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fd_The_Mentalist_02x02 | fd_The_Mentalist_02x02_0 | TEXT: Jane: What's the fuss? Cho: Slept through Lisbon's briefing in the van, didn't you? Jane: Like a baby. Cho: Yeah, the victim's name is Kristin Marley. She worked at the state capitol for some lady senator, went missing three days ago. Rumor is she was having an affair with the senator's husband. Rigsby: My bet-she's a jumper. Van Pelt: I hope not. Cho: If she's a jumper, job's done. Rigsby: Yeah, the senator's husband dumps her, she wants to make him feel bad, she comes out here... Splat. Van Pelt: Don't talk that way. Rigsby: Okay, not splat. Bam. Van Pelt: There's nothing worse than suicide. Human life is sacred. When someone takes their own life, it's a tragedy. Lisbon: Sacramento P. D.'s handing the case over to us. Let's go talk to the coroner. Shall I recap the case, sleepyhead? Jane: Kristin Marley- lady senator's aide, rumored romance with the senator's husband. Lisbon: Very good. Jane: Oh, I trained myself to hear and take in information while asleep. Lisbon: The others told you? Jane: Yes, they did. Coroner: At this point, there's no way to determine what happened to the victim, agent Lisbon. I-I simply can't help you. Lisbon: Well, can you tell how long she's been dead? Coroner: I couldn't possibly, given the evidence available. Lisbon: Do you think it was a homicide or a suicide? Coroner: Couldn't say. Jane: What's your guess? Coroner: I'm not in the habit of-of guessing. Please don't touch the decedent. You-you-you detectives always want the instant answers. What I do is science. Science will uncover the truth, but she will be precise, methodical and take her time before she renders her decision. Rigsby: I wonder if science can remove the stick from
SUMMARY: | The CBI team are called in to investigate the murder of Kristin Marley, a prominent State Senator's intern & aide, who was rumored to have had an affair with the Senator's husband. Lisbon is late to her psychiatrist for the third time in a row and tries to convince him she's alright. Meanwhile, Jane, who is keeping an eye on Sam Bosco and his team, attempts to figure out what new information Bosco has discovered on the Red John case, all the while boasting that he can find the murderer in the CBI's current case within 24 hours. Jane plants a listening device in Bosco's office. |
fd_Doctor_Who_1963_09x16 | fd_Doctor_Who_1963_09x16_0 | TEXT: THE MUTANTS BY: BOB BAKER AND DAVE MARTIN 5:50pm - 6:15pm [SCENE_BREAK] 1: INT. SKYBASE ONE. TRANSFER SECTION (KY uses JO as a shield as he backs towards a transport cubicle.) JO: But I'm not an Overlord! I've come to help you! (KY and JO enter a transport cubicle. The MARSHAL, the DOCTOR and the guards, weapons trained, stand before the row of cubicles.) MARSHAL: Now, you fool! Shoot! DOCTOR: No, you can't! MARSHAL: I said fire! (The guards fire and the cubicle explodes. When the smoke has cleared, there is a large burnt hole in the glass of the door but no sign of JO or KY. The MARSHAL raises the microphone in his baton as the DOCTOR looks on in horror.) MARSHAL: (Into radio.) Alert all ground stations. (To the DOCTOR.) Your friend won't get far...without a mask. [SCENE_BREAK] 2: INT. SOLOS. TRANSFER STATION (The transfer station on Solos looks much like its counterpart on Skybase, complete with signed, segregated cubicles. The Solonian cubicle glows with an intense blue light which fades, along with the sound of the materialisation which at first blocks out KY'S words as he speaks to JO. He has now released her.) KY:... No Overlord can exist without a mask. JO: How many more times do I have to tell you I'm not an Overlord? (A short distance away, a Skybase guard sits behind a counter behind which is a sign which reads: CHECK OXYMASKS BEFORE LEAVING He hears a radio message from the MARSHAL.) MARSHAL: (Over radio.) I want both of them. Do I make myself clear? SOLOS GUARD: Sir. (He grabs a gun from a wall mounting and opens
SUMMARY: | Ky transports himself and Jo down to Solos and the Marshal only agrees to help her if the Doctor assists Professor Jaeger in altering Solos' atmosphere. |
fd_One_Tree_Hill_09x11 | fd_One_Tree_Hill_09x11_0 | TEXT: POLICE'S CAR Julian drives the car to the hospital and Nathan hold Dan who is dying. NATHAN: Hurry up, man. We got to get him to the hospital. JULIAN: I'm going as fast as I can! NAHAN: Stay with me, dad. Stay with me. Just put the siren on! JULIAN: I-I've never been in a cop car before. I don't know where the siren is. DAN(Weakly): It's the switch in the middle. (Siren wailing) NATHAN: You're gonna be okay. You're gonna be okay, dad. FLASHBACK Dan memories. LUCAS: He killed Keith! He shot him! STREET Brooke is still with the cop. COP: Do you have anything else to add? BROOKE:Yeah, make sure you include the part where I told you he was gonna attack me again and you didn't believe me. JULIAN(on the police's car): This is Julian Baker. I have Dan and Nathan Scott, and we're coming to the hospital, so be ready. POLICE'S CAR They are going to arrive to the hospital. NATHAN: We're here. We're here, dad! Dad? He's not waking up. Come on, dad. Come on! HOSPITAL Haley comes in and looks for Nathan. NATHAN: Hi, hales. HALEY: Say that again. NATHAN: Hi, hales. HALEY: I can't believe you're really here. Are you okay? NATHAN: I am now. Haley. It's okay. I love you. HALEY: I love you, too. Thank you for coming home to me. NATHAN: Always. And forever. HALEY: Yeah. LOGAN GRANDPARENTS' HOUSE Clay visits Logan's grandparents. CLAY: I don't know what to say. You two must hate me. GRANDMA: No. CLAY: I'm sorry that I never came by after Sara died. I always meant to. I... I just couldn't. S
SUMMARY: | After successfully rescuing Nathan, Dan's life hangs in the balance. Nathan looks back on his father's life and forgives him for all he has done. Brooke's father surprises her when he comes back into town. Clay and Quinn reconnect with Logan. Episode is named after a song by Andy Williams . |
fd_How_I_Met_Your_Mother_01x15 | fd_How_I_Met_Your_Mother_01x15_0 | TEXT: Ted from 2030: Kids, something you might not know about your Uncle Marshall is that he's always been good at games. I mean, unbeatable. Gin! Yahtzee! Poker! Ted: You don't have to shout out "poker" when you win. Marshall: I know. It's just fun to say. Ted from 2030: We all finally agreed Marshall should be running our game nights instead of playing in them. Which he took to mean, "invent your own game." The Bar Marshall: It's called "Marsh-gammon." It combines all the best features of all the best games... Candy Land, I Never, Pictionary. Robin: Backgammon, obviously. Marshall: No. Backgammon sucks. I took the only good part of backgammon, the "gammon," and I left the rest of it in the trash where it belongs. Lily: I'm so excited Victoria's coming. Robin: I'm going to go get another round. Ted: Okay, I want to lay down some ground rules for tonight. Barney, I actually like Victoria... a lot, so don't say anything embarrass... Don't say anything. And guys, I haven't exactly told Victoria that I used to have a kind of thing for Robin, so we you could just avoid the... Barney: Well, well, well. How rich. You make me promise to be on my best behavior around your girlfriend, yet, you have been lying to her since day one. Excuse me.Hi. Leg Warehouse? Yeah, my friend Ted needs something to stand on. So, nothing for him to stand on? Okay, and thanks so much. Ted, doesn't Victoria deserve to know that you once had the hots for Robin? I have half a mind to tell the story of the re-return. Ted: No. I-I swore you to secrecy on that. Lily: Ooh, I am smelling dirt. What is the story of the re-return? Ted: Nothing. It's nothing. And speaking of digging up dirt, can I count on you two to behave around Victoria? Lily: Us? What would we do? Ted: Look, um, you guys
SUMMARY: | When Lily chances upon Barney's first girlfriend, Shannon, the gang all relive their most embarrassing moments in order to persuade Barney to finish talking about his first relationship. Back when Barney was dating Shannon, he was a devoted boyfriend. However, when Shannon fabricates a story in order to leave Barney for a wealthier, better-dressed man, Barney changes his outlook on life to become who he is today. |
fd_Doctor_Who_09x05 | fd_Doctor_Who_09x05_0 | TEXT: [ Space ] [SCENE_BREAK] ( Heavy breathing ) Clara: Doctor! Doctor! The Doctor (O.C.): Yes, you're the very next thing on the list. Clara: Doctor, help me! The Doctor (O.C.): Clara, I'm under attack from four and a bit battle fleets... [SCENE_BREAK] [ TARDIS / Space ] [SCENE_BREAK] The Doctor: In case you think I'm slacking. Clara: Doctor, I think there's something in my space suit. The Doctor: Yes, that's possible, actually. You were too long in the spider mines. Clara: OK, explain? The Doctor: It's possibly a Love Sprite. Sucks your brain sucks your brain out through your mouth, hence the name. Clara: It's halfway up my leg. The Doctor: Don't worry, it's just hungry. Clara: Doctor... The Doctor: Describe the four most interesting stars you can see. Clara: There's a blue one, quite big. Two little yellowish ones just below. The Doctor: Colour of whisky, smaller one blinking? Clara: Yes! It's on the back of my neck, I can feel it. The Doctor: Great! I thought asphyxiation would kill you first. Can you see a nebula...? Can you see a nebula in a sort of wing-shape? Bit green at the end? Clara: Yes! Yes, I can. The Doctor: Great, I've seen it too. I wondered where it was. Clara: Doctor! DOCTOR! [SCENE_BREAK] [ TARDIS ] [SCENE_BREAK] ( She coughs and splutters ) ( Love sprite splatters ) ( She coughs ) Clara: How did we do? The Doctor: Oh, not a word about my spot-on materialisation skills! Clara: What about all the Velosians? Are they safe? The Doctor: Huh? Oh, yeah. Well, I lured their attackers halfway across
SUMMARY: | After being captured by Vikings, the Doctor and Clara are brought to their village. A race of conquerors called the Mire kill the village's warriors and drain them of their testosterone and adrenaline. The Doctor and Clara begin training the villagers for battle after a woman from the village called Ashildr declares war on the Mire. The next day, the Mire invade, and the Doctor steals a helmet for Ashildr to use. She broadcasts a vision of a dragon into the Mire's other helmets and forces them to retreat, but she dies from the use of her helmet. The Doctor and Clara mourn, but then the Doctor realises his face [N 1] is a reminder that he does not have to follow the rules of time and space. He uses a Mire medical chip to bring Ashildr back to life. This makes her immortal. He provides the second chip in hope she would give it to one she cares for. |
fd_The_Big_Bang_Theory_08x13 | fd_The_Big_Bang_Theory_08x13_0 | TEXT: [ The apartment ] [SCENE_BREAK] Leonard: Okay, we're headed out, see you later. Sheldon: Before you leave, could you test these noise-cancelling headphones? Leonard: Yeah, sure. Sheldon: Okay. Go ahead. Leonard: Hello, can you hear me? Sheldon, I haven't changed the filter in the water pitcher in two years. Penny: Uh, Bernadette's nickname for you is the virgin pi<unk> a colada. Leonard: Your George Lucas autograph is really a me autograph. Penny: Yeah, once I was too lazy to walk across the hall, so I used your toothbrush. Leonard: Ooh, and one time when you were asleep, Amy totally took off her... and that's why you're the best roommate ever. Sheldon: Aw, now I'm sad I didn't hear it. Penny: So what do you need the headphones for? Sheldon: Well, I've been struggling for months to come up with a theory of dark matter that doesn't make protons decay. I'm hoping to finally tackle it by optimising my work environment. See, I've got, uh, my tea is at the perfect sipping temperature. Uh, I have fleece-lined boxer shorts to keep my tushie toasty. And then, oh, last but not least, this inspirational cat poster improved with the reassuring face of physics renegade Richard Feynman. Penny: Is that why you had to take him to Office Depot last night? Leonard: I don't want to talk about it. There, the place is all yours. Penny: Yeah, have fun. Sheldon: Oh, I will, nothing more fun than a paradigm-shifting evening of science. Penny: And you thought it was soaping me up in the shower. Leonard: Bye. Sheldon: Okay. Here we go. Proton decay. Proton decay. (Time shift) Proton decay. Proton decay. (Time shift) Proton decay. Proton decay. Leonard: Hey, we're home. Any progress? Sheldon:
SUMMARY: | Sheldon has a problem in his dark matter proton decay research. After Penny says doing a fitness routine she hates motivates her, Sheldon seeks to do the same with his anxiety level while he works. The guys enjoy irritating Sheldon when he asks them to do so, while he annoys the women when he tries to listen to their mindless girl talk. Sheldon becomes exhausted and hallucinates among other things. A frustrated Amy throws him out of her apartment when he focuses on his research and anxiety during their date night. On the bus home he hallucinates a man is really a mix of an armadillo and Isaac Newton. Leonard and Penny are able to get an exhausted Sheldon to sleep after singing Soft Kitty to him. Sheldon is able to continue his research afterwards. Meanwhile, Howard has invented a game 'Emily or Cinnamon' where the rest of the friends try and guess whether an embarrassing quote from Raj was said to his girlfriend or his dog. Raj is annoyed, but Emily is okay with it, thinking it is sexy that Raj is sensitive, until she kisses Raj and is repulsed by the dog hair in his mouth. |
fd_Torchwood_2x10 | fd_Torchwood_2x10_0 | TEXT: JACK HARKNESS (v.o.) : Torchwood. Outside the Government, beyond the police. Fighting for the future on behalf of the human race. The 21st Century is when everything changes... and Torchwood is ready. EXT. GRASSY AREA - DEAD OF NIGHT It's night. On a dirt path on the outskirts of town, couples venture toward the lights and organ music as they gather in front the entrance to the traveling circus. GHOSTMAKER (o.s.) : Ladies and gentlemen, girls and boys, have we got a show for you tonight! We follow a man and a woman toward the entrance where the Ring Leader, dressed in a top hat and coat, beckons the visitors inside. GHOSTMAKER : A once-in-a-lifetime show! Inside the entrance, visitors watch various acts, two performers juggling fire-lit pins and several people dressed as clowns. GHOSTMAKER (o.s.) : Amaze your ears, astonish your eyes, then run along home and tell your friends and neighbors. There are a couple of strong men. GHOSTMAKER (o.s.) : A once-in-a-lifetime show, never to be forgotten for the rest of your lives. As a couple enters through the wooden entrance, a woman and her little girl remain on the outside. GHOSTMAKER : So, why not step inside? The Ghostmaker offers the little girl a ticket. The little girl looks at her mum. She looks at the ticket. GHOSTMAKER : We're waiting for you. The little girl reaches for the ticket, snatches it from him and runs in through the entrance. A bright light and a scream come from behind the woman. She turns and looks behind her. The lights of the traveling circus vanish completely, casting the field into darkness. When the young mum turns back to look, the circus is gone. There's nothing but fog, grass and silence. EXT. CARDIFF CITY (STOCK) - NIGHT CLOSE-UP : FILM
SUMMARY: | When an old cinema re-opens, past horrors emerge to stalk the streets of Cardiff. As bodies are found caught between life and death, Torchwood must act fast. Who are the Night Travellers and how can Torchwood capture these mysterious killers? |
fd_CSI__Crime_Scene_Investigation_01x17 | fd_CSI__Crime_Scene_Investigation_01x17_0 | TEXT: [EXT. LAS VEGAS CITY (STOCK) -- DAY] [EXT. VARIOUS LAS VEGAS COMMUNITY (STOCK) - DAY] FLASH TO: [SCENE_BREAK] [EXT. THE CRACKED KILN - PARKING LOT - DAY] (The SUV turns into the parking lot and parks.) (MARC and ANN, each carrying a cup of coffee walk up to the front door. MARC tries to unlock the door but drops the keys. ANN hands him her cup of coffee.) Ann: Oh... honey, here. Take this. (ANN kneels down to pick up the key and unlocks the door. They walk inside and find the place a mess. Cracked pottery is on the floor.) Marc: Not again. Ann: We are buying that alarm system. Marc: No argument from me. (They make their way to the back to check the register.) Ann: I'm serious. They got the cash. Why did they have to be such a mess? (ANN looks around. MARC looks behind the counter and sees something.) Marc: Oh, my god... Ann: What? What's wrong? Marc: Call 911. (On the floor is a dead body with blood on the floor near his head.) [SCENE_BREAK] [EXT./INT. THE CRACKED KILN - DAY] (NICK drives the SUV into the parking lot. He, CATHERINE and GRISSOM get out of the car and make their way into the store.) (They gingerly walk over the cracked pottery on the floor and walk over toward the back where the body is.) Grissom: Introductions? Brass: Joseph Felton, 44. Not an employee; no reason to be here. Grissom: Mind if he and I have a moment together? Brass: No. (GRISSOM steps forward toward the body. He kneels down to look it over.) (Cut to: CATHERINE dusts the cash register.) (Cut to: NICK snaps a photo of the back door. He turns around and snaps another photo
SUMMARY: | A body is found in a pottery store in what's apparently a robbery that was interrupted. Fingerprints at the scene seem to match a twenty year old kidnapping case. Sara and Warrick look into a case where a woman burned to death in her home. The woman was burned to an ash but only the chair she was in was burned, the rest of the house is fine. Sara believes they have a case of spontaneous combustion. |
fd_Married_01x09 | fd_Married_01x09_0 | TEXT: (Door opens) (Door closes) Lina: Hey. Working late again? Russ: Uh, yeah. Lina: It's kind of really late. Russ: Yup, I was, uh... just working on some of my own stuff. Lina: Hmm. Russ: Yeah. Lina: Cool. Russ: Mm-hmm. Um, how are you, how are the girls? Lina: I spent my evening pulling sh1t out of a dog's ass. Russ: Oh, for fun? Russ: Or... Lina: His a**l glands were compacted. How was your day? Russ: Like pulling sh1t out of a dog's ass. Ella: Your wife is rude. Russ: Tell me about it. You know, she wasn't always this rude. Like, before you were born, she was actually kind of cool. Ella: What happened? Russ: We broke her. And now we are all paying for it. Ella: She's refusing to get me a Halloween costume. Russ: Really? Ella: Really. Russ: That is rude. Lina: Are you freaking kidding me? That's what she said, that I refused? Russ: Yes. Lina: First she wants to be a bee, then she wants to be a hippie, now she wants to be a pirate. How many costumes am I supposed to buy? Russ: So just buy her the pirate costume. Lina: You buy her the pirate costume. Russ: I can't, I have AJ's thing tomorrow. Lina: I have lunch with Eva. Russ: Eva's in town? Lina: Really? Russ: What? Lina: I told you, like, 17 times last week that my best friend was coming to town for a week and that she has one window that she can see me for lunch and it's tomorrow and I'm gonna drive half the day to do it. Russ: So, uh, what do you want to do about the pirate costume? Lina: If I buy it, she
SUMMARY: | Lina goes to meet an old friend who is in town, but their time together is constantly interrupted by business colleagues that the friend also booked time to see. Russ and Jess try to get a reluctant A.J. to go to rehab. Ella wants a pirate costume after rejecting two others that Lina got for her, then says she wants to trick-or-treat with friends for the first time instead of with her younger sisters. |
fd_Justified_04x11 | fd_Justified_04x11_0 | TEXT: [PREVIOUSLY_ON] Drew Thompson shot Theo in the eye and left him for dead on a runway in Panama. Mr. Tonin would like you to find Drew Thompson. Wynn: Not a problem. Johnny: We found Drew Thompson. Turns out he's the goddamn county sheriff. Wynn: Find shelby before anyone else does, or you can say goodbye to that dream you have of displacing your cousin. [SCENE_BREAK] Boyd: I'm about to give you Drew goddamn Thompson on a silver platter. You want your man, that's what it's gonna cost. Colton: I think your ride is here. [ Helicopter blades whirring ] Boyd: The Marshals got to Drew before Nicky could. Ava: What do we do? Boyd: We make a case to Theo. Johnny: Or...? Boyd: Or we run. Rachel: So what's next? Art: Theo Tonin knows we got Drew. He's not gonna be too happy about that. Raylan: We just got to figure out how to get out of Harlan alive. [ Helicopter blades whirring ] Art: Wouldn't happen to have a rocket launcher, would you? Sadly, no. I got Lexington air ops, chief. Art: All right. Tim, if that thing gets any closer, shoot it. Mullen here. Where the hell are you? Look at you, Mr. Crowder. You're a well-dressed man. You got a sense of style. You got your shirt buttoned all the way up to the top. I got to ask. Where'd you get all those teeth? Boyd: Courtesy of the American taxpayer while serving our great nation in Desert Storm. Man, I love the way you talk... using 40 words where 4 will do. I'm curious. What would you say if I was about to put 40 bullets through that beautiful vest of yours? Boyd: "What're you waiting for?" Oh, you're cool, huh? Boyd: I tried to keep it to four words. You'll allow the contraction as one. [
SUMMARY: | Nick Augustine visits Boyd at Johnny's bar, angered at Boyd's failure to round up Drew Thompson. Boyd reassures Nick that Nick needs Boyd alive so that Boyd can help Nick capture Drew Thompson. All the Marshals are back at Arlo's old house, cooped up guarding Drew Thompson while they wait for a helicopter from Lexington. They decide to divide their resources: Art and Tim to create a decoy of cars leaving Harlan (without Drew Thompson) while Raylan and Rachel will stay with Drew. On the road, Art and Tim see three abandoned cars on the highway, which Tim quickly suspects is a set-up for an ambush based on bomb-rigged cars and snipers. Tim proves to be right as Colt and Mort (one of Augustine's henchman) spy from afar. Meanwhile, Raylan, Rachel, and Drew head to Raylan's old high school for safety to lay up and wait for the chopper. At Arlo's house, Bob Sweeney is held hostage by Yolo ( Bobby Campo ), who brutally beats him to find out where Drew Thompson is. Bob turns the tables on Yolo by playing possum and stabbing Yolo in the leg, cutting his femoral artery, when he gets close enough. After a struggle, Bob manages to get his hands on one of Yolo's guns and shoots him dead just as Raylan arrives. Back at the bar, Nick insults Ava and outs Johnny's betrayal. Ava manages to get Nick's gun after distracting Nick with brandy and a lighter to the face. Johnny has a gun on Ava and tells Ava he loves her. Ava leaves the bar and Johnny doesn't shoot her. Back at the ambush at the road, Tim gets out of the situation by blowing up one of the booby-trapped cars with a Molotov cocktail, allowing the law enforcement to escape and rush to Raylan's aid. Boyd and Picker ( John Kapelos ) show up at the high school where Raylan refuses to hand Drew over before telling them to come back with more men. This buys enough time for Rachel and Drew to escape Harlan safely by means of a coal train. |
fd_Doctor_Who_1963_02x31 | fd_Doctor_Who_1963_02x31_0 | TEXT: 5:45pm - 6:10pm [SCENE_BREAK] 1: EXT. ARIDIUS (With a straining, groaning sound, a buried DALEK rises up out of the sand and looks about its surroundings.) DOCTOR: Keep your head down. They haven't seen us yet. BARBARA: (Pointing.) Doctor, look! There's more of them. (BARBARA points to her right.) [SCENE_BREAK] 2: EXT. ARIDIUS (A FIRST DALEK glides up to another that waits on a small ridge.) SECOND DALEK: The enemy time machine is in this area. FIRST DALEK: We can locate the position with our seismic detectors. SECOND DALEK: Find and destroy it. The remainder will search for the humans. FIRST DALEK: Are they to be taken alive? SECOND DALEK: No. They are to be exterminated. FIRST DALEK: Good! SECOND DALEK: Destroyed. FIRST DALEK: Exterminated! SECOND DALEK:... Let the search begin. [SCENE_BREAK] 3: EXT. ARIDIUS DOCTOR: Stay down. One of them's coming this way! (The DOCTOR and BARBARA duck down behind the ridge of sand that they are lying on. A DALEK glides past without seeing them. Once past, the DOCTOR and BARBARA sit up again.) DOCTOR: We must find the TARDIS before they do, hmm? Hmm? BARBARA: Yes, and we must warn Ian and Vicki. They don't even know the Daleks are here. DOCTOR: Yes, ye... (Realising what she has said.) Warn them? But how? We haven't seen them for hours. Anyway, it's no good hanging about here. Come on, let's get moving, come... (They struggle to their feet. But before they can move on, they are stopped in their tracks by the sight of two alien beings who stand before them. Basically human
SUMMARY: | The travellers learn from the Time-Space Visualiser taken from theMoroks' museum that Daleks equipped with their own time machine are on their trail with orders to exterminate them. They flee in the TARDIS. The chase begins on the desert planet Aridius and takes in a number of stopping-off points, including a spooky haunted house which is actually a futuristic fun-fair attraction. Eventually both time machines arrive on the jungle planet Mechanus, where the Daleks try to infiltrate and kill the Doctor's party with a robotic double of him. The travellers are taken prisoner by the Mechonoids - robots sent some fifty years earlier to prepare landing sites for human colonists who never arrived - and meet Steven Taylor, a stranded astronaut who has been the Mechonoids' captive for the past two years. The Daleks and the Mechonoids engage in a fierce battle which ends in their mutual destruction. The Doctor's party seizes this opportunity to escape. The Doctor reluctantly helps Ian and Barbara to use the Daleks' time machine to return home. |
fd_Downton_Abbey_01x02 | fd_Downton_Abbey_01x02_0 | TEXT: [OPENING CREDITS] [SCENE_BREAK] [THE VILLAGE - DAY] [SCENE_BREAK] [Matthew and Isobel ride in a motorcar.] Taylor: Here we are, ma'am. Crawley House. Matthew Crawley: For good or ill. [The chauffeur opens the door for them.] Matthew Crawley: I still don't see why I couldn't just refuse it. Isobel Crawley: There's no mechanism for you to do so. You will be an earl. You will inherit the estate. Of course, you can throw it away with your habit, that's up to you. [A man comes out to meet them.] Matthew Crawley: Can I help? Mr Molesley: I'm Molesley, sir, your butler and valet. Matthew Crawley: Mr Molesley, I'm afraid-- Isobel Crawley: May I introduce ourselves? I am Mrs Crawley, and this is my son, Mr Matthew Crawley. Mr Molesley: (nods) I'll just give Mr Taylor a hand with the cases. Matthew Crawley: I can-- Isobel Crawley: Thank you, Molesley. [Molesley helps with the luggage and Matthew sulks alongside his mother.] Matthew Crawley: I won't let them change me. Isobel Crawley: Why would they want to? Matthew Crawley: Mother, Lord Grantham has made the unwelcome discovery that heir is a middleclass lawyer and son of a middleclass doctor. Isobel Crawley: Upper middleclass. Matthew Crawley: He'll have to limit the damage by turning me into me into one of his own kind. Isobel Crawley: When you met him in London, you liked him. [SCENE_BREAK] [INT. MAIN STAIRCASE - DAY] Cora, Countess of Grantham: I simply do not understand why we are rushing into this. Robert, Earl of Grantham: Matthew Crawley is my heir. Cor
SUMMARY: | September 1912. Matthew Crawley and his mother Isobel move into Crawley House in Downton village. When they visit Downton Abbey, Violet and Lady Mary are openly hostile towards them. The families experience some culture clash due to their differing backgrounds. Isobel had trained as a nurse during the Anglo-Boer War , and occupies herself with the local hospital. Meanwhile, Carson is a former music-hall performer and is being blackmailed by his old show partner, Charles Grigg. Lord Grantham is amused by Carson's background and pays off Grigg. The hostility between Mrs Crawley and the Dowager Countess escalates when Isobel pressures Dr. Clarkson to perform pericardiocentesis on a patient suffering from dropsy . Violet tries to prevent this but the treatment is successful and Robert makes Mrs Crawley chairman of the hospital board. Violet begins to consider the possibility of Mary marrying Matthew, but Mary is opposed. |
fd_Angel_02x12 | fd_Angel_02x12_0 | TEXT: [PREVIOUSLY_ON] Lindsey is about to light the Scroll of Aberjian on fire and Angel throws the scythe and cuts off Lindsey's hand before the scroll can catch on fire. (From "To Shanshu In LA") Lilah in Holland's wine cellar: "For god's sake help us." Holland: "People are going to die." Angel closing the door: "I just can't seem to care." Cut's of the pile of corpses littering the floor of the wine cellar and of Darla biting Holland. ("Reunion") Lindsey: "Holland Manners is dead." Angel leaning against the hood of a dirty car, smoking a cigarette. Darla: "Angel?" Angel throws down the cigarette butt, lighting a trail of gasoline leading to the puddle of it that Darla and Dru are standing in. Darla and Dru scream as they catch fire. Angel picks up his bag and walks out. Darla knocks the top off the fire hydrant with a sledgehammer and the vamp girls let the water put out their burning clothes and skin. ("Redefinition") Wesley: "What you did..." Cordy: "...was wrong." Gunn: "You went to far." Wesley: "Right now the three of us are all that's standing between you and real darkness." Angel: "You're all fired." ("Reunion") Cordy's apartment, night. Close on Wesley: "You think I don't have what it takes?" Close on Gunn, staring back: "I *know* you don't have what it takes." Wesley: "I guess we'll just have to find out." They straighten up slowly, never taking their eyes off each other. Gunn glances down at Wesley's right hand. Gunn: "Go on, English, make your move - because it'll be your last." Both Wesley and Gunn raise their right fists, blow into them, then, simultaneously, cast their dice on the table on which we see a game board set up between them. Wesley slumps in defeat. Gunn doing
SUMMARY: | Wolfram and Hart are sponsoring a fund raising benefit for a local teen shelter. Angel is suspicious of their motives and starts investigating. Meanwhile, Wes, Gunn and Cordy work to establish their own detective business. |
fd_Heartland_08x03 | fd_Heartland_08x03_0 | TEXT: [PREVIOUSLY_ON] Caleb: Let's see what we got. (Horse whinnies) Caleb: Whoa! If you wanna join me in hotshots, I'll consider it. No. We don't need any help. Georgie: Look at this. Lou: There's Amy. Oh my God. Amy: Sometimes these Internet things, they aren't what they seem. It looks like "Hooves For Hope" might be a scam. You ruin everything! He kissed me. Then I told him to back off, that he had crossed a line, and he said he was sorry. And it happened that fast. (Ripping) (Insects buzz, ATV roars) Caleb: Nice one! Amy: Keep him close to the steer, Caleb! (ATV roars) Ty: Come on, Caleb! Caleb: Let's go, boy! Got it! (Laughs) That a boy. (Trailer clanks, ATV roars) (Horse grunts) Amy: Nice work, guys! Ty: I think he's really starting to get it. Caleb: Yeah, he better be. We've been chasing this thing in a circle for like an hour now. When do you think we can get him back in a pen with a real steer? Amy: You know, it might do him some good with a change of scenery. Caleb: Are you saying we're ready for the real deal? Amy: I'm not saying that I'd go enter a stampede anytime soon, but maybe a local jackpot? Ty and Caleb: Yes! Georgie: Hey, Ty. Ty: Hey, Georgie! Georgie: Come by the house once you're done, okay? Yeah, I can do that. Um... (Phone buzzes) Oh shoot! Uh, I'm late. Georgie, I can't right now, okay? Georgie: But you promised you'd help me look for some sanctuaries. Well, I can help you, Georgi
SUMMARY: | Amy's attempts to reunite with Georgie are thwarted by the arrival of lavish gifts from afar. When Tim is captivated by an old acquaintance, he and Jack team up for a charity event. Meanwhile, Lou and Peter disagree about potential pre-schools and Lou takes Katie for an assessment. And an unexpected revelation forces Ty to question his career prospects. Ty takes a job at an animal reserve. Amy keeps getting lavish gifts from the Prince; at the end of the episode she quits her job with the Prince. |
fd_How_I_Met_Your_Mother_06x11 | fd_How_I_Met_Your_Mother_06x11_0 | TEXT: Ted from 2030: Kids, in the winter of 2010, we had a new addition to our little group... Zoey. Zoey was married to... The Captain. Zoey is coming out of a car Captain: Boys! Great to see you! Looking smart. Have a wonderful time tonight, okay? (The car leaves) Marshall: Okay. That man is terrifying. Barney: Everything he said was nice, but I am profoundly scared. Ted: Keep smiling. He can still see us. Ted from 2030: There was just something about him. We couldn't put our finger on it until... The appartment Marshall: I figured it out! I know what's so creepy about The Captain. Robin: Okay. (Robin shows a picture and everyone scream) Marshall: Yeah. I snapped this photo of him last time he dropped off Zoey.Observe. The bottom half of his face... is smiling. He seems happy. Seems like a nice guy. (everyone is murmuring happily) But the top half of his face...wants to murder you! Cheerful. Wants to murder you. No. Cheerful. Wants to murder you. Now, hold on. Let me ask him a question. Captain, what do you think of ice cream? Oh, he loves it! Barney: Captain, what do you think of rainy days? Marshall: Whoa, he hates them. Robin: Captain, quick question: How do you feel about the Jonas Brothers? Ooh. Ted: Ooh. What-What is that? Robin and Lily: I don't get it. Marshall: He hates that he loves them. [OPENING CREDITS] Ted: Great. Okay. Hey, guys, Zoey just told me about this great Frank Lloyd Wright retrospective tonight. Who's in? Lily: Sorry, I'm, uh, I... I- I don't know, washing my hair. Marshall: Running the water. Robin: Holding the towel. Barney: And I'll be home trying to get over the fact that no one invited meto the big hair washing party. Ted: All right, fine. Guess it'll just be me and Zoe
SUMMARY: | When Ted's new friendship with Zoey tests the theory that single men and married women can't be friends, he invites her husband, "The Captain," to hang out with them. Meanwhile, Marshall and Robin decide to spend alone time together, and Barney and Lily possibly have a fight. |
fd_Frasier_09x15 | fd_Frasier_09x15_0 | TEXT: Act 1 THE RING Scene 1 - A Jewelry Store Fade in. Niles, Frasier and Martin enter the store. Frasier: Niles, are you sure you want to do this without Daphne? You know, when Lilith and I got engaged, she insisted on being involved with the ring selection process. Niles: I appreciate your concern, Frasier, but I want to surprise her. Martin: [pointing] How 'bout this one? It's nice and sparkly. Niles: [looking] That's an earring, Dad. Martin: Huh? Oh, I guess I better put on my glasses. Frasier: Niles, prepare to relinquish your breath. Niles: Which one? Frasier: That one right there. Niles: Next to the gaudy one? Frasier looks guilty. Niles: The GAUDY one? Frasier: All right, all right, which one do you like? Niles: I was thinking of something more along the lines of that one, with the feathered band. What do you think? Frasier: I think it's a good thing I'm here to talk you out of it. Niles: I'm think I'm starting to regret bringing you along at all. Frasier: I think it's a... A clerk comes up as they bicker. Clerk: Gentlemen, gentlemen, I'm sure we can find something that will bring you both a lifetime of happiness. Martin: [laughing] Oh, no! They're not a couple! My son Niles is here to pick out an engagement ring for his girlfriend Daphne. And Frasier, who's been married twice, just came along to help him. Clerk: I'm very sorry, I'll come back when you've had more time to look around. He walks away. Niles: Where did that come from? Frasier: I mean, REALLY! To just assume something like that, out of the blue... Both: Latent! Martin: Well you gotta admit, it wasn't such a big leap, given the situation. Frasier: And just what is that supposed to...? He stops and points at
SUMMARY: | Niles is planning to propose to Daphne, and he wants everything to be just perfect. Frasier helps him to choose a ring; Roz advises him on what (and what not) to say; and even Martin takes part in the wine-tasting, although after several glasses he discovers why, when Niles asks him to take Daphne's mother out for the evening. He reluctantly agrees, and has to spend the evening fending off Gertrude's amorous advances. Meanwhile, while Frasier and Niles are arranging everything at Niles' apartment, and Wolfgang Puck is preparing dinner for them, Daphne arrives in a terrible state and announces that she has the flu . Suddenly, Frasier has to smuggle numerous participants out of the apartment unseen, but Niles soon realises that the event itself need not be postponed. Ultimately, Niles proposes to Daphne and she accepts, and they both spend time together despite her being ill. |
fd_Once_Upon_A_Time_02x20 | fd_Once_Upon_A_Time_02x20_0 | TEXT: SCENE: Storybrooke Clock Tower. Present. Night. Tamara and Greg Mendell are present, along with Hook, at the moment in a sack. Hook: Actually, I prefer it with the lights on. (Greg and Tamara remove the bag.) I've spent enough time below deck to not be afraid of the dark, so if this is your idea of torture, well you're just gonna have to try a little harder. Greg: Torture you? No, we just want to offer you a job. Hook: Oh. And then you're gonna let me go? (He laughs) Oh, I'm sorry, I already did that last job. I killed Rumplestiltskin. I'm sated. Replete. My life's purpose met. Tamara: I wish I could have been there, to see you stab the Dark One. Hook: Well, look who's up to speed. Tamara: I'm a quick learner. Hook: Then you know my work is done! Greg: Yeah, I don't think so. Take a look. (He and Tamara push the chair Hook is tied to over to the window, and hand him a telescope. Through it, Hook can clearly see Mr. Gold walking with Lacey). Hook: No. No! Tamara: He's alive, Hook. Greg: He beat you. Now this guy has some powerful magic here, mate. He's untouchable. You'll never get another chance to take him down. Hook: Oh, I will. I will indeed. Tamara: Not unless we help you. Hook: How can you help me? Tamara: We know how to kill magical creatures. Hook: And the price? Greg: I need you to help me find someone. My father. He was taken in this town a long time ago. Hook: Why the bloody hell do you think I'll be able to help you find your father? Greg: Because you know the woman who took him-- Regina. Do we have a deal? SCENE: The Enchanted Forest. Past. Queen Regina and two of her knights, Berkley and Rivers enter a barn. Berkley: It's empty, Your
SUMMARY: | With the aid of Hook, Regina attempts to put a plan in motion that will help transport herself and Henry back to Fairytale land. But her plan revolves around a fail-safe that was planted within the curse, which if triggered could wipe Storybrooke off the map - and kill all of its inhabitants; and Emma's suspicions about Tamara grow. Meanwhile, in the fairytale land that was, the Evil Queen asks Rumplestiltskin to transform her into an unrecognizable peasant in order to kill an unsuspecting Snow White, with the twisted aim of earning the love and respect of her subjects. |
fd_Doctor_Who_1963_20x05 | fd_Doctor_Who_1963_20x05_0 | TEXT: SNAKEDANCE BY: CHRISTOPHER BAILEY Part One First Air Date: 18 January 1983 Running time: 24:26 [SCENE_BREAK] NYSSA: Well? DOCTOR: We're not where we're supposed to be. NYSSA: Where are we? DOCTOR: I don't know. There are traces of anti-matter. NYSSA: Omega? DOCTOR: Oh, highly unlikely he's still alive. It's not a navigational malfunction either. NYSSA: Shall I wake Tegan? DOCTOR: No, no, there's no danger, although it's puzzling. It's very puzzling. NYSSA: (reads) Planet G139901KB in the Scrampus system. Local name, Manussa. Type 314S. Inhabited. Atmosphere ninety eight percent Terra normal, gravity ninety six percent Terra normal. DOCTOR: Well, at least we can breath the air. I suppose that's something. You look different. NYSSA: Yes, Doctor. DOCTOR: The question is, how did we get here? NYSSA: There's more. (reads) Third planet in the Federation system. Status, colony. Former homeworld Manussan Empire, destroyed. Former homeworld Sumaran Empire, destroyed. Present economy, subsistence agriculture and tourism. DOCTOR: Former homeworld? NYSSA: Manussan Empire. DOCTOR: No, no, the other one. NYSSA: Sumaran Empire. DOCTOR: This is serious. Someone's been playing around. Who set the coordinates? NYSSA: Well, you did. DOCTOR: No, no, no. Earlier, I was trying to teach both of you to read the star charts. Now, one of you actually read out the coordinates for me to set. Who was it? NYSSA: I can't remember. DOCTOR: It was Tegan. [SCENE_BREAK] NYSSA: Tegan, what's the matter? What happened? TEGAN: It was the dream. DOCTOR: The dream? What dream? TEGAN: I can't, I can't
SUMMARY: | The Tardis lands on the home world of the Sumaran civilization. The Doctor did not set the co-ordinates for the landing and discovers that Tegan did. He starts questioning if the Mara is still active inside of her from their previous adventure on the Kinda world. |
fd_Veronica_Mars_01x07 | fd_Veronica_Mars_01x07_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars Various scenes of Sheriff Keith Mars, Veronica and the Kanes around the body of Lilly Kane. VERONICA VOICEOVER: It's been a year since my best friend, Lilly Kane was murdered. Everyone remembers reading about the bungling local sheriff. That bungling sheriff was my dad. Cut to Duncan in shock, then with his arm around Veronica at Neptune High School. Then cutting Veronica dead. VERONICA VOICEOVER: Duncan Kane. He used to be my boyfriend. Then one day, with no warning, he ended things. Cut to the Mars' apartment in "Meet John Smith" as Keith and Veronica eat. VERONICA: What do you think Mom was doing at the Camelot motel with Jake Kane two weeks ago. KEITH: I told you to stay away from that case. Cut to Logan at the beach from the pilot. LOGAN: Do you know what your little joke cost me? Logan smashes one of the headlights on Veronica's car. Veronica winces. WEEVIL: [To Logan] You, say you're sorry. VERONICA: I don't want his apology. End Previously. Open at night on police vehicles and an ambulance. RADIO: 44 Adam [can't hear] RESPONSE: 44 Adam, affirmative. RADIO: We'll do [can't hear] The camera swings round to show the exterior of the Sunset Cliffs Apartments, where Keith and Veronica live. Veronica is sitting on the external stairs leading down to the entrance, watching. VERONICA VOICEOVER: I look back over the past week and wonder if things could've turned out differently. [As an occupied gurney is led out of an upstairs apartment] If I hadn't met the girl, if I hadn't initiated the case, if I hadn't interfered, would tonight be just another dull, quiet night in our apartment complex? A wrought-iron gate opens behind her. PARAMEDIC: Miss! Out of the way. Veronica leaps up from the stair, ascend
SUMMARY: | When her pregnant neighbor Sarah disappears, Veronica tries to find out if Sarah's boyfriend killed her. Logan and Weevil get detention together, and Logan discovers that Lilly was secretly seeing Weevil before her death. Veronica learns that her mom and Jake Kane were dating in high school, and a flashback shows Veronica trying to find out why Duncan broke up with her. |
fd_Degrassi_Next_Generation_04x22 | fd_Degrassi_Next_Generation_04x22_0 | TEXT: At Degrassi, Spike is doing Caitlin's hair for the movie Spike: So your big screen début huh? Are you nervous? You seem a little nervous. Caitlin: It's normal when you're planning a wedding right? Spike: What?! Caitlin: I asked Joey to marry me and he said yes. Spike: Congratulations! That is so amazing! (They hug) Kevin: Alright folks time to shoot. Shoot. Woah! This is why I came up here to shoot. Speaking of which, chance to catch Canadian chicks embracing like that. Spike: Even if the chicks are already spoken for? Kevin: Christine you may be spoken for, this one though... Spike: Asked Joey to marry her. I've got to call Emma. Excuse me. Kevin: Seriously? Caitlin: Yeah. Kevin: Um wow. I must be the worst kisser in the world cause- Caitlin: No Kevin! No! Kevin: Uh you know what I'm sorry I've got to set the first shot for the day so I'll just, I'll meet you out there. Hey uh Mewes! In the cafeteria, Spinner sees scrambled eggs on the stove Spinner: Jay? Hey I'm not getting freaked out by this lame hide and seek game! I'm gonna eat your breakfast man. Hey! (He sees someone in a hood walking and jumps on him.) Craig: My arm. Ow. Spinner: Craig? Craig: Spinner get off me. Spinner: Dude what are doing here? I thought you were in England. Craig: After the song's done for Kevin Smith's movie. He's kind of bending the rules a little bit, he's letting me hang here. Oh my eggs are done. Oh nobody knows, okay? Spinner: Lips are uh stealed. Um dude I just want to say about Ash and the whole band thing- Craig: Oh Spin it's in the past. It's like, it's water under the bridge. Spinner: Okay. Um she was a good contribution though
SUMMARY: | Off his bipolar medication and getting out of control, Craig disappears into the streets where he finds himself in trouble, and it's up to Joey to save him. Meanwhile, Joey attempts to save his relationship when Caitlin begins spending more time with Kevin. |
fd_CSI__Crime_Scene_Investigation_06x13 | fd_CSI__Crime_Scene_Investigation_06x13_0 | TEXT: VARIOUS B/W FOOTAGE OF OLD LAS VEGAS, THE FIGHTS, CELEBRITIES VARIOUS B/W FOOTAGE OF OLD LAS VEGAS, SHOWS FADE INTO: [EXT. VARIOUS LAS VEGAS CITY LIGHTS (STOCK) - NIGHT] [EXT. O'NEILL RESIDENCE -- FRONT - NIGHT] (Party guests climb up the front steps. Sam Braun is greeted at the entrance.) Doorman: Good evening, Mr. Braun. Go right in. (Sam Braun continues into the party.) [INT. O'NEILL RESIDENCE -- FRONT - NIGHT - CONTINUOUS] (Sam Braun mingles as he makes his way into the party.) Voice: How are ya? Sam Braun: Good to see you. How've you been? Drop by the Tangier's. Dinner's on me. (Camera pans over the table and we see a display of books, "Kisses & Kisses"). (Various cuts of the guests at the party. Most of them are from an older crowd.) (Sam greets a dark-haired woman.) Sam Braun: Hi. Woman: Hi! How are you! [SCENE_BREAK] (Sam shakes hands with a white-haired man.) [SCENE_BREAK] (Sam passes a waiter and grabs a glass of wine off the tray.) [SCENE_BREAK] INTERCUT WITH: [INT. O'NEILL RESIDENCE - BEDROOM - NIGHT] (The double doors open and Tim Duke, dressed as a waiter, walks in. He takes out a revolver and cocks the weapon.) (Sam Braun walks up to the edge of the dance floor, his eyes on the woman dancing center stage with her partner.) (In the dressing closet, Tim Duke walks through and puts the gun down on the counter. He opens a drawer.) (The woman continues to dance with her partner as others watch and applaud.) (The song
SUMMARY: | The CSIs question the city's crème de la crème at a party to discover who killed a young man. As Catherine's father Sam Braun is once again a suspect, personal conflict grows between the two. |
fd_Grey_s_Anatomy_03x02 | fd_Grey_s_Anatomy_03x02_0 | TEXT: MEREDITH: At any moment, the brain has 14 billion neurons firing at a speed of 450 miles per hour. We don't have control over most of them. When we get a chill, goosebumps. When we get excited, adrenaline. The body naturally follows it's impulses, which I think is part of what makes it so hard for us to control ours. (Shot of Izzie in the kitchen, surrounded by dozens of muffins.) IZZIE: That's enough muffins. We don't need all these. No more muffins. (Yet she goes to make another batch.) MEREDITH: Of course, sometimes we have impulses we'd rather not control. (Christina walks into Burke's room and begins stripping off her scrubs, climbing atop his bed in nothing but her red lingerie.) BURKE: what are you doing? CHRISTINA: Just because you cant touch, doesn't mean you can't enjoy. MEREDITH: That we later wish we had. (Burke's parents walk into his room.) BURKE: Mama... Daddy. CHRISTINA: Oh...what... MRS. BURKE: Preston? CHRISTINA: Mama and Daddy!? MRS. BURKE: Is this a new service the hospital is providing? (Christina scrambles to clothe herself.) CHRISTINA: I told you to guard the door. NURSE: I had a code blue. CHRISTINA: I had parents walk in. NURSE: We saved the guy's life. CHRISTINA: Whatever, I want my 20 bucks back. NURSE: Sorry. It bought everyone coffee to celebrate saving the guy's life. CHRISTINA: I want my 20 bucks back! MEREDITH: You know it's not Tyler's fault you're a dirty, dirty stripper. CHRISTINA: You heard. MEREDITH: Everyone heard. Stripper CHRISTINA: Oh you're one to talk. Sleeping with two men. MEREDITH: Wrong. I'm not sleeping with either one of them. Not
SUMMARY: | Cristina makes a bad first impression on Burke's parents and is also surprised to find that he is a "mama's boy". Burke's mother believes that Cristina is too selfish and driven for her son, and is only trying to take advantage of his extensive knowledge of cardiothoracic surgery. Izzie uses baking to cope with her grieving, and bakes hundreds of muffins. After pinning Meredith's panties to a bulletin board, Addison takes a day off from the hospital and spends the day drinking. Due to Addison taking the day off, Bailey has Alex help her in the pit, and they're faced with a teenage patient who has been impaled on a tree branch. A brain tumor patient quizzes Meredith and Cristina over their respective relationships. Webber discovers that Callie has been living in the hospital and tells her she has to leave because of hospital policy. Bailey finds the panties on the bulletin board and loses it, demanding to know who they belong to. Callie sees Meredith's embarrassment and takes the blame, which in turn causes George to become jealous, fearing Callie might have cheated on him. A surgical patient lives what may be her last day to the fullest. Meredith must choose between Derek and Finn, and struggles coming to a decision. In the end she tells them both that she would like to try dating them both instead. |
fd_The_Office_08x04 | fd_The_Office_08x04_0 | TEXT: Jim: [entering office] Hey. So, we saw a new billboard. Andy: Yeah? Pretty cool, huh? [SCENE_BREAK] Andy: What better way to announce our new slightly lower prices than with an ad campaign? And what better face for an ad campaign than our new regional manager? [SCENE_BREAK] Andy: How'd it look? Jim: You've seen it, right? Andy: No. Pam: Andy, somebody defaced it. Andy: What? [Stanley enters office laughing] Morning, Stanley. [SCENE_BREAK] Jim: There's this thing that people tend to do with billboards. How do I put this? If there's an opportunity for a graffiti artist to work in a... phallic shape, interacting with the artwork, it'll happen, and Andy gave them that opportunity. [SCENE_BREAK] Andy: Erin, how long did we order those billboards for? Erin: Six months. Andy: Oh, god. I need you to call the billboard company. Meredith: [entering office] Great billboard! Funny, edgy, right up to the line without crossing it, loved it. Andy: Which one did you see? Meredith: Washington Street, the one with, like, twenty dongs on it. Jim: Okay, don't be gross. Dwight: [entering office] What's going on? Pam: Somebody defaced the billboards we just put out in an inappropriate way. Dwight: Oh, that's funny. Wait, from the photo shoot with you and me? Andy: Yeah, Dwight. Dwight: No. No. No! NO! NO! NO! NO! NO! [running from building] No, no, no, no, no, no, No, No, No, NO, NO! NO! NO! NO! [stopping in front of defaced billboard] NOOOOOOOOO! [SCENE_BREAK] Dwight: Schrute Farms is very easy to find, it's right in the middle of the root vegetable district. If the soil starts to get acidic, you've probably gone too
SUMMARY: | Andy throws a garden party at Schrute Farms to impress Robert, with his parents ( Stephen Collins and Dee Wallace ) and brother ( Josh Groban ) in attendance. Andy is disappointed that even at his own party, his father shows obvious favoritism towards his brother. A conversation between Andy and his father is later broadcast via a baby monitor to the rest of the members of the office. In the meantime, Dwight Schrute ( Rainn Wilson ) works to make it a classy event, on the behest of a book that is an elaborate prank by Jim. |
fd_Alias_03x19 | fd_Alias_03x19_0 | TEXT: Jack's in his car, typing to Irina on his laptop. [SCENE_BREAK] JACK: (typing) IRINA. HAVE INTEL ON COVENANT ENDGAME. NEED TO DISCUSS. IRINA: (typing) What do you need? JACK: (typing) I NEED INFORMATION ABOUT THE PASSENGER JACK: (typing) IRINA? (computer): CONNECTION ERROR (computer): RE-ESTABLISHING CONNECTION (computer): USER ACCOUNT TERMINATED [SCENE_BREAK] Nepal, the Monastery [SCENE_BREAK] Conrad is praying or something. Sark appears out of nowhere with a gun pointed at Conrad's head. SARK: I'm looking for the passenger. CONRAD: (says a few words of Nepali or some other such language) SARK: I have a great respect for the followers of Rambaldi, and I know you to be a truly wise man. But if you do not tell me where to find the Passenger in five seconds, I will kill you. Conrad disarms Sark, field strips his Beretta, and tosses it on the ground. Sark throws some other kind of weapon at Conrad, who dodges it. CONRAD: I cannot help you, Mr. Sark. SARK: How do you know my name? They fight some more. Someone shoots Conrad with a tranquilizer. It's... OLIVIA: Retrieve the manuscript regarding the Passenger and I'll meet you in Rajasthan. Bring him with you. He may be useful if the manuscript is encrypted. [SCENE_BREAK] Some Rooftop. Jack and Sydney talking as they're on their way to meet Vaughn. JACK:...but when I mentioned the passenger to your mother, she terminated her user account. SYDNEY: Which means one of two things: she is the passenger, or she's protecting her. Sydney and Vaughn are both wearing new sunglasses. Weird. SYDNEY: What's going on? Your message said it was important. VAU
SUMMARY: | After finding out that Lauren is working for The Covenant, Vaughn is told to keep up the façade of a happy marriage in order to keep tabs on his wife's activities. But he's in for a shock when he uncovers the truth about Lauren's mother, Olivia. Meanwhile, Jack refuses to help exonerate Sloane of his crimes and put in motion a stay of execution, and a monk discloses the identity of the Rambaldi "Passenger" to Sydney. |
fd_The_O.C._01x10 | fd_The_O.C._01x10_0 | TEXT: Opening scene - The pool house at night - Marissa is lying on the bed breathing heavily looking up, Ryan moves into the shot and moves down and kisses her. they begin to heavily make out. Marissa: (Ryan kisses her neck) Ticklish Ryan: (whispers) sorry (he slowly moves his hand to go up her top, she stops him with her hand) Marissa: hey, what time do you have? Ryan: (still kissing her) mmm almost eleven, what time do you have to get back at your dads Marissa: (smiling) mmm soon Ryan: (mumbles while kissing her) how soon Marissa: (laughs) now (they kiss a bit more then Marissa sits up and slides to the end of the bed, beginning to put her shoes on) Ryan: (grabs her arm) you can't call (almost kissing again) say you'll be late (they kiss again, Ryan grabs her shoes out of her hands and holds them up) Marissa: I'm already late! (Ryan falls back on the bed with her shoes, holding them either side of his head) it's a school night (laughing, she moves on top of Ryan and lays on his chest) Ryan: it's to bad you don't still live next door Marissa: (lays her head on his chest) yeah but then I'd have to talk to my mom Ryan: (stroking her head) you haven't talked to her Marissa: (sighs) no...she keeps tryin a call me but there's absolutely no way that I'll Ryan: hey Marissa: sorry Ryan:...maybe this weekend we could spend a whole night together (Marissa raises her head to look at him) you know we could go out, we could ah do something, finally have our first official date, no school, no parents, just us Marissa: (huge smile) Saturday night (they start kissing again, there is a knock at the door) Kirsten: (opens the door) Hey Ryan Sandy's stuck at the ahhh ooh my (she sees Ryan and Marissa making
SUMMARY: | Kirsten becomes worried about Sandy's professional relationship with Rachel. Ryan spots Caleb and Julie together, and becomes responsible for Marissa outing their private relationship at a charity event. Summer tells Seth how she feels. |
fd_The_Big_Bang_Theory_01x09 | fd_The_Big_Bang_Theory_01x09_0 | TEXT: Scene: The apartment, Leonard is attaching something to a lamp. Leonard: Okay, the X10s are online. Howard: Gentlemen, I am now about to send a signal from this laptop through our local ISP, racing down fibre-optic cable at the speed of light to San Francisco, bouncing off a satellite in geosynchronous orbit to Lisbon, Portugal, where the data packets will be handed off to submerged transatlantic cables terminating in Halifax, Nova-Scotia, and transferred across the continent via microwave relays back to our ISP and the X10 receiver attached to this (clicks mouse, lamp switches on) lamp. (The others cheer and clap). Sheldon: Look at me, look at me, I've got goosebumps. Howard: Are we ready on the stereo? Raj: Go for stereo. (Howard clicks mouse again. Also Sprach Zarathustra begins to play. At the climactic notes, the four jump in the air and begin pretend conducting or jumping about in time to the music.) Penny (entering): Hey guys. All (calming down, embarrassed): Hello. Penny: It's a little loud. Howard: No problem, turning it down. (Using mouse again) San Francisco, Lisbon, Halifax (the music gets quieter) et voila. Penny: Okay, thanks. Leonard: Hang on, hang on, do you not realise what we just did. Penny: Yeah, you turned your stereo down with your laptop. Sheldon: No, we turned our stereo down by sending a signal around the world via the internet. Penny: Oh. You know you can just get one of those universal remotes at Radio Shack, they're really cheap. Leonard: No, no, no, you don't get it, um, Howard, enable public access. Howard: Public access enabled. (They all stare around for a moment in silence.) Penny: Boy, that's brilliant, but I'll see you. Leonard: No, hang on, hang on. (The lamp goes off and on again.) See! Penny: No. Sheldon: Someone in Sezchuan province, China is using his computer to turn our lights on and off. Penny: Hu
SUMMARY: | Leonard cleans up after an Internet experiment, and in the trash can he finds an invitation to him and Sheldon to present their joint research at an academic conference. Sheldon disapproves of presenting research in person, but Leonard defies him and goes alone. This causes a rift between the two which Penny tries to mend but accidentally makes worse. Sheldon appears at the conference and tries to discredit Leonard's presentation by attempting to "blow up" Leonard's head with his mind à la the movie Scanners, starting a physical altercation between the two. Howard films the fight on his cellphone and puts it on YouTube, but angers Penny by also posting a photo on Facebook of her sleeping on his shoulder during the presentation, entitled "Me and my girlfriend". |
fd_Merlin_04x09 | fd_Merlin_04x09_0 | TEXT: Merlin 4.09 - LANCELOT DU LAC "In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a young man. His name...Merlin". KING'S PALACE, ARTHUR'S CHAMBERS - NIGHT Agravaine walks down the corridor. Arthur gazes out the window and Merlin cleans Arthur's armour as Agravaine enters. King Arthur: Uncle. Agravaine: It's late, Arthur. What's troubling you? King Arthur: Nothing. Nothing at all. But I've made a decision and I felt it only right to inform you right away. Though, I feel you're not going to like what I have to say....I'm going to marry Guinevere. Merlin (drops an armour piece that clatters against the ground): Sorry. King Arthur: That is, if she says "yes". Agravaine: Sire... King Arthur: No. I know what you're going to say. "She's a servant. I'm the King. It's not the done thing." Agravaine: I fear it's a little more serious than that. King Arthur: Guinevere has proved herself valuable support and true counsellor these past few months. Agravaine: You don't need a woman for support, Sire. I'm your counsel. King Arthur: I fear you have rather too much stubble to be my wife. Merlin snickers and tries to cover it up with a cough. King Arthur: Good counsel, solid support, they're exactly what I need. I don't want a Queen who spends her days floating around the castle agreeing with my every word. And the people don't want that either. So, I've made up my mind. I want Guinevere to be my Queen, and I want you to accept her as such. Agravaine nods. Merlin smiles. MORGANA'S HOVEL - NIGHT Morgana dozes in a chair by the fire. Agravaine approaches, leans down and puts a hand on her back. Agravaine: My Lady. Morgana
SUMMARY: | Arthur decides to marry Gwen. Agravaine informs Morgana, who brings back Lancelot's soul under her command. After Gwen agrees to marry him, Arthur celebrates a tournament and Lancelot appears in the middle of it, with a made up story about his return. Merlin is suspicious because Lancelot has forgotten Merlin has magic. Lancelot gives Gwen an enchanted bracelet from Morgana, to revive Gwen's love for him. Merlin discovers Lancelot's a Shadow, invoked by necromancy , working with Agravaine and Morgana, but can't stop him. Agravaine makes sure Arthur sees Gwen kiss Lancelot. After Lancelot and Arthur fight, Agravaine advises Arthur to kill them both. Arthur banishes Gwen and Morgana orders Lancelot to kill himself. Before burning his body, Merlin wakes Lancelot one last time. Lancelot, now himself again, thanks him. |
fd_The_Vampire_Diaries_03x16 | fd_The_Vampire_Diaries_03x16_0 | TEXT: Mystic Falls, 1912 [Town Square] (Mr Salvatore and Sheriff Forbes are talking) Sheriff Forbes: Will you get home all right, Mr.Salvatore? I could send for one of the police vehicles Mr Salvatore: A little winter chill never hurt anyone, sheriff Forbes Sheriff Forbes: I'm less concerned about the cold front, more for your safety Mr Salvatore: One councilman's murder doesn't make an epidemic, Gerald. Good Night Sheriff Forbes: Good Night (They part ways. Mr Salvatore walks alone in the empty town square. He hears a noise and turns himself. Someone stabs him. He falls on the floor, dead. The murderer leaves) Nowadays [The Town Square] (Carol and Liz are walking towards the Sheriff's office) Liz: The mystery's not gonna get solved any faster with you yelling at me, Carol Carol: We have 2 council murders and an attempted murder on our hands. If you have a suspect, it is your duty to keep me in the loop Liz: No, it's my duty to make sure I don't accuse an innocent person of being a serial killer Carol: Just tell me who it is, Liz (They enter) [The Jail] (Alaric is in jail. He wakes up. He has a wound on his shoulder. He sees that he's in jail. Liz and Damon are here) Alaric: I didn't do it Damon: You're arresting him? For what this nutjob Dr. Fell says? Liz: No, I'm detaining him. The cell is for his own good. You were shot. Dr. Fell used vampire blood to heal you Alaric: Dr. Fell is the one who shot me Liz: Because you came at her with a knife Alaric: Yeah, with a knife I had found hidden in her things Damon: Are we gonna ignore the part where he's one of the killer's victims? I mean, the guy was practically stabbed to death Liz: Well, Dr. Fell suggested his wounds could have been self-inflicted Alaric: My God, you think I
SUMMARY: | In 1912, Zachariah Salvatore, a council member is murdered in the same way they have been in present day. Flash forward, Alaric has been put into jail by the Sheriff after Meredith said he came at her with a knife and she had to shoot him. The present-day murders in Mystic Falls remind Damon of a similar crime spree a century earlier. In flashbacks to 1912, Stefan and Damon attend Zachariah's funeral and learn he was not the first council member murdered. Rebekah searches for the White Oak tree in town and she needs the Salvatores to find it. Damon recalls a beautiful vampire, named Sage ( Cassidy Freeman ). Elena questions Meredith, who reveals she knows more about Alaric's past than Elena does. Elena and Matt break into Meredith's apartment and find a secret box of files on the Council members. Sage shows Damon a whole new way to exist: a woman is not only a prey, but also a pleasure. Matt and Elena find a Gilbert journal that belonged to the original Jonathan Gilbert's granddaughter, but Meredith came home before they could search more and she catches them. Rebekah and Damon follow Stefan as Damon feeds on a girl, trying to force him into feeding on a woman in order to learn how to fight his urges. Elena and Matt find Stefan feeding on the woman but Matt pulls her away. Elena and Matt go back to her house, where Matt gives her back the Gilbert journal. Alaric is released from jail after the coroner's office sends an error about time of death. In 1912, Damon convinces Stefan to drink human blood, but Stefan kills the woman and turns into a Ripper. In present time, Damon pledges to help Stefan in a way he did not in the past. Stefan reveals Samantha Gilbert confessed to the murders in 1922, but Damon says he already had killed her. Meredith comes to explain herself to Alaric, saying that it was him that committed the murders all because of the Gilbert ring. |
fd_Doctor_Who_1963_01x21 | fd_Doctor_Who_1963_01x21_0 | TEXT: 5:30pm - 5:55pm [SCENE_BREAK] 1: EXT. ISLAND (A small rocky island sits on a vast ocean, ringed by a beach. Almost featureless, its most distinguishing feature is a tall pyramid that stands in the centre of the island. The TARDIS silently materialises on the beach.) [SCENE_BREAK] 2: INT. TARDIS CONSOLE ROOM (The crew are gathered around the console. Although SUSAN and BARBARA have changed their clothes, IAN still wears the Chinese costume that he acquired during their previous adventure.) IAN: Any radiation, Doctor? DOCTOR: No, nothing to speak of. The counter's hardly reading anything. Shall we take a look? BARBARA: Pity you don't have a colour television. DOCTOR: Oh, but I have. BARBARA: Where is it then? DOCTOR: At the moment it's, er, temporarily hord-a-comba... (His companions laugh. The DOCTOR switches on the scanner.) BARBARA: Oh look, that's the sea, isn't it? (The scanner shows a view of the beach and the still sea.) SUSAN: Yes and sand! Grandfather, I wonder where we are? IAN: Well, one things for sure - we're not at Southend! (They laugh.) SUSAN: Grandfather, can we go and have a look? Can we? DOCTOR: Yes, yes, I don't think... I don't see why not. There's nothing... no danger about. SUSAN: Good. DOCTOR: Come on, lets go and have a look. (SUSAN opens the doors. All except IAN turn to leave.) IAN: (Unsure.) No. DOCTOR: (Turning back.) What? IAN: Well, I thought when you switched the scanner on... I thought I saw something move up there... Oh, probably just a shadow. DOCTOR: Well let's go outside and have a look. (They exit the TAR
SUMMARY: | The TARDIS arrives on the planet Marinus on an island of glass surrounded by a sea of acid. The travellers are forced by the elderly Arbitan to retrieve four of the five operating keys to a machine called the Conscience of Marinus, of which he is the keeper. These have been hidden in different locations around the planet to prevent them falling into the hands of the evil Yartek and his Voord warriors, who plan to seize the machine and use its originally benevolent mind-influencing power for their own sinister purposes. |
fd_Gilmore_Girls_02x21 | fd_Gilmore_Girls_02x21_0 | TEXT: 2.21 - Lorelai's Graduation Day OPEN IN STARS HOLLOW [Lorelai and Rory are walking down the sidewalk] RORY: Where is this place? LORELAI: It's not too far. RORY: You've been saying that for miles. LORELAI: It has not been miles. RORY: My feet are sore. LORELAI: Hey, Tonto, when did you become older than me? RORY: Just tell me what this new breakfast place is and then I'll be quiet. LORELAI: It's an amazing new mystery place that I found and that's all I'm telling ya. RORY: Just tell me if it's in this town or the next. LORELAI: We don't patronize the next town. RORY: Since when? LORELAI: I don't know, didn't they feed lead to our jumping frog or something? RORY: Oh yeah, right after they stoned the woman who won the lottery. LORELAI: See, so the boycott's legit. LANE: [runs up behind them] Hey, wait, stop! LORELAI: Oh look, it's Michael Landon. LANE: Oh my God, you guys walk fast. I've been chasing you for the past two blocks. RORY: Hey, we were being followed. LORELAI: I told you I wasn't just being paranoid. Maybe next time you'll take me seriously when I tell you furniture moved itself. LANE: Where are you guys going? RORY: Mystery breakfast. LANE: Out of town? LORELAI: Does no one remember the definition of the word mystery? LANE: Sorry, I was just wondering if it's okay to practice on your pots and pans again this morning? LORELAI: It's not like they have any other use. LANE: Thanks. I've almost nailed the fill in the Ramble On. I just have to stop hitting my face with the sticks when I pull my arms back. RORY: John Bonham had that same problem. LORELAI: Key's in the turtle. LANE
SUMMARY: | Lorelai and Rory have breakfast at Sookie's in an effort to avoid Luke's, but Lorelai can't avoid an awkward encounter with him at Doose's Market, where he fails to pick up on her hints to patch things up; in an effort to help Lorelai through final exam stress, Rory gets her excited about attending her college graduation ceremony and secretly invites Richard and Emily, despite Lorelai's assertion that they'd never agree to attend; after a late night phone call from Jess, Rory impulsively cuts school the next day and visits him in Manhattan; Christopher sends Lorelai a graduation gift basket filled with fun goodies and an expensive necklace; Lorelai is shocked to see Emily, Richard and the film crew accompanying them to her graduation, and must contend with an obnoxious classmate with an attitude about the rich; Rory is furious with herself when she takes the wrong bus home and misses her mother's graduation; when Rory finally arrives home, Lorelai forgives her when she realizes that the trip to New York may indicate that her daughter has fallen in love with Jess, despite her protests to the contrary. |
fd_Angel_01x02 | fd_Angel_01x02_0 | TEXT: Angel sits alone in the dark in his office. Doyle comes in and turns the light on, causing Angel to blink form the sudden light. Doyle: "Hey, you know, maybe we should go over this thing again of you getting out in the world and involving yourself with people. It's Friday night. It's the most social night of the week! A couple of lookers like us should be out there enjoying the nightlife. Not sitting here in the dark like some kind of..." Angel: "... some kind of vampire?" Doyle: "Well, yeah. - I was going to say Slacker, but, yeah, to you, Mr. Obvious. - You got to come out, man!" Angel: "Why?" Doyle: "Because we deserve a night of fun, don't you think? I mean, it breaks up those nights of death and mayhem. Plus we could toast the new business, you know, the three of us." (whistles tilting his head towards the outer office) Angel, getting up: "Yeah, Doyle, if you want to ask Cordelia out, just do it yourself." Doyle: "I don't even know if she likes me, man, unless you put a word in for me, you know, just tell her what a great guy I am!" Angel: "I barely know you." Doyle: "Perfect. That should make it easier for you then." Cordelia, walking in the outer office: "Hello." Doyle: "You know, I am... when you're talking me up to her, don't let her in on that me being half demon. Because, you know, women can be a little funny about that." Cordelia, walking in: "They're finally in." Doyle, to Angel: "There in." Doyle goes to stand next to Cordy. Angel: "Okay...?" Cordelia: "Your cards." Doyle: "The cards." Cordelia: "Your calling cards to leave with people so they know how to reach you." Doyle: "Great idea! Calling cards. It's not like you have a signal folks can shine in the sky when ever they need help, you know?" Angel, taking a card: "Hey, look at that, there is our
SUMMARY: | Angel tracks a demon which moves from one body to another leaving an eviscerated corpse behind. The demon is hunting for the perfect body and will continue to search leaving corpses in its wake. The stalking ground is happening at a Los Angeles singles bar. This is where Angel meets the undercover LAPD detective Kate Lockley for the first time. |
fd_Dawson_s_Creek_03x21 | fd_Dawson_s_Creek_03x21_0 | TEXT: [Scene: Outside by the wall that Pacey bought for Joey. Joey is there staring at the wall trying to figure out what to paint on it when Dawson comes up to talk to her.] Joey: You know, if you came here to discuss me and Pacey, you're wasting your breath because<unk> Dawson: Pacey's the last person I want to talk about, Joey. Trust me. I came here to talk about us. I--I want you in my life. Joey: And Pacey? Dawson: That damage has been done. I came to salvage the one relationship that I need more than any other, and that's ours. Joey: How? Dawson: Let's rebuild. Let's... Take a walk. Let's have a picnic, watch a movie. Joey: After everything that's happened, how could I possibly climb that ladder into your bedroom and watch a movie? Dawson: I'm not asking you to disregard what's happened, Joey. I'm saying let's move forward from here. Joey: You know what? All I want to do right now, Dawson, is-- is paint my wall. Dawson: All right. Well, it's a freestanding invitation. Any time you want. You know where I live. [Opening Credits] [Scene: Outside the Leery Fish House. Gale is has a flag with their logo spread out over one of the tables when Mitch comes up to join her.] Mitch: Mrs. Leery, you are looking particularly lovely this tourist season. Gale: Is it just my imagination, or did this year go by even faster than the last? Mitch: Each year gets exponentially shorter. Gale: Which is why we should be making each day count, right? Mitch: Gail, I--I can't believe<unk> Gale: relax. We made this arrangement with Pacey weeks ago. Mitch: Yeah, but in light of what's happened<unk> Gale: it's just a boat race, one that we could very much benefit from. Mitch: I'm not sure Dawson will see it that way. [Dawson comes out of the restaurant] Dawson: See
SUMMARY: | As Capeside prepares for their annual regatta, Dawson and Pacey compete to win, although Dawson selfishly tries to make Joey the prize and comes close to physically injuring Pacey in the process. She scolds him for it, and tells both boys that she is not worth fighting over. After many weeks of deliberating, Gail finally makes things happen with Mitch. Jen and Henry, reeling from another fight, spend a romantic night together on the roof of the restaurant. |
fd_Doctor_Who_1963_11x21 | fd_Doctor_Who_1963_11x21_0 | TEXT: PLANET OF THE SPIDERS BY: ROBERT SLOMAN PART ONE 5:45pm - 6:10pm [SCENE_BREAK] 1: EXT. PATH (Along a pathway that runs down from some stone steps, a young man walks. He looks thoughtful and preoccupied as he strolls in the evening light. It is MIKE YATES - ex-UNIT Captain - his hair growing long and his clothes definitely civilian in tone. He stops and looks round at the pastoral scene of cows in a nearby field. His moment of contemplation over, he moves on.) [SCENE_BREAK] 2: INT. THEATRE (The DOCTOR and the BRIGADIER, also out of uniform and in a smart suit, are sat in the audience of a small theatre watching a cabaret evening. The two men are the only members of the audience neither applauding nor laughing at the northern "Comedian" on the stage. Indeed, they look bored to tears.) COMEDIAN: (OOV: On stage.) Here's a funny thing! Here's a funny thing! When Archimedes - you've heard of Archimedes - jumped out of his bath and ran down the road without his clothes on, he didn't shout "Eureka", he shouted "I'm a streaker!" (The audience groans appreciatively and there is another smattering of applause. The DOCTOR looks pained and the BRIGADIER shoots him an accusatory look.) [SCENE_BREAK] 3: EXT. LAMASERY GROUNDS (MIKE YATES is nearing the end of his walk which terminates in large a country house which can be seen through the trees and across a stretch of unkempt lawn. He approaches the house.) [SCENE_BREAK] 4: INT. THEATRE (The audience applauds once more, although the contribution from the DOCTOR and the BRIGADIER more closely resembles a slow-hand clap. Some jolly music strikes up...) BR
SUMMARY: | While the Doctor carries out an investigation into ESP, Mike Yates asks Sarah to look into some strange goings on at a meditation centre he's attending. |
fd_FRIENDS_09x02 | fd_FRIENDS_09x02_0 | TEXT: [Scene: Rachel's Hospital Room, Ross is sitting next to Rachel.] Ross: You said you'd marry Joey? Rachel: Okay you have to realize, I was exhausted, I was emotional, I would have said yes to anybody. Like that time you and I got married! (Pause) I'm not helping. Ross: So you said yes to him, and you just had our baby? Rachel: That is right and traditionally the daddy is supposed to give the mummy a present but I am prepared to let that go. Ross: So when I came in here to see if you wanted to maybe start things up again, you were engaged to my best friend. Rachel: Well-Really? I thought Chandler was your best friend. Ross: Well, Chandler's my oldest friend, but Joey's my-No! Ah! (points at Rachel) Rachel: Ooooo! Joey: (Enters) Hey you guys I'm gonna take off. I just wanted to let you guys know, say goodbye. Ross: Rachel said she'd marry you?! Joey: (He looks around the room) This isn't the right room, sorry folks. (leaves) Opening Credits [Scene: Ross and Rachel's, Monica, Phoebe, Joey and Chandler are waiting for Ross and Rachel to come home and Monica is looking at the sign Phoebe bought that says, "It's a Boy!"] Monica: Ok, I don't wanna be negative so I'll say that most of the signs you bought are good. Phoebe: No they ran out of "It's a girl" but I can fix this one, (She writes "not" in between it's and a) See? Monica: (looking at Chandler sleeping with a balloon in his mouth) So sexy. (Waking him up.) Honey. Chandler: Yea yea. (Pulls the balloon out of his mouth) Monica: Honey why don't you go lie down. Chandler: No, no, Ross and Rachel will be back soon and then I gotta go to the office (Pulls another balloon out of his mouth) Am I producing them? Joey: Why
SUMMARY: | Rachel is unable to get Emma to stop crying after waking her. Chandler falls asleep at a staff meeting and upon waking, accidentally agrees to relocate to Tulsa . Meanwhile, Joey and Ross end up in the hospital after Ross, still angry at Joey for proposing to Rachel, attempted to slug Joey, missing him and hitting the coffeehouse pole instead. |
fd_Charmed_06x21 | fd_Charmed_06x21_0 | TEXT: [Scene: Underworld. "Witch Wars" studio. The "Witch Wars" logo flashes up on the TV screen and still images of Piper, Phoebe and Paige.] Corr: (voice over) Welcome back to Witch Wars. Tonight on a very special episode, you'll see the ultimate battle when the Gamemasters themselves take on, not just any witches, but the legendary Charmed Ones. (Corr shimmers into the studio and faces the camera.) Corr: It'll be winner takes all, and we will take all. Their lives, their powers, and last but not least, their progeny. ("12 hours earlier" shows up on the screen in flaming letters.) [Scene: Magic School. Great Hall. Phoebe and Paige are sitting at a table. Piper and Chris walk in.] Piper: Sorry I'm late. I'm not moving real fast these days. Are you sure you don't want to be born anytime soon already? Chris: Don't be in such a hurry. Phoebe: Okay, I hate to rush things, but what do we say we get this family meeting started, huh? Piper: You know, you could cut back on those triple lattes a little bit. Paige: Hey, where's Leo? Gideon: He's on the witch killer path, which you all should be focusing on as well. Phoebe: We actually have bigger things to deal with, Gideon. Like trying to figure out who's after Wyatt. And I think I might have an angle on that. Paige: You found the demon? Phoebe: It may not be a demon. Look, we've relied on magic all this time and it's gotten us nowhere. And since I can't rely on my premonitions to help, I've had to resort to statistics. Piper: Statistics? Phoebe: Yes. Did you know that fifty percent of violent crimes are perpetrated by someone the victim knew. So don't you see? Whoever turns Wyatt evil might actually be someone we know or even care about. Gideon: A mortal?
SUMMARY: | Aware that Piper, Phoebe and Paige are on the verge of discovering that he is after Wyatt, Gideon conspires with two demons to make the girls part of Witch Wars, a new demonic reality television show where demon contestants compete to hunt down the Charmed Ones, with the winning demon acquiring the witches' powers. Gideon makes the girls believe that the game masters, Corr and Clea, are the ones after Wyatt in order to protect himself and his own agenda. In the end they find out, but the two demons grow extremely powerful due to them absorbing the powers of vanquished demon contestants. Phoebe comes up with a plan to vanquish them without the Power of Three as they do not want to risk Piper. Leo vanquishes Clea with a power-sucking athame and Phoebe takes Clea's powers for herself. Using her new powers, Phoebe shimmers to the attic and vanquishes Corr with an energy ball. She then shimmers to a demonic bar where demons have been watching Witch Wars and vanquishes many with energy balls to make a point while the rest flee before she returns home. Paige stabs her with the athame to remove the demonic powers. Later, the group celebrates the victory and believe the threat to Wyatt over. Meanwhile, Gideon's assistant has second thoughts about their plan and goes to tell the sisters the truth, but is murdered by Gideon before he can. |
fd_The_Office_06x04-05 | fd_The_Office_06x04-05_0 | TEXT: Pam: I'm sorry. You guys have probably noticed my stomach's a little more sensitive lately. So, if you wouldn't mind wearing a little less perfume... and if your lunch is especially pungent, maybe have it in the break room? Jim: We would really appreciate it. [SCENE_BREAK] Dwight: Pam is constantly throwing up because of the pregnancy. If she eats something the fetus doesn't like she is screwed. It's amazing. A three ounce fetus is calling the shots. It's so bad ass. [SCENE_BREAK] Pam: Phyllis, if you could switch to a different soap, just for a month or two? Yours is kind of perfumy. Phyllis: Now this is getting ridiculous. Dwight: Oh, gee, I'm sorry. I guess I missed the meeting where we all all voted for you to get pregnant. No! I reserve the right to peel my hard-boiled eggs at my desk. Meredith: All morning I look forward to my afternoon cigars and I'm not stopping for anyone. [SCENE_BREAK] Pam: I don't think I'm asking for too much. I guess it's just the end of courtesy in the workplace. [SCENE_BREAK] Andy: [Dwight peels a hard-boiled egg at his desk, sniffs it and takes a bite; Pam stares at him, picks up her trash can and pukes into it] Watching people get sick always makes me sick. And... frankly so does talking about it. So... wow... [Andy, Phyllis, Meredith, Erin, Oscar and Angela all proceed to throw up in various places while Creed looks on eating a bowl of noodles; Dwight stares shocked; Pam wipes her mouth with a satisfied look] [SCENE_BREAK] Michael: [standing next to a car decorated for leaving a wedding] What do you think? I spent all morning on it. Jim: It is really special. Pam: Yeah, but aren't you supposed to do that to our... no. It's great. Michael:
SUMMARY: | The Office travels to Niagara Falls to celebrate Jim and Pam's wedding. Michael gives the whole office Friday and Monday to attend the wedding in Niagara. Jim accidentally reveals Pam's pregnancy during his speech, getting Pam's meemaw upset. Michael worsens the situation by trying to give a speech at the rehearsal dinner. Michael and Dwight try to hook up with guests at the wedding. Dwight succeeds with Pam's bridesmaid Isabel, but Michael, who failed to reserve a room, ends up sleeping next to an ice machine. Andy injures his scrotum while dancing the night before the wedding. The night before the wedding proves to be a surprise for Pam. Jim and Pam delay the wedding when they sneak off to marry on the Maid of the Mist , allowing them to calm their nerves and enjoy their wedding. Michael spends the evening after the wedding with Pam's mother, Helene. |
fd_How_I_Met_Your_Mother_05x01 | fd_How_I_Met_Your_Mother_05x01_0 | TEXT: 2009: IN. TED'S CLASSROOM Ted (2030): Kids, on my first day as a college professor, there were two things I didn't know that I wish did. The first thing was that your mother was in that classroom. A blond girl in the classroom raises her hand and Ted looks at her. Ted (2030): The second thing? Well, to explain that we have to go back to the beginning of the summer. **FLASHBACK WITH IMAGES OF ROBIN AND BARNEY** Ted (2030): When, after a year of wrestling with their feelings for each other, Barney and Robin finally, well... Image of their kiss. [SCENE_BREAK] IN. MC LAREN'S Lily: Whoo!!! Robin: Lily! All we need is your indoor "whoo." Lily: Sorry. (slower) Whoo! It's just they kissed! They're finally a couple. Oh, my God, you guys! This is our first double date! First of millions! What if our kids get married?! Oh I love this! Barney: Yeah, Lily, listen. Robin: Barney's awesome. Barney: Robin's more than just awe-"some." She's awe-"quite a bit." She's awe-"a whole darn lot." Lily: Wait, what are you saying? Robin: We're just not feeling it right now. But we'll totally still be friends. Barney: Oh yeah. Lily: Is it something I did? Robin: Oh no, no, no. God, no. Lily, it's not you. It's us. Barney: Yeah, It's us. You understand, right? Lily: Sure, of course. As long as you're happy, I'm happy. [SCENE_BREAK] IN. LILY AND MASHALL'S ROOM Lily is crying and eating ice-cream. Lily: We were gonna take cooking lessons together and we were gonna go on camping trips together and then we were gonna sit around telling funny stories about our cooking lessons and our camping trips. Marshall: (trying to console her) I
SUMMARY: | When the gang finds out that Barney and Robin are hesitant to define their relationship, Lily forces them to confront their biggest fear...becoming boyfriend/girlfriend. Meanwhile, Ted is anxious about teaching his first lecture at Columbia. |
fd_Teen_Wolf_03x14 | fd_Teen_Wolf_03x14_0 | TEXT: [PREVIOUSLY_ON] Peter: Why're you looking at me like this is my fault? You're seeing things, aren't you? Scott: How'd you know? Lydia: Because it's happening to all three of you. (GASPS) Wake up! Sheriff: Eight years ago, almost an entire family died in a car accident. A young girl named Malia was never found. Two bodies that were still in the car were covered in bites and slashes. Scott: Malia? Severo: You see this equipment? Very old. The settings are not quite accurate anymore. So it's hard to tell just how far to turn the dial. I think it's a little high. (SCREAMS) Severo: I've seen some crack their teeth. Others, they just shake and shake even after their heart stops. Sometimes we don't even know they're dead. (BOTH GROANING) (LAUGHS) Severo: But nobody wants to play a guessing game. So, why don't you just tell us? Where is la loba? Derek: We don't know where la loba is. Derek: No? Maybe you need a different method of persuasion? Maybe we cut one of you in half, the other talks? Peter: I would love to be there for volunteer, but we really don't know what you're talking about. And honestly, isn't bisecting people with a broad sword a little medieval? (CHUCKLES) Severp: Broad sword? We're not savages. (CHAINSAW WHIRRING) Severo: We all wonder how far your little healing trick goes. What do you think? Can you grow back an arm? We're pretty sure you can't grow back your head. Araya: Boys. (SPEAKING SPANISH) (WHIRRING STOPS) Derek: No hablo espanol. Araya: Tu hablas muchos idiomas, Derek Hale. You know exactly what I'm saying. And you know who we want. Where is the She-Wolf? Derek: We don't know any She
SUMMARY: | Derek and Peter's captors want information about a female wolf. Scott and his friends attempt to track down the were-coyote Malia before her father kills her, in order to change her back to a human. Isaac becomes caught in a coyote trap, while Stiles saves Lydia from another trap. Allison uses a tranquillizer dart to sedate Malia's father. Scott tracks down Malia and embraces his Alpha powers in order to transform Malia back into a human with an Alpha roar, which also gives Isaac the strength to break the trap on his leg. Sheriff Stilinski then reunites Malia with her father. Stiles discovers that he has regained the ability to read. Meanwhile, Peter and Derek are freed from their captors by an unlikely ally, Braeden, who reveals that she was hired to free them by Deucalion. At the Nemeton, someone releases a swarm of fireflies that morph into three mysterious figures. |
fd_CSI__Crime_Scene_Investigation_05x03 | fd_CSI__Crime_Scene_Investigation_05x03_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY (STOCK) - DAY] [EXT. ST. ANDREW'S SCHOOL - DAY] (Open on the statue of St. Andrew. The school bell rings marking the end of the day.) [FRONT DOOR] (Slow motion. The double doors to the school open and children run out of the school, whooping and cheering that school is over.) (Resume motion. School boys and school girls walk along the front of the school.) (A car horn honks.) (Sister Teresa, talking with another Nun, looks up at the source of the blaring car horn.) Sister Teresa: Could you excuse me? (Sister Teresa walks over to the parked car on the side of the road. Inside the car, Sybil Perez waits impatiently for her daughter.) (Sister Teresa knocks on the passenger-side window. Sybil rolls the window down.) Sister Teresa: Everything all right, Sybil? Sybil Perez: I'm fine. What's taking Alicia so long? We have a doctor's appointment in forty minutes. Sister Teresa: She's not here. Sybil Perez: Well, she has to be. I saw her leave for school this morning. Sister Teresa: Alicia hasn't been in any of her classes. (Sybil's phone rings. She answers it.) Sybil Perez: (to phone) April, get off the phone. I can't talk right now. April Perez: (from phone) Somebody took Alicia. [SCENE_BREAK] [EXT. CONVENIENCE STORE - PARKING LOT - DAY] (Sybil Perez parks in the parking lot. She gets out of the car and rushes over to her daughter.) Sybil Perez: What did you do?! (yells) What the hell did you do?! (April turns from the Officer toward her mom.) April Perez: Mom, I don't know... (Sybil slaps April hard across the face.) Sybil Perez: Where is she?! April Perez: I'm
SUMMARY: | The CSIs investigate the kidnapping of a 13-year-old girl at the parking lot of a convenience store , which turns into a very disturbing murder. Catherine attempts to re-assert her role as a mother when her daughter Lindsey is picked up by the police for hitchhiking . |
fd_Veronica_Mars_02x17 | fd_Veronica_Mars_02x17_0 | TEXT: VERONICA VOICEOVER: Previously, on Veronica Mars... Logan regains consciousness on the Coronado Bridge with a knife in his hand and Felix dead at his side. A man stands over him in 201 "Normal is the Watchword." LUIS: Why don't you do me a favor and drop that knife. Veronica and Logan sneak a moment during babysitting duty in 207 "Nobody Puts Baby in a Corner." VERONICA: You told the police you couldn't identify the guy. LOGAN: I lied. VERONICA: 'Course you did. Logan and Weevil conspire in 211 "Donut Run." LOGAN: So how we gonna figure out who did it? WEEVIL: The one that did it is the one who's in business with the Fitzpatricks. There are flashes of Danny Boyd and Liam Fitzpatrick from 208 "Ahoy, Mateys!" Weevil confronts Molly Fitzpatrick in 212 "Rashard and Wallace Go to White Castle." WEEVIL: Molly. Were you dating Felix? MOLLY: My uncles and cousins didn't know about us. Weevil confronts Thumper after his beating. WEEVIL: You killed Felix, didn't you! THUMPER: Before you think about spreading it around, I think you should see something. Thumper shows him what's on his cell phone - Weevil beating up Curly Moran. THUMPER: That night you nearly kicked Curly's head in. Veronica tours the Shark Field stadium demolition site in 216 "The Rapes of Graff." FOREMAN: If we did our work right, the stadium implodes. Standing over the C-4, the foreman yells at Danny Boyd. FOREMAN: I told you to take that crate to section eleven! VERONICA VOICEOVER: Is it just a coincidence that Danny Boyd works here? Or do I add his name to the list of bus crash suspects? End previouslies. INT - NEPTUNE HIGH SCHOOL (NHS
SUMMARY: | Weevil, Veronica and Logan try to prove that Thumper killed Felix. Woody receives a video of the inside of his own home, and asks Keith to investigate. When they discover it was filmed months before Woody announced his controversial incorporation plan, he asks Keith to stop searching for the stalker. Veronica and Logan contact the real caller from the bridge, and Veronica convinces him to tell Sheriff Lamb what he saw on the bridge. Weevil believes that the Fitzpatricks ordered Felix's murder because they found out about his relationship with Molly Fitzpatrick, and that Thumper was the one who killed him. |
fd_The_Big_Bang_Theory_02x19 | fd_The_Big_Bang_Theory_02x19_0 | TEXT: Scene: The apartment. Penny: Okay, it's done. Look, guys, for the future, I don't mind killing the big spiders, but you have to at least try with the little ones. Sheldon: Penny, please, we're facing a far more serious problem than stray arachnids. Leonard: Sheldon, it's not that bad. Sheldon: Not bad? It's horrible. I mean, you hear stories about this sort of thing, but you never think it'll happen to you. Leonard: So they steamed your dumplings, get over it. New topic, please. Howard: All right, Penny, let me take this opportunity to point out that you are looking particularly ravishing today. Penny: Not with a thousand condoms, Howard. Howard: So, there is a number. Penny: Okay, new topic, please. Hey, did you hear the people upstairs in 5A are moving out? Leonard: Shh-shh-shh! Sheldon: What? Penny: The people upstairs are moving out. Leonard: No! Sheldon: The horror! Leonard: Why would you just say something like that? Sheldon: No, no, no, no, no, no, no... Penny: How else was I supposed to say it? Leonard: Slowly, like putting a new fish in a tank. You don't just drop it in, you let the bag sit in the water a while. Sheldon: The horror! Penny: Sheldon, I'm sure it's going to be fine. Sheldon: No, it's not going to be fine, change is never fine. They say it is, but it's not. Penny: Okay, honey, did you even know the people that are moving out? Sheldon: I never met them. That's what made them perfect, there were no awkward hellos in the halls, there was no clickety-clacking of high heel shoes on hardwood floors, they may as well have been a family of cats just jumping around from drape to drape without that annoying ammonia urine smell. Penny: Well, I'm sure the new people will
SUMMARY: | The former tenants of the apartment above Leonard and Sheldon's move out. After an unsuccessful attempt by Howard to rent the apartment, an attractive blonde named Alicia moves in. Alicia, like Penny, is an aspiring actress; she obtains a role as a dead hooker in an episode of the TV series CSI. Apart from Sheldon the guys are fascinated by Alicia, and she takes advantage of this by having them help her move in and otherwise labor for her. Penny thus loses the guys' attention, and begins to resent the way Alicia exploits them. Penny tries to win her friends back by bribing them with Chinese food, offering to watch Battlestar Galactica with them, and even memorizing a quantum physics joke. After Alicia brags about her exploitation of the men, while also desiring their incomes, Penny confronts her. Alicia responds that Penny exploits the men just as she does, upon which Penny physically attacks her. After the fight, the guys take an injured Penny back to Leonard and Sheldon's apartment and learn that Alicia is sleeping with one of the CSI producers, leading Penny to comment that Alicia is a "dead whore on TV, live one in real life". |
fd_How_I_Met_Your_Mother_06x07 | fd_How_I_Met_Your_Mother_06x07_0 | TEXT: Ted's class Ted: And so, due to one architectural oversight, the Toledo Bridge Disaster of 1906 claimed the lives of 75 people. Now, I hate to stop while I'm on a roll, but happy Halloween, ya crazies! (class cheering) Student #1: Hey, Professor Brosby, you gonna come get beers with us later? Ted: Nah, I got a thing. But you kids have fun trick or treating. This is a treat. Student #2: You're the coolest, Professor Mosby. Well, hot dog. (class laughs) At the GNB halloween party Lily: Did it hurt? Ted: What? Lily: Getting that kid's nose surgically removed from your ass. Ted: It's not her nose that's in my ass, Lily, it's her heart. My class loves me; I-I'm really making an impression on those guys. I'd like to make impression on those guys. Barney: Man, I love the office Halloween party. It is so much sluttier than the office Christmas party. Though not as freaky as the office President's Day Rave. Or the office Tu B'Shvat Pajama Jammy-Jam. Randy: Hey, guys. Marshall: Hey, Randy. Uh, you want a beer? Randy: Oh, no, thank you. I brew my own. At the risk of bragging, my Hazelnut Pilsner won fourth prize at the Weehawken Retirement Home Clam Bake and Wheelchair Maintenance Picnic. Barney: I wouldn't consider any part of that bragging. Randy: Hey, it just occurred to me, is your friend, what's her name? Garbin, Flabin... Ted: Robin? Randy: Robin. That's it, yeah. Is she gonna be here? Oh, not that I really care. Lily: Robin has another party to go to. Randy: No! Damn it! I'm leaving. Lily: But she might stop by later. Randy: I guess I can hang out a little longer. So, anyone going to see the Halloween parade? Ted from 2030: Oh, we were big fans of New York's annual Halloween parade. I
SUMMARY: | Zoey sits in at Ted's class and gets his students on her side of the fight to save the hotel being torn down for the new GNB headquarters. Ted, Marshall and Barney see Robin in a Halloween "parade". Marshall has problems with his assistant Randy and how GNB treats people. |
fd_Heartland_08x15 | fd_Heartland_08x15_0 | TEXT: Amy: Previously on "Heartland"... Why am I the only one who has to give up everything?! I have given up just as much in this relationship and you know it! Peter: We can't go on like this. Lou: No, we can't. Peter and I have had terrible fights, but never anything like this. I just wanna talk to him about it. He says we'll talk when he gets back, but I don't think I can wait that long. I think this is the type of conversation that you should have in person. I need to go to Vancouver. Tim: Shane writes, "you'll never believe this. Mom's getting married, dot, dot, dot... This Saturday - in capitals - exclamation mark! Ty: I'm gonna visit my mom. I wanna help her stay clean this time. Amy: I still wanna come with you. Ty: I want you to come too, but I gotta think about what's best for my mom. (Insects buzz, car rumbles) Limo driver: Excuse me, miss? I'm sorry. Pardon me? Limo driver: Where are we turning off? Stay on the highway till we get to foothills pass, then head east. (Car rumbles) 'Kay, you ready? Caleb: Let's see what this bad boy can do. (Gate clanks open, horse whinnies) Tim: That's it?! C'mon. Seriously? Bring him in, Bo. There's not enough buck in that horse. Jack: Looks like you got a live one there. Tim: Pathetic. Now that's a bit harsh. Tim: Be good for a trail horse. I need a gentle horse with a little buck. Well, that's tough to find. Tim: You're telling me. Caleb: Look, I gotta get going. I was supposed to meet Jesse an hour ago. Tim: Yeah, we're done here anyway. Jack: So how's Shane? You called him, right? Yeah, we had a chat. Jack: And? Tim: And what? Well, is he okay with Miranda
SUMMARY: | Lou returns from Vancouver with an admission that threatens to change the Heartland family forever; she and Peter are separating. Meanwhile, Jack intervenes when he discovers that Tim intends to crash Miranda's wedding in Moose Jaw. Then, when Amy helps Caleb source a horse for Tim's rodeo school, she learns just how precarious Caleb's business partnership is with Jesse. And Georgie fights disappointment when it looks like Peter won't make it home to take in the lunar eclipse with her. |
fd_Angel_02x04 | fd_Angel_02x04_0 | TEXT: [PREVIOUSLY_ON] From "The Ring" Lilah: "I'm Lilah Morgan" Angel: "Wolfram & Hart" Lilah: "I'm an associate here." From "To Shanshu in L.A." Lilah: "We're all very please you're here - Darla." From "First Impressions" Angel: "I still can't believe you're here." Darla: "And let Darla take care of you." Darla: "All you have to do is let me." Lilah sneaks into Lindsey's dark office at Wolfram & Hart and starts to look through the papers on his desk. Darla: "Exciting, isn't it?" Lilah jumps and drops the papers she was holding. Lilah: "Darla. - I didn't see you." Darla: "Going through their things, all the little pieces of themselves locked away, given you a naughty little thrill of control." Lilah: "I just like to keep abreast of his latest project. He's probably in my office right now trying to find out about mine. That's just how it works at our firm." Darla sits on the edge of Lindsey's desk and pours some dark blue powder into the palm of her left hand. Darla: "Hmm, all you busy little worker bees, plotting your little schemes. Lilah looks at powder: "Calynthia powder? Is that how you keep Angel sleeping - when he's with you?" Darla: "There is nothing so lovely as dreams. Everything is in them, everything hidden. Open those chambers and you can truly understand someone - and control them." Lilah with a slight smile: "And what's hidden in Angel's secret chambers?" Darla: "Horrors." Cut to Angel waking up in his bed at night. Cut to Angel walking down the stairs, buttoning up his shirt. We hear Wesley and Cordy's conversation drifting up from the hotel lobby. Wesley: "That's so typical of your kind." Cordy: "At least I'm not
SUMMARY: | After Cordelia receives a vision, Angel befriends a young girl from out of town at the risk of his safety. Bethany, running to L.A. to escape a tragic family life, has telekinetic abilities out of her control which she desperately wants to shed. Unfortunately, Lilah and Wolfram & Hart have insidious plans for Bethany's powers. As Angel works to help her reign in her powers, he receives nocturnal visits from the newly resurrected Darla which affect his abilities. |
fd_Doctor_Who_1963_02x27 | fd_Doctor_Who_1963_02x27_0 | TEXT: GLYN JONES 5:50pm - 6:15pm [SCENE_BREAK] 1: INT. MUSEUM. EXHIBIT ROOM (The travellers, previously immobile again, come round. BARBARA is the first to spot the change in the room...) BARBARA: (Panicked and upset.) They've gone! DOCTOR: Yes, my dear...and we've arrived! [SCENE_BREAK] 2: INT. MOROK HEADQUARTERS. GOVERNOR'S OFFICE (The interior of the Governor's office is sparse and functional. On one side of the room is a series of tables with machinery and exhibits on top. The Governor's desk is circular and rests on a small dais. The Governor himself, LOBOS, sits at the desk. He resembles the rest of the white powerful beings - Moroks. Another of his kind walks into the room with a large device that he places on a nearby desk. He then turns to LOBOS.) MOROK TECHNICIAN: Best I could do sir. She'll be good for another hundred years or so. LOBOS: What was wrong with it? MOROK TECHNICIAN: Well, the clasps had broken, rotted. LOBOS: (Wearily.) Like everything on this planet, including us. (He gets up.) Well, I've got two more mimmians before I can go home. Yes, I say it often enough, but it's still two thousand Xeron days...and it sounds more in days. (He looks over the device.) Yeah, I know, I volunteered, you were ordered. If the truth were known, I was just as bored on Morok. (He returns to the desk.) Still it was home, and youth never appreciates what it has. Oh, I don't know what I'm going to do now. Still...let's get on with it, shall we?... these reports. I don't know. (The door has opened and a MOROK MESSENGER quickly enters the room. He salutes by placing his arm across his chest.
SUMMARY: | he TARDIS jumps a time track and the travellers arrive on the planet Xeros. There they discover their own future selves displayed as exhibits in a museum established as a monument to the galactic conquests of the warlike Morok invaders who now rule the planet. When time shifts back to normal, they realise that they must do everything they can to avert this potential future. Vicki helps the native Xerons obtain arms and revolt against the Moroks. The revolution succeeds and the travellers go on their way, confident that the future has been changed. |
fd_Justified_03x03 | fd_Justified_03x03_0 | TEXT: [PREVIOUSLY_ON] Boyd: The only thing that's gonna save you right now is the truth. The truth about your mama's money. Dickie: Have you heard of Ellstin Limehouse? I'm the only one he will give it to. That money dies right here with me. Ava: Boyd instructed that you burn the weed. Devil: We ain't burning it. Ava: Those were Boyd's orders. Raylan: Wade Messer. Keep your hands where I can see them. So, how you been keeping yourself? Raylan: Oh, pretty good. Joined the marshals service. Marshals service, huh? Boy, I'd have never guessed that. Raylan: Huh. [ Grunts ] Dickie: Whoo! Right there. Nobody gonna tell me that wasn't no base hit. Wynn: To what do I owe the pleasure? Raylan: Deputy Gutterson has some questions for you. Wynn: As I recall, last time we met, you told me next conversation we had wasn't gonna be a conversation. Raylan: This is a different conversation. You had a good thing going here, Emmitt. But you let go of the rope. You know me now? Wynn: Yeah. Sometime it come out better than others, but when it do, boy, it is a sweet, spicy, smoky, juicy, tender piece of heaven, I do say so myself. And despite all that, I know it ain't good enough for you to come all the way out here alone this time of night to have some. Ava: I'm afraid you figured me out. I ain't here for the barbecue. Yeah, well, whatever reason, it's, uh, it's nice to see you, Ava. Ava: And you, Mr. Limehouse. Mm-hmm. Well, you looking well. Ava: Better than the last time we saw each other, anyway. Ava: You're not. But it ain't because of anything Bowman did if that's what you'
SUMMARY: | Raylan goes after a ruthless pawn shop owner/Oxy dealer to work his way up the Dixie Mafia food chain. Boyd reconnects with his cousin Johnny, and tries to reassure a wavering member of his crew after making a connection with Limehouse. In lockup, Dickie is extorted by a corrupt guard who overheard Boyd talking about the Bennett fortune. Quarles begins putting the pieces of his plan in motion with Wynn Duffy, only to be interrupted by Raylan who demonstrates his violent side on Duffy. |
fd_The_Big_Bang_Theory_03x22 | fd_The_Big_Bang_Theory_03x22_0 | TEXT: Scene: Penny's apartment. Penny: Okay, Babydoll Pink, let's see if you can cover up the fact that I got my dad's feet. Leonard (voice off): It's just two degrees, Sheldon. I just want to turn up the thermostat two degrees! Sheldon: (voice off): Let me point out that two degrees can be the difference between water and steam. Leonard (voice off): Yes, if we lived in a teakettle. Sheldon: (voice off): This is the temperature you agreed to in the roommate agreement. Leonard (voice off): Aw, screw the roommate agreement! Sheldon: (voice off): No, you don't screw the roommate agreement. The roommate agreement screws you. Leonard (voice off): You know what, go to Hell and set their thermostat. Sheldon: (voice off): I don't have to go to Hell. At 73 degrees, I'm there already! Penny (after a knock on the door): Who is it? Leonard: Leonard. Penny: Hang on. Leonard: Can I sleep on your couch tonight? Penny: Uh, well, you can try, but the people across the hall are being very noisy. Leonard: You heard that, huh? Penny: Apparently, the one fella tried to adjust the thermostat, then the other fella went bat-crap crazy. Leonard: So you agree, he's nuts. Penny: Well, not as nuts as the guy who chooses to live with him. Leonard: Believe it or not, he was worse when I met him. Penny: Oh, I do not believe that. Leonard: You are so naive. Just like I was seven years ago. (Flasback: The lobby) I'd just started at the university. Past Leonard: Excuse me, I'm looking for Sheldon Cooper's apartment. Man with a box: Oh, I bet you're here to check out the room for rent. Past Leonard: Yeah. Man: Run away, dude. Past Leonard: What? Man: Run fast, run far. (End of flashback.) Leonard: That should have been my first clue
SUMMARY: | Taking shelter in Penny's apartment after an argument with Sheldon, Leonard tells Penny how he and Sheldon met in 2003. He describes the trials he underwent in order to become Sheldon's roommate, which reveal many aspects of the latter's character, and in the process reveals how their building's elevator came to be out of order. |
fd_The_O.C._01x06 | fd_The_O.C._01x06_0 | TEXT: pens at the front of the Cohen's house, Sandy, Kirsten, Seth & Ryan are unpacking the car of groceries Sandy: (to Kirsten) are we worried your dad wont love us if we don't feed him enough? Kirsten: alright starting now, no more digs at my dad Sandy: oh honey, that wasn't a dig. Seth? Seth: no...but when you called him a heartless b*st*rd, that was a dig Sandy: (to Seth) you sold me out! Seth: (to Ryan) see they're like puppets and I'm puppet master Ryan: world domination to follow CUT TO: Kirsten & Sandy now in the house Kirsten: (to Sandy) maybe you guys can make peace this weekend Sandy: ok...oh-oh-oh no...wait we can't Kirsten: why? Sandy: I'm still Jewish! (Kirsten silently pretend laughs) just gettin it outta my system, I promise Kirsten: wonder what his new girlfriends like Sandy: I am sure she is very well paid (Kirsten gives him a look) I am on fire! look at you your wired, seein your parents should make you feel guilt not terror Caleb: don't forget I'm also her boss Kirsten: (shuts the fridge door and Caleb is standing there) Dad! Caleb: speak of the devil and the devil he doth appear (kisses Kirsten) shalom Sandy Kirsten: how long have you ben here? Caleb: not long! the leer jet got here quicker then I expected, I used my key to get in Sandy: so Caleb, where's your new girlfriend? Caleb: she's taking a swim. where's my grandson? CUT TO: Ryan & Seth still unpacking the car Ryan: (to Seth) so your grandpa he-he basically owns Newport right Seth: yes an... much like yourself he comes from humble beginnings, you guys'll probably hit it off Ryan: I burnt down one of his homes Se
SUMMARY: | Kirsten's father, Caleb Nichol, comes to town with his new 24-year-old girlfriend, Gabrielle. Marissa isn't ready to pick between Luke and Ryan, but when she walks in on Ryan with Gabrielle, she chooses Luke. Summer's growing feelings for Seth begin to show. |
fd_The_Office_08x12 | fd_The_Office_08x12_0 | TEXT: Dwight: Oh, ugh. [stands and looks at meatball in chair] What is this, a meatball? Really? [Stanley laughs] [SCENE_BREAK] Jim: It's always more fun to mess with Dwight with an audience. That was usually Pam so now that she's out I had to find someone else. Turns out that Stanley is quite the comedy fan. But not everything makes him laugh. He has very specific tastes. Through a painstaking process of trial and error, I've found out what he likes. And it's really weird. [SCENE_BREAK] Dwight: Jim, come on! That's so juvenile! What the- [opens drawer full of meatballs] Stanley: You've been meatballed! [laughs] Dwight: Ugh. Stanley: Are you ready for some meatball? Dwight: Aw, man. [Stanley laughs] This is not very clever, Jim. Jim: I know. Stanley: Look for your stapler! Dwight: [Dwight finds stapler in giant meatball] Really Jim? Really? Very funny. [SCENE_BREAK] Stanley: [to Phyllis] Oh okay. Good night. [climbs in to Dwight's car] What's the haul? Dwight: Thirty-two meatballs. Stanley: Good day. [SCENE_BREAK] Dwight: That idiot's been feeding us for a week. Stanley: We'll never have to buy meatballs again. [SCENE_BREAK] Erin: [phone rings] Dunder Mifflin. Jessica, hi! How are you? Oh yay, that's so great to hear. [SCENE_BREAK] Erin: I'm not going to be one of those exes who can't move on. They have their life and I have mine. I'm taking an Italian class. So far I've learned tortellini, spagettini, linguini... Well it's not so much a class as a restaurant, but I do Monday, Wednesday, Friday from seven to
SUMMARY: | When Robert decides to sell his mansion due to his divorce, Kevin suggests that he throw an office pool party, where Erin attempts to make Andy jealous by flirting with Dwight. Robert gives everyone a tour of his massive home, which increasingly makes everyone feel uncomfortable. |
fd_Frasier_05x20 | fd_Frasier_05x20_0 | TEXT: Act 1 Scene 1 - Frasier's Booth Fade in. Frasier's booth - Roz is checking things over when Frasier bursts in. Frasier: Dear God! Roz: Hey, Frasier. Frasier: It's a minefield out there! Everywhere I go, people are talking about this mini-series I've been watching! Roz: Oh, yeah! Did you see the ending last night? When that... Frasier: Bup, bup, bup, bup! I attended a benefit last night. I had to tape it, and I have yet to see it. Roz: Oh, well who would have thought it? Mr. "PBS" watching a trashy mini-series. Frasier: I don't think it's trashy at all! In fact, I think the intricacies of the plot are downright Dickensian. Roz: Yeah, Angie Dickensian! Frasier: Anyway, I'm just having a very difficult time having a conversation without having to avoid people telling me the ending. A woman, Betty, sticks her head around the door. Betty: Hi, Roz! Did you watch last night? Roz: Yes! Betty: Wasn't it great when... Frasier rushes to the door. Frasier: Yes, goodbye, Betty. He pushes Betty outside and closes the door. FADE OUT. Scene 2 - Frasier's Apartment. Fade in. Frasier's Apartment. Frasier comes through the door and slams his keys down on the case beside it. Daphne: Hey, Dr. Crane, how was your day? He tears off his coat, stomps over to the hooks and hangs it up. Frasier: Interminable! Is the tape in the VCR? Daphne: Yes, all cued up. Oh, you've got to call me when you get to the part with Heather's baby. Frasier: [going towards the sherry, turns and stares at her] Heather had a baby? Daphne: Sorry.
SUMMARY: | Niles has decided to take the plunge and ask Daphne out on a date. He calls around to Frasier's apartment, but loses his nerve at the crucial moment and takes refuge in the kitchen with his brother. While discussing his problem, Daphne wanders in and overhears him saying how he is in love, though she does not hear a name. She is embarrassed at first, but then congratulates Niles and asks who this woman is, and once again Niles loses his nerve and says the first name that comes into his head: that of his neighbor Phyllis. He then makes a pretense of phoning this Phyllis to ask her out, arranging dinner that evening at his place. Later on, Daphne appears ahead of the scheduled time to help him get dinner ready and create a romantic atmosphere. Frasier also turns up, and then so does the real Phyllis. |
fd_Bones_02x21 | fd_Bones_02x21_0 | TEXT: "Stargazer in a Puddle" [SCENE_BREAK] TEASER (Open: Booth and Brennan are entering a wet and muddy abandoned warehouse.) BOOTH: (Stepping over puddles in mud) Ooh oh oh... BRENNAN: Well, you should've worn gumboots. BOOTH: (Jumping over the puddles) It's fine, you know I- I'm agile. BOOTH: So, Hodgins asked, uh, Angela to, uh, marry him? BRENNAN: Twice. BOOTH: Oh and she uh, turned him down both times. BRENNAN: I heard all this from Angela. BOOTH: Yeah but did she tell you that he said that he wasn't going to ask her to marry him? BRENNAN: (slightly annoyed) Yes. BOOTH: And she said? BRENNAN: (gesturing) I'd like to marry you. BOOTH: Kinda sudden Bones. Let me think about it. BRENNAN: (Looks at him in disbelief) What? No. Booth, that's what Angela told Hodgins... (Trails off as she notices Booth laughing at her) BRENNAN: (Gets it) You're joking.(Booth jumps over puddle and laughs) BRENNAN: You know, a lot of psychologists say that jokes are the way that we manifest a lot of our hidden desires. BOOTH: (His grin fades and as he turns to follow her he steps in a giant puddle, soaking his right leg.) Ah jeez! BRENNAN: You okay? BOOTH: (annoyed) Yeah, fine. (Shakes off wet leg and looks at the cop at the scene) What do we got? DC COP: Uh, during a foot pursuit last night a suspect tosses a knife into this muck in an effort to avoid incarceration, the fluid gets drained and we start finding stuff.
SUMMARY: | The team works on finding how Chelsea Cole, a fan of astronomy who suffered from Werner syndrome , died. Meanwhile, Hodgins and Angela prepare for their wedding. Zack is asked to serve his country in Iraq. Brennan's father, Max, tries to let her in on her past and brings her a 1993 video of her mother. Booth and Max get into a fist fight before Max surrenders to his arrest. The investigation leads to the victim's mother as the killer who admits guilt, confessing that she killed her disabled daughter thinking she was dying herself, fearing what would happen to Chelsea if she died. Brennan has a confronting revelation about the mother, acknowledging that she did what she did out of love. This holds significance for Brennan due to her parents abandoning her as a child, realizing they did it out of love. After resolving the case, Angela and Hodgins prepare for the wedding and Booth shares some touching information with Brennan. After a surprising turn of events, Caroline Julian informs the couple that Angela is still married to a man from a previous relationship, which she assumed hadn't been serious. The couple escape embarrassment, leaving Brennan and Booth facing each other awkwardly at the altar. |
fd_CSI__Crime_Scene_Investigation_06x05 | fd_CSI__Crime_Scene_Investigation_06x05_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY (STOCK) -- NIGHT] (Various dissolves of the camera pulling away from the city and into a small town.) [EXT. MCBRIDE RESIDENCE - NIGHT] (Except for a couple of lights on, the house is dark and in a quiet neighborhood. The sound of crickets chirp over the whistling wind.) (Dissolve to: Camera moves slowly up the front steps toward the front door. There's no sign of movement in the house.) Cassie McBride: (V.O.) (hoarse whisper) They came to... my house. [SCENE_BREAK] [INT. MCBRIDE RESIDENCE - FOYER - NIGHT - CONTINUOUS] Cassie McBride: (V.O.) (hoarse whisper) They had a fight. (In the foyer, we see the large puddle of blood and messy footprints on the floor and on the stairs. There are no bodies.) [SCENE_BREAK] (Camera pans over the items on the desk in disarray.) (It moves continuously over to the foyer table filled with framed photos of various smiling family members.) (Camera moves over the photos and across the tossed room to the mantle with more framed photos of various smiling family members.) Cassie McBride: (V.O.) (hoarse whisper) They couldn't find what they were looking for. (Camera swings around and zooms over to the dining table with a plate of food on it and other items in disarray.) (Camera lingers on more bloodied prints going from one room to another. The camera turns and goes back to the foyer. It lingers on the pool of blood near an abandoned red sneaker.) (The camera moves up the stairs to the second floor bedroom. We see into the master bedroom. The camera turns and heads over to the little girl's room.) (Inside, we find Nick standing at the foot of a little girl's heart-framed
SUMMARY: | The CSIs are called to a house in which the inhabitants, a family of four, have gone missing, and large pools of blood cover parts of the floor. Murder is immediately suspected, but without any bodies, it is difficult for the team to ascertain what happened. |
fd_Grey_s_Anatomy_03x14 | fd_Grey_s_Anatomy_03x14_0 | TEXT: (Seattle scenes) MVO: As surgeons we live in a world of worst-case scenarios. We cut ourselves off from hoping for the best because too many times the best doesn't happen. But every now and then something extraordinary occurs... (Cristina is sitting on her bed playing with her ring. George and Callie are in the elevator. Izzie and Bailey are outside of SGH looking at the sign that says Denny Duquette memorial clinic) MVO:...and suddenly best-case scenarios seem possible. Izzie: Eight days, eight million dollars Bailey: And we are open for business. MVO: And every now and then...something amazing happens. (Ellis is at the nursing home, Meredith is watching her.) Mrs. Henry: She woke up this morning completely aware. She's her old self. It happens. Medically we don't know why. It's just a random gift. Meredith: So she's lucid? She remembers? Mrs. Henry: Pretty much everything except the last five years. And of course she doesn't realize she has Alzheimer's. We thought she should hear it from you. Meredith: So, she'll know me? I'm gonna walk in there and she'll know who I am? Mrs. Henry: She's been asking for you. MVO: And against our better judgment, we start to have hope. (Burke walks up to Richard at the nurse's station) Burke: Hey, Chief. I need a signature. I'd like to use the helicopter to transport a patient from Denver. (Derek walks up) Derek: Good morning, Chief. I found a way to fund a stereo tactic robot. I want to make sure you're on board before I... Richard: It's a little early in the morning for you two to be chasing me down. Burke: I'm gonna be doing a bloodless pulmonary valve translocation on this patient. Derek: This machine is an excellent source of revenue for the hospital (Mark and Addison are standing nearby) Mark: Aren't you gonna get in there? You wanna be Chief you gotta fight with the big boys. Addison: Oh,
SUMMARY: | The race for the Chief's position is on, and the attending physicians, Derek, Burke, Addison, and Mark, compete for Webber's affections by trying to help out everywhere possible. The Denny Duquette Memorial Clinic is open for business, but no one shows up. Izzie is disappointed in what she invested Denny's legacy in, and she and Alex team up to steal patients from the emergency room. Callie and George get back from Las Vegas, announcing their marriage, much to everyone's disbelief. Izzie is not supportive of their marriage and tries to get George to realize the mistake he has made. George and Webber treat a patient with cancer, but her blood has a neurotoxin in it that causes all the staff around her to fall ill. The staff have to operate on her in hazmat suits, and later in small bursts to complete her surgery. Cristina doesn't give Burke an answer to his proposal, but after watching him risk his life during the surgery, she agrees to marry him. Meanwhile, Meredith's Alzheimer's-stricken mother, Ellis Grey, experiences a change in her medical condition by becoming lucid for the day. She is disappointed in the mediocrity her daughter has fallen into and begins to despise Derek, blaming him for what happened to the Meredith that used to be "a force of nature". Ellis has to have heart surgery and, despite her mother's wishes, Meredith schedules the upcoming surgery. Webber talks to Ellis and realizes that she is still in love with him, but she loses her memory after their talk ends, before Meredith has the chance to tell her how she really feels. |
fd_Buffy_the_Vampire_Slayer_03x08 | fd_Buffy_the_Vampire_Slayer_03x08_0 | TEXT: Prologue: Morning at Sunnydale High School. Willow and Xander slowly walk together across the lawn toward the walkway to the main entrance. In their hands they have the results of their Scholastic Aptitude Tests, with which neither is particularly happy. Willow: This is a nightmare. This is... My world is spinning. Xander: It's not that bad, Willow, really. Willow: 740? Verbal?! I'm-I'm... (searches for a word) pathetic! Illiterate! I'm Cletus, the slack-jawed yokel. Xander: (shrugs) That's right. And the fact that your 740 verbal closely resembles my combined scores in no way compromises your position as the village idiot. They fold up their score reports as they near a bench at the side of the walkway. Willow: I just... (sits and slouches, depressed) Where did I go wrong? Xander sits down next to her and puts his arm around her in comfort, but not missing the opportunity to give her hair a gentle stroke. Xander: You did amazing, Willow. As usual. Behind them Oz and Cordelia approach. Cordelia: You guys get your scores? Xander instantly lets go of Willow, hops to his feet and rushes to meet her. Xander: Cordelia! (points) Willow was very sad by her academic failure. (reaches for Cordelia's score report) How did you do? He snags it from her hand, unfolds it and reads it. Xander: This is not good. Cordelia: What's not good? Oz gives Willow a reassuring stroke of her hair. She just sadly hands him her report to see. Xander: Well, I'm just worried it may hurt my standing as campus stud when people find out I'm dating a brain. Cordelia: (yanks her scores from his hand) Please. I have *some* experience in covering these things up. Oz: (to Willow) Well, I can see why you'd be upset. Willow gives him a hurt look, grabs her report back from him and looks down at the ground
SUMMARY: | A lovelorn Spike ( James Marsters ) returns and kidnaps Willow to cast a love spell on Drusilla . Stashing Willow and a wounded Xander at the factory, Spike soon concocts a new plan while Buffy, Oz, Giles, and Cordelia hunt their friends down. |
fd_Degrassi_Next_Generation_06x09 | fd_Degrassi_Next_Generation_06x09_0 | TEXT: At the airport Craig: Waiting for someone? Manny: Nobody in particular. Craig: Oh. Manny: Just this guy. Tall, curly hair, pretty cute. Craig: Mm hmm. Yeah. He's like your boyfriend? Manny: Boyfriend? I don't know. I haven't seen him for months and he hardly ever calls. Craig: Wow. Guy sounds like a real jackass. Sure you want to keep seeing him? Manny: Like I said, he's pretty cute. (They kiss.) Manny: I missed you, you jerk. Craig: I know. I missed you too. It's so good to see you again. I just wish I could stay longer. Manny: Well I'm sure we can pack a lot into the next few days together. Craig: Sure. Totally. Let's go by uh Marco and Ellie's. They've got this welcome home party or something. At the party, Craig finishes playing a song Marco: That was awesome. Spinner: Did you write that? Craig: That one I wrote on a ferry to Vancouver Island. It's a long story. Ellie: I love the illusions to Melville. (Manny is shown glaring at them.) Craig: Wow you picked up on that? Ellie: The night's young. Let's hear another. Marco: Yeah man for sure. (Manny points to her watch, but Craig starts singing and Ellie bops her head.) Craig: (singing) I know you say you been a-passing by, but I just saw you drowning on a ship tonight- Outside the school Craig: We were supposed to run lines last night. I forgot. Manny: Well you were pretty busy. Everyone needs some Craig. Craig: Well I don't care about everybody. I care about you. So can I help? Manny: I don't know. Craig: Too late. (He grabs the script and they start rehearsing.) Craig: (reading) I just don't want you to get hurt. Manny: (acting) I already got hurt, remember? He left and he hasn't come back.
SUMMARY: | Craig returns to town for a music festival and wastes no time in reuniting with Manny but, as Craig further embraces the rock star lifestyle, Manny has to decide whether the new Craig is the guy she really loves. Meanwhile, an upset Liberty decides to tell Mia the truth about J.T. |
fd_Queer_As_Folk_02x08 | fd_Queer_As_Folk_02x08_0 | TEXT: [Liberty Avenue. Mikes talksvoice-over.] Michael: "I walked on Liberty Avenue I don't knowhow many times checking out the guys and join their viewand who are proud them?" [Mikey sheepishly walking, glaring at the pants of othermen. But as he walks, every guy looks like Ben. He's Benfor a moment, and then not Ben again.] Michael: "It wasn't until I meet him. Are I'm goincrazy?" [Cut to the a fency restaurant. Apiano's playin'. In the shadows we see Harry Benick, Jrsinging.] Michael: "I'm just feeling a little vulnerable,that's all since Ben and I broke up. But I'll be oversoon enough since 'Pittsburgh: Man-to-Man'" [Michael's first date - Barry, late twenties. Of coursefat and stuffing food into his mouth.] Barry: Hi, this is Barry. I'm in late twenties. I loveeat out. I would said I'm a well-rounded guy. Can youpass the butter? [Michael's second date is Marcus. A insurance salesman.] Marcus: Hi guys, I'm Marcus. A motivated businessprofessional with clearly defined goals. When you'reready to a longterm commitment, call me. I'll be thoughabout life insurance. [Michael's third date.] Ed: Hey, I'm Ed. Great body and great personality.Looking to pamper that special someone. [He's showing Michael a pampers. Michael tilts back hisdrink with an audible gulp.] [Liberty Diner. Michael and Tedare siting at the counter.] Michael: He wanted to diamper me. Ted: Aaah, poor baby. What did you expect from a thirtysecond voice personal? Michael: Honest. I didn't lie into my ad. [Debbie comes. She starts laughing at her son.] Debbie: Much. Michael: You called and listen to my ad? Debbie: It'
SUMMARY: | Michael tries to forget Ben by re-entering the dating scene. Justin has an encounter with a boy closer to his age than Brian. Emmett is surprised when he meets his secret admirer - very surprised. |
fd_Frasier_09x03 | fd_Frasier_09x03_0 | TEXT: Act One RECIPE FOR DISASTER Scene One - Frasier's Apartment. Niles is setting the table for dinner. The doorbell sounds before Daphne answers it. Martin, weighed down with hunting gear, is revealed. Daphne: Hey! Martin: [grumbling] Thanks, Daph. Niles: He-hey, Dad! Eddie runs to him. Martin: Hey, boy. You missed me, huh? Daphne: So, how was your trip, Mr. Crane? Martin: Oh, the hunting was awful. I didn't bag a damned thing. [hangs up his coat] Duke and I sat there for two days just waiting for something to happen. It's like when Frasier took me to see "Nicholas Nickleby." Thank God this time I had a gun! Niles: Dinner is almost ready. Shall I set you a place or would it make you feel better to go out and shoot your own eggplant? Martin sits down before Frasier enters through the front door, looking characteristically annoyed and bewildered at Martin's hunting gear, which are laid on the floor. Frasier: Dad, what have I told you about bivouacking in the entrance way? Martin: I'm sorry. Frasier: Well, how was your hunting trip? Martin: Oh, came home empty-handed. Frasier: Oh, dear. I guess that means for the next several weeks we'll hear you grouse about the grouse and carp about the carp. [laughs at his own joke as he carries Martin's bags over to the hallway] Niles: You've been working on that, haven't you? Frasier: Well, there was traffic! Frasier exits to Martin's room with the bags in tow. A ping is then heard from the kitchen. Niles: Oh, Daphne - I have to take the roast out of the oven. I need the recipe for the glaze. Could you get it? It's in my briefcase; in the "Burnt Sienna" colored folder. Daphne: No problem. Niles exits to the kitchen. She looks at Martin
SUMMARY: | While looking for a recipe in Niles' briefcase for him, Daphne mistakenly opens a file containing case notes for one of his patients. She discovers that this woman, Heather, is in love with Niles. He explains that transference is common among psychiatric patients, but also insists that he cannot discuss any specific case. Daphne, however, is tormented by curiosity, and Roz encourages her to find out more about this woman, even going so far to visit her at her work. This involves another visit into Niles' briefcase, entailing a breach of confidentiality that could jeopardise his entire career if it were known. Martin returns from a fruitless hunting trip, and Frasier is horrified to discover that he has unknowingly brought a cricket with him into the apartment. They cannot catch it, but they can always hear it. Anxious to avoid any solution involving dangerous chemicals, for Eddie's sake, Martin suggests using a gecko as a predator, using floss to pull it back once the hunt is done. The plan works and the gecko eats the cricket, though Frasier and Martin work out that the way it was chirping, it was attracting a mate, and there may be another. |
fd_How_I_Met_Your_Mother_05x17 | fd_How_I_Met_Your_Mother_05x17_0 | TEXT: Ted (2030): Children, during a warm evening in March 2010, the New York police rescued a 34 year old man from the Hudson River... your Uncle Barney. Barney is sitting on a bench, a blanket on the back. Police: Okay, big guy, tell me all along. Barney: It all started a week ago. Flashback Barney is at McLaren's. Barney: I spent time at a local bar. Entered... a lady. Woman: Nothing is sexier than a man wearing a nice tie. Barney: Aside from a woman who appreciates a nice tie. Woman: But this is merely a tie. End flashback Barney: It was not my best tie. Police: Right. Barney: So, right after that, I took her home. Flashback Barney is at home with the woman he met at the bar. Woman: When I'm in bed with a man, my body becomes a machine fueled by desire, greed and a hunger to satisfy every single... the carnal desires of my lover. Barney: Fortunately, the cleaning lady comes tomorrow. Woman: Good night. Barney: What? Wait, what? I thought your body would become a machine fueled by desire, greed and a hunger only to satisfy my every carnal desires. She leaves the apartment of Barney. End flashback GENERIC Don, Robin, Marshall and Lily are at McLaren's. Robin: I really think Don and I found our rhythm to work. Don: Thanks to this young woman to my left. This report on how rodent avoided in the subway... Robin: The answer might surprise you. It's all rodents. Don: I gotta go, okay? See you soon. Marshall: Nice to meet you. Don: I do too. Don leaves the bar. Marshall: This guy is awesome. It's funny, smart, beautiful. You have him to nab it before someone else. Robin: I hope you do not talk to you. Lily: It's been 4 months since you broke up with Barney. It's time to get back on the market. Marshall: Yeah, Barney sees girls, it could not be happier. Ted, Marshall and Li
SUMMARY: | When Robin confesses that she is still angry with Barney for the way he handled their break-up, she enlists the help of Anita, a self-help author who plans to beat Barney at his own game. |
fd_Angel_01x14 | fd_Angel_01x14_0 | TEXT: Wesley: "I'm a fraud. The Council was right to sack me. I'm surprised they didn't cut my head off!" Angel: "Kate, do you trust me?" Kate: "You know I do." Angel and Penn fighting. Angel looking down at Kate in his vamp face. Angel: "Because there's just some things in this world you're just not ready to face. Angel inspects a knife that Wesley has laid on the kitchen table in front of him. Angel: "The mark of Kekfadlorem. (Puts the knife back down) I've heard of it, but I've never seen it." Wesley: "A knife with that mark is the only thing that will kill a Kek demon. Could be very useful." Angel: "Especially if Kek demons weren't extinct." Wesley: "They are? (Sinks down into a chair across from Angel) Oh dear. Well, - perhaps there is one out there hibernating, eh? - Ready to wake at any moment and embark on a grisly rampage." Angel: "I'll keep my fingers crossed." Timer buzzes. Cordelia comes into the kitchen: "They're done! Nobody touch." Angel (to Wesley): "She's making brownies." Wesley: "Oh, is that what I smell? (Quietly to Angel) I thought I tracked something in." Cordy takes the pan out of the oven: "The recipe was handed down to me by my mother, who got it from her housekeeper. Plus, I improvised a little. (To Wesley) You're gonna love them." Wesley: "Me? Doesn't Angel - have to - get to try any?" Cordy cutting at the brownies: "They are brownies full of nutty goodness, not red blood cells." Wesley: "Oh, I wasn't thinking. (Aside to Angel) More of a drinker than an eater, I suppose." Cordy is having trouble cutting the brownies: "Maybe if he'd branch out into the solids, he'd keep a decent knife
SUMMARY: | Cordelia has a vision about an ancient Ethros demon, which turns out to have been possessing a young boy, Ryan Anderson, for years. Angel, Wesley and Cordelia perform an exorcism that expels the demon from the child, but it escapes the trap they set and roams free to possess once more. Even worse, they learn that the mass-murdering Ethros demon does not pose the biggest threat to the Anderson family's well-being, their son Ryan is evil in his own right, the Ethros demon had been trying to escape from the boy. The boy then sets fire to the home trying to kill his family. |
fd_Downton_Abbey_02x04 | fd_Downton_Abbey_02x04_0 | TEXT: [OPENING TITLES] [SCENE_BREAK] [INT. DOWNTON - MORNING] [SCENE_BREAK] [Edith hands out the post.] Lady Edith: Mary, the men are arranging the concert now and they're so anxious for us both to be in it or there'll be no girls at all. Please say you will. Lady Mary: Do I have to? Cora, Countess of Grantham: Yes, you do. Keeping their spirits up is an important part of the cure and it's so very little to ask. Isobel Crawley: What's going on? Lady Edith: The men are putting on a concert. Isobel Crawley: Can I help? Cora, Countess of Grantham: Edith has it under control. Lady Edith: I do if Mary's willing. Lady Mary: Oh, all right. One song, and that's your lot. Isobel Crawley: What time is Dr Clarkson round? Cora, Countess of Grantham: It's already happened. Isobel Crawley: Without me? Why? I'm not very late. Cora, Countess of Grantham: We didn't see the need to wait. Mrs Hughes, I need to steal you for a minute. I have to check the linen books. Isobel Crawley: But I went over them last week. Mrs Hughes: Very good, milady. I'll get started. Isobel Crawley: Surely I can-- Cora, Countess of Grantham: Anna, can you tell Mrs Patmore it'd be easier for me to go through the menus this afternoon. Anna: Of course, Your Ladyship. Isobel Crawley: Cousin Cora-- Cora, Countess of Grantham: Please, can it wait? I've a mountain to get through. [Isobel's left standing in the entry with her clipboard, feeling superfluous.] [SCENE_BREAK] [INT. RECREATION ROOM - MORNING] Lady Edit
SUMMARY: | March 1918. Ethel continues flirting with Major Bryant; when Mrs Hughes finds them in bed together, she dismisses Ethel. Later, she returns, announcing she is pregnant with Bryant's child. Preparations are under way for a concert at Downton. Tensions flare between Isobel and Cora, while Edith receives worrying news about Matthew and William. Branson declares his feelings for Sybil again. Lord Grantham visits Bates at a nearby pub where he is working. Lord Grantham receives a letter from Carlisle, which causes him concern and forces an uncomfortable conversation with Mary. |
fd_Alias_02x22 | fd_Alias_02x22_0 | TEXT: (Ops center, Sydney and Vaughn. Missed few lines.) SYDNEY: --told us where he is. (Elsewhere, Mashall confides in Weiss.) MARSHALL: So, Carrie and I went out. It was great. We got sushi. When we got there, the guy behind the counter, like, little sushi, they were like, "Heeeeeeeeeeey!" You know, when we got there, like, they knew us. WEISS: They do that at a lot of sushi places. MARSHALL: Really? Oh. Anyway, it was great. We had a fantastic meal and... WEISS: So what's the problem? MARSHALL: Well, post-fish, when I went to drop her off, this is traditionally, clasically the time where I would -- or a man would -- kiss her. And, well, I just started sweating. WEISS: How bad? MARSHALL: Bad. Weird bad. Freak show bad. WEISS: Did she notice? MARSHALL: Did she notice? It was like I had just gotten out of a lap pool. WEISS: Okay, you need help. MARSHALL: Yeah, with the ladies. WEISS: The thing is, it's sort of a catch-22. (His computer beeps.) MARSHALL: Go ahead, keep going, I'm listening. (He starts typing as Weiss talks.) WEISS: Because, you see, to feel comfortable around a woman you have to have experience and to have experience it sounds like you have to not be you. I was almost killed last year and the doctors actually didn't think I was going to make it and the thing I did learn from that experience-- (Marshall's eyes get wide and he takes off running.) WEISS: Thanks. (As Marshall runs through the ops center, he grabs a sheet off of the printer and keeps running up to Sydney and Vaughn at her desk.) MARSHALL: Syd -- excuse me -- we're receiving intel on a local top-secret server from a source outside the building. SYDNEY:
SUMMARY: | Sydney confronts her mother, who reveals her true motivation. Sloane, for his part, begins to execute his new grand plan, Will struggles to figure out who's behind his set-up. Sydney and Allison have a vicious confrontation, which in turn leads to a starling revelation by Vaughn to Sydney! In 2009, TV Guide ranked this episode #84 on its list of the 100 Greatest Episodes.[4] |
fd_The_O.C._02x16 | fd_The_O.C._02x16_0 | TEXT: Opening scene - Harbor school in the morning - we see kids doing different things then we see Seth and Ryan walking together outside Seth: hard to believe it but spring is here Ryan: yep, this years jus flyin by Seth: yeah, an you know I gotta say this year...not as good as last Ryan: you think Seth: I do, I mean look we all tried some new things an that was fun Ryan: mm-hmm Seth: uh yard guys, illegitimate daughters, less fighting (Ryan nods) more live music Ryan: well maybe you remember last year as better cause it was all new Seth: so you think i've sentimentalised the past all out of proportion Ryan: yeah, come on I mean, we can't keep livin in last year Seth: sure we can (Ryan looks at him) an check this out man (they stop walking) things are already goin back to the way they were, I'm back together with Summer, your single again Ryan: (nods) I think I know where this is going Seth: yeah ill tell you where it's goin, it's goin to the Harbor school pep rally bonfire (points) (Ryan turns around and we see a banner being raised up in the air. it is a maroon colour and in big white letters is the word SPRING BONFIRE either side of that in smaller letters is PEP RALLY. and underneath spring bonfire is a line of fire) Seth: come on (Ryan turns back to him) you could rally a little pep couldn't you (Ryan shakes his head) especially if you invited a- Ryan: don't say it Seth: ooooh it would be so last year though Ryan: there is nothin goin on with me an Marissa Seth: really Ryan: yeah Seth: so, there's jus no feelings there whatsoever you couldn't care less Ryan: (looks away) it's not about that, besides (points) she's...clearly already taken (we see Marissa getting out of Alex's jeep. she smiles and
SUMMARY: | Seth is determined to bring back the spirit and fun times of last year and won't stop until his plan is fulfilled. Alex's jealousy is fueled when Marissa enlists an unlikely partner to help her with the school bonfire. Meanwhile, Kirsten wants Carter to stick with the magazine despite his reservations and Sandy helps Julie keep her blackmailer at bay. |
fd_Veronica_Mars_02x01 | fd_Veronica_Mars_02x01_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars... Veronica and Duncan watch the tape of Lilly and Aaron in 122 Leave It to Beaver. VERONICA: Oh my God. DUNCAN: Mr. Echolls? VERONICA: I know what happened. Flashback to Aaron killing Lilly. VERONICA: [offscreen] He's psychotic. Weevil confronts Veronica after learning that she suspects that he killed Lilly. WEEVIL: These rich boys think they can get away with anything, don't they? The PCH biker gang come across Logan, perched on the edge of the Coronado Bridge. LOGAN: What do you think you can do to me, huh? WEEVIL: I'll think of something. At the Kane residence, Veronica pauses before leaving to take the tapes to her father. VERONICA: My dad had a paternity test. I'm not your sister. While driving, Veronica screams when Aaron pops up in the back seat. AARON: Keep driving. Aaron interrogates Veronica who is trapped in the refrigerator. AARON: Veronica, where are the tapes? Keith arrives at the scene. Veronica screams as the fridge fills with smoke. Keith goes into the fire to rescue her. Veronica cries over the body of her injured father. VERONICA: I knew you'd come; I knew you'd save me. End previously. INT - THE HUT - NIGHT. Three customers enter the coffee shop and approach the hostess desk. Veronica is the hostess. VERONICA: Table for three? CUSTOMER: Uh-huh. CUSTOMER: Mm-hmm. VERONICA: Right this way. CUSTOMER: Uh-huh. Veronica picks up menus from the hostess desk and leads the customers to their table. VERONICA VOICEOVER: Normal. That's the watchword. Sounds good, doesn't it? Music: Breathin' by Asylum Street Spankers LYRICS: Is it hard to love you, baby
SUMMARY: | After breaking up with Logan during the summer and resuming dating Duncan, Veronica tries to rebuild a normal life. When several athletes-including Wallace and Meg-fail their drug tests, Veronica uncovers who faked the results. Logan is accused of murdering PCH biker gang member Felix Toombs, however the charges are dropped because of a lack of evidence. While on a school tour of the home ground of the professional baseball team Neptune Sharks, Veronica meets Woody Goodman, the team's owner. Veronica is thrust into a larger mystery when the school bus that she had just missed mysteriously plunges off a cliff into the Pacific Ocean. |
fd_Degrassi_Next_Generation_05x19 | fd_Degrassi_Next_Generation_05x19_0 | TEXT: In the auditorium during rehearsals Marco: Okay so then the red lights, they come up hitting Darcy stage left. Spinner: Got it. Red lights, Paige left. Red light, Darcy left... I'm sorry. My, my mind is just preoccupied this morning. Marco: What? Hot date with Darcy last night? After that bizarre, yet strangely moving re-virginizing ceremony. Spinner: Depends. Would you define hot date as brutal fight and break up? Marco: No I wouldn't. You okay? Spinner: Last night after the break up I kissed somebody. Somebody who wasn't Darcy. Paige: Hey guys. Spinner: Hey stage. Paige. Paige: Um hun you think you'd know my name by now. I mean really. Spinner: Of course I know your name Paige. I know tons about you! I know your birthday, I know your favourite food. I know... (He falls backwards off the stage.) Paige: Take it from someone who knows Spin, toking before school ends in tragedy. Marco: (Whispering) Hey! It wasn't you and Paige was it?! (Spinner gives him a thumbs up sign when Darcy walks over.) Spinner: Darcy. Darcy: Take me back. I'm sorry for being such a jealous freak, but I'm over it. (She kisses him.) Darcy: Just consider it. Consider me. In the hallway, Paige and Hazel are giving out yearbooks Hazel: So if you and Alex want to, a bunch of girls are going for fondue. Paige: Nice of you to ask, but uh Alex isn't so fondue of me. We broke up. Hazel: Paige. Paige: It's okay. I mean I care about her tons, but we were so not right. Besides last night I um, I might have made out with Spinner...a little bit. Hazel: Spinner? But I just got used to you being a lesbian. Paige: This isn't about you. It's about me and right now I'm about being free to
SUMMARY: | It's a time to move on as the Class of 2006 graduate. After his night with Paige, Spinner is torn after Darcy tells him that she wants to get back together. Jimmy has to repeat his senior year after missing too much school while recovering from being shot and wonders if his feelings for Ellie are requited. |
fd_CSI__Crime_Scene_Investigation_05x15 | fd_CSI__Crime_Scene_Investigation_05x15_0 | TEXT: DUE TO MATURE THEME, VIEWER DISCRETION IS ADVISED. FLASH IN. [EXT. EIGER RESIDENCE - FRONT DRIVE (STOCK) - NIGHT] (Camera starts on the gate fronting the driveway. It slowly rises up over the gate to the large mansion beyond.) FLASHES OF: [INT. EIGER RESIDENCE - DINING ROOM - NIGHT] [EXT. EIGER RESIDENCE - BALCONY DOORS - NIGHT] (Camera slowly moves in toward the closed balcony doors. The curtains are drawn, the light inside is on.) (We quicken the pace and zoom in to the balcony doors... ) [SCENE_BREAK] [INT. EIGER RESIDENCE - FOYER / MAIN HALL - NIGHT] (... and into the quiet foyer. We linger for a moment.) FLASH TO: (From the foyer, the camera slowly follows the stairs up to the second floor. The camera rises up to the second floor.) FLASH TO: [INT. EIGER RESIDENCE - SECOND FLOOR HALLWAY - NIGHT] (Slow motion. We see the lower half of a man running barefoot through the hallway.) (The man is crying, a look of sadness on his face.) WHITE FLASH TO: [EXT. EIGER RESIDENCE - FRONT STEPS - NIGHT] (CU: Bruce Eiger's dead body is on the front steps, his head is bloodied. Off his body we see the reflection of red flashing lights of emergency vehicles.) Laurel Tessler (newswoman): (V.O.) This is the scene in seven hills, where casino mogul Bruce Eiger has been found dead on the grounds of his palatial estate. (A camera snaps. Catherine snaps photos as Warrick shines his flashlight on the body.) Laurel Tessler (newswoman): (V.O.) Eiger turned sixty earlier this year,... (Bey
SUMMARY: | When Grissom's and Catherine's teams work together to investigate the death of a famous casino owner, their investigation leads them to the bizarre world of infantilism . |
fd_Teen_Wolf_03x02 | fd_Teen_Wolf_03x02_0 | TEXT: [PREVIOUSLY_ON] Scott: We agreed to give each other the summer... no calls, no texts. How many are there? Derek: A pack of 'em. An Alpha pack. They have Boyd and Erica, and I hear there's a leader. He's called Deucalion. Braeden: Quiet. You hold on tight. You're Allison, right? Where's Scott? Allison: Lydia, look. Lydia: I don't know. It doesn't look like much to me. Allison: It's a pattern. It means something. Lydia: You really think Scott's gonna know what it is? Allison: No, but he might know someone who does. Lydia: How are you so sure that it means anything at all? Allison: Because that girl wasn't just looking for Scott. It's like she needed to find him. Like she had to. And that means something. Stiles: What? Scott: What, what do you mean, "what"? Stiles: I mean "what," and you know what. Scott: "What" what? Stiles: That look you were giving. Scott: I didn't give a look. Stiles: Oh, there was a distinct look, Scott. Scott: What look? Stiles: The look that says that the last thing you feel like doing right now is going to a party. Scott: It's not that. It just seems weird going to a different high school's party. Stiles: What? Would you... [Groans] God, one drink, all right? You'll be fine. I went to nursery school with this girl, okay? She promised to introduce us to all of her friends. So tonight, no Allison, no Lydia. Tonight, we're moving on. Scott: You're right. Stiles: That's right I'm right. Scott: Moving on. Stiles: Onward and upward. Scott: Let's do this. Stiles: That's what I'm talking about. Now look at me. Scott: Okay. Scott: How's my breath smell? Stiles: I'm not smelling your breath. Scott: Do you have any gum? Stil
SUMMARY: | Stiles' childhood friend, Heather, is attacked and goes missing. The guys help Isaac recover his memory, and it is revealed that he had found Boyd and another female werewolf being kept in an abandoned bank vault. However, Erica may already have been killed. When Derek and Scott break in to save them, Derek recognizes the other female werewolf as his younger sister Cora, presumed killed in the Hale house fire. Stiles and Peter discover that Boyd and Cora had been kept from transforming for 3 months. Wild and bloodthirsty, Boyd and Cora almost kill Derek and Scott until Allison saves them by setting the wolves free. |
fd_Queer_As_Folk_01x18 | fd_Queer_As_Folk_01x18_0 | TEXT: [Babylon. Two HDGBs(R) -- dressedin cowboy hats, shiny tight-loose jockstraps, silverchaps, and boots -- start dancing to the song "IWanna be a Cowboy" Cut to Our Boys, including Mikedancing away. Dancing, dancing, half-naked gay men, HDGBseverywhere. Justin and Brian are making nicey-nice on thedance floor. The camera speeds up and then slows down.Finally, a hot-looking cross between David Duchovny andDylan McDermott catches Michael's eye, marches across thedance floor, grabs Mike's butt, and pulls him in close.] Music: Boys Don't Cry # I Wanna Be A Cowboy Ridingon the range, I've got my hat - on, I've got my boots - dusty. I've got my saddle On my horse. He's called...T-t-t-t-t-trigger Of course. I wanna be a cowboy and you can be my cowgirl I wanna be a cowboy and you can be my cowgirl I wanna be a cowboy Riding on the chuck wagon, Following my man. Michael: Pardon me, are you a quarterback? Guy: No, why? Michael: You intercepted me like I was a football. Guy: When I see something I want, I grab it and I runwith it. Michael: And you want me? Guy: There's no one else in the room, Beautiful. Let's goto the backroom and exchange numbers. Michael: Wait, I can't. I'm in a relationship. Guy: I am, too. So? Michael: So we cannot fool around. Guy: How long are you two together? Michael: Almost five months. Guy: Wait a few more. You will. [He gives Mike his card.] [Meanwhile,on the other side of the dance floor, Justin heads up thestairs, looking for Brian. He walks past a couple tryingto compare tonsils just as Brian slings an arm around hisshoulders.] Justin: Making
SUMMARY: | Brian discovers David at the baths; Justin finds out his parents are getting a divorce; Ted reconnects with Blake; a hunk from Babylon hits on Michael. |
fd_How_I_Met_Your_Mother_02x13 | fd_How_I_Met_Your_Mother_02x13_0 | TEXT: Flashback. In 1982, Ted is building a tower with legos. Ted (voix off): Some kids dream of being astronauts. Some kids dream of playing baseball. When I was a kid, I had only one dream. To build a skyscraper. Boy: That's stupid. (he destroys Ted's tower.) End of flashback Ted (voix off): There were some obstacles along the way. But eventually my dream came true. I became an architect. Ted at work. Ted: Morning, everyone! So, I had an idea for the atrium. Ready? Columns. Mr. Druthers: That's stupid. (he destroys his model) Credits. Ted: I... I can't believe you knocked over my model. Mr Druthers: Well, it's just... it's not exactly new, is it-- columns? I mean, what's your next groundbreaking idea-- ceilings? Floors? Windows? Ted (voix off): I know what you're thinking: Who's this jerk? Well, this jerk was Hammond Druthers, a legend in the architecture community. Very big in the '80s. He was also far and away the worst boss I ever had. Then I designed the Spokane National Bank Building. And suddenly... I was his boss. - And he didn't like it. Mr Druthers: Stairs? Ted (voix off): And to be honest, I wasn't sure I liked it either. See, before, when I was just another employee, I was happy, carefree. The guy who hung out in the break room making fun of the boss. Flashback. Ted's in the break room with two co-workers. Ted: Did you see what he was wearing today? It was like his pants were being held up by his nipples. Co-worker: Yeah, and that shirt with the flowers, I get hay fever just looking at it. Ted (voix off): But suddenly I was a different guy. Ted's in the break room with two co-workers. Ted: Hey, guys. What's so funny? Co-worker:
SUMMARY: | When Ted is constantly insulted by his former boss, who is now working for him on a project, he is told to fire the man, but he finds that a hard thing to do. Meanwhile, Barney offers Lily a lot of money to paint a nude portrait of him. |
fd_NCIS_03x08 | fd_NCIS_03x08_0 | TEXT: MUSIC IN: INT. TONY'S HOTEL ROOM - NIGHT TONY: So what do you think? ZIVA: Not bad, I suppose. TONY: Not bad she says as she walks in from the outdoor patio, past the fax machine and the mini-bar, complimentary basket of fruit. This is the perfect way to spend a weekend. Come on! Big screen TV! Ooh! Two hundred channels. Look at this. HBO, ESPN, The Mystery Channel. Turner Classic Movies. I take it you're not interested in the premium channels? ZIVA: There's only one thing I'm interested in right now. (MUSIC OVER ACTION) (MUSIC OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) [SCENE_BREAK] INT. HOTEL ROOM - NIGHT ZIVA: Do you think they bought it? TONY: I did. ZIVA: That's fairly obvious. TONY: For your information that's my knee. ZIVA: Whatever. You can get off of me now. TONY: It's only been ten minutes. I have a reputation to protect. ZIVA: We're not even sure if we're under surveillance yet, Tony. TONY: You can't be too careful when you're undercover. Let's give it another forty minutes, just to be realistic. ZIVA: Realistic, huh? TONY: Uh-huh. ZIVA: In that case... (F/X: TONY AND ZIVA ROLL OVER) ZIVA: I'm right on top. TONY: I can live with that.(SFX: TONY GROANS) TONY: What was that for? ZIVA: Because that was definitely not your knee. [SCENE_BREAK] INT. AUTOPSY ROOM - DAY DUCKY: Oh, she's very beautiful, Jethro. GIBBS: Her name's Sophie Ranier. She's murdered over twenty five people, Ducky. DUCKY: Yeah, and her friend? GIBBS: Her husband
SUMMARY: | When it is discovered that two married assassins, who were fatally wounded in a car crash, were planning an assassination at the United States Marine Corps birthday ball , Gibbs sends Ziva and Tony to pose as the married assassins in order to find out who the couple had planned to assassinate and who had hired them. After the team finds out that the couple were expecting a baby and might have been planning to retire, they realize that the assassination plot could have been a set-up and that the married assassins were potentially the real targets. Meanwhile, an attraction between Tony and Ziva surfaces and Gibbs and his team get a surprise when they find out who has been spying on Tony and Ziva. |
fd_The_Mentalist_01x04 | fd_The_Mentalist_01x04_0 | TEXT: Jason Sands' Residence, San Francisco, CA Lisbon: Mind running it for us Inspector? Inspector: Not sure why you're called in. We can handle it. Place belongs to Jason Sands. The guy's a political contributor. He's been missing since last night. Lisbon: That's why we're here. Attorney general likes to stand top this kind of things. Inspector: Mr. Sands' wife Jennifer arrived home last night With their daughter at about 9 o'clock. She found her husband gone. And this... They enter an untidy office Inspector: Thanks, guys. There has been no ransom demand yet. But I expect we would get some very soon. If you want to take this guy's laptops I can let them know. Lisbon: That's ok. We can handle that. Do you know where his family is? Inspector: Uh...With friends. Mrs. Sands thought it would be best for the little girl and we agreed. Rigsby: Any sign of force entry? Inspector: No, must be a front door job. Someone imposing as his courier or whatever. Jane looks around a little Jane: He's still here. Inspector (laughing): Unless he's invisible. He's not, agent Jane. Lisbon: He's not an agent. He's a consultant. Jane: No badge. No gun. They don't even give me dental. Inspector: Oh, yeah. You're the one they were telling me about-the psychic. Sorry, Gandalf. In our own bumbling way, we did look around pretty good. He's not here. Jane: He's here, and there's no such thing as psychics. He was tortured in this chair... To give them a pass code... Inspector: Pass code to what? Jane: Could you humor me, inspector? Could you try and pick up that sheet of paper? Inspector: All right. Jane: Thanks. That's-that's it. She tries to pick up the paper but it is caught under the bookcase and tears. Inspector: Well, the bookcase must have moved. Lisbon: After these papers were spread all over the floor? Rigsby: It's a door. To a safe?
SUMMARY: | The CBI team investigates the murder of a wealthy investment banker, found tortured before being bolted inside his hidden "safe room." At the memorial service, Jane flirts with the widow and gets her to reveal the victim was a man of many secrets. Through further investigation, the team learns he was living a dual life between suburban wife and young mistress, and was also skimming millions from clients and hoarding it away in a secret place. While the team suspects the killer is after the money, their suspicions are confirmed when the victim's daughter is kidnapped in exchange for the hidden money. Jane suspects the wife and mistress so he sets up a mental conundrum, testing their interest in finding the money or child. In the end, the mistress runs to the child and the wife runs to the money. |
fd_Doctor_Who_1963_06x33 | fd_Doctor_Who_1963_06x33_0 | TEXT: The Space Pirates 5:15pm - 5:40pm [SCENE_BREAK] 1. MADELEINE'S OFFICE (MILO strides towards the vid-com console beside the desk. MADELEINE's guard pulls a gun out and aims it at MILO. He and the others look on in shock.) MADELEINE: Stop! Don't touch that call-button, Milo. (CAVEN suddenly bursts in, flanked by two armed men. SORBA is the first to react. He snatches the blaster-rifle from MADELEINE's guard and swings it round to cover CAVEN, who promptly blasts SORBA down before he can fire. CAVEN smiles coldly.) CAVEN: Anybody else want to die like a hero? [SCENE_BREAK] 2. MADELEINE'S OFFICE (CAVEN walks over to MILO.) CAVEN: You must have walked in here with your eyes wide open, Clancey. How very naive of you. (As his men aim their guns at the DOCTOR and crew, CAVEN points his gun squarely at MILO's head. If he fires it will be impossible for him to miss.) MADELEINE: Wait! I never agreed to anything like this. CAVEN: If you don't like it, step outside for a moment. MADELEINE: I don't want any more killing. CAVEN: (Staring at MILO.) Too bad! MADELEINE: I warn you Caven, don't over reach yourself. CAVEN: I never do that. MADELEINE: Well then just remember I'm still running this operation. CAVEN: Are you? I do all the dirty work - the space piracy, the capital larceny... MILO: And the first degree homicides! CAVEN: Right, Clancey (He turns back to MADELEINE.) CAVEN: While all you do is sit there looking pretty and count the money. But that doesn't mean to say you're not guilty
SUMMARY: | Madeleine is revealed to be working with Caven, who comes up with a way to kill the Doctor and his friends whilst framing them for the piracy. |
fd_One_Tree_Hill_04x09 | fd_One_Tree_Hill_04x09_0 | TEXT: [PREVIOUSLY_ON] LUCAS : You want to join the Ravens? SKILLS : If it's gonna get me a scholarship. HALEY : I'm pregnant. NATHAN : I'm having money problems, dad. It's serious, and I need your help. DAN : You' not an investment I'm interested in. PEYTON : I'm not screwing Lucas. BROOKE : I gave Lucas to you, and I can take him back whenever I want. BROOKE : Tonight's about us, right? BROOKE : Why haven't you told him how you feel? PEYTON : Doesn't matter now, does it? HALEY : I will tutor you. You have to remember that I can't stand you. NATHAN : There's no reason you guys should be here. DAUNTE : State championship. NATHAN : I'm not gonna lose that game. WHITEY : Tomorrow night's game is the last one I'll ever coach. I really want this championship. DAUNTE : Say goodbye to basketball. NATHAN : No! DAUNTE : Lose that game. NATHAN : I'm in trouble, dad. DAN : How could you be so stupid? DAN : How much is it gonna take to make this all go away? DAUNTE : Be an awful shame if the ground next to your brother Keith started getting really crowded, don't you think? Bet against the Ravens tomorrow night. Make yourself some money. NATHAN : What are we gonna do, dad? DAN : You're gonna lose the state championship. LUCAS : I realized tonight that it's over between me and Brooke. PEYTON : I love you, Lucas. We see Whitey alone in the street, obviously after the game SPORTS ANNOUNCER (voiceover) : And there is no joy in Tree Hill tonight because the Ravens have lost the state championship. Whitey Durham is the picture of a broken man, and you have to wonder if this
SUMMARY: | As the Ravens prepare for the championship, Lucas learns Nathan intends to throw the game and decides on a risky plan to even the odds. Karen insists Deb show up for her son's final game and tries to help her get there. Dan makes a last plea with Daunte. This episode is named after a song by La Rocca. |
fd_The_Vampire_Diaries_04x04 | fd_The_Vampire_Diaries_04x04_0 | TEXT: Flashback, 1110 [The Woods] (Various men are reunited around a witch, who's casting a spell. There's thunder. She pours something on the ground. A tattoo spreads on each man's body) Nowadays [Salvatore's House] (Stefan is looking at one of Connor's stakes with a symbol carved on it. Damon enters, a box in his hands) Stefan: So what is all this? Damon: Some personal items that I snaked from the vampire hunter's rv. May he rest in peace. I'm searching for a supernatural handbook Stefan: You know for a fact he was supernatural? Damon: Definitely wasn't natural. The guy magically appears just as someone blows up the entire founders' council, covered in a tattoo that only Jeremy Gilbert, of all people in the world, seems to be able to see. Klaus mentioned something about him being one of the five. And then he kamikazes himself with explosives. Seem natural to you? Stefan: What's the five? Damon: That's what I'm hoping is in the first chapter of the handbook (Damon's phone rings. He looks at it and answers. It's Liz) Damon: Liz Forbes, my favorite sheriff. What? That's... Concerning. Keep me posted (He hangs up but doesn't say anything) Stefan: What, you're not going to tell me? Damon: I can't tell you. It's private. We're in a fight Stefan: You're in a fight; I'm not in a fight. I'm over it. I've been over it Damon: You're not still mad at me about Elena? Stefan: You let her feed on you. I'm always going to be mad at you. But we're not in a fight Damon: Very well, then. They didn't find any remains at the explosion site Stefan: So Connor's still out there Damon: Apparently so. I'm going to need you to get on this today. I have to take Elena to college Stefan: I'm sorry, you have
SUMMARY: | Klaus and Rebekah realize Connor is one of "The Five," a clan of legendary vampire hunters that existed 900 years before. Rebekah, who had fallen in love with their leader, Alexander, discovered they possessed an "Ultimate Weapon" against vampires, and that the key to finding it was using their swords to decode their tattoos (hunter's mark). However, Alexander discovered Rebekah was a vampire, and used a dagger on her and her brothers. Klaus, unaffected by the dagger, killed Alexander and his fellow hunters, and un-daggered his family. Meanwhile, Bonnie, Elena, and Damon head to Whitmore College, where they meet Professor Shane, who appears to be a believer in the supernatural, and takes a liking to Bonnie. At a party being thrown on campus, Damon teaches Elena how to feed properly. At the party, Elena becomes intoxicated by the blood and dances with Damon. However, she is snapped out of her trance by a scared Bonnie. Elena becomes scared she might become like Damon, much to his offense. Stefan learns the "Ultimate Weapon" of The Five is a possible cure for vampirism, and tricks Rebekah into revealing where she buried Alexander with his sword. Klaus has Jeremy draw a picture of the tattoo, but finds it's incomplete, and that it only continues to form as long as Connor kills vampires. Meanwhile, Connor escapes Klaus by killing one of his hybrids, and leaves to find the one who sent him to Mystic Falls in the first place - Professor Shane. Klaus once again daggers Rebekah. |
fd_Buffy_the_Vampire_Slayer_05x21 | fd_Buffy_the_Vampire_Slayer_05x21_0 | TEXT: •I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] Teaser GILES VOICEOVER: Previously on Buffy the Vampire Slayer... Glory talking to her minions. GLORY: So it's her. Under our noses all this time. Slook the minion in the magic shop. SLOOK: Glorificus will find the witch. ANYA: Witch? WILLOW: Tara. Glory and Tara on the park bench. GLORY: You're not the key, you're nothing! WILLOW: No! Willow trying to get to Tara through crowds of people. Glory putting her fingers in Tara's brain. WILLOW: Tara! Buffy, Willow, and Tara in the hospital. BUFFY: I'm so sorry. Buffy hugging Willow. TARA: (smiling) They kill mice. Ben in Glory's apartment. BEN: Not if I get the key first. GRONX: Could you do it? Take a human life with your own hands? Glory breaking down the wall to the dorm room. GLORY: I told you this wasn't over. TARA: (staring at Dawn) Such pure green energy! GLORY: The key! BUFFY: Just pack up whatever supplies we need and that's it, we're gone. Knights
SUMMARY: | When Buffy lapses into a catatonic state, Willow uses magic to find out why; a tug-of-war erupts between Glory and Ben over Dawn's ultimate fate. |
fd_CSI__Crime_Scene_Investigation_02x11 | fd_CSI__Crime_Scene_Investigation_02x11_0 | TEXT: [EXT. LAS VEGAS (STOCK) -- NIGHT] [SCENE_BREAK] [INT. DEVON HOTEL -- LOBBY -- NIGHT] (A MAN and A WOMAN walk through the lobby, their arms around each other.) Man: You're going to like my room. You can see the entire strip from my balcony... and the bed. (He turns her around, her back against the wall. Her hands come up against his chest.) Woman: (nervously) I usually don't do this. I-I mean, especially with somebody that I just met. Man: Yeah? Well, I could tell that just by looking at you. (The MAN presses the elevator door button. The elevator bell dings.) Woman: Uh... Man: Come on, don't worry, all right? You can trust me. Okay? Woman: Promise? Man: I never lie. (The MAN starts to kiss the WOMAN. He backs her up into the elevator.) Woman: You are so bad. Man: Yeah, I am. (He lifts her up and carries her into the elevator. He presses her against the elevator wall and starts kissing her. After a moment, the woman looks down and sees the dead body on the floor... ) [SCENE_BREAK] [INT. DEVON HOTEL -- NIGHT] (SARA and GRISSOM arrive at the scene. They duck under the crime scene tape and walk toward BRASS who is already there.) Sara: Hey. Dispatch said suspicious circs. Brass: Yeah. We got an anonymous call to 9-1-1 at the same time the couple found him. A male voice said: "A man has collapsed at the Devon. Hurry." Grissom: Where's the man? (GRISSOM looks at the empty elevator. There are two cones on the floor... and no body.) Brass: Oh, he's unconscious, but breathing. So paramedics took him to Desert Palm Hospital. There was no bullet wounds, no knife... nothing. Sara: You got a name? Brass: Bob Fairmont. Upscale home developer. Sara: "A Fairmont Home
SUMMARY: | The CSI team is called in when a famous real estate entrepreneur is found dead in a hotel elevator. When the body of Bob Fairmont, the real estate developer, is found, the team discovers that the crime scene has been tampered with and that the victim has been re-dressed. After tracing the cause of death to a lethal poison, the team is shocked to discover that Fairmont's organs have already been removed and donated, making the case a bit more difficult to solve. |
fd_The_Office_02x18 | fd_The_Office_02x18_0 | TEXT: Pam: I'm looking forward to 'Take Your Daughter to Work' day. I am not great with kids, but I wanna get better. Because I'm getting married. So, I put out a bunch of extra candy out on my desk so the kids will come talk to me....Like the witch in Hanzel and Gretel. [SCENE_BREAK] Jim: Bribery. Nice. Pam: Oh, I have more. [Holds up bags of candy] Michael: Pam. Ms. Beasley if yer nastay! Janet Jackson. Hey! You having a wardrobe malfunction there? Or w--- Pam: Oh, Michael. You can't be nasty today. [whispering] 'Cause of the... [points to 'Welcome Daughters!' sign] Michael:... Oh, God is that today? Pam: I reminded you last night. [SCENE_BREAK] Michael: Listen, I like kids. But this is not a kid's environment. This is like HBO, no limits. Who knows what I'm going to say? Crazy stuff. And it is R rated, it is not rated G. I am like Eddie Murphy in "Raw," and they are trying to make me into Eddie Murphy in "Daddy Daycare." both great movies, but, still. [SCENE_BREAK] Michael: Well, I'll be in my office. Pam: Don't you think you should say something? Michael: They're cool. Pam: Michael, I think that as the boss you should really--- Michael: Fine, fine, fine, fine, fine, fine, fine. Hi, children. I'm Michael Scott, and... I... am in charge of this place... ahh, what'll make you... understand... I am... like Superman, and the people who work here are like citizens of Gotham City. Jim and Dwight: [in unison] That's Batman. Michael: Okay, I'm Aquaman. Where does he live, guys? Jim: The ocean. Michael: [under his breath] I work with a bunch of nerds. [SCENE_BREAK] Dwight: [looks at
SUMMARY: | The employees bring in their daughters for the annual Take Your Daughter to Work Day . Michael finds enjoyment in talking with the children, especially Toby's daughter Sasha, making him realize that he wants a family. Salesman Stanley Hudson 's teenage daughter seems interested in Ryan, leading Stanley to reprimand Ryan for it after customer service representative Kelly Kapoor misleads Stanley about their conversation. |
fd_Doctor_Who_1963_24x07 | fd_Doctor_Who_1963_24x07_0 | TEXT: PARADISE TOWERS PART THREE Run time: 24:30 [SCENE_BREAK] 1. EXT. PARADISE TOWERS [SCENE_BREAK] (An exterior view of the Towers, high up in the sky. The glass walls and windows of the Towers reflect the fluffy white clouds hanging in the sky.) [SCENE_BREAK] 2. INT. TILDA AND TABBY'S APARTMENT [SCENE_BREAK] (Tilda, Mel and Tabby are sitting in the seating area. Tabby is toasting a crumpet on a long fork over a small fire.) TABBY: You feeling better now, dear. MEL: Erm. Yes, thank you. There's nothing like tea and crumpets is there' I feel so much more relaxed. TABBY: Oh that's good to hear, isn't it Tilda. TILDA: Yes, very good. MEL: All the same, I really must be going now. TILDA: Oh, we couldn't possibly let you do that. TABBY: Oh no, not this time. TILDA: We can't possibly miss this opportunity, can we Tabby' TABBY: No we can't Tabby, not since those horrid little Kangs got suspicious of our little ways. TILDA: I am sorry, dear. MEL: What d'you mean' TILDA: Well you see, we would like you to stay for a very long time. TABBY: In fact we don't imagine you ever leaving at all. MEL: You are joking aren't you' Tilda' TABBY' TABBY: We don't see this as a matter for humour, Mel dear. We mean every word. (Tilda stands and advances on Mel. She throws her knitting over Mel's head and restrains her. Tabby threatens Mel with her long fork.) TILDA: In our experience, Mel dear, it is much better not to struggle too much. [SCENE_BREAK] 3. INT. STREET [
SUMMARY: | Mel, after having met some very strange ladys, has to work to escape their clutches. Meanwhile the Doctor leans more information about the Great Architect. |
fd_Teen_Wolf_04x06 | fd_Teen_Wolf_04x06_0 | TEXT: [PREVIOUSLY_ON] Scott: Liam, I've got a Beta. Like, right now I could use a training manual. Violet: I don't know why we're going after a Beta when there's an Alpha on the field. Garrett: Because an entire pack of Alphas went after McCall and he was the one left standing. Derek: Kate was here for this. Peter: That little pendant is training wheels. Derek: What are you gonna do when you find her? Chris: Do what's necessary. Man on Cassette : Eventually settling in a small town in Northern California, this family used their wealth to rebuild the community around them while remaining isolated from it. This was sometimes more a choice than a necessity as not all of their children would become werewolves. The ones that did, these born wolves, had to be trained. They needed to learn control. They had a practice from the training of Betas. The tradition passed out through generations, and involved the use of a sacred object called a Triskelion. Without control... Violence... Extreme violence... Is inevitable. Kate: Big fancy guns... Coded death lists... So-called assassins. And not one of you can answer the simplest question. Who's paying the bills? So I'll ask again. Who is The Benefactor? Assassin: I swear to God I've never seen him, never spoken to him... Kate: I know. See, everybody says the same thing. They don't know who he is. Where he is. "It's all done electronically. I can't help you." "Please, I'm bleeding to death. Please stop, it hurts." Assassin: Then what do you want with me? Kate: It's been a long time since someone's made me a mix tape. You got one too, didn't you? Assassin: No, no... But I... But I know who did. They look like kids. Like teenagers. They're called The Orphans... Wait! Wait! I'll tell you about them. I'll tell you everything. Just wait... Coach: Guys, back off. You can get your gear tomorrow. If anybody sees Garrett,
SUMMARY: | Agent McCall recognizes Violet as a member of the Orphans, a group of teenage serial killers. Garrett attacks and poisons Liam, throws him into a well, and forces Scott to help him free Violet. However, Kate and the Berserkers have already abducted Violet, and Garrett is killed. Derek recruits Malia in an attempt to find the pack of the werewolves who have been killed by the assassins. Lydia, Stiles and Deputy Parrish go to Eichen House in an attempt to get Meredith's help in finding the last cipher key. She refuses, saying that the Benefactor has ordered her not to help them. Scott and Chris face off against Kate and the Berserkers, but are overpowered; during the fight, Scott discovers that Violet has been killed. Derek and Malia find Satomi's pack, only to discover that they are all dead. Liam howls a distress call to Scott, who is able to hear it and rescues Liam. Lydia deciphers the last part of the list, which includes Liam, Malia and Meredith. Scott and Stiles find the money that Garrett and Violet received from the Benefactor. Peter offers to teach Kate to control her shift. |
fd_How_I_Met_Your_Mother_01x03 | fd_How_I_Met_Your_Mother_01x03_0 | TEXT: ["How I Met Your Mother", credits] [Title: The Year 2030] Narrator: So there was this one night, before I met your mother when I really wanted to go to the bar. Son: The bar? Big surprise! Daughter: You sure spend a lot of time in bars... Narrator: Well that's just what we did back then. (Shows picture of Ted) Narrator: Me. (Shows picture of Marshall and Lily sitting at a booth at the bar) Narrator: Marshall and Lily. (Shows picture of Barney using a payphone) Narrator: Barney (Shows picture of Lily and Robin, Pans in on Robin) Narrator: We all used to hang out at this one bar called "MacLaren's". (Shows picture of the whole gang in front of a camera) Narrator: But then one night. [The Year 2005] [In the Street - Ted/Lily/Marshall] (Ted and Lily on the phone walking with Marshall) Ted: (On Phone) Why don't we go to MacLaren's? Lily: (On Phone) Let's go to MacLaren's. Marshall: You guys talking to each other? Nobody's listening. Ted: What's wrong with MacLaren's? (Cut to Barney in Taxi) Barney: (On Phone) MacLaren's is bore, snore. Ted, tonight we're going to go out. We're going to meet some ladies. It's going to be legendary. Phone-five! (High-fives the phone) (Scene Freezes) Narrator: I had no idea why I hung out with Barney. (Scene unfreezes) Barney: You didn't phone-five did you? I know when you don't phone-five, Ted. Come on, we always go to MacLaren's. (Cut to Ted) Ted: Yeah, cause MacLaren's is fun... Barney: MacLaren's is this much fun. What I'm offering is the chance to have this much fun. Ted: See
SUMMARY: | Ted agrees to let Barney disrupt his routine by taking an impromptu trip to the airport with him that eventually leads the duo to Philadelphia and trouble with airport security. Meanwhile, Lily and Robin go out for drinks, but Lily becomes jealous when she is not as successful with men as Robin is, for which she blames her engagement ring. Marshall travels between both situations in an attempt to rectify the group's problems. |
fd_One_Tree_Hill_09x07 | fd_One_Tree_Hill_09x07_0 | TEXT: LOCAL The camera represents Nathan's eyes and we see what he sees. DMITRI: "O villain, villain, smiling damned villain, that one may smile and smile and be a villain." No smile... On such a beautiful morning. Shame. Drink this. I won't have you dying before I kill you. That's it. Don't be afraid. NATHAN: You think I'm afraid? I'm not afraid of you. You can threaten me all you want. You can talk in your stupid riddles all day. You can take my world... You can take my life, but you won't get my fear. I'm not afraid of you. And I'm not going to be. DMITRI: Ahh. You think your woman is afraid? "He hath given his empire up to a whore." NATHAN: You touch her, and I'll kill you. You understand me? Are you listening? You touch my wife, and I'll kill you! Get it off of me! I'll kill you! Hey! NALEY'S HOUSE Haley gets out her room and sees Jamie is sitting on his bed. JAMIE: Dad's not coming home, is he? HALEY: Don't say that. JAMIE: It's true, isn't it? HALEY: No, it's not true. Your fa... (Doorbell rings) HALEY: I'll be right back, okay? Haley opens the door. STEVENS: Mrs. Scott. HALEY: Yeah. STEVENS: Do you remember me? Officer Stevens. HALEY: Yeah, I remember. STEVENS: I know there are detectives handling things, but I've been going over the evidence and following a few leads of my own. Quietly. HALEY: Why quietly? What does that mean? STEVENS: It means I'm not a Detective, and this isn't my case. I-I shouldn't even be here. HALEY: So why are you here? STEVENS: I became a cop to help people, Mrs. Scott, and ever since this case became official, I
SUMMARY: | Haley seeks help from Lucas (guest star Chad Michael Murray) as Nathan makes an escape attempt. Lucas takes Jamie and Lydia out of town to stay with him and Peyton until Haley can find Nathan and bring him home. Brooke comes face-to-face with Xavier who is up for parole. Julian uncovers evidence that assists Dan in his search for Nathan. Clay makes a connection with another patient in rehab. Episode is named after a song by the band Explosions in the Sky . |
fd_Doctor_Who_1963_15x23 | fd_Doctor_Who_1963_15x23_0 | TEXT: THE INVASION OF TIME BY "DAVID AGNEW" GRAHAM WILLIAMS AND ANTHONY READ Part Three Running time: 25:00 [SCENE_BREAK] BORUSA: He's mad! Guard! DOCTOR: Resistance is useless. The Vardans have more power than we have dreamed of and more knowledge than we can hope for. You must submit the way I did when I first met them. BORUSA: And when was that? DOCTOR: A long time ago. BORUSA: So you knew about this all the time. You knew about this before your induction. DOCTOR: Yes, before that, yes. BORUSA: And all you know is in the Matrix. DOCTOR: And all I know is in the Matrix. BORUSA: You really disappoint me, Doctor. I expected better of you. DOCTOR: Did you really? Thank you. [SCENE_BREAK] RODAN: The invaders are in control. LEELA: Good. Now we can fight them. RODAN: Didn't you hear the Lord President's announcement? We must submit. LEELA: You keep your Lord President, I'll keep my Doctor. He has a plan. RODAN: What plan? LEELA: I don't know. RODAN: Then how can you say? LEELA: He always has a plan. [SCENE_BREAK] DOCTOR: You will now disperse until my next summons. BORUSA: You have no right! DOCTOR: Borusa. Have you carried out my instructions? BORUSA: Regarding what, Supremacy? DOCTOR: The redecoration of my office. BORUSA: The matter is in hand. DOCTOR: Ah. (quietly) But is it finished? BORUSA: I believe so. DOCTOR: Confirm it, and meet me there within the hour. LEADER: Congratulations, Doctor. You show great promise in the application of power. You could be a first grade dictator. DOCTOR: Thank you. You're very kind. That's very kind of you. (sotto, walking
SUMMARY: | The Doctor allows the Vardans to occupy Gallifrey while Leela and Rodan head out into the wasteland to search for help. |
fd_The_Mentalist_02x14 | fd_The_Mentalist_02x14_0 | TEXT: CBI Jane makes a magic trick. Jane: Heads again. That's 18. Heads again. 19. And... Voila I believe that's the wager. Lisbon: Pay up. Rigsby: Okay. So what's the trick? Jane: Trick? Rigsby: Tell me what the trick is, and I will give you the money. Jane: The trick is... I have supernatural powers. Rigsby: It's a 2-headed coin right? Lisbon: Looks normal to me. Rigsby: You did something to the coin, right? Come on, man. I gave you 20 bucks. In the main room, a beautiful woman is waiting. Lisbon: Uh, can I help you? Elise: Am I in the way? Kimball said I could sit here. Lisbon: Kimball? Elise: I'm a friend of his Elise Chay. Lisbon: Elise, yes. Yeah, I'm Theresa Lisbon. Cho's talked about you. Elise: It's nice to meet you. You must be Rigsby. Rigsby: Oh, hey. Wayne. It's a pleasure. Elise: It is. I like putting faces to names. Um, I have to ask you- Patrick Jane-is- over here. Oh. Hi. Jane: Hi. Elise: I thought he'd look scarier. Lisbon: He's resting. Cho arrives. Cho: Hey. Elise: Hey. I was just meeting everybody. Rigsby: Yeah, we were just getting to the embarrassing questions. Cho: And that's why we're leaving. Our reservation's at 8:00. Elise: Well, it was nice meeting you all. Lisbon: Have a good night. Phone rings Cho: Let me just get this. Elise: Okay, I'll be by the elevator. Cho: All right. (phone) Cho. Detective: (phone) Uh, agent Kimball Cho? Cho: (phone) That's right. Detective: (phone) It's Detective Sharon Florey, Oakland homicide. I just caught a shooting on the east side. I'm hoping you can help me out with it.
SUMMARY: | Cho helps the police with an investigation into the murder of David Seung, a member of Cho's former gang, the Avon Park Playboys, who also used to be Cho's best friend when both in the gang during Cho's early days. Jane insists on helping Cho with his off-the-books investigation, and so tags along. |
fd_Doctor_Who_1963_05x23 | fd_Doctor_Who_1963_05x23_0 | TEXT: THE WEB OF FEAR by MERVYN HAISMAN and HENRY LINCOLN first broadcast - February 3rd 1968 [SCENE_BREAK] 1. TARDIS CONSOLE ROOM (As the TARDIS takes off with the doors still open, Salamander is flung out of the craft. The DOCTOR and VICTORIA cling to the base of the console, while JAMIE grabs onto a roundel in one of the control room walls.) DOCTOR: Jamie! Jamie! The doors... we've got to close the doors! Can you do it? JAMIE: I... I'll try, Doctor, but I'll have to get to a better position... (JAMIE inches his way around the walls, while the other two cling on precariously.) DOCTOR: That's it, Victoria... Hold on, whatever you do, hold on! VICTORIA: I'm slipping! DOCTOR: No, no you're not - I've got hold of you... Don't look out there, concentrate on holding on! VICTORIA: I can't! DOCTOR: Yes you can, that's the style. JAMIE: Right, Doctor, I'm going to try and fall to the control panel. DOCTOR: Alright, but watch the TARDIS doesn't jump again! (JAMIE staggers to the console.) JAMIE: Made it - so far, so good. DOCTOR: You know the switch? JAMIE: Aye, I've found it... (JAMIE reaches for a lever.) JAMIE: I'm nearly... there... (As the DOCTOR and VICTORIA begin to lose their grip, JAMIE pulls the lever and the doors close.) DOCTOR: They're closing! Oh well done Jamie, you did it! (The DOCTOR stands up.) DOCTOR: That was a near thing, wasn't it? Are you alright, Victoria? VICTORIA: Oh, what happened? Are we safe now? DOCTOR: Oh yes, I think so. Salaman
SUMMARY: | The TARDIS becomes trapped in space before ending up in an underground station of a mysteriously deserted London. |
fd_FRIENDS_01x23 | fd_FRIENDS_01x23_0 | TEXT: Story by David Crane & Marta Kauffman Teleplay by Jeff Greenstein & Jeff Strauss Transcribed by Mindy Mattingly Phillips [[email protected]]. Minor additions and adjustments by Dan Silverstein [[email protected]]. [Scene: The hospital. Ross, Rachel, Chandler, Joey, and Monica are in the waiting room, waiting for Carol and Susan to arrive.] ROSS: She's not here yet. She's not here. She's having my baby and she's not here. MNCA: I'm sure everything's fine. Has her water broke yet? ROSS: I don't know, but when I spoke to her, she said she had already passed the mucus plug. [Joey makes a sound of absolute disgust.] JOEY: Do we have to know about that? MNCA: Joey, what are you gonna do when you have a baby? JOEY: I'm gonna be in the waitin' room, handing out cigars. CHAN: Yes, Joey's made arrangements to have his baby in a movie from the 50's. ROSS: God, I don't believe this. She could be giving birth in the cab. RACH: Oh, Ross, relax. It's probably like two dollars for the first contraction, and then fifty cents for each additional contraction. [Everyone looks at Rachel as though she made a tasteless comment.] RACH: What, it's ok when Chandler does it? CHAN: You have to pick your moments. [PHoebe arrives, guitar in hand.] PHOE: Did I miss it, did I miss it? ROSS: She's not even here yet. MNCA: What's with the guitar? PHOE: I just thought we might be here for awhile. You know, things might get musical. [Carol and Susan arrive.] ROSS: [to Carol] Where the hell have you been? SUSAN: We stopped at the gift shop. CAROL: I was looking at stuffed animals, and Susan wanted a Chunky. ROSS: Susan
SUMMARY: | Carol is in the hospital about to give birth, prompting Monica to think about having a baby. While Carol is in labor, Ross and Susan bicker over who gets to assist her more and about what to name the baby. Phoebe drags them into a small room to settle their differences but they get locked in. Rachel flirts with an OB/GYN who suffers burnout from seeing female anatomy every day. Joey assists a single expectant mother (played by Leah Remini ) in labor. Ross and Susan settle their differences and propose naming the new baby boy, Ben, derived from a janitor's uniform. Carol likes the name. |
fd_Justified_04x07 | fd_Justified_04x07_0 | TEXT: [PREVIOUSLY_ON] Evening. Colton: Where is Ellen May? One of my deputies saw a girl who fits Ellen May's description get waved over to an 18-wheeler. Colton: [ grunts ] Ohh! Colton: Damn it! I don't know where Ellen May is, and your smacking me around ain't gonna change that! I swear I am not Drew Thompson. That's not what Arlo Givens said. Well, Arlo Givens is a lying sack of sh1t! I don't know why Josiah told you Drew's still up here. Only time I seen him since he left was near 10 years ago at the Bluegrass festival, rubbing shoulders with the Mayor, judge executive... all them rich Clover Hill folks. Boyd: How do you think we're gonna get into Napier's party? He'd shoot me 'fore I got through the door. Ava: Not if we use Arnold to get us an invite. Oh, I'll handle Napier. You just consider yourself invited. Both of you. Jody Adair, charged with double homicide. He's got an ex-wife in Lexington. You put eyes on him, I'll make it worth your while. Raylan: This could be a little uncomfortable. Just be cool and go with it. I get out of these, I'll tear you to pieces small enough to flush. Raylan: Look, I ain't here on Marshals' business. I just want to know about the man in the trunk. Unconstitutional, man. I got to piss. Raylan: ACLU be happy to take up your case. Let's go, brother. Suck my dick, brother. [ chuckles ] Nice work, Givens. Raylan: Always looking to fill up the piggy bank. As you like it. Besides, a good man's hard to find. Raylan: I don't know what to say. You found me so easy. Your cell still best? Raylan: If you're in town, just stop by the high-note bar. Pretty well living there these days
SUMMARY: | Raylan is on his way to visit a couple of prisoners, including his dad, when he finds out that a person he delivered to bail bondsmen escaped and killed Raylan's female acquaintance and her partner. Raylan eventually finds this escapee at the bar below where Raylan lives, and shoots him in a standoff. Raylan visits his dad in prison. Raylan tells him he will get him transferred to a country club prison if Arlo tells him where Drew is and that's the best deal Raylan is willing to offer. Arlo dismisses the offer. Raylan tells his dad he does not really care if he is killed in prison by associates of the Detroit mob that are also looking for Thompson. Raylan leaves his dad after telling his dad that he is on his way to see the ex-sheriff Hunter Mosley. Hunter was a dirty cop that worked for the Miami mob; Raylan took him down in Season 1, Episode 7 ("Blind Spot"). He helped the Miami mob try to kill Raylan in season one. In a separate plotline, Boyd is no closer to finding Drew Thompson at a house party with wealthy people from Harlan. Some of the party goers ask Boyd to kill someone for him or they will shut down Boyd's brothel. |
fd_Frasier_02x24 | fd_Frasier_02x24_0 | TEXT: ACT ONE Scene One - KACL Frasier is doing his show. Frasier: Well, Caroline, if you've been in therapy for two years and you're feeling like you're no longer making any progress, perhaps you've reached a plateau, or you and your therapist have simply gone as far as you can together. Caroline: [v.o] Maybe it is time for a change. He's kind of dry and long-winded. Frasier: Well, two years is certainly a long time to spend with a psychiatrist you find dry and long-winded. Roz: A-men to that! Caroline: Thanks, Dr. Crane. You've given me a lot to think about. Would it be OK if I called back sometime and picked your brains? Frasier: Well, just consider me your mental banjo. Well, that's it for this fine Friday, Seattle. This is Frasier Crane saying, "we'll see you next week." Roz: [coming into the studio] Good show, Frasier. Frasier: [exhausted] Oh, Roz. I've been waiting for this moment the entire week. [slowly takes off his headphones in happiness] Roz: That's what I love about you, Frasier. You work hard and you play hard. Frasier: Roz, you have no idea how much I've been looking forward to this weekend. There comes a time when even the most conscientious of psychiatrists has had his fill of other people's problems. A delivery boy opens the studio door with a package. Delivery Boy: Hi. Is one of you Roz Doyle? Frasier: Yes... that's all the clues we're going to give you. The delivery boy hands Roz the package, which she signs for and he leaves. Frasier: A little offering from one of your suitors perhaps? A nice string of pearls? A teardrop pendant? Roz: [opening package and tearfully turning to Frasier] It's a brick of cheese! Frasier: Well, on the right chain I can see that looking smart. Roz: It's from my family. They'
SUMMARY: | Frasier tries to cheer up Roz - unhappy because she is missing a family reunion - by inviting her to the birthday party he is throwing for Martin. |
fd_Grey_s_Anatomy_04x10 | fd_Grey_s_Anatomy_04x10_0 | TEXT: Credit & Thanks to <unk> Vibrant Fields <unk> [PREVIOUSLY_ON] View of Bailey running into the Ambulance Bay with the overturned ambulance View of Callie in Exam Room: this is mary daltry. She lost consciousness behind the wheel. Mary: How's shane... my partner? View of Shane in the Exam Room: I just didn't want her to see. I thought she might take offense. View of Stan pinned under the ambulance: Can you get my wife? Stan's Wife Sara (crouches down beside him): Baby? View of Mary in her Exam Room: You're gonna drill into my skull? View of Derek operating on Mary: Are you kidding me? The navigational system is dead? View of Ray in the ambulance hanging over Stan: Damn it, stan. Stan. Stan. View of Ava talking to Alex: Can I watch the surgery? Can I... can you sneak me in? View of Izzie seeing Lexie sit next to Ava in the Gallery: (to Alex) you're busted. View of Meredith and Derek getting dressed in a supply closet: Meredith V.O. I'm going to tell him. I don't want him seeing other people. Then in Scene: Derek: What? IN Sceene: Meredith: Nothing. I'm... gonna be late. View of Bailey's Kitchen, Tucker Sr to Bailey: We need to talk. View of patient Jacob, Shot of wife, with Jacob's V.O.: My wife gets panicky if she doesn't know what's going on. View of Izzie speaking to Jacob: I will keep her updated. View of patient Nick talking to Lexie: You seeing anyone? View of patient Nick with his artery blowing out. [SCENE_BREAK] View of skyline, ambulance flipping, computer screen, then Meredith and Christina dancing in slow motion blurry as in a dream MVO: At the end of the day, the experience of practicing medicine bears little resemblance to the dream. Scene of Alex and Ava Kissing Ava: Are you... are you... are you really okay? Alex:
SUMMARY: | Meredith works to save the life of a paramedic, after his colleague died. Meredith asks Derek not to see other people after taking inspiration from some advice Webber gave a patient. Derek has to rely on Rose after the camera monitor breaks during the middle of a surgery, which leads to the pair sharing a kiss. Alex is suspended for a week for sneaking Rebecca in to observe a surgery. Izzie realizes that she is not cut out for cardio surgery. Tensions between Bailey and Tucker reach a breaking point. Cristina takes pity on Lexie, after her actions lead to the death of a patient. |
fd_CSI__Crime_Scene_Investigation_01x01 | fd_CSI__Crime_Scene_Investigation_01x01_0 | TEXT: [EXT. LAS VEGAS CITY (STOCK) - NIGHT] (Cut to: A bullet being loaded into a gun.) [EXT. LAS VEGAS CITY (STOCK) - NIGHT] (Cut to: A second bullet being loaded into the gun.) [EXT. LAS VEGAS CITY (STOCK) - NIGHT] (Cut to: The gun is loaded and closed. [EXT. LAS VEGAS CITY (STOCK) - NIGHT] Royce Harmon (recorded): (V.O.) My name is Royce Harmon. [EXT. RESIDENTIAL AREA (STOCK) - NIGHT] Royce Harmon (recorded): (V.O.) I reside at 7642 Carpenter Street, Las Vegas, Nevada. I am 41 years of age...... and I'm going to kill myself. [SCENE_BREAK] [INT. HALLWAY -- NIGHT] (The shadowy figure of a man holding a revolver walks down the darkened hallway.) Royce Harmon (recorded): (V.O.) I'd like to say "I love you" to my mother Paige and my sister Gina. I'm so sorry. I never wanted to put you through this. I just can't do it anymore. (The man walks out of the hallway.) Royce Harmon (recorded): (V.O.) I love you, mom... Sound: (recorded) Gunshot. [SCENE_BREAK] [EXT. HARMON RESIDENCE - NIGHT] (Cop cars surround the area. OFFICERS and curious onlookers mill about. The drive way is cordoned off by crime scene tape. (Sounds of a helicopter flying overhead and a siren flipping on and off is heard.) (A bronco pulls up and stops on the road.) (SERGEANT O'RILEY stands next to another OFFICER.) Sergeant O'Riley: Here comes the "nerd squad". (J
SUMMARY: | Gil Grissom is the supervisor of the graveyard shift of Las Vegas' elite crime scene investigators. Holly Gribbs, fresh out of the academy, joins the team. Jim Brass is head of the unit and is trying to scare Gribbs from CSI. Catherine Willows, mother of a young daughter, is the number two CSI on this shift. Warrick Brown and Nick Stokes are competing to solve their 100th case to earn a promotion to CSI 3. Grissom investigates a murder staged to look like a suicide with precious little evidence. Warrick and Catherine take the case of a drunk who breaks into the house where he had been staying and is shot to death. Nick talks to a man who picked up a woman who drugged and robbed him. |
fd_Torchwood_2x06 | fd_Torchwood_2x06_0 | TEXT: Opening credits JACK : (voiceover) Torchwood. Outside the Government, beyond the police. Fighting for the future on behalf of the human race. The 21st century is when everything changes... And Torchwood is ready. EXT NIGHT - Outside a warehouse A Weevil runs across and in. INT NIGHT - Warehouse The weevil keeps running through a bunch of... bus shelters? Owen and Tosh chase it with torches, guns aimed. The weevil finds something and snarls at it. Owen finds weevil and gets snarled at. The something is a body. Owen examines it. OWEN : He's dead. EXT NIGHT - Cardiff from above Swiftly zooming to INT - Tourist Office We get a close up on the front door - very close, the outside is in a different location - with the Mayor newspaper from Boom Town blocking the little window. We're in a pov shot, watching the door pushed open. Inside, the Closed sign is the first thing we see, and Ianto is lounging at the counter flicking through a magazine. There's music on in the background - identify? He doesn't immediately look up. Bell jangles. IANTO : Sorry, (looks up, looks her down and up.) we're closing. (Goes back to his magazine. The clock on the wall says 1.15 - and it's night. A bit past closing!) A hand holds out an ID card. It's like someone pulled Ianto's string, he's upright and all flustered efficiency right away. IANTO : Excuse me, ma'am. He goes along the counter to where we know the door button is and gestures to the wall. POV camera shows us the secret door swinging open. INT Hub - Autopsy area Upside down naked dead guy head. The dead guy the weevil found. JACK : Documents on the body identify the victim as (Holds up a drivers licence, all filled in. 11-01-82 Wales.) Meredith Roberts. OWEN : No obvious
SUMMARY: | Captain Jack calls in Martha Jones, now working for UNIT, to assist the team in investigating a string of mysterious deaths. However, when the trail leads to a medical testing centre, The Pharm, Martha puts her life on the line to go undercover in the increasingly sinister pharmaceutical facility. |
fd_The_Big_Bang_Theory_08x05 | fd_The_Big_Bang_Theory_08x05_0 | TEXT: [ The cafeteria ] Raj: Hey, I read that someone invented a way to convert your footsteps into electromagnetic energy so you can charge your cell phone while walking. Leonard: We had that idea years ago. How come we never did anything with it? Howard: Probably because we left the diagram of it in the restaurant, and none of us wanted to walk back. Sheldon: I know the real reason you never made progress with that idea. You thought of it September 22nd, 2007. Two days later, Penny moved in, and so much blood rushed to your genitals, your brain became a ghost town. Leonard: That's not what happened. Sheldon: I remember it distinctly because I had just composed my annual poem commemorating the anniversary of Dr. Seuss's death. Howard: No one wants to hear it. Sheldon: Why, die. Why did he die? Old, told. I was told he was old. Leonard: Penny is not the reason I didn't pursue that idea. Sheldon: Oh, really? Since meeting her, what have been your greatest accomplishments? Raj: Easy. Sleeping with Penny. Howard: Getting Penny to go back out with him after she dumped him. Raj: Tricking Penny into getting engaged. Howard: And a few weeks ago, he almost did a pull-up. Leonard: I think someone owes me an apology. Sheldon: Well, don't feel bad. I think we've all been distracted since the girls entered our lives. Howard: You admit Amy's a distraction? Sheldon: Oh, very much so. Listen to this. This is from two days ago. Hi. Hope you're having a good day. Who has time for this constant sexting? Leonard: Well, maybe we have lost our focus. Howard: It wouldn't kill us to get together and brainstorm ideas. Raj: Ooh, we could have one of those retreats. Leonard: Like our own science retreat. Howard: My cousin has a cabin out in the woods. Sheldon: I'm not going to a cabin in the woods. Did you see the movie Cabin in the Woods? Leonard: Then we'll go to a
SUMMARY: | Sheldon claims the men have not invented anything significant recently because they had all been distracted by their girlfriends, so they plan a weekend of brainstorming. The women use the free time to go to Las Vegas. Reviewing their old brainstorming sessions the men find only ideas that involve robot girlfriends. Next they work on the hover board from Back to the Future Part II, but keep getting distracted much to Leonard's frustration. Later at Leonard's lab they have further distractions from the internet and end up back at home watching Ghostbusters along with Leonard. Meanwhile in Vegas, the women are about to go out when Penny is given some home work by her boss. Bernadette and Amy leave and get drunk. When they return to their room, they find Penny still studying, but take her with them to a strip club, where Amy and Bernadette have fun while Penny keeps studying. The next morning a relaxed Penny heads to the pool and gets her revenge for last night by blinding Bernadette and Amy with the sun from the window while they both deal with extremely terrible hangovers. |
fd_Frasier_10x19 | fd_Frasier_10x19_0 | TEXT: Skyline: The light atop the space needle glows. ACT I [Scene 1 - A newly constructed home. Frasier, Roz, and others are in work clothes. The house is decorated for its presentation to the new owners. The team leader addresses the volunteers.] Leader: So, on behalf of myself, the volunteers, and especially the team from KACL [Frasier and Roz give a quick enthusiastic cheer.], I'd like to welcome you, the Grant family, to your new Habitat For Humanity house. [The group starts to cheer. Frasier interrupts.] Frasier: Uh, Ronnie, if I may... [We see the Grant family, husband, wife, and preteen daughter, for the first time. Mr. Grant is about to accept the welcome, but is interrupted by Frasier's speech.] Frasier: When my co-workers first signed me up for this project without my knowledge, I was, uh--well, I'll say it--irked. But I'm glad they did. Because I've had a chance to learn the pride that comes when you build something with your own two hands. As carpenter's helper, I sanded that newel post out there. [We see the Grants becoming impatient at Frasier's speech.] As painter's helpers's assistant, I stirred the paint for the trim in the kitchen. I was also surprised to learn that electricians [looking at Roz] don't have helpers. Roz: It's getting dark... Frasier: Oh, right, right, of course. [to the Grants] Enjoy your new home. [handing keys to Mr. Grant] I know I did, and if ever these walls should tumble...keep an eye out for my Harvard class ring. Thank you. Mr. Grant: It's hard to believe the house is finally ours. We can't thank everybody enough. Thank you. [Everyone applauds. The group disperses.] Roz: Are you sure you took enough credit for the house? Frasier: I took just enough, Roz. It's not my fault I'm
SUMMARY: | A team of volunteers from KACL have helped build a house for the charity "Housing for Humanity", and although Frasier's contributions were modest he is still proud of them. In fact, he sees it as his right to call round the house several times once the Grant family has moved in, to advise them on how to decorate the place. At first they treat this as an honour, but it quickly becomes a conflict between their very different tastes, and Roz decides to intervene. After a heated argument, Daphne's mother has started working at Café Nervosa in an attempt to make her daughter feel guilty, but Daphne is not prepared to be manipulated. Martin and Eddie become a sensational safety act at a local primary school , at least until Martin is taken ill and Niles is forced to stand in at the last minute. |
fd_Teen_Wolf_02x03 | fd_Teen_Wolf_02x03_0 | TEXT: Derek VO: Ever wonder what happens if a hunter gets bitten, Allison? Ever wonder what happens if you get bitten? What do you think your father would do? What do you think he'd have to do? When all it would take to change everything is - one bite. One bite - Chris: Everything changes. Allison: Is this how we're gonna do father/daughter talks from now on? Chris: No, this is how we're gonna train you. Do you know why we use arrows? Allison: They can't heal until it's taken out. Chris: Look familiar? Allison: You were going to kill him. Chris: That's right. And if we find Isaac on another full moon, we will kill him. That's the hard choice we make. But it wasn't my choice. Allison: Gerard? Chris: No. See, our family has a surprisingly progressive tradition. Knowing wars and violence are typically started by men, we place the final decisions, the hard ones - With the women. Our sons are trained to be soldiers. Our daughters, to be leaders. Training starts now. Time her. Bennett: Congrats. Allison: For what, it took me two and half hours. Bennett: Took me three when I did it. Scott: It had a tail. I don't have a tail. Allison: Maybe you just haven't grown it yet. Scott: I'm not growing a tail. Ever. Are you slowing down for me? Allison: I was waiting for you. Scott: What? Waiting for me to catch up? Allison: You looked like you were struggling. Scott: Maybe I was admiring the view. Allison: Try admiring from afar. Coach: McCall, I don't know why, but your pain gives me a special kind of joy. Right? All right, next two. Stilinski, Erica, let's go. The wall. Erica: Oh, please - Coach: Erica. Dizzy? Is it vertigo? Lydia: Vertigo's a dysfunction of the vestibular system of the inner ear. She's just freaking out. Coach: Erica. Erica: I'm fine.
SUMMARY: | Chris begins Allison's training to become a werewolf hunter. At school, Erica, an epileptic girl, has a seizure and ends up in the hospital. There, Derek delivers the bite upon the promise that her illness will vanish. Dr. Deaton finds a dead hunter in his office and Chris wants him to find out what happened. Scott discovers Boyd is now a werewolf and is forced into a fight with Derek, Erica, and Isaac. Jackson is shocked when he exhibits inhuman strength. |
fd_The_Office_06x20 | fd_The_Office_06x20_0 | TEXT: Michael: Hey Jim, Jim. Come here. [holds up photo] Do you know who that is? Jim: No. Michael: Look at him. Look at him - t-shirt, jeans... Jim: Is he you? Michael: [laughs] I am flattered. That's Johnny Depp. Jim: Where did you take that? Michael: In my condo complex. Jim: Oh my God, that's right. I read in People magazine that he was looking for a two-bedroom condo in Scranton. Michael: I am flipping out, man. I mean, you remember my idea for the fourth Pirates movie. Jim: Sure. That they should do one. Michael: [feigning accent] Hey, Jim, Jim - where, where do I find the Black Pearl? Jim: Who's that? Michael: Captain Jack Sparrow. Captain Jack Sparrow, Jim. Jim: John Dillinger. Michael: No. I'm Captain Jack Sparrow. Jim: Captain Crunch. Michael: Okay, okay. Screw you, Halpert. You know, it's not easy getting excited about stuff. Remember how you felt when you thought you'd seen Roger Clemens? Jim: At the Yankees game. Yeah. Michael: Yeah. Well, it wasn't him. Jim: I had a little better reason to believe that... You're right. You're right. Well, you're not right, because Johnny Depp... Michael: I know, I know. Jim:...in your condo complex. Michael: I know! It also explains why the name on his mailbox was M Shulman. Jim: M. Night Shulman? [SCENE_BREAK] Michael: [speaking at a staff meeting] First up, the lost and found has gone missing. It itself is lost, so please, try not to lose anything until we find it. Ah, pet day. If you don't have a pet, please don't feel like - Stanley: When are we getting to sales topics? Dwight: Yeah, what about those leads? Did you hear anything from corporate? Michael: Ah, yes, the leads. The leads that Sabre has spent $50,000 to get from a market research company... are not here yet
SUMMARY: | Sabre's policy of "sales is king" goes to the sales staff's heads, making the rest of the office resent their bad attitude. In order to regain control, Michael hides their expensive new leads, which leads Jim on a "treasure hunt" all through the business park. Michael's plan backfires when Kevin accidentally throws some of the leads in the trash and Michael and Dwight must go to the Scranton dump to retrieve them. Andy and Erin kiss for the first time at Scranton dump while searching the leads together. |
fd_Doctor_Who_1963_22x02 | fd_Doctor_Who_1963_22x02_0 | TEXT: ATTACK OF THE CYBERMEN BY: "PAULA MOORE" (PAULA WOOLSEY) Part Two Running time: 44:29 [SCENE_BREAK] DOCTOR: Wait! Let's discuss this, shall we? PERI: I agree. LEADER: There is nothing to discuss. DOCTOR: If you want my cooperation, she must live. LEADER: We cannot agree to bargain, Doctor. It would be unfortunate if you were to be killed, but we should still have your TARDIS. DOCTOR: Not anymore, you don't. In precisely twenty seconds, you and it will cease to exist. LEADER: Release the woman. DOCTOR: How do I know you won't cheat and change your mind. LEADER: You have my word. DOCTOR: I'm not sure that's enough. LEADER: Also that of the Cyber Controller. DOCTOR: I thought he was destroyed. LEADER: No, merely damaged. DOCTOR: Where is he now? LEADER: On our home planet, Telos. DOCTOR: I see. PERI: Doctor! LEADER: Correct. We can now time travel. Set the coordinates for Telos. [SCENE_BREAK] BATES: Come on, hurry up. BATES: You're going to have to try harder than that, Stratton. STRATTON: This isn't going to work. BATES: So you keep saying. STRATTON: Do I look like a Cyberman? BATES: If nobody looks too close. STRATTON: This is fantasy. We won't convince anyone. BATES: Listen, you pathetic creature. All we need do is convince the guard we are prisoner and escort. At least, until we get close enough to deal with them. STRATTON: It won't work. BATES: You'd rather stay out here and die? STRATTON: No. [SCENE_BREAK] DOCTOR: This is bad news. Very bad news. How can they have discovered the laws of time? LYTTON: They haven't. A time vessel landed on Telos. The Cyber
SUMMARY: | The Doctor discovers that the Cybermen are involved with the strange distress signal. Peri and the Doctor discover who Lytton is working for and do their best to keep the Cybermen from gaining time travel. |
fd_Degrassi_Next_Generation_04x18 | fd_Degrassi_Next_Generation_04x18_0 | TEXT: In the park Paige: I was fixated on your earlobes for most of the class. Matt: So my Nano computer lesson was dull! Paige: That my eyes were even open in media immersion is a testament to you. Stop worrying, okay? Matt: I'm being graded on how well I hold the class tomorrow. It's scary. You guys are scary. Paige: Marco's not scary. Marco's afraid of bees and Heather Sinclair, not scary. Unless maybe you see her in her granny panties after gym. There's also the tiny fact that you're a phenomenal teacher, so please fear not! Matt: You're sweet and not just 'cause you made lemon squares. (They're interrupted by the sounds of an ice cream truck and a crying baby.) Paige: The park. Great romance idea hun! Matt: Poor kid's being blinded by the glare of his dad's legs. Can you say whiter than white?! Paige: Yeah! Simpson. Oh my god. He didn't see us. No way. In the gymnasium Manny: I totally missed washing my hair to make it in time for this. Paige skips practice...again. Let's go for with the 3, 4, 3 star ready for a right herky jump. K let's go! Hazel: Just so you know, I am not cool with you taking over. Manny: Paige won't care. She's too wrapped up in Matt to even notice. Hazel: It's a crush. No big thing. Manny: You don't have to lie. Paige told me about her hot after school affair. Oops. I did it again. (She turns to the rest of the group) Alright guys. Let's get it together. In the media immersion lab Matt: Let's discuss how the cigarette add tries to manipulate us. Anyone? Emma. Let's hear it. Emma: Okay well I think it's aimed at a female demographic and I think the tobacco companies are trying to tell us that healthy women can smoke 'cause she's hiking or whatever. Matt: Good. Now in terms of subtler messaging. Like where is she,
SUMMARY: | When their secret relationship is revealed to everyone, Paige begins to wonder if Mr. Oleander cares about his career more than he cares about her. Meanwhile, Emma has a girls' night with Manny, Darcy, and Chantay and gets into a prank war with Chester and his brothers. |
fd_Grey_s_Anatomy_01x05 | fd_Grey_s_Anatomy_01x05_0 | TEXT: (Music: The Ditty Bops-Wake Up) (Meredith sitting on the floor in her shower) Meredith Voiceover (MVO): Remember when you were a kid and your biggest worry was, like, if you'd get a bike for your birthday, or if you get to eat cookies for breakfast. Being an adult? Totally overrated. (Cut to Meredith walking to the Nursing Home) MVO: I mean, seriously, don't be fooled by all the hot shoes and the great s*x and the no parents anywhere telling you to do. Adulthood is responsibility. Caretaker: The lawyer has been managing the estate with a limited power of attorney, but your mother's Alzheimer's is advancing. So, while she's still lucid enough to consent, she needs to sign everything over to you. Meredith: Me? MVO: Responsibility, it really does suck. Meredith: (raspy) Look, I haven't slept in 48 hours. I'm getting my first shot at heart surgery this morning. I'm missing rounds. Are you sure there isn't anybody here, or the attorney...? I mean, do I really have to be the one to handle this? Caretaker: We're talking about her estate, her finances, her medical care. You really want to leave her life in someone else's hands? She's your mother. MVO: Really, really sucks. (Cut to O.R. where the heart surgery is taking place) MVO: Adults have to be places and do things and earn a living and pay the rent. And if you're training to be a surgeon, holding a human heart in your hands... Hello! Talk about responsibility. (We see Meredith closing her eyes and dozing off for a second. Her hand squeezes the heart she's holding) Burke: What was that Dr. Grey? Meredith: Sorry, it slipped. My hands. Burke: It's okay, I'm done. You can release Mrs. Patterson's heart now. Very gently. All right. Let's warm her up. Get her off bypass. MVO: Kinda makes
SUMMARY: | Meredith is overwhelmed causing her to make a mistake during surgery that could jeopardize her career. |
fd_CSI__Crime_Scene_Investigation_04x14 | fd_CSI__Crime_Scene_Investigation_04x14_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY (STOCK) -- NIGHT] [EXT. BEST BARGAIN SUPERMARKET - PARKING LOT -- NIGHT] (A police car pulls up the parking lot and stops in front of the store.) [INT. OFFICER CAR (PARKED) - NIGHT] Officer Clay: What do you need to get? Officer Fromansky: Actually, it's what you need to get, rook. (OFFICER FROMANSKY hands OFFICER CLAY some bills.) Officer Clay: Aw, come on, man. We're off duty. Officer Fromansky: You're off when I say you're off. (With the bills in his fingers, he motions toward the store. OFFICER CLAY grabs the bills. He opens the car door and gets out.) Officer Fromansky: (through the open window) Don't forget the Ho-Hos. (OFFICER CLAY waves the bills over his shoulder as he heads into the supermarket.) [INT. BEST BARGAIN SUPERMARKET - NIGHT - CONTINUOUS] (OFFICER CLAY walks into the supermarket. Stifling a yawn, he heads toward the aisle to get his things.) (Cut to: He looks into the refrigerator racks, finds what he's looking for, opens the door and grabs the container of milk.) (Cut to: OFFICER CLAY heads back to the checkout counter.) Celeste Turner: I can help you over here, sir. (He points to the light.) Officer Clay: That's not what your light says. (She reaches out and turns the light on.) Officer Clay: Slow night? Celeste Turner: Kind of. (He puts the container of milk on the check out counter and turns to head back into the aisle.) Officer Clay: Oh... can't forget the Ho-Hos. (He finds the Ho-Ho's and absently glances up at the mirrors in the ceiling. He sees a man in black carrying a gun walking up the next aisle.) (OFFICER CLAY un
SUMMARY: | The entire team investigates when a robbery at a grocery store turns into a shootout, leaving five people dead, one of whom is a police officer. The evidence leads Grissom to doubt the story of the other police officer at the scene. |
fd_The_O.C._03x17 | fd_The_O.C._03x17_0 | TEXT: Opening scene - Cohen kitchen, night - Sandy, Kirsten, Seth and Ryan are in there together. they've just finished dinner Sandy: baby you did it again, another amazing meal Kirsten: oh my pleasure (looks at Ryan) oh Ryan I forgot to ask (Ryan looks up) d'you have any requests for your birthday on Sunday Seth: (frowns) Sundays your birthday Ryan: (looks at Seth) thanks buddy Sandy: (off screen) not just any birthday (Seth stands) Ryan's turning eighteen (on screen) becoming a fully enfranchised citizen of this (proudly) great democratic experiment we call (looks up patriotically) America Seth: yes we all know you went ta law school the important thing is (looks at Ryan) we need to have a party Ryan: oh nnnn no (shakes hand) no party Seth: but you're turning eighteen, that's huge Ryan: (nonchalantly) nah it's just another year (picks up plates) Sandy: oh I-I- I disagree, yeah I remember when I turned eighteen I couldn't wait to vote in my first election Kirsten: my little eagle scout (smiles) Seth: yeah an if you cross Johnny Law no more of that daycare juvi (shakes head) its gonna be hard time in the big house for you pally Ryan: (looks at Seth, raises eyebrows) yeah that's reason to celebrate Seth: (moves closer) what'do you have against birthday party's Ryan: nothing it's just I think the last birthday I had I was nine years old an my mom took me to the San Diego zoo Seth: sounds awesome an since then your too cool for birthday party's Ryan: (matter of factly) no an then she started having her all day drinking on the couch party's Seth: (looks down) huh (cue awkward silent moment for everyone. Seth especially doesn't know what to say) Seth: (looks at Sandy) d'you wanna tag
SUMMARY: | Ryan struggles whether to invite Marissa to his birthday or not, while Sandy decides if he should invite one of Ryan's family members. Neil and Julie decide to tell Marissa and Summer about their relationship. Volchok tries to become involved in Marissa's life. |
fd_The_L_Word_01x04 | fd_The_L_Word_01x04_0 | TEXT: INT. - SOMEONE'S APARTMENT - DAY [title card: Greenwich Village, Present Day] [A lesbian couple sleeps in bed. Outside, sounds of the city can be heard - traffic, police sirens, horns honking. Closeup of a couple of small, ancient, Central American statuettes of demons sitting on a table.] [Someone is banging on the door. One of the women, Tess, gets up out of bed and slips some clothes on before heading to the door. As she walks, she bumps into the table and knocks over one of the statuettes. She picks it up and goes to the door.] Tess: (opens door) Hey, Helen. Helen: Stacy never came home. Tess: (sighs) You got a wild one on your hands, Helen, you knew that going in. Helen: You didn't run into her at the Boiler Room? Tess: No. I never saw her tonight. Helen: What's that? Tess: (looks at statuette) Oh. I picked it up at that estate auction. I think it's a Jamacoaque from Ecuador, about 500 A.D., some minor demon like... Abraxas, or Forcas, or something... Helen: Whatever. [Helen's P.O.V., trying to look past Tess, into her apartment.] Tess: Listen, don't stress out about Stacy, you know how she is. She probably went to another party... [Stacy, still in bed, sits up and listens.] Tess:... and is passed out on someone's couch. Helen: Well, what if something happened to her? Tess: Oh, I'm sure she's fine. Helen: I'm waiting a few more hours, then I'm going to the police. [Helen leaves. The woman closes the door and goes back to bed.] Stacy: Who was that? Tess: Your girlfriend. [Stacy laughs. They kiss.] [main titles.] INTERSTITIAL - S
SUMMARY: | Jenny's old college professor Nick (guest star Julian Sands ) (with whom she had a fling and whose opinion she values) shows up and tries to convince her that she is more complex than her latest work makes her out to be. Tim begins to suspect Jenny's infidelity, as does Alice and others. However, Jenny outright lies to everyone by denying being unfaithful. Alice later discovers the truth when she walks in on Jenny engaging in sexual acts with Marina in her office at The Planet while Tim is looking for her and Alice covers for Jenny to prevent Tim from finding out and hurting his feelings. Unfortunately, this close call only makes Jenny even more reckless and unapologetic to her cheating with Marina. Meanwhile, Peggy Peabody prevents Bette from getting fired by storming into a meeting and announcing that she will lend the Provocations collection to the museum. Tina finally gets pregnant. Dana is ashamed about what happened on her first date with Lara. Elsewhere, Alice deals with her vain and self-indulgent actress mother, Lenore (guest star Anne Archer ), who moves into her apartment after being evicted from her hotel suite. But Alice soon discovers that Lenore is not playing in high profile movies as she claims to be. |
fd_The_Vampire_Diaries_02x01 | fd_The_Vampire_Diaries_02x01_0 | TEXT: [Gilbert's house] (John is in the kitchen, he closes the fridge. Katherine is here, she poses as Elena) John: You scared me Katherine: Sorry John: Is Jenna home? Katherine: She had to meet the fire chief about the building. She doesn't know the truth, they had covered that up John: Yeah I know, how's Jeremy? Katherine: Hold up in his room (We see Jeremy on his bed, he's unconscious) (Elena is on the porch, she's at the phone with Stefan) Elena: I looked everywhere Stefan: What do you think, someone stole it? Elena: Yeah, someone definitely took my stuff (Katherine and John are in the kitchen) John: Can I help? Katherine: Sure (Elena is still on the porch, at the phone with Stefan) Stefan: You want me to pick you out? Elena: I'm just gonna check on Jeremy before I go to the hospital, can you meet me there? Stefan: You bet Elena: Ok, I love you Stefan Stefan: I love you too (Katherine cuts John's fingers and pushes him against the sick) John: Katherine? (Her face changes) Katherine: Hello John, Goodbye John (She stabs him) (Elena enters the house) Elena: Jeremy? Are you up? (She hears noise in the kitchen and goes toward it. She sees John on the floor; he's alive but very hurt. She rushes over him. She calls 911 but Katherine is behind her) Elena: Hi I need an ambulance to 2104 Maple Street John: Behind you Elena: What? John: Behind you (She turns herself but Katherine's not behind her anymore. She takes the knife and goes in the hallway. Katherine passes behind her with super speed. Elena turns herself. Katherine is behind her again. She rushes on the door with super speed and gets out of the house. Elena is scared) Elena: Jeremy (She rushes over the stairs and goes in Jeremy's bedroom) Elena: Jeremy! Jeremy! (She finds him unconscious on his bed) Elena: Jeremy please wake up (He opens his eyes) (The police and the ambulance are here. They took John. Stefan
SUMMARY: | Picking up where the first season left off, Elena arrives home to discover the fates of Uncle John and Jeremy. Jeremy has not transitioned into a vampire, because he did not take enough drugs to die and Anna's blood overcame the overdose. Damon, Bonnie, and Elena agree that Caroline needs Damon's blood to survive. Damon realizes that Katherine has returned and is impersonating Elena. Tyler is surprised when his uncle, Mason Lockwood, arrives in town to console him. Katherine and Damon nearly sleep together, but Katherine tells Damon, "it will always be Stefan". Distraught, Damon goes to see Elena, who resists his attempt to kiss her. Angry that Elena also loves Stefan, Damon snaps Jeremy's neck. Jeremy survives because he is wearing a Gilbert ring, which protects the wearer from death from supernatural causes. Katherine goes to the hospital and smothers Caroline with a pillow. Before Caroline dies, Katherine gives her a message for the Salvatore brothers: "Game on." |