It doesn't say. It must be an emergency. Everyone at the university knows I eat breakfast at eight and move my bowels at 8:20. Leonard: Yes, how did we live before Twitter? I guess you'll find out what it is in the morning. Sheldon: That's 14 hours away. For the next 840 minutes, I'm effectively one of Heisenberg's particles, I know where I am or I know how fast I'm going, but I can't know both. Yet how am I supposed to carry on with this huge annoying thing hovering over my head? Leonard: Yeah, I know the feeling. Credits sequence. Scene: Outside Leonard's bedroom. Sheldon: (Knock, knock, knock) Leonard. (Knock, knock, knock) Leonard. (Knock, knock, knock) Leonard. Leonard: Sheldon, it's two o'clock in the morning. Sheldon: Why is everybody keep telling me what time it is? Leonard: Everybody? Sheldon: You, the president of the university, his wife, their sullen teenage daughter. That entire family is fascinated by what time it is and whether people know it. Leonard: You went to President Seibert's house in the middle of the night? Sheldon: He didn't respond to my e-mail, his
SUMMARY: | Sheldon wins a National Science Foundation grant to go on a three-month expedition to the Magnetic North Pole to detect magnetic monopoles and prove the validity of string theory. After some hesitation, he decides to go and wants Leonard, Howard and Raj to join him; they too initially hesitate as it would mean being locked in a cabin with Sheldon for three months, but finally agree. To prepare, Sheldon and the guys practise in the freezer room at the Cheesecake Factory, which however later proves unnecessary as they discover they will actually be spending their time in a warm cabin. On the night before the expedition, Leonard expresses doubts on going as it will mean not seeing Penny for the whole summer. He also believes Penny will miss him too, after she gives him a blanket with sleeves and a long hug. The next morning, when Leonard meets Penny again, she claims to have simply wished him a safe trip, but after he closes the door she sadly whispers "It means I wish you weren't going". The guys arrive in the Arctic and agree to abide by the same rules as in the apartment. |
fd_Doctor_Who_01x08 | fd_Doctor_Who_01x08_0 | TEXT: INT. PHOTO A photograph of Pete Tyler. ROSE (voice-over): Peter Alan Tyler, my dad. The most wonderful man in the world. Born 15th of September 1954. INT. TYLER'S FLAT, JACKIE'S BEDROOM Rose, aged about 6, pokes her head around her mother's bedroom door. Jackie is sitting on the bed with a photo album on her lap. JACKIE: Come here, Rose. Come here... She pats the bed beside her. Rose clambers up on the bed to sit next to her. Jackie points at a photo of Pete Tyler. JACKIE (CONT'D): Who's that? It's your Daddy. You weren't old enough to remember when he died. 1987. 7th of November. Do you remember what I told you? The day that Stuart Hoskins and Sarah Clarke got married? She turns the page onto a photograph of Jackie and Peter together. JACKIE (CONT'D): He was always having adventures. Oh, he would have loved to have seen you now. INT. TARDIS 19 year old Rose is leaning against the console, and the Doctor is sitting comfortably back in one of the chairs. ROSE: That's what mum always says. So, I was thinking... could we? Could we go and see my dad when he was still alive? THE DOCTOR: Where's this come from, all of a sudden? ROSE: All right then, if we can't, if it goes against the laws of times or something, then never mind, we'll just leave it. THE DOCTOR: No, I can do anything. I'm just more worried about you. ROSE: I wanna see him. THE DOCTOR: Your wish is my command. But be careful what you wish for. He stands up and starts up the TARDIS engines. OPENING CREDITS INT. REGISTRY OFFICE The Doctor and Rose are sitting at the back of a small crowd of people witnessing the marriage of Jackie and Pete. REGISTRAR: I, Peter Alan Tyler, take you, Jacqueline, Angela, Suzette Prentiss... PETE: I
SUMMARY: | Rose asks the Doctor to take her back to the day her father Pete Tyler died in a hit and run accident, but when she saves him, she creates a paradox. Flying creatures known as Reapers appear and attempt to treat the wound in time and space by consuming everyone in it. The guests at the wedding of Jackie and Pete's friends hide in a church while the Doctor tries to summon the TARDIS inside. Jackie accuses Pete of having another daughter, and to prove that Rose is the same as the baby Rose, he puts the baby in the older Rose's arms, causing a bigger paradox, and the Doctor is taken by the Reapers. Pete realises he must die for everything to be repaired, and throws himself in front of the car, which has been appearing and reappearing around the corner of the church, causing the Doctor to return. |
fd_The_Office_09x13 | fd_The_Office_09x13_0 | TEXT: Pam: Hey Brian, you got a sec? Brian: Yeah, hold on a sec. Pam: I feel awful. Brian: It's fine. It was my first slip up in nine years of miking you. [phone rings] Erin: [in background] Dunder Mifflin, this is Erin. Pam: Well, thanks for being a good friend. Brian: Sure, anytime. Uh, how about you and Jim? Everything squared away? Pam: Yeah, mostly. Erin: Pam, phone call. Pam: Um, hey, say Hi to Alyssa. Brian: Will do. Pam: Okay. Thank you. Brian: Sure. Meredith: Hey, boom guy. Brian: Oh, hey Meredith. Meredith: When are you gonna boom me? Brian: Uh, listen, they're cracking down on us talking to the subjects. It's a lame rule, but, you know, I wanna... I, I'll see you later. Meredith: Got it. [SCENE_BREAK] Clark: Hey, so I hear you're bringing in some people to interview for the sales job? Dwight: That's right, a couple of old friends. Ballers only. Must be this cool to ride. Clark: Well, uh... see, you raised it. Dwight: Oh, did I? Oh, yes, I did. [SCENE_BREAK] Dwight: Wallace is letting me hire a junior sales associate to sit at Jim's desk while he's away in Philly. Finally I'll have someone at my desk clump who gets me. It's like, "Really, Jim? You don't understand the difference between a slaughterhouse and a rendering plant? Uh, remind me not to lend you any dead cows or horses." Wow. [SCENE_BREAK] Clark: You know what, man? I deserve this job. Dwight: Mm-hmm. Clark: I scored Stone and Son Suit Warehouse with you, and God knows, to get the Scranton White Pages with Jan, I went above and beyond... and under. Dwight: You know what? You're
SUMMARY: | Dunder Mifflin CEO David Wallace ( Andy Buckley ) tasks Dwight with finding a part-time replacement for Jim; Dwight in turn enlists several of his close friends, including his cousin Mose ( Michael Schur ). Pam tries to find out who her new desk mate will be. |
fd_Frasier_04x21 | fd_Frasier_04x21_0 | TEXT: ACT ONE TENNESSEE, ANYONE? Scene One - Frasier's Apartment. It is early morning, Frasier picks up his paper in his dressing gown, when Sherry enters in her kimono. Sherry: Morning, sunshine! Frasier: Morning, Sherry. Sherry: Coffee's on, want a cuppa? Frasier: No thank you, caffeine only weakens the immune system. I'm fighting off a flu. Daphne enters in a tight white top. Sherry: Oh, I'm sorry. Let me get you some breakfast. Frasier: No, no that's really not necessary. Sherry: Oh, no, no, you'll feel much better once you've had my scrambled egg tacos and Spam patties. She exits to the kitchen. Frasier: Yes, in keeping with the trusty adage, "starve a cold, disgust a fever." Daphne: Tea and dry toast? Frasier: Oh, bless you. In the kitchen, Sherry removes fresh biscuits from the oven. Daphne enters the kitchen and begins washing a dish. Sherry: Oh honey, I was using that! Daphne: Oh, sorry. Sherry: No problem. Listen, why don't you just relax? I'll clean up later. She takes the Spam patties out. Daphne: You know, not to criticise, but I usually serve Mr. Crane whole grain cereal for breakfast. I try to avoid giving him fried foods. Sherry: Oh, Marty loves fried foods. Daphne: Yes well, just because he likes something doesn't mean it's good for him. Sherry: True, but just because something's good for him doesn't mean that he has to be stuck with it day after day. In the living room, Martin arrives upon Frasier reading the paper. Martin: It looks like it's going to be another scorcher. Frasier: Hmm. Martin: Radio said high nineties. Frasier: [not interested] Yes, hot. Martin: Yeah, well
SUMMARY: | A heat wave is sweeping Seattle , Frasier is battling the flu and in no mood to help anyone, Sherry is staying over with Martin more frequently, and Daphne is irritated by Sherry's constant undermining of her attempts to get Martin to do his exercises and eat healthier food. She then finds that Sherry has been giving her phone number to strangers to try to set her up, and storms out of the apartment. Unable to stay with friends, she goes to Niles' apartment, and asks to stay the night. |
fd_Justified_02x02 | fd_Justified_02x02_0 | TEXT: [PREVIOUSLY_ON] Doyle: So what brings you both to our town? Mags: Raylan's looking for Boyd Crowder. Raylan: Actually, no. Rachel: We're looking for James Earl Dean. Jimmy: I came back here because of you, Loretta. Walt: When he came by here, he just said he was some bank man. Loretta: Well, he followed me into the shed. Walt: Oh, Jesus. Loretta: I'll go talk to Mags. She likes me. Mags: How is your daddy, Loretta? He taking care of you? Keeping a proper home? Loretta: He sits in his chair, mostly. Mags: When he's not growing weed without my say-so. As for the pervert, you don't have to worry about him no more. Jimmy: Get in. Loretta: [ Squeals ] Mags: Loretta okay? Walt: Fine, under the circumstances. Mags: Brought this'shine as a peace offering. Walt: It does taste like apple pie. Mags: It was already in the glass, not in the jar. Find the girl. Dickie: [ Panting ] Coover: Come on, Mary. Dickie: [ Groans ] [ Coughs ] Coover: Man. Dickie: Whoo! Coover: He ain't been dead long enough to be stinking like that. You think he sh1t himself? Dickie: Maybe you should check. Coover: Maybe I will. Dickie: Oh, boy. Yeah, get the lime. Go and get the lime. Coover: No, you get it. I'll spring the... Dickie: Hey! Go get the lime. Coover: I got the crowbar, Monkeynuts. You get it. What, are you worried that the lime's too heavy? [ Chuckles ] Let's go! How deep you reckon that is? Dickie: Why don't you jump in and find out? Coover: How come we got to use the lime? No way that stink can travel that far. Dickie: 'Cause
SUMMARY: | Raylan and Tim go to transfer a pregnant fugitive to give birth, but end up in the middle of a small-time human trafficking operation. Elsewhere, Boyd tries to adjust to civilian life with a familiar profession, and the Bennetts get a new addition to their clan. |
fd_One_Tree_Hill_03x21 | fd_One_Tree_Hill_03x21_0 | TEXT: Jake (Voice Over): Once upon a time, there was a beautiful princess who lived in a kingdom far, far away. And in that kingdom, there also lived a boy, and the princess loved that boy. (Peyton is driving when her car breaks down.) Peyton: Unbelievable. (Peyton uses her cell phone to call for help.) Jake (Voice Over): And so the two decided to marry. INT. JAKE'S HOUSE - LIVING ROOM (Flashback) Jake: Did you just say you wanted to get married? Peyton: Yeah, crazy right. Jake: It's a little nuts, yeah. Peyton: Okay, but maybe not. I mean it worked for Nathan and Haley. Look how happy they are. INT. HALEY AND NATHAN'S APARTMENT - LIVING ROOM Haley: Brooke, let me in. Brooke: No, it's not ready. Go away. Haley: It's my apartment. It's my wedding dress, for that matter. Brooke: No, it will be, but for now it is my wedding dress and it is not ready. Haley: Does it look like my dream dress. Vera Wang meets Snow White. Brooke: It's better Haley: Yay. Brooke: This is so exciting. (Haley sits down on a chair and Brooke pulls out a tape recorder which Haley can't see.) Brooke: So, how did Nathan ask you to marry him the first time? Haley: Um... well, it was raining and we had just had that argument. The one that I had told you about. Brooke: Oh, the one about the internet p0rn. Haley: Yes, thank you. Anyway, we made up in the rain. And we were laying in bed the next day, and he just looked over at me and said: you're my family now and he said that he could love me forever. Then, he asked me to marry him. Brooke: That's so sweet. But, the dress still isn't ready, so you need to find something else to do with yourself. Chop,
SUMMARY: | Haley argues with Brooke about her wedding dress. Brooke plans an engagement party for Nathan and Haley. Karen and Lucas get back in town. Peyton asks Jake to married her but Jake overhears Peyton mumble she loves Lucas in her sleep. Peyton admits to Brooke that she still has feelings for Lucas. Haley invites Dan to the wedding. This episode is named after a song by Led Zeppelin and another by Gary Moore which was covered by Nightwish . |
fd_Charmed_08x05 | fd_Charmed_08x05_0 | TEXT: [TRIQUETRA] [Scenes from 8X01: Still Charmed and Kicking] [INT. MANOR - ATTIC -- DAY] (Phoebe reads a spell from the Book of Shadows as everyone watches.) PHOEBE: (reciting) I call upon the ancient powers to mask us now and in future hours. Hide us well and thoroughly, But not from those we call family." FLASH TO: [TITLE LOGO: CHARMED] NARRATOR (HOLLY MARIE COMBS): (v.o.) Previously on "Charmed".. [INT. MANOR - ATTIC -- DAY] (Piper, Phoebe, Paige and Leo stand in front of the mirror looking at their 'new' reflections.) PAIGE: Oh, my goodness. Is that me? PIPER: Is it the you you envisioned? PIPER: You know, this just might work. [SCENE_BREAK] [INT. MANOR - KITCHEN -- DAY] (Victor and Leo talk.) VICTOR BENNETT: Being magical is part of who they are. You may have been able to change your identities, but you didn't change that. [Scene from 8X04: Desperate Housewitches] [INT. MANOR - CONSERVATORY -- DAY] (Piper talks with Paige) PIPER: (wistfully) No. I guess I just miss the old me a little. TRIQUETRA FLASH TO: [Scene from 8X01: Still Charmed and Kicking] [INT. THE BAY MIRROR - ELEVATOR - DAY] (Phoebe introduces herself to Dex Lawson.) PHOEBE: Dex Lawson. Nice to meet you, Dex. DEX LAWSON: You, too. (They shake hands and Phoebe has a premonition.) (Quick premonition of: [EXT. MANOR - FRONT PORCH - DAY] Phoebe is in a wedding
SUMMARY: | Unaware that she is being watched, Billie jeopardizes the Charmed Ones' new lives when Agent Murphy of Homeland Security, who has suspected all along that she and the "cousins" are involved in supernatural activities and that the Halliwell sisters are not dead, spots her using her powers to save an innocent. Meanwhile, Phoebe's planned overnight trip with Dex starts with an unexpected assist from Billie and comes to a surprising conclusion when Billie casts a spell from the book of shadows intending to help and to make her happy, with unexpected consequences. Both Paige and Phoebe, having repeatedly questioned the manner the three are living conclude that the situation is untenable as they are constantly living a lie with those they would trust, and innocents are suffering as well. As that happens, Agent Murphy having already approached Billie, confronts Piper and makes plain that he feels the world needs their continued ministrations. Billie sets a trap for the Demons and vanquishes the imp-master while the power of the three vanquish its master from ambush. At the end of the episode, the three agree that the masquerade should be canceled and uncast the magic which had disguised them. Approaching Agent Murphy, the three cut a deal to have him cover for them explaining away the inconvenience of their faked deaths as being due to national security concerns which allows them to resume life as themselves. |
fd_Angel_03x05 | fd_Angel_03x05_0 | TEXT: [PREVIOUSLY_ON] Librarian: "Fred disappeared five years ago. They never found her." Wes: "Cordy's been sucked into the portal. She's in the Host's dimension." Fred: "They use you as a slave and then your body gives." Constable: "Fugitive!" Fred: "Oh no!" Angel kills the demon Guard Captain. Fred: "Handsome man - saved me from the monsters." Fred: "I love tacos. D-do they still have them?" Wes: "The host reads their souls, senses their futures." Cordy: "Yes, but he can only do it when they sing Karaoke." Fred sings "Crazy." Gunn's old gang comes in and shoots the place up. Lorne: "Ah! My club! Friends of yours, Gunn?" Wes is looking past the naked sword blade to the person holding it. Wes: "You wouldn't dare. - You were just going to toss in a Prothgarian broadsword with a third-century ceremonial Sancteus dagger?" Cordy turns the sword in her hands to give it a second look. Cordy: "Hmm. Let's see. Long, metal, pointy. - Yup." Wes: "Cordy! The purpose of an inventory..." Gunn: "Yes, give us that (mimics Wes English accent) purpose of an inventory speech - again." Wes: "This wasn't my idea." Cordy: "No. Angel - keeps complaining that the weapons cabinet is all different. But, Wesley, who's the boss around here? You - or the guy with the pancreas dagger." Fred: "What time is it?" Wes holds up his wrist to Cordy and read his watch. Cordy: "Six twenty four, and for those of you who are playing the home game: that's exactly three minutes from the last time you asked." Fred fumbles around with the strange contraption (looks like a hybrid between a suitcase, a crossbow and a sowing machine
SUMMARY: | Fred's parents show up in LA and Team Angel is instantly suspicious of them. They seem a little too... Normal. Fred hiding from her family and has run off. In order to find her again, Team Angel and the Burkles will have to work together. They'll also have to battle some demons and pay a visit to Lorne. And Fred will have to decide where she really belongs now. |
fd_Doctor_Who_1963_13x26 | fd_Doctor_Who_1963_13x26_0 | TEXT: THE SEEDS OF DOOM BY ROBERT BANKS STEWART PART SIX 6:45pm - 7:10pm [SCENE_BREAK] BERESFORD: Laser, quick. Let him have it. Fire! [SCENE_BREAK] HENDERSON: The Major! [SCENE_BREAK] BERESFORD: And another. Fire! [SCENE_BREAK] DOCTOR: The other door. Come on! [SCENE_BREAK] BERESFORD: Hit it square in the chest. Fire! Fire! Fire! BERESFORD: Come on, out. [SCENE_BREAK] DOCTOR: We've got to find Chase before he has another attack of megalomania. Krynoid on the outside, a madman lurking inside, not a happy situation. SARAH: Do you think he's counting on the Krynoid sparing him, if, well, if he sacrifices us? HENDERSON: Well, Major Beresford did do his best, even if it was like using a peashooter DOCTOR: Shush, shush, shush. I think we've been wrong about Chase up till now. HENDERSON: What are you on about? DOCTOR: Will you just shut up a minute, please? You said Chase went outside and actually took photographs of the Krynoid, and came in apparently unharmed. Unharmed? SARAH: You mean he's actually infected? DOCTOR: Or possessed. [SCENE_BREAK] BERESFORD: Come on, quick, come on! [SCENE_BREAK] DOCTOR: You and Henderson take that corridor. Sarah and I will go this way. [SCENE_BREAK] CHASE: Filth. [SCENE_BREAK] SARAH: (quietly) Doctor, maybe he's not in the house. DOCTOR: I doubt that. HENDERSON: Doctor, there's creeper breaking through into the corridor. DOCTOR: Where's Scorby? HENDERSON: He's back in the main lab.
SUMMARY: | Chase is obviously under Krynoid control. The Doctor suspects possession but, with the mountainous Krynoid nearing maturity and whacking the mansion to pieces, he concerns himself with the bigger picture and orders the mansion - with Sarah and him still inside - to be bombed. |
fd_Game_of_Thrones_06x06 | fd_Game_of_Thrones_06x06_0 | TEXT: (theme music playing) (grunting) (voices whispering) (screeches) (Meera grunting) (groans) (panting) (grunting) (cawing) Burn them all! Where's my sister? (groans) (caws) Aerys: Burn them all! (Meera panting) (shouts, panting) (grunts) (sobbing) (murmuring) Please. Aerys: Burn them. Burn them all! (wights shrieking) Aerys: Burn them all! [SCENE_BREAK] [ TITLE SEQUENCE ] [SCENE_BREAK] [ EXT. BEYOND THE WALL ] [SCENE_BREAK] (Heavy snow is falling. MEERA is dragging BRAN's sledge through the forest. BRAN's eyes are glazed white. He experiences many visions of the past all at once. MEERA staggers and falls against the base of a tree. She puts all her weight into pulling the sledge, but it does not budge. She begins crying and goes to BRAN, cradling his head. BRAN continues to have rapid fire visions, then sees a group of wights running through the woods. He wakes up from the visions and looks at MEERA.) Bran: Meera. They found us. (MEERA looks out into the woods and sees the group of wights. She begins crying and embraces BRAN.) Meera: I'm so sorry. (The wights converge on MEERA and BRAN. Moments before they reach them, a cloaked rider appears. The rider's horse kicks one of the wights out of the way, then the rider extends a chain which lights on fire at the end. Two wights charge, and the rider hits them both with the chain, setting them on fire. A third wight tries to attack his horse, but the horse's bulk rebuffs it into a tree and it crumbles. The rider plunges a chain-s
SUMMARY: | Meera escapes the cave with Bran, who is immersed in the Three-Eyed Raven's transferred visions. In the forest, the wights attack, but a man on horseback saves them. At stately Horn Hill, Sam's father, Randyll , demeans Sam as a soft bookworm and rejects Gilly for being a Wildling. That night, Sam takes House Tarly's ancestral Valyrian steel sword, Heartsbane, and leaves with Gilly and Little Sam. Arya warns Lady Crane of her planned assassination, then retrieves Needle. H'ghar allows the Waif to find and kill Arya. Jaime attempts to rescue Margaery from the Faith Militant, only to find she has repented and Tommen has forged an alliance with the Faith. Tommen forbids Jaime to serve as a King's Guard in King's Landing and orders him to aid Walder Frey , who is holding Edmure Tully hostage, to retake Riverrun from Brynden Tully. Benjen Stark , the man who saved Meera and Brandon, says he was turned by the White Walkers but later unturned by the Children using Dragonglass. Daenerys mounts Drogon and gives a rousing speech inspiring the Dothraki to cross the Narrow Sea and conquer Westeros for her. |
fd_Doctor_Who_08x12 | fd_Doctor_Who_08x12_0 | TEXT: Clara: Danny Pink... is dead. The Doctor: We're here to get your boyfriend back from the dead. Those are tombs. Water tombs. Why would anyone go to so much trouble? Seb: You're dead and... and this is what's next. The Doctor: A Gallifreyan hard drive. Time Lord technology. Missy: Do you know the key strategic weakness of the human race? The dead outnumber the living. The Doctor: Who are you? Missy: Oh, you know who I am. I'm Missy. I couldn't very well keep calling myself The Master, now - could I? [SCENE_BREAK] [ Chang's Office ] Clara: Stop! You can't kill me. Cyber-Skarosa: Incorrect. Clara: I'm a target of strategic value. Alive, I'm a tactical advantage. Dead, I'm your biggest mistake. You don't know who I am. Cyber-Skarosa: You are Clara Oswald. You are human. You are unimportant. Clara: Incorrect. You see, that is what you're supposed to think. That is what everybody thinks. Cyber-Skarosa: You are Clara Oswald. Clara: Clara Oswald is a cover story, a disguise. There is no Clara Oswald. Cyber-Skarosa: Identify. Clara: Oh, don't be so slow, it's embarrassing. Who could fool you like this? Who could hide right under your nose? Who could change their face any time they want? Hmm. You see, I'm not Clara Oswald. Clara Oswald has never existed. Cyber-Skarosa: Identify. Clara: I'm the Doctor. ( Doctor Who theme plays ) [SCENE_BREAK] [ St. Peter's Hill ] Missy: Look at them! My boys. The Doctor: Cybermen in broad daylight? You think people won't notice? Missy: Photos with the big metal men, one pound. Missy: Oh, honey! Boy: There you go. Girl: Oh, cool. Cool! Missy: New York. Paris.
SUMMARY: | Cybermen detonate themselves around the British Isles, to reincarnate and transform the dead into Cybermen with clouds that rain "Cyberpollen". Similar events occur all over the world. Danny is one of these Cybermen, and he rescues Clara. UNIT bring the Doctor and Missy aboard a plane, where the Doctor is inducted "President of Earth". Missy overpowers UNIT, kills Osgood, and blows up the plane. She reveals she gave Clara the phone number to the TARDIS. The Doctor reunites with Clara and Danny in a graveyard. Danny reveals that a forthcoming rainfall will convert all living people into Cybermen. Missy arrives and gifts the Doctor with control of the Cybermen to prove he and Missy are the same. The Doctor refuses and gives control to Danny, who leads other Cybermen into exploding and stopping the rainfall. Missy claims the planet Gallifrey is in its original location. The Doctor threatens to kill Missy to prevent Clara from doing so herself. Missy is seemingly disintegrated by Brigadier Lethbridge-Stewart , reanimated as a Cyberman. Clara and the Doctor bid farewell with lies to each other: Clara tells the Doctor that Danny was brought back from the Nethersphere, and the Doctor tells Clara he found Gallifrey. |
fd_Frasier_11x18 | fd_Frasier_11x18_0 | TEXT: Skyline: A silver dirigible floats above the skyline. [N.B. This episode was originally scheduled to air February 3rd, and then March 23rd.] ACT ONE Scene One - Café Nervosa Niles and Daphne are sitting in the window box. Daphne gives an order to the waitress. Daphne: And one of those cinnamon buns, please - extra frosting. Brad and Cindy, another expecting couple, enter. Cindy's bump is very prominent. Niles: Oh, here they are. They warmly greet each other, and everyone sits. Cindy: We were so excited when you guys asked us out. You're like the A-list couple in Lamaze class. Niles: Oh well, that's good to hear. We were afraid we were in the "C-section." Daphne laughs (apparently she's lived under his roof long enough to find that funny). Brad unpacks some plastic containers and a thermos filled with a green- colored smoothie. Brad: We bring our own food everywhere. Cindy doesn't put anything unhealthy in her body. No refined sugar, white flour or gluten. I'm sure you're the same. Daphne: Oh, of course. The waitress comes back with a plate. Waitress: Cinnamon bun. Daphne: Oh, no thank you, I'm pregnant. Waitress: But you said- Daphne: I said no! The waitress takes it away as Cindy tucks into her food. Cindy: Sweetie, this is your best yam loaf yet. [to Niles and Daphne] He's a saint. He cooks my food, rubs cocoa butter on my belly... Brad: I just wish I could go through the birth for her. By now Niles and Daphne are both feeling extremely inadequate. Brad: Hey, what are you guys doing with your placenta? Cindy: Ours will nourish the roots of a special tree we plant in our yard. Brad: Well, we live in an apartment. Although that ficus in the study is looking a tad droopy. Cindy: By the way, if you need a doula-
SUMMARY: | Frasier stumbles upon a matchmaking service on the way to his office, and takes some time explaining to the woman at the door that he is there by mistake. However, this is followed by an encounter with a former girlfriend in the elevator, and since Charlotte (the matchmaking agent, played by Laura Linney ) witnesses this, Frasier decides to come quietly. After parting with $10,000, he is sent on a series of disastrous dates, and eventually loses patience and demands his money back. It is then that he discovers the business and its agent are not what they seem. Niles and Daphne have been socialising with another couple expecting a child, Brad and Cindy. This couple talk at length about all their plans for the birth, what to do with the placenta and so forth, and Brad even seems to be experiencing a sympathetic pregnancy . Determined not to be outdone, Niles and Daphne decide to hire a doula for their birth. |
fd_Bones_04x24 | fd_Bones_04x24_0 | TEXT: "The Beaver in the Otter" [SCENE_BREAK] TEASER (Outside Middlesex college- Students are at a bonfire rally) GREG HARMALARD: My name is Greg Harmalard and I'm here to recruit you. (Students cheer) Tomorrow night, our noble conference champions, the Middlesex Archers, (Students take an archer's pose) take on the desperate and conniving Forrest Lake Otters. (Boos) Right about now, the Otters must be wondering where their mascot went. (A crane over the bonfire rises to reveal the Otter mascot hanging from it) Archers ready your bows... archers raise your bows... archers aim...archers fire! (The bonfire is set alight by the archers as the students cheer on) GREG HARMALARD: Ladies and Gentleman of Middlesex College, aim your weapons...fire at will. (The students throw all they have it and they fire a blunderbuss. The mascot rips apart as the victim hangs by an ankle over the bonfire. STUDENTS: Oh my god! Oh my God! It's real! (They run and scream out) (Cut to - Outside Middlesex College, the next morning) BRENNAN: Male...some of this costume is fused to the remains DEAN WARNER: Ah, Good morning, I'm Vernon Warner, the dean of students. BOOTH: I'm special agent Seeley Booth, this here is Dr Temperance Brennan from the Jeffersonian. BRENNAN: There is a lot of damage to this body. SHERRIF TINA MILLINS: They had a cannon, more like a blunderbuss, really, filled to the brink with bric-a-brac and shrapnel. DEAN WARNER: Yeah, look, I suspect that this might be a prank BRENNAN: A prank? BOOTH: It's college, Bones. DEAN WARNER: I...I suspect that one of our less reflected frat house
SUMMARY: | Jimmy 'Beaver' Bouvier is found strung up in the costume of his college mascot, an Otter. Booth and Bones must investigate whether he was dead beforehand or killed during a Middlesex University bonfire event. |
fd_Frasier_01x18 | fd_Frasier_01x18_0 | TEXT: Act One Scene A: KACL Radio Station. Frasier is doing his show. Frasier: [on-air] Just remember Angela, cosmetic surgery is only a superficial solution. You can lift your eyelids, but it can't lift that little cloud of pessimism that hovers over you. Thank you for your call. So okay Roz, who's our next caller? He looks over to find that Roz's booth is empty. Frasier: Roz? Perhaps this would be a good time to go to commercial break. We'll be right back after these messages. He goes off the air and walks into Roz's booth, looks into the corridor, spots Roz coming back and hides behind the door. Roz comes running in, sits down and realizes Frasier's not where he's supposed to be. Roz: Frasier? [he tilts her seat back so she can see him] Whoa! Hi. Frasier: A little disturbing, looking in the booth and seeing no one there, isn't it? Roz: I'm sorry, but I was up in the newsroom, trying to find out if they've announced the nominations for the SeaBeas yet. Frasier: Oh, I forgot. Are those coming out today? Roz: You forgot? They're only the biggest award in Seattle radio! Frasier: Well, I suppose it's the difference in our ages, but I don't find myself getting excited about... well, much of anything anymore. Noel Shempsky enters. Noel: Congratulations, guys. Frasier: YES!!! Yes, we got a nomination! Roz: Who did you hear it from? Noel: Oh, I haven't heard anything, I was just congratulating you on doing a great show. If anyone deserves a nomination, you guys do. Long Pause. Frasier: [growling] Get out, Noel. Noel: Okay, catch you later. [exits] Frasier: Well I... I guess I'm a little more excited than I let on. Well, it'll be a big feather in my cap to win
SUMMARY: | Frasier discovers that he has been nominated for a local broadcasting award, and becomes obsessed with winning it. |
fd_Justified_05x06 | fd_Justified_05x06_0 | TEXT: [PREVIOUSLY_ON] Wendy: What's he doing here? Raylan: I'm checking on the child's welfare. How you doing, Kendal? Darryl: This family needs to stay together. Wendy: To wit, you need to find a fit place for that boy to lay his head. Jean Baptiste: A man that just talks is no man. Danny: [ Chuckles ] That's not the way you should be talking to me, homie. Jean Baptiste: [ Groans ] Kendal: Oh, my God. You killed him. Danny: Ain't gonna tell nobody? Kendal: I won't say a word. Boyd: You turn over my cousin Johnny and you agree right now to help me smuggle heroin across the border from Mexico. You know what kind of deep sh1t you'd be in... If you did... This? Ava: Oh, my God. Bye-bye, honey. She shanked the guard! You know, there's a rumor going around that a federal lawman was instrumental in the death of Nicky Augustine. Picker said he was there on the tarmac, watched the whole thing go down. Want to guess who he said it was? Special agent Barkley. Raylan: It wasn't Barkley. And I can tell you that for a fact. [ Thunder rumbling ] [ Indistinct conversations ] [SCENE_BREAK] [ Billiard balls clack ] Raylan: Art. [ Grunts ] Art: [ Groans ] <unk> On this lonely road <unk> <unk> Trying to make it home <unk> <unk> Doing it by my lonesome <unk> <unk> Pissed off, who wants some? <unk> <unk> I'm fighting for my soul <unk> <unk> God get at your boy <unk> <unk> You try to bogard <unk> <unk> Fall back, I go hard <unk> <unk> On this lonely road <unk> <unk> Trying to make it home <unk> <unk> Doing it by my lonesome <unk> <unk> Pissed off, who wants some? <unk> <unk> I see them long, hard times to come
SUMMARY: | An attack on Alison sends Raylan to Harlan in search of payback, while Boyd scrambles to arrange protection for Ava. |
fd_One_Tree_Hill_06x18 | fd_One_Tree_Hill_06x18_0 | TEXT: [PREVIOUSLY_ON] Mrs Rimkus : I have a problem with the essay you selected for the school paper. Haley : I understand, but I thought I was in charge of the school paper and had final say on what went in it. Mrs Rimkus : And I have final say on whether or not you work here. Lucas : If continuing this pregnancy means I lose you, then we end it. Peyton : I'm having this baby. Lucas : We're having this baby. Brooke : What do you want me to say? Julian : How about, Julian? Brooke : How about, "I like you"? Dan : You want to talk about Keith? Let's talk about Keith. From the way I see it, I pulled the trigger, but you loaded the gun. Deb : It's good that you're gonna die soon, Dan. Jamie : Grandpa? It's time for you to get better. AT THE HOSPITAL Man : Look, I'm not saying I do or I de havany llicit narcotics currently in my domicile. But if I did and my dog happened to eat, say,3 ounces of, actually, some really nice Lebanese hash, would you say he'd be okay... or no? Woman : Sit your stupid ass down, and I'll call a veterinarian. Mr. Scott. We'll get you prepped in a moment Dan : Okay. Lucas. Is everything all right? Lucas : It's fine. Dan : I'm getting a heart. Lucas : It's about time. AT THE OFFICE Reese : I need a helicopter. Julian : For the final river court scene... Lucas told me. But you can shoot it with a crane. You don't need a helicopter. Reese : Yes, but I've never had s*x in a helicopter before. Girl : Excuse me, Julian? Brooke Davis on line 1. Reese : Nice Julian : I have to call her back. Girl : Okay. Julian : Is that the girl
SUMMARY: | Lucas and Julian hit a setback with the production of the film. Peyton and Haley help Mia with her new single. Brooke must intervene when Sam is arrested. Jamie discovers the truth about Dan and Uncle Keith. This episode is named after a song by Against Me! |
fd_The_Vampire_Diaries_06x15 | fd_The_Vampire_Diaries_06x15_0 | TEXT: [PREVIOUSLY_ON] Mr. Parker: Luke is gone. He merged with Kai, Kai won. Kai: I always win. Tyler: I would have done anything for you, and you chose death over me. I never want to see you again. Damon: Bonnie needs magic to get out. We just need to tell her where to find some. Bonnie: Damon, you're a genius. Stefan: Caroline's mom isn't doing too hot. Liz: Caroline is meant to be extraordinary, and she needs to know how proud I am of her. You tell her yourself. Stefan: When you told me you hated me. Caroline: I think we both know I never really hated you. (Flatlining) She's gone. [SCENE_BREAK] [ FLASHBACK ] (Caroline has fallen off her bike and is leaning against a tree when Liz walks in) Liz: OK. I've got band-aids, surgical gear, and a medevac enroute for an airlift. Caroline: You're making fun of me. Liz: No, sweetheart. I'm making fun of me. There is no greater first than watching your kid ride without training wheels... (tends to the graze) Oh, boy... and no worst first than seeing them bite the dust. All right. There. Caroline: Mommy? Liz: Yes. Caroline: Am I gonna die? Liz: I would say your chances of survival are 100%. Caroline: Are you gonna die? Liz: Well... everyone dies eventually, sweetie, but not for a long, long time. Caroline: But what if you die and I'm still here? Liz: Well, then you'll be all grown up, and you won't need me. Caroline: I think I'll always need you. (Liz and Caroline hug each other) [SCENE_BREAK] [ SALVATORE BOARDING HOUSE ] (Caroline awakes on a couch and sees Matt, Elena, Tyler, and Stefan sleeping around her. Caroline walks over to the kitchen where Damon is still trying to write Liz's eulogy.) (As Caroline opens the door, Damon rips
SUMMARY: | Bonnie has her magic back thanks to Damon's message and is planning to return home that night. Kai is dying because he merged with Luke instead of Jo. He tells Jo that unless she gives him her magic, they and the rest of the coven will die and the prison worlds will collapse. Meanwhile, Damon is struggling to write Liz a eulogy and is having flashbacks to his mother's funeral. He also tells Caroline that it will only get harder for her later after everyone expects her to move on. Before Liz's funeral, Caroline tries to ask Stefan how he feels about her, but he responds by saying that he'll talk to her about it later. The funeral takes place: Damon gives the eulogy, Caroline sings, and the police honor Liz one last time. The moving display prompts Matt to get an application to join the police for both himself and Tyler, who has been drinking heavily since his breakup with Liv. Jo decides to give Kai her magic, and as this is taking place, Bonnie's prison world shifts in and out of the Salvatore home in 1903, when the aurora borealis was taking place. Right before she is about to return home, she sees a woman who asks her who she is, but before she can learn more, she returns to the normal world. Kai feels healthy after receiving Jo's magic, but before he leaves, he tells her that she is pregnant. Alaric proposes to her, telling her that he had already been planning to propose before the news, and she accepts. After Liz's funeral, Caroline returns home, but Elena follows her and confronts her after realizing that Caroline plans to turn off her humanity to stop her pain and prevent what Damon warned her about. Caroline decides to go through with it anyway and breaks Elena's neck. Stefan realizes that what he feels for Caroline could turn into something deeper and goes to her house, but he sees Elena lying on the ground. Damon reunites with Bonnie, and when Bonnie shows him the video she accidentally took while she was escaping, Damon realizes that the woman Bonnie saw was his mother. |
fd_Doctor_Who_1963_04x22 | fd_Doctor_Who_1963_04x22_0 | TEXT: THE UNDERWATER MENACE by GEOFFREY ORME first broadcast - 4th February 1967 [SCENE_BREAK] 1. THOUS' CHAMBER (THOUS, ruler of Atlantis, lies on the floor. He has just been shot by Zaroff.) ZAROFF: Kill these two men. (ZAROFF's guards obey.) ZAROFF: NOTHING IN THE WORLD CAN SHTOP ME NOW!!!! [SCENE_BREAK] 2. THOUS' CHAMBER, LATER BEN: Doctor, look at this! Someone's been having a right punch-up in here. (The DOCTOR and BEN go to help.) BEN: It's the guv'nor. DOCTOR: It's Thous! BEN: Is he alright? DOCTOR: I don't know. Doesn't seem to have hit anything vital. BEN: Doesn't look too good, though. DOCTOR: Neither would you with a bullet in you. BEN: If we don't stop Zaroff soon, we'll all be for the chop! DOCTOR: I know. Come on, we must get him to safety. BEN: Well then what? DOCTOR: To the generating station. [SCENE_BREAK] 3. CHAMBER BEHIND AMDO JACKO: Are you sure the Doctor said we are to meet here? ARA: He must come back soon. SEAN: Well if he's not back in five minutes we move on. Okay? JACKO: Oh, where to, if the whole world is going to blow up in a couple of hours? SEAN: Ha ha. You're a great comfort to have around, did anyone ever tell you that? ARA: Look out. (Footsteps.) DOCTOR: Anyone at home? ARA: Oh, Doctor! (She sees THOUS.) ARA: Oo, what's wrong? BEN: He's wounded, but don't worry Ara, he'll be alright. DOCTOR: Where's Polly and Jamie? ARA: They've
SUMMARY: | With Zaroff's plan nearing completion, the Doctor and Ben realise the only way to save the world is to destroy Atlantis. |
fd_Angel_04x01 | fd_Angel_04x01_0 | TEXT: [PREVIOUSLY_ON] Angel: "Darla." Darla: "We did so many terrible things together." Flashback to Angelus and Darla. Cordy: "Did you and Darla..." Angel and Darla doing the nasty. Angel: "Once. It was a very dark time." Darla, looking like she swallowed a basketball. Angel: "This is impossible. Vampires can't have children." Darla: "We did." Wes looking at the sonogram. Wesley: "It's human. You're carrying a boy." Angel: "I'm gonna have a son." Darla: "Our baby's gonna die." Darla staking herself, the baby left behind as the dust settles. Darla: "This child is the one good thing we ever did together." Angel taking Connor for a checkup. Angel: "I'm Mr. Dad!" Holtz walking into burning Caritas. Lilah: "Daniel Holtz. Angel massacred his family and he spent the rest of his life seeking revenge." Holtz and Justine fighting in the cemetary. Holtz: "I want you to go out and find others like you. People who have suffered like we have." Gunn and Fred find Wes' notes. Gunn: "Wes thought that Angel..." Fred: "...was gonna kill Connor." Justine slits Wes' throat. Lorne: "He's taking the baby away - for good." Holtz, holding Connor, jumps through the portal into Quortoth. Holtz: "I'll take good care of him as my own son." Angel tries to smother Wes at the hospital. Angel: "Son of a bitch! I'll never forgive you! Never!" Fred visits Wes. Fred: "You should have trusted us. Don't come back to the hotel - ever!" Lilah at Wes' apartment. Wes: "You're going to offer me a job. Not interested." Lilah and Wes in bed. Lilah: "Don't pretend you're too good to work for us."
SUMMARY: | Season four begins with Angel stuck at the bottom of the sea. Fred and Gunn search for him, unaware that Connor is the one behind his disappearance. Cordy is now a Higher Power and no one is sure where she went either. It's Wes who begins to piece together what happened to his estranged friends and comes up with a plan to save Angel. |
fd_Gilmore_Girls_07x22 | fd_Gilmore_Girls_07x22_0 | TEXT: DRAGONFLY INN - EXTERIOR [The Jeeps pulls up with Lorelai driving] LORELAI: I'm telling you, it's her. RORY: Trust me, it's not. LORELAI: It is. RORY: Why would Christiane Amanpour be hanging out at the Dragonfly? LORELAI: I don't know. RORY: She wouldn't. LORELAI: She is. RORY: You went up to her and said hi, and she said, "Hi, I'm Christiane Amanpour, nice to meet you"? [The Jeep stops and the girls get out] LORELAI: No, I didn't go up to her at all. I looked at here and saw that it was her, and I went to get you. RORY: So I could look at a fake Christiane Amanpour? LORELAI: She's real. RORY: Yeah. Remember the time when you thought saw Sandra Day O'Connor? LORELAI: Yeah well this is different and I haven't had any cough syrup. RORY: I guarantee you it's not her. [They enter the Inn] LORELAI: You doubt my ability to recognize a glamorous, international war correspondent? RORY: I guarantee you it's not her. Oh, my god, that's Christiane Amanpour! LORELAI: That's what I told you. RORY: I can't meet Christiane Amanpour in my pajamas. LORELAI: I tried to get you to change, you wouldn't change. RORY: Well how long has she been here? LORELAI: I don't know I just saw her eating breakfast and I went home and got you. Hey, Michel, Michel, how long has Christiane Amanpour been here? MICHEL: Ah she checked in late last night, room 7. LORELAI: She's staying here? RORY: [gasps] LORELAI: You didn't tell me? MICHEL: I wanted to avoid yet another embarrassing incident. LORELAI: What are you talking about? MICHEL: You always embarrass
SUMMARY: | Rory gets a job following the presidential campaign of one of the candidates running for president. While she prepares to leave in a mere three days, Lorelai adjusts to the idea that she may not see her daughter again for weeks, even months. Meanwhile, Luke is still trying to sort out how he really feels about Lorelai after they locked eyes at the karaoke jam. To see Rory off before she leaves for her new job, the entire town puts on a farewell party, despite the presence of rain. |
fd_NCIS_01x19 | fd_NCIS_01x19_0 | TEXT: INT. BUILDING LOBBY - NIGHT (SFX: FIRE ALARM B.G.) GUARD: Damn it. Now I know they're doing it on purpose! JANITOR: Who? GUARD: The guys who installed the new fire alarm system. That's the third time this week the damn things gone off an hour after they quit work. JANITOR: Aren't you going to call the fire department? GUARD: It is a false alarm. It's payback for them having to sign in and out. JANITOR: You're not supposed to use the elevator in a fire. GUARD: There's no fire, George! And I'm not walking up five floors for a false alarm. JANITOR: Can't you shut it off here? GUARD: Don't you think I would if I could? They haven't connected that circuit yet... on purpose! (SFX: ELEVATOR DINGS/DOORS SLIDE OPEN) (MUSIC OUT) (THEME MUSIC UP OVER OPENING TITLE/CREDITS/ ACTION AND OUT) MUSIC IN: INT. SQUAD ROOM - DAY TONY: (CHUCKLES) Oh, yeah! (PHONE RINGS) TONY: (INTO PHONE) Special Agent Todd's desk. I'm sorry, she stepped away. KATE: DiNozzo! TONY: May I ask who's calling? Um...one moment. KATE: Hey! TONY: Dwayne. KATE: I do have voicemail. TONY: What fun is that? KATE: (INTO PHONE) Hi. Um...yeah. Me, too. Oh, yeah. I know where that is. Okay, great. I'm leaving now. 'Bye. (SFX: HANGS UP PHONE) TONY: His name is Dwayne? KATE: You really need to get a social life of your own. TONY: Oh, I have a social life. KATE: What's tonight, Celebrity Mole? TONY
SUMMARY: | Special Agent Chris Pacci is brutally murdered while investigating a cold case, prompting a guilt-ridden Gibbs to step in and take over the case while attempting to find Pacci's killer. Picking up from where Pacci left off with McGee's assistance, the team follows the trail of millions of dollars embezzled by Navy Lt. Cmdr. Hamilton Voss (who died before trial), and is led to a mysterious woman named Amanda Reed ( Jamie Luner ) who seems to appear near wherever Voss has been stationed. The agents take shifts conducting a stake-out on the woman's house, until Tony is caught raiding the mailbox. Forced to improvise, he introduces himself as a resident of the neighborhood and strikes up a conversation based on what he had heard via surveillance. This gives him a chance to get close to the suspect in order to find out more, as he goes on a successful date with her. Meanwhile, Abby makes a shocking discovery which turns the direction of the case and will give Kate something to mock Tony about for time to come. |
fd_NCIS_03x24 | fd_NCIS_03x24_0 | TEXT: EXT. DOCK - NIGHT GIBBS: (V.O.) Previously on NCIS.(BEGIN FLASHBACK SCENES) (SCENE CUT) GIBBS: Galib, has Abu infiltrated SeaLift? GALIB: They're about to. A radioman, Pinpin Pula is Abu Sayyaf. GIBBS: He plans to blow the Capefear. This will be as bad as Nine Eleven. (SFX: HUGE EXPLOSION) (SCENE CUT) GELFAND: So you didn't know him when he was wounded in Desert Storm? SHEPARD: No. GELFAND: He seems to be repeating that drama, the coma that he doesn't want to wake up from. (SCENE CUT) STEVENS: (ON MONITOR) If Galib had intel on Abu's plans, did he have time to tell Gibbs? TONY: Maybe. They were together when the bomb went off. STEVENS: (ON MONITOR) Let's hope Gibbs comes out of this coma in time. (SCENE CUT) DUCKY: Well, Jethro doesn't talk much about the past. I know very little about his life before we met. (INTERCUT MONGATE OF FLASHBACK SCENES OF GIBBS/ FAMILY/ KILLING) DUCKY: Welcome back, Jethro. GELFAND: You were in an explosion. GIBBS: I remember. I don't know him. (MUSIC UP AND OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) [SCENE_BREAK] INT. ICU ROOM - DAY GELFAND: You don't know Doctor Mallard? DUCKY: Ducky. GELFAND: Ducky. Do you know Ducky? DUCKY: I'm disappointed, Jethro. The last time someone forgot me I was a baby. My mother left me on the ferry from Orkney to John O
SUMMARY: | Gibbs wakes up believing it's 1991 and he was wounded in Kuwait, with no memory of the last 15 years. Director Shepard contacts Gibbs' NCIS mentor and partner, Mike Franks in hopes of helping an amnesiac Gibbs regain his memory as only he knows the details to an impending terrorist attack, and he remembers up until 1996 when Franks retired after his warnings about the impending attack on the Khobar Towers were ignored. She also delves into Gibbs' past and shares with Ducky about his murdered wife and daughter. The team discover the agent was dead before the bomb, and realise Pinpin Pula killed and impersonated the agent, then used his credentials to board another ship. Meanwhile, Tony and the team discover Pinpin Pula wants to blow up the ship Cape Fear . Ziva, who had appeared nonchalant about Gibbs' situation, visits Gibbs in a desperate and emotional attempt to revive his memory by telling him about their shared connection with Ari. Gibbs recovers his memory and is taken back to NCIS headquarters. The director in charge of the frigate's shipment refuses to heed warnings from Gibbs, Jenny and other Navy officers leading to disastrous consequences. Finally, Gibbs hands his badge to Tony and resigns before heading to Mexico to stay at Franks's house. |
fd_Roswell_02x01 | fd_Roswell_02x01_0 | TEXT: "Skins and Bones" 23rd Episode of Roswell Production Code: 2ADA01 [SCENE_BREAK] (The episode begins with a scene in the desert. A geologist is scanning the area with a metal detector when the metal detector starts to beep steadily. The geologist finds the source of the metal object and starts to dig. He uncovers a charred bone that was buried in the ground.) (Switch to a room at school where a psychologist is trying to get Max to open up about his problems) Psychologist: I feel as if you've buried something. Your parents are concerned about you, Max...deeply concerned. Max, I want you to know that however unique you think your problems may be, there are millions of teenagers out there going through exactly what you're going through right now. Let me assure you, this is all normal teenage stuff. Can you try and tell me what's been going on? (Max looks a bit disoriented, gathering his thoughts. He then starts explaining what's been going on in his life as we see flashbacks from the first season) Max (V.O.): Well, I guess the natural place to start is...that I'm an alien...a hybrid, actually. You know, human DNA mixed with alien DNA...that kind of thing. Oh, I almost forgot. My sister Isabel and our friend Michael are also a little green around the gills. We didn't know where we came from, who sent us, or why. For the past 10 years, we've been aging much like humans, but clearly there are differences. From the beginning we had the instinct to keep this to ourselves, to hide in plain sight. Then one day last fall, everything changed. (We see Liz get shot and Max healing her) Max: You broke the bottle when you fell. You broke it by yourself. Don't say anything, please? (Max is now voicing over more flashbacks from the first season) Max (V.O.): The 6 of us were connected by the secret we shared. There was also Tess, a hybrid like us...part human, part alien. And then there was Nasedo. He's a shapeshifter...which means
SUMMARY: | In the opening episode of the second series. Max, Liz, Isabel and Maria must rescue Michael after he is arrested on suspicion of murder; Liz takes a job with a congresswoman who has a hidden agenda. |
fd_The_Originals_01x01 | fd_The_Originals_01x01_0 | TEXT: [Directors Cut of the Pilot] [Salvatore's House] (Elena is lying in the cell and starting to desiccate. Damon and Stefan are upstairs) Damon: That's the calmest desiccating vampire I've ever seen. I remember when you starved me down there for 3 days. I would've wept at your feet for an orange peel Stefan: Look, she's not gonna beg for blood. Begging means desperation. Emotion. She's still in no-humanity zone Damon: How hungry does she have to be before we can torture some feelings back into her? Stefan: A lot hungrier than she is now, apparently Damon: So, what are we supposed to do in the meantime? (Katherine enters) Katherine: Maybe I can provide a little excitement Stefan: Katherine Katherine: The one and only. Sort of. So, when's the welcome home party? Damon: Wow. Look who went and got bold. Last time I checked, Klaus was plotting your eternal demise Katherine: Well, it doesn't matter anymore, because Klaus is gone Stefan: Wait. What do you mean he's gone? Katherine: Let's just say that werewolf girl Hayley turned out to be just the thing we needed to get Klaus out of our lives for good [New Orleans] (Haley is at a bar. She looks at the bartender) Bartender: Third time in here this week Haley: I'm obsessed with The Gumbo, Jane-Anne Jane-Anne: The old ladies in the ninth ward say my sister Sophie bleeds a piece of her soul into every dish Haley: I asked around the quarter about my family Jane-Anne: And? Haley: Nothing. Zero. Can't find a single person who remembers them Jane-Anne: Because, Hayley, people like you were run out of here years ago Haley: What do you mean, people like me? Jane-Anne: In the Bayou, they call the werewolves Roux-Ga-Roux. You head out there; you'll find what you're looking for. Be careful. It's the last place you'd ever want to
SUMMARY: | This episode's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (November 2016) (Learn how and when to remove this template message) The pilot is told from the perspective of Elijah. 300 years ago Elijah , Rebekah and Klaus arrive in the French quarter near the Mississippi River in a voyage along with Finn and Kol daggered in their coffins. Back In Present: Klaus comes back to New Orleans as he got a letter threatening him. Elijah leaves to find his brother coming to New Orleans. As he arrives there first, he finds the witch who called Klaus back, Jane Anne Deveraux. Sabine, also a witch, tells him that she tried to do magic, which has been banned in New Orleans by Marcel Gerard, whom he was shocked to see alive as he thought Marcel was dead. He meets Jane Anne's sister, Sophie Deveraux and other witches of the coven in the cemetery where the witches are buried and they tell him that her sister called Klaus to get rid of Marcel as he was killing the witches who were practicing magic and that there is a werewolf, Hayley, who is pregnant with Klaus's child and he tells him the story of his family and how Klaus is a hybrid and first of his kind. Klaus goes to his old home, the quarter, where he and Marcel argue and then he bites one of his vampires, Thierry, who is Marcel's right hand and Thierry gets sick as a werewolf bite is fatal to a vampire. Elijah calls Rebekah to fill her in about what is going on in New Orleans. Klaus arrives at the Cemetery and is not willing to accept that Hayley is pregnant with his child. Meanwhile, Sophie tells that her sister linked her to Hayley and that what happens to her would happen to Hayley and that's why she would not get hurt as Elijah thinks that this child could bring their family together. They arrive at a house which used to belong to the Mayor. He makes a deal with Marcel to give Jane Anne's body to the witches and to allow them to cremate her instead. Klaus would give his blood to cure Thierry and Marcel agrees. Klaus goes to the quarter and heals Thierry. At the Mayor's house where Hayley is going to stay, Elijah makes Hayley a promise that he will protect her and no one is going to hurt her. The episode ends with Klaus Daggering Elijah which takes us to a flashback when Klaus heals Thierry. Marcel asks Klaus to give him Elijah as he cannot let all the Originals just walking around in the city and Klaus agrees in order to gain Marcel's trust so he can take back his city which he and his siblings built. Rebekah is concerned about Elijah as he is not answering her calls and she gets ready to go back to New Orleans. |
fd_One_Tree_Hill_08x06 | fd_One_Tree_Hill_08x06_0 | TEXT: [PREVIOUSLY_ON] MOUTH: Sleep well? MILLICENT: Yep. MOUTH: So, I guess last night we must have... MILLICENT: Yeah. Yeah, I guess so. CHASE: When's the movie start? ALEX: You weren't supposed to read that. CHASE: You weren't supposed to lie about it, either, were you? ALEX: I have to leave next week. VICTORIA: "Closed over bros"! What the hell is wrong with you? I leave you alone and you go back to being that stupid girl who follows her heart. JULIAN: What's wrong? BROOKE: I'm gonna lose my company. BROOKE: For now, I say goodbye to this chapter of my life. And I look forward to what comes next. CLINN'S HOUSE Quinn awakes and enters the living room. she sees Clay with Katie. QUINN: Clay...Oh, my God. KATIE: Hi, Quinn. QUINN: W-what is she doing here? Clay, s-she tried to kill us! CLAY: I've got an idea, babe. Why don't we eat her brains? On the count of two? KATIE: On the count of two. (In fact Clay and Katie have their head has deformed half. Quinn screams) NALEY'S HOUSE Quinn goes to see Nathan who plays video games. QUINN: Nathan, you have to help me. Clay is dead, and he's trying to kill me. NATHAN: Clay's not dead. Not yet. I'll just give him one of my kidneys, and he'll be fine. It's not a match, but he can have it if he wants. (Nathan becomes a zombie) QUINN: Oh, my God. Haley! Haley! Quinn goes up on the floor to find Haley. QUINN: Haley! We have to go now! HALEY: It's too late. Nathan already bit me. QUINN: Oh, my God. HALEY: I
SUMMARY: | It's Halloween in Tree Hill, and Julian's mother, Sylvia, arrives in town to help plan Brooke and Julian's wedding. She later tries to take over. Quinn deals with living in the beach house still in fear of Katie who is still on the loose. With trick-or-treaters coming to their doorstep, Clay has special rules for the candy. Chase takes out his frustrations on Mia. Mouth sets some boundaries with his relationship with Millie. Meanwhile, Haley continues to provide help for an Irish woman on the hotline she works for. Haley later recognizes the woman's voice as Erin, a singer who enters an open mic night at TRIC. This episode is named after a song by Eminem . Opening theme song performed by Laura Izibor . |
fd_Doctor_Who_1963_14x22 | fd_Doctor_Who_1963_14x22_0 | TEXT: THE TALONS OF WENG-CHIANG BY: ROBERT HOLMES Part Two Running time: 24:26 [SCENE_BREAK] DOCTOR: Out! Out! [SCENE_BREAK] LEELA: We might have been killed! DOCTOR: It's ten feet from whiskers to tail. LEELA: We should have taken weapons. DOCTOR: What kind of weapons? You'd need a harpoon to stop that brute. LEELA: Shall we tell the blue guards? DOCTOR: They'd only call a Sanitary Inspector. It's a guard. It's there to keep people away. LEELA: What? Now where are we going? [SCENE_BREAK] CASEY: Ah, it's black as Newgate's knocker down here. It's over this way, Mister Jago. JAGO: Flickering shadows, Casey. Trick of the light. CASEY: Shadows don't groan, Mister Jago. Shadows don't clank chains and moan like all the demented souls in hell. JAGO: There's your ghost. Six-gun Sadie and her Wild West troupe left that behind. All lumber sheet and ninepence, that's what you saw. CASEY: It weren't that old thing. Anyway, I heard it. JAGO: Ah, Casey, you're a pixilated leprechaun. The course of the river Fleet runs right under the foundations of this old theatre. JAGO: What you heard was a clang and the rush of water as they closed the sluice gates down on the Thames. CASEY: Ah, it's easy for you to cast aspersions, Mister Jago. You weren't down here. JAGO: Somebody else has been down here by the look of things. Have you got an admirer, Casey? CASEY: A glove, is it? JAGO: Yes, a lady's glove, monogrammed EB. Perhaps the ghost dropped it, eh? Come on, we've had enough of your spo
SUMMARY: | After escaping from the vicious giant rat in the sewers, the Doctor & Leela team up with Litefoot. Chang, Mr Sin and Weng-Chiang go in search of the time cabinet, while the Doctor and Jago go in search of Chiang's lair. |
fd_Doctor_Who_1963_08x01 | fd_Doctor_Who_1963_08x01_0 | TEXT: TERROR OF THE AUTONS BY: ROBERT HOLMES 5:15pm - 5:40pm [SCENE_BREAK] 1: EXT. CIRCUS (The colourful tent of the "International Circus" is filling with people. The owner, Luigi ROSSINI, a small rotund man in a check suit and a bowler hat stands outside and watches everybody enter with a nod of satisfaction. He walks round the tent, past the tiger cage and to a quiet spot where he stops to light his cigar. The quiet of the spot is disturbed by the sound of a TARDIS materialising and a brand new looking, blue horse box appears a little way off. ROSSINI looks amazed and frowns, then he goes over and tries to open one of the doors on the rear left-hand side of the box. Failing, he goes round to the other side. Immediately that he has gone the door opens and a smartly dressed black clothed figure jumps out. He has a moustache and beard and dark hair with streaks of grey. He has a compact though powerful demeanour. His movements and manner are precise and controlled. He swings round when he hears ROSSINI'S Italian accent.) ROSSINI: Who the heck are you? Well? (The new arrival looks impassively at the circus owner who has just walked back from the other side of the horsebox. He answers in rich, precise tones.) MASTER: I am usually referred to as the Master. ROSSINI: Oh? Is that so? MASTER: Universally. ROSSINI: Mmm, well I am Luigi Rossini, internationally, and conjurers I don't need. Okay? MASTER: Unfortunately I need you, Lew Russell. (ROSSINI is amazed at this comment and he suddenly drops the Italian accent and speaks in his natural cockney tones.) ROSSINI: What did you call me? MASTER: Lew Russell - it happens to be your real name. ROSSINI: Now listen Mister - get orf my pitch while you're still safe!
SUMMARY: | When a Nestene Energy Unit is stolen and a radio telescope sabotaged, the Doctor is contacted by a Time Lord who tells him his old rival the Master is responsible. |
fd_Doctor_Who_1963_25x06 | fd_Doctor_Who_1963_25x06_0 | TEXT: THE HAPPINESS PATROL PART TWO Run time: 24:48 [SCENE_BREAK] Kandy Kitchen [SCENE_BREAK] Kandyman: Welcome to the Kandy Kitchen, gentlemen. The Doctor: I'm sure the pleasure's all ours. Kandyman: I do hope so. I like my volunteers to die with smiles on their faces. [SCENE_BREAK] Street [SCENE_BREAK] Ace: Evil. What's going on here? Daisy: It's of no consequence. Ace: I'd say they look rather upset about something. Daisy: They're fools. They think they will achieve something with their march. Ace: Demonstration? Wicked. Daisy: All they will achieve is their extinction. Ace: So Helen A doesn't allow demos. I could have guessed as much. Daisy: Of course she allows demos. These are killjoys, and worse than that, they're drones. Ace: Drones? Daisy: Workers from the flatlands. It's forbidden for them to enter the city. That's why they'll never leave it alive. Ace: You're scared of them, aren't you. Up the killjoys! Ace: Gordon Bennett. Mmph! [SCENE_BREAK] Kandy Kitchen [SCENE_BREAK] Kandyman: This is where you come in, gentlemen. The interesting part. The tasting. The Doctor: May we enquire what it is? Kandyman: Ah, a labour of love, Doctor. A labour of love. The Doctor: I didn't know you were the caring type. Kandyman: Just because Helen A prefers my ugly side doesn't mean I don't care, does it, Gilbert M? Gilbert M! Gilbert: Oh, no, of course not. Kandyman: Thank you. And just because she employs me as her executioner doesn't mean I can't be creative. No need to worry, gentlemen. Tonight you see before you the artistic, sensitive side of me. So I make sweets. Not just any old sweets, but sweets that are so good, so delicious that sometimes,
SUMMARY: | The Doctor escapes the Kandyman while Ace meets the Pipe People. Later, fleeing for her life, she is captured and selected to audition for the Happiness Patrol. |
fd_Buffy_the_Vampire_Slayer_04x20 | fd_Buffy_the_Vampire_Slayer_04x20_0 | TEXT: <unk> Prologue <unk> Fade in. Close up of a wide-screen monitor. A white-haired man in a suit is sitting behind a desk. The office he's in is dark and the reflection of Colonel McNamara is seen on the glass of the monitor. Mr. Ward: And the men? McNamara: These are exceptional boys. Their capture ratio just keeps increasing. *They're* keeping it together. Morale's a problem. The death of Professor Walsh. The escape of the prototype. Controlling the HSTs is getting harder. We have serious overcrowding in the containment areas. As he spoke, the camera has slowly panned away from the monitor to the Colonel. We can see he is standing in some kind of communications center in the Initiative. There is a large world map on one wall. He is the only one there. Mr. Ward: Quite a mess. McNamara: It's not my mess, sir. I'm just holding the fort while you figure out what you want to do with the place. Mr. Ward: This incident with Finn was unfortunate. McNamara: Fell in with a bad crowd. Quite frankly, I don't think he was ever the soldier that you all hoped he was. Boy thinks too much. Mr. Ward: Nevertheless, we want him back. The government's invested a sub-- McNamara: We'll catch up to him. My feeling is.. he won't stray too far from the girl. Mr. Ward: Yes, uh... (puts on reading glasses to look at something on his desk) Buffy Summers. (removes glasses) Our data banks don't have much on her. McNamara: She's just a girl. Cut to-- Spike: (sighs) She's a lot more than that. He is in a chamber underground, in the sewers. Light reflecting off water is shimmering on the wall behind him as he walks across the room. Spike: The Slayer's dangerous is all I'm saying. Camera tracks Spike until we see Adam standing
SUMMARY: | Riley spars with Angel ( David Boreanaz ) when Angel visits Sunnydale; Adam convinces Spike that he will take his chip out if he helps him get Buffy where he wants, Spike agrees and sets out to distance the Scoobies from each other. |
fd_CSI__Crime_Scene_Investigation_03x10 | fd_CSI__Crime_Scene_Investigation_03x10_0 | TEXT: [EXT. (VARIOUS) LAS VEGAS CITY (STOCK) - NIGHT] [SCENE_BREAK] [EXT. SIDEWALK -- NIGHT] (A couple of roller bladers play on the sidewalk.) (Camera close up of the roller blades of the first person as he jumps on the metal rail and rides it from one end to the other. He jumps off, excited.) Blader 1: All the way across! Did you see that! Dude! Dude! Come on, bust it, bro. Blader 2: Relax man! I'm going! Blader 1: You've got it. Don't puss out on me! (The second blader takes a running leap and tries the same trick. He jumps off excited when he's done.) Blader 1: Oh! Blader 2: Oh! (raises his hands in triumph) Sick yeah! Blader 1: Yeah, I thought for sure you were going to eat it, though. Blader 2: No, way, man. I had that thing hooked up. Blader 1: Oh you got lucky, man. (The two roller bladers stop by the side of the building. From above, a body falls to the ground with a loud thud. SKATER 1 edges closer for a look.) Blader 1: (looking down at the body) Ugh! Oh, my god! [SCENE_BREAK] [EXT. BUILDING -- NIGHT] (Camera opens on the dead body. The Emergency Personnel are already there. NICK and WARRICK make their way toward BRASS.) Nick: We beat Grissom here? That's a first. Warrick: Yeah? Maybe for you. (BRASS leads them under the crime scene tape and toward the body.) Brass: Hey, how you doing? The jumper's John Doe. No wallet no keys, no ID. (NICK leans in to look at the body.) Nick: Yeah, that's the least of this guy's problem. (BRASS looks up at the building top.) Brass: The building's
SUMMARY: | Grissom, Nick and Warrick investigate when a body falls from the sky and lands between a couple of rollerbladers. But soon Grissom's hearing problem forces him to leave the case to Nick and Warrick. Meanwhile Catherine investigates the death of a man who was shot with his own gun. |
fd_Bones_05x09 | fd_Bones_05x09_0 | TEXT: TEASER EXT. BACK ALLEY OF A FAST FOOD CHAIN - NIGHT (FATHER and SON are collecting grease from a grease receptacle. They are maneuvering hoses.) SON: Sucking fry oil from these seafood restaurants are the worst. I don't mind the chicken places but the seafood makes me sick. FATHER: Quit moanin' and put the hose in. SON: (Opens a panel of the grease receptacle) Ugh, smells like shrimp. (Puts the hose in) Okay! Suck it. (The father turns on the machine. Something gets caught in the hose.) SON: Hold it. Hold it. (He pulls out...) Ugh, I got hair. A lot. It's gross. FATHER: Probably a rat. Let's just open 'er up. (They open up the receptacle together. It looks unappetizing.) FATHER: Go ahead and pull it out. (Son reaches his gloved hand in and pulls out a fleshy, dead human. Son screams as the camera pans to the corpse slowly sinking back into the grease.) EXT. BACK ALLEY OF A FAST FOOD CHAIN - DAY (Police sirens.) (FBI and police cars are already at the scene. CAM is also there directing personnel. BOOTH and BRENNAN arrive. They are walking from Booth's car.) BOOTH: Fishing is not a sport. BRENNAN: What? Monuments to sporting events in Ancient Egypt include fishing, as well as swimming and wrestling. BOOTH: C'mon. No sweat, no sport. BRENNAN: Well. Oh, Boris Spassky at chess. He used to perspire profusely. BOOTH: Why do you gotta make things so complicated? Let me break it down for you, okay? Basketball, football, hockey... that's a sport. Board games, fishing? Not a sport. CAM: No problem going easy on the fried food after this one. (They
SUMMARY: | When the remains of a competitive gamer are discovered in a grease truck, Brennan and Booth are called to investigate the case. The victim, Steve Rifton, is the only active player known in the gaming community to have received a perfect score on a famous video game. Steve turned his success into a lucrative partnership with a gaming referee and charged fans to play on the very machine that gave him the perfect score. But between sour business deals and bitter competitors, the team at the Jeffersonian must work to narrow down the many suspects with motive for ending Rifton's reign as gaming king. Meanwhile, Hodgins, Sweets and Jeffersonian intern Colin Fischer take turns camping out for tickets to a movie premiere. |
fd_Frasier_02x08 | fd_Frasier_02x08_0 | TEXT: ACT ONE Scene One - KACL FADE IN Frasier comes back on the air after a commercial. Roz is reading a magazine in her booth. Frasier: Hi, we're back. Roz tells me we have Chester on the line. [connects] Hello, Chester. How can I help you? Chester: [v.o.] I don't know. I've had a lot of fights with my wife lately. She feels I'm just wasting my life, standing still- Frasier: Spinning your wheels? Chester: Huh? I don't follow. Frasier: Chester, I'm afraid this problem might be just a little too complex for the few seconds we have remaining. Uh, why don't you try to call us back tomorrow, I'll make sure that you get on first thing. Chester: Gee, it's awful tough to get through. Frasier: Well, I'll tell you what, hang tight and when I get off the air I'll pick up and try to help you then. Chester: Take your time. Frasier: O.K., everybody, I've got to scoot. Bulldog's up next after the news with the Gonzo Sports Show. Today's topic: What's wrong with our Seattle Mariners? If you haven't had a chance to voice your opinion on that in the last eighteen years, you'll want to today! So long, all. He goes off the air and comes into Roz's booth. Frasier: Well, Roz, that was a pretty good show! Roz: [distracted] Mmm-hmm. Frasier: Well, what are you reading so intently? Roz: Oh, it's, uh, "Seattle" magazine, it's their "up-and-comers" issue - the hottest hundred men and women in town. Frasier: Oh, let me see. Roz: Don't you want to finish up with Chester? Frasier: Oh, you heard him, he can wait. [flips through it] Roz: If you're looking for yourself, you're not
SUMMARY: | After Frasier admires a woman featured in a magazine article on eligible singles in Seattle, Roz brings them together. They start seeing each other, and travel to Bora Bora for a romantic weekend, only to encounter Frasier's ex-wife Lilith staying at the same resort. |
fd_The_O.C._04x13 | fd_The_O.C._04x13_0 | TEXT: Poolhouse Taylor: Really? Nothing? Ryan: It may not sound like a good idea. It's not a good idea. Taylor: We're dating. We just got back together, in fact, and you're proposing that for Valentine's Day we do nothing. Ryan: No, no. We don't have to spend the night apart. We could just hang out. Uh, see a movie. Taylor: Oh, God, stop. My head is spinning from all of the romance. Ryan: Taylor,this holiday, us, it's a recipe for disaster. Taylor: Why? 'Cause I'm needy? Ryan: 'Cause I've on occasion been known to stalk you? Taylor: There's me, too. Ryan: I'm distant and unemotional. Taylor: And preoccupied. Could we add that to the list? 'Cause it just seems like lately your mind is someplace else. Ryan: Taylor. There's no hidden meaning here. I just feel if we don't put too much pressure on this holiday, we might actually get through it. Taylor: So I shouldn't worry? Ryan: No. Taylor: Not even when I find a suspicious address by your bed? I looked at it when you were in the bathroom. Sorry. Ryan: It's nothing. It's an address.Not the address of some other girl if that's what you're thinking. Look, um, I got to get to work, but I promise you there's nothing to worry about, okay? Taylor: Okay. All right. So we're good? Ryan: Yeah, we're good. Taylor: All right. Motel Taylor: Oh. Frank: Taylor, right? Taylor: So it's you. Generic Motel Taylor: I-I don't get it. Ryan hasn't been to see you at all? Frank: Well, I left a message with him when I,when I switched hotels. I told him I was here in case he wanted to see me, but so far,no luck. Taylor, don't mind me asking... what are you doing here? Taylor: Well, I found this address by Ryan's bed and he's been kind of distant lately, so
SUMMARY: | Ryan and Taylor devise a plan to bring Julie and Frank closer, but Kaitlin tries to keep Bullit in Julie's personal life. Summer begins to have doubts in her relationship with Seth. Kirsten opens up about her past with Jimmy to Sandy as they prepare for their new baby. |
fd_The_Vampire_Diaries_05x05 | fd_The_Vampire_Diaries_05x05_0 | TEXT: [Whitmore College] (Jesse is tied up in Dr. Maxfield's lab) Jesse: Dr. Maxfield, please. Why are you doing this? My insides, they're burning up. I'm hungry (Dr. Maxfield gets closer and speaks in a recorder) Dr.Maxfield: Subject 62547. After his initial transition, 62547 has undergone 3 day without feeding. Subject is weak but lucid. Upper left and right cusped normal after blood stimulus is removed Jesse: What are you doing to me? Dr.Maxfield: Pupils are at full dilation. Sensitivity to light... sensitivity to light an obvious 11 on a scale from one to 10 Jesse: What the hell is happening to me? Why am I so hungry? What are you doing to me? Dr. Maxfield: Subject is confused yet self-aware. Personality seems intact. Hunger remains primary focus. All in all appears to be a perfect candidate (Elena is outside, writing in her diary) Elena: Dear diary, do you ever get sick of me writing about death?It's been 4 days since Bonnie died... or 4 days since I found out Bonnie died. She wanted me to go back to school, so here I am, back at school... studying, going to class, trying to move on like everyone else. Stefan had it easiest. He doesn't even remember Bonnie, not that anybody has seen him except for Caroline, who's back with Tyler. He's been a healthy distraction for her, to say the least... And I've adopted my own distraction... Dr. Wes Maxfield. My roommate was killed by a vampire. Dr. Maxfield covered it up, and I'd like to know why (Dr. Maxfield rejoins her) Dr. Maxfield Welcome back. See you at the costume ball tonight? Elena: I wouldn't miss it (He leaves) Elena: Besides, the more I have to think about, the less time I have to miss Bonnie... (Bonnie is next to her) Bonnie: I'm right here, Elena, and I miss you, too Elena: But in the meantime, I choose to believe that she's watching over me because that's who Bonnie is (Damon rejoins her
SUMMARY: | Elena tries to move on after the revelation of Bonnie's death. Damon and Jeremy develop a plan to return Bonnie to the living by using Silas who is trying to make himself mortal and commit a suicide; a life for a life. But the only way they could bring back Bonnie is by killing Stefan, that's what Silas' offer is. After a public meal Nadia reveals to Katherine that she is responsible for her mother's death in Paris when Klaus' minions came for her. Katherine attacks Nadia in the restaurant and escapes. At the Monster's Ball, Damon kills Stefan to temporarily restore psychic powers to Silas in order to get in Qetsiyah's mind and find the location of a supernatural marker. Believing that Silas is Stefan, Qetsiyah dance with Silas and once his powers are restored he compels Qetsiyah to reveal where the marker is. Qetsiyah divulges that she doesn't know the location of the marker, as the Travelers hid it after they killed her and move it constantly, she is instead looking for an amulet that amplifies her powers. Stefan revives from his most recent snapped-neck and snaps Damon's neck, rushing to save Qetsiyah from Silas. Retaliating, Qetsiyah crushes Silas' heart, though it won't kill him, it will cause him to rot from the inside out. A tense conversation with Wes and Elena ends with him telling her to pack her bags, drop out of school and return to Mystic Falls, stating that they won't see each other again. Meanwhile, Nadia shocks Katherine by telling her that Katherine did in fact killed her mother when she became a vampire as Nadia is Katherine's daughter. With revenge on his mind, Tyler decides to go after Klaus and ends his relationship with Caroline, seemingly for good, in the process. Damon and Elena use Katherine to bring Silas back as a witch, but despite being drained of blood, Katherine revives. |
fd_One_Tree_Hill_05x08 | fd_One_Tree_Hill_05x08_0 | TEXT: [PREVIOUSLY_ON] BROOKE : Here is to our crew and to everyone getting what they want. MOUTH : I'm kinda seeing my boss... Alice is considering me for an on-air position, and those are hard to get. MILLICENT : I'm really glad Brooke set us up. (Mouth receives a text message "kiss her and you're fired. Love, Alice" ALICE : Haven't you learned? You only get off when i do. MOUTH : This is over. ALICE : Then you're fired. HALEY : You're just upset because the talent left your band. (Nathan starts a fight with Jason) HALEY : He's not worth it, okay? Let it go! NATHAN : You're lucky. CARRIE : I'm a little drunk, so in case I said a lot of inappropriate things tonight, I meant all of them. LINDSAY : I know Peyton's the reason you're writing again, and I refuse to be a chapter in that book. LUCAS : Lindsay. Lindsay, wait. LUCAS : I fly to L.A., I ask you to marry me. You said no, so I moved on. Why haven't you? PEYTON : 'Cause I should have said yes. PEYTON'S OFFICE Same scene from 507, Lucas and Peyton are kissing PEYTON : You still love me, don't you? LUCAS : I have to go see Lindsey. INSIDE LUCAS' BEDROOM Same night from 507 Lindsay's sitting on the bed crying, with a luggage beside her. Lucas walk's in. LUCAS : Lindsay? LINDSAY : I'm gonna go to new york, Lucas. I'm not sure when I'll be back. LUCAS : Don't do this. I know you're upset. I know. But you need to believe me when I tell you, you're the girl I love. LINDSAY : Then how come you never
SUMMARY: | Peyton admits her true feelings to Lucas. Brooke makes a play for Owen and Mouth tries to convince Millicent he's a better man than she thinks he is. Haley wrestles with whether or not to reveal information that could ruin Lucas' relationship, and Nathan is put in a position that could spell the end of his marriage. Lucas and Skills face the coaching prospect of playing their season opener at a disadvantage. |
fd_Roswell_01x11 | fd_Roswell_01x11_0 | TEXT: "Into the Woods" 12th Episode of Roswell Production Code: 1ADA11 [SCENE_BREAK] (Episode starts with a scene of two people making out in the back of a truck in the woods. There is a lot of lightning flashing in the sky, along with a bright white light) (Scene switches to the Crashdown, where the lights die off for a brief instant due to the lightning storm outside. Liz has a cold and is taking some echinacea to combat it) Voice-Over: I hate the start of a cold. That little tickle that tells you something's about to happen that you know you can't prevent, something that could be mild if you do all the right things, or could knock you off your feet if you're not careful. Liz: You're late. Maria: Liz, today is the first day of the rest of our lives. Liz: Spending time with your mother again? Maria: No, I mean it. Aren't you tired of being a slave to men? Liz: Definitely your mom. Maria: Tired of spending every waking moment pining over them, just for us to get our hearts crushed in the end. It is time to branch out, to explore other possibilities. You and me babe, together. (Maria opens up her uniform to reveal a navel ring) Liz: Maria, what are you... Maria: Ta-da! Liz: Oh, my God! Maria: We are turning over a new leaf. We are enjoying our wild and crazy years to the fullest. You know, having fun for a change. Liz: Yeah, but skewering my navel is not exactly my idea of fun. Maria: Yeah, relax, honey. You think I'd let anyone get near me with a needle? (Liz sneezes) Maria: You still pumping that echinacea I gave you? Liz: Yes, like 4 times a day. Jeff: Hey, could one of you give me a hand over here? Liz: Sure. (Liz walks up to her father wearing Maria's fake ring on her nose) Jeff: Oh, my god! Liz: Don't
SUMMARY: | Max uses his powers to save his adopted mother from a fire, forcing him and Isabel to consider telling their mother about their true origins. |
fd_NCIS_02x09 | fd_NCIS_02x09_0 | TEXT: INT. LIVING ROOM - NIGHT (WOMAN SCREAMS ON T.V.) LAURA ROWANS: Keep screaming, honey. That way the monster will never find you. [SCENE_BREAK] INT. KITCHEN - NIGHT (SFX: REFRIGERATOR DOOR OPENS) (SFX: GLASS CRASHES TO THE FLOOR) JEREMY: Boo! (SFX: LAURA SCREAMING) (LAURA RUNS FROM THE KITCHEN TO THE LIVING ROOM) JEREMY: Shh! Shh! We don't want to wake the neighbors now, do we? No rough stuff yet. This is gonna be good. Whoa. Hey! Easy now. Easy. Easy. Please don't...! (SFX: GUNSHOTS B.G.) (SFX: JEREMY COUGHS) (CUT TO BLACK) (THEME MUSIC UP OVER OPENING TITLE/ SCENES/ CREDITS AND OUT) MUSIC IN: EXT. BASE HOUSING STREET - DAY GIBBS: Break out the gear. I'll coordinate with the MPs. You drink that, DiNozzo, you're dead. TONY: Just my luck. One more hour and we'd have been off duty. KATE: Got big plans today, Tony? TONY: Well, it is Saturday, Kate. What do you think? KATE: Oh, you have a date with a girl who can't spell her last name? First name? TONY: Oh, I... no, I was supposed to volunteer at the Eighth Street soup kitchen today. KATE: You help feed the homeless? TONY: Don't be so surprised. KATE: Sorry, I just never pictured you as the volunteer type. TONY: Yeah? There's a lot about me you don't know, Kate. KATE: You're right. I'm actually impressed for once. TONY: Coffee, Probie? It looks like you can use it. MCGEE: Oh, thanks, Tony. TONY: Don
SUMMARY: | A Marine's wife shoots an intruder in self defense when he enters her home during the night and is about to rape her but things change when Gibbs and the team uncover evidence suggesting that she might have lured her supposed attacker to her home under the guise of a date. When Abby discovers the wife didn't send the messages, the case becomes much stranger than they ever expected. |
fd_The_Originals_02x11 | fd_The_Originals_02x11_0 | TEXT: [PREVIOUSLY_ON] Vincent/Finn: You mean you don't recognize me? Klaus: It's been a long time, Finn. Klaus: Hayley and I will return home. Elijah will remain here with you. He's been experiencing some side effects since his ordeal as our mother's captive. Hayley: You ready to do this thing? Get hitched? Jackson: It's a mystical unification ceremony. Hayley: You wolves are here because you want freedom. Marcel: My vamps and I are willing to stand with you against the witches. Finn: You're brokering a truce. Kol: Did he really just trap us all in here? Aah! Finn: Those vampires even attempt to feed, they'll find themselves unable to stop. Kol: What Davina and I can do is cast a disruption spell. It'll give us 60 seconds to escape once the boundary is shut down. Hayley: (steps forward) Okay, Jack, now! Jackson: Come on, go! Klaus: Slight change of plans, brother. Davina: (to Klaus) They'll kill him. Klaus: He should've thought about that before he betrayed our sister. Klaus: Yaah! Barrier's back up. (The vampires, realizing they can go back out in the sunlight, start to swarm around Kol) And those vampires look oh-so hungry. [SCENE_BREAK] [ ST. ANNE'S CATHOLIC CHURCH / MIKAELSON COMPOUND ] (A woman covers up all of the statues inside the church with red satin sheets. Outside, children wearing red and white run through the street carrying flags, while adults, also clad in red and white clothing, mingle on the sidewalks. A parade of parishioners march up the main street in white and red robes, some carrying their own statues covered in red sheets. Among the crowd is Klaus, who is rushing down the street while he talks to Marcel on his cell phone.) Klaus: I've searched the entire French Quarter. Finn has vanished. I can't remove the barrier that has you trapped until
SUMMARY: | Armed with more power than ever, Vincent creates an elaborate spell that allows him to take the upper hand and trap his brothers Klaus and Elijah. Realizing that Kaleb is also in trouble, Davina has no choice but to team up with the Originals to help. After the deadly events in the previous episode, Marcel must try to calm his volatile pack of suffering vampires, while remembering his days as a solider during World War I when his leadership skills were equally brought to the test. Finally, Hayley finds herself conflicted when she learns that she and Jackson must participate in extreme and unconventional rituals prior to their wedding, which will put them both in a dangerous position. |
fd_The_Office_02x22 | fd_The_Office_02x22_0 | TEXT: Michael: Tonight the Scranton Business Park is having Casino Night and we are converting our warehouse into a full-blown gambling hall. And I know it's illegal in Pennsylvania, but it's for charity. And I consider myself a great philanderer. It's just... It's nice to know at the end of the day, I can look in the mirror and say, "Michael, because of you, some little kid in the Congo has a belly full of rice this evening." Makes you feel good. [SCENE_BREAK] Jim: Excuse me. How long is the wait for a table for two? Dwight: I would never, ever serve you. Not in a million, billion years. Pam: It's a nice tux. Dwight: I know. It belonged to my grandfather. He was buried in it, so family heirloom. [SCENE_BREAK] Roy: So, what's the deal? We gotta pay for our own drinks? That's lame. Pam: Come on, it'll be fun, and besides, I'm a roulette expert. Dwight: Impossible. Roulette is not a game of skill, it is a game of chance. Jim: I can always kind of win at roulette. Dwight: Oh, really? Mmm-hmm. Jim: Yeah. Dwight: How would you do that? Jim: Mind control. Dwight: [laughs] You can't be serious. Are you serious? Jim: Ever since I was a little kid, like, eight or nine, I could sort of control things with my mind. Dwight: I don't believe you. Continue. Jim: It was just little thing, you know, like I could make something shake or I could make a marble fall off the counter. You know, just little things. Dwight: [scoffs] That's ridiculous. You know what? Uh... Why don't you move that coat rack? Excuse me, everyone! Attention in the office, please. Jim is about to prove his telekinetic powers and he needs absolute silence. Go ahead. Jim: Okay, I'll try. [The coat
SUMMARY: | Michael organizes a casino night for charity, but inadvertently invites two dates, his boss Jan Levinson and his realtor Carole Stills. He ends up beginning a relationship with Carol. Jan reacts calmly, but later leaves early with an overnight bag, revealing that she had intended to stay with Michael. Jim considers transferring to another branch, but is hesitant to say exactly why. At the casino night, Jim finally reveals to Pam that he is in love with her. At first, Pam claims that she does not feel the same, but later the two share a kiss. |
fd_Doctor_Who_08x04 | fd_Doctor_Who_08x04_0 | TEXT: [ GADGETS CLICK ] The Doctor: (quietly) Listen! [SCENE_BREAK] [TARDIS] The Doctor: Question. Why do we talk out loud when we know we're alone? Conjecture. Because we know we're not. Evolution perfects survival skills. There are perfect hunters. [ ROARING ] The Doctor: There is perfect defence. Question. Why is there no such thing as perfect hiding? Answer. How would you know? Logically, if evolution were to perfect a creature whose primary skill were to hide from view, how could you know it existed? It could be with us every second and we would never know. How would you detect it, even sense it, except in those moments when, for no clear reason you choose to speak aloud? What would such a creature want? What would it do? Well? What would you do? [ HE LAUGHS CHALK ROLLS SHE SIGHS CHATTER AND LAUGHTER SHE SIGHS ] [Restaurant] Danny: Hey. Clara: Hey. Sorry. So the famous drink at last. Danny: Yeah. Took a bit of time, family stuff, but here we are. Clara: Dinner, in fact. Danny: Yeah, straight to dinner. Clara: I like a man who moves fast. Danny: Yeah? I might go straight for extras. Afters. Dessert. Clara: Yes, I know, I know, dessert. Danny: Straight to dessert. Clara: Gotcha. Danny: So, er, how was your day? Clara: Good. You know. Teaching. Danny: Yep, teaching. Clara: Teaching, teaching. Danny: Totally teaching. Clara: We probably shouldn't talk about work. Danny: God, yeah. [ THEY LAUGH ] Clara: Though, do you take Courtney for anything? [ HE LAUGHS ] Danny: Are you serious? Clara: She said she couldn't concentrate on her work, because my face was too wide. Danny: Wide? Clara: I could kill that girl some days. Danny: Me too. Clara: And from you, that means something. Danny: Sorry? I dug twenty three wells.
SUMMARY: | After a failed date with Danny, Clara returns to her home to find the Doctor awaiting her. He seeks a creature he believes has perfected its ability to hide and is related to a childhood fear everyone has of a hand grabbing someone's leg from under the bed. Clara tries to home in on her childhood using the TARDIS' telepathic circuits, but lands at the children's home where Danny, as a boy called Rupert, grew up. The Doctor comforts Rupert from his fear when an something under his bed spread scares him. After failing to apologise to Danny on the date, Clara is beckoned back to the TARDIS by time traveller Orson Pink. Clara is taken to the end of the universe where Orson's ship was stranded and the Doctor attempts to observe the hiding creature. When something on the ship knocks the Doctor out, Clara triggers the TARDIS' departure to a barn, where she finds a crying child. Hiding beneath the bed, she realises that the child is the Doctor. When the boy gets up, Clara accidentally grabs his leg. She comforts him with the Doctor's previous advice to Rupert. Orson is returned home, and Clara and Danny reconcile. |
fd_Doctor_Who_1963_08x17 | fd_Doctor_Who_1963_08x17_0 | TEXT: COLONY IN SPACE BY: MALCOLM HULKE 6:10pm - 6:35pm [SCENE_BREAK] 1: INT. LEESON'S DOME (MORGAN looks up at the DOCTOR.) MORGAN: So what do you think happened? DOCTOR: Well, I think the whole thing has been faked by someone who wanted to frighten the colonists away. MORGAN: Well, these claw marks, I mean, something made them. DOCTOR: Yeah, they could have been faked by some sort of mechanical device. (MORGAN stands up and operates the remote control for the ROBOT.) MORGAN: You mean with something like this? (The ROBOT glides into the room. In place of the two metal hands are two mock "monster" hands - complete with razor sharp claws. The DOCTOR spins round.) DOCTOR: Yes, yes - exactly like this! MORGAN: By the time they find you, the monster will have claimed another victim. (The DOCTOR turns back to MORGAN and is about to jump him but the miner is too quick and raises his gun.) MORGAN: Keep back! Purely business, you understand. Nothing personal... DOCTOR: Now, if you fire that thing...you'll spoil your whole story. Monsters don't carry guns! (MORGAN moves his gun-carrying hand towards the remote control. With a cry and a karate kick, the DOCTOR knocks the implements out of the assassin's hands and then chops the man flying into a cupboard. MORGAN is half-stunned but recovers enough to run out of the dome. The DOCTOR backs away from the flailing arms of the ROBOT. He crouches down to the floor and edges to the dropped remote control. He manages to reach it and smashes it against a wrecked table. The ROBOT falls quiet and a relieved DOCTOR gets to his feet.) [SCENE_BREAK] 2: INT. MAIN DOME. ENTRANCE HALL (JO wearily
SUMMARY: | The Doctor makes it back to the colony and warns Ashe what Dent is up to but when Jo and Winton try to find proof they are captured. |
fd_Charmed_01x09 | fd_Charmed_01x09_0 | TEXT: [Scene: Salem, Massachusetts, 1692. A turnkey opens a cell in a jail. Matthew walks in.] Melinda: Matthew. Matthew: Hello, Melinda. Melinda: Why? Why did you betray me? Matthew: You got what you deserved. Melinda: So you've never loved me? All the passion, all the heat? Matthew: I had to make you trust me. It was the only way to share your powers. Melinda: And so now you have them. So why would you turn me in? You know I'll burn. Matthew: I had to keep my secret. Melinda: Well, you can keep your trinkets too. (She pulls off a locket that was around her neck and throws it at him.) Matthew: I'll find another witch to give it to. (He opens the locket.) Melinda: Maybe not. (He takes out a little piece of paper and it catches on fire. He throws it on the ground.) Matthew: What magic is this? Melinda: I'm taking back the powers you stole from me. "Outside of time, outside of gain, no only sorrow, no only pain." (It gets really windy and Matthew gets sucked into the locket.) [Scene: Bucklands. Prue's office. Rex puts some jewellery on Prue's desk. He picks up the locket and tries to open it. Prue walks in.] Prue: Rex? Rex: Ah, good morning, Prue. I've, uh, left a few things for you to catalogue. A marvelous shipment from an estate back east. Prue: I'll get right on it. Rex: Thanks. (Rex leaves. Prue sees the locket and picks it up. She opens it. The door slams shut and Matthew comes out of it.) Matthew: At last, freedom. The world has changed. What time is this? Prue: Excuse me? Matthew: Where am I? Prue: Who are you? Matthew: Matthew Tate, and if you freed me from that locket you
SUMMARY: | After Prue accidentally releases a warlock that was trapped inside an old curse, she ultimately gets attacked by him. She, Piper, and Phoebe then have to call upon the witch who bound him in the curse that held him for centuries: their ancestor Melinda Warren, before he can attack them for their powers, especially after he gains a pair of unlikely allies. Meanwhile, Piper works up the courage to ask Leo out, and Andy gets frustrated by Prue always showing up at the crime scenes where bizarre occurrences take place. |
fd_Doctor_Who_1963_16x09 | fd_Doctor_Who_1963_16x09_0 | TEXT: THE STONES OF BLOOD BY: DAVID FISHER Part One Running time: 24:20 [SCENE_BREAK] DOCTOR: Right, let's put these two together and go and find the third. Er. Oh, I see. ROMANA: Here, let me do it. DOCTOR: What? ROMANA: I used to be rather good at puzzles. DOCTOR: Puzzles? You don't call that a puzzle, do you? ROMANA: Well, hardly complex enough to be called a puzzle, is it. DOCTOR: It certainly isn't. ROMANA: Look, shouldn't we be getting on? We've only got two segments. Why don't you go and find out where our next destination is? DOCTOR: Right. DOCTOR: Ahem. Romana, I've just decided to go and find out where our next destination is. ROMANA: Oh. [SCENE_BREAK] ROMANA (OOV.): Well? DOCTOR: Have I got a treat in store for you, Romana. ROMANA (OOV.): Really? DOCTOR: Yes. ROMANA (OOV.): Better than Calufrax, I hope. DOCTOR: Oh, much better than Calufrax. You'll love it, I promise you. You'll love it. [SCENE_BREAK] DRUIDS: Cailleach, Cailleach, Cailleach, Cailleach. DRUIDS: Cailleach, Cailleach, Cailleach, Cailleach, Cailleach! MARTHA: Come, o great one, come. Your time is near. [SCENE_BREAK] ROMANA (OOV.): Not yet! DOCTOR: Oh, sorry. Not yet. Not yet? What does she mean, not yet? What do you mean, not yet? ROMANA (OOV.): I'm not ready yet. DOCTOR: Oh. Oh, sorry. ROMANA: Well, how do I look? DOCTOR: (without looking) Ravishing. ROMANA: That's not what I meant. I mean
SUMMARY: | In their search for the 3rd segment of the key to time, the Doctor and Romana land on Earth at a Stonehenge type site where worshipers are engaged in their practice and people are being killed by unknown causes. While en route the Doctor and Romana hear a strange voice that says 'Beware the Black Guardian". |
fd_One_Tree_Hill_08x10 | fd_One_Tree_Hill_08x10_0 | TEXT: [PREVIOUSLY_ON] CLAY: We should probably make this Agent thing official. Just get me your college transcripts, and I'll set it all up. NATHAN: I never graduated. CLAY: You've got to have a college degree to do this. So I think you should go get those credits. MIA: Oops, didn't realize you already scored. My bad. ALEX: With Chase or in the game? BROOKE: They're fighting over Chase. JULIAN: I know who he likes. CHASE: I think I should just be by myself for a while. GROUND CLOSE TO A LAKE Brooke and Julian marry in front of their friends. They all are equipped with way countries BROOKE(Voice-over): Okay, Brooke Davis, this is it, the day you've always dreamed about. Don't cry. You still have pictures. And don't trip. You'll ruin your dress. JULIAN: You look real pretty, baby. QUINN: All right, y'all, say cheese. JULIAN: Cheese! FARMER: All right, y'all, we're fixin' to watch... Brooke and Julian get hitched. HALEY: Whoo! JULIAN: Yeah! Whoo! FARMER: Now, where'd those rings run off to? BROOKE: James Lucas Scott, are you drinking a beer? JAMIE: What kind of backyard hootenanny and pig roast would this be without it? BROOKE: Pig roast? JULIAN: Yeah, that's right, baby. Remember, we got the edible-ring-bearer special to save money? BROOKE: This is not my wedding. JULIAN: It sure is, and I think it's time you accept it. ALEX: Whoo-hoo-hoo-hoo! Whoo-hoo-hoo! JULIAN: Yeah, baby! Let's forget about the ceremony and drink to the honeymoon. (Laughing) BRULIAN'S HOUSE Brooke makes a nightmare. NALEY'S HOUSE
SUMMARY: | Julian tries to get Brooke to complete a list of dreams that Millicent made for her back when she had her company, including skydiving and a James Bond marathon. Haley sets up a concert at TRIC featuring musical guest star, Kid Cudi, whom Erin is the opening act for, while Mia & Alex do friendly "celebrity bar-tending" competition to see who has more fans in Tree Hill. Nathan takes a business class at a university to complete his left out credits to become a full-time agent with Clay. Jamie helps his father by tutoring him and helping him remember parts of the book he's studying. Meanwhile, Quinn sneaks out of town to visit Dan to get his help in finding and killing Katie, but decides against it while driving back home and throws the gun in the river. Elsewhere, Katie makes her way back to Tree Hill after learning that Quinn and Clay are still alive. This episode is named after a song by the band A Sunny Day in Glasgow . Opening theme song performed by Aimee Mann . |
fd_Childrens_Hospital_05x02 | fd_Childrens_Hospital_05x02_0 | TEXT: Narrator: Previously, on "Childrens Hospital"... Blake: Dori, that was a little intimate. Dori: Oh, I don't think I'll get pregnant from that. Blake: Let me guess. You're pregnant. Dori: Yeah. I'm sorry. Sy: We are going to oversee the opening of a clinic on a U.S. army base in Japan. Owen: No! Dori: What? That is so complicated. Glenn: Do you remember Detective Chance Briggs, Owen's former partner on the police force? Cat: Uh, I think so. What, he has brown hair and a mustache? Briggs: Anybody up for a mustache contest? I win. Cat: What about him? Glenn: I don't know. Just something to keep in mind, I guess. [ Mid-tempo music plays ] 5.02 - Triangles Sal: Attention! Staff, that is all. Owen: Hey, Dori. Where you headed? Dori: Oh, I'm taking Willy into the city. He's never had soup noodles. Owen: Oh. Well, Osaka is a very dangerous town. I could be your escort. Who knows? We might even enjoy each other's company. I've been told I make a pretty great escort, like the Ford Motor Corporation. Dori: The Escort was discontinued in 2003. Owen: Right. Got me good. [ Chuckles ] You are so smart. Dori: Blake! Um, I'm taking our son into the city. Did you get my e-mail? Blake: Uh, I don't know. I don't really open e-mails from people like you. I mean, I'm a doctor. You get it. Dori: Oh, yeah, yeah, yeah. Owen: Love those bangs. Dori: Oh. Blake: Hey, listen. Um, here's 30,000 yen. I mean, buy him a taco or something, okay. Willy: Want to come into the city with us, Mr. Dad? Blake: Well, I would, because we're technically family, but, I mean, you get it
SUMMARY: | Blake's son Willy witnesses a murder and it's up to detective Chance Briggs to save the day and also have a lot of sex. |
fd_The_Originals_01x17 | fd_The_Originals_01x17_0 | TEXT: KLAUS: [voiceover] They say the passage of time will heal all wounds, but the greater the loss, the deeper the cut, and the more difficult the process to become whole again. The pain may fade, but scars serve as a reminder of our suffering, and make the bearer all the more resolved never to be wounded again. So, as time moves along, we get lost in distractions. Act out in frustration, react with aggression, give in to anger. And, all the while we plot and plan as we wait to grow stronger, and before we know it, the time passes. We are healed. Ready to begin anew. KLAUS' PAINTING ROOM GENEVIEVE: [lays lazily on the couch] Spoken like a man who's made peace with his demons. KLAUS: [buttons his shirt] My demons are dead, or chased off. ELIJAH: [enters the room and glares at Genevieve] Yes, apart from the one lingering monster with whom you share a bed. [He holds out her heels in his hand] I trust you can find your clothing and the door. [Genevieve stands up, takes her heels from him, and leaves the room] ELIJAH: [annoyed] You do recall that woman tortured our sister? KLAUS: She also revealed the truth about our sister's treachery. ELIJAH: And as a consequence, Rebekah is gone forever. KLAUS: A desire which she apparently harbored for quite some time! ELIJAH: Niklaus, it has been a month. Now, I feel our sister's loss as deeply as you. But, you must stop distracting yourself with this ridiculous behavior and channel it into some kind of action. KLAUS: [grabs a paintbrush and returns to his art] Why must I, exactly? ELIJAH: Because over the course of Marcel's tenure, the city grew accustomed to having a king. You wanted this throne. Now, you must accept the responsibility that accompanies that. KLAUS: [begins to paint, only half-paying attention to him] Apologies
SUMMARY: | After accusing Klaus of doing nothing while their control over the Quarter crumbles, Elijah makes a move to take matters into his own hands. He receives an intriguing offer of support from Francesca, a beautiful woman from a powerful New Orleans family. In an attempt to bring the warring factions of the city together, the Mikaelsons throw an extravagant party, where Klaus offers Jackson a tempting deal, Elijah and Hayely share a dance, and a violent fight comes to a surprising end. Finally, even as Marcel works on a new path to power, he continues to help Cami deal with her Uncle Kieran's tragedy. |
fd_Roswell_02x17 | fd_Roswell_02x17_0 | TEXT: "Cry Your Name" 39th Episode of Roswell Production Code: 2ADA17 [SCENE_BREAK] (Episode begins with a recap of recent events by Maria.) Maria: (in front of chalkboard - erases the word PROM) I told you. Prom sucks. Take Liz for example. She totally thought that prom would be the perfect opportunity to rekindle things with Max. No. And Kyle. He thought he'd finally get closer to Tess, as in a lot closer, until he realized that his feelings for Tess were a little more sibling than s*x kitten. Strike two. But, there is a silver lining to this gray cloud of prom disasters - Alex. He came back from Sweden a new man and Isabel finally noticed. And I think with a little help from Liz and myself those two crazy kids might actually find true love. [SCENE_BREAK] (Alex, Maria, and Liz are in Alex's bedroom.) Alex: (on the phone, guitar in hand) Yeah, it was a great night for me too. Isabel: (on the other end of the phone) Yeah, so what are you doing tonight? Alex: (looks to Maria and Liz) Tonight? (Liz and Maria shake their heads no.) Alex: I can't do tonight. Isabel: Why? Alex: I have a..d'aa.(looks to Maria and Liz for an excuse) Liz: (whispers) Study.study. Alex:.I'm studying. Isabel: Alex, an A is the best you can get. Alex: Yeah I know, but I.I got a.I got a monstrous final in.a.(looks to Maria and Liz.) Liz hands Maria a book and Maria points to it. Robert Frost? Maria shakes her head and mouths something to Alex. English.Eng.English.yeah, killer final. Uh, Mr. Brazzi's really puttin' the screws to us. Isabel: Well, if you'd rather stay in studying and not come out and play with me. Liz: (flex's her muscles with Maria, whispers) Stay strong
SUMMARY: | Jim Valenti informs the kids that Alex was killed in a suspicious car accident. When the investigation into the car accident leads Valenti and Max to believe that Alex committed suicide, Liz refuses to believe it and begins her own investigation. |
fd_Dawson_s_Creek_04x09 | fd_Dawson_s_Creek_04x09_0 | TEXT: [Scene: Dawson's Bedroom. Camera Pans across as female lying in Dawson's Bed from behind, and slowly around to Dawson who is sitting on the floor in front of the bed and the are watching a video tape. The camera turns and we can see that the woman is Gretchen.] Dawson: Wow. Gretchen: "Wow. Look at the hidden treasure I've unearthed"? Or "wow. There's 87 minutes of my life I'd like back"? Dawson: I wanted to hate it. I really did, but I-- I can't. This--I mean, this is the... Heartbreaking work of a staggering genius. Gretchen: Wait a second. Are you trying to tell me that Turn Away, My Sweet is the product of a genius? Dawson: As much as it pains me, yeah. Gretchen: I don't know, Dawson. All I saw was some formula gangster movie. I mean, I'm still picking the pulp out of my teeth. Dawson: Yeah, it was pulpy, and it was by-the-numbers, but underneath all the hard-boiled sturm and drang was this great big thumping heart. I mean, this is a love story masquerading as a genre piece. Gretchen: Dawson, the girl hired the guy to kill her. How is that a love story? Dawson: Because just when she had given up on love, he came into her life. Gretchen: Yeah, and he tried to kill her. Dawson: Right, but he couldn't because he fell in love with her. Right when she'd given up and stopped looking, she stumbled into her own fairy tale. It's brilliant. Gretchen: I don't know. If you ask me, Tarentino does this stuff a lot better and in color. Dawson: Oh, ho! And now you're completely proving my point even more for me. Gretchen: Which is? Dawson: A.I. Brooks was way ahead of his time. Gretchen: I like you like this. Dawson: Dare I ask what "this" is? Gretchen: Passionate, opinionated, irritating
SUMMARY: | Dawson asks Mr. Brooks' advice on becoming a director. Mr. Brooks gives Dawson some insight on his past and why he is the way he is. Joey takes Pacey to a dinner hosted by an exclusive college. She is a nervous wreck but Pacey saves the day. The Leery's host a Christmas party which provokes well hidden feelings between Dawson and Gretchen to surface. Joey and Pacey arrive late at the party and witness a kiss between their friends. Jen hasn't filled out a single college application, and Jack is concerned. Grams, who hasn't spoken to Jen since the incident with Andie, has an idea to get Jen's college applications in on time and enlists Jack to help with her plan. |
fd_Doctor_Who_1963_04x34 | fd_Doctor_Who_1963_04x34_0 | TEXT: THE FACELESS ONES by DAVID ELLIS and MALCOLM HULKE first transmitted - 29th April 1967 running time - 24mins 28secs [SCENE_BREAK] 1. CHAMELEON PLANE'S FLIGHT DECK (ANN DAVIDSON comes back onto the flight deck.) ANN DAVIDSON: All set. BLADE: Good. (BLADE switches on a monitor above his head, and CROSSLAND, still clamped helplessly in his chair, looks down the long central aisle, with row upon row of young passengers on either side. They sit docilely in their places, seat-belts fastened, waiting for take-off. BLADE turns to CROSSLAND and smiles.) BLADE: You wanted to know the secret of Chameleon Tours. Well Inspector, see for yourself! (BLADE turns a control in the control panel in front of him. CROSSLAND stares at the monitor in unbelieving horror. Suddenly the rows and rows of seats are empty. The entire plane-load of passengers has disappeared!.) [SCENE_BREAK] 2. CHAMELEON TOURS' HANGAR (JAMIE kneels down by the DOCTOR, desperately trying to revive him while the episode titles are shown. He has just decided to give up and carry the DOCTOR somewhere he can get help when he becomes aware of someone standing over them. It is SPENCER, a ray gun in his hand.) JAMIE: Doctor! SPENCER: He's dead! You're coming with me. (JAMIE shakes his head.) JAMIE: I'll not leave him. SPENCER: You have five seconds to change your mind. JAMIE: You'll have to kill me then. SPENCER: I said five seconds. Five, four, three... (JAMIE sees SAMANTHA coming through the door of the hangar. She takes in the situation instantly, swings round to a pile of oil-cans by the door and gives the bottom of the cans a mighty kick. The pile of cans falls with a tremendous clatter...) JAMIE: SA
SUMMARY: | When Spencer attempts to kill them, the Doctor, Jamie and Sam become convinced Chameleon Tours are hiding something and Sam decides to book a ticket on one of their flights. |
fd_FRIENDS_02x09 | fd_FRIENDS_02x09_0 | TEXT: Originally written by Jeffrey Astroff and Mike Sikowitz Transcribed by Josh Hodge. Minor additions and adjustments by Dan SIlverstein. [Scene: Monica and Rachel's apartment. Monica, Rachel, Ross, and Phoebe are there. Phoebe is looking out the window.] PHOEBE: Ooh, ooh, ooh, ooh, ooh. Ugly Naked Guy is decorating his tree. Oh my God, you should see the size of his Christmas Balls. [Chandler and Joey enter.] JOEY: Hey. CHANDLER: Hey. RACHEL: Hey. JOEY: Hey, how much did you guys tip the super this year? CHANDLER: Yeah, we were gonna give fifty, but if you guys gave more, we don't wanna look bad. MONICA: Oh, actually this year we just made him homemade cookies. CHANDLER: And twenty-five it is. JOEY: You gave him cookies? MONICA: Money is so impersonal. Cookies says someone really cares... Alright, we're broke, but cookies do say that. PHOEBE: I can see that. A plate of brownies once told me a limerick. CHANDLER: Phoebs, let me ask you something, were, were these, uh, funny brownies? PHOEBE: Not especially. But you know what, I think they had pot in them. ROSS: So you guys, who else did you tip with cookies? RACHEL: Uhh, the mailman, the super. [There's a bang at the door.] MONICA: Oh, and the newspaper delivery guy. [Joey opens the door and picks up the remnants of the newspaper. JOEY: Oh my God. RACHEL: What? JOEY: Uhhh, I don't think you're gonna like this. [Joey shows them the torn-up newspaper.] RACHEL: Ooh, goooosh, ooh, these are cookies smashed in the
SUMMARY: | At Christmastime, Monica, strapped for cash, tips people using home-baked cookies, receiving mixed reactions. Phoebe discovers that the framed picture of her father that her grandmother keeps in her apartment is actually the photo model. She tries locating her real father, then decides she is unready to meet him. Chandler and Joey delayed Christmas shopping and scrounge gifts from a gas station. To win back Rachel, Ross asks her to make a list about him, then is offended when she calls him obsessive, among other things. |
fd_Doctor_Who_1963_06x09 | fd_Doctor_Who_1963_06x09_0 | TEXT: THE MIND ROBBER BY PETER LING 5:20pm - 5:40pm [SCENE_BREAK] HEART OF THE LABYRINTH (This room is a large cave at the centre of a labyrinth of tunnels. Although not seen in this scene, the room is lit by a number of candles mounted in candelabras set into the walls. We first see the Medusa's head in close up, snakes writhing about her head, then we cut to The Doctor and Zoe who are huddled close together, the Doctor's arm around Zoe's shoulder. They stare off into space, their eyes averted from the Medusa, which is approaching. They can hear the hiss of the many snakes on her head.) DOCTOR: (Urgently.) Don't look in her eyes. Don't look. The Medusa doesn't exist, you must believe that. ZOE: (Panicked.) I can feel her fingertips, like ice. DOCTOR: No, no, that's marble. Think of her as a marble statue. A legend. ZOE: But she's real. I've got to look at her, I've got to. [SCENE_BREAK] CASTLE INTERIOR (This room consists of two linked areas. The first is a bare white room roughly square in shape. It contains an arched window in the centre of the back wall. To the right of this window is an small arched exit. To the left of the window is a large square arched opening with a step leading down into the second area. The second area is where Jamie is standing by the teleprint machine, reading. This area contains a number of machines.) JAMIE: (Reading.) "One glance from her eyes would turn them to stone. But all was not yet lost. Suddenly the Doctor found a sword at his feet, picked it up, and with one stroke, slew the monster." (He looks up and stares off into the distance, deep in thought.) [SCENE_BREAK] HEART OF THE LABYRINTH (The Doctor
SUMMARY: | The Doctor, Jamie and Zoe reach the citadel at the centre of the land, where they finally encounter the Master of the Land of Fiction. |
fd_The_Vampire_Diaries_06x03 | fd_The_Vampire_Diaries_06x03_0 | TEXT: [PREVIOUSLY_ON] Damon's gone! Alaric will compel away any memories I had of Damon and me being together. Tyler and Stefan are on board. Just take it away, please. Vampires can't get into Mystic Falls. They can lurk around the borders. Aah! No! Caroline compelled her to forget Elena attacked her. It's not a big deal. Matt: You're from Mystic Falls? One of the founding families actually. Any final words? [Screaming] Damon: Where the hell are we? Bonnie: 1994. We got here by magic. Magic should be able to get us out. Look who got 27 across. I didn't finish this. Well, neither did I. There's someone else here. Stefan didn't say good-bye. Damon and Bonnie died, and he just left. Let her go. [ IN SAVANNAH, GA ] ( Stefan drives up into his job, parks and walks into the garage. His boss is underneath the car and he's fixing it. ) Dean (Boss): Ain't a parking lot, kid. Stefan: Yeah, well I'm not here to work. Need a few days off. Dean: It looks like I need a new mechanic. ( Stefan pulls Dean from underneath the car. ) Stefan: I said, I need a few days off. Dean: Are you slow? Let me simplify: Stay, keep the job. Leave, lose it. ( Stefan yanks Dean up by his collar and then holds him above ground by his neck. ) Dean: How the hell are you so strong!? Stefan: You hired a vampire, next time do a background check. ( Stefan looks into his eyes, compelling him. ) Stefan: Now, shut up and don't move. (He sets his boss on the ground and Dean is still.) You have no idea how long I wanted to do that. See, I was trying to...get a fresh start, live a normal life, normal job, normal dick of a boss. That's you by the way, and this place was supposed to be my sanctuary. And it was until yesterday. (Stefan pull
SUMMARY: | Still reeling from Enzo murdering his girlfriend Ivy, Stefan compels his boss at the auto repair shop to give him a few days off so that he can hunt him down. Meanwhile, Elena seems over the top ecstatic since Alaric compelled her to forget all of her Damon memories. Stefan appears at Whitmore College, surprising Elena, who has just invited Liam to the party at the swimming hole. In the parallel dimension, while Bonnie and Damon are discussing the mysterious crossword puzzle incident during grocery shopping, more strange things happen-food items missing from shelves; the merry-go-round is activated; Damon's car appears in the parking lot, all which lead Damon to discover someone named Kai. In the other world, Stefan attempts to confront Enzo, but Enzo thwarts him and kills a vampire hunter who had followed them into the woods. Kai reveals that he has been following Damon and Bonnie, right before he announces that he wants to kill Damon just as Damon takes a drink of bourbon laced with vervain. Bonnie saves Damon by regaining her magic, and she and Damon capture Kai, who later admits that he faked the attempted killing of Damon to motivate Bonnie to regain her magic. Jeremy's latest fling Sarah disappears. In a diner, Tripp Fell stabs Enzo with a syringe filled with vervain, which Enzo shakes off, right before Stefan stakes him. |
fd_The_Big_Bang_Theory_06x21 | fd_The_Big_Bang_Theory_06x21_0 | TEXT: Scene: The apartment. Sheldon: Oh, dear. Penny, have you been recording shows on our DVR again? Penny: No. Sheldon: Answer honestly. This is not a trial. That'll come later. Penny: Absolutely not. Help me out here, I can't afford another demerit. Leonard: Yeah. Uh, maybe we were hacked. You know, the Chinese have been hacking everything lately. Sheldon: Why would the Chinese make our DVR record Paul Blart: Mall Cop? Leonard: I don't know. It's a fat guy on a Segway. That's funny everywhere. Sheldon: I'm deleting it. Penny: Well, hang on. Maybe the Chinese haven't finished watching it yet. Leonard: You know, if you're trying to make space on the DVR, why don't you just get rid of some of the stuff you've already watched? Like, um, Alphas. Sheldon: No, that's the season two finale. That was quite the cliffhanger. I'm going to re-watch it before season three starts. Leonard: There is no season three. They cancelled that show. Sheldon: Well, they can't cancel it. It ended on a cliffhanger. Leonard: They did. Penny: Uh, Sheldon, there are two dumplings left. Do you want them? Sheldon: Dumplings? Don't you understand what's going on here? Penny: As a rule, no. Sheldon: That show ended with all the residents of New York either dead or unconscious. Oh, now I'll never know what happened. Penny: Well, why don't you make up your own ending? Sheldon: Oh, sure, what a wonderful idea. And after that, I'll make up my own rules of oral hygiene. You know, instead of flossing, I'll rub pudding on my gums. I'm going to get the number of the SyFy Channel and give them what for. Leonard: Oh, please, don't do that. Sheldon: No. They can't just cancel a show like Alphas.
SUMMARY: | Sheldon is upset when the SyFy television series Alphas is cancelled on a cliffhanger, and he unsuccessfully calls the SyFy network to get it back on air. Amy decides to teach him to overcome his "closure" obsession: she forcefully stops him finishing various tasks just before the end. He hides his fury and pretends to be cured, but once Amy leaves, he completes each task she interrupted. Sheldon later calls the creator of Alphas to ask him how the series would have ended; after hearing it described to him, Sheldon says that the proposed ending sucks and is now glad the show was cancelled. Meanwhile Leonard, hoping to find one common interest with Penny, asks her to watch Buffy The Vampire Slayer with him. She pretends to enjoy it to avoid hurting his feelings. Penny reveals to Bernadette that, unlike Leonard, she has no passions, but hopes to change this. During dinner with Leonard, she realizes she is passionate about him and his friends, even Sheldon. Elsewhere, Raj is upset that Lucy's blog post about their date describes him as "a little feminine". Howard confirms Raj is effeminate, but says this could be to his advantage with Lucy. Raj rejects his advice: when he cooks at home on a date with Lucy he tries to be more masculine, but just creeps her out. Just as she is about to walk out, he explains he read her blog. She says he is feminine in a "good way", being sweet, thoughtful, with a "skin like caramel". |
fd_CSI__Crime_Scene_Investigation_03x06 | fd_CSI__Crime_Scene_Investigation_03x06_0 | TEXT: [EXT. LAS VEGAS CITY (STOCK) - NIGHT] [EXT. LAS VEGAS PRISON (STOCK) - NIGHT] (The bright white guard light turns toward the camera.) FLASH TO WHITE: [SCENE_BREAK] [INT LAS VEGAS PRISON - NIGHT] (Guards strap the PRISONER in orange to his chair.) (Cut to: The wall clock reads: 11:58 p.m.) (Cut to: The guards strap The PRISONER'S legs to the table, uncuffs his hands and straps his arms down to the table. They cut his orange prison uniform and stick a needle in his arm. His cut shirt is pushed aside and electrodes are attached to his chest to monitor his hearbeat.) (The guards leave.) (The camera pans from the execution cell, through the observation mirror and down to the next room where six large syringes are laid out on the table in front of the warden and other officials.) (Cut to: The PRISONER is spread out on the table and strapped down so he can't move.) (The clock reads: 11:59:00.) (The PRISONER breathes rapidly. He looks to the side at the window where the curtain to the observation room is closed. The curtains open and behind the window are several rows of witnesses. The camera lingers on the man and woman sitting up front and center. The woman is startled at the sight in front of her and reaches for her husband's hand.) (The PRISONER sees them, then turns his head away. The woman clutches in her lap, a picture of a young woman, her daughter.) (The audience waits. The clock counts down with every passing second... (Camera cuts to focus on the man's neck where his pulse beats rapidly just beneath his skin.) (Quick CGI POV to the blood flowing rapidly through his veins. Through his veins, where it comes out to his heart. We watch the heart beat for a moment. End of CGI POV. Resume to
SUMMARY: | Fifteen years ago, Catherine helped to put John Mathers on death row for the rape and murder of a young student at a local college. On the day of his execution , he's granted a stay based on new DNA evidence. Meanwhile, Grissom, Nick and Sara are looking for a missing student, who is found murdered and left in exactly the same fashion as the women in Catherine's case. |
fd_London_Spy_01x02 | fd_London_Spy_01x02_0 | TEXT: Danny: This is Alex. Policewoman: Your partner? Danny: Yeah. He's a genius. He went to university at the age of 15. Alex: The people I work with... are inscrutable. Danny: Alex? Policewoman: What kind of relationship did you have with him? Did it involve sadism? Danny: No. ( He gasps ) Alex: I could never hurt Danny... because he is the only friend I have. Policewoman: This man is called Alistair, his parents are alive. Is it possible you enjoyed extreme sexual encounters with someone who didn't want you to know their name? Scottie: He worked for MI6. He was a spy. The police were concerned you might have taken something from the crime scene - a personal item, something of sentimental value. You wouldn't have done that, would you? Danny: Of course not. Scottie: No, of course not. Radio: <unk>..All the love you can <unk> <unk> Stand by <unk> <unk> Your man <unk> <unk> Stand by your man <unk> <unk> And tell the world you love him <unk> <unk> Keep giving all the love you can <unk> <unk> Stand by your man. <unk> ( He pants ) ( He sighs ) ( He sobs ) Danny: Your newspaper has... reported a series of lies. It's not the truth. You need to tell them the truth. You need to listen to me! I'm here today... to tell you the truth. I'm here today to tell you the truth. I'm here today to tell you the truth. I'm here today to tell you the truth. You f*ck! ( He sobs ) I'm here today to tell you the TRUTH! [SCENE_BREAK] Journalist: In your phone call you asked how it all works. We took that as negotiating payment. Danny: Oh, no. Erm... I have never spoken to a journalist before. I don't want money. I'm here to tell you the truth. Journalist: You used the word "partners" to describe your relationship. Danny: Yeah, we were partners. Journalist: What do you mean by that? Danny: Erm,
SUMMARY: | Convinced that he is being followed, Danny hides the device he discovered. He contacts a newspaper to correct the news coverage about Alex/Alistair and report it was murder; instead it prints a story about his own drug taking, and he loses his job. Scottie tells Danny about his history with MI6 30 years ago and shows him where he attempted suicide at the time. Danny is invited to visit by a couple who claim to be Alex/Alistair's parents and who behave strangely distant. He refuses to believe them and is taken to a mansion belonging to Frances and her husband, where she informs him that Alistair, her son, was neither gay nor a virgin, but very experienced in sexual roleplay. When Danny does not believe her, Frances tells him to stop making a fuss. The next morning, the housekeeper reveals that his real name was Alistair but he preferred the name Alex. Danny returns to London and is approached by an American who tells him to look after his health. He leaves behind a sweet containing a tablet and a business card which Danny rips up. |
fd_Doctor_Who_1963_25x10 | fd_Doctor_Who_1963_25x10_0 | TEXT: SILVER NEMESIS PART THREE Run time: 24:36 [SCENE_BREAK] Windsor Great Park [SCENE_BREAK] The Doctor: Of course. It's so simple. They're shrouded. Ace: You what? The Doctor: Shrouded. They don't show up. But we must try and force them into revealing themselves. Treble. Bass. Please let me be right. Is anyone listening? Balance. Ace: What are they? The Doctor: Cyber warships. Thousands of them. They were invisible. Ace: What can we do? The Doctor: I think our best move is to go to the crypt, unarmed, with the bow. Ace: Professor, are you losing your marbles? The Doctor: We've got to get the bow into the statue's hands in order to activate the validium. Ace: Is this the only way? The Doctor: I believe in the direct approach. You can always go back to the TARDIS. Ace: Are we going or what? [SCENE_BREAK] Crypt [SCENE_BREAK] De Flores: Surely we, er, we can negotiate this er, this misunderstanding? Leader: Our understanding is perfect. You thought you had all three components of the statue, and naturally wished to destroy us. Karl: You are completely mistaken. Leader: Silence. Cyberman: Validium activity indicates proximity of the bow, Leader. Leader: Excellent. Kill them. [SCENE_BREAK] Outside the Crypt [SCENE_BREAK] Karl: Herr De Flores. De Flores: You fool, they're going to kill us. Karl: Your day is over. De Flores: You betray me? Have I taught you nothing? Karl: Everything. Which is why we now part company. I'm afraid you failed to understand history in addition to Wagner. De Flores: I? Karl: Supermen are all very well, but the giants are the master race. Karl: Here he is. Now make me one of you. Leader: You show potential. Very well. Have them programmed at once. Leader: We must complete the statue immediately. Locate the bow. Destroy the Doctor
SUMMARY: | The Nemesis Statue is alive, thanks to Lady Peinforte's insanity, and with De Flores's Nazis wiped out by the Cybermen, Nemesis claims it has secrets to reveal... |
fd_Frasier_10x23 | fd_Frasier_10x23_0 | TEXT: Title Card: The tip of the Space Needle glows. ACT ONE [SCENE_BREAK] Scene One - Radio Studio Frasier is nearing the end of his show. Frasier: Well, I think we've got time for one last caller. Roz, who have we got? He looks over and sees Roz on the phone, turned away from him and writing on a pad. Roz: Mmm-hmm... mmm-hmm... Peeved, Frasier tosses a pencil against the glass to get her attention. She notices him, but waves him off. Frasier: Well, I suppose I'll be fielding this last one myself. Let's try line two. [pushes button] Go ahead, caller, your name and problem, please. Ernie: [v.o.] Yes sir, my name's Ernie, and I'm real angry at my dog. Frasier: Okay, Ernie. Uh, very often when people have feelings towards their pets it often reflect feelings they have about themselves and their place in society. So tell me, why are you angry at your dog? Ernie: [v.o.] Well, he keeps telling me to take off my foil helmet. Beat. Frasier: Would you hold on, Ernie? Um, someone will come on the line with the number of an expert in this sort of situation. Let's try, uh, line four. [presses button] Roz: [v.o.] Oh yes, of course I'm interested! I'll fax my resume right over! Frasier mutes the line. Frasier: Well, the news is up next, followed by the market update with Julia Wilcox. That's it for me today. This is Dr. Frasier Crane saying, good day and good mental health. He goes off the air and glares at Roz, who mouths, "I'm sorry." Kenny enters with some copies, which he lays on Frasier's console. Kenny: Another great show, doc. Frasier: Did you even listen? Kenny: You don't have to eat
SUMMARY: | Julia ( Felicity Huffman ) has finished her affair with Frasier's accountant, Avery, and is vacillating between depression and anger. Frasier offers his support, even despite her determination to break into Avery's office and cause chaos. During this escapade, they are forced to hide in a closet to avoid detection, and Frasier is surprised when Julia kisses him. She insists it was to keep him quiet, but he believes there must be more to it, and spends days trying to persuade Julia to talk it over with him. He also has to come to terms with the possibility that Roz may be leaving KACL, as she has been offered a job at another radio station as a program director. She in turn is worried because it appears she may have encountered the interviewer before, romantically. Meanwhile, Niles has discovered an unexpected enthusiasm for firearms . |
fd_Once_Upon_A_Time_05x08 | fd_Once_Upon_A_Time_05x08_0 | TEXT: [PREVIOUSLY_ON] Merlin: Emma, there is a way to make Excalibur whole again. A spark from mankind's original fire, the Flame of Prometheus. Its heat forged Excalibur. Hook: You know I'm a survivor. This ring is why. Be careful, Emma. Zelena: What an ingenious recipe for a tethering potion. It can control the world's greatest wizard. King Arthur: Merlin! How kind of you to come when called. Queen Guinevere: You lied to him, to David. King Arthur: And it brought me no pleasure. He's a good man. But I must think of my kingdom first. [SCENE_BREAK] SCENE: Storybrooke. Present time. Woods. [SCENE_BREAK] David: That's Arthur's tent. I'll go in first. You two stand guard. ( Gun cocks ) Robin Hood: And if our dishonest king should put up a fight? Hook: We'll make him wish he hadn't. David: Arthur. King Arthur: David! Good to see you, my friend. Come, sit. Join us. David: Why don't you explain why you lied to me? Why you tried to burn the Crimson Crown. King Arthur: So, you found me out. David: Yeah, I found out... Friend. King Arthur: Now, that part was real. Ah, it doesn't matter. Not anymore. ( Sighs ) But I want answers. See... There was a message in there for Merlin. It said there was only one person who could destroy the Dark One, named Nimue. You tell me who that is. King Arthur: ( Grunts ) David: He's getting away! ( Grunts ) ( Breathing heavily ) ( Panting ) ( Arthur runs through the woods with Hook in hot pursuit. Arthur trips over a log, but trips up Hook when he approaches. ) King Arthur: Look at that. Seems you brought a hook to a sword fight. Hook: Actually, I brought a sword, but I seem to have misplaced
SUMMARY: | In Camelot, after saving her family and friends from Arthur and Zelena, Emma struggles to rid herself of dark magic. She's holding herself back due to fear of commitment with Hook. She works through the fear and attempts to meld Excalibur, but Hook falls to the floor. Facing his death, Emma conjures the dark magic from the sword and instills it in Hook. He is reborn a Dark One. In Storybrooke, our heroes confront the treacherous Arthur. He gets the drop on Hook, but Emma swiftly subdues him. She claims that all she's done has been for Hook then disappears. While Hook is in search of answers and a way to get Emma's attention, Zelena's pregnancy is suddenly expedited, giving birth shortly after. Believing Emma wants the baby, Regina and Robin rally defences, but she takes Zelena instead. Emma reveals her plan to transfer all dark magic to a vessel, Zelena, to rid the world of it forever. While she is away, Hook and Zelena escape. Zelena reveals to Hook one of Emma's dreamcatchers, enlightening him to his dark predicament. |
fd_How_I_Met_Your_Mother_03x04 | fd_How_I_Met_Your_Mother_03x04_0 | TEXT: EXT. NEW YORK CITY Future Ted VO: It was Saturday night in New York City and the young metropolitan set was out on the town, living the kind of crazy lifestyle you can only find in the Big Apple. INT. APARTMENT (Ted, Barney and Robin throw peanuts into Marshall's mouth) Robin, Ted: 97, 98, 99, 100! Lily: 100! We only got to 82 on our honeymoon. (Barney laughs) Lily: So, Robin, I've got a guy for you. He's cute, he's funny, he's smart. Ted: What's his 'but'? Lily: What do you mean? Ted: When someone wants to set you up they always tell you the good qualities first but then they leave out their huge flaw. (flashback to MacLaren's, Barney telling Ted about a girl) Barney: She's totally hot and really fun. Barney: (to himself) But she has a dead tooth. (flashback to MacLaren's, Marshall telling Ted about a girl) Marshall: She's superhot and she's so successful. Marshall: (to himself) But she has a pug that she pushes around in a stroller. (flashback to MacLaren's, Lily and Ted sit at booth, Lily tells Ted about a girl) Lily: She's so cute and she's so smart. Lily: (to herself) But her last boyfriend had to get a restraining order against her and then his cat and new vacuum cleaner both went missing. Ted: Wow, set it up. (back to present scene) Ted: I'm still convinced she killed my turtle. Robin: Hey, you know what, not every setup has a 'but'. What about, um, Jamie, that girl that Lily set you up with? She was really nice. Barney: If memory serves me, she had a huge 'but'. Her huge butt. Nailed it! (Ted and Barney hit fists) Lily: Well, there's nothing wrong with this guy. He's really nice and
SUMMARY: | When "kid unfriendly" Robin surprisingly forms a bond with the young son of the guy she is dating, she decides it is too serious and must figure out a way to let the little guy down. |
fd_The_Originals_02x07 | fd_The_Originals_02x07_0 | TEXT: [PREVIOUSLY_ON] Klaus: I assume I have the misfortune of speaking to my mother. Esther: I have come to heal our family. I will undo everything that has been done, thereby giving you a new life. Kol: You should get out of here. My brother is not the forgiving kind. Davina: I'm not afraid of him.... I'm about to get even with Klaus, and you're gonna help me. Oliver: You're the Alpha. Our people are not meant to be slaves. You can free them. ( Oliver starts coughing up blood and falls to his knees ) Jackson: Ollie? Esther: I want you to rejoin our family, take the body of a mortal, and we can all be happy again. Ansel: Niklaus... Klaus: You're not real. Ansel: I am flesh and blood, your flesh and blood.... You are my son. Esther: I brought him here to be the father you never had. Esther: You said you wanted Elijah. He's sleeping.... When he wakes, he'll make his own decision. [SCENE_BREAK] [ ELIJAH'S DREAM ] ( Elijah is dreaming that he is his teenaged self in the 10th century. He's chasing a young Klaus through the woods ) Young Klaus: You cannot catch me, Elijah! Young Elijah: You're getting faster, Klaus, but you are not yet fast enough! ( Young Klaus giggles as he continues to run through the forest, his voice echoing through present-day Elijah's head. Suddenly, Young Klaus disappears, and Young Elijah stops in the middle of a small clearing ) Young Elijah: Klaus? Niklaus? ( He looks around him until an older, deeper voice calls out to him. It's present-day Elijah, his face and suit splattered in blood. Thunder and lightning crack above them ) Adult Elijah: There you are. ( Adult Elijah approaches Young Elijah, who is getting more scared by the moment ) Adult Elijah: Do you understand? ( He
SUMMARY: | When Klaus discovers that Elijah has been afflicted by Esther's magic, he heads to the bayou in search of an antidote, but quickly realizes he's not alone. His father helps him with finding cure for his brother and also tells his son he knows that Hope is still alive so Klaus kills him to protect her. Armed with intel gathered by Aiden, Hayley teams up with him Marcel, Cami and Josh and launches a plan to take down Vincent/Finn by exploating his weakness, in a surprising turns of events Jackson helps them. Meanwhile, with Esther determined to carry out her plan vincent/Finn and Kaleb/Kol are forced to reconsider their own strategies. Intrigued by Davina's unwavering attempts to create an unlinking spell, Kaleb/Kol lets her in on some secrets from his past and brings her to a place he frequented in 1914. Lastly, Vincent/Finn and Kaleb/Kol are being kidnapped by Hayley and Marcel. Elijah wakes up. |
fd_Doctor_Who_1963_17x24 | fd_Doctor_Who_1963_17x24_0 | TEXT: SHADA PART FOUR by DOUGLAS ADAMS would have been transmitted - 9th February 1980 [SCENE_BREAK] 1. CORRIDOR, ST. CEDD COLLEGE (WILKIN steps up to the PROFESSOR's door and knocks.) WILKIN: Miss? Are you in there Miss? (He hears no reply and opens the door expecting to find the young woman inside. His jaw drops and his eyes widen in amazement as he finds a blowing blue void beyond the door.) [SCENE_BREAK] 2. SHIP, MAIN CONTROL (NOT MADE) [Edited replay of the end of Part Three] DOCTOR: Excellent! Thank you. (He smiles, until he notices a change in the atmosphere of the room...) It's getting very stuffy in here. SHIP: You are dead? DOCTOR: Yes! I thought we'd sorted that out. SHIP: I am programmed to conserve resources. Since there are no live beings in this area, I have shut down the oxygen supply. DOCTOR: What! (The DOCTOR begins gasping for breath, and he sinks to the floor. The last thing he hears while conscious is the voice of the Ship saying over and over:) SHIP: Dead men do not require oxygen! (The DOCTOR loses consciousness... and lies motionless.... ) TOM: With a fascinating display of illogic logic, I convinced the ship that I was dead in order to secure the release of my companions. The ship agreed, but shut down the oxygen supply. As I sank to the floor gasping for breath, the last thing I heard was the voice of the ship - "Dead men does not require oxygen!" [SCENE_BREAK] 3. SHIP, BRIG (In the ship's brig, K-9 and CHRIS are pacing (or wheeling) around the room, looking for some way out, but not too enthusiastically as they've already done this several times. CHRIS stops and kneels down by K-9.) CHRIS: Not a clue. (Suddenly the
SUMMARY: | See Shada, Part One for the full summary of all six Parts. |
fd_Charmed_02x19 | fd_Charmed_02x19_0 | TEXT: Teleplay by: Brad Kern Story by: Peter Chomsky [SCENE_BREAK] [Scene: Manor. Living room. Piper is lighting candles. There is a bottle of wine in an ice bucket on the coffee table. Music is playing.] Prue: (from the other room) Piper? (She walks in and notices all the candles.) Oh. Expecting company? Piper: You think? Prue, what are you doing here? I'm supposed to have the house to myself tonight. Prue: Oh, God, I-I-I thought that that was tomorrow night. Piper: No, no, no. I put it on the kitchen calendar way in advance, that's why Phoebe's at the library studying and you're supposed to be out on an assignment. Prue: Yeah, well, I was all day and I was just downstairs in the basement developing these shots that I took and actually was hoping to get your opinion on them. I guess now wouldn't really be a good time would it? (Piper shakes her head.) Although, Leo's not really here yet. Piper: Alright, make it fast. (Prue shows her the photos.) Prue: Alright, so, so, the magazine asked me to capture faces in the city. So I went to the haight and I took these shots but look at this man. (She points to him.) Piper: Yeah, so? Prue: So he is in every single one of my pictures. I-I-I mean, I didn't really focus on him, I didn't even notice him until I got home but there he is in all of them just hanging out. Piper: Well, maybe he's homeless. Prue: But handing out fliers? I don't think so. And look at his face. He looks so sad and determined. (Leo orbs in.) Oh. Piper: Okay, bye, bye. Prue: Oh, oh. Alright, so, uh, I'm gonna go now and I'll be downstairs and work all night long an I'll be really quiet and you won't have to worry about
SUMMARY: | After a classmate of Phoebe is murdered by a demon to stop her thesis proving demons exists from being published, Phoebe and her sisters set out to vanquish the demon called Libris so a past victim can move on to the next plane of existence. However, the ghost is unable to move on until she helps Prue solve the murder of another young woman. Piper's preparation at the club for a performance of the Goo Goo Dolls is cut short when Dan arrives with some surprising news about Leo. |
fd_Gilmore_Girls_06x19 | fd_Gilmore_Girls_06x19_0 | TEXT: [Before the teaser there is a montage of scenes from previous episodes.] KIM'S ANTIQUES [Mrs Kim hangs a sign "Closed For Wedding" on the front door, then goes to the kitchen] MRS KIM: Mmm, very good. Not too spicy. AUNT JUN: I pack it very tightly. It strangles the spice. MRS KIM: Well, it's perfect, and we're doing very good on time. At 4:00, we move on to dumplings. I'm going to open another window. LANE: Boy, there's a lot of activity down here. MRS KIM: It's going very well. Your aunt Jun is a wizard with the Kimchi. LANE: Well, is there anything I can do to help? MRS KIM: No, go back upstairs. Read the bible passages I've underlined. LADIES: [In Koran] Juh gi in nae! Cham yeppuda. Aaenun unje gajil gueni? MRS KIM: Enough! Back to work! Back to work, all of you! And she will have children in the proper time! [Too Lane] You, upstairs. LANE: But mama MRS KIM: You come down, cooking stops. [pointing upstairs] Up. LANE: But it's hot up there mama, and you know what rises with the hot air? The smell of 10 pounds of Kimchi. I'm getting woozy. MRS KIM: Well, pull your sweater over your face. Just get back upstairs. [Goes to answer knock on the door] LORELAI: Vera Wang calling. Wow, you can almost see that smell. MRS KIM: Is that the dress? LORELAI: It is indeed. MRS KIM: Wonderful Lane, the dress. Well, come on, let's see it. LORELAI: Okay MRS KIM: [Telephone ringing] Hold that thought. [Goes to answer phone] LANE: You couldn't have set it on fire? LORELAI: Dude, there'
SUMMARY: | Lane and Zach's wedding day is a glorious mix of Buddhist and Christian, red silk and white satin, ceremonial awe and awesome partying. Lorelai suddenly realizes that Rory may be next...and she may be never. |
fd_The_Vampire_Diaries_05x13 | fd_The_Vampire_Diaries_05x13_0 | TEXT: [Whitmore College] (Katherine is writing in a diary) Katherine: Dear diary, I love my life. Seriously, becoming Elena Gilbert is the best thing that has ever happened to me. I finally have everything I ever wanted. I'm young, healthy, gorgeous. Everyone loves me, but best of all, I'm a vampire again, so rest in peace, Elena. Thanks for giving me your perfect life, and now that I've corrected the single worst decision you ever made: falling in love with Damon Salvatore... I'm gonna win back the one thing I've always wanted. (Katherine, Caroline and Elena enter a classroom) Caroline: So we all agree? No more moping about life's little failures and no more dabbling in the dark arts of boyfriends past. This is a fresh start Katherine: Couldn't agree more. I happen to love fresh starts Bonnie: Um, I haven't been moping or dabbling Caroline: No one likes a bragger, Bonnie (They sit down. Bonnie looks at the girl beside her) Bonnie: Hey. Do you mind if I share... Great. Thanks. Appreciate it Caroline: Today is the dawning of a new era. This is stage one in our metamorphosis into the land of the brave, the free, and the single Katherine: Bonnie's not single Caroline: Bonnie's best friends are single, which makes her single adjacent. So she can be our wing woman (She shows them a flyer) Katherine: "Whitmore's annual bitter ball, a night to celebrate broken hearts, jilted lovers, and bitter singles."This is our fresh start? Caroline: No. This is our purge, our cleanse. This is where we rid ourselves from the baggage better known as our tragic and mortifying first semester Katherine: I'll drink to that Caroline: Bonnie! Bonnie, you in? Bonnie: Yeah. Yeah. That sounds like fun [Salvatore's House] (Stefan enters the house. The house is a total mess) Damon: Hey. Sorry about the mess. I had some company, and things got a little out of hand Stefan: You want to tell me what the hell's going
SUMMARY: | Katherine has her sights set on getting back Stefan and Wes on the other hand continues with his experiments. Stefan is uncomfortable with Damon's newly forged friendship with Enzo, who continues to hunt and is now looking for Wes. In order to find Wes' location, Damon and Enzo confront Bonnie and want her to find a witch to make a spell to find Wes' location, and just to make sure Bonnie does that Enzo keeps Jeremy as a hostage. Katherine then asks Nadia to search information about Enzo and who he is so she compels Matt but Tyler overhears it. When Nadia found out that Tyler has overheard her conversation with Matt, she gets angry and attacks him. Jeremy is saved by Stefan and Katherine just in time, and when Damon and Enzo meet Wes they are attacked by a group of travellers. Later it is revealed that Wes injected Damon with something and now Damon starts feeding on other vampires. |
fd_Doctor_Who_1963_05x19 | fd_Doctor_Who_1963_05x19_0 | TEXT: THE ENEMY OF THE WORLD by DAVID WHITAKER first broadcast - 6th January 1968 running time - 23mins 5secs [SCENE_BREAK] 1. ENTRANCE (Guards file in escorting DENES. JAMIE is one of them.) GUARD CAPTAIN: Prisoner and escort... Halt! SALAMANDER: Bruce, you are head of World Security, I hold you personally responsible for this man Denes. BRUCE: Why? Don't you trust your own security? SALAMANDER: Do I have to insist? My name carries some weight in the councils of the world. BRUCE: Of course it does. SALAMANDER: Well do as I ask. BRUCE: Very well. SALAMANDER: Fedorin, come with me. We must make a report to the world authority. DENES: They won't believe a word you tell them. SALAMANDER: We shall see. Fedorin. (SALAMANDER and FEDORIN exit. DENES ignores FEDORIN.) BRUCE: I'll do what I can for you, but I don't want any trouble. DENES: Don't worry. I'm looking forward to facing Salamander in public court. I won't run away. [SCENE_BREAK] 2. SALAMANDER'S OFFICE SALAMANDER: You've done very well, so far, Fedorin. FEDORIN: It's nothing but a blackmail. SALAMANDER: Blackmail? What have I threatened you with? Nothing. FEDORIN: No. But you would if I refused to. (SALAMANDER produces a dossier.) SALAMANDER: Fedorin, I keep on telling you, this is just a form of comprehensive insurance, huh? Is nothing for you to worry about. Oh, my dear man, I've done nothing but praise you ever since we first met. I said you should be European Controller. I said I would support you. FEDORIN: You found out things about me, lies that would damage me. SALAMANDER: On the contrary, I'
SUMMARY: | Jamie and Victoria become friends with Fariah, determined to discover the truth about Salamander. Astrid makes plans to rescue Denes, but not everything goes to plan. |
fd_FRIENDS_03x24 | fd_FRIENDS_03x24_0 | TEXT: Story by: Mark J. Kunerth & Pang-ni Landrum Teleplay by: Scott Silveri & Shana Goldberg-Meehan [Scene: Central Perk, the whole gang minus Monica is there.] Chandler: Do you think that there's a town in Missouri or some place called Sample? And ah, as you're driving into town there's-there's like a sign, and it says "You're in Sample." (He says it like urine sample.) Monica: (entering) Hey. All: Hey! Rachel: How'd it go with Pete?! Joey: Tell us! Monica: You're not gonna believe this. Okay, so I go over... [Two guys walk over and interrupt her. They're both names you've already heard. One's Billy Crystal. Yes, that Billy Crystal from City Slickers. The other one is Robin Williams. Yes, that Robin Williams from Mrs. Doubtfire.] Billy Crystal: I'm sorry. Ex-excuse us. I'm sorry, it's a little crowded. Do you mind if we... (motions to the couch) Robin Williams: Yeah, could you scooch? Billy: Yeah, move over just a little bit. (Rachel, Chandler, Phoebe, and Joey all scooch over to let them sit down.) Robin: Keep on scooching. [cut to Monica telling the gang about what happened at Pete's] Monica: So guys, listen, I go over there, and umm... (Robin interrupts her again by complaining loudly to Billy as the camera cuts to them.) Robin: Why? Why?! What's wrong with me?! Billy: What's the matter? Robin: I have a feelin'... I, my wife is sleeping with her gynaecologist. (The gang is now eaves dropping in on the conversation, and is shocked.) Billy: How do you know? Robin: Well y'know, he's got access. Billy: Yeah. Robin: Y'know it's that feeling you get, y'know? Billy: Like when you go bowl
SUMMARY: | Monica tries to support Pete's UFC dreams, but after his brutal losses, she says she cannot stay if he continues, then breaks up with him after he refuses to quit. Chandler has a problem when his new boss keeps slapping his butt in a friendly but inappropriate manner. Phoebe sets Ross up on a date with Bonnie (Christine Taylor), a pretty girl who used to shave her head. This episode features a cameo skit by Billy Crystal and Robin Williams . |
fd_Doctor_Who_1963_07x24 | fd_Doctor_Who_1963_07x24_0 | TEXT: INFERNO by: DON HOUGHTON 5:25pm - 5:50pm [SCENE_BREAK] 1: INT. CENTRAL CONTROL (STAHLMAN growls.) [SCENE_BREAK] 2: INT. BRIGADE LEADER'S OFFICE BRIGADE LEADER LETHBRIDGE STEWART: (Angrily.) So, we're expected to sacrifice all our lives so as the Doctor can get back to his..."other world". SECTION LEADER ELIZABETH SHAW: We haven't got any lives to sacrifice. It's only a question of time. DR. PETRA WILLIAMS: What do you think, Greg? GREG SUTTON: It's the weirdest story I've ever heard, but I'm prepared to believe the Doctor. SECTION LEADER ELIZABETH SHAW: You're outvoted, Brigade Leader. BRIGADE LEADER LETHBRIDGE STEWART: It makes very little difference as we're all trapped in here anyway. DOCTOR: Not necessarily. I do have a plan for getting us out, but it all depends on those creatures out there. (The DOCTOR looks towards one of the doors. However, the PRIMORDS have regained their strength and one of them suddenly crashes an arm through the window of the second door as they attempt to break in and attack. As PETRA gasps out, GREG rushes forward in an attempt to push the arm back, but in turn, the DOCTOR pulls him back.) DOCTOR: No, no! Don't touch it! (The DOCTOR grabs a fire extinguisher off the wall and fires it at the PRIMORD'S arm. As the jets of CO2 hit the creature, it cries out and retreats.) DOCTOR: I don't think they'll be back for a while. They'll wait till the temperature rises. SECTION LEADER ELIZABETH SHAW: How long have we got? DOCTOR: I should say all of ten minutes.
SUMMARY: | With the parallel earth doomed, the Doctor asks his friends' counterparts to help him return to his own world but the Brigade Leader only sees the TARDIS as a means of escape. |
fd_The_L_Word_01x12 | fd_The_L_Word_01x12_0 | TEXT: INT. - OCEAN - OFF THE COAST OF FLORIDA - DAY [Several dolphins are swimming around. Music plays - Frances Faye's "Frances and her Friends".] [title card: Off the coast of Florida, April 1999] [The song continues on while the dolphins swim around. The dolphins are mating. Several of them swim together, some swim in groups. They swim past one another, touching and swimming in circles.] INT. - SOUTH COAST AQUARIUM - DAY [A few Beluga whales swim around, occasionally coming to the glass to mug for the camera.] INT. - OCEAN - OFF THE COAST OF FLORIDA - DAY [The dolphins continue to swim around freely.] [main titles] INT. - THE PLANET - DAY [Shane sits at a table with Clea, Steve and Cherie's daughter. They're having a coffee.] Shane: Look. When I say I've been with people, I don't mean 20 or 30. Clea: Okay, so what? Like, hundreds, thousands? What? Shane: (hesitating) Somewhere between... 950 and 1200 since I was 14. Clea: Whoa. Well, whatever, you know, it doesn't matter. I don't care. Shane: I turned tricks in Santa Monica with my friend, Clive. And all these guys thought I was some little street fag and I could've been killed. Clea: That's so cool when you think about it, right? Shane: Clea, it's not cool. Listen, I like you. But what you want from me isn't gonna happen. [Clea looks down at the table.] Clea: Okay, you know... I know, it's because of my father, right? You guys, you have this business together - Shane: Clea, I'm involved with someone. Clea: Oh. [Shane sighs.] Clea: Are you in love with her? [Shane stares away for
SUMMARY: | A near-riot at the art gallery lands Bette, Dana, Shane and Alice in the L.A. County Jail, which puts Bette in dangerous proximity to Candace when they share a cell together. Meanwhile, Kit meets Ivan ( Kelly Lynch ), a very masculine auto mechanic whom she is strangely attracted to. Marina contemplates life without Francesca and begins to flirt with Robin, knowing that Robin has planned a date with Jenny. Jenny tries to write a story about manatees and attends the local aquarium for inspiration. There, she meets an attractive marine biologist named Gene and asks him out. As Tim and Jenny discuss divorce, Shane's relationships spin out of control when Clea refuses to take no for an answer. |
fd_Alias_01x08 | fd_Alias_01x08_0 | TEXT: SYDNEY: (voice over) I'm leaving for England tonight. SD-6 has traced the Rambaldi artifact to the engineering science department at Oxford. K-Directorate's on this. I need to act fast, so that Ana doesn't get there first. (Oxford, night. A van pulls up outside the university. Inside, Dixon sits behind a computer and there are monitors everywhere. Sydney dresses, wearing a red wig.) DIXON: So, FTL found the Rambaldi artifact in Tunisia. Why'd they send it here? SYDNEY: Analysis. The engineering department is among the best in the world. DIXON: Remember, the lens has to be within two feet of the key card to get a reading. SYDNEY: Got it. How do I look? DIXON: For the record, that's a question you never have to ask. SYDNEY: (smiles) FTL agents are here posing as campus security. Watch your back. DIXON: You, too. (She gets out.) (Inside the party -- a waiter mingles with a tray of drinks. Classical music plays.) PROFESSOR BLUME: For a journalist, you have quite a remarkable grasp of engineering principles. What is your background? ANA: My family was in demolition. PROFESSOR BLUME: Really? (She smiles.) ANA: So, is it true that your department's just received ancient technology from Tunisia? PROFESSOR BLUME: Who told you that? ANA: Well, you just did. Ha ha ha! I'd love to see your lab. (Sydney enters. Dixon talks to her from the van via a transmitter in her ear.) DIXON: See anybody, Syd? SYDNEY: I've spotted Professor Hoyt. Do you see anything? DIXON: Get closer. I can't tell if he's got the card on him. (Sydney moves closer.) SYDNEY: Anything? DIXON: Yeah, the key card's in
SUMMARY: | Sydney must undergo an extensive lie detector test to satisfy Sloane's frantic search for the SD-6 mole. With nemesis Anna Espinosa following her every move, Sydney is told to find out the truth about the connection that a clock made by one Giovanni Donato for Rambaldi in the 16th century may have to the 500-year-old prophetic Rambaldi sketch with the binary digits on the back. The mystery of Kate Jones deepens as Will continues to investigate Danny's death when he finds a piece of jewelry in her abandoned car that works as a microphone to contact someone else. Sydney accidentally discovers that some books her father gave her mother as a present have 5-character rows of Cyrillic letters imprinted at the margins, which seems to prove that he indeed had some kind of connection with the KGB. |
fd_Charmed_07x20 | fd_Charmed_07x20_0 | TEXT: [Scene: Manor, Attic. Paige is making a potion. There's a small explosion. The phones are also on the table.] Paige: Ah, damn it! (Piper enters.) Piper: Shh! Keep it down. I just got Chris to sleep. Paige: Well, if you were here to help me, you know, that would maybe help. Piper: Yes, and I will do that, but first I need to make sure Wyatt's okay at preschool. Have you seen the phone? Paige: Preschool? Don't you mean magic school? Piper: No, I mean preschool. We enrolled him last week, remember? Paige: You didn't tell me that. Did you? Piper: Yes, and you said you were worried about him using magic in public. Paige: Oh. And what'd you say? Piper: I said I was worried about him having a normal life. Paige: Huh. All right. Cool. I'm all up to speed now. It's just with these charges and these demons attacking, eh, I'm a little scattered. (Paige adds something in the potion.) Piper: And that's different how exactly? Paige: I just don't know why the Elders couldn't see fit to give me a local witch instead of a New Zealand witch. Piper: I don't know, but I need the phone. (She sees the phones.) Paige: No! No. No using the phone. Piper: Why are all the handsets up here? Paige: Because I am trying to prevent a demon attack. Piper: What? Paige: Look, all the attacks have been different, right? And all the demons have had different powers. The one thing I've noticed is that every time a phone rings, a demon attacks. Piper: No, they don't. Phoebe called earlier and nothing happened. Paige: Really? (The Elders jingle. She groans.) Stop the jingling, already. I'll be there as soon as I can. Charges. (The phone
SUMMARY: | Posing as baby Wyatt's imaginary friend, a demon works his magic in an attempt to turn the toddler evil. When Piper decides to write a spell to understand what the toddler is saying, she accidentally brings Wyatt from 25 years in the future to the present. Things get tricky when the family discovers that future Wyatt is evil and eventually tries to squash all the good from baby Wyatt. When Leo discovers what the demon is up to, he sets out to help turn Wyatt good again. |
fd_FRIENDS_08x03 | fd_FRIENDS_08x03_0 | TEXT: [Scene: Monica and Chandler's, Monica and Chandler are getting ready to go on their honeymoon. Monica is entering from the bedroom.] Chandler: Hey! Babe! Aren't you excited we're going on our honeymoon? Monica: Yeah I am! Chandler: (singing) Bermuda, Bahama, come on pretty mama... Monica: That's right. Get it out of your system while we're alone. Joey: (entering with Phoebe) Hey! Phoebe: Yeah! Have a great honeymoon! Chandler: I'd better go pack. Monica: Oh no, I already packed. The only thing I couldn't find though was your Speedo. (Joey looks at him, Phoebe tries not to smile, and Chandler is shocked.) Chandler: A Speedo? Uh, I don't have a Speedo. I'm gonna go pack my regular long bathing suit. (Goes into the bedroom.) Rachel: (entering) Oh good you're still here! Monica: Hey! Rachel: I want to tell you to have a good honeymoon! (Hugs Monica.) Monica: Thank you. Rachel: And I also wanted you guys to know that I am telling the father today. (They all look at her expectantly) What? What? What? (Pause.) Joey: We know its Ross! Rachel: How?! How do you know? Phoebe: It was his sweater, but-Oh my God! Rachel: Oh, I so wanted Ross to know first, but I'm so relieved you guys know. Monica: This is so great! And I'm gonna be your baby's aunt! Rachel: I know! (They hug.) Phoebe: Me too! (Joins the hug.) Joey: I'm gonna be an uncle! Come here! (He joins the hug.) Rachel: (breaking the hug) You're all gonna be aunts and uncles. Monica: Yeah, but I'm the only one related by blood. Rachel: Okay. Great! So now that you guys all know you can help me. Give me some advice on how I'm gonna tell Ross! Monica:
SUMMARY: | Chandler and Monica are about to leave for their honeymoon as Rachel prepares to tell Ross they are having a baby. Phoebe and Joey try to get into Monica and Chandler's apartment by telling Mr. Treeger there is a gas leak. However, Treeger, who could not find the spare key, instead calls firefighters who break down the door. |
fd_Doctor_Who_1963_10x20 | fd_Doctor_Who_1963_10x20_0 | TEXT: PLANET OF THE DALEKS BY: TERRY NATION 5:50pm - 6:15pm [SCENE_BREAK] 1: INT. DALEK CITY. CONTROL ROOM DOCTOR: (Whispers.) Right, let's try and get to the lower levels. TARON: Alright, Rebec. (REBEC starts to move her casing forward and the others follow but a DALEK glides forward.) FIRST DALEK: Wait! (The group stops.) FIRST DALEK: Spiridon slave workers are to report to level four immediately. Move! (Within the furs, TARON looks at the DOCTOR and then they set off. Bringing up the rear is CODAL, but he fails to spot that his booted foot is sticking out from his fur. The DALEK looks down and sees it.) FIRST DALEK: Wait - you are not Spiridons! Emergency! Emergency! Emergency! (An alarm starts to blare out.) FIRST DALEK: Do not move! (The DOCTOR throws his cloak off and shouts to CODAL.) DOCTOR: (Shouts.) The cloak, come on - over it! (The DOCTOR and CODAL thrust the cloak over the screeching DALEK.) FIRST DALEK: Alarm! Alarm! DOCTOR: (Shouts.)... come on! (The DOCTOR helps TARON push REBEC'S DALEK casing.) FIRST DALEK: I cannot see! Vision impaired! DOCTOR: (Shouts.) Get it out! Come on! (The dash round the corner, past the sealed laboratory door and out of the control room.) FIRST DALEK: Pursue! Pursue! (A DALEK follows.) [SCENE_BREAK] 2: INT DALEK CITY. CORRIDOR (The four reach a junction in the corridor.) DOCTOR: (Shouts.) This way! (He pulls the casing round the corner with the Thals. After they have gone
SUMMARY: | The Doctor and his friends prepare to refreeze the Dalek army but the Dalek Supreme has arrived on the planet determined to destroy them all. |
fd_Gilmore_Girls_03x20 | fd_Gilmore_Girls_03x20_0 | TEXT: 3.20 - Say Goodnight, Gracie teleplay by Amy Sherman-Palladino & Janet Leahy story by Amy Sherman-Palladino OPEN AT KYLE'S HOUSE [Kyle and Marshall are cleaning up litter in the front yard.] KYLE: Get the wrapper. MARSHALL: What wrapper? KYLE: The Tootsie Roll wrapper. MARSHALL: What Tootsie Roll wrapper? KYLE: The one at your feet. MARSHALL: I don't see it. KYLE: It's right there. MARSHALL: Where? KYLE: Marshall, stop arguing with me, my parents are watching. [Lorelai is waiting on the sidewalk; Rory walks out of the house with a backpack] LORELAI: Have you see these guys? They're hilarious. RORY: I got it, we can go. LORELAI: Why are you holding it like that? RORY: Because when Lane left it here last night, it was a very different color. LORELAI: Are you sure she's gonna want that back? It's been left alone all night at a keg party. There's no getting it over that. That backpack is permanently scarred. That backpack is Zelda Fitzgerald. RORY: Well, Zelda's going home. LORELAI: Okay. Your first cop-raided party. I am just so proud. RORY: Mom. LORELAI: I just wish I could've been there. RORY: It was no big deal. LORELAI: Did they bring the paddywagon? RORY: Yeah, but then we snuck out the backdoor of the speak-easy and headed straight for the Algonquin. LORELAI: How was Benchley? RORY: Drunk again. LORELAI: So tell me more about this party last night. I mean, I know the end, but what happened in the middle? RORY: Lane's band played, they were great, and then people just hung out and talked, and then, uh, there was some sort of fight, I guess. The cops came, that'
SUMMARY: | Fran Weston dies and Lorelei and Sookie try to buy the Dragonfly Inn; Rory and Jess try approaching each other but fail to talk; Dean tells Rory that he's engaged to Lindsay; Mrs. Kim agrees to let Lane go to the prom with Dave; Luke finds out about Jess and Dean's fight at the party and gets even angrier at Jess, Jess' father comes to Stars Hollow and Luke tries to scare him out of town before he makes raising Jess even harder for Luke. |
fd_Dawson_s_Creek_02x20 | fd_Dawson_s_Creek_02x20_0 | TEXT: CAST James Van Der Beek: Dawson Leery Kaite Holmes: Joey Potter Joshua Jackson: Pacey Witter Michelle Williams: Jen Lindley Meredith Monroe: Andie McPhee Kerr Smith: Jack McPhee Evelyn "Grams" Ryan: Mary Beth Peil Gareth Williams: Mike Potter Gail Leery: Mary-Margaret Humes Mitch Leery: John Wesely Shipp Nicole Kennedy: Madchen Amick Written by Greg Berlanti Directed by Melanie Mayron (Dawson's room - everyone is there watching a movie, eating popcorn. It's Andie, Pacey, Dawson, Joey, Jack, and Jen) Dawson: (shuts off the movie) Okay...movement break! (He gets up and grabs his bottle of water and looks around the room and starts laughing) Is anyone else struck by the humor of this moment that we're all in the same room at the same time. Jack: (eating popcorn) Yeah, I think it's bizarre...I mean, the way we all started the school year and how we all managed to come out as friends... Andie: Yeah, like St. Elmo's! Joey: St. Elmo's from hell. Dawson: Thought would be a negative spin. Joey: I just think it's important in times of model and reflection to incorporate a little honesty.. (Jen sits up.) Jen: You know what? I happen to agree with Joey. I mean, sure, we've all grown to tolerate each other but we're still a long way off from 90210-land of best friends forever. Pacey: I don't know...I kind of think that Andie's got a point. I mean, there has been a lot of hanging out lately. Jack: Yeah, like when? Pacey: (mouthful of popcorn) Like right now, for instance. Have we even stopped to consider why we've all come here together tonight if not our need to go habitate in, dare I say it, a click. (Jen makes a face of disgust.) Joey: Scary... Andi
SUMMARY: | Dawson decides to take Joey out to dinner to celebrate their first month together. Mitch Leery also makes reservations at the same restaurant, and when the management fail to realise there are two Leery parties, all four are forced to sit together. Miss Kennedy, Dawson and Joey fight causing Miss Kennedy to leave. Later, Jen (who is now living at the Leery house) arrives with Gail, which inspires a plan to get Gail and Mitch together again. Also reunited are Andie and her deceased brother. Pacey and Jack catch on that she thinks he is with her, but it is just a figment of her imagination. After a showdown with Andie, Jack and Pacey engineer a plan to aid her medical recovery. |
fd_Merlin_05x08 | fd_Merlin_05x08_0 | TEXT: Lower Town A hooded figure sneaks into the castle grounds, injuring his arm on the way. Guinevere's honour guard spots him. Sir Leon: Stop! Show yourself. The boy lowers his hood. Guinevere: Oh, he's just a boy. Sir Leon: Out here in the middle of the night? Guinevere: There's no need for your sword. The boy kneels to her. Guinevere: Come. Gwen reaches out to him and the boy stands. Guinevere: Where are you going? Daegal: Been catching frogs. Sir Leon: Frogs? Guinevere: It's a full moon, Leon. We used to do it. Come on, you should be in bed. Off you go. The boy bows. Daegal: Thank you, my lady. [SCENE_BREAK] Royal chambers Gwen enters to find Arthur and Merlin arranging garlands around the bed. Guinevere: Oh, Arthur, that is so sweet. You've gone to all this trouble. And gilly flowers, my favourite. You remembered. Gwen puts her arms around his neck. Arthur: Mm-hmm. Guinevere: You miss me. Arthur: Mm. Arthur stops, looking up at Merlin. Arthur: Merlin, er, it's late. You should probably get some sleep. Merlin walks toward the door. Merlin: Sire. Guinevere: Oh, Merlin. Before you go, I'd love a hot bath. Gwen giggles as Arthur sweeps her up in his arms. Merlin: Certainly, my lady. Merlin leaves and Arthur carries Gwen to the bed. [SCENE_BREAK] Castle Tunnels The boy uses a key to enter the tunnels. He places the key above door frame. [SCENE_BREAK] Kitchens Merlin prepares hot water for Gwen's bath. Merlin hears the door creak open and sees the boy standing there. Merlin: Who are you? Daegal: My name is Daegal. Merlin: How'd you get in here? Daegal: It wasn't difficult. Merlin: Really
SUMMARY: | When Daegal, a Druid boy, asks for Merlin's aid in helping his sick sister, Merlin agrees and begins the journey to the Valley of the Fallen Kings. This turns out to be a trap for Merlin set by Morgana. Daegal reconsiders, and saves Merlin. In the meantime, Arthur is entertaining the fearsome Lord Sarrum with peace treaties. Guinevere plots Arthur's assassination with the visiting warlord. Morgana and Gwen plan to double cross Sarrum, but Sarrum plans to do the same. On the day of the treaty signing, Sarrum positions an assassin to kill Arthur. Merlin and Daegal arrive just in time to save Arthur and kill Sarrum, but Daegal dies in the process. Merlin and Gaius bury Daegal, and Merlin knows that something must be done about Gwen. |
fd_The_Vampire_Diaries_02x17 | fd_The_Vampire_Diaries_02x17_0 | TEXT: [Gilbert's House] (Isobel is at the door. She's looking at Elena. Jenna is stunned) Isobel: Hello, Elena. It's nice to see you again (Jenna looks at Elena) Jenna: Again? (Elena doesn't know what to say) Isobel: So you're the woman who's dating my husband. I need to speak to Elena. May I come in? Elena: N-n-no. Don't... don't invite her in Isobel: I need to talk to you, Elena Elena: No! (She slams the door at Isobel's face and looks at Jenna, who's crying) Jenna: You knew she was still alive? Rick? John? Did they know? Elena: I can explain everything, Jenna Jenna: No Elena: No. Jenna, please (Jenna runs upstairs. Elena goes after her) Elena: Jenna, please. No, wait. Jenna, please wait (Jenna's goes into her bedroom and slams the door. Elena is outside, at the door) Jenna: Jenna, you have to talk to me. I... I need to explain what's going on. Jenna, please (Jenna is sitting on the floor, crying) [Salvatore's House] (Stefan and Damon are going down the stairs) Stefan: Isobel just showed up at their front doorstep Damon: What's she doing here? Stefan: I don't know. That's what I'm gonna go find out (Katherine rejoins them) Katherine: I don't think that you should tell her that I'm here Stefan: What? Why? Katherine: It's better if she and John not know that I stayed in town after I got out of the tomb Damon: You're the one in cahoots with them. You made a deal with John that almost got me killed Katherine: I did what I had to to get out of the tomb. Now I'm reconsidering my alliance (She turns herself but Stefan interrupts
SUMMARY: | Elena and Alaric become angry with John when Isobel's arrival devastates Jenna. Alaric is abducted by Maddox, a warlock from Klaus's inner circle. Meanwhile, Bonnie works with Jeremy and Damon to find the spell they need to gather the power of the witches killed in the massacre. Damon takes them to the site where the witches were burned. Matt demands to know what happened to Vicki. After Caroline tells him and then compels him to forget, it is revealed that Matt's involvement was a setup by Sheriff Forbes to find out everything about the vampires. Matt has drunk vervain, so the compulsion does not work. Isobel kidnaps Elena and then receives a phone call from Maddox, who tells her that she has finished what Klaus compelled her to do and is free to let Elena go. Isobel apologizes to Elena for being a disappointment as a mother, removes her necklace, and burns to death in the sun. Stefan and Damon realize that Bonnie is their new secret weapon since she now has tremendous power. Jeremy is upset because, if Bonnie uses too much power, she will die. Katherine, who had been set up by Isobel and taken by Maddox, wakes up to see Klaus take control of Alaric's body. |
fd_FRIENDS_04x20 | fd_FRIENDS_04x20_0 | TEXT: Story by: Adam Chase Teleplay by: Michael Curtis & Gregory S. Malins [Scene: Joey's bedroom, he is asleep and snoring loudly. Chandler enters wondering who left their engine running.] Chandler: Are you kidding me?! Joey. Joey! Joey! Joey! Joey! Joey! Joey! Joey! Joey! Joey!! Joey: (joining in, in his sleep) Joey. Joey. Joey. Joey! Joey!! (Chandler acts disgusted, but is happy that Joey has stopped snoring. However, just as he is about to leave, Joey starts snoring again. So to get him to stop, he slams the door shut, waking Joey.) Chandler: Oh. Oh, did-did-did I wake you? OPENING CREDITS [Scene: Central Perk, Chandler is getting another cup of coffee.] Chandler: Gunther, can I get another cup of coffee, please? (Gunther starts to pour him another cup.) So uh, what do you do when you're not working here? Gunther: You don't need to fill these silences. Chandler: Oh, okay, thanks. (He goes back to the couch and rejoins Monica, Joey, and Phoebe.) Monica: Chandler, that's like your fourth cup of coffee! Chandler: Well, I am drinking lots of cups of coffee because I'm exhausted! Because Joey started snoring! Monica: He's in a different room! He's really that loud? Joey: (proudly) Oh, you should here me. Chandler: It's not something to be proud of, okay? You have to go to a sleep clinic! Joey: Look, I told ya, I'm not going to any clinic! I don't have a problem, you're the one with the problem! You should go to a "Quit being a baby and leave me alone" clinic! Chandler: They don't have those. Joey: Yeah, they do! Quit being a
SUMMARY: | Chandler, frustrated by Joey's loud snoring, takes him to a sleep clinic where he meets an attractive woman with her own sleeping issues. Rachel, struggling to accept Ross and Emily's engagement, shocks Joshua by saying they should get married. Monica and Phoebe pick up Emily's wedding gown at the bridal shop. Monica tries it on and does not want to take it off, then puts it on again at home. Phoebe then shows up in a rented wedding dress. Rachel leaves Joshua a phone message explaining she was just upset about Ross and Emily. She never expects to see Joshua again. The girls try cheering Rachel up by getting her to wear her old wedding dress, only for Joshua to show up. Seeing her in a bridal gown, he runs off for good. |
fd_The_L_Word_02x02 | fd_The_L_Word_02x02_0 | TEXT: EXT. - CHURCH - DAY [Church bells are heard. Several people stand just outside the main entrance, which is decorated in lace and bows. There's a red carpet leading to the entrance.] [Title card: Mendocino, California - 2003.] [Robin walks out the doors in white tuxedo; the people 'ooh' and 'ahh' and clap and throw rice. Robin smiles as she walks out. Everyone looks to the doors expectantly.] Voice: Where's Claybourne? [Robin looks around. Claybourne is not there.] INT. - CHURCH - DAY [Claybourne and another woman are ravishing each other.] Woman: Oh! Claybourne! Claybourne! f*ck! Oh! EXT. - CHURCH - DAY [Robin looks at the ground sadly.] [Opening credits.] INT. - ATTORNEY JOYCE WISCHNIA'S OFFICE - DAY [Tina is sitting across the desk from Joyce Wischnia. All around are framed newspaper articles and photographs of Joyce's career as a civil rights attorney. One newspaper article headline screams "Lacerating Lesbian Lawyer". Next to it is a picture of Joyce posing with Bill Clinton.] Tina: It was, uh, Bette's house. She bought it before we met. But she put me on the title after I moved in. Joyce: Did you contribute to the mortgage payments? Tina: I offered, but Bette never wanted me to. (sighs) I made pretty good money as a Development Executive, but not as much as Bette and she insisted on paying the mortgage. Joyce: And you always did what Bette wanted? Tina: No. Joyce: Did you pay for anything? [Joyce picks up a couple of ping-pong balls off her desk. She turns in her chair and hurls them at a huge felt wall sculpture of a uterus, with fallopian tubes and ovaries and little fabric pockets under them. The little ball hits with
SUMMARY: | Tina hires a feminist lesbian lawyer named Joyce Wischnia ( Jane Lynch ) to help with her separation from Bette. Dana and Tonya have a get-together with Dana's parents to discuss their upcoming nuptials. Ivan gives Kit the cold shoulder as she prepares to finalize her purchase of The Planet coffeehouse from Marina's visiting estranged husband. Jenny enrolls in a creative writing class at UCLA taught by the stern and cynical Charlotte Birch ( Sandra Bernhard ) in which the latest writing assignment makes Jenny decide to break up with Robin after she discovers Robin wishes to marry her. Dana and Tonya take Alice, Shane and Tina for a night on the town to a strip club where a girl, who looks like Bette, dances in front of her. |
fd_Alias_02x18 | fd_Alias_02x18_0 | TEXT: Sydney, wearing fatigues and a bulletproof vest, runs down a hall in an underground tunnel. She comes to a stop and shoots down a hall. Irina, at the other end of the hall, shoots back. They're both breathing heavily. Irina pauses. Sydney looks down the hall and Irina shoots at her while Sydney hides. Sydney shoots. Irina makes a run for it, going to a ladder that leads up to the ground above. She starts climbing. Sydney runs after her and stops, her gun raised.) SYDNEY: Freeze! (Irina pauses, a few steps from making it to the ground above, and turns to Sydney. She looks at her. And then starts to move up the ladder. Sydney shoots her.) IRINA: Ugh! (Irina falls on the ground, wincing. A helicopter whirs, approaching the ground. Sydney walks up on the ground over and crouches beside the fallen person. Vaughn runs up, also in fatigues.) VAUGHN: (to comm) We have a casualty. Woman down. We need a medic. (Dixon walks over to them, looking devastated. Sydney cries, on her knees. She puts her head down beside their body.) (Los Angeles. Five days earlier. Sydney and Vaughn walk into the ops center together.) VAUGHN: They'll probably keep me in debrief for a while. SYDNEY: You'll be okay. VAUGHN: If you never see me again, it was fun. SYDNEY: Shut up. AGENT: Mr. Vaughn, Mr. Yeager would like to-- VAUGHN: Talk to me. Yeah, I know. (The agent takes off Vaughn's ID badge on his chest. He nervously smiles at Sydney and leaves with the agent, walking away down the hall. Sydney spots her father and walks to him.) SYDNEY: Dad, I need to talk to you about Vaughn. JACK: I know he's under investigation. SYDNEY:
SUMMARY: | Sydney faces off with her mother, while Emily must decide whether to side with her husband or betray him. |
fd_The_Office_09x05 | fd_The_Office_09x05_0 | TEXT: Dwight: This year I decided to really get into the spirit of Halloween. [SCENE_BREAK] Erin: [screaming upon seeing pumpkin-headed Dwight] Dwight: [screaming then laughing] It may have been the costliest decision I've ever made. [SCENE_BREAK] Dwight: My greased up head went into the pumpkin no problem, but... Jim: It won't budge. Dwight: I can't get it out. Try again! [SCENE_BREAK] Dwight: I mean, I could try destroying the pumpkin... Dwight: [as Jim approaches with a knife] Jim, no. No. No! No! [SCENE_BREAK] Dwight: But as Jim and I discovered... No!... any blow to the pumpkin itself could prove fatal to me. [SCENE_BREAK] Dwight: At first I drove myself crazy thinking about the things I should have done differently. I never should have played that joke on Erin. I never should have hollowed out this damn pumpkin in the first place. Then I realized that I was being silly. I mean the pumpkin should rot off of my head in a month or two. Right? [SCENE_BREAK] Erin: Hey guys. Pam: Hey. Erin: Pam, what are you? Pam: I am Dr. Cinderella. Jim: Cece's really into princesses now. So we decided to turn them into a positive female role models. Pam: I'm an oncologist and you are a dog. Erin: No, I'm a puppy. Dang it! I was worried that would happen. Jim: It's Okay. Erin: Uh, Jim, you're not dressed up at all. Jim: Sure I am. I am... one of the Men in Black guys. [to Pam, under his breath] Can I have your sunglasses? Erin: Jim, come on. I thought we were past this. [SCENE_BREAK] Pam: So the sports marketing business that Jim told everyone about except for me? Jim: There's a big investment lunch today, so I decided to skip the costume. Pam: Unless he
SUMMARY: | After inviting his former college a cappella group, Here Comes Treble, to perform for the office during Halloween, Andy gets angry when he hears that his college friend Broccoli Rob ( Stephen Colbert ) is telling a different story about the group. Dwight tries to track down a madman in the office; Jim and Pam fight over his new job. |
fd_The_Office_09x22-23 | fd_The_Office_09x22-23_0 | TEXT: Erin: The tea in Nepal is very hot. Kevin: But the coffee in Peru is much hotter. [Erin buzzes him into the office] [SCENE_BREAK] Dwight: Last week I finally became permanent manager of Dunder Mifflin Scranton. My first project: increase security. I got these doors from a jewelry store that had recently gone out of business. Now they're protecting America's real treasure, paper. Every morning I email the day's security codes. Something that's been really missing from my life has been writing secret codes. It's not the KGB, but it's a start. [SCENE_BREAK] Erin: The tea in Nepal is very hot. Dwight: But the coffee in Peru is far hotter. Erin: Close. Dwight: This is Tuesday, right? The coffee in Paraguay is far hotter? Erin: Colder. Dwight: The coffee in Paraguay is colder? Erin: No, I meant you're getting colder. The correct response is, "the coffee in Peru is much hotter." Dwight: Ah, much, ok. Erin: But, that's three wrong, so I gotta give you the steam. [Dwight begins to protest] Unless you want me to break protocol? Dwight: No, no. Give me the steam. [SCENE_BREAK] Dwight: It's just harmless steam to panic intruders. I'd like to get harmful steam, but the prices are absurd. [SCENE_BREAK] Dwight: [while getting steamed] Break protocol! Break protocol! Break protocol! Creed: [carrying in clothes on hangers] Oh, I'm saving a fortune on dry cleaning. [SCENE_BREAK] Philip: Mama! Oscar: Angela, someone wants you. Angela: Ok, coming. Hi, baby. [SCENE_BREAK] Oscar: Angela's divorce from the senator has been very difficult for her. When she got kicked out of her apartment, I invited her to move in with me. Ironic that it's Angela who's living in the closet. Hey-o.
SUMMARY: | Jim convinces Dwight that he needs to choose someone to act as an Assistant to the Assistant to the Regional Manager; the two subsequently hold tryouts for the position. After her daycare turns away her child, Angela is forced to bring her kid to work. Andy auditions for "The Next Great A Cappella Sensation". This episode guest stars Aaron Rodgers , Clay Aiken , Mark McGrath , Santigold , and Jessica St. Clair . |
fd_CSI__Crime_Scene_Investigation_07x12 | fd_CSI__Crime_Scene_Investigation_07x12_0 | TEXT: FLASH IN: CUE SONG: "Sweet Jane" by The Velvet Underground TIME LAPSE SEQUENCE: [EXT. (OLD) LAS VEGAS STRIP (STOCK) - NIGHT] (We're traveling along the old Las Vegas Strip.) [EXT. BUS STATION - NIGHT] (People carrying their suitcases cross the street in front of the bus station.) [TIME LAPSE] (FAST FORWARD: Night turns to day. The days pass. Seasons come and go. The weather changes. Tall buildings in the city are built.) [INT. BUS STATION (1970'S) - LOBBY - NIGHT] (FAST FORWARD to 1975: People come and go through the lobby.) (SLOW ON: A young blonde-haired woman carrying a suitcase arrives. She walks past a Liberace poster.) [TIME LAPSE] (FAST FOWARD TO 1989: More time passes. People come and go through the bus station.) (SLOW ON: A young woman with crimped hair arrives. She walks past a MIRAGE poster for their GRAND OPENING, FALL 1989.) [SCENE_BREAK] AS MORE TIME PASSES, FLASHES OF VARIOUS POSTERS WITH PEOPLE CONSTANTLY COMING AND GOING * EXCALIBUR, JUNE 1990 * LUXOR, GRANS OPENING, FALL 1993 * NEW YORK NEW YORK, OPENING JANUARY 1997 * MANDALAY BAY, LAS VEGAS, OPENING 1999 [EXT. BUS STATION - NIGHT] (FAST FOWARD ON: People are coming and going.) (SLOW ON: A blonde-haired young woman arrives with her suitcase in her hand. She looks around. A large billboard looms in the distance - MANDALAY BAY, LAS VEGAS, NOW OPEN.) (She walks out of screen and heads down the sidewalk, pulling her suitcase behind her.) (Sirens sound in the distance.) [SCENE
SUMMARY: | Catherine investigates the murder of a runaway teen whose naked body is found in a desert lot behind a hotel. Helping with the case is Mike Keppler (played by Liev Schreiber ), an experienced CSI from Baltimore who is the newest hire on the day shift but is filling in temporarily on the night shift since Grissom is on sabbatical. Their investigation reveals the dead girl may be the victim of a serial killer whose slayings may go back decades. |
fd_Grey_s_Anatomy_02x03 | fd_Grey_s_Anatomy_02x03_0 | TEXT: (Meredith and Cristina are jogging in the park) Cristina: Uh...Uh. (Meredith jogs back to her. Christina starts jogging again.) Cristina: Oh you're stupid. Oh God. You're stupid, evil, sadist and I wanna kill you. Meredith: Endorphins are good. Endorphins are mood elevators. This is supposed to make us feel better. Cristina: Oh god. Do you feel better? (Christina stops jogging to catch her breath, while Meredith jogs around her in circles) Meredith: I'm stupid. Cristina: Slutty mistress. Meredith: Pregnant whore. Cristina: Sleeping with our bosses was a great idea. (Meredith stops to catch her breath too) Meredith: You know what's ruined for me? Cristina (in pain): Ah? Meredith: Ferry boats. I used to love ferry boats and Derek's got a thing for ferry boats. Now every time I see a frigging ferry boat... Cristina (cuts off Meredith): You know what's ruined for me? Coronary artery by-pass grafts... and aortic aneurysms. God I used to love aortic aneurysms. (Both lie down on the grass trying to catch their breaths.) MVO: Surgeons are control freaks. With a scalpel in your hand, you feel unstoppable. There's no fear, there's no pain. Meredith: Have you cried yet? Cristina: Hello? MVO: You're 10 feet tall and bullet proof. Cristina: Do you think we'll feel better if we cry? You know like just let it out? Meredith: Probably. Yeah. MVO: And then you leave the O.R. Cristina (unsure): Do you wanna cry now? Meredith: No. Cristina: Okay, lets, lets jog. MVO: And all that perfection. All that beautiful control just falls to crap. (Locker room) (Alex and Izzie are
SUMMARY: | Ellis Grey is brought into the hospital for possible diverticulitis , and her Alzheimer's condition becomes known to everyone. George is assigned to her case, but she refuses letting him treat her, believing he is her ex-husband Thatcher Grey. Alex and Meredith treat a young patient with an extreme blushing condition. Izzie defends her blossoming friendship with Alex to the others. Addison and Izzie try and save the life of a premature baby who was abandoned. To Burke's shock, Cristina collapses in the O.R. and Addison has to remove her Fallopian tube, causing her baby to be aborted and Burke to find out that she was pregnant. Meredith tells Derek that hating him is exhausting and that she doesn't want to do it anymore. |
fd_Teen_Wolf_01x05 | fd_Teen_Wolf_01x05_0 | TEXT: Jackson: Hoosiers is not only the best basketball movie ever. It is the best sports movie ever made. Lydia: No. Jackson: It's got Gene Hackman and Dennis Hopper. Lydia: No. Jackson: Lydia, I swear to God you're gonna like it. Lydia: No. Jackson: I am not watching The Notebook again. Jackson: Can somebody help me find The Notebook? Hello? Is anybody working here? You gotta be kidding me. Sheriff: Mm. Did they forget my curly fries? Stiles: You're not supposed to eat fries, especially the curly ones. Sheriff: Well, I'm carrying a lethal weapon. If I want the curly fries, I will have the curly fries. Stiles: If you think getting rid of contractions in all your sentences makes your argument any more legitimate, you are wrong. Dispatch: Unit one, do you copy? Stiles: Sorry. Sheriff: Unit one, copy. Dispatch: Got a report of a possible 187. Stiles: A murder? Sheriff: Stay here. Paul, let's get this area locked up. Stiles: Oh, no way. Jackson: Why the hell can't I just go home? I'm fine. Sheriff: I hear ya, but the EMT says you hit your head pretty hard. They just wanna make sure you don't have a concussion. Jackson: What part of "I'm fine" are you having a problem grasping? Okay, I wanna go home. Sheriff: And I understand that. Jackson: No, you don't understand, which kind of blows my mind, since it should be a pretty basic concept to grasp for a minimum - wage rent - a - cop like you! Okay, now, I wanna go home! Stiles: Oh, whoa, is that a dead body? Sheriff: Everybody back up. Back up. Derek: Starting to get it? Scott: Uh, I get that he's killing people, but I don't get why. I mean, this isn't standard practice, right? We don't go out in the middle of the night murdering everyone, do we? Derek: No
SUMMARY: | Lydia and Jackson witness a werewolf attack at the video store. Stiles is worried for his father, the sheriff. Allison's aunt gives Allison a family heirloom and encourages her to use it to learn more about the family history. Scott and Allison play hooky on her birthday. Derek confronts Jackson about what he saw the night before. Derek gets a surprise visit. At the parent teacher conference, Scott's mom and Allison's father find out they both skipped school that day. After the parent teacher conference, someone pulls a gun and uses it. |
fd_Once_Upon_A_Time_03x21 | fd_Once_Upon_A_Time_03x21_0 | TEXT: SCENE: Boston, Land Without Magic. Past, Eighteen years ago. At Happy Cottage Children's Home, a little girl is handed a stuffed Mickey Mouse toy by her new adoptive parents. She waves good-bye to the other children before going into the couple's car to go to her new home. The woman who runs the home then begins to usher the children back inside. [SCENE_BREAK] Woman: All right, everyone. Back inside. It's almost dinnertime. (Last to leave is an eleven-year-old Emma, who continues to stare longingly as the car drives away.) Don't worry, you'll find a home too, Emma. [SCENE_BREAK] SCENE: Storybrooke. Present day. At the Blanchard Apartment, Emma is lost in thought as Mary Margaret and David spend time with their infant son. [SCENE_BREAK] David: He's a handsome boy. Mary Margaret: (Chuckles.) Stop, you're going to spoil him. David: Emma, you okay? Emma: What? Oh, yeah, of course. You guys finally gonna tell me the name of my little brother? Or should I just keep on calling him "Hey there"? David: Well, the thing is, there's this tradition. Back in the Enchanted Forest, whenever a new royal is born, you usually announce the name at a coronation ceremony. Mary Margaret: We would have done it with you if we could have. Emma: You're not gonna hold him out in front to the clock tower and present him like Lion King, are you? David: (Laughs.) Of course not. In fact, we've decided to forego all pomp and circumstance for a nice potluck at Granny's. Mary Margaret: The important thing is to mark the occasion. To remind ourselves that after all we've been through, we're still together. As a family. (Henry enters, carrying a newspaper ad for an apartment.) Henry: Hey, check it out. I think I found us a place. Emma: (Surprised and confused.) You're looking for apartments? Henry: What do you think? (He hands her
SUMMARY: | Everyone in Storybrooke joins Mary Margaret and David as they prepare to crown their newborn son, while the time-travel portal that Zelena created before her apparent demise comes to life, and takes Emma and Hook back to the Enchanted Forest, before the events of the original curse. Emma and Hook must find a way to return to Storybrooke. But in their quest to return, they accidentally ruin Snow and Charming's first meeting, and they must repair the timeline with Rumplestiltskin's help, before it is too late to undo the damage. Note: This episode was aired together with "There's No Place Like Home" as a 2-hour special . |
fd_The_Office_05x26 | fd_The_Office_05x26_0 | TEXT: Kevin: At least once a year, I like to bring in some of my Kevin's Famous Chili. The trick is to undercook the onions. Everybody is going to get to know each other in the pot. I'm serious about this stuff. I'm up the night before pressing garlic and dicing whole tomatoes. I toast my own Ancho chilies. It's a recipe passed down from Malone's for generations. It's probably the thing I do best. [SCENE_BREAK] Michael: Someone is returning! He started his own company, and now he's back. Who could it be? I'll give you a hint. He is a man. A man you have missed with all your heart. A man who has ruined all other men for you. Who is it? Ryan: [whispering] Who is it? Pam: [whispering] Who is it? Michael: [whispering] It's Michael Scott. [applause; Michael jumps through sign] Hold it up. Conference room, five minutes. [SCENE_BREAK] Michael: Well, I guess the first order of business is to welcome back me, and Pam and Ryan. [scattered applause] And how about casual Friday again, huh? Reinstituting casual Friday? You all look great. What I want to do right now is try something a little different. I'm going to throw it out there, starting with this meeting. I want you guys to run it. I want you to say whatever you want, take it away. Your meeting. Dwight: [after a few moments of silence] Wh--what are you doing? Michael: If there is something that you would like to say as a group, then by all means, you may say it to me right now. Angela: Okay. Michael: Yes. Angela: People are dressed inappropriately. Michael: Take it up with Toby. What I want you to do, is I want you to look inward. And I want you to reflect. And I want you to say something different. Jim: Can you give us a hint? [SCENE_BREAK] Michael: When I needed salespeople for my new paper company, everyone here turned their back on me. Am I going
SUMMARY: | Michael tries to solve a dispute over customers when the sales team feels that he is biased to the previous Michael Scott Paper Company employes. Pam and Ryan are forced to return the customers and with fewer customers, Michael is forced to fire one of them. Pam is kept on as Ryan is once again a temp. Meanwhile, Toby confronts several employees who take the term casual Fridays too loosely. |
fd_Queer_As_Folk_01x22 | fd_Queer_As_Folk_01x22_0 | TEXT: [Open on Brian moaning, etc whilehaving s*x with a whole bunch of different guys. While wesee this, little squares with Michael, Justin, Emmett,Ted, Melanie and Lindsay all sporadically pop up on thescreen, Brady Bunch style, while they all talk on thephone to each other] Michael: Has anybody heard from Brian? I've been tryin'to reach him all day. Justin: Me, too. And he hasn't returned any of my calls. Lindsay: I hope he's all right. Emmett: I wonder how the condemned man's spending hisfinal hours. Ted: Doing penance? Melanie: Doing drugs. Michael: Doing as many guys as he can? All: Bingo! Lindsay: Maybe we shouldn't go through with this. He madeit clear he doesn't want to be reminded. Justin: We're not even supposed to mention it. Michael: It could get ugly. Really ugly. Ted: Still, it is an event of historic proportion. Like,the moon landing or the fall of communism. Melanie: It is our duty as friends to commemorate it... Emmett: And make sure he remembers it...always. (Lindsaychuckles) [Brianfinishes and falls to the bed. When he comes to, thewhole gang is there] Michael: Briiiiii-an! Justin: Hello in there! Lindsay: Wake up sleepy head. Brian: What are you...doing here? Melanie: (gasp) You mean you haven't heard? Emmett: It's the last day of the rest of your life. Brian: Did I die? Ted: No. But you'll wish you had. You're thirty. [All of them start laughing evily. Justin crawls on topof his naked body] Brian: Go away! Justin: Sorry, grandpa. Brian: (pushing Justin off) I said, go away! Justin: No such luck. Brian: Oh. (Brian tries to roll away but everyone goesafter him, trying to get him) Emmett: Grab him! Michael: Careful, he bites. Melanie: (throwing clothes to Lindsay)
SUMMARY: | Brian turns 30; Michael and David prepare for their move to Portland; Ted faces the truth about Blake; Justin and Daphne attend their prom where unexpected events take place. |
fd_Frasier_08x14 | fd_Frasier_08x14_0 | TEXT: Act 1 Scene 1 - Frasier's Apartment Fade in. Daphne is eating at the dining table, Martin is in his chair with Frasier standing behind him. They are staring at her with a mixture of concern and interest. She notices them. Daphne: Oh, I'm sorry. Care for some brie? Frasier: No, thank you Daphne. Isn't Niles taking you to dinner soon? He sits down on the couch as she gets up and heads for the kitchen. Daphne: Yeah, but if I don't have a little snack now, I'll just make a pig of meself later. She stuffs the last bite in her mouth and goes to the kitchen. Frasier: You know, I'm really starting to worry about her. The doorbell rings and Frasier gets up to answer it. Martin gets up from his chair. Martin: You're worried? Somewhere on a poultry farm a bunch of chickens are holdin' a prayer vigil. Frasier opens the door to reveal Niles. Frasier: Ah! Hello, Niles. Niles: [entering] Hello, Frasier. Look at what I brought: chocolate covered honey nougat praline bombs! And they're jumbos! Martin: Well, we knew they weren't for us. Frasier: Dad! Martin goes off to his room, Niles hangs up his coat. Frasier: Listen, Niles. This may be a bit of a sensitive subject, but have you noticed anything... different about Daphne lately? Niles: Well, she's happier, as am I. Frasier: Well, I guess I meant more in a... physical way. Niles: Well, she trimmed her bangs, that was a week ago. Men! Frasier: I, I guess what I'm really talking about is her... size. Niles: Well, that's my fault. I was self-conscious about our height difference and I asked her to stop wearing high-heeled shoes. Frasier: Niles...? Niles: Yes? Frasier: [giving in] I hope one day to love
SUMMARY: | Kenny appears at Frasier's apartment in a panic, and explains that he has a date with a woman, Janis, who he met in a bar. Frasier, realizing that Kenny does not want to jeopardize his marriage, offers to go to the restaurant and make his apologies to Janis. But Janis left a message on Kenny's answering machine at home, and Kenny's wife went to the restaurant, chased Janis away, then sat and waited for her husband. Frasier arrives, and assumes that she is Janis, and she decides not to tell him the truth. They end up dining together, and Frasier believes he has saved Kenny's marriage. However, when they decide to meet again, Kenny starts to suspect that his wife is having an affair. Meanwhile, Daphne has now gained so much weight that even Niles cannot ignore it, especially when she has a fall in the apartment and it takes all three Crane men to lift her back up. |
fd_Doctor_Who_1963_21x04 | fd_Doctor_Who_1963_21x04_0 | TEXT: WARRIORS OF THE DEEP BY: JOHNNY BYRNE Part Four First Air Date: 13 January 1984 Running time: 24:48 [SCENE_BREAK] DOCTOR: How do you do? I'm the Doctor. Haven't we met before? [SCENE_BREAK] TURLOUGH: What's this? BULIC: A ventilation shaft. [SCENE_BREAK] TARPOK: The Sea Devil warriors have captured the reactor room. ICHTAR: Excellent. VORSHAK: Allow my crew to surrender. ICHTAR: It is they who insist upon fighting. SCIBUS: The damage is assessed, Ichtar. The computer can be restored to normal functioning. ICHTAR: Perfect. DOCTOR: Ichtar. TEGAN: You know him? DOCTOR: Yes. I thought he'd been killed. ICHTAR: Remove these people from the bridge. DOCTOR: You do not recognise me now, but we are known to each other. ICHTAR: You are mistaken. Take him away. DOCTOR: No, wait, wait, please. In an earlier regeneration you knew me as the Doctor. ICHTAR: The Doctor? You can prove what you say? DOCTOR: I know that you are Ichtar, the surviving leader of the noble Silurian Triad. When we last met I tried to mediate between you and the people of Earth. ICHTAR: So it is you. DOCTOR: May we speak? ICHTAR: The Doctor and Commander Vorshak will remain. Remove the others. ICHTAR: I will listen to what you say, but I should tell you that the Silurians have long since abandoned the way of mediation. DOCTOR: So it seems. Why? A civilised race like yours, waging unprovoked war? ICHTAR: Defensive war, Doctor. There is a distinction. Silurian law forbids any other. DOCTOR: Defensive? There's no such thing. When we last met, your supreme wish was to live at peace with the other inhabitants of this planet. Now, why change such an enlightened policy now? ICHTAR: Our policy has always been
SUMMARY: | The Doctor is presented with a moral dilemma when Icthar reveals his plans to get rid of the human race so the Silurians can take back what was once theirs. |
fd_Glee_01x01 | fd_Glee_01x01_0 | TEXT: Scene 1: Soccer field - Sue, Pom-pom girls The cheerleaders, known as Cheerios are training. At the end of a delivery girl falls of the pyramid and doing all miss. Sue: You find it hard? Try it dipped it's hard. Scene 2: High School Parking - Will, Puck, Finn, Kurt, members of the football team A car in poor condition, pulls in the parking lot of the school. Pulls out a teacher, Will. He sees the football team surround a student next to a trash can. Will: New friends, Kurt? Puck: It is clear, Mr. Schue. Will: Hey Finn, I'm still waiting on your homework "What hace su pasado verano"? Finn: What? Will: What did you do this summer. Finn: I'm almost half done, Mr. Shue. Puck: Knock it! Puck is beginning to Kurt, with a friend. Kurt: This is the new Mark Jacobs! Finn: Wait. (They are based on. Kurt gives her his jacket) Okay. Kurt is hanging in the trash. Scene 3: Corridor - Will Will is in the hallway, he looks at the storefront where the trophies of the school choir and a picture of the last director of the latter having had a victory in a contest. On a sign says "By definition, singing along is to open his heart to joy". He seems to have an ulterior motive. Scene 4: Spanish Hall - Will students Students are taking Spanish classes, including Finn, who seems to be elsewhere. Will rehearse sentences in Spanish. Will: Como esta usted? Yo me llamo Guillermo. Students: Como esta usted? Yo me llamo Guillermo. Will: What lastima, that is hojala sienta mejor. Rapido. Students: What lastima... The bell rings. Scene 5: Choir Room - Sandy, Hank In the choir room, a student, Hank, rehearsing a musical with the current teacher of singing, Sandy. He sings "Where Is Love?". At the end
SUMMARY: | Former glee club star Will Schuester ( Matthew Morrison ) takes over McKinley High School's glee club in the hopes of restoring it to its former glory. He is faced with the challenge of converting a group of misfits, including fame-hungry Rachel Berry ( Lea Michele ), Mercedes Jones ( Amber Riley ), Kurt Hummel ( Chris Colfer ), Tina Cohen-Chang ( Jenna Ushkowitz ), and Artie Abrams ( Kevin McHale ), into a team of singers. When Will discovers that football quarterback Finn Hudson ( Cory Monteith ) has a secret talent for singing, he blackmails Finn into joining the club. His friendship with friend and colleague, Ken Tanaka ( Patrick Gallagher ), the football coach suffers when Ken discovers that his crush, the school guidance counselor, Emma Pillsbury ( Jayma Mays ) has a crush on Will. Meanwhile, Will's wife Terri ( Jessalyn Gilsig ) tells Will she's pregnant and pushes him to find a higher paying job to support his family. Will considers quitting his job and commitment to the glee club, but overhears New Directions performing "Don't Stop Believin' " so well that he ends up returning after getting guidance from Emma, concluding that he could not bear to see them win Nationals without him. |
fd_Angel_03x13 | fd_Angel_03x13_0 | TEXT: Wesley is sitting in front of a book open to a woodcut of a demon. Wes: "Honestly, have you ever seen anything lovelier? So - graceful, so full of life. And those eyes... make you feel like you're the only man in the room." Cordy: "Plus, six breast. Any man is gonna love that." Wes: "Fred doesn't have six breasts! - Right?" Cordy, writing on a notepad: "Sorialus the Ravager. (Looks down at the book) And, yeah, she's the one from my vision." Wes: "Coming to destroy the humans that killed her mate." Cordy: "But not for another month or so. I'll file her under 'pending.' - You're gonna ask her out?" Wes: "The Ravager?" Cordy: "Fred." Wes: "Oh. - Yes - but, you know - timing. I'll make my move when I feel the iron is hot." Cordy: "Well, get it done, Johnny Reb. So I can hear about something else, and you can do something else besides feeling your hot iron." Wes: "Am I very boring on the subject?" Cordy smiles: "You know, there was a time when you thought I was the loveliest thing in the world." Wes: "Well, I... You're an extraordinary woman. (Cordy raises an eyebrow) I..." Cordy: "At ease, soldier. Just like to hear it every now and then. I was the ditziest bitch in Sunnydale, could have had any man I wanted. Now I'm all superhero-y and the best action I can get is an invisible ghost who's good with the Loohfah." Turns from filing away her notes to look at Wes. Wes looks at her for half a moment then looks back down at his book. Wes: "I'm sorry. I missed that last part." Cordy smiling: "You *are* a gentleman." Angel: "Who's doing what with the Loofah?" Wes, getting up: "Not Loofah, Looh-fa
SUMMARY: | When a famous dance troupe comes to LA, Angel is thrilled. He drags Gunn, Fred, Cordy and Wes along for a night of ballet. Unfortunately, supernatural forces are afoot at the theater. Meanwhile, Angel is scared to admit his real feelings for Cordy. Wes & Gunn both continue to fall for Fred and she finally kisses one of them. |
fd_Charmed_08x13 | fd_Charmed_08x13_0 | TEXT: [Scene: Magic School, Hallway outside Great Hall. 'Piper' is running down the hallway. A demon appears behind her and throws an energy ball at her. 'Piper' ducks and hits the table in front of her. He creates another energy ball. 'Paige' steps out from behind a column. The demon throws the energy ball.] 'Paige': Energy ball. (The energy ball orbs back to the demon, but he side-steps it. 'Phoebe' steps out and fights him. The demon flips down on the floor. The demon shakes his head and stands up. 'Piper' blows him up. The'sisters' gather.) 'Piper': Nice teamwork. 'Phoebe': You mean nice sister work. 'Paige': We are definitely getting better at this. 'Piper': Well, we should be, we've been doing it long enough. 'Phoebe': I think we're ready. 'Paige': So do I. Male Demon: I don't. (He steps out from the shadows.) Something is still missing. 'Piper': What do you mean? How many more demons do we have to vanquish? 'Phoebe': We've been training for this for like eight years. 'Paige': Five for me. But still, we've mastered their powers. Male Demon: Their individual powers, yes. But you're still missing their collective power: The Power of There. And until you get it, you will never truly replace the Charmed Ones. (The'sisters' morph back into three dark-haired demons.) Opening Credits [Scene: Manor, main hall. Phoebe comes downstairs with a large box. Piper is sitting in the dining room, looking through the Book of Shadows.] Phoebe: Anyone down here? Big box in high heels. (She gets to the bottom.) Need some help. Piper
SUMMARY: | As Phoebe begins to out of the manor, a trio of demons looks to hijack the sisters' lives in order to obtain the Power of Three and the Book of Shadows. The demons' plan almost goes off without a hitch, but thanks to call for help sent to Billie, the sisters are able to return to their rightful places inside the manor and vanquish the demons. Meanwhile, Paige decides to tell Henry about her magical powers and looks to Phoebe for advice about how to do it without freaking him out. |
fd_Doctor_Who_1963_03x30 | fd_Doctor_Who_1963_03x30_0 | TEXT: THE CELESTIAL TOYMAKER by BRIAN HAYLES and GERRY DAVIS first broadcast - 2nd April 1966 running time - 24mins 40secs [SCENE_BREAK] 1. INSIDE THE TARDIS (STEVEN and the DOCTOR are inside the TARDIS control room.) STEVEN: We're landing now Doctor. DOCTOR: Good. That means the gravitational bearing must have rectified itself. (DODO enters from one of the other rooms.) DODO: Hey, look at this! (DODO models her groovy new outfit, a sleeveless mini dress. The upper portion is light-colored with a dark, misshaped circle in the center. The bottom portion is dark-colored with light, misshaped circles all around. On her head she wears a cap with a visor. She looks like she just came from Carnaby Street. Meanwhile, the DOCTOR switches off the TARDIS.) DODO: Ain't it fab? (STEVEN walks over to her and examines her clothes with approval.) STEVEN: Yes... hmm, very nice. (The DOCTOR sneezes and as he does so he slowly fades away. STEVEN and DODO don't notice right away because they are facing each other.) STEVEN: Bless you. DODO: Oh Doctor, don't say you're catching a cold now. (Now STEVEN and DODO turn toward the DOCTOR and discover that he's disappeared.) STEVEN: Doctor? Well, where are you? (The DOCTOR briefly fades in and out of sight but then completely disappears.) DOCTOR: What do you mean, dear boy? I'm still here, hmm? STEVEN: Huh? (STEVEN and DODO walk toward the spot where they last saw the DOCTOR standing.) DODO: Doctor, you've vanished! DOCTOR: What? Oh nonsense child! Nonsense! Hmm! DODO: (Looking at STEVEN.) You have! Do you think this is something to do
SUMMARY: | Missing episode The travellers arrive in a strange domain presided over by the Celestial Toymaker - an enigmatic, immortal entity who forces them to play a series of games, failure at which will render them his playthings for all eternity. |
fd_Almost_Royal_01x02 | fd_Almost_Royal_01x02_0 | TEXT: Narrator: The Carltons are in Boston, Massachusetts, the birthplace of the American Revolution. Boston is known as the most historical city in the United States. So, Poppy and Georgie have come to meet Professor Bob Allison, author and expert in revolutionary history, to find out more about the American patriot and activist, Paul Revere. Bob: Revere got news that the British Army in Boston was going to march west to the town of Concord to seize the weapons and ammunition that the Colonists were stockpiling there. Georgie: Marvelous. Poppy: That makes sense. Yeah. Bob: Revere rode on his horse then, bringing this message to the patriots. He would not have said, "The British are coming," because revere was also British. So, if he was British, why was he telling... Why was he sneak... He was being quite sneaky and telling on us. Like a snitch. A little bit of a snitch. He was not a snitch. He was a very alert member of the community. But he was telling on his friends. He was. And that doesn't go down very well in Britain, I have to say. I once told on my friend at boarding school. Really? He had mucky magazines in his dorm room. And no one would talk to me. I was blackballed. Yeah, if you're a dirty snitch you will get punished in England. Well, in this case, the government here was taking away what the Colonists considered to be their rights as Englishmen. We thought we should be able to make our own rules. I try to make my own rules all the time, though, and that... It never works. If I made my own rules, I'd just eat sort of cereal all day. Georgie really likes Sugar Puffs. Bob: Really? Sugar Puffs. Bob: Well, Sugar Puffs are quite good. You can't eat them all day, they make your wee smell funny. No, that's certainly one of the many drawbacks to eating too many Sugar Puffs. The statue was put here in the 1930s as Americans love Paul
SUMMARY: | Poppy and Georgie visit Boston to discover a little American history. |