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fd_The_Walking_Dead_03x03 | fd_The_Walking_Dead_03x03_0 | TEXT: In the sky above a field A helicopter is flying above an empty field. In the helicopter It's a military helicopter. There are three soldiers in it. One of them is trying to make contact probably with the rest of the servicemen. Soldier 1: Whiskey 1-2. Whiskey 1-2, do you copy? Going 180, close the distance, get back in contact! There's a problem with the helicopter, it starts to move really fast, there's turbulence. Pilot: Have faith, guys. I've gotten us through a lot more than some light turbulence. Smoke starts to come out of the helicopter. Pilot: Wellsey! Soldier 1: Mayday! Mayday! Mayday! Pilot: Crash positions! I'm putting her down by the road! Soldier 1: Come on... The plane is about to crash. Soldier 1: We're going in! The plane crashes into some trees in the middle of a forest. On a road nearby Andrea, Michonne and the two walkers are walking on a road near the place where the plane crashed. They see the smoke coming out of the forest after the explosion. They go in that direction. OPENING CREDITS In the forest Andrea and Michonne arrive to the place where the helicopter crashed. Andrea is still sick, and she's exhausted. She vomits and coughs. Michonne: Don't push yourself. You'd better sit. Michonne helps Andrea to sit down, and she attaches the walkers to a tree. She gives Andrea a gun. Michonne: I'll check it out. Michonne goes to see the helicopter. One of the soldiers is dead, cut in half. The pilot is also dead. She sees two cars arriving near the helicopter, and she runs to Andrea. Michonne: Someone's coming! Andrea: Any survivors? Michonne: Two dead, not sure about the other. The two cars stop next to the helicopter. Andrea and Michonne are hiding. Men come out of the cars. Governor: Fan out. (to one of his men about to shoot a walker) Save those rounds for when you need them. One of the men shoot an arrow in a walker. Andrea coughs. The governor and his men still look around. Martinez (
SUMMARY: | Andrea and Michonne witness a group of men investigate a helicopter crash, but are captured by Merle and taken to the fortified town of Woodbury, where they meet The Governor , of whom Michonne is distrustful. One of the survivors of the crash tells The Governor of where their group is based out of, and The Governor leads his men to kill the other group and secure their weapons and vehicles for themselves. |
fd_Doctor_Who_1963_19x20 | fd_Doctor_Who_1963_19x20_0 | TEXT: EARTHSHOCK BY ERIC SAWARD Part Two Running time: 24:23 [SCENE_BREAK] In the cavern the androids do nothing. The Doctor, Kyle and Scott watch. The androids shoot energy bolts. The troopers fire at them. They exchange blaster fire and energy bolts a few more times. LT SCOTT: Our weapons have no effect on them. DOCTOR: Yes, they will, but you must concentrate your fire! LT SCOTT: All right. Hold your fire. When I give the word, go for the one on the right. An android shots an energy bolt. LT SCOTT: Now! They shoot at the android, The Doctor watches. They shoot some more. There's a close up of Kyle. The troopers concentrate on the androids hand, which finally explodes. LT SCOTT: Got him! DOCTOR: No, it's only damaged! We see the hatch from the androids POV again. Back on the Cybership CYBERLEADER: The androids are too valuable to waste. We may still need them. CYBERLIEUTENANT: They are programmed for self- preservation. The will not take any more unnecessary risks. [SCENE_BREAK] In the cavern the androids go off and hide. PROF KYLE: Will they attack again? DOCTOR: Undoubtedly. The androids stand and look at each other. LT SCOTT: They've covered the exit. TEGAN: Well, won't someone on the surface realize that something's wrong? LT SCOTT: Sooner or later. TEGAN: Let's hope it's sooner. [SCENE_BREAK] Inside the TARDIS Adric walks around to the other side of the console and opens the doors. [SCENE_BREAK] In the cavern the Doctor turns around and sits on the floor. LT SCOTT: What are they doing? DOCTOR: Waiting. PROF KYLE: What can they possibly want? TEGAN: Isn't it obvious? Us dead. PROF KYLE: But why? DOCTOR: Were you working near the rock fall the first time you were attacked? PROF KYLE: Yes.
SUMMARY: | The Doctor discovers a bomb planted by the Cybermen, disarms it and then materializes the Tardis onto a freighter orbiting the Earth where mysterious murders are also being committed. |
fd_The_Big_Bang_Theory_07x16 | fd_The_Big_Bang_Theory_07x16_0 | TEXT: Scene: The apartment Howard: I'm thinking about growing a goatee. Raj: Oh, actually that's a Van Dyke. A goatee is just hair on the chin. Leonard: Oh. Wait, then what is it if you just have hair up here? Raj: You mean a moo-stache? Leonard: Moo-stache. Howard: He said it. Raj: Ha-ha, very funny. Make fun of the foreign guy. For your information, there are four times as many Indians as there are Americans, so the way we say it is right. Howard: Say what? Raj: Moo-stache. Leonard: Moo-stache. Howard: He said it. Bernadette: Guys, you're being childish. Sheldon: Yeah, she's right. You're grown men, the kind who are perfectly capable of growing your own moo-staches. Amy: Hey, you were funny on purpose, good job. Penny: Hi. Sorry I'm late, I was at an audition. Leonard: Oh, I'm sorry. Sheldon: You'll get 'em next time. Penny: How about instead of assuming I failed, you ask me how it went? Leonard: Sorry. How did it go? Penny: Just shut up. Raj: Here, you can have your seat. Penny: No, no, no, stay there. I'm fine on the floor. Bernadette: Have you guys ever thought about getting a dining room table? Amy: Yeah. You actually do have room for one up there. Raj: Oh, sure, I sit on the floor for years, no one cares. The pretty white girl's there ten seconds, and suddenly we're all running to IKEA. Sheldon: No one is running anywhere. We're not getting a dining room table. Leonard: I know you don't like change, but it's not a terrible idea. Penny: Yeah, you guys never use that space up there. Why not get a table? Sheldon: Do you want the long answer or the short answer? Howard: Hey, how come we never get that option? Sheldon: Chaos theory suggests that even in a
SUMMARY: | Leonard and Penny decide to get a dining table for the apartment so that they no longer have to eat around the coffee table. Sheldon objects to the change, blaming Penny for changing Leonard, though she points out that Amy has changed Sheldon. Unhappy with this and that Amy told her about the kiss, he decides to break up with Amy. Penny alerts Amy, and agrees to break up, but blocks Sheldon's plan by convincing him that Leonard is manipulating him. Amy feeds Sheldon arguments against Leonard, but goes too far when she suggests they move in together. Finally, Amy and Sheldon eat together on the sofa, with the others at the table, until everyone pities Sheldon and all end up back at the coffee table. NASA asks Howard to revisit the International Space Station. He has forgotten his horrible first time, and eagerly wants to return. Bernadette holds an intervention where Howard is reminded he would have to go through survival training again. Howard finds a way out by phoning his mother during his blood pressure test, thus failing his physical. |
fd_Frasier_01x14 | fd_Frasier_01x14_0 | TEXT: Act One. Scene A: KACL Radio Station. Bulldog is in the middle of his show. Frasier is watching from the corridor. Bulldog: [on-air]...4 for 17 on Sunday, he calls himself a quarterback? I've passed kidney stones with more accuracy! Frasier: [to Roz, who's just passing by] Roz, Roz. Listen, could you go in there and get my briefcase for me? I was just on my way out but I left it in the studio. Roz: Why don't you go get it? Frasier: Well, because every time I go in there, he puts me on the air and humiliates me. Roz: Well, what do you think he does to me? Last week when I went in to get my car keys he introduced me as Martina Navratilova's girlfriend. [leaves] Bulldog: [ringing a cowbell] Well Chuck, I'm really sorry I offended you. Now why don't you put your skirt back on and do some dishes? Frasier opens the door and crawls into the studio. His briefcase is sitting on the console near the door. As he reaches out for it, Bulldog, who has seen him, picks up the briefcase and moves it to the other side. Frasier, keeping his head down, reaches a hand over the console and gropes blindly for it. Bulldog: The lines are open. And how about some real men calling instead of crybabies like Chuck? He raps Frasier over the knuckles with his drumstick, making him jump to his feet. Bulldog: Well... look who's just crawled into the doghouse, it's Dr. Frasier Crane! And you know what we always do when we get a house call from the doctor. [puts tape in machine] Tape: [Italian] Dropp-a your pants and bend over, I take-a your temperature. Frasier: Hello, Bulldog. Bulldog: [holding up briefcase] So, doc? Who's your pick for the Giants- Saints game this weekend? Frasier: [wearily]
SUMMARY: | Frasier takes part in a bachelor auction, where he is "bought" by Kristina, a model. He invites her for dinner at his apartment, but when she arrives, Kristina announces that she has some urgent business and needs Frasier to look after her daughter, Renata. Frasier learns from Renata that her mother is neglectful, leading him to criticize Kristina heavily when she returns, only to discover that Renata had invented the bad behavior she described. |
fd_Buffy_the_Vampire_Slayer_05x01 | fd_Buffy_the_Vampire_Slayer_05x01_0 | TEXT: Act I Fade in on a beach, daytime. Buffy runs into the camera's view and catches a football. BUFFY: Ha! Touchdown! Oh yeah. Go team me. (She does a victory dance) Shot of Riley grinning. Buffy throws him the ball; he catches it with a frown. RILEY: Anybody ever tell team you the quarterback throws like a girl? (Throws the ball back) BUFFY: (catches the ball, frowning) I do? Riley gives a "well, yeah" shrug. Buffy frowns, takes a grip on the ball and throws it. It hits Riley in the face and he falls down. BUFFY: (concerned) Ooh, sorry! Switch to long view. In the foreground we see Willow, Tara, and Anya lounging on beach blankets while Xander is sitting by a fire pit, trying to light it. In the background we can see Buffy and Riley and, beyond them, the ocean. Riley is getting up and running at Buffy. BUFFY: No, don't, no - (shrieks as Riley tackles her) XANDER: I'm exhausted just looking at those two. All the splashing and jumping and running... Shouldn't relaxing involve less exertion? ANYA: Absolutely. Exertion can lead to sweatiness. TARA: Which can cause the pain and heartbreak of stinkiness. Better to just stay put. WILLOW: I think we've just put our finger on why we're the sidekicks. Buffy and Riley approach. WILLOW: Game over? RILEY: Uh, Buffy slayed the football. (Holds up the deflated ball, then tosses it aside) BUFFY: Where's my burger? (Xander is still trying to light the fire) RILEY: Yeah, man, I'm starving. Cow me. (He and Buffy sit) XANDER: The, uh, fire's not cooperating. It's comforting to know that I lack the culinary finesse of a caveman
SUMMARY: | Buffy faces Count Dracula who has come to Sunnydale to make her one of his concubines. Dracula turns Xander into a Renfield of sorts, before being defeated but not killed. |
fd_Frasier_11x14 | fd_Frasier_11x14_0 | TEXT: Skyline:The crescent moon rises over the city. ACT I Scene One - KACL Frasier is standing by. Frasier: We still have a few minutes left, and all our lines are open. Uh, shall I attempt another joke? Roz: [quietly] No. Frasier still looks at her questioningly. Roz: [louder] No! Frasier: All right, then. Come on, callers, don't be shy. There's still time to talk with the good doctor. Five open lines. Roz looks up at the time. Frasier: [beginning an act] Who's this, then, Roz? On line one, uh, whom do we have? I understand we have... Susan, who recently moved here from... Texas. He gestures to Roz to play along, and she shakes her head wearily, pleading no. She does not want to do this. Frasier: Go ahead, Susan, I'm listening. Roz: [giving in, putting on a Texas accent] Hi, Dr. Crane. [N.B. Peri Gilpin is originally from Waco, Texas.] Roz: I'm new in town, from Texas, and uh, I just left my husband. Frasier: I see, and why did you do that? Roz: Well, uh... [suddenly resuming her normal speech] Oh, I know, he was abusive! Frasier: [glaring at her] That couldn't have been easy for you. Roz: [resuming Texas accent] Well, my girlfriend helped me. We just got in our convertible and drove through the desert, and we stopped at this honky-tonk. I started dancing with this cowboy--long story short, he roughed me up, and my friend killed him--but then... we met the cutest cowboy, but he stole all our money, so we robbed a gas station and blew up a tanker truck... Frasier: Yes, I'm afraid we're out of time. I will finish with you off the air, Susan. Meanwhile, this is
SUMMARY: | Frasier's radio show is receiving very few calls, and Niles has been losing patients and arguing with Daphne. Martin, on the other hand, is offered the chance to spend the weekend at a house in the mountains with Ronee, courtesy of her boss. They inadvertently end up inviting Frasier, Niles and Daphne to join them, and seeing the state those three are in, Martin and Ronee feel compelled not to let them down. They all go to the house determined to have a relaxing time, but once there Frasier has a nightmare in which he has murdered Niles and is married to Daphne. Soon afterwards, Niles has a nightmare about the stresses of being a father, and then Daphne also has one in which she puts on copious weight after childbirth and Niles sleeps with other women. The three of them all end up in the kitchen in the middle of the night arguing, and it falls to Martin to sort them out. |
fd_Queer_As_Folk_04x01 | fd_Queer_As_Folk_04x01_0 | TEXT: [We opens with a drag queen, Shanda Leer, singing "What I Did for Love".] Shanda Leer: # Kiss today goodbye, And point me t'ward tomorrow. We did what we had to do Won't forget, can't regret What I did for...# [Cut from Shanda Leer to Brian and Justin at the loft. Brian is going through the mail.] Brian: sh1t! It's that time of the month again. Justin: When your little friend comes to visit? Brian: When every gay charity on the f*cking planet tries to hit me up for a table at their benefit or an ad in their booklet or a sperm sample for their silent auction. Unfortunately, it's also that time of the month for my credit card bills. Justin: I've never seen so many zeroes. Brian: Except for a mixer at the Gay and Lesbian Center. Justin: How are you gonna pay for them all? Brian: How many blowjobs can you give in an hour? Justin: Not enough. Not nearly enough. Brian: I guess I'll have to come up with the cash some other way. Justin: Look, we sold almost 3,000 copies of Rage last month on the 'net last month alone. I could give you some - Brian: No. Justin: Why not? Brian: (laughs) I'm not taking your money. Justin: I thought we were partners. Brian: We are. Justin: Then why won't you let me give you the money? Brian: 'Cause I don't need your help. I don't need anyone's help! What I need is - [he walks over to the liquor cart and picks up an empty bottle. Cut to the bar at Babylon, where Brian's ordering a drink.] Brian: Chivas Regal! Justin: You may be a pauper, but you drink like a prince. (to the bartender) Make it two. On me. Brian: Keep it. Justin: You won't even let me buy you a drink? [They clink glasses.] Brian: I can still afford to tie one on without any assistance from you. [Brian takes Justin by the
SUMMARY: | Brian is deep in debt and faces giving up the lifestyle to which he's grown accustomed. Michael and Hunter return to Pittsburgh to face the custody hearing. Emmett visits Ted in rehab. |
fd_Doctor_Who_1963_16x13 | fd_Doctor_Who_1963_16x13_0 | TEXT: THE ANDROIDS OF TARA BY: DAVID FISHER Part One Running time: 24:53 [SCENE_BREAK] DOCTOR: Rook to bishop's four. DOCTOR: I saw Capablanca make that move against Alekhine in 1927. K9: He lost, master. DOCTOR: Who? K9: Capablanca. DOCTOR: Are you sure? K9: Master, I have been programmed with all the Championship games since 1866. Capablanca lost. DOCTOR: I must have been called away. Are you really sure? K9: King to knight's two. DOCTOR: King to knight's two. King? That's a terrible move. You've weakened the king's side. K9: Clock, master. DOCTOR: I know, I know. I'll check your programming sometime. We're not supposed to be playing draughts, you know. K9: Master. ROMANA: What are you doing, Doctor? DOCTOR: Shush. We're playing chess. ROMANA: Yes, I can see that, but aren't you forgetting something? DOCTOR: I don't think so. ROMANA: What about our task? The Key to Time, remember? DOCTOR: Oh, that old thing. ROMANA: Yes, that old thing. The Guardian did stress the need for urgency, didn't he? DOCTOR: Shush. ROMANA: I'll do it. DOCTOR: If you must. DOCTOR: I just feel I deserve a little break. After all, we've got half the segments. I prefer to play chess. ROMANA: Really. Materialisation in fifteen seconds. Mate in twelve. K9: Correction, mistress. Eleven. ROMANA: Eleven? Oh yes. Sorry, K9. K9: Apologies are unnecessary, mistress. DOCTOR: Mate in eleven? Oh yes, oh yes. Well, that's the trouble with chess, isn't it. It's all so predictable. ROMANA: Materialisation commencing now. Five,
SUMMARY: | The Doctor and Romana are now searching for the 3rd segment of the Key to Time. Landing on the world of Tara, the Doctor decides to send Romana off in search of the 3rd segment while he takes a break and does some fishing. |
fd_Charmed_01x13 | fd_Charmed_01x13_0 | TEXT: [Scene: Occult shop. Prue and Phoebe are there.] Tanjella: Excuse me, but I'm getting ready to close now. Prue: Oh, I'm sorry. I thought that you were open until 1:00. Tanjella: Normally I am, but not on the evil Friday the 13th. In fact, I kinda wanna be closed by midnight. Prue: Alright, well, we won't be much longer will we, Pheebs? Phoebe: Okay, okay. So, input? (She holds up a necklace.) Prue: Nice. Let's go. Phoebe: It's nice? That's it? Maybe I should look for another one. Prue: Phoebe, the woman wants to close. Phoebe: I know, I know, but choosing the right good luck charm is a very big decision. Prue: If they all bring good luck, what's the worse that can happen if you pick the wrong one? Pheobe: Alright, you know, this is why I like shopping with Piper. (They walk up to the counter and hands the necklace to Tanjella.) Tanjella: Okay, you want me to put this on Piper's order? Phoebe: Uh, no, I'll pay separately. Tanjella: Cash or charge? Phoebe: (to Prue) Uh, will you put it on a credit card for me? I will pay you back. And tomorrow I have a job interview and... Prue: And the good luck charm is going to help you get the job. How much? Tanjella: $25.50 plus tax. Prue: Okay. Tanjella: Oh, but you get 10% off if you sign the mailing list. Phoebe: See? Good luck already. (Phoebe writes down their names.) Tanjella: If you're interested, we're having a Wicca gathering for the spring equinox. Prue: What makes you think that we would be interested? Tanjella: Most witches are. Prue: We never said that we were witches. Pho
SUMMARY: | Barbas, the Demon of Fear, spends Friday the 13th literally scaring witches to death. He tries to drown Prue in the shower, as her greatest fear is drowning. Barbas realizes that Phoebe's greatest fear is losing a sister, so he tries to drown Prue again with Phoebe watching. This time, Prue feels the presence of her late mother and manages to release her fear and vanquish Barbas. |
fd_NCIS_01x15 | fd_NCIS_01x15_0 | TEXT: BLACK SCREEN GUARD ONE: (V.O.) On your knees! (LIGHT CLICKS ON) INT. INTERROGATION CHAMBER - NIGHT INTERROGATOR: (V.O.) Colonel Ryan, where is our money? RYAN: Where you bastards will never find it. INTERROGATOR: (V.O.) I wouldn't count on that. RYAN: How long do you think you can keep this thing a secret? If I found out, so will others. INTERROGATOR: (V.O.) Then it's a good thing we're in Iraq. People like you get killed here all the time. RYAN: Maybe you're the one who shouldn't count on that. INTERROGATOR: (V.O.) If you're referring to the Marines you were traveling with, they're dead. We also intercepted the three packages you attempted to mail stateside. It's over. RYAN: Then at least tell me why. INTERROGATOR: (V.O.) We all have our orders. Unfortunately for you, we kill anyone who learns about ours. RYAN: Well, I was kind of hoping for a little more than that. (MUSIC OVER ACTION/RYAN ATTACKS THE GUARDS) INTERROGATOR: Don't just stand there! Shoot him! CAMERON: Sir! It's clear all the way back to the entrance. RYAN: By the way, it was four packages, not three. (MUSIC OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES / CREDITS AND OUT) MUSIC IN: INT. SQUAD ROOM - DAY TONY: This is my favorite part of the day. Oh Debbie, and Lisa, Lisa, Lisa. KATE: Since when did you start giving women your work address? TONY: Oh, since I broke up with Michelle. KATE: The social worker? TONY: Yeah, we had a little misunderstanding. KATE: Like what? TONY: Well, she was under
SUMMARY: | Gibbs puts his career on the line after finding out that a marine colonel, William Ryan ( Terry O'Quinn ) who also happens to be his former CO has absconded from Iraq with two million dollars, and returned to the States under an assumed name. The FBI, led by Fornell, believe that he staged the ambush and stole the money for himself while Gibbs denies the claim, believing he is innocent. Ryan later contacts Gibbs, and explains that he has discovered a conspiracy to siphon funds out of Iraq for use on black ops while vehemently denying any responsibility. Gibbs finds himself in a delicate situation as he realizes that Ryan is mentally unstable after the latter kept mentioning a "Lt. Cameron", Gibbs's former company XO who had died in his arms years ago. Gibbs later learns that Lt. Cameron is alive, but only in Ryan's head and is working with Ryan to stop the conspiracy. After being arrested for "pissing off the FBI", Gibbs, along with Fornell, set out to discover the truth behind the Colonel's claims in a tense standoff and discover that Ryan had indeed been framed. With the truth out and the standoff over, Ryan is admitted into a mental hospital so that he can be treated for his paranoid schizophrenia . |
fd_Dawson_s_Creek_04x13 | fd_Dawson_s_Creek_04x13_0 | TEXT: [Scene: The Leery Fish House. Gretchen is talking on the phone to one of her friends while working behind the bar.] Gretchen: Ok. I'll ask him. Ok. Tara, I gotta go. I'll talk to you. [Gale comes up to her, not looking too happy.] Gretchen: Sorry. She's a talker. Gale: Where is table 9's cabernet? I asked you for it 10 minutes ago. Gretchen: Oh. Friday night frenzy. We've already gone through 10 bottles of the Cakebread preserve, which means you're having an amazing night. Gale: Which means nothing if we can't put the orders on the tables. You know, maybe if you weren't taking personal calls, you'd have time to get the other case. [Gale leaves and Dawson comes up carrying a case of wine.] Dawson: Hey. Took me a while to find it. Gretchen: Great. Ah. Thank you. [She hands the bottle to the waitress] Table 9, A.S.A.P. Thanks. Ok. So please tell me that your mother is this edgy at home, too, that it's not just something about me that gets her knickers in a twist. Dawson: No. It's called hormones. In case you haven't noticed, she's seriously close to poppin' out number 2. Gretchen: Right. So it's not like it has anything to do... With...Well, us? Dawson: No. You kidding? My mom loves you. Gretchen: Yeah, me as Pacey's sister and her ever-trusty barkeep, maybe. Me as Mrs. Robinson, maybe not. Dawson: Come on. 3 years does not make you Mrs. Robinson. Gretchen: So that incredibly hostile vibe I just felt is not about us. Because... We're good. And...We're good together. Dawson: I like to think so. Gretchen: Right. Solid. Dawson: [Chuckles] Gretchen: so, I was thinking... Maybe it's time that you and I progressed to the next stage. You know,
SUMMARY: | The senior trip is coming up and Joey needs to get the time off from work - not an easy task seeing that Drue's nasty mother is her boss. However, she decides to give Joey a few days off if she agrees to go on a double date with Pacey and a wealthy girl named Anna Evans. During their night out, Joey starts to get concerned about Drue's offensive behavior towards Anna. Dawson has his own problems when he and Gretchen go out with her friends and he is surprised at the problems their age gap cause. Jack gets some positive attention from Toby. |
fd_Doctor_Who_1963_06x13 | fd_Doctor_Who_1963_06x13_0 | TEXT: "THE INVASION" BY DERRICK SHERWIN FROM A STORY BY KIT PEDLER First broadcast - 16th November 1968 Running time - 23 minutes 44 seconds [SCENE_BREAK] 1. WAREHOUSE (PACKER watches the guards load the unconscious forms of ZOE and ISOBEL into two of the crates.) PACKER: Load it onto the return van. (JAMIE sees the guards pick up the crates.) JAMIE: Zoe's there! (JAMIE starts to charge out of his hiding place.) DOCTOR: (Dismayed.) No, Jamie, wait. (JAMIE rounds the corner and tackles PACKER to the floor.) PACKER: (Shouting.) GUARDS! GUARDS! (JAMIE lets go of PACKER and he and the DOCTOR start to run away. Meanwhile, the other guards and some friends of theirs hear PACKER's cries and turn towards them. The DOCTOR tries to lead JAMIE away but their way is blocked by more guards. PACKER draws his revolver as he pulls up off the floor and gloats at the DOCTOR and JAMIE, and their raised hands of surrender.) PACKER: Like rats in a trap... You really don't learn, do you? This is private property. A restricted area. JAMIE: Where's Zoe? Where have you taken her?! PACKER: Be quiet! JAMIE: Look, we heard them scream. If you hurt her... PACKER: BE QUIET! (JAMIE lunges for Packer's throat, but PACKER catches JAMIE and easily hurls him back across the wall. PACKER intends further damage to JAMIE's well-being until VAUGHN steps into the room.) VAUGHN: Packer! You really must try and control this violent streak in your nature, Packer. Although I must admit, the situation is provoking. (To the DOCTOR and JAMIE.) So here you are again. You
SUMMARY: | The Doctor and Jamie return to the IE factory in search of Zoe and Isobel, where they meet with Professor Watkins and fall foul of Vaughn. |
fd_One_Tree_Hill_06x14 | fd_One_Tree_Hill_06x14_0 | TEXT: [PREVIOUSLY_ON] Peyton : I'm having your baby, Lucas Scott. Lucas : I love you. Nathan : That was the Charleston chiefs. You're looking at their newest point guard. Mia : I'm Mia. Chase : Chase. I'm covering for Owen. Millicent : I had s*x last night. It was a mistake. It was supposed to be you. Julian : You should design the wardrobe for the movie. Brooke : I'm not a costume designer. Julian : You were there, it's authentic, and I would be lucky to have you. Sam : Get the hell off of me! Jack! Jack! Jack! Brooke : You took my life, and you turned it into a nightmare. Sam : Brooke, please, don't. I need you, mom. This is jack. Leave a message. Or don't. whatever. Sam : Hey, it's Me. I haven't seen you since. Um, I'm just a little worried, that's all. don't do anything stupid. If you didn't help yourself. Just call, okay? BROOKE'S HOUSE Julian : Hey, Sammy. Love the whole bedhead thing you're rocking there. Sam : Brooke, Julian's here. Julian : Coffee... black, tons of sugar. How's jack doing? Sam : Well, his brother's a murderer, so probably like crap. I haven't talked to him much lately. Julian : Well, he probably really needs you right now. You can make a big difference for him. Brooke : Hi. I'm sorry. I know that we were supposed to look at costumes today. I've just been totally turned around dealing with fashion femme fatale thwarts killer! the press. Can't they just go back to stalking Britney or something? Julian : Oh, come on. Hot clothing designer tracks down attacker and exacts revenge. If you're not gonna sell me the movie rights, you should at least ame the tabloid. Brooke : So that every time I look at it,
SUMMARY: | News of Peyton's pregnancy spreads quickly through Tree Hill. Brooke has to deal with Julian's intentions and in the meantime, Lucas and Peyton babysit Jamie and his friend. Haley and Nathan double up with Mia and Chase on their date. Millie attempts to reconcile her relationship with Mouth to no avail. This episode is named after a song by Okkervil River . |
fd_Once_Upon_A_Time_05x04 | fd_Once_Upon_A_Time_05x04_0 | TEXT: [PREVIOUSLY_ON] King Arthur: I dub thee Sir David of the Round Table. Rumplestiltskin: I'm the voice in your head, the Dark One's powers inside you. Rumplestiltskin: She has to die. Emma: She has to die. Hook: Don't. We can find another way together. King Arthur: It is said one of you is the Savior. Regina: I am the Savior. [SCENE_BREAK] Camelot. Past. Many Years Ago. [SCENE_BREAK] ( Poor Village. Young Arthur and Guinevere walk through the village. ) Arthur: Look around. Someday this village, will be the great kingdom of Camelot, and I will be King. Guinevere: ( Laughs ) You have some very strange dreams. Arthur: But they're not just dreams. Come on. ( Arthur and Guinevere laugh and run up to Merlin's tree. ) Arthur: Can I trust you with a secret? This tree... a man is trapped inside of it. A great sorcerer known as Merlin. He spoke to me one night. He gave me a prophecy. Told me I would pull a sword from a stone and become King of Camelot. Guinevre: King Arthur? Arthur: Yes. And you will be Queen Guinevere. ( Hands her a pink middlemist ) And on your birthdays, I'll fill the kingdom with flowers. Guinevere: A middlemist? I love it. Arthur: There's more where that came from. I'll show you. ( Leads Guinevere to a replica of a sword stuck in stone ) Guinevre: Arthur, is that the sword in the stone? Arthur: It's not. We should leave. Kay: ( Walks up and pushes Arthur to the ground with force ) Go on, King Arthur. Pull the sword. Guinevere: Leave him alone, Kay! Kay: His mother must have dropped him on his head before she took off, and now he thinks he's the orphan king. They call Camelot the Broken Kingdom because we have no king and
SUMMARY: | In Camelot's past, Arthur's obsession with Excalibur has taken a toll on Guinevere and leads to a betrayal of trust by Lancelot, as the two seek out the dagger. This leads to a confrontation with Rumplestiltskin, who offers a deal that Guinevere takes and ends up paying the price for at the hands of Arthur. This scenario comes full circle five years later, when Arthur learns of Emma being the Dark One from David after Mary Margaret confides that Lancelot is alive. Unfortunately, David and Mary Margaret's plan to save Emma and help Lancelot is foiled with Arthur arresting Lancelot and using Guinevere to brainwash David and Mary Margaret into doing his bidding. Lancelot discovers that he is not alone in trying to stop Arthur, as he is joined by another cellmate, Merida. Meanwhile, Hook, with the help of Henry, tries to keep Emma from giving in to Rumplestiltskin's manifestations by spending a romantic day with her. Finally, in Storybrooke, Emma tells a reluctant Gold that she has plans to make him a hero and has found the perfect person to help her do the job: Merida. |
fd_The_Office_03x03 | fd_The_Office_03x03_0 | TEXT: Michael: [waiting on Pam to be done with the microwave] Ahhhhhhhhh. [whispering loudly] I'm hungry. [SCENE_BREAK] Michael: Movie Monday! The only cure I know for the Monday blues is... Varsity Blues! [SCENE_BREAK] Michael: Let's gooooo! Let's go, let's go, let's go! Dwight: [directing people to their assigned seats] Take a seat down there. Second from the end. Michael: Alright, everybody here? Yes. Pam: [walking in with a tray of six popcorn bags] Popcorn anyone? Michael: Yes pleeeeease! Thank yooouuu! Pam: [with five popcorn bags left] Anyone else? Nooo. [SCENE_BREAK] Pam: Movie Monday started with training videos, but we went through those pretty fast. Then we watched a medical video. Since then, it's been half hour installments of various movies, with the exception of an episode of Entourage, which Michael made us watch six times. [SCENE_BREAK] Michael: Entourage! [SCENE_BREAK] Michael: Kevin, would you like to do the scenes from last week? Kevin: Yes! Dwight: Why him? Michael: Don't whine. Get the window. [Dwight exhales] [SCENE_BREAK] Michael: Previously on Varsity Blues... Kevin: Ok. Billy-Bob, got a head injury, but coach made him play. So then Lance, he gets sacked, he's out for the year... [SCENE_BREAK] Jan: [walking into an empty office because everyone is watching Varsity Blues] Hello? [SCENE_BREAK] Dwight: Not everyone approves of Movie Monday. I won't say who. [SCENE_BREAK] Angela: I don't approve. I don't. [SCENE_BREAK] Jan: Hello? [Angela coughs and points to the conference room] [SCENE_BREAK] Michael: [Jan walks in on Movie Monday] Hi Jan! Hope you brought the Milk Duds!
SUMMARY: | Michael's managerial tactics lead Angela and Dwight to conspire to take Michael's job. Dwight meets with Jan, who, after listening to Dwight's propositions, later calls to inform Michael that his own employees are conspiring against him. Michael informs Dwight that Jan has promoted him to regional manager in an attempt to make Dwight confess. However, Dwight immediately takes over the office and begins making sweeping changes. Michael, unable to control his anger, reveals to Dwight that he knows everything. Dwight begs for forgiveness and offers to do his laundry to make it up to him. Meanwhile, at Dunder Mifflin Stamford, Josh's managerial tactics include playing Call of Duty as a team-building exercise. Unfortunately, Jim is less than competent at the game. |
fd_Buffy_the_Vampire_Slayer_06x07 | fd_Buffy_the_Vampire_Slayer_06x07_0 | TEXT: •I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] Teaser GILES VOICEOVER: Previously on Buffy the Vampire Slayer... Buffy tied up in Spike's dungeon. SPIKE: I love you. BUFFY: Oh my god. Willow and the others doing the spell to revive Buffy. WILLOW: Here lies the warrior of the people. Let her cross over. Buffy's corpse regenerating. Buffy talking to Spike in the alley. BUFFY: I think I was in heaven. I was torn out of there, by my friends. They can never know. GILES: We can't ignore this kind of behavior. Dawn stealing a coin at the magic shop. GILES: Something needs to be done before it spins out of control. BUFFY: I'm glad you're here to take care of it. XANDER: We're getting married. TARA: Congratulations. Willow doing a spell. TARA: Willow, you are using too much magic. Willow and Tara in the bedroom. TARA: Can we not do this now? WILLOW: Just... forget it ever happened. Willow picking up the forget herb. WILLOW: Forget. No actual teaser. Just "Previously," then wolf howl and opening credits. The opening credits and music are done in the style
SUMMARY: | A mysterious force compels Sunnydale residents to break out into song and dance numbers that reveal their true feelings, and a new demon in town, Sweet, seems to be responsible for it. Buffy and Spike share a kiss. |
fd_Degrassi_Next_Generation_03x06 | fd_Degrassi_Next_Generation_03x06_0 | TEXT: At Sean's house. He's dialing Emma's number Emma's answering machine: This is the Simpson-Nelson residence, please leave a message. (Sean hangs up. Tracker and Wendy come in.) Sean: Need help with that? Tracker: Um, Sean. This is uh Wendy. Wendy: Hi Tracker: This is my little bro, Sean Wendy: Bathroom? Tracker: First door on the right... Sorry bout' that bro. Figured you'd be over at the girlfriends, you know, as usual Sean: Haven't been there in a month. Thanks for noticing. Tracker: What? Did you guys break up or something? Sean: Her step-dad is sick. Tracker: Yeah, well, that's too bad. Look, why don't you um, why don't you go buy him a get well card or something. (Sean calls Emma again.) Emma's answering machine: This is the Simpson-Nelson residence, please leave a message. Outside Degrassi Toby: My (something) should just buy stock in the photo company, they ordered like two dozen prints. Sean: Are they blind? (Jay's civic comes up.) JT: See that guy Jay? One hundred percent pure psycho. Toby: Park there you'll get a ticket. Jay: Oh not a ticket! <unk>Jay grabs Toby's pictures<unk> Toby: Hey give those back! (Sean grabs them.) Jay: What are you? His body guard? Sean: His friend. Jay: pfft. Media Immersion Mr. Simpson: Good job... Spell check, try it some time. Sean: He's in a great mood. Emma: He started chemo last week. Sean: Oh, sorry. Emma: It's okay. The laptop was a surprise from Mom to cheer him up. Sean: Cause' nothing says happy like a new computer. Emma: true, if you're Archie Simpson...Did you call last night? There were some hang ups. Sean: No. Wasn't me...I was thinking. Why don't we get together tonight. You know, watch some TV, order
SUMMARY: | Sean starts hanging out with the bad kids at school, which causes problems between him and Emma. Meanwhile, J.T. has been spending more time with Paige and the popular kids, leaving Toby behind. |
fd_Bones_05x13 | fd_Bones_05x13_0 | TEXT: TEASER (Fade in: Exterior -- Civil War reenactment site -- daytime. Soldiers walking about, riding horses, marching in formation. Indistinct conversation.) (Cut to: Two reenactors, Union soldier JASPER ALMAN and Confederate soldier DUVAL MILTOE, walking past a unit marching in formation.) ALMAN: Sayler's Creek was the beginning of the end for the South. MILTOE: We dug in and held you Yankees off for two days. ALMAN: Pfft. Which is why we live in the Confederate States of America, I guess, right? (Cut to: MILTOE digging a ditch in an old, dry creek bed as ALMAN stands by watching.) MILTOE: Our boys had set up a perimeter along this here creek. If we had been able to get supplies-... ALMAN: Oh, I hate to rub it in, Duvall, but you Rebels had more soldiers surrender at Farmville than in any other battle of the war. You could always switch sides, you know; join the winners. MILTOE: What the-... (brushes leaves away from what appears to be the bones of a leg) ALMAN: (kneeling to help clear debris; uncovers a hand) What is this? MILTOE: Oh, my God. Is that a dead soldier? (ALMAN continues to clear debris; uncovers a skull. Both reenactors jump up.) MILTOE: That's one of them Yankees we killed. ALMAN: Yankee? That's a... That's a Rebel Yell if I've ever seen one. MILTOE: He's screaming for his mother; that's how you can tell he's a Yankee. ALMAN: General Sheridan, we got a dead Rebel over here, sir. MILTOE: No, way. (calling out to nearby reenactors) Dead Yankee! ALMAN: Yes, we do! Dead Rebel! (Close up on the skull still buried in the ditch, as ALMAN and MILTOE continue to argue over the indistinct ex
SUMMARY: | When a human skeleton is discovered in the trenches of an old Civil War battleground, Brennan and Booth are called to the case. Despite the historical location, Brennan quickly identifies the bones as belonging to Dan Pinard, a present-day local dentist. While Booth investigates suspects, including the victim's former boyfriend, Hodgins and lab intern Vincent Nigel-Murray work doggedly to clean the bones of a stubborn clay residue which is preventing the team from determining a cause of death. Meanwhile, Booth's brother, Jared, returns from his travels with some suprising news. |
fd_The_Big_Bang_Theory_04x10 | fd_The_Big_Bang_Theory_04x10_0 | TEXT: Scene: The apartment. Sheldon: Clarify something for me. Isn't the point of a communal meal the exchange of ideas and opinions? An opportunity to consider important issues of the day? Leonard: It is. You just kind of put a damper on things when you said, the next person I see talking with food in their mouth will be put to death. Sheldon: Well, we could argue about who said what all night long, but to set things back on course, I will propose a new topic of conversation. Leonard: Great. Sheldon: What is the best number? By the way, there's only one correct answer. Raj: Five million, three hundred eighteen thousand and eight? Sheldon: Wrong. The best number is 73. You're probably wondering why. Leonard: No. Howard: Uh-uh. Raj: We're good. Sheldon: 73 is the 21st prime number. Its mirror, 37, is the 12th, and its mirror, 21, is the product of multiplying, hang on to your hats, seven and three. Eh? Eh? Did I lie? Leonard: We get it. 73 is the Chuck Norris of numbers. Sheldon: Chuck Norris wishes. In binary, 73 is a palindrome, one-zero-zero-one-zero-zero-one which backwards is one-zero-zero-one-zero-zero-one, exactly the same. All Chuck Norris backwards gets you is Sirron Kcuhc. Raj: Just for the record, when you enter five million three hundred eighteen thousand and eight in a calculator, upside-down it spells boobies. Leonard: Remember when you were wondering why the girls didn't want to eat with us tonight? Howard: Yeah, I get it now. Scene: A bar. Penny: I love your little heart locket, Bernadette. Bernadette: Oh, thanks. Howard gave it to me. It's the cutest thing. Every time I have dinner with his mom, the next day I get jewellery. Amy: Did you know that the iconic Valentine's heart shape is not actually
SUMMARY: | Amy meets Penny's ex-boyfriend Zack and experiences sexual arousal. She later discusses her symptoms with Sheldon, though Sheldon prefers to assume that Amy has contracted an alien parasite. Later, when Sheldon discusses Amy's situation with Penny, she tells him that there is "something" he could do about Amy's "urges", meaning that he should have coitus with Amy, but Sheldon assumes that she meant Amy and Zack should have coitus. He arranges for them to meet again, but Amy discovers that Zack is not very intelligent, solving the problem. Meanwhile, Howard and Raj argue about, if they both acquired superpowers, which of them would be the sidekick. They try to settle the issue in a wrestling match refereed by Leonard, but they merely circle around threatening each other. |
fd_Doctor_Who_05x06 | fd_Doctor_Who_05x06_0 | TEXT: INT, PALAZZO, THRONE ROOM Venice 1580. An elegant woman of the nobility sits on her throne like a queen. A young man, also dressed as a noble, stands behind her. A man, GUIDO, and young woman, ISABELLA, are brought in front of her for an audience. The man bows as the woman curtseys. GUIDO: Signora, your school offers a chance for betterment, escape. My daughter... (nervously removes cap) Isabella is 17 now, but what prospects are there for the daughter of a boat-builder? There's no future for us. No future but you. SIGNORA: I am moved by your concern for your daughter. I believe protecting the future of one's own is a sacred duty. GUIDO: Signora... (takes Isabella's hand) she is my world. SIGNORA: Then we will take your world. ISABELLA and GUIDO laugh in relief as they hug each other. GUIDO: I knew it! SIGNORA: (stands) Say goodbye to your daughter. GUIDO: Now, signora? SIGNORA: Why wait? Time ticks. SIGNORA nods to the man who escorted them in and he goes to lead GUIDO away GUIDO: Be brave, my girl. (kisses her hand) Make me proud. (is escorted away) SIGNORA: Step into the light, my dear. That's it. ISABELLA walks forward and looks to GUIDO as the door slams behind him. The SIGNORA and the younger man begin to circle ISABELLA. SIGNORA: What say you, Francesco? Do you like her? FRANCESCO: Oh, I do, Mother. I do. (opens his mouth to show a row of fangs) ISABELLA screams INT. PUB It's RORY'S stag night and he's trying to talk to AMY above the din RORY: Hey...! It's me! Hello! How are you? INT. AMY'
SUMMARY: | The Doctor takes Amy and Rory to Venice in 1580 on a romantic date. They meet Guido ( Lucian Msamati ), a boat-builder whose daughter Isabella (Alisha Bailey) had entered the House of Calvierri girls' school. Guido is distressed because Isabella did not recognise him on the street and now has vampire-like fangs. The Doctor, Amy and Rory investigate the school and learn that the city's patron, Rosanna Calvierri ( Helen McCrory ), is a fish-like alien and has sealed off Venice in an attempt to make it a refuge for her race after losing their home planet to the cracks in the universe. Rosanna transforms the girls admitted to her school into her race to be mates for ten thousand of her male children who are waiting in the water. Guido sacrifices his life to kill the girls from the school. Rosanna activates a storm to flood Venice, but the Doctor foils her. As the last of her species, the hopeless Rosanna sacrifices herself. As they leave, Amy asks Rory to stay and travel with her. |
fd_The_O.C._04x09 | fd_The_O.C._04x09_0 | TEXT: At Roberts' - Summer's bedroom Taylor: So I woke up early this morning to make my New Year's resolutions, but I think I need your help. So number one, stop mooching off other people's families, and get a job. Number two, start taking calcium supplements. Do you think that's enough? Summer: Uh, how about number three? Plan Summer's wedding. Taylor: But engaged? Oh, my God. Why didn't you say something sooner? Summer: Denial. Taylor: Hmm. How romantic. Summer: Look, someday I want to get married, and I'm guessing that it will be to Seth. But now that I'm without child... Taylor: Well, have you told Seth that? 'Cause getting married is kind of a big deal. I should know. Summer: Well, Taylor, I cannot break it off. You should have seen his face when he asked me. He's never been that sincere in his entire life. Usually everything he says is laced with irony and contempt. But he meant it. So did I. Taylor: Except you didn't, not really. Summer, you have to tell him how you really feel. Okay, great. I've always wanted to plan a wedding. I'm thinking bagpipes. Maybe a replica of the Starship Enterprise. At Cohen's - In the kitchen Ryan: Hey. Why are you still in bed? Are you sick or something? Seth: I am sick, Ryan. I'm sick of being engaged. Ryan: So you asked her before you looked at the test? Seth: I was trying to be a man, a plan with a fundamental conceptual flaw. Ryan: And now? Seth: Well, it'not that I regret it, exactly. Okay, that's exactly it: I regret it. Ryan: Acting impulsively when your girlfriend is pregnant, believe me, I know about that. But you can't ask Summer to marry you if you don't want to get married. Seth: Well, I can't ask her and then take it back. You should have seen the look on her face; it'd crush her. Ryan: All right, that'
SUMMARY: | Kaitlin fails a class presentation and is forced to work with a smart classmate, whom she ends up liking. Seth and Summer move forward with their plans, regardless of how they really feel. Sandy confronts Frank about why he's in Newport. |
fd_Doctor_Who_1963_05x15 | fd_Doctor_Who_1963_05x15_0 | TEXT: THE ICE WARRIORS by Brian Hayles first broadcast - 9th December 1967 [SCENE_BREAK] 1. ICE WARRIORS' SPACECRAFT (THE DOCTOR is in the ICE WARRIORS' SPACECRAFT, talking to VARGA who is on a small video screen.) VARGA: Who are you? DOCTOR: I never answer questions until I'm properly introduced. VARGA: You will answer now. (THE DOCTOR defiantly ignores him.) VARGA: Very well. You are standing in the airlock to this spacecraft. Unless you answer my questions within ten seconds, I will take the atmospheric pressure around you down to zero. DOCTOR: But... but if you do that my body will explode! (A dial next to the monitor slowly decreases.) VARGA: One... two... three... DOCTOR: Oh alright! Alright! But I don't think much of your hospitality! VARGA: Identify yourself. DOCTOR: Me? I... I'm a scientist. I've come to talk with you. [SCENE_BREAK] 2. ICE WARRIORS' SPACECRAFT (VARGA is talking to THE DOCTOR on a video screen, while ZONDAL watches.) DOCTOR: To help you. VARGA: A scientist? DOCTOR: Yes, yes you could call me that. ZONDAL: You do not look like a scientist. DOCTOR: Well looks aren't everything you know! VARGA: You look more like a scavenger. We killed him. DOCTOR: Well if you kill me, you'll ruin any chance you may have of escape. ZONDAL: Do you think he can help us? VARGA: He cannot afford to lie. Allow him to enter. (THE DOCTOR enters.) DOCTOR: Ah, thank you very much, that's very civil of you. (Seeing the ice warriors, he tries to exit, but the door quickly closes.) DOCTOR: Oh, my word! VARGA: You claim to be able to help us.
SUMMARY: | The Doctor and Victoria are both held prisoner by the Ice Warriors as Varga decides to take over Brittanicus. |
fd_FRIENDS_01x15 | fd_FRIENDS_01x15_0 | TEXT: Transcribed by Ruth Curran. Converted to HTML by Dan Silverstein. [Scene: Central Perk. Rachel is working, Monica is drinking coffee.] MNCA: Rach, why does my swizzel stick have an eraser? [Rachel checks behind her ear, and finds a swizzel stick. She takes the pencil out of Monica's coffee.] RACH: Oh! That's why. I'm sorry! [Monica puts her cup down in disgust.] Opening Credits [Scene: Chandler's job. Chandler is typing data into his computer. One of his co-workers walks by.] WOMAN: Chandler. CHAN: Ms. Tedlock. You're looking lovely today. And may I say, that is a very flattering sleeve length on you. WOMAN: Yeah. Well, Mr. Kostelick wants you to stop by his office at the end of the day. CHAN: Oh, listen. If this is about those prank memos, I had nothing to do with them. Really. Nothing at all. Really. [Chandler tries to hide a rubber chicken from the woman.] [Scene: Central Perk. Everyone is there but Chandler. Phoebe runs in, excitedly.] PHOE: Hey guys, guys! Chandler's coming and he says he has, like, this incredible news, so when he gets here, we could all act like, you know... [Chandler comes in.] CHAN: Hey! ALL: Hey! PHOE: Never mind. But it was going to be really good. ROSS: What's going on? ALL: What is it? CHAN: So, it's a typical day at work. I'm putting in my numbers, and then big Al calls me into his office and tells me he wants to make me processing supervisor. ALL: That's great! CHAN: So.... I quit. ALL: Why? CHAN: Why? This was supposed to be a temp job! MNCA: Uh, Chandler... you've been there for five years. CHAN: If I took this promotion, it'd
SUMMARY: | Monica cooks a gourmet meal for Steve ( Jon Lovitz ), a restaurateur looking for a new chef. He arrives stoned and wants to eat everything in sight, including taco shells and gummy bears. After working as a data processor for five years, Chandler gets promoted to supervisor, then quits, claiming he only intended for his job to be temporary. When his boss calls and offers more money, Chandler caves and goes back to work. Ross has a date with a beautiful colleague named Celia ( Melora Hardin ) and gives new meaning to the term "spanking the monkey" when she meets Marcel. Ross turns to Joey for advice when Celia wants him to talk dirty as foreplay. |
fd_One_Tree_Hill_05x12 | fd_One_Tree_Hill_05x12_0 | TEXT: LUCAS' CAR Lucas is in his car (Keith's car) with Haley and Jamie. LUCAS (voiceover) : When I was a boy, my family took me on a trip. We didn't go to any exotic place. We didn't go anywhere glamorous. We just drove. JAMIE (voiceover) : Where did you go, uncle Lucas? LUCAS (voiceover) : We drove the back road to Tree Hill, and we saw all kinds of wonderful things. JAMIE (voiceover) : Well, where were you going? LUCAS (voiceover) : Everywhere. Anywhere. But where we ended up really wasn't the point. It was the things we saw and the people we met along the way. JAMIE : Who was with you? LUCAS (voiceover) : It was just my mom, my uncle, and me. JAMIE (voiceover) : Where was your daddy? LUCAS (voiceover) : He wasn't there. But something happened that day... something magical. JAMIE (voiceover) : What was it? What happened? LUCAS (voiceover) : My uncle let me drive. (Lucas put Jamie on his lap and makes it like he is driving.) JAMIE (voiceover) : Were you scared? LUCAS (voiceover) : No, I mean, the truth is, I'm not sure I ever felt safer. That day, in that car with my uncle and my mom... was one of the best days of my life. Just like today. OUTSIDE CHURCH Peyton is in her car and stops by the church. We see all the guest in front of the church and her and Lucas walking outside, married. She is daydreaming... CLOTHES OVER BROS We see Brooke, wearing Lindsey's wedding gown with a seamstress working on her. Millicent walks in. MILLICENT : Whoa In fact, the gown is on a dressmaker's form and Brooke is the one working on it MILLICENT : That's gonna make for one beautiful bride. INSIDE NATHAN
SUMMARY: | It's Lucas and Lindsey's wedding day and Peyton must decide what to do about her feelings for Lucas. Nathan uses the occasion to attempt a reconciliation with Haley, and recently-paroled Dan shows up for the family reunion. Carrie kidnaps Jamie, but Dan steps in to intervene.[25] This episode is named after a song by The Fray . |
fd_NCIS_02x13 | fd_NCIS_02x13_0 | TEXT: MUSIC IN: INT. AUTOPSY ROOM - DAY (MUSIC OVER ACTION) DUCKY: Mister Palmer! Mister Palmer!(SFX: MUFFLED MUSIC B.G.) JIMMY: Yes, Doctor! DUCKY: As a serious and dedicated student of anatomy... you are a serious and dedicated student of anatomy, are you not? JIMMY: Uh-huh. DUCKY: Well then, Mister Palmer, are you up to the task of identifying the reconstructive blunder that has been foisted upon our deceased? JIMMY: Uh... uh... DUCKY: Would you call that a thumb? JIMMY: I would call that a toe. DUCKY: Why then, perchance, did you place it with the other digits from his right hand? JIMMY: Because that's where it belongs. If you look at the scar line, it matches perfectly. Plus his right foot had a cleanly amputated big toe. This guy lost his thumb in an accident or something and had surgery to replace it with the big toe. [SCENE_BREAK] INT. COURTROOM - FLASHBACK (MONTAGE OF FLASHBACK COURTROOM SCENES) [SCENE_BREAK] INT. AUTOPSY ROOM - DAY DUCKY: My god. I think I know who this is. (MUSIC UP AND OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) MUSIC IN: INT. SQUAD ROOM - DAY "THE MEAT PUZZLE"(SFX: KEYBOARDING B.G.) TONY: Mmm, I love Filomena's ice cream. KATE: Filomena's in Georgetown? TONY: My standard first date place. KATE: I went there on a first date Saturday night. TONY: Yeah? After dinner, I like to stroll the lucky lady down Wisconsin to this pretentious gallery called "Im
SUMMARY: | After several months, Ducky and Jimmy finally start identifying the bodies in the meat puzzle they have been working on. It is not long before Ducky realizes that the victims all played a part in a trial in which he himself testified: the court case of a would-be medical examiner named Vincent Hanlon. Hanlon was accused of raping and murdering a young Navy lieutenant, and was eventually jailed for eight years as a result. They soon discover that the dead men were involved in the case, and it dawns on Gibbs that Ducky might be the next target. It appears that whoever has already carried out the gruesome killings is out for revenge against those who were involved in the case. Tony and Kate are assigned to protection detail, which means safeguarding Ducky and his elderly mother, but Kate makes a split-second mistake that leads to Ducky being kidnapped from his home during the night. The team must race against time to find him before he ends up dead like all the other previous victims. Meanwhile, Jimmy and Abby begin working together and uncover a surprising revelation: Vincent Hanlon, who is thought to have died in a car crash, is not actually dead. The corpse's teeth match Hanlon's, while the body belongs to someone else. |
fd_Mars_01x05 | fd_Mars_01x05_0 | TEXT: Javier Delgado: Previously on Mars. Ed Grann: We at MMC feel that we're ready to go faster. Hana Seung: Phase two expansion was underway and the Cyngus crew had arrived with experts to oversee our upgrades. Base commander Hana Seung. We had hoped to have the second facility up by now, but we've been running into trouble every step of the way. Leslie Richardson: Within two months we'll have enough power to double the size and capacity of your facilities. Marta Kamen: Hana approved this? Leslie Richardson: I informed her yes. Joon Seung: It's a little too ambitious right now. Ed Grann: You don't go to Mars without ambition. Hana Seung: No matter how hard Ed Grann's team worked to expand Olympus town's infrastructure, Mars worked even harder to tear it down. Javier Delgado: Oliver! Hana Seung: And I was caught in the middle, trying to keep us alive. Ed Grann: Our dream is now a reality. Hana Seung: They don't know Mars. Robert Foucault: I don't think we're going to get a chance to get that reactor back online. [Theme music plays] [SCENE_BREAK] Mae: Pressurization complete, perprolate deposits detected. Please sanitize before entry. Hana Seung: Seung Hana, mission entry phase 2. We've been in full storm protocol for the last two months, trying to budget the power and resources we have. The way current satellite forecasts are looking it could be anywhere between 5 to 8, 9 weeks before the storm passes. There's no sign of relief. Experiments have been put on hold. All EVA's suspended. The days seem like they go on forever, filled with innane tasks and darkness. Sam: And no grown-up will ever understand... That this is a matter of so much importance! My grandfather used to read me this book on long blizzard nights. I hope this storm ends before I have the whole thing memorized. Hana Seung: We never had a chance to bring the nuclear reactor back online after Oliver's accident. The redundancies
SUMMARY: | In 2037, 8 weeks into the dust storm, the colony is on lockdown. Psychological pressure takes its toll as the crew is trapped in the habitat. The dust storm is in its 2nd month and the base commander has to ration power. The temperature in the habitat has dropped and the doctor is checking all crew members. A botanist who loses his grip with reality, due to the decimation of his crops and the disintegration of his marriage, opens an airlock killing himself and several others. In 2016, NASA performed the simulation " HI-SEAS " mission in Mauna Loa, Hawaii to test the effects of isolation and the psychology of a crew living closely together for a period of 12 months. |
fd_Gilmore_Girls_06x15 | fd_Gilmore_Girls_06x15_0 | TEXT: [Before the teaser there is a montage of scenes from previous episodes.] INT DRAGONFLY INN - KITCHEN LORELAI: Morning, everyone. [The kitchen staff groans] What's wrong? Uh-oh, food funk? FRED: Major. LORELAI: Are we talking the "Swiss chard a la polonaise" level funk from last may, the pfannkuchen experiment of aught-five? FRED: Two thousand one pigeons a La Niçoise. LORELAI: Pigeons a La Niçoise? Oh, boy. [walking over to Sookie] Sookie? SOOKIE: You mean, Sucky! LORELAI: What's up? SOOKIE: Tell you what's up, you know what this is? LORELAI: An oyster? SOOKIE: An oyster, fresh huh? LORELAI: Looks fresh to me. SOOKIE: I mean, the idea, nice and fresh. LORELAI: Sure. SOOKIE: It isn't! LORELAI: What isn't SOOKIE: Fresh. LORELAI: The oyster? SOOKIE: You're not listening. LORELAI: I am too. SOOKIE: Then what am I saying? LORELAI: No idea. SOOKIE: How long have we been married? LORELAI: Nine years? SOOKIE: I'm experimenting for the prefix menu for Valentine's Day next week, trying to come up with something new, but there's nothing new under the sun. I mean who else would think to serve oysters on Valentine's Day? Hmm, I don't know, maybe 12,000 other establishments within spitting distance! LORELAI: Well, lovers love oysters. I don't. I love burritos, people don't want burritos on Valentine's Day. SOOKIE: How do we know unless we give them the option, huh? That's it! I'll serve burrito
SUMMARY: | Rory and Logan ask Lorelai and Luke to celebrate Valentine's Day with them on a weekend at the Huntzberger's house on Martha's Vineyard, where Lorelai is annoyed by Luke's disdain for Logan. At the end of the weekend, Logan and his father have a confrontation. |
fd_The_Mentalist_02x22 | fd_The_Mentalist_02x22_0 | TEXT: Hotel Lobby - San Desidera, California (People of different nationalities are present and being interviewed by TV journalists) Banner at the entrance to the conference room: "Global Human Rights, Conference 2010" Lynch: Where the hell is he, Stace? Stacey: Don't worry, Mr. Lynch. I'm sure he'll be here soon. Lynch: Yeah, well, this is ridiculous. I mean, he goes on in less than five minutes. Stacey: It's all right, Mr. Lynch. He's here. Lynch: All right, get him up on stage and I'll tell everybody he's on his way. Stacey: Okay. Stacey: Mr. Brava, I'm afraid we need to hurry. (a journalist approaches) Journalist: Mr. Brava, no advance copy of your speech has been released. Why the secrecy? Brava: Well, come hear it, and you'll know. Journalist: Can you tell us anything about what you're going to say? (Brava stops walking towards the conference room) Brava: You want a sound bite? Fine. People who traffic in humans are like cockroaches hiding in the dark. You have to expose 'em to the light. (Brava's phone beeps, a text message was received) Journalist: What do you mean, "expose"? Will you be naming somebody? (SMS Message): "Meet me through the staff door, Carmen" Journalist: Mr. Brava. Brava: Wait here. Stacey: Uh, Mr. Brava. Brava: I'll be right back. Stacey: Mr. Brava! Journalist: That was Hector Brava, the keynote speaker for the Human Global Conference. (Brava heads off) (after a while, Stacey starts looking for Brava) Stacey: Mr. Brava? We really-have to... (seeing Brava's body on the ground) Help me! Somebody, please! (she runs out for help) Hotel Lobby (Lisbon and Jane come in, they are greeted by the sheriff) Sheriff: Andy Burnside, Kane
SUMMARY: | When the CBI conduct an investigation into the murder of Hector Brava, the charismatic head of a non-profit organization that fights human trafficking and a top charity organizer, Jane is reunited with the supposed psychic Kristina Frye. |
fd_Doctor_Who_1963_15x15 | fd_Doctor_Who_1963_15x15_0 | TEXT: THE SUN MAKERS BY: ROBERT HOLMES Part Three Running time: 24:57 [SCENE_BREAK] LEELA: K9. K9: Mistress? LEELA: Hide. We must keep still. Make them think we will not fight. BISHAM: You have a gun, Leela. Why don't you kill us? LEELA: What? BISHAM: I'd rather die here than let them take us. GUARD 2: Drop your arms. LEELA: Get them, K9. K9: Satisfactory, mistress? LEELA: Get their guns. K9: Satisfactory, mistress? LEELA: Yes, K9. What do you want, a biscuit? We will take this machine and crash through their barrier. Put K9 on the back. GUARD 3: The shooting's stopped. Our lads must have got them. Not our lucky day. LEELA: Ready? Forward. LEELA: What's wrong with it? I said forward! BISHAM: Perhaps I'd better take over, Leela. LEELA: All right. I will have the gun. GUARD 3: Bring them against this wall. That's right. GUARD 3: Look out! LEELA: We've done it! LEELA: Ow! CORDO: Stop! Leela's been hit! BISHAM: We can't help her. [SCENE_BREAK] MANDRELL: Now you're going to answer my questions, Doctor. DOCTOR: Good. MANDRELL: Why did the Gatherer give you this money? DOCTOR: Maybe he liked my face. MANDRELL: You know what I think? DOCTOR: Ah, that's a catch question. With a brain your size you don't think, right? MANDRELL: Now listen, Doctor. We can either do this the easy way DOCTOR: Or we can do it the hard way. I've heard that one, too. MANDRELL: Get him. MANDRELL: The Gatherer gave you a thousand talmars to bring to us? DOCTOR: Well, even
SUMMARY: | The merciless Collector, who runs The Company, issues a bounty on the Doctor for his capture, while an already captured Leela is sentenced to public execution, via a steamer, for crimes against the company. |
fd_Charmed_02x15 | fd_Charmed_02x15_0 | TEXT: [Scene: The scene opens up with a key entering a lock. A deputy sheriff is unlocking the gate to the jailhouse. The gate swings open, and Deputy Sheriff #1 enters. Deputy Sheriff #2 removes the key from the keyhole, and follows.] [Cut to a shot of a long jailhouse corridor. Deputy Sheriff #1, who is taller than Deputy Sheriff #2, has broader shoulders, with curly brown hair and Deputy Sheriff #2, who has dark brown hair, with a mustache, go-tee, and arched and drawn-together eyebrows walk side by side. They stop at a cell.] Deputy Sheriff #2: All right Jessup, let's go. (The camera pans down to a shot of Bane Jessup sitting on the jail floor, shirtless, and wearing orange prison attire.) Bane: (suspicious) Where? (He gets up from off the floor.) Deputy Sheriff #2: Downtown. Evidence shows you've got a hearing. Bane: My hearing? <unk> It's not suppose to be until next week. Deputy Sheriff #2: It got moved up. (We see a shot of Bane in his cell, looking confused. Deputy Sheriff #2 yells to the other deputies in the corridor.) Deputy Sherif f#2: Open up Bane Jessup! (Voices are heard in the background.) Deputy Sheriff #3: (in the background) Opening Jessup. (The cell door slides open, and Bane steps closer to the entrance.) Bane: I've never seen you guys before. Deputy Sheriff #1: Well, look! It's your hearing. If you don't want to go, fine. (Deputy Sheriff #1 reaches behind his belt and pulls out a pair of handcuffs. He puts them in Bane's face.) [Cut to Bane being led out of the prison by Deputy Sheriff #1 and Deputy Sheriff #2. He is handcuffed, and wearing an orange prison t-shirt. Next to him, an inmate with long brown hair tied into a ponytail is being led in by a tall
SUMMARY: | When a past love of Prue named Bane Jessup is attacked in prison by an evil demon called Litvack, Bane breaks out of prison and ultimately kidnaps Prue in an attempt to keep the demon from killing him. After Piper and Phoebe catch the couple in a compromising position, Prue convinces her sisters to trust Bane long enough to vanquish the demon. Phoebe decides to help Piper out by casting a spell to help her choose between Leo and Dan, but causes Piper to become more undecided. Prue makes a career decision. |
fd_Gossip_Girl_2x01 | fd_Gossip_Girl_2x01_0 | TEXT: Gossip Girl: Unlike us, s*x, lies and scandal never take a vacation. Once summer shows its face, they take the expressway to the Hamptons, where a considerable amount of work awaiting them throughout the season... Imagine the atmosphere of Park Avenue with tennis outfit and swimsuit... The players are different, but the game remains the same. Nate: I dreamed about that all day. Catherine: You're sure Serena is always willing to cover you, I found a little cold. Nate: Do not worry about that. Catherine: You do not say anything to him for us. Nate: All she knows is that I see someone and I do not want to shout from the rooftops for now... or forever. Listen, it is not yet really recovered from her breakup with Dan... so I also cover in some way. Catherine: Let's go home before someone sees us. Nate: In your house?... It is not forbidden? Catherine: It was a home for the guests. Chuck: Girls, thank you from my heart for making me discover the joys of geometry in my daily life... I love it! Gossip Girl: Preview! Blair Waldorf at Charles de Gaulle, on the way home. What may well push the Queen B. to abandon her two dads, just as the holidays are not complete. I bet Chuck Bass would like to know. Girl: Mr. Chuck! Feel free to tell us if you need something. Chuck: Actually the only thing I need is you... you... and you. Gossip Girl: Preview! Also, Serena Van Der Woodsen on the beach alone again...What are rumors as the temperature begins to climb between her and Nate Archibald, and usually when there is smoke, the fire is not far. But if the rumor is true. How is it that what Nate escapes our radar and Serena is still playing the solo.I wonder what his reaction would be if she knew the boy was no longer lonely that much. Harris: It's possible! People can change. Dan: I was assistant to Mr Harris all summer. How did I not see you for? Girl: But I was in the room when he gave his
SUMMARY: | As the summer draws to a close in the Hamptons, Serena and Nate have everyone fooled into thinking they are a couple to cover up the fact that Nate has been hooking up with an older woman. Blair returns from abroad with a hot guy on her arm, Marcus (Patrick Heusinger), making a very jealous Chuck question his decision to leave Blair stranded at the heliport. Dan has spent the summer assisting a famous author (Jay McInerney), and clearly still has one certain girl on his mind, which results in him going after her. While interning for Eleanor Waldorf's company, Jenny sneaks a coveted invite to the Hamptons' white Party at which Eric introduces her to socialite Tinsley Mortimer. |
fd_Doctor_Who_08x08 | fd_Doctor_Who_08x08_0 | TEXT: [ BREATHY GROWL ] The Doctor (O.C.): Start the clock. [SCENE_BREAK] [ Dining car ] [ TRAIN WHISTLE BLOWS ] Mrs. Pitt: Is there some sort of fancy dress thing on this evening? Maisie: I don't think so. Why do you ask? Mrs. Pitt: Well, that fellow over there, dressed as a mummy monster thing. Maisie: Who do you mean? I can't see him. Mrs. Pitt: You! You! Throw that man out of my dining car. It's disgusting. Waiter: I'm sorry, Madam. Which man? Mrs. Pitt: Which man?! I'll have your job. That man, right there, dressed as a monster. Maisie: Mama, there isn't anyone there. Are you feeling OK? Mrs. Pitt: Don't you dare lie to me, girl. I won't be made a fool of. Stop it. Stop it. Stop him at once. Right now. Maisie: Mama, there's no one there. You're worrying me. Do you want one of your pills? Mrs. Pitt: Oh, no! Get it off! Get it off! Maisie: Oh! Is there a doctor? Sorry, I need a doctor. Sorry, I don't know. She just, she just stopped. [ WHISTLE BLOWS ] [SCENE_BREAK] [ Luggage van ] [ METALLIC THRUMMING ] The Doctor: Your train awaits, my lady. Clara: Wonderful. The Doctor: The baggage car. But thanks for lying. The real wonderful is through here. [ TRAIN BELL RINGS ] The Doctor: There were many trains to take the name Orient Express, but only one in space. [SCENE_BREAK] [ Lounge ] ( BAND PLAY LOUNGE VERSION OF: Don't Stop Me Now by Queen ) Clara: Of course it is. Foxes ( singing ): So don't stop me now. The Doctor: Completely faithful recreation of the original Orient Express. Except slightly bigger. And in space. Oh, and the rail
SUMMARY: | Clara rejoins the Doctor for one last outing before she leaves the TARDIS and the Doctor. They arrive on a train which travels through space, which is modelled after Orient Express . The Doctor soon discovers that an elderly woman called Mrs Pitt has recently been murdered by a mummy only she could see. When other occupants die in the same way, the Doctor realises that the mummy, identified as a legendary entity called the Foretold, is invisible to all but the one about to die. Once it is seen, it kills its victim in exactly sixty-six seconds. The train's computer program, Gus, reveals to the Doctor that he has tasked him to capture the Foretold. The Doctor discovers that it is a dead soldier powered by phase-shifting technology with unfinished business. The Doctor discharges the soldier by surrendering, and the train's occupants are saved. The Doctor uses the phase-shifting technology to teleport the train's occupants to safety. After a conversation with the Doctor about whether or not he is really cold-hearted, Clara decides she is not ready to leave him yet, and they set off on further adventures together. |
fd_Frasier_11x02 | fd_Frasier_11x02_0 | TEXT: Skyline: Lights come on in various buildings. ACT I [Scene 1 - Cafe Nervosa Daphne and Niles are standing in front of the counter holding hands.] Daphne: It's official. Dr. Lee says we're pregnant. [They chuckle warmly and embrace.] Niles: I'm so excited! [He kneels and speaks to Daphne's tummy.] Niles: Hello in there! It's your pater. Daphne: Oh, stop it. [She sits.] So, how do you want to make the announcement? Niles: Uh, well, Frasier's on his way over. We could... Daphne: [interrupting] No! He's a blabbermouth. Let's have him and your dad over for dinner tonight, and we can tell them at the same time. Niles: If you already had a plan, why did you ask me how I wanted to do it? Daphne: Well, because if you'd have had the same idea, then I could have agreed with it, which would have given you the illusion of control. [After a beat.] The waiting room had "Cosmo." Niles: Ohh. All right. Ah! - I have just the quotation for the beginning of the announcement. It's from Robert Burns: "Beneath the shelter of an aged tree, Th' expectant wee-things, toddlin', stacher through [gradually taking on a gaelic accent and goofy facial expression] To meet their dad, wi' filchterin' noise and glee." [Off Daphne's bemused reaction.] Moving, eh? Daphne: [rising] Yes, but not just because of the poem, I'm late for a hair appointment. Niles: All right. [They kiss. As Daphne leaves, Frasier approaches.] Frasier: Hi, you two! Daphne: Hello. Frasier: Hi, Daph, good to see you. [Daphne exits.] Hello, Niles. Uh, my
SUMMARY: | Daphne is pregnant, and she and Niles are keen to make an official announcement to the family over dinner, rather than tell Frasier informally and have the news broadcast for them. Meanwhile, Frasier's relationship with Julia has run into difficulty, and following a conversation with his brother, Frasier decides to "commit to commitment" and resolve the problems rather than run away from them. His reconciliation with Julia ends up coinciding with Niles and Daphne's announcement dinner, which they are compelled to relocate to Frasier's place after their oven breaks down. They agree to let Julia stay for dinner, and even though they find her frankness and general conduct offensive, Frasier is reluctant to find fault because of his renewed commitment. Things get worse when Julia casually announces Daphne's pregnancy to everyone after overhearing her in the kitchen, ruining the announcement. Eventually, Julia mocks Frasier's hand towels and he breaks up with her in disgust. In the end, Frasier apologizes for allowing Julia to ruin the evening and the family celebrate Niles and Daphne's happy news. |
fd_My_Little_Pony__Friendship_is_Magic_01x03 | fd_My_Little_Pony__Friendship_is_Magic_01x03_0 | TEXT: Spike: No. Nope...No. Applejack: Thank ya kindly, Twilight, for helpin' me out. Applejack: I bet Big Macintosh I could get all these Golden Delicious in the barn by lunchtime. (Spike checking apples) Applejack: If I win, he's gonna walk down Stirrup Street in one o'Granny's girdles! (chuckles) Twilight: No problem at all, Applejack. I'm glad the goal is lunchtime. All this hard work is making me hungry. (thunk) Spike: I know, right? Twilight: Puh-lease, Spike. You've been lounging on my back all morning while WE worked. Spike: Exactly. You two are taking so long, I missed snacktime. (Twilight's stomach grumbles noisily) Twilight: (laughs nervously) I guess we'd better get some food... Spike: Nope. Worm. AHA! Oh, Spike! That looks delicious! (Spike chomps, chews noisily) Twilight: (irritated) Spike! Spike: (gulps) What? (gags, burps) It's a letter from Princess Celestia. (clears throat) "Hear ye, hear ye. Her Grand Royal Highness Princess Celestia of Equestria is pleased to announce the Grand Galloping Gala to be held in the magnificent capital of Canterlot, on the st day of...eh, yadda yadda yadda, cordially extends an invitation to Twilight Sparkle and one guest." Both: (gasp) The Grand Galloping Gala! (theme song begins) My Little Pony, My Little Pony, ah, ah, ah, ah, (My Little Pony) Twilight: I used to wonder what friendship could be (My Little Pony) Until you all shared its magic with me Rainbow Dash: Big adventure Pinkie Pie: Tons of fun Rarity: A beautiful heart Applejack: Faithful and
SUMMARY: | Princess Celestia sends Twilight two tickets for the upcoming exclusive Grand Galloping Gala. Upon learning of the tickets, each of Twilight's friends insists she should be the one to go with Twilight, and her friends start giving her special treatment to earn her favor. Twilight is unwilling to pick any one friend over another and she politely returns the tickets to the princess despite her friends' apologies for their selfishness. To everyone's surprise, the princess replies by sending back enough tickets for Twilight and all of her friends. |
fd_Bones_06x03 | fd_Bones_06x03_0 | TEXT: TEASER (OPEN: Nighttime. MAN on a beach with a metal detector.) MAN: Come on...come on... (metal detector beeps) Oh! (picks up a coin) Oh yeah, that's the stuff. (puts coin in pocket and moves to find more; metal detector beeps again) Oh! (bends down and picks up a metal cross attached to a chain; tugs at the cross to reveal a skeleton head filled with maggots buried under the sand) Oh no. Christ. (looks around, then pulls the cross from the skeleton's neck, breaking the chain) (laughs) (CUT TO: SPECIAL AGENT SEELEY BOOTH and HANNAH BURLEY sprawled over each other presumably after s*x, panting.) HANNAH: Is it me, or are we louder stateside? BOOTH: There are no bombs to drown out, alright? (They kiss. They are interrupted by Hannah's ringing phone on the bedside table.) BOOTH: Are you serious? Its 3AM! HANNAH (gets up to look at her phone): It's my boss. BOOTH: Your boss? Oh. HANNAH (answers phone): Hannah here, and annoyed, it's the middle of the night. At seven? That's only a few hours away. (Booth kisses the back of her knee) Do they have my name at the gate? Okay, thanks. (hangs up and gets dressed) BOOTH (moves behind her): Alright, what's going on? (kisses her on the cheek) HANNAH: Breakfast at the White House. BOOTH: Mmm. HANNAH: Only five of us were invited so...maybe I can get some real questions answered. (kisses him on the cheek) BOOTH: Breakfast at 4AM? HANNAH: Seven... BOOTH: Seven? HANNAH:...but I have to change. These are the only clothes that I have here. BOOTH: Okay. HANNAH:
SUMMARY: | When Booth and Brennan are called to investigate decomposed remains found at the Jersey Shore, the team IDs the victim as Richie "The V" Genaro, a 23-year-old who partied the night before at a popular nightclub. Booth and Brennan question Genaro's peers and the club bouncer, and Brennan surprisingly proves her pop culture savvy and anthropological expertise after watching what she believes to be a documentary on the inhabitants of the Jersey Shore, but was in actuality a reality show set there. Meanwhile, at the lab, the team grows fond of Booth's girlfriend, Hannah, and Angela tries to keep her pregnancy a secret. |
fd_Buffy_the_Vampire_Slayer_05x17 | fd_Buffy_the_Vampire_Slayer_05x17_0 | TEXT: •I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] Teaser Buffy in the Summers house, turning toward the living room. BUFFY: What are you doing? GILES VOICEOVER: Previously on Buffy the Vampire Slayer... Buffy walking into the living room, seeing Joyce on the sofa. PARAMEDIC: Your mother's dead. Buffy in the hospital. BUFFY: She just wouldn't believe me. Dawn in the school bathroom. DAWN: Oh god. BUFFY: I still don't think she does. Dawn talking to Ben. DAWN: I'm not real. BEN: You're the key. Go, before she finds you. She's here. Ben morphing into Glory. The lights come on. Buffy looks up, startled. GILES: Buffy, you're here. Giles, Dawn, and the funeral-home director enter. Buffy drops the lid of the coffin and folds her arms. GILES: You all right? BUFFY: Yeah. DIRECTOR: Did you find something? BUFFY: (nods) This one. Dawn walks over and stares at the coffin. DIRECTOR: (OS) It's a fine choice. It speaks of your deep feeling for the deceased. Giles and the director turn to leave. Buffy
SUMMARY: | Buffy is comforted by Angel following her mother's death, although he can't stay. Dawn attempts to resurrect Joyce with the help of Spike and Doc, but stops part way through the ceremony after Buffy convinces her. |
fd_Frasier_01x02 | fd_Frasier_01x02_0 | TEXT: Act One. Scene A: The Frasier Residence, early morning. Frasier enters wearing a dressing gown. He is obviously still half- asleep. Martin is in the kitchen and Daphne is busy cleaning the dining table. Frasier yawns. Daphne: Oh, good morning, Dr. Crane. Not a morning person, are we? Well, never you mind. I am. Can't very well be a good health care provider if you're not up with the cock. I've already taken your father for his morning constitutional. Such a remarkable man - thirty years on the police force. I can understand why you'd want him to live here, although not many sons would do that, not without getting paid for it. Anyway, coffee's made, and I took the liberty of doing a shop. They don't serve much tripe in Seattle, do they? Frasier: [still groggy] And you are...? Daphne: Daphne. Daphne Moon. I moved in yesterday. You hired me to take care of your father. Frasier: [realizing] Of course. Forgive me, I'm not quite myself until I've shaved and showered. Daphne: Oh, yes. I completely understand about one's morning ablutions. I, for instance, can't stand myself 'til I floss all that gunk out of my teeth... Frasier: [interrupting] Miss Moon! For future reference, if you could just keep your ablutions on a need-to-know basis? Thank you. [goes into kitchen] Now, my coffee. Martin: [doing a fry-up] The half 'n half's curdled, and the garbage disposal's jammed. Frasier: [pouring his coffee] Good morning to you too, dad. Martin: Morning was two hours ago. And close that barn door, we got a lady in the house now. Frasier adjusts his robe, then tastes his coffee. He is not amused. Frasier: Hey, this isn't my coffee. Where's my finely-ground Kenya blend from Starbucks? Martin:
SUMMARY: | After Martin moves into his apartment with his physical therapist, Daphne, and his dog, Eddie, Frasier struggles with the loss of his personal space and ensuing tensions with Martin. After repeatedly failing to get any kind of solitary time at home or work, he decides to try forging a bond with his gruff father. |
fd_Alias_05x10 | fd_Alias_05x10_0 | TEXT: The episode starts where we left off last episode. Sydney steps onto the upper deck just as a helicopter is taking off. Peyton and her goons are not too far behind. PEYTON: (spotting Syd) There! Sydney ducks back inside, trying each of the doors but most of them are locked. She finds an unlocked room and goes inside, knocking unconscious a man who is working on a laptop. Seeing that the room has computer and radio equipment, she locks the door behind her. She tunes one of the radios and speaks into its mic: SYDNEY: This is field agent ID Black-seven-niner-three-c-r (?) confirmation foxtrot... Sydney pauses to wince at a pain in her stomach. She gathers herself with determination: SYDNEY: Repeat. Confirmation foxtrot-one. Status: MIA. I'm being held upon a cargo freighter. Registry: unknown. The door rattles as Peyton tries to open the door. Sydney looks up, alarmed. Cut to outside the room where Peyton is rattling the locked door. She turns to her lackey: PEYTON: Do it. Lackey steps up and shoots at the lock. They enter the room to find it empty - Sydney has escaped using the other door. PEYTON: Organize a deck-by-deck search and find her. Lackey runs off to search for Sydney. Peyton looks around for clues - she finds the radio's mic hanging down and the radio tuned to '447550.000' PEYTON: Damn it. Cut to LA. Sloane walks up to Jack entering APO. They both look troubled. SLOANE: What did you find out? JACK: I've confirmation Prophet-5 is holding Sydney. I believe they've had designs on her from the beginning. They knew precisely when and where she'd be most vulnerable. They must've been tracking her movements. SLOANE: Have they made any demands? JACK: None. [inaudible]...their intentions. Right now, I have reason to believe they need her alive. SLOANE: Listen, Jack, we've seen Sydney come
SUMMARY: | After fleeing from interrogation and learning she was on a freighter at sea, Sydney goes to the communications room and sends a message to APO routed through the CIA to her whereabouts. Unbeknownst to her at the time, the message was intercepted by a mole at the CIA working for Prophet Five, although APO was able to obtain a piece of the transmission. Wanting to retrieve Sydney, APO attempts to break into a secured server room located at Langley with the goal of obtaining the remaining part of the transmission. Problems arise, however, when APO is forced to take the hard drive, which triggers an alarm. They manage to escape the situation thanks to Weiss who aids them in sneaking past the guards. Although the transmission on the hard drive is corrupted, APO is able to learn who corrupted it. Jack sets a meeting up with the division heads of the CIA and is quickly able to identify that the mole was Davenport, who confesses to Jack Sydney's whereabouts. APO then mounts a rescue to retrieve Sydney from the freighter; however, while they are in transit, Sydney is forced to go into surgery. When APO arrives, Sydney is alone on the freighter. After analyzing Sydney, doctors conclude that Prophet Five was not trying to hurt the baby, but actually save it. |
fd_One_Tree_Hill_06x02 | fd_One_Tree_Hill_06x02_0 | TEXT: [PREVIOUSLY_ON] Dan is hitting by a car and Carrie kidnapps him. Carrie: I hit you with the borrowed car, and now i am going to kill you. But first, I'mgonna get Jamie back. Lucas asks Peyton to get married. Peyton: I love you. Yes. Lucas: You didn't let me ask you. Peyton: Yes baby yes Lucas: This isn't right. Peyton: No, it's... It's okay. It is. I just want to be your wife. Lucas: This is supposed to be a dream comes true. Skills and Deb hide their relation to the others. Deb: You right. We just gonna have to go public. Skills: Yeah. I'mgonna say,"Nate, look, I'mdating your mom, sleeping with her, doing all kind of freaky stuff to her." Skills: You want to tell him or should I? Nathan works hard to replay basketball, with Quentin's help. But he's got back's pain. Quentin: What's up? What's up? There it is. Nathan: For the first time, I, uh... felt like I was on my way back. Haley: I'mso glad for you, Nathan. Jamie: Hey, daddy, when you play in the NBA, you should play for the bobcats. Q says they need a shooting guard. Nathan: You and Q. Come here. Brooke and Victoria quarrel about the company. Brooke: It's my company. Victoria: No,it's our company. Brooke: Without my designs, you have nothing. Victoria: We'll see about that. Brooke: I want you to lock it. She's not getting anywhere near the new line. Brooke is attacked in her store. Beginning of the episode Nathan and Haley's house (day) Jamie is jumping on his bed. Lucas' voiceover: When I was a kid, I used to love to jump on the bed and pretend I could fly and pretend I could dunk. Hotel's room in LA (day) Lucas is lying on bed with Peyton next to him. Lucas: I was happy, and then my mom would pass
SUMMARY: | After Lucas and his fiancé enjoy planning their dream wedding, Brooke and Peyton reconnect. Nathan works with Quentin on his basketball skills, but Haley for Nathan's well-being. Reeling from a threat to her store, Brooke reaches out to an unexpected ally. Jamie catches Skills and Deb kissing. |
fd_FRIENDS_02x05 | fd_FRIENDS_02x05_0 | TEXT: Originally written by Chris Brown Transcribed by Mindy Mattingly Phillips [[email protected]] Minor additions and adjustments by Dan Silverstein. [Scene: At Chandler and Joey's. Ross and Chandler are there. Ross is watching wrestling.] ROSS: Man, I sure miss Julie. CHANDLER: Spanish midgets. Spanish midgets wrestling. Julie. Ok, yes, I see how you got there. (phone rings) ROSS: You ever figure out what that thing's for? CHANDLER: No, see, I'm trying this new screening thing. You know, I figure if I'm always answering the phone, people'll think I don't have a life. My god, Rodrigo never gets pinned. (MACHINE--JOEY'S VOICE): Here comes the beep, you know what to do. JADE: Hello, I'm looking for Bob. This is Jane. I don't know if you're still at this number, but I was just thinking about us, and how great it was, and, well, I know it's been three years, but, I was kinda hoping we could hook up again. I barely had t he nerve to make this call, so you know what I did? CHANDLER: What? JADE: I got a little drunk...and naked. CHANDLER: Bob here. CHANDLER: (on phone) What've you been up to? JADE: Oh, you know, the usual, teaching aerobics, partying way too much. Oh, and in case you were wondering, those are my legs on the new James Bond poster. CHANDLER: Can you hold on a moment? I have another call. (to Ross) I love her. ROSS: I know. CHANDLER: I'm back. JADE: So, are we gonna get together or what? CHANDLER: Um, absolutely. Uh, how 'bout tomorrow afternoon? Do you know uh, Central Perk in the Village, say, five-ish? JADE: Great, I'll see you then. CHANDLER: Ok. Ok
SUMMARY: | When a sexy-sounding woman calls the wrong number, Chandler seeks to exploit the situation, with ultimately embarrassing results. Income disparity issues divide the friends: the more affluent Ross, Chandler, and Monica versus the less-well-off Phoebe, Rachel, and Joey. Newly-promoted Monica is fired after accepting "gifts" from her restaurant's meat supplier, it being against restaurant policy regarding kickbacks. |
fd_Doctor_Who_1963_06x05 | fd_Doctor_Who_1963_06x05_0 | TEXT: The Dominators By Norman Ashby 5:15pm - 5:40pm [SCENE_BREAK] 1, INT: SAUCER TOBA: Quark, kill! (The robots power units sing with glee as it discharges both its force weapons into Balan. He gives a horrible scream and falls to the floor, dead.) TOBA: You! You're next, you know the boy, where is he? (The Doctor faces Toba in silence.) TOBA: Answer or you will die! Quark..! RAGO: Toba! What is the meaning of this? Explain! (Toba turns to see Rago looking at him with a face like thunder.) TOBA: We were being attacked and a Quark was destroyed; it was an emergency. RAGO: Emergency? A few hostile primitives manage to destroy a Quark and you expend time and power chasing them! TOBA: Don't you see... RAGO: Why has the drilling stopped? Are you finished? TOBA: All four perimeter bores are complete! RAGO: And the centre bore? TOBA: The centre bore is... RAGO: Not even started! The Quarks power cells are dangerously low, and yet you send them scuttling all over this island on a pointless search and killing harmless aliens! TOBA: I considered it was my..! RAGO: Silence! Have the rockets been inserted into the perimeter boreholes yet? TOBA: No. RAGO: Do it! Is the seed device at a critical mass? TOBA: There has not been enough time! RAGO: Time?! You have jeopardised this most vital part of the Dominator's war mission, you will remain on this planet and die with it! TOBA: Navigator Rago I have been..but..but! RAGO: You are useless unless you obey the Navigator's orders! Now check that seed device. (The Doctor skips out of the way as Toba sweeps past him to check a device the size and shape of a silvery ostrich egg, nestled safely within a transparent crystal box.) ZOE
SUMMARY: | Jamie and Cully manage to rescue the Doctor's party and together they try to find a way to stop the Dominators before they destroy the entire planet. |
fd_Doctor_Who_1963_04x38 | fd_Doctor_Who_1963_04x38_0 | TEXT: THE EVIL OF THE DALEKS Original Broadcast: May 27, 1967 Repeat broadcast: June 15th, 1968 Running Time: 25:09 [SCENE_BREAK] 1. HIDDEN ROOM IN WATERFIELD'S STUDY DALEK: Who are you? Who are you? Answer! (KENNEDY looks in terror at the creature, and turns to run. As he reaches the door, though, the DALEK fires, and with a scream of agony, KENNEDY slumps to the ground, dead. The DALEK steps back into the transmat device and dematerializes.) [SCENE_BREAK] 2. WATERFIELD'S STORE (The DOCTOR and JAMIE enter the store at the front of WATERFIELD's house, carefully silencing the bell as they enter.) JAMIE: I don't know what you're being so cautious abo... (As JAMIE is talking rather loudly, the DOCTOR quietens him.) DOCTOR: Shhh! JAMIE: (Quietly.) They left the door open for us, didn't they? Hey, it's half past the nine o'clock. DOCTOR: Yes, I know. JAMIE: But they made the appointment for ten. Why have we come early? DOCTOR: The early bird catches the worm, Jamie. Now, do be quiet, there's a good chap. And for heaven's sake, don't knock into anything. (Just as he says this, the DOCTOR knocks over a statue, not noticing he has done so, and JAMIE has to catch it to prevent it from falling over.) DOCTOR: Shhh! (JAMIE then picks something up from a nearby shelf and shows it to the DOCTOR.) JAMIE: Any good, this? DOCTOR: It's interesting. In fact, Jamie, it's quite remarkable. JAMIE: Hey Doctor, you know you told me outside it said "Genuine Victorian Antiques"? Well, all the stuff in here's brand new. DOCTOR: H
SUMMARY: | The Doctor and Jamie investigate Waterfield's antiques shop, where they are knocked unconscious and transported back to the 19th century. |
fd_True_Blood_02x03 | fd_True_Blood_02x03_0 | TEXT: Scene 1: In the car, on the road - Bill, Sookie, Jessica Bill drives very fast. Sookie: Bill, slow down, please. Stop this. You're scaring me. Bill stops the car on the side of the road. Jessica is crying. Sookie: I'm sorry. She promised she was just gonna look in the window. I know I made a mistake, but they're her family. Bill: She is a vampire. She has no family. Jessica: I'm a monster, and I'm gonna be alone because of you. I hate you si f****** much. Bill: Be quiet. Jessica: Easy s***. Bill: I said be quiet! (To Sookie) You undermined my authority as her maker. You risked those people's safety and your own. If I had not glamoured them within an inch of their sanity, all of our lives would have been shattered. Sookie: I know. I'm sorry. Bill: You keep saying that! And I am expected to what? Forget this ever happened? Sookie: What else would you like me to say? I knew when she asked me to take her I should say no but all I could think about was Gran and what I'd get to see her again. Bill: That does not give you license to behave like an irresponsible child. She is a loaded gun, Sookie. Not a doll for you to dress up and play with. (Sookie opens the car's door) What are you doing? Sookie: Walking! She goes out of the car. Bill goes out too. Bill: Don't be ridiculous. Bon Temps is nearly 20 miles away. Sookie: I'd rather walk all night than spend another second in that car with you. She goes in the woods. Bill gets back in the car. Jessica: She wants you to go after her. And she wants you to go after her and kiss her and tell her that you love her. Bill: She will come back. When she calms down, she will come back. Sookie walks in the wood. She hears a noise. Sookie: Bill? Bill if you're trying to scare me so I get back in that car with you,
SUMMARY: | After glamoring Jessica's family and beginning the drive back to Bon Temps, Bill and Sookie argue fiercely about the night's events, and Sookie storms out of the car. As she walks off, she is viciously attacked and poisoned by a mysterious creature with the head of a bull and the body of a man. Bill rushes to Eric for help and, with the assistance of a goblin woman named Dr. Ludwig, Sookie is saved. At the Light of Day camp, Jason confesses his true feelings about vampires and bonds further with Sarah Newlin when he lets out some of his grief over his Gran and Amy's deaths. She reveals to him that she used to be a vampire sympathizer but now suspects they murdered her sister. At Merlotte's, Jessica and Hoyt take a special interest in one another. Sam warns Tara to stay away from Maryann and later, after snapping at Daphne, decides to take off for a while. At Fangtasia, Sookie takes Bill's blood to heal and then discovers that Lafayette has been held in the basement. She manages to arrange his freedom in exchange for helping locate the missing vampire Godric in Dallas. Tara and Eggs' relationship hits a rough patch at one of Maryann's parties when the guests become strangely sexual with one another, including Eggs and another girl. Lafayette returns home and cries. Bill and Sookie walk in on Jessica and Hoyt making out. Sam and Daphne make peace with one another. The episode ends with the revelation that Daphne appears to have been attacked by the same creature that poisoned Sookie. |
fd_Merlin_01x10 | fd_Merlin_01x10_0 | TEXT: 110 - The Moment of Truth "In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a young boy. His name: Merlin." Ealdor The people of Ealdor go about their day, but scatter when bandits come riding through. KANEN: Search the place! Find him! Bandits bring Matthew to Kanen with his arms full of food. KANEN: It's harvest time. Bandits hand him a couple of the bags Matthew was carrying. KANEN: What's this? Where's the rest of it? MATTHEW: I only kept back what we need to survive. KANEN: Survive? I'll be back in one week, farmer, and I want to see all of it. HUNITH: You can't take our food! Our children will starve! I won't let you do this! Hunith tries to grab the bags that Kanen took. HUNITH: You're not taking any of it! Kanen smacks Hunith, who falls to the ground. VILLAGER: Hunith! A villager runs to help Hunith; Kanen shoots him with a crossbow. KANEN: I will give you a week. Don't you dare disappoint me. I'll see you later, sweetheart. The bandits ride off. Matthew helps Hunith get up. Camelot - Lower Town Hunith walks into Camelot. Merlin sees her as he's collecting water from the well. MERLIN: Mother? HUNITH: Merlin! She goes to hug him, but he notices her bruise. MERLIN: What happened? Who did this to you?! Throne Room Hunith stands before Uther and the court. HUNITH: The winters are harsh in Ealdor, and there are many children. Some of them just won't be strong enough to survive. We barely have enough food as it is, and if Kanen takes our harvest, our children won't live to see another summer. Please, we need your help. UTHER: Ealdor's in Cenred's kingdom. Your safety is his
SUMMARY: | Hearing that his village is being threatened by a warlord and his gang, Merlin travels home with Gwen and Morgana to help. Arthur joins them and does his best to drill the peaceful villagers into a fighting force, but Merlin's friend William dismisses him as an egotist. Gwen calls Arthur out on his insensitivity to the villagers' humble ways and also fights for the women's right to fight. But when it comes to the fight, the villagers are still inexperienced and Merlin risks exposing himself as sorcerer to drive off the invaders. During the battle, Merlin conjures up a storm to drive off the invaders, which Arthur sees. During the ensuing battle, William saves Arthur's life, and takes the blame for the magic storm. Arthur pardons William on his (William's) death bed. |
fd_Gilmore_Girls_05x05 | fd_Gilmore_Girls_05x05_0 | TEXT: OPEN IN DRAGONFLY INN [Camera follows a member of the kitchen staff through the door into the kitchen. Sookie cuts and preps food while she and Lorelai discuss Inn issues.] LORELAI: It's getting the word out to the business community that we're here -- that's the key. SOOKIE: We've got to draw them in with the things that they like -- amenities. [Lorelai pours coffee into her mug while Sookie prepares food portions] LORELAI: What does a businessman want when they travel? Booze, and hookers. Anything else? SOOKIE: [grins] I think that covers it. LORELAI: We got booze. How do we get hookers? SOOKIE: How about a banner up front that reads "Hoes up at the Dragonfly"? LORELAI: Or we tell them Bill Maher's here. SOOKIE: [ Gasps ] They'd come a-flocking. LORELAI: Maybe we're in too silly a mood to be discussing such serious stuff. SOOKIE: You think? [Jackson enters with a laden crate of vegetables. The only thing out of place is the business suit he is wearing] LORELAI: Oh hey Jackson, what would you do to lure more businessmen to the Dragonfly? Besides inviting Bill Maher. JACKSON: What do I look like, the Shell Answer Man? Everybody's gotta have a piece of Jackson. Well, he's got nothing left, I tell you, nothing. SOOKIE: [sympathetic] His town selectman duties are starting to wear on him. LORELAI: That's why the fancy duds? SOOKIE: He's got functions every day and meetings and hearings. JACKSON: I tried to work in a nice suicide, but my schedule wouldn't allow it. [ Cellphone rings ] Ugh, That sound's death to me. LORELAI: Don't answer it. JACKSON: Could be a customer. Hello? [strained patience] Yes
SUMMARY: | The demands of the electorate are beginning to get to Jackson. Lorelai and Rory delicately nudge Richard and Emily closer together. Lorelai decides that a double date with Rory and Dean is the way to smooth over the bumps in her relationship with Dean, but the evening goes awry when Luke can't get over feeling that Dean isn't good enough for Rory. Richard takes up a new hobby, and Emily buys a panic room. Failing to get a response from Zack about the declaration of her feelings, Lane rescinds them, which finally gets Zack talking. Lorelai introduces Luke to " Pippi Longstocking " as Kirk gets much better acquainted with Lulu during movie night at the Black & White & Read Bookstore. |
fd_NCIS_01x03 | fd_NCIS_01x03_0 | TEXT: MUSIC IN: EXT. BEACH - NIGHT (SFX: MUSIC PLAYS B.G.) (SFX: CAMPFIRE B.G.) (SFX: GUNFIRE) DAVE: Hey, did you hear that? SARAH: Yeah. I've always dug the Eighties. (MUSIC OUT) (SFX: VOICES SHOUT) DAVE: Hey! Shut up! Shut up! You hear that? (SFX: GUNFIRE CONTINUES) SARAH: Sounds like fireworks. DAVE: I don't see any. That's gunfire! (SFX: RAPID GUNFIRE) SARAH: Well, whatever it was, it's over now. DAVE: Not yet! (SFX: BOAT ENGINE) DAVE: Look out!(SCREAMS) (SFX: POWER BOAT DRIVES ONTO THE BEACH) DAVE: There's no one in it!(DAVE WALKS TO THE BOAT) DAVE: Fireworks, my ass! It's all shot up! (MOTOR STOPS) (MUSIC OVER OPENING CREDITS AND OUT) (MUSIC OUT) [SCENE_BREAK] INT. NCIS SQUAD ROOM - DAY "SEADOG"(ELEVATOR DOORS SLIDE OPEN) TONY: Hey. KATE: Morning. How was your weekend? GIBBS: What have we got? KATE: So much for small talk. TONY: Car crash in Quantico last night. No fatalities. GIBBS: Next. TONY: Petty Officer caught shoplifting at Bloomingdale's. GIBBS: Is there anything worth over fifty grand at Bloomingdale's, DiNozzo? TONY: I don't think so. GIBBS: Then why would we handle it? Next. TONY: I heard a rumor about an ecstasy ring at Lejeune. GIBBS: You heard a rumor? KATE: Oh, he's been searching for a
SUMMARY: | When a driver-less boat and several bodies, including that of a Navy commander, wash up on the beach, seemingly during a freelance drug deal gone sour, the media is quick to link him to drug trafficking and the evidence stacks up. Being a former Marine himself, Gibbs refuses to believe that a good officer could be so corrupt. In his efforts to clear the commander's record and good name, Gibbs uncovers a turf war between two rival drug gangs and a terrorist's scheme to knock out the national power grid. The NCIS team is aided in its investigation by a DEA Agent (played by William R. Moses ), and FBI Special Agent Tobias Fornell . |
fd_Dawson_s_Creek_04x05 | fd_Dawson_s_Creek_04x05_0 | TEXT: [Scene: The Leery Fish House Kitchen. Gale has walked in followed by Mitch and Dawson who are arguing with her.] Gale: I keep telling you, I'm fine. Mitch: Do people who are fine spend the entire afternoon in our bathroom throwing up? Gale: But I'm fine now. Dawson: Mom. I'm not taking sides, but dad's right. You're not going to get better unless you get some rest. Gale: I don't believe this. My own son. [Gretchen enters the kitchen] Gretchen: Gale, the Guinness tap just ran dry, we're out of Stoli, and somebody just found a hair in the pretzels. Gale: Ok. Call the beer distributor. Tell him he's a week late. If he can't get his ass over today, he's fired. Give the guy who found a hair a free drink. Put out a fresh bowl of pretzels and then tell my husband and my traitor son to get off my back. Gretchen: You heard the woman. Mitch: For the sake of your business go home before your customers catch your stomach flu and we have to rename the restaurant Leery's pending lawsuit. Dawson: He's right. Gale: All right. All right. I give up. Mitch: She promised me she'd go to the doctor last week. Dawson: I thought she had the same thing you had. Yours didn't keep coming back. Gretchen: Guys, gale's been throwing up a lot, right? And she's still hungry and putting on some weight? She's tired all the time? Her back hurts? Irritability, mood swings? Mitch: Yeah. The worst. Dawson: How'd you know? Gretchen: Sounds to me like she'll be feeling a lot better in about 9 months. Dawson: What? [Opening Credits] [Scene: Dawson's House upstairs by the bathroom. Mitch and Dawson are standing outside the door as Mitch paces back and forth.] Mitch: how's it going in there? Gale: I can'
SUMMARY: | Gail drops a bomb on the family by confirming she is pregnant. Joey discusses her lack of sexual experience with Jen, who advises her to go visit a doctor for contraceptive advice. Jack begins to coach a children's soccer team, and later finds himself in an awkward situation when a girl is making moves on him and he feels pressured to tell her he's gay. |
fd_Charmed_01x05 | fd_Charmed_01x05_0 | TEXT: [Scene: Quake. Phoebe enters. Two guys walk up to her.] Guy #1: Are your parents terrorists? <unk>Cos baby you're the bomb. Guy #2: Jim, Jim, ask her if it hurt when she fell. Phoebe: Uh, excuse me? Guy #2: When you fell from Heaven. Did it hurt. <unk>Cos I know an angel when I see one. Phoebe: Hmm. I'm no angel. I'm a witch. But don't tell my sisters I told you. (She walks over to Prue and Piper who's sitting at a table.) Oh, I'm so glad you guys are still here. What are you staring at? Prue: They have been going at if for almost an hour. (You see a woman and a guy making out.) Phoebe: Hello! Oh, I can't even look. Piper: I know. I hate being single. Skye: Waitress coming through. Special delivery. Piper: Hey Skye. Phoebe: Hey Skye. Skye: Hi. (She places a glass of wine in front of Prue.) Prue: Um, I think there's been some kind of a mistake. I didn't order this. Skye: I know. You have a secret admirer. He ordered it for you. (She points out the Dream Sorcerer. He's sitting in a wheelchair.) Piper: Who's that? Skye: I have no idea. I'm just following the bartender's orders. And, apparently he's been eyeing Prue all night. Prue: Skye, can you do me a favour? Um, tell him thank you and I'm very flattered. But I'm kind seeing someone else. Skye: Sure. Prue: Thanks. Piper: This is a nice change of an attitude. Phoebe: I'll say. Does this mean you're thinking of getting serious with Andy? Prue: Lately I've been thinking about a lot of things. [Cut to the Dream Sorcerer. Skye walks up to him
SUMMARY: | Prue finds her sleep disturbed by strange dreams in which she is stalked and taunted by a wheelchair-bound man who is actually a sleep researcher named Whitaker Berman ( Matt Schulze ). He kills women who he feels scorned him by visiting them in their dreams where he has absolute power. While Prue is fatigued and driving home from work in her car he attacks again and successfully causes her to drive into a telephone pole. As Prue is unconscious, he unsuccessfully tries to kill her. With encouragement from her sisters, she uses her telekinesis in the dream world to throw him off a building, killing him. |
fd_Doctor_Who_1963_21x08 | fd_Doctor_Who_1963_21x08_0 | TEXT: Frontios by Christopher H. Bidmead Part Two 6:40pm - 7:05pm [SCENE_BREAK] 1, EXT: FRONTIOS (The Doctor, Tegan and Turlough are sheltering from the bombardment.) TEGAN: It's getting lighter. DOCTOR: The attacks nearly over. Let's get out of here. Come on - the TARDIS. (They get up and move out of their shelter, and all walk very slowly over to where the TARDIS was.) TEGAN: The TARDIS - what's happened?! (All that seems to be still remaining of the TARDIS is the hat-stand. It stands alone amongst a pile of rubble.) TURLOUGH: It's gone. (The Doctor goes over and touches the hat-stand.) DOCTOR: The TARDIS has been destroyed... TEGAN: The TARDIS can't just...disintegrate! TURLOUGH: I'm afraid it has. (The Doctor turns around to see Plantagenet, Brazen and lots of Orderlies coming towards them. One Orderly points a gun at them. The Doctor has simply had enough and he snaps.) DOCTOR: Oh marvellous! You're going to kill me! What a finely tuned response to the situation! BRAZEN: Best to dispatch him now! (Norna runs in front of the gun.) NORNA: Wait! PLANTAGENET: GET OUT OF THE WAY! DOCTOR: Be careful Norna. NORNA: Why did Captain Revere dedicate the whole of his life to analysing the rocks of Frontios? BRAZEN: Remove her. PLANTAGENET: No, wait. Why do you ask when the reason is well known? My father sought the precious minerals beneath the soil. NORNA: What precious minerals? Did he find any? PLANTAGENET: He knew there must be some reason for the perpetual carnage our neighbours inflict upon us. NORNA: Well, if the Doctor is an invader, he has the answer to that question. (Range walks up, worried about his daughter.
SUMMARY: | The Doctor works to help the injured colonist, Tegan discovers a file in a closed drawer called "Deaths Unaccountable". Meanwhile, Plantagenate works to convict the Doctor of being the source of the attacks on Frontios. |
fd_Once_Upon_A_Time_01x10 | fd_Once_Upon_A_Time_01x10_0 | TEXT: -[Real World]- (August, the Stranger, is tinkering with his motorcycle outside of the Mayor's house. Henry walks up to him.) Henry: What are you doing here? August: Fixing my bike. Henry: No, I mean in Storybrooke. August: Just visiting. Henry: What's that? August: A box. Henry: What's inside it? August: Just something I need to do what I came here for. (Regina opens her front door and sees the two talking.) Henry: Well, I thought you were just visiting? August: Doesn't mean I don't have something to do. (He starts his motorcycle. Regina yells for Henry and walks towards them.) Regina: Henry! August: Better get to school. Looks like a storm's coming. (August drives off just as Regina reaches Henry.) Regina: Henry. Who was that? (Henry shrugs.) [SCENE_BREAK] (At Mary Margaret's, Emma is eating breakfast as Mary Margaret scrambles to get ready. A television airing the weather is on in the background.) MMB: I can't believe I overslept. Emma: It's only seven ten. You've got plenty of time to get to school. MMB: No, I have to be there at seven fifteen - science fair. I'm helping the kids with their project before school. Emma: I'm sure if you're five minutes late they'll live. MMB: We're making a volcano. (Mary Margaret leaves.) Emma: Okay. [SCENE_BREAK] (Mary Margaret arrives at Granny's Diner. She sits at one of the tables, takes out a book, and fixes her hair in a spoon's reflection. At seven fifteen, David enters the diner and walks up to the counter. Ruby serves him two coffees.) Ruby: One cream and sugar, one black. David: Thank you. (David takes the coffees and notices Mary Margaret sitting behind him.) David: Good morning. MMB: Morning! David: I-I... I should go. I'm going to be late for work. MMB: Oh
SUMMARY: | Mary Margaret grapples with her feelings for David and Emma grows increasingly suspicious of the Stranger while the events surrounding Prince Charming's wedding are revealed along with Snow White's struggle to ease her breaking heart and an offer that sets her on a path from which there is no coming back. |
fd_The_Office_07x17 | fd_The_Office_07x17_0 | TEXT: Delivery Guy: I got a delivery for ya'. Michael: Leave it at reception. Delivery: I'm supposed to deliver this one in person. [pulls out a gun and starts shooting at Michael, who dodges dramatically] Michael: [pulls out two handguns and kills the man with an unnecessarily large amount of bullets] Clean up on aisle five. [Threat Level[/b]: Midnight titlescreen appears] [SCENE_BREAK] Michael: After three years of writing, one year of shooting, four years of re-shooting and two years of editing, I have finally completed my movie, Threat Level[/b]: Midnight. [SCENE_BREAK] Michael: Erin... what are you doing? Erin: Guys! Guys. Did you guys know that our own Michael Scott has made a movie, and that he maybe will let us watch it, but only if everybody's dying to see it. Michael: That's... That's. Well, don't put words in my mouth. [SCENE_BREAK] Jim: Threat Level[/b]: Midnight is the great lost film of Michael Scott. Pam: We're all in it, from like years and years ago. It's like a home movie. Jim: Yeah, if Michael Scott did your home movie! Pam: Michael screened a work in progress for us, years ago, and it didn't go well. We thought it was a comedy. [flashback clip of Michael angrily leaving the conference room while the whole office is laughing at the tv] Everything pointed to it being a comedy. [SCENE_BREAK] Pam: We'd love to see it! Michael: Sweet, I will go invite Holly. Pam: Okay everyone, I know we're really excited to see this movie that everybody's in, but we have to remember that Michael is sensitive, so let's stay positive! And no laughing, no comments, just positive energy and we'll have a pure fun day! Okay? Creed: Thanks mom. [SCENE_BREAK] Holly: You never told me you made a movie. Michael: Mhmm! It's got action, it's got heart
SUMMARY: | Michael screens his action film Threat Level Midnight to the office after eleven years of writing, shooting, re-shooting, and editing. The film features Michael as Agent Michael Scarn, Dwight as Scarn's butler and sidekick, and Jim as archnemesis "Goldenface," as well as several people from Michael's past including Jan ( Melora Hardin ), Karen ( Rashida Jones ), Roy ( David Denman ), Helene ( Linda Purl ), Todd Packer ( David Koechner ), Tony Gardner (Mike Bruner), and Troy Underbridge ( Noel Petok ). Complications arise when Michael doesn't get an expected response about the film from Holly. |
fd_Frasier_08x18 | fd_Frasier_08x18_0 | TEXT: ACT ONE Scene One <unk> Wine Club Niles, wearing his Corkmaster's ribbon, is at the podium as the members finish applauding Reynolds, another member, holding a trumpet. Niles: Thank you, thank you, Brother Reynolds, for your inaugural ode, and may I congratulate you on your ingenuity in rhyming "Sauvignon" with "tie one on." Reynolds: [with a sycophantic salute] Sir. Niles: And now, as outgoing Corkmaster it is my privilege [takes ribbon off] to bestow the sash of office upon the newly- elected Corkmaster... which would be me! [puts ribbon back on, to applause] Thank you, thank you, thank you for your support. It humbles me, and I only hope to live up to the shining example of my predecessor. [laughter] And of course the example of my opponent, the other brother Crane, who so graciously conceded after that fourth recount. Is he - is he here? I guess he's not. Well, I'm sure he's with us in spirit. Uh, if you'll indulge me, I've cobbled together a few remarks to express what this moment means to me- Frasier clambers down the stairs, acting embarrassed but obviously making as much noise as he can. Frasier: I'm sorry, I'm sorry! Oh God, I'm terribly sorry I'm late! Oh, it's just coming down in buckets out there! Niles: Hello, Frasier. [resumes] Just as the cork protects the wine, as Corkmaster I hope to protect the wine club from the forces of metaphorical oxidation- Frasier: Oh lord, Niles, are you in the middle of your inauguration speech? I'm so sorry. Niles: That's all right, that's all right. Frasier: It's just that I have an announcement of my own to make. Niles: Yes well, uh, new business is concluded, Brother Crane. Frasier: I move that we
SUMMARY: | On the night of Niles' inauguration for a second term as Corkmaster of the Wine Club, Frasier arrives late and announces his resignation. He plans to host a new segment on KACL at the end of Gil Chesterton's Restaurant Beat , called the Wine Corner, and he prefers not to do both. Frasier invites the members of the club to call into the show to enliven the discussion. He is subsequently disappointed to receive no calls from them. He discovers that Niles, annoyed at being upstaged at his inauguration, is using a rule in the Wine Club constitution to prohibit all Wine Club members from calling in. This leads to a rift between the brothers, which Martin refuses to tolerate. He, meanwhile, has a temporary new physical therapist called Frederica who works him very hard but provides excellent food. |
fd_Teen_Wolf_01x09 | fd_Teen_Wolf_01x09_0 | TEXT: 1x09 Wolfsbane Harris: Please don't kill me. Peter: Do you know who wrote that list? Harris: Laura - Laura Hale. Peter: Do you know why she was looking for you? I know why. Turn around, Adrian. Turn around and I'll show you. Turn around! Harris: No. Please. Peter: Look at me. Look at what you've done! Derek: Get down! Police: This is the police. You're surrounded. No one leave the building. Sheriff: Repeat, suspect is on foot. We're in pursuit, heading northwest. Chris: He's on foot. Just ran into the Iron Works. Kate: Wait, wait. Did you say on foot? Chris: Yeah, into the Iron Works. Kate: Running? Chris: Yes, running! Kate: If he's on foot, then who the hell is driving his car? Scott: Faster? Stiles: Much faster. Sheriff: Come on, get the dogs. What the hell? Stiles: Scott, I don't think you're grasping the concept of the car chase here. Scott: If I go faster, I'll kill us. Stiles: Well, if you don't go faster, they're gonna kill us! They're gone. Sheriff: All units, suspect is on foot heading into the Iron Works. Stiles: Get in. Scott: What part of laying low don't you understand? Derek: Damn it, I had him! Stiles: Who, the Alpha? Derek: Yes! He was right in front of me, and the friggin' police showed up. Stiles: Whoa, hey, they're just doing their jobs - Derek: Yeah, thanks to someone who decided to make me the most wanted fugitive in the entire state. Scott: Can we seriously get past that? I made a dumbass mistake. I get it. Stiles: All right. How did you find him? Scott: Can you try to trust us for at least half a second? Stiles: Yeah, both of us. Or just him. I'll be back here. Derek: Look the last time I talked to my sister, she was close to figuring something out. She found
SUMMARY: | Jackson discovers that he has aconite poisoning and thinks he has figured out what is up with Scott. Meanwhile, Derek hides from the manhunt in Stiles' room while Stiles and Scott try to get Allison's necklace and any clues that may lead to the identity of the alpha. Teammate Danny lends Stiles his internet expertise to help in the search. Derek and Stiles discover the identity of the Alpha. |
fd_Bones_01x07 | fd_Bones_01x07_0 | TEXT: "A Man on Death Row" [SCENE_BREAK] (INT: FBI Building, conference room) (BOOTH and BRENNAN are sitting at a table) BOOTH: Name? BRENNAN: You know my name. BOOTH: Bones, you are making an official request to the FBI to be allowed to carry a concealed weapon. I have to follow protocol. BRENNAN: It's ridiculous. BOOTH: Fine, then we're done here. Do you wanna get some coffee...? BRENNAN: My name is Dr Temperance Brennan. BOOTH: Reason for wanting a gun? BRENNAN: To shoot people. BOOTH: Not a good response. BRENNAN: It's the truth. BOOTH: You know, I'm writing "self defence in the performance of my duties pursuing suspected felons as contracted out to the FBI." BRENNAN: So I can shoot them. BOOTH: Ever been charged with a felony? BRENNAN: Charged, or convicted? BOOTH: Charged. BRENNAN: You know I have. BOOTH: I have to ask the questions. BRENNAN: Bureaucratic nonsense. BOOTH: Nevertheless, name of the arresting officer? BRENNAN: You... Special Agent Seeley Booth. Do you need me to spell that for you? BOOTH: I can sound that out. BRENNAN: So when do I get the gun? BOOTH: You can't have a gun. BRENNAN: Why not? BOOTH: Because you were charged with a felony. BRENNAN: Write down that you were wrong to charge me. BOOTH: Oh, there's no space for that. BRENNAN: Why'd we go through all of this if you were never going to give me a gun? BOOTH: You have a constitutional right to apply for a weapon. I would never deny your constitutional right. BRENNAN: But I need a gun! BOOTH: Rules are rules. BRENNAN: Tell them that I shot a murderer who was going to light me on
SUMMARY: | Condemned man Howard Epps is scheduled to be executed by lethal injection in 32 hours for the murder of 17-year-old April Wright. Epps' attorney, Amy Morton, makes a last-minute appeal to Booth, the man who arrested Epps, to re-examine the case. Booth believes Epps is guilty, but acknowledges that the case had a few loose ends. He asks Dr. Temperance Brennan and her team of squints to review the evidence and confirm Epps' guilt. But when Brennan finds forensic anomalies in the case, and Booth turns up evidence that another man was with April Wright the night she died, they must race against the clock to stay the execution. |
fd_CSI__Crime_Scene_Investigation_05x23 | fd_CSI__Crime_Scene_Investigation_05x23_0 | TEXT: FLASH IN. [EXT. LAS VEGAS CITY LIGHTS (STOCK) -- NIGHT] INTERCUT WITH: [INT. TRIP WILMONT'S ROOM - NIGHT] (We see the blurry figures of Trip Wilmont and Paula Levine kissing passionately.) [EXT. LAS VEGAS CITY LIGHTS (STOCK) -- NIGHT] [INT. TRIP WILMONT'S ROOM - NIGHT] (Clothes are rapidly being removed.) [EXT. COLLEGE CAMPUS - PATH TO DORM - NIGHT] (Camera follows several college kids walking toward the dorm. Camera rises to show the two figures in Trip Wilmont's window.) [INT. TRIP WILMONT'S ROOM - NIGHT] (Trip Wilmont and Paula Levine kiss passionately.) [EXT. COLLEGE CAMPUS - PATH TO DORM - NIGHT] (Camera rises up closer to the two figures in Trip Wilmont's window.) [INT. TRIP WILMONT'S ROOM - NIGHT] (Paula Levine removes her slippers. She and Trip Wilmont continue to kiss. More clothes are being removed and dropped on the floor where they stand.) (Trip opens a sleeping bag on the floor. He and Paula lie on it and continue kissing. In the foreground, lit candles on the dresser burn. Trip removes Paula's bra and they continue to kiss.) [SCENE_BREAK] [EXT. COLLEGE CAMPUS - PATH TO DORM - MORNING] (Police cars are parked in the front. Camera pulls back to the dorm front where Brass shows Grissom, Greg and Sara into the building.) Brass: Freshman dorm, coed. Two DB's on the third floor -- Trip Wilmont and Paula Levine. Both 18. [INT. COLLEGE CAMPUS - HALLWAY - MORNING] (Brass, Grissom, Sara and Greg
SUMMARY: | Sara and Greg investigate the death of two students in a dorm room. Nick, Warrick and Catherine investigate a man found dead in a 'crop circle'. Ecklie has to find out what happened to the corpse in the case he was working on, when it goes missing. First appearance of : Henry Andrews. |
fd_Buffy_the_Vampire_Slayer_02x13 | fd_Buffy_the_Vampire_Slayer_02x13_0 | TEXT: Prologue: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer. Buffy's room at night. She sleeps fitfully. She wakes with a start and puts her hand to her head. She reaches over to her lamp, turns it on and lets out a sigh. She takes her glass from her nightstand for a drink, but finds it nearly empty. She gets up to fill it. Cut to the hall. Buffy comes out of her room holding the glass and walks down the hall. Behind her Drusilla stalks her. Buffy opens the door to the bathroom and suddenly finds herself at the Bronze. A slow ballad, "Anything", by Shawn Clement and Sean Murray, is playing. Buffy ventures in. Lyrics: Take me over, I'm lying down / I'm giving in to you She finds Willow sitting at a table with a large cup of cappuccino and an organ grinder's monkey. Willow: (to the monkey) L'hippo a pique' ses pantalons. Translation: The hippo stole his pants. Lyrics: I'm a hurricane The monkey on the table with her squeaks. Buffy walks up to the table and looks at Willow curiously. Willow smiles at her and waves. Buffy raises her hand back, but remains confused about the monkey. Lyrics: I cannot describe this feeling Buffy continues on and finds her mother holding a large cup and saucer. Lyrics: Now that I've found this love Her mother sees her coming, and she turns to face her daughter. Joyce: Do you really think you're ready, Buffy? Buffy: What? Joyce drops the saucer. Buffy watches it fall. It shatters on the floor. Joyce just turns and slowly walks away. Lyrics: I'll do anything for you Buffy watches her go, then looks around the room again. Lyrics: Now that I've found this love She walks past Willow again and through the crowd to the stage. It's empty, no band tonight. She turns around and smiles warmly. Lyrics:
SUMMARY: | Buffy turns 17 and the Scoobies plan a surprise party. Meanwhile Drusilla plans her own celebration as Spike collects her presents: the disassembled pieces of The Judge, an ancient demon called to cleanse the world of humanity. Stymied at every turn, Buffy and Angel go back to his place to regroup, where they confess their deepest feelings and make love for the first time. Afterwards, Angel wakes in the middle of the night calling Buffy's name in anguish... |
fd_Doctor_Who_01x12 | fd_Doctor_Who_01x12_0 | TEXT: Recap of 107 "The Long Game". 100 years later. INT. CUPBOARD The Doctor is crouched inside what appears to be a small cupboard. The tiny enclosure starts spinning, spinning... The Doctor leaps to his feet and frantically starts feeling the walls. THE DOCTOR: What is it? What's happening? He unexpectedly finds a door and falls through it. INT. THE HOUSE The Doctor lands flat on his face on the floor. He is in a brightly coloured room, drawings on the wall, modern style chair. LYNDA: Oh my God! A woman of 30, Lynda, hurries over to him. LYNDA (CONT'D): I don't believe it! Why'd they put you in there?? They never said you were coming! The Doctor tries to pull himself up, very disorientated. THE DOCTOR: But what happened? I was... Lynda helps him to his feet. LYNDA: Careful now... oh! The Doctor's legs give way and he falls flat on his face again. LYNDA (CONT'D): Oh! Mind yourself! Oh, that's the transmat. Scrambles your head, I was sick for days. He tries to push himself up again. Lynda helps him to stand. LYNDA (CONT'D): You all right? The Doctor grunts. He finally manages to stabilise himself. LYNDA: So! What's your name then, sweetheart? THE DOCTOR (groggily): The Doctor, I think. I was er... I don't know, what happened? How... He looks at her for help. LYNDA: You got chosen. She nods, grinning, as though this explains everything. THE DOCTOR: Chosen for what? LYNDA: You're a house mate. You're in the house! Isn't that brilliant?! She laughs as this truly is something to be happy about. A camp voice comes from within. STROOD: That's not fair. There are two other house mates, Strood and Cro
SUMMARY: | The Doctor, Rose, and Jack wake up from amnesia into various reality television and game shows ; the Doctor is in a Big Brother -like house, Rose is a contestant on The Weakest Link , where those eliminated are thought to be disintegrated by the Anne Droid, and Jack is on a What Not to Wear -like show where two female robots offer to give contestants a new image. The Doctor and Jack escape from their shows and find they are on Satellite 5, one hundred years after the Doctor's last visit, where it is run by the Badwolf Corporation and known as the Game Station. The Doctor, Jack, and Big Brother contestant Lynda find Rose as she is disintegrated on The Weakest Link , and they travel to Floor 500, where Jack figures out the contestants are not disintegrated, but rather transmitted to a point in space. They learn that Rose has arrived on a ship containing Daleks, and the Doctor vows to rescue her and destroy the Daleks, which prompt the fleet of almost half a million Daleks to begin invading Earth. |
fd_The_O.C._02x20 | fd_The_O.C._02x20_0 | TEXT: Seth: hungry Ryan: no Seth: (makes an'I can relate' expression) me neither (puts the bowl down) (Ryan sighs. Seth sits next to him at the end of the counter) Seth: (sighs) hey (touches Ryan's shoulder) (Ryan looks at him) dude you cannot blame yourself, alright (Ryan shakes his head and rubs his eyes) all you did was give Trey a chance an you believed in him an its like look (Ryan sighs) whatever he did at Marissa's party that's all on him Ryan: the thing is (looks at Seth) I don't think he did it...I mean Treys alott'a things but eh I don't know I jus don't think he's a drug dealer Seth: ok, so then (Ryan listens) when the cops showed up an asked who's responsible for the...girl floating in the pool he was like what (Ryan sighs) (puts his hand up) I'm an ex-con, on parole I know, ill say me (waves his hand) Ryan: no I think that when the cops showed up an went to put the cuffs on Marissa he did what he had to do (looks at Seth) ta stop em Seth: (looks at Ryan) what makes you say that Ryan: I was...about to do the same thing (Seth laughs and nods his head) Ryan: (laughs) yeah Seth: (thinks) sure (smiles) the compulsive need to rescue Marissa Cooper mus be in the Atwood DNA Ryan: it would explain alot Seth: well look, the good news is if he really didn't do it (Ryan looks at him) then my dad'll get him off (Sandy and Trey walk into the kitchen) Sandy: oh I wouldn't be so sure about that (Ryan looks at Trey, Trey looks at Ryan, worried. Ryan stands and slowly
SUMMARY: | After the rager at Caleb's mansion, Sandy and the boys devise a plan to save another Atwood from jail time. Kirsten and Carter, fulfilling more than their editorial duties, take a trip to the wine country. Meanwhile, Caleb returns from Europe and is ice-cold to Julie's hot advances. |
fd_Alias_02x14 | fd_Alias_02x14_0 | TEXT: (In Berlin, a woman rubs her bare legs together in bed. We pan up to reveal a blonde woman. This is Emma. Next to her in bed is Lennox. She turns over to see him.) EMMA: Maybe when we're done here we should go back to Fiji. LENNOX: Yeah, we should. It was so great. (He kisses her and gets out of bed. Points to the shower.) LENNOX: I'm gonna take a shower. (Once he's gone, she rolls her eyes a little. As soon as the water starts, she jumps out of bed and moves to her closed laptop on the desk. She opens it up and starts to type an e-mail. "Abort Operation: Confirmation... Lennox is a" and she doesn't get to finish it because the door behind her creaks. She gets her gun from her bag and, aiming it, she moves towards the shower. She turns a corner. No one's there. She looks in the shower and sees that no one is in the stall. Lennox is standing behind her. She turns and he punches her in the face.) (Moments later, Lennox is sitting on the bed talking on his cell phone.) SLOANE: You're early. LENNOX: I've been compromised. (Sloane is seen walking down a hall somewhere, also talking on his cell.) SLOANE: How? LENNOX: Something I said. How do you want me to handle it? SLOANE: Use her to send a message. Make it public. (Lennox hangs up.) (At the ruined offices at SD-6, a few agents gather information and walk around. In the middle of it all stands Sydney. Vaughn enters and, once seeing her, approaches.) VAUGHN: I heard you were here. (Big smiles. She turns to face him, also smiling.) SYDNEY: I couldn't sleep. I was afraid I'd wake up and find out this was a dream. I went for a run to clear my mind. I ended
SUMMARY: | Sydney, Vaughn and Jack must determine whether CIA agent Lennox is who he says he is after his deep cover mission is compromised in Berlin. It is discovered that an agency has built a machine capable of replicating a human being's appearance. In this case, there are two agents Lennox at large and Sydney must discover which one is the real one and which one is fake. It is hinted that the machine has been used before to replicate someone else this way (Francie). |
fd_The_Office_09x09 | fd_The_Office_09x09_0 | TEXT: Jim: [Sighs] I'm having second thoughts about one of the shirts I packed. The blue one with the stripes. Pam: I'm sure it's fine. it's a blue shirt. Jim: Well, yeah, but I'm wondering if it's too blue. Like, am I making a statement with the blueness? [SCENE_BREAK] Jim: I am leaving early today for Philly, because tomorrow is the first day of my new job. So I figure I'd get in at 5:00, check into a hotel at about 6:00 so I can get a real good night of restless sleep and nervous puking. [SCENE_BREAK] Dwight: Uh, excuse me. Trying to get work done. Some people don't care about Jim's new sports job in Phila-Whatever. Jim: So you know my job has something to do with sports, but you don't know the end of the word "Philadelphia"? Dwight: Philadelphia. From the greek phila meaning "Love," and adelph, meaning "Adolf." "the city that loves Adolf." Good luck with your new enterprise and don't wear the blue striped shirt. It makes your neck look like an old mop handle. [Pam looks at Jim and nods her head in agreement] Erin: Oh...Hey, guys, the Christmas party is today. Merry Christmas everyone! Angela: No. Nellie: Is It? Erin: I mean, it says "X-Mas party," but I think we all know what that's code for. Kevin: So we're not going to have a Christmas party this year? Angela, how could you do this to us? Angela: Oh, right, like I'm responsible 'cause I'm in charge of the party planning committee. Kevin: Well, you are the one in charge of it. Angela: Don't blame me for something we all forgot. Oscar: Yeah, let's not blame her for something we all forgot. [SCENE_BREAK] Oscar: I didn't realize how many of Angela's opinions I agreed with, until she tried to have my
SUMMARY: | When the party planning committee forgets to plan the annual Christmas party, Dwight gets everyone to celebrate with a traditional Pennsylvania Dutch Christmas. Darryl fears that Jim has forgotten to include him in the new job in Philadelphia. Pete teaches Erin about his favorite movie Die Hard . Toby discusses the Scranton Strangler trial with Nellie. |
fd_Frasier_06x06 | fd_Frasier_06x06_0 | TEXT: Act 1 Scene 1 - Cafe Nervosa. Fade in. Frasier is sitting at the window bench with Nancy, a former coworker. Frasier: I just had the most wonderful time today. Nancy: Me too. It's funny that we worked together all that time and we never dated before this. Frasier: Well, anyway I... Roz: Hey, Frasier! Nancy, hi! Nancy: Hi! Roz: So, are you back to work yet? Nancy: Almost, I start at KNFS tomorrow. Frasier: You know, Roz, Nancy and I are having coffee. Roz: Oh, none for me, thanks. [to waitress] Listen, can I have a fat-free muffin please? Nancy, I have been dying to call you. My cousin just moved to town and I think he'd be perfect for you! Nancy: Actually, I just started seeing someone. Roz: Well, you'll forget all about him when you meet Chuck. He is so handsome and rugged and he loves the outdoors... Frasier: Kindly leave him there. You see, the person that Nancy is seeing is me. Roz: Really? You two are dating? Frasier: Even as we speak! Roz: Oh, my God! I am so sorry. Well, good for you. I mean, who needs Chuck when you've got... well, the anti-Chuck? [She gets up] When my muffin gets here, could you send it over? Frasier: You won't even see it coming. Roz: OK... Roz retreats to another corner. Frasier: Well, where were we? Nancy: Well, I think you were about to ask me out again. Frasier: My gosh, so I was. Well, let's just see how far this ESP of yours goes: what night was I thinking of? Nancy: Friday night. Frasier: Astonishing! Busboy, clear these spoons before she starts bending them. Niles enters. Niles: Frasier, I am so glad you're here. Frasier: Niles. Niles: [spotting Nancy] Oh, sorry. Niles Crane. Nancy: I think we'
SUMMARY: | Frasier has been dating Nancy, a former KACL worker, while Niles and Maris have reached a financial settlement. After a squash game with Niles, Frasier discovers some Cartier cufflinks in his bag, with an unsigned note from someone who misses him. He is thrilled at the possibility that he has a secret admirer as well as Nancy, and Martin has to tolerate his gloating for some time. Soon afterwards, a waitress at Café Nervosa brings him a box containing a Patek Philippe pocket watch , saying it was delivered earlier by a woman. Frasier is even more thrilled, but then Niles discovers a card in the box, indicating that the gift was actually intended for him and was from Maris, who wants him back. He refuses to sign the settlement, and she sends him the shredded settlement papers and a nickel, accompanied with a note stating that this is all he will have left after the divorce. |
fd_FRIENDS_05x01 | fd_FRIENDS_05x01_0 | TEXT: [Scene: Ross's Wedding, continued from last season, the Minister is about to marry Ross and Emily.] Minister: Friends. Family. We are gathered to celebrate here today the joyous union of Ross and Emily. (Time lapse) Now Ross, repeat after me. I Ross... Ross: I Ross... Minister: Take thee, Emily... Ross: Take thee, Rachel...(All his friends have looks of shock on their faces. He realizes what he said. Quickly he says.) Emily. (A slight chuckle.) Emily. Minister: (Looking and feeling awkward. he looks towards Emily.) Uhh...Shall I go on? Rachel: (To the woman sitting in front of her) He-he said Rachel, right? Do you think I should go up there? Emily: Yes, yes, do go on. Minister: I think we'd better start again. Ross, repeat after me. I, Ross... Ross: I, Ross... Minister: Take thee, EM-I-LY... Ross: Take thee, (Glares at the Minister) Emily. (Chuckles) Like there'd be anybody else. (Emily is glaring at him.) Minister: As my lawfully wedded wife, in sickness and in health, till death parts us. Ross: As my lawfully wedded wife, in sickness and in health, until death parts us. Really, I do. Emily. (Points at her.) Minister: May I have the rings? (He is given the rings) Emily, place this ring on Ross's finger as a symbol of your bond everlasting. (She jams the ring onto his finger) Ross, place this ring in Emily's hand as a symbol of the love that encircles you forever. Ross: Happy too. Minister: Ross and Emily have made their declarations and it gives me great pleasure to declare them husband and wife. Ross: Yay! Minister: You may kiss the bride. (He goes to kiss her, but she isn't very receptive of the kiss. She keeps avoiding him, until Ross finally gets to kiss her on her cheek.) Mrs. Geller: (To Mr. Geller) This is worse than when he
SUMMARY: | After Ross mistakenly says Rachel's name instead of Emily's at the altar, she runs off and goes into hiding. Monica and Chandler, desperate to hook up again, are unable to find a suitable place. Rachel debates whether she should confront Ross about her feelings. Ross goes to the airport hoping Emily will show up so they can go on their honeymoon. He runs into Rachel who is on standby for a flight home. When it appears Emily is not coming, Ross persuades Rachel to go with him instead. Emily shows up at the airport, but seeing Rachel getting on the plane, she runs off again with Ross chasing after her. Rachel, waiting for Ross to board the plane, ends up going to Greece alone. |
fd_Hannibal_01x01 | fd_Hannibal_01x01_0 | TEXT: (sound muted) (soft ambient pulse) (Sound returns.) (siren in the distance) (sound muted) (soft ambient pulse) (Sound returns.) (insects chirping) (house alarm) Will: I shoot Mr. Marlow twice, severing jugulars and carotids with near-surgical precision. He will die watching me take what is his away from him. This is my design. (house alarm) (woman whimpering frantically) Will: I shoot Mrs. Marlow expertly through the neck. This is not a fatal wound. The bullet misses every artery. She is paralyzed before it leaves her body. Which doesn't mean she can't feel pain. It just means she can't do anything about it. This is my design. (house alarm) (Alarm stops.) (phone ringing on other end) (keypad beeps) Security: This is DDX Security. Who am I speaking with? Will: I need the incident report for the home security company. This was recorded as a false alarm. There was a false alarm last week. He tapped their phone. Yeah. Officer: It's been tapped. Will: He recorded Mrs. Marlow's conversation with the security company. Security: This is DDX Security. Who am I speaking with? Mrs. Marlow's Voice Record: Theresa Marlow. Security: Can you please confirm your password for security purposes? Mrs. Marlow's Voice Record: Tea kettle. Security: Thank you, Mrs. Marlow. We detected a front-door alarm. Mrs. Marlow's Voice Record: Yeah, sorry about that. Security: Is there anyone in the house with you at this time, Mrs. Marlow? Mrs. Marlow's Voice Record: I'm just here with my husband. Security: Do you require any further assistance? Mrs. Marlow's Voice Record: No. Thank you so much for calling. Will: And this is when it gets truly horrifying for Mrs. Marlow. [SCENE_BREAK] Will: Everyone has thought about killing someone, one way or another, be it your own hand or the hand of God. Now think about
SUMMARY: | FBI Special Investigator Will Graham ( Hugh Dancy ), who is haunted by his ability to empathize with serial killers and mentally re-create their crimes with vivid detail, is drawn into the investigation of a series of missing college girls by Special Agent Jack Crawford ( Laurence Fishburne ), who has special interest in Graham's ability. Crawford and Graham interview the parents of the latest girl to go missing, only to discover that her body has been returned to her bedroom. Graham suspects it is an apologetic gesture from the killer. Crawford, by recommendation of Dr. Alana Bloom ( Caroline Dhavernas ), enlists the help of noted psychiatrist Dr. Hannibal Lecter ( Mads Mikkelsen ), who takes a keen interest in the case and particularly in Graham, in whom he senses a like mind. Another girl, Cassie Boyle, is found, this one mounted on top of a deer's head in an open field with her lungs removed. Graham is convinced it is the work of someone else, a negative, designed to show him the positives of the other crimes. Dr. Lecter is shown preparing himself a meal with human lungs. FBI crime scene investigator Beverly Katz ( Hettienne Park ) finds a shred of metal from a pipe threader on the clothes of the returned girl, which leads Graham and Dr. Lecter to a construction site that employs Garrett Jacob Hobbs, who fits Graham's profile. Dr. Lecter secretly makes a phone call to Hobbs, warning him that "they know". Lecter and Graham arrive at Hobbs's house just as Hobbs kills his wife. Graham shoots Hobbs dead, but not before Hobbs partially cuts his daughter's throat. Later, Graham and Lecter sit with the unconscious girl in her hospital room. |
fd_Angel_01x22 | fd_Angel_01x22_0 | TEXT: Kate voice over: "Angelus. A particularly brutal b*st*rd by all accounts." Darla: "They gave you a soul, a filthy soul! NO!" Angel: "Darla." Darla: "You're disgusting!" Kate: "What are you?" Angel: "There are some things in this world you are just not ready to face." Lindsey: "If you continue to harass our client then - we will be forced to bring you into the light of day. A place I'm told is not all that healthy for you." Lindsey: "I need your help. I want out." Lindsey: "If I get myself killed - that will convince you I've changed." Angel: "It's a start." Holland: "What I'm offering you, Lindsey, is the world." Angel steals the scroll from the vault. Wesley: "Is there a reason you took this?" Angel: "I don't really know." Wesley: "The prophecies of Aberjian. - - There is an entire passage - about you." Wesley is researching while Angel is reading a book and Cordy is reading the paper. Wesley: "Shanshu. - Shanshu. - Or maybe it's shushan." Cordy: "Are you still trying to figure out that word? What's taking so long?" Wesley: "Gee, I don't know, Cordelia. The prophecies of Aberjian were only written over the last 4000 years, in a dozen different languages, some of which aren't even human! Why don't we just get a Falanjoid demon in here, suck the brain out of my skull. Maybe that would speed things up." Cordy: "He sure gets testy when he's translating." Wesley: "This word is pivotal to what it prophesies about the vampire with a soul." Cordy: "Well, hurry up and figure out what it says about Angel, because - I wanna know what it says about me. If there is torrid romance in my future - massive wealth? If I
SUMMARY: | Wolfram & Hart raises a powerful warrior demon, Vocah, to sever Angel's connections to the Powers. Then, using an incantation from the ancient scroll that Angel stole from Wolfram & Hart, the evil law firm raises an even more powerful adversary. Vocah inundates Cordelia with visions putting her in a coma - the only way to save her is with the words of Anatole, from the scroll. Angel gets the scroll back by cutting off Lindsay's hand. The episode ends showing the demon Wolfram & Hart have raised to defeat Angel, it is his sire Darla. |
fd_Gilmore_Girls_02x01 | fd_Gilmore_Girls_02x01_0 | TEXT: 2.01 - Sadie, Sadie [OPEN IN STARS HOLLOW] [Camera pans around the center of town, which is covered in yellow daisies. Lorelai and Rory are crossing the street.] RORY: You should get married in Italy. LORELAI: All the way from home, same topic. There's tons of stuff going on in the world. Big stuff. RORY: Like? LORELAI: Balkans. RORY: That was ages ago. Read a paper. LORELAI: Ugh. They make my hands black. RORY: Oh! You should walk down the aisle to Frank Sinatra with a huge bouquet of something that smells really good. LORELAI: Pot Roast. RORY: And you should wear a long veil with your hair up. LORELAI: Ugh, I'll take any other subject in the world for two hundred Alex. RORY: Why don't you want to think about this? LORELAI: Because I haven't made my mind up about the yes or no part, so I don't want to start fantasizing about dresses and flowers or doves and tulle until I do, so please change the subject. RORY: I think the bridesmaids should be able to pick their own dresses. LORELAI: You know how on All in the Family when Edith would be yapping about something and Archie would pretend to make a noose and hang himself or shoot himself in the head? RORY: Yeah? LORELAI: I don't know. Something about this moment just made me think of that. RORY: Fine, I'm done. I'm taking these to Lane. LORELAI: Okay. Meet me at Luke's. RORY: Oh, get me a paper please. LORELAI: But my hands! [OPENING CREDITS] [CUT TO LANE'S HOUSE] [Rory walks in carrying flowers as Lane is arguing with her mother.] MRS. KIM: No! LANE: A time frame? MRS. KIM: No, no more talking. LANE: But Mama
SUMMARY: | Lane freaks out when her parents buy her a one-way ticket to Korea for the summer. Luke gives Lorelai a lot to think about when she tells him about Max's proposal. Lorelai finally says "yes" to Max and tells everyone except her parents. When Rory brings Dean to a special dinner at her grandparents' house to celebrate making it into the top 3% at Chilton, Richard criticizes Dean for not meeting the Gilmore standards of excellence.Rory springs to Dean's defense and that creates a rift between Richard and his granddaughter. Emily is heartbroken when she finds out about the wedding from Sookie instead of Lorelai and tells Richard to apologise to Rory. |
fd_Dawson_s_Creek_03x01 | fd_Dawson_s_Creek_03x01_0 | TEXT: (Cut to a bus cruising down the street with destination of CAPE COD written on the front. 'Old Time Rock & Roll' is blaring in the background. Cut to the interior of the bus where Dawson is sleeping with his headphones on, head resting on his shirt. He wakes up and notices the girl sitting next to him. It's EVE. She says something to him but he can't hear because of the headphones. He takes them off.) Dawson: Sorry. Eve: You're drooling. On your chin. Saliva from sleep. (Dawson moves to wipe it off.) Eve: Did you know that you're a very heavy breather? Dawson: No. Eve: Oh, and an insinuating, conversationalist, just my luck. What's on your lap? (Dawson looks at her.) Eve: Not that! The movie, what are you watching? Dawson: Oh, uh, Risky Business. Eve: The one with Tom Cruise? Dawson: Yep, and Rebecca DeMourney(sp?). Eve: The one where they do it on the train. And it's unbelievably sweet and believable even though he's a virgin and she's a battle-scarred hooker who's done it with hundreds of men. Dawson: It's more of a myth. Joseph Campbell meets Sigmeund Freud meets Holden Caulfield. A teenage boy passes into manhood with a sexual encounter with a beautiful woman who's essentially a fantasy character of his own creation. Eve: Hey, you're adorable. What's your name? Dawson: Dawson. Dawson Leery. (They shake hands. Dawson has to pull away first.) Dawson: You alright? Eve: My father taught me. Always when shaking hands make sure the other guy pulls away first. It's a powerful advantage in all human intercourse. Dawson: Actually...I meant your skin...do you have a fever or something? Eve: No, it's just me. It's my temperature. I run a few degrees hot. So...when are you going to tell me about your girlfriend? (
SUMMARY: | Dawson returns from spending the summer in Philadelphia with his mother, and on the journey home meets a beautiful blonde girl, Eve, who takes a liking to him. He hasn't spoken to Joey all summer. Jen gets an unexpected offer after she stands up to the school's popular crowd. Mitch becomes the new coach of the high school football team, and leaves for a coaching conference. In a moment of madness, Dawson crashes Mitch's boat and he and Pacey hatch a crazy plan to raise money to fix it. Joey offers herself to Dawson but he rejects her. Pacey awaits the return of Andie, who has spent the summer in the hospital. |
fd_Doctor_Who_1963_11x01 | fd_Doctor_Who_1963_11x01_0 | TEXT: The Time Warrior By Robert Holmes Broadcast December 15th 1973 Duration: 24'15 [SCENE_BREAK] 1. FX SHOT. SPACE (We see a bright light moving rapidly across the screen. This is LINX's spaceship heading toward Earth.) [SCENE_BREAK] 2. INT. IRONGRON'S CASTLE (An axe smashes into a table. Pull back to reveal BLOODAXE who looks nervously at his master, IRONGRON. They both sit at the table.) IRONGRON: This sheep has been dead a year. Are they trying to poison me? BLOODAXE: It is salted. IRONGRON: Salted? It stinks! (He throws a bone against the wall.) IRONGRON: Wine! Must I perish of thirst? Bring me wine! (MEG scurries up to the table with a pitcher. She pours some wine into IRONGRON'S tankard.) MEG: 'Tis the dregs of the barrel, captain. 'Tis the last there is. (MEG backs away as IRONGRON drinks. It is foul. He spits it out.) IRONGRON: (angry.) Ooh... (He throws the flagon at MEG. It's contents land on one of his minions, waking him up.) IRONGRON: Sour wine!...Stinking meat, sour wine...is this how I am served? BLOODAXE: Our supplies are low captain...it's some time since we went a-foraging. IRONGRON: And meanwhile our fine neighbours feast their bellies full of fresh meat and swill down flagons of fine wine. BLOODAXE: Sir Edward's storehouses and cellars are well stocked. IRONGRON: Then perhaps we should relieve him of some of his abundance, eh my friend? He's a good neighbour...he'll not miss a little of his pantry. BLOODAXE: Look! (BLOODAXE gets up and crosses
SUMMARY: | The Brigadier asks the Doctor to investigate the disappearance of several scientists, only for him to find they have been abducted back in time. |
fd_Charmed_06x01 | fd_Charmed_06x01_0 | TEXT: [Scene: On the beach. A KQSF Beach Bash is taking place. Smash Mouth is performing on a stage. A large crowd of people in swimwear are dancing along. The song ends and everyone cheers. Phoebe and Chad the DJ, are sitting under a canvas shade shelter holding microphones.] Chad: Give it up for Smash Mouth! Let's here it, come on! Hanging Chad coming back live at the KQSF annual Beach Bash. Winding it up with our special guest, the stunningly, beautiful, Phoebe Halliwell, the Ask Phoebe fame. Okay, so what's your deal? Are you psychic, is that it? Phoebe: I'm sorry? Chad: I mean, you gotta be don't you? Your column has sky rocketed, all the critics rave about how amazingly insightful your advice is. How else do you explain it? Phoebe: I just think I read people really well. Chad: Oh, you do, do you? Can you read me? (The crowd cheers.) Phoebe: I don't know, write a letter and we'll see. Chad: Come on, give it a shot. Crowd: Yeah! Chad: You guys wanna see her do it, dontcha? Crowd: Yeah! (They applaud.) Phoebe: Oh, alright, alright. Ah, what do you want advice on? Chad: Okay, let's see. There's this woman that I like and I'd like to ask her out but I'm afraid she'll say no. What should I do? (Phoebe looks at Chad and thinks.) Phoebe: Well, why don't you just ask me and find out? (Phoebe laughs. The crowd applauses.) [Scene: Manor. Attic. Chris is standing back from the Book of Shadows' stand. He is chewing on a pen as he flips the pages with telekinetic powers. He stops at a page that reads Trok Demon and walks closer to the Book of Shadows. He takes
SUMMARY: | Even though Leo is gone, Piper is in a surprisingly chipper mood, leading Paige to suspect that Leo altered Piper's memory. However, Paige 's spell to restore Piper's memory clashes with Leo's and causes total amnesia. When calling upon Leo for help, Phoebe and Paige discover that he is being held captive on the Island of Valhalla , a mythical place ruled by warrior-maidens known as Valkyries. Phoebe also discovers she is an empath, where she can feel people's emotions, much to the worry of Chris . The Charmed Ones disguise themselves as Valkyries and infiltrate Valhalla to try to rescue Leo. In order for them to get close to him, they must convince the Valkyries that they are one of them. While Phoebe and Paige go to Darryl to borrow his soul, Chris kills a Valkyrie by crushing her heart through his telekinetic power, to possess a Valkyrie's necklace. The sight of Leo causes Piper's pain to come flooding back, prompting her to stay behind on the island to forget the pain while everyone else escapes. Three fallen warriors follow Paige and Phoebe across dimensions to San Francisco and wreak havoc on the city. Phoebe has to control her new power in order to convince Piper that she belongs with her sisters, not the Valkyries. Meanwhile, Paige takes a job as a dog walker and is amazed when one of her dogs is transformed back into a man. Leo later uncovers evidence that Chris had killed two Valkyries, but opts not to use it because Chris had finally earned the Charmed Ones' trust. |
fd_FRIENDS_09x22 | fd_FRIENDS_09x22_0 | TEXT: [Scene: Central Perk. Charlie, Joey and Rachel are on the couches] Charlie: (while Joey's giving her a massage) Oh! That feels sooo good! Rachel: (speaking to herself and reading Cosmopolitan) Oh, lucky me! Coffee and a live s*x show! Charlie: I'm sorry, what? Rachel: Oh... Oh, I'm sorry! I'm not... I was just-I was just reading to Emma. Charlie: From... Cosmo?? Rachel: Yeah, yeah... It's... "climax your way to better skin". Charlie: (to Joey) So, I have to go shopping today, which is my least favourite thing, I'm soo bad at picking out clothes! Joey: So you need someone who knows fashion, to tell you what looks good. Rachel: (hiding herself behind the magazine and whispering) Not me, not me, not me, not me, not me! Joey: Oh hey Rach! Rachel: Yeah... Joey: Maybe you could take Charlie shopping. Rachel: Oh, well... Charlie: I'm sure you have better things to do. Joey: Are you kidding? Rachel loves to shop! And she has great taste! Yeah, she's the one who taught me, you don't wear white after labour day and that you always, always, always have to put on underwear when you're trying on clothes. Charlie: If you have the time, I'd really appreciate the help. Rachel: Ok, uh-uh... Let's-Let's shop!! Joey: (to Charlie) Ok, you're gonna come back with some very classy clothes... (aside to Rachel)... and some slutty lingerie, SLUTTY! Phoebe: (entering and talking on mobile phone) Ok, great! All right, bye! (she hangs up) Pain in the ass!! (she looks at the others, then back at the phone) That's off, right? Joey: What's the matter, Pheebs? Phoebe: Oh... Mike's sister just invited me to a party tonight, he's gonna be there.
SUMMARY: | After learning they are reproductively incompatible, Chandler and Monica search for a sperm donor. After interviewing a suitable potential candidate, they decide to adopt instead. Phoebe realizes Rachel's feelings for Joey when she and Rachel take Charlie shopping, and Rachel fears Charlie heard that she likes Joey. While getting ready to go to Mike's sister's party, Phoebe meets David, the scientist guy, again. Ross has an interview for a conference in Barbados. Hank Azaria and John Stamos guest star. |
fd_How_I_Met_Your_Mother_05x21 | fd_How_I_Met_Your_Mother_05x21_0 | TEXT: Ted (2030): Children, your Aunt Robin was dating Don until recently, but one evening, coming from nowhere... Robin is at Don, sitting on the couch, when Don comes with pancakes. Don: You want to install? Robin: Well... it's a bit early... but... of course, I might consider... I moved here, let me think. Don: I mean, you can install yourself beyond me to sit? Robin: Yeah, that's what I was talking about me too. As I said, let me think. I agree. Don: But... now that you've mentioned... you wanna install? Lily, Marshall, Ted, Barney and Robin are at McLaren's. Lily: You said what? Robin: I thought about it. Barney: You think about it? You hardly know him. In addition, the guy is a draw with a job that is worthless. Robin: We have the same job, Barney. Barney: And we could not be more proud of you, my angel. Lily: It still seems fast. Robin: You're probably right. Ted: You should live with him. Robin: Really? Ted: Yeah, you're happy with him, and i adore you as a roommate, I want you to do what is right for you. Robin: You wanna throw me out because of something with milk? Ted: It's super boring. Flashback Ted closes the fridge having taken a milk carton, but it is empty. Ted: Robin?! He enters the chamber Robin sleeping. He puts the brick in the arms and leaves. End flashback Robin: No. I have a system. I put the empty brick in the fridge to remind us to buy milk. Ted: Why not let the solid brick to remind us not to buy? Barney: All right. As a former... before you embark on anything, I'm meeting this guy. I think it's pretty weird not having yet met. Robin: Bluntly. It's as if someone was orchestrating things for this specific purpose. Okay, but you must promise to behave well. Barney: I promise. Robin presented to Don Barney. Barney: I'm doing this contortionist Portuguese, and I swear... it is so flexible, at a
SUMMARY: | When Ted and Barney jeopardize Robin's new relationship by professing their love for her, Robin realizes that she is finally over them. Meanwhile, after spending a weekend sleeping in twin beds, Marshall and Lily decide to get twin beds at home. |
fd_Reign_01x04 | fd_Reign_01x04_0 | TEXT: (In the courtyard at the castle, people - like Queen Catherine, King Henry, Mary, Queen of Scots and her Ladies in Waiting - are gathered around, watching Francis and Tomás compete against one another in a game of archery.) NOSTRADAMUS: (Speaking to Catherine, who sits between he and King Henry) Who designed the target? CATHERINE: Oh. Who knows? They say it looks like the castle ghost - the girl they blame for every girl or servant that runs off, or goes missing. (Francis and Tomás stand beside one another. Each holding their own bow and several arrows.) FRANCIS: (Speaking to Tomás) Nice shot, Tomás, but the object is to hit the heart. TOM<unk>S: Is it? (Francis nods, as Tomás goes to retrieve another arrow. The camera pans in on Mary, Kenna, Greer, Lola and Aylee, as they sit nearby; watching the events unfold) OFFSCREEN VOICE (to Mary, who looks unamused): Is he allowed to take another shot? (Tomás aims his bow and arrow toward the target. This time, he hits the target in precicely the correct place. Looking proud of his accomplishment, he gazes into the crowd - noticing the tension in the air) TOM<unk>S (to Francis): Did I take too many shots? FRANCIS: Technically, yes. Shall I take another shot too? TOM<unk>S: Take as many shots as you would like. (glancing over at Mary, then back to Francis) You will still lose. (Francis pulls out an arrow, fixes it to his bow and takes a shot - hitting the target just inches from Tomás' last shot. The crowd gives him an applause. Tomás smiles slightly and makes a hand gesture) AYLEE: Does Tomás seem different these last few days? A little more bold? KENNA: More intense? OFFSCREEN VOICE: More *unintelligible* anyway AYLEE: More engaged to Mary, certainly. MARY: Not all the way
SUMMARY: | Simon Westbrook is arrested for causing the deaths of the French troops, based on the testimony of a prostitute who claims she saw him bragging about it. Prince Tomas shows his true colours to Queen Mary by threatening her and hitting a whipping boy when she talks back to him. After receiving a hint from Clarissa, Queen Mary, Prince Francis and Bash realize that Prince Tomas had the most to gain by warning the English. She questions the prostitute, who admits she was paid for her testimony. Prince Francis and Bash find Prince Tomas when he's about to kill his whipping boy to cover his tracks in the plot; a fight ensues and Prince Francis kills Prince Tomas. Queen Mary, Prince Francis, and Bash return to court in time to prevent Simon's execution. Henry and Catherine, with the King of Portugal's agreement, agree to cover up Tomas's treachery - the official story is that his death was an accident. Simon leaves France as the new English envoy to Portugal. Due to her role in protecting France's ties with Portugal, Mary is able to reopen negotiations for her marriage to Prince Francis, this time pressuring King Henry and Queen Catherine for better terms for herself and Scotland. |
fd_Degrassi_Next_Generation_04x02 | fd_Degrassi_Next_Generation_04x02_0 | TEXT: At the car lot, Paige is pouring water on a car Paige: I christen thee... what's your new baby's name Spin? Craig: Sparky? Looks like a Sparky. Herbie? Thomas? Spinner: The Love Mobile. That's what this is, it's our love mobile. (He and Paige kiss.) Craig: And you're calling me a dork? Joey: Hey you don't own that quite yet. Spinner: $2700 for 386 miserable hours of waiting tables. Joey: Congratulations. (Joey hands Spinner the keys and he and Paige are shown driving around town.) Spinner: Wicked, wicked, wicked day. Okay tonight I am taking you to the drive-in. Load up the car with some blankets, some slow jams of love. (They kiss as a cop pulls up behind them.) Paige: Mm breath spray for you. Spinner: Holy crap on a stick. Paige: Oh my god I told you, you were speeding. Spinner: What do I do? (The cop knocks on his window and Spinner rolls it down.) Spinner: Uh nice day, huh officer? Police officer: Lovely. I'm looking for Paige Michalchuk at this address. Paige: Michalchuk. Um I'm Paige. (He hands her a letter.) Paige: Notice to appear? Police officer: You pressed charges in a sexual assault case in 2002. Paige: Wow. Um really, now? At the drive-in (Paige screams while watching the horror movie.) Paige: Ew! Cuddles please! (Paige and Marco cuddle together and scream at another scary part.) Marco: I hate zombie movies! Didn't I tell you?! Paige: Oh they're totally devouring that chick. Gross. Spinner: I can't even see. Paige: Okay well it's more than we shorties could see if we were stuck behind you, bebe. Spinner: Yeah, but it's my car. Paige: Ew. Okay enough with the creepy un-dea
SUMMARY: | With the new school year on the horizon, Paige receives a summons to testify against Dean when the rape case finally comes to trial after two years. She soon learns that the legal system is not perfect when Dean is unfortunately acquitted of all charges. Angered by the outcome, she seeks a destructive revenge against him which could also affect Spinner. Meanwhile, Craig celebrates his 16th birthday, receives $10,000 from his father's will, and spends it on an extravagant guitar, much to Joey's disapproval. |
fd_Buffy_the_Vampire_Slayer_01x03 | fd_Buffy_the_Vampire_Slayer_01x03_0 | TEXT: Prologue: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer. Sunnydale High School. Cut to the library. Giles: (upset) This is madness! What can you have been thinking? You are the Slayer! Lives depend upon you! (begins pacing) I make allowances for your youth, but I expect a certain amount of responsibility, and instead of which you enslave yourself to this, this... (stops pacing) Cult? Buffy: (wearing a cheerleader outfit) You don't like the color? Giles: I d... (exasperated) Do you, um... (puts some books on a cart) Do you ignore everything I say as a, as a rule? Buffy: No, I believe that's your trick. Giles pushes the cart to the counter. Buffy skips in front of him and poses. Buffy: I told you, I'm trying out for the cheerleading squad! Giles: You have a sacred birthright, Buffy. You were chosen to destroy vampires, not to... wave pompoms at people. And as the Watcher I forbid it. (goes back to the table) Buffy: And you'll be stopping me how? Giles: Well, I... (sits on the edge of the table and crosses his arms) By appealing to your common sense, if such a creature exists. Buffy: I will still have time to fight the forces of evil, okay? I just wanna have a life, I wanna do something normal. Something safe. Cut to the witch's attic. The camera moves through the dark space. There are flowers and herbs hanging upside down from the rafters to dry and personal items with tags. The witch moves around in the darkness. The camera follows her to the cauldron. She waves a pendant on a chain over the brew, then pulls it back. She goes over to a rack and yanks off a doll hanging there by its neck on a wire. Cut to the gym. Cheerleader tryouts are about to
SUMMARY: | Buffy tries out for Sunnydale High's cheerleading squad. The Scoobies at first suspect that Amy is causing all the havoc but discover that her mother, also a practicing witch, has swapped bodies with her. |
fd_Bones_02x17 | fd_Bones_02x17_0 | TEXT: "The Priest in the Churchyard" [SCENE_BREAK] (EXT: Churchyard cemetery. BRENNAN, ZACK and FATHER MATT are walking through it) FATHER MATT: This cemetery has been connected to our parish for almost 200 years. At 3AM the water main broke. Felt like an earthquake. Coffins were bursting out of the ground. (he winces) BRENNAN: Are you alright? FATHER MATT: I've had some stomach problems lately... this isn't helping. The last person was buried here over fifty years ago, I don't know how you're gonna figure out who's who. BRENNAN: With burial records, identification should be pretty straightforward. (she crouches down to a coffin) Alright, let's see. Female, forty to fifty years old, severe osteoporosis. Dress and jewellery place burial around the late 19th century. (spots another skeleton) This one's in pieces. FATHER DONLAN: What's going on here? Lorraine said you're giving them church records. FATHER MATT: The burial records, Father, so they can identify and re-inter the remains. FATHER DONLAN: Those records are my responsibility, Father Sands. You're to go through me before allowing their release. FATHER MATT: I'm sorry, Father, I saw no harm in it. FATHER DONLAN: I still run this parish. FATHER MATT: I understand. (BRENNAN approaches them holding a skull) FATHER DONLAN: I'm Father William Donlan. FATHER MATT: This is Dr Brennan, from the Jeffersonian, and this is... FATHER DONLAN: They can't speak for themselves? ZACK: I'm Dr. Addy. Are you one of those priests who smacks school children with rulers? FATHER DONLAN: That's not allowed anymore. BRENNAN: We do need those burial records, Father, and since this is a federally protected historic site... FATHER DONLAN: Fine. But I'll expect you two to show some respect for where you are. This is consec
SUMMARY: | Brennan and Zack examine corpses, which have been spilled out of their coffins, due to a burst water main in an old cemetery on the St. Agatha church grounds. However, as they identify the individual bodies to be put back in their proper place, they find one skeleton that is out of place. Father Donlan, who runs the church, says all these bodies had been buried for at least 50 years and yet Brennan believes one of them was buried five years ago with no coffin. When it is confirmed the deceased was murdered, Booth and Brennan investigate the priests and administrator of the church and argue about the validity of religion. |
fd_Frasier_05x16 | fd_Frasier_05x16_0 | TEXT: ACT ONE Scene One - KACL. Frasier is wrapping up his show. Frasier: Well, that's all the time we have for this afternoon, Seattle. This is Dr. Frasier Crane, wishing you good afternoon, and good mental health. He goes off the air and starts gathering his things into his briefcase. Roz comes into his booth. Roz: Frasier, if I ask your opinion about something, will you give me an honest answer and not just tell me what you think I want to hear? Frasier: Absolutely, Roz. Anytime, all you have to do is ask. Behind his back, Roz puts on a new hat. Frasier turns around, looks - and heads for the door. Roz: Oh, I knew it. Frasier: Oh, no, no, Roz, I'm just kidding. I love it! Roz: Really? Frasier: Yes, it looks great. Roz: Are you sure? Frasier: Trust me. Roz: OK. It's just in my condition I'm just a little insecure. You know, every time I see something cute in the window, I remember how I look and I think, "no way." A handsome, dark-haired young man appears in the glass, sees Frasier, and knocks, grinning. Roz: Here we go again. Frasier: Gosh, that's my cousin! Nikos! What are you doing here? Nikos: [coming through the door] I was in the neighborhood, I thought I'd stop by! They hug. Frasier: Oh, it's great to see you! My God, it's been ages. Oh yes, I'd like you to meet my producer, Roz Doyle. Roz: [shaking hands] Hi. Frasier: This is Nikos, my father's brother's son. Roz: Well, I would have never pegged you for a Crane. Frasier: Oh, well, he's half Greek. He gets his looks from his mom. Roz: I'll bet he gets looks from lots of women. Frasier: Roz! Nikos
SUMMARY: | Frasier receives a visit at KACL from his half-Greek cousin, Nikos, who is planning to get married soon and wants Frasier, Martin and Niles to come to the wedding. They realize that his fearsome mother, Zora (guest star Patti LuPone ), did not send the invitations. This is due to a long-standing rift between her and Frasier: five years ago, he advised Nikos to follow his preferred career ( juggling ) rather than go to medical school as Zora wanted. Since then, she refuses to speak to or acknowledge him, Niles or Martin at all, and she imposes the same restrictions on her husband Walt, Martin's brother. Consequently, Martin is not keen to attend the wedding, and neither is Niles, in case he runs into cousin Yvonne, who has a crush on him. Frasier, however, wants to see Nikos happy, and after accepting his invitation, manages to reconcile with Zora on condition that he never gives advice to Nikos again. He finds this promise harder to honor than he expected, when he deduces that Nikos' affections lie elsewhere. He gets involved once again, ignoring Zora's warning, and Nikos calls the wedding off. Zora, in a rage, attacks Frasier who flees while Martin and Walt say their goodbyes once more. |
fd_The_Office_08x24 | fd_The_Office_08x24_0 | TEXT: Oscar: [to webcam] Hello. My name's Oscar. I'm an accountant in Scranton, Pennsylvania and I'm gay. And I'm here to tell you that yes- it does get better. When I was younger, um- Phyllis: What's he doing? Dwight: He's searching out younger gays. Phyllis: Oh. Oscar: No, it's just a way to tell young people, no matter how hard it gets for them, there's a brighter future ahead. Dwight:...with you. [chuckles] Oscar: No matter how hard it gets for you, eh- Kelly, seriously, I- Kelly: Just keep chatting. I'm just checking my makeup in your webcam. Oscar: Do you not own a mirror? Kelly: Webcams make me look the way I do in my fantasies. Pam: I know, right? What is it? You always look so good in those things. Kelly: I'm throwing out all my mirrors. Oscar: Okay, as you can see, I now have a cool job at a dynamic workplace. Being gay is a celebration of life, it's a simple- Robert: No, I'm sorry, I just can't sit idly by and have the gay youth of America misled by some reductionist- Oscar: It's not misleading. Robert: -pep talk. Sexuality is a spectrum. It's a paradox to think of any sexual activity as "normal." It gets better but it also gets vastly more complicated. Kevin: Hey, Robert, that guy, he looks just like you. [Robert backs into Kevin's nose] Ooh! [whimpers] Robert: Ow! Damn it, Kevin! God! Dwight: You okay, Robert? Robert: Fine. Dwight: Put some ice on it. Oscar: In any case, it gets better. [Kevin cries] Maybe- maybe not much better... but better. [SCENE_BREAK] Sasha: One, two, three! [SCENE_BREAK] Dwight: I wanted to give a nice gift to the tenants in the building
SUMMARY: | Dwight offers free family portraits in an elaborate scheme to obtain the DNA of Angela's child. After he steals a diaper, Angela pursues him in a high-speed car chase. After former CFO of Dunder Mifflin David Wallace ( Andy Buckley ) buys back the company, he re-installs Andy as manager and donates several million dollars to a mentor program California will join. California promptly leaves the office for good. |
fd_Doctor_Who_02x02 | fd_Doctor_Who_02x02_0 | TEXT: EXT. FIELD SOMEWHERE IN SCOTLAND A horse and carriage makes its way across a windy field, bells ringing. EXT. TORCHWOOD HOUSE A procession of Monks walk into the yard of an old house. A man, the Steward, notices Father Angelo walking towards him, taking his hood off. He goes to meet him. THE STEWARD: Come now, Father. You should know better. You're not welcome here, and especially not today. I've got no time to start old arguments. FATHER ANGELO: We want only one thing. THE STEWARD: And what would that be? FATHER ANGELO (looking up at it): This house. THE STEWARD (following his gaze): You want the house? FATHER ANGELO: We will take the house. THE STEWARD (sarcastically): Would you like my wife while you're at it? FATHER ANGELO: If you won't stand aside, then we'll take it by force. THE STEWARD (skeptically): By what power? The Hand of God? FATHER ANGELO: No. The Fist of Man. He suddenly thrusts a staff into the Steward's stomach, knocking him to the ground. He kicks him across the yard and then signals for his Monks to drop their cloaks. They are wearing bright red clothing beneath. They swing their own staffs and a fast martial arts sequence follows, Matrix style, as the Monks proceed to fight against the household staff. When they are done with the men in the yard, they run into the house and capture the maids in the kitchen. Some of the Monks run upstairs and into a bedroom, where Sir Robert is knocked out. INT. TORCHWOOD CELLAR When the Steward comes around, he is in what appears to be a barn, chained up with all the household staff and the Lady of the House. The door is wrenched open by one of the Monks. THE STEWARD: In the Name of Heaven... He turns and spots Lady Iso
SUMMARY: | The Doctor and Rose end up in Scotland in 1879, where Queen Victoria invites them to Torchwood Estate. Unknown to them, the estate has been captured by a group of monks who have brought a werewolf in hopes to infect Queen Victoria. The Doctor notices the trap and tries to shield himself, Victoria, and Rose from the werewolf. He learns that the estate was designed as a trap for the werewolf as it contains a large telescope which, with Victoria's Koh-i-Noor diamond and full moonlight, can force the werewolf into a human form. Though they save her, Queen Victoria is appalled by the Doctor and Rose's modern eccentricities and founds Torchwood Institute to defend Britain from further alien attacks. |
fd_The_Big_Bang_Theory_03x14 | fd_The_Big_Bang_Theory_03x14_0 | TEXT: Scene: The apartment. Sheldon is stood in the middle of the room. His whiteboard is behind him. Every few moments he turns round suddently. Penny: Whatcha doing? Sheldon: I'm attempting to view my work as a fleeting peripheral image so as to engage the superior colliculus of my brain. Penny: Interesting. I usually just have coffee. You've been up all night? Sheldon: Is it morning? Penny: Yes. Sheldon: Then I've been up all night. Penny: And you're stuck? Sheldon: Why else would a person try to engage their superior colliculus? Penny: Oh, sorry, sweetie, I can't help you till I've had my coffee. Leonard: Penny, I told you if you don't put him in his crate at night he just runs around the apartment. Penny: What is he doing now? Leonard: Mmm, he's either isolating the terms of his formula and examining them individually, or looking for the alligator that swallowed his hand after Peter Pan cut it off. Sheldon: Captain Hook's hand was eaten by a crocodile, not an alligator. If you're going to mock me, at least get your facts straight. Leonard: Aye, aye, Captain. Sheldon: I can't see it! It just won't coalesce. Leonard: Maybe you need a fresh start. Sheldon: You're right. (Takes whiteboard to window and throws it out. Picks up a new one) It's a great idea, Leonard. Thank you. Credits sequence. Scene: The cafeteria. Sheldon: Electrons move through graphene, act as if they have no mass... Howard: How long has he been stuck? Leonard: Intellectually about 30 hours. Emotionally about 29 years. Sheldon: Unit cell contains two carbon atoms. Interior angle of a hexagon is 120 degrees. Howard: Have you tried rebooting him? Leonard: No, I think it's a firmware problem. Raj (arriving): Hey,
SUMMARY: | After becoming obsessed with a physics problem, Sheldon decides to take a menial job, comparing himself to Albert Einstein, who conceived his theory of relativity while working at the Swiss patent office. Meanwhile, Raj feels left out when Leonard, Penny, Howard and Bernadette go on a double-date at a roller skating rink. |
fd_FRIENDS_06x11 | fd_FRIENDS_06x11_0 | TEXT: Teleplay by: Brian Boyle Story by: Zachary Rosenblatt [Scene: Monica and Chandler's, everyone is there as Joey enters happily.] Joey: Hey! Ross: Hey! Joey: Listen, do you guys think I have a chance with Janine? Monica: Honey, we have been through this before! Rachel: Yeah. Don't do this to yourself. Phoebe: She's made it pretty clear, it is not going to happen. Joey: Well all right then, I guess I shouldn't get to excited about the fact (excitedly) that I just kissed her! Monica: You serious?! Chandler: That's great! Monica: Really?! Phoebe: Yeah well, we'll see. Ross: You kissed her. Joey: Oh we kissed it up real nice. Chandler: So you kissed her, so what happened after that? Joey: I came over here to tell you guys. Chandler: So she's just waiting over there for ya? (Joey nods yes, but suddenly realizes what he did and runs out of the apartment and back to his place.) Opening Credits [Scene: Central Perk, Joey and Janine are pretty much making out at one of the tables as Monica and Rachel look on from the couch.] Janine: I gotta go. Joey: Okay. (They kiss.) Janine: I'm gonna be really late for dance class! Joey: Okay. (They kiss.) Janine: Okay, now I'm really late. (Gets up.) Joey: Okay, I'm all right, okay, but hey, could you just leave your lips? (She kisses him on the cheek and starts to leave.) Janine: (to Monica and Rachel) Bye. Monica: Bye. (Janine exits.) Joey: Have you kissed her yet? It's awesome! I could do it forever! Y'know what? She-she kisses better than my mom cooks! Monica: I am so glad you said cooks. Rachel: I know. Chandler: (entering) Oh hey Rachel, sweetheart? You
SUMMARY: | Janine and Joey are finally dating, only for Janine to tell Joey she does not like Monica and Chandler, forcing him to choose. Meanwhile, Rachel buys an apothecary table from Pottery Barn, a store that Phoebe hates, then pretends she bought it at a flea market. Her story is blown when Phoebe sees the same table at Ross' apartment. |
fd_Doctor_Who_1963_02x11 | fd_Doctor_Who_1963_02x11_0 | TEXT: THE RESCUE DAVID WHITAKER 5:40pm - 6:05pm [SCENE_BREAK] 1: INT. LEDGE IN PASSAGEWAY IAN: Doctor? I... (A series of sharp spikes extend from either side of the face carving overreaching the extent of the ledge - with IAN trapped between them.) DOCTOR: Don't go any further! IAN: What... I can't go either way! (The DOCTOR examines the ring mechanism. IAN shines the torch over the ledge towards the reptile roaring below. He turns round. From the centre of the face carving, a further series of sharp spikes start to slowly extend towards him.) IAN: Doctor, They're pushing me towards the edge! (The reptile below roars, awaiting its victim. IAN touches one of the blades but quickly pulls his hand back in pain.) IAN: Doctor, they're razor sharp! DOCTOR: Take your coat off my boy and throw it over the blades. IAN: Hold the...torch for me please. (He passes the torch to the DOCTOR.) DOCTOR: (Taking it.) Right. IAN: Ha! DOCTOR: Now swing yourself round. (IAN places his coat over the end of the blades.) IAN: Give me a hand. DOCTOR: Come on, come on, come on. (IAN swings round the edge of the outermost blades as the watching reptile roars below.) IAN: Thanks. (Looking at the trap.) I thought I'd had it. What do you think this is for? DOCTOR: I've no idea. I've never seen it before in my life. (IAN retrieves his coat and puts it back on. He looks at the third face carving with the dislodged ring pull.) IAN: I suppose this operates the knives. DOCTOR: Yes, quite so. (He passes the torch back to IAN.) Then we've got to get this thing back in its place. (The reptile roars again. IAN shines the torch down onto it as the DOC
SUMMARY: | The Doctor, Ian and Barbara arrive on the planet Dido where a crashed spaceship with the only two survivors are terrorized by the monsterKoquillion. But who is Koquillion? But the enemy may be closer then they think... |
fd_One_Tree_Hill_02x16 | fd_One_Tree_Hill_02x16_0 | TEXT: LUCAS: (v.o) Previously on One Tree Hill. [INT. KAREN'S CAFÉ - BEHIND THE COUNTER - DAY] LUCAS: I wanna move in with Dan. KAREN: Over my dead body(!) (Lucas stares with his mouth open.) KAREN: (v.o) What does Dan have over you? [SCENE_BREAK] [INT. SCOTT RESIDENCE - LUCAS' BEDROOM - EVENING] (Lucas empties his stuff onto the bed, including his HCM medicine and leaflets.) DAN: (Entering the room.) How did you convince her that you didn't have HCM? LUCAS: I used Keith's negative results letter. [SCENE_BREAK] [EXT. NEW BRUNSWICK COUNTY TRANSIT AUTHORITY - EVENING] (Haley has her hands in her pockets as she walks past Chris, towards the bus door.) NATHAN: (v.o) She left to be with Chris. She kissed him, before she left. (Chris puts her luggage away as he watches her.) [SCENE_BREAK] [INT. ROE RESIDENCE - FRONT HALL - EVENING] (Andy has his phone in his hand as he talks to Karen.) ANDY: My investigator found something interesting about Dan. [SCENE_BREAK] [INT. SAWYER RESIDENCE - PEYTON'S BEDROOM - EVENING] (Peyton and Jake are sitting on Peyton's bed after their first date.) JAKE: Let's just... go slow. OK? PEYTON: (Considers before nodding.) OK. [SCENE_BREAK] [INT. JAMES SCOTT APARTMENT - KITCHEN - EVENING] NATHAN: You know there's a girl you had feelings for. LUCAS: Nathan- NATHAN: Look me in the eye. Tell me I'm wrong. (Lucas looks at Nathan
SUMMARY: | Keith and Jules' wedding day, and the event turns the town upside down. Brooke asks Lucas to take her to the wedding as his date, Nathan makes an important decision involving his marriage to Haley, and Jake and Peyton take a big step in their relationship. Meanwhile, Karen and Andy discover Jules' secret relationship with Dan. This episode is named after a song by Snow Patrol . |
fd_Doctor_Who_1963_12x11 | fd_Doctor_Who_1963_12x11_0 | TEXT: Genesis of the Daleks by: Terry Nation Part One Running time: 24:30 [SCENE_BREAK] 1. EXT. (In a misty and desolate place, soldiers are firing at each others.) (The Doctor is standing there alone, and looks around. A man in black robes appears before him.) TIME LORD: Ah. Welcome, Doctor. DOCTOR: (Confused.) What's going on? Don't you realize how dangerous it is to intercept a transmat beam? TIME LORD: Oh, come, Doctor, not with our techniques. We Time Lords transcended such simple mechanical devices when the universe was less than half its present size. DOCTOR: Look, whatever I've done for you in the past... I've more than made up for. I will not tolerate this continual interference in my life. TIME LORD: Continual? We pride ourselves we seldom interfere in the affairs of others. DOCTOR: Except mine. TIME LORD: You, Doctor, are a special case. You enjoy the freedom we allow you. In return, occasionally, not continually, we ask you to do something for us. DOCTOR: I won't do it. Whatever it is, I refuse. TIME LORD: Daleks. DOCTOR: Daleks? Tell me more. TIME LORD: We foresee a time when they will have destroyed all other life forms and become the dominant creature in the universe. DOCTOR: That's possible. Tell on. TIME LORD: We'd like you to return to Skaro at a point in time before the Daleks evolved. DOCTOR: Do you mean avert their creation? TIME LORD: Or affect their genetic development so that they evolve into less aggressive creatures. DOCTOR: Hmm. That's feasible. TIME LORD: Alternatively... if you learn enough about their very beginnings, you might discover some inherent weakness. DOCTOR: All right, just one more time. TIME LORD: You'll do it? DOCTOR: Yes. If you'll let me have the space-time coordinates, I'll set the TARDIS for Skaro. TIME LORD: There's no need for that, Doctor. You'
SUMMARY: | The Doctor and his companions are sent to the planet Skaro by the Time Lords to prevent the creation of the Daleks. |
fd_The_Vampire_Diaries_04x12 | fd_The_Vampire_Diaries_04x12_0 | TEXT: [Rebekah's House] (Stefan wakes up in Rebekah's bed. He seems confused and turns himself. Rebekah is sleeping. He slowly gets up and dresses up hurriedly. He opens the door to leave but Klaus' here) Klaus: Leaving so soon? (Rebekah is awake and putting a robe) Rebekah: I don't appreciate you invading my privacy like some kind of creeping Tom Klaus: Well, I apologize for breaking up this sordid little tryst, but I do have some urgent business. Or have you forgotten that our paranoid brother Kol is running around with a white oak stake and homicide on the brain? Rebekah: He tried to kill me last night. I didn't forget Klaus: Yes. Well, unfortunately, he seems to have absconded with my set of daggers Rebekah: Oh, poor Nik. However will you get your way without your precious daggers? They were so handy when you wanted to end a conversation with one of us Klaus: Kol's irrational fear of Silas has pushed him off the edge. We need to put him down before he does any more damage. Now, I know you have the last dagger, and I know you have some white ash, so hand it over Rebekah: Hmm. And leave myself unprotected? You can file that request under "no chance in hell." Be gone by the time I've showered. Lurkers aren't welcome here (She goes to the bathroom) Klaus: I need that dagger, Stefan. Talk some sense into her. Stefan: Why don't you talk some sense into her? I'm headed home to play prison guard to Damon. He's on lockdown ever since Kol compelled him to kill Jeremy last night Klaus: You see? That's my point exactly. If you let Kol run free, then Jeremy won't live to see his junior prom, and we can kiss our map to the cure good-bye. But if you help me dagger Kol, Damon will be uncompelled, Jeremy will live, and we'll all be on our
SUMMARY: | Stefan wakes up not really sure of where he is until he glances around. It becomes obvious to him that he spent the night with Rebekah. He quietly dresses and plans to leave without her knowing it, but when he opens the door to leave, Klaus is there. Klaus makes an offer to Rebekah to help him stop Kol and protect Jeremy and when she refuses he turns to Stefan for help. Mayor Hopkins' unconventional way of ending the violence sends his daughter further away from him, then she has an angry meeting with Kol followed by an unexpected visitor, Bonnie's mother. Klaus complicates matters between Damon and Stefan by revealing a bit of Stefan's personal life and then surprises Damon by asking for advice. Elena tells Stefan about her dangerous plan for Jeremy which leaves him in a difficult spot. When the 1980s decade dance is cancelled Stefan finds a charming way to make it up to Rebekah. Kol is finally staked by Jeremy at the end of the episode. Later, knowing about Elena's plan to kill his brother, Klaus wants to hurt her and Jeremy. Bonnie arrives and puts a spell on Klaus that will lock him in the Gilbert's living room until the next full moon. Stefan informs the others that he has not stabbed Rebekah and that she is on their side and can be trusted which leaves Elena furious. Finally after Jeremy killed Kol, his tattoo is now completed and everyone is ready to go search for the cure. |
fd_Doctor_Who_1963_04x18 | fd_Doctor_Who_1963_04x18_0 | TEXT: THE HIGHLANDERS by ELWYN JONES and GERRY DAVIS first broadcast - 7th January 1967 running time - 24mins 19secs [SCENE_BREAK] 1. SHIP (BEN is dropped into the sea. After a few moments, TRASK signals for the rope to be hauled up. However, there is nothing on the other end.) GREY: He's not escaped? (BEN surfaces on the other side of the ship. He pauses for a moment before swimming off.) [SCENE_BREAK] 2. QUAY (After a while he reaches the quay, and, paying no attention to the covered rowing boat, drags himself back onto dry land, only to be confronted by a patrolling Redcoat.) BEN: Oh no, not after all that. I give up. (The strangely silent soldier reaches for his moustache and silently peels half of it off to reveal a familiar face.) BEN: It's you, Doctor. DOCTOR: (In a gruff London accent.) Who else would be walking around the jetty at this time of night dressed like a soldier who'd been wounded in battle? BEN: Yeah, you've got a point there. But why? DOCTOR: (In his normal voice.) Why? Because I like it here. Besides, it keeps the other soldiers away. BEN: Oh, I'm cold and hungry. DOCTOR: I know just the place. Hold that. I'll just get these things aboard the boat. (He passes BEN a musket and shows him the stash of weapons hidden in the rowing boat.) BEN: The boat? DOCTOR: Just a few wee gifties for our friends aboard the Annabelle. Come on. (He leads BEN away.) [SCENE_BREAK] 3. CAPTAIN'S QUARTERS (PERKINS puts the signed contracts in front of GREY.) PERKINS: There you are, sir, all signed and attested. It but wants your signature. GREY: Not before time. TRASK: (Offering GRE
SUMMARY: | Ben manages to join up with the Doctor, Polly and Kirsty and together they work to free the Highlanders from Trask's ship before Grey sells them into slavery. |
fd_Doctor_Who_1963_06x25 | fd_Doctor_Who_1963_06x25_0 | TEXT: The Seeds of Death By Brian Hayles and Terrance Dicks 5:15pm - 5:40pm [SCENE_BREAK] 1, INT: ROCKET ZOE: At our present rate of drift and allowing for the usual gravitational influences, we'll be drawn into the heart of the sun in approximately five months and ten days. JAMIE: No need to worry about that then. ZOE: What do you mean? JAMIE: We've only got enough food and water for three days remember? [SCENE_BREAK] 2, MODEL SHOT: SPACE (The Ion-Jet-Rocket drifts on steadily towards the moon.) [SCENE_BREAK] 3, INT: ROCKET DOCTOR: Just a minute, I think I'm getting something! PHIPPS OOV: Hello Earth-Control, this is Moonbase. Emergency-emergency, Can you hear me? DOCTOR: Hello... Moonbase! Can you hear me? [SCENE_BREAK] 4, INT: SOLAR-ENERGY STORE-ROOM (Phipps looks rather astonished that his signal has been received, with renewed determination he answers the Doctor's voice.) PHIPPS: Yes, yes I can hear you load and clear. What part of Earth are you speaking from? DOCTOR OOV: Oh, we're not on the Earth. We're in a rocket orbiting the moon. PHIPPS: A rocket, but...but that's impossible! [SCENE_BREAK] 5, INT: ROCKET DOCTOR: Well I can assure you it's not impossible. What is your emergency, what's been happening on Moonbase? PHIPPS OOV: We've been invaded. Aliens have taken over. (The Doctor suddenly listens attentively.) [SCENE_BREAK] 6, INT: MOON-CONTROL (Kelly hands a small metal grille to a technician who moves to replace it beneath the console.) KELLY: Put that cover back on. Right Let's test it now. FEWSHAM: Do you really think it will work? KELLY: No reason why
SUMMARY: | The Doctor, Jamie and Zoe make it to the moon and join forces with Phipps but the Ice Warriors have gained control of T-mat. |
fd_The_Mentalist_01x12 | fd_The_Mentalist_01x12_0 | TEXT: Janice: I don't know, but she actually called and said that she'd done it. Rigsby: Anything else you guys hear, let us know, okay? Van Pelt: Thank you. Rigsby: Kid's name's Cody Elkins, 16 years old Reported missing a couple days ago. Turned serious enough to call us when the local policemen found the boy's shoe two streets away in a gutter. Waiting on the D.N.A. We figure it's an abduction, potential homicide, which makes it a CBI case. Van Pelt: The parents are Michael and Janice, both clean. They have another son named Brad, 14. They own a flower shop here. Cho's with 'em now. Lisbon: Let's go. Jane: Think I'll just wait out here. Lisbon: Sure, whatever. Boy: Hey, dude. Jane: Nice bike. You boys gotta be pretty anxious to see something to ride this, huh? You didn't ride a pink bike through town to come to the store, did you? What'd you come to see? Boy: Nothing. Jane: Really? Boy: Let's go, Clyde. Jane: Where's Cody Elkins? Boy: I don't know. Jane: I know you guys know where he is.You don't have to tell me out loud. Just look in the direction. That way? Boy: Why did you do that? Jane: Thank you. Here's your bike. Be safe. Lisbon: Cho's gonna bring the Elkins home. Jane: I have a pretty good idea where Cody Elkins is. Lisbon: Sharing is good. What makes you think it's him? Jane: Because those kids gave it away. Plus they smelled like eucalyptus. Van Pelt: But there's eucalyptus trees all over around here. Jane: Crows. Van Pelt: So? Jane: Crows are carrion birds. They like dead things. Rigsby: Oh, jeez. Poor kid. Van Pelt: What does it mean? Black magic. Sacrifice. Lisbon: But there's no such thing as black
SUMMARY: | When the dead body of a promising high school football star, Cody Elkins, is found with a pentacle and burning candles next to him, CBI suspects a self-proclaimed real witch is the killer. The witch, Tamzin Dove, confesses to putting a death spell on Cody after he killed her cat but swears she did not hurt him. While Cody's parents believe Tamzin is guilty, hospital records stating Cody put his younger brother, Brad, in the hospital for "rough-housing" and a pentacle in Brad's hideout suggests he killed his brother in retaliation. But when Brad does not fall for a mentalist trap and instead his father does, the true story of family abuse and Cody's murder is revealed. |
fd_Gilmore_Girls_07x18 | fd_Gilmore_Girls_07x18_0 | TEXT: DRAGONFLY INN [Sookie and Michel are filling some baskets.] MICHEL: What are you doing? SOOKIE: What? MICHEL: Oh, fine. SOOKIE: Michel. Michel. MICHEL: Michel what? SOOKIE: You can't put your schedules in the front of the basket. It's blocking everything. MICHEL: So? SOOKIE: So it shouldn't block everything. It doesn't look good. MICHEL: [Laughing] Yes, it does. I am a man of refine and renown. Aesthetic Fabien Baron once publicly admired the way I decorated my locker at crunch. SOOKIE: What? MICHEL: I worked extremely hard on these schedules, and it looks good. SOOKIE: Yes, the schedules look nice, okay. Lovely font choice, lovely use of bullet points, but give me a break it's not like you made them on an antique printing press or something. MICHEL: Oh! I'm sorry. Did you make your chocolate-dipped apricots on an antique printing press? SOOKIE: Ha ha. No, of course not. MICHEL: Touché. [Moves the schedule] SOOKIE: Ah no, that's not a touché. [Moves the schedule back] MICHEL: Touché. [Moves the schedule again] SOOKIE: Touché. [Moves the schedule back] MICHEL: Tou- [They start having a slap fight like kids] SOOKIE: Leave it! leave it! leave it! LORELAI: [Entering room] Hi, guys. How are the baskets coming? SOOKIE: Great. MICHEL: Yeah, just great. LORELAI: Oh, wow. Looks like Mr. Crankypants is in his usual spring-fling funk. MICHEL: I'm not in a funk. LORELAI: I wasn't talking about you, I was talking about Mr. Crankypants. Hey, the schedule looks good. SOOKIE: You should see his gym locker. Touché.
SUMMARY: | During Stars Hollow's annual Spring Fling festival, a huge hay bale maze leads to a chance encounter for Luke and Lorelai, where they apologize to one another and talk about the problems that led to their engagement being called off. As Rory shows Logan around town, Lorelai begins to feel that Logan might be too irresponsible for her daughter. Meanwhile, Rory has a job interview with the Providence Journal Bulletin. |
fd_NCIS_01x23 | fd_NCIS_01x23_0 | TEXT: INT. AUTOPSY ROOM - DREAM SEQUENCE (SFX: HEART BEAT QUICKENS B.G.) (DOORS SLIDE OPEN) (MUSIC OVER ACTION/GIBBS WALKS THROUGH THE MORGUE TO THE TABLE) (SFX: ZIPPER) (CUT TO BLACK) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) [SCENE_BREAK] CLOSE ON MONITOR "REVEILLE"(PHOTOS FLASH ON THE MONITOR) (CAMERA PANS TO GIBBS) ABBY: Wake him up. MCGEE: I don't know. Maybe he needs the rest. ABBY: He's not resting. Look at him. His eyeballs are disco dancing under those lids. MCGEE: Disco dancing? Is that back? ABBY: It's Gibbs. It never left. GIBBS: McGee should have... hours ago. Norfolk office opens in.... twenty four minutes. It's a hundred and ninety three mile drive. MCGEE: I was going to call in. GIBBS: Yeah? And tell them what, McGee? MCGEE: Well uh...that you needed me to work here today. GIBBS: Why do I need you here? MCGEE: Well, because I have an idea on how to speed up the search for him. GIBBS: I'm listening. ABBY: Ooh, Gibbs! I dig 'em! GIBBS: Tell DiNozzo. MCGEE: The database you're scanning has over ten million photos. It'll take a month to check them all. GIBBS: Is your idea to depress me, McGee? MCGEE: No, no, no, no! If we found out his precise age, then we could limit the search to the year he turned twenty one. ABBY: Seventy three percent of U.K. graduates are twenty one. MCGEE: And scanning that year would
SUMMARY: | As Gibbs's obsession with tracking down the infiltrator who held Todd and Ducky hostage in "Bête Noire" begins reaching new heights, the team grow more concerned about him. But when Kate is kidnapped and reunited with the terrorist, Gibbs's anger goes into overdrive as he pushes McGee and Tony to find out more information about the man responsible, not realizing that Kate's life might be in great danger. |
fd_Dawson_s_Creek_06x18 | fd_Dawson_s_Creek_06x18_0 | TEXT: [Scene: Hell's Kitchen. This scene picks up right where the last episode left off. Joey was finishing cleaning up, and Eddie has just walked into the bar, and stopped in front of here. There was a long pause before anyone said anything.] Joey: Eddie...what the hell are you doing here? Eddie: Right. Um, so<unk> Joey: what happened to California? Eddie: Well, it's still there. You know, I just kinda left for a while. Joey: And what happened to school? Eddie: Again, still there. Still standing without me and everything. It's hard to believe, I know. Look, I start in the fall. Everything worked out, Jo. Everything, Jo. I mean, I had this interview, right? And I didn't stutter or stumble or throw up or anything, and they loved my writing, which is just totally, like, surreal because no one has ever loved anything I've done. Except for you. Which is why I'm here. I wanted to say thank you. Because you knew I could do it, and I had no idea. You know, Jo, it's not just because I didn't think I could do it. It's because I didn't see the world that way. You know? It's a place where people get second and third and fourth chances to make something of themselves. Or as a place where... you can be a coward, and hurt someone. Hey. But they still have the decency to see the decency in you. And, Jo, you are the most decent person I know. And you have incredible eyes and the sexiest voice and a smile that breaks my heart. And if I'm gonna be a writer, I need someone like that around. I need you around. What do you say? [She fights the urge to kiss him] Joey: No. No. Eddie: Well, that's not the answer that I'm looking for, really. Joey: Eddie, you walked away. Eddie: I came back. Joey: I moved on. Eddie: Oh. Ok. If that's how you feel, then... ok, I understand. I do. I guess I'
SUMMARY: | Jen's seemingly happy world comes crashing down when she learns that Grams has breast cancer. Meanwhile, Joey's tumultuous love life continues when Eddie reveals his true reasons for returning to Boston, and Pacey agrees to join Joey as she chaperones for Harley's school dance, but what should be a magical night doesn't feel right for Joey. Although he is at first reluctant, Pacey agrees to invest Dawson's life savings to finance his new film project. |
fd_Charmed_03x18 | fd_Charmed_03x18_0 | TEXT: [Scene: Street. Prue and Phoebe pull up in the car. They get out and start walking.] Prue: Alright, it should be around here somewhere. Phoebe: And you can't be more precise about what it is? Prue: Okay, I told you, it's some sort of evilly thing. Phoebe: Why'd I let you talk me into this? I should be at home encrastinating my delinquent ethics paper, not chasing some wild goose. Prue: Wild demon, okay? And I was scrying for unnatural activity and this place came up loud and clear. Phoebe: Wait a minute, are you telling me you're actually looking for trouble now? Prue, what happened to putting more balance in your life? You know, less Wicca wonder, more Prue. Prue: Listen, I shot a magazine cover yesterday, I had a date last night, and then this morning I am searching for evil. You can't get more balanced than that. Phoebe: Right, just your typical everyday cosmo girl. Prue: Well, you and Piper don't need me anymore, so that leaves me plenty of time to help those who do. Phoebe: Is that what you think? That we don't need you anymore? Prue: Well, I mean, it's just that ever since Piper got married and you moved up with Cole, I feel like I don't really have to watch out for you guys as much anymore. Phoebe: Prue, this is a good thing. Prue: Yeah. (Prue looks over at a dumpster.) I think that's it. Phoebe: Good. Prue: Alright, on the count of three. One, two... (She uses her power to open the lid of the dumpster.) Phoebe: Oh my god! (She runs over to it.) It's the coffee maker I wanted. (She pulls out an empty box.) Prue: Phoebe, it's just a carton. Phoebe: Oh, right, of course. See, I need you. You just protected me
SUMMARY: | Leo and the sisters become targeted by a demon who has access to the seven deadly sins. After they each get infected with the sins, they must find a way to break the hold the sins have on them before getting destroyed by the demon so he can get their souls. |
fd_Doctor_Who_1963_14x18 | fd_Doctor_Who_1963_14x18_0 | TEXT: THE ROBOTS OF DEATH by: CHRIS BOUCHER PART TWO Running time: 24:15 [SCENE_BREAK] 1. INT. hopper (Having opened a hopper door, the DOCTOR steps inside. It is dark. He shines a torch around the hopper interior and lights on a dead body curled in the corner. He steps across to investigate, crouching by the body and turning it over - the body has eye makeup like the sandmine crew, but it is not a person we have met. Suddenly, the door and the hatch close behind the DOCTOR, and ore begins to rain down on his head from a chute in the ceiling. The ore buries the dead body. It looks like it will soon bury the DOCTOR too... ) [SCENE_BREAK] 2. INT. corridor (V9 and D64 walk along the corridor to the forward storage locker.) [SCENE_BREAK] 3. INT. forward storage locker (Inside, V9 and D64 go to the gurney on which CHUB's body lies. LEELA looks on, hiding crouched behind a shelf. The robots wheel the gurney out of the room... ) [SCENE_BREAK] 4. INT. corridor (... and into the corridor.) [SCENE_BREAK] 5. INT. forward storage locker (LEELA watches them go and gets up to follow.) [SCENE_BREAK] 6. INT. hopper (Ore continues to rain down on the head of the DOCTOR. It completely buries him. As the torrent subsides, a metal pipe emerges from the ore pile, forging upwards. Once the ore stream stops, grains of ore are blown out of the pipe - the DOCTOR can breathe!) [SCENE_BREAK] 7. INT. corridor (V9 and D64 wheel the gurney down another corridor. LEELA emerges from the forward storage locker, wielding her knife. She watches where the robots go, and then heads in another direction.) [SCENE_BREAK] 8. INT. crew room (UVANOV toys with a pale marble ches
SUMMARY: | As the strangulations continue and the humans aren't sure who to blame, Leela meets up with an anomaly among the robot crew - an inquisitive, supposedly mute single-function labor robot capable of independent reasoning. Meanwhile the Doctor starts looking into the possibility that the murderer is a robot, and another crew member is targeted for death. |
fd_Doctor_Who_1963_16x25 | fd_Doctor_Who_1963_16x25_0 | TEXT: THE ARMAGEDDON FACTOR BY: BOB BAKER AND DAVE MARTIN Part Five Running time:24:42 [SCENE_BREAK] SHADOW: And you shall be my eyes and ears. K9: Affirmative, master. SHADOW: Go now. [SCENE_BREAK] DOCTOR: Well, here we are. We've tracked him to his lair. ROMANA: Yes, we've got him exactly where he wants us. DOCTOR: All we have to do is find the sixth piece and stop the Shadow taking those other five. ROMANA: How can we get the sixth piece without using the tracer? Or had you forgotten the tracer's holding the Key together, and if we take the tracer out, we break the time loop, and without the time loop millions of people on Zeos and Atrios will die, to say nothing of ourselves. And the time loop's stretching already. It's up to six seconds now. That's four seconds left. And how long will that thing last? DOCTOR: Diagonal thinking, that's what's required, isn't it, Astra? ASTRA: What? I'm sorry, I was lost. DOCTOR: Astra, we need you to help us to find the Shadow. ASTRA: I shall stay here. DOCTOR: No, no, Astra, no. You're the only one who's ever been to the third planet before. Come on. ASTRA: I want to stay here. ROMANA: Astra, you said you wanted to come with us. Don't you want to save Atrios? ASTRA: My destiny no longer lies on Atrios. ROMANA: What do you mean? SHADOW (OOV.): (in Astra's head) Go with them. Bring me Romana. ASTRA: I understand. ROMANA: What did you say? Are you all right? DOCTOR: Yes, yes, everything's perfectly all right. Everything's wonderful, isn't it, Astra? ASTRA: What? Oh, I'm sorry. I was thinking about Merak. Yes, of course we must do everything
SUMMARY: | The Doctor with Drax's help, escape from their prison and work to stop The Shadows plan. The Shadow uses Astra to further the Black Guardians plot to obtain the Key to Time. |
fd_Teen_Wolf_04x10 | fd_Teen_Wolf_04x10_0 | TEXT: Derek: Previously on Teen Wolf... Peter: Say you're sorry. For leaving me burn. Derek: If you can hear me, I need you to give me a sign. Stiles: Malia. Lydia: My grandmother found Meredith. (WHISPERING) Brunski: She was controlling me. Meredith: He wasn't on my list. He was a bad person. (SNARLING) (GROWLING) Brett: Get up, Lori. Come on. Run! Run! (SCREAMS) Brett: Go! (GRUNTING) (YELLING) Brett: Wait, wait! Lori, stop! Lori: Brett... Brett, what's happening? Brett: Close your eyes. Kira: Run! (MUSIC PLAYING) (PANTING) Scott: Kira found Brett. They're fine but we've got to go. Liam: More assassins? Scott: Maybe a lot more. Liam: Different than the ones who just tried to set us on fire? Scott: I think so, yeah. How about I take you home? Liam: I'm not like you. Scott: Not yet. Liam: I don't mean I'm not strong or I'm never gonna learn how to be in control. I mean everything else. You and your friends try to protect everyone. Have you been whole this the whole time? I mean, how are you all still alive? Scott: Not all of us are. Let me at least take you home. (SIGHS) Stiles: I'm completely and totally fine. Melissa: Uh-uh-uh. You completely and totally have a concussion, Stiles. Lie back down. The doctor said you're not leaving without a CT scan. Stiles: We still haven't paid for the last one. Melissa: Oh, no, no, no. Meredith is at the station. Your dad said it could take some time but he will get her to talk. Even if I let you go, what would you do? Stiles: Okay, fine. Can you do me one little favor? Melissa: Anything. Stiles: Can you get me a tape player? Melissa:
SUMMARY: | Kira saves Brett Talbot and another werewolf named Lori from a team of hunters. Scott races to the Clinic, reunites with Kira and meets Satomi and her pack. Lydia tries to get Meredith to talk, but she will only talk to Peter, who reads her mind to find out how she knows him. Lydia discovers that during her stay in the hospital, Meredith was placed in the same room as Peter, and involuntarily listened to Peter's thoughts and plans. When Meredith heard Lydia's scream when Allison was killed, she decided to carry out Peter's plan; Brunski stole Peter's money from the vault, and she hired assassins to eliminate every supernatural creature in Beacon Hills. The hunters track down Satomi's pack and are fought off. During the fight, Scott further transforms into a new form, but regains control when the hunter he was fighting surrenders. Stiles and Malia discover a room filled with old computer servers behind the wall of the soundproof study at the lake house. They shut down the computers, deactivating the deadpool and terminating the Benefactor's contracts. Peter meets with Kate and continues with his plan to kill Scott and steal his powers. |
fd_Doctor_Who_1963_24x11 | fd_Doctor_Who_1963_24x11_0 | TEXT: DELTA AND THE BANNERMEN PART THREE Run time: 24:22 [SCENE_BREAK] Chalet area [SCENE_BREAK] Gavrok: Give me Delta and I will give you your life. The Doctor: Life? What do you know about life, Gavrok? You deal in death. Lies, treachery and murder are your currency. You promise life, but in the end it will be life which defeats you. Gavrok: You have said enough. I have traversed time and space to find the Chimeron queen. I will not be defeated. The Doctor: As you will. I came here under a white flag and I will leave under that same white flag, and woe betide any man who breaches its integrity. Now step aside! Release those prisoners. The Doctor: Gavrok, it's over. You're finished, and we're leaving. The Doctor: Actually, I think I may have gone a little too far. [SCENE_BREAK] Welsh countryside [SCENE_BREAK] Callon: Up. Arrex: Up, up. Hawk: What's happening now, Weismuller? Weismuller: I don't know, but whatever it is, it's, it's better than, than just sitting around. Hey! Holy mackerel. Weismuller: Boy. Listen, let's try sitting down again, eh? Hawk: Okay. Weismuller: All right. One, two, three. Ray: I thought they'd never go. Can you move? Hawk: Sure, if I leave my neck behind. Weismuller: Oh, gee. It's no use, lady. They've got a special kind of wrench. It's sort of like a dinky Allen key. Ray: Is this dinky enough? Hawk: It's looking good, sister. Ray: I'll have you out in a minute, then follow me in your car. Weismuller: Who is she? [SCENE_BREAK] Country lane [SCENE_BREAK] Mel: We did it, Doctor! Free! The Doctor: Yes, there's more to this than we can fry, Mel. The Doctor: Duck! Mel:
SUMMARY: | As Billy and Ray do what they can to help save Delta and the baby, the Doctor and Goronwy the beekeeper face Gavrok and his Bannermen one last time... |
fd_Frasier_01x22 | fd_Frasier_01x22_0 | TEXT: Act One. Scene One - Café Nervosa The waitress is serving Frasier, it's his usual (or is it?). Waitress: Here you go Doc, your usual. Frasier: My usual. How lovely it is to have a usual. [tastes it] What is this? Waitress: Latte with nutmeg and cinnamon. Frasier: Ah, no, no, no, that's my brother's usual. Mine is the double Kona with cream. Niles: [entering:] Oh, Frasier, am I glad to see you. Waitress: [to Niles:] Your usual, Doc? Niles: Please. [she hands Frasier's to Niles, then he carries on:] Thank you! Frasier: Niles, you seem more than usually agitated today. Problem? Niles: I'm meeting my publisher here in five minutes. Remember the book deal I signed last month, the one you were so jealous of? Frasier: I wasn't jealous of it, Niles, you just wanted me to be jealous. Niles: It's all moot anyway, the deal's about to be killed. It turns out the idea I sold them had already been done. They gave me until today to think up an alternative and I've got bupkes. I've got less than bupkes. I've got what bupkes keeps for lint in the bottom of his pocket! Frasier: Can't you just ask for an extension? Niles: No, no, I've asked for two already. [He sees the publisher walking in.] Niles: Oh God there he is. Sam, so good to see you. Sam: Niles. Niles: Sam Tanaka, my brother Dr. Frasier Crane. Frasier: My pleasure. [the waitress brings Frasier's coffee] Sam: Nice to meet you. Niles: Sam, would you like a coffee? Sam: [points to Frasier's cup:] Oh, I'll have what he's having. [Niles takes Frasier's cup and gives it to Sam.] Niles
SUMMARY: | Offered the chance to fulfill his lifelong dream of authoring a book, Niles enlists Frasier to help him pen a guide to healthy sibling relationships. Faced with writer's block and looming deadlines, the two brothers lock themselves in a hotel room until the book is complete, and begin driving each other crazy. |
fd_The_Big_Bang_Theory_07x20 | fd_The_Big_Bang_Theory_07x20_0 | TEXT: Scene: The cafeteria. Leonard: I got to tell you, the more I read about the primordial gravity wave discovery, the more excited I get. Raj: I know. Being an astrophysicist right now is like being a rock star. Howard: Only without the s*x. Raj: Yeah, literally, none of it. Leonard: What do you think about it, Sheldon? Sheldon: Meh. Raj: Are you kidding me? This may be the biggest scientific breakthrough of our lifetime. How can you, as a theoretical physicist, not care about this? Sheldon: Maybe it's because I'm not an elitist. What I'd like to know is, how does this gravity wave breakthrough help the man on the street? You know? Who's looking out for Joe six-pack and all his quantum physics concerns? Leonard: Oh, my God, you're jealous. Sheldon: Why would I be jealous? Leonard: Oh, I don't know. Maybe because the origin of the universe just got proven, the Higgs field just got proven, and you've been working on string theory for the last 20 years and you're no closer to proving it than when you started. Sheldon: Yeah, well, I've had a lot on my plate. We happen to live in a golden age of television. Barry: Excuse me, fewwas. Sowwy for eavesdwopping, but there actually was some big stwing theowy news today out of the Hadwon Cowwider. Sheldon: Really? Did they find evidence to support extra dimensions or supersymmetry? Barry: No, but they did find evidence that you'll bewieve anything. Sheldon: Why would you do that? You're a string theorist as well. Barry: Incowwect. I am a stwing pwagmatist. I say I'm gonna pwove something that cannot be pwoved, I appwy for gwant money, and then I spend it on wiquor and bwoads. Water. Sheldon: Do you think he's right? Am
SUMMARY: | Raj and Howard double-date so that the Wolowitzes can meet Emily before Raj scares her off. At first Raj is afraid Howard will joke about his shortcomings; however, Howard becomes the butt of all the jokes. He had a blind date with Emily years before, and due to a stomach problem, he severely clogged her toilet and ran out on her. Howard gained the nickname "Clogzilla". Recent big bang theory discoveries lead Sheldon to believe he wasted his life trying to prove string theory. On Penny's advice he decides to get rid of all his string theory books and move to a new field. Over frustration at all his possible choices, Sheldon jokes he might as well take up geology, which he believes is not real science. Leonard and Penny tell him not to rush it. Eventually, Amy puts a drunk Sheldon to bed. When he awakes, he is horrified to see what he holds in his arms: a geology book. While calling Amy to apologize for scaring her off, he also discovers he made several drunk calls to Stephen Hawking's answering machine. |
fd_Doctor_Who_1963_07x08 | fd_Doctor_Who_1963_07x08_0 | TEXT: DOCTOR WHO AND THE SILURIANS BY: MALCOLM HULKE 5:15pm - 5:40pm [SCENE_BREAK] 1. INT. QUINN'S COTTAGE. NIGHT (The DOCTOR waves his hand directly in front of QUINN's eyes. There is no reaction. The DOCTOR leans over QUINN's chest to listen for a pulse which evidently is not there. QUINN is clearly dead. The DOCTOR closes QUINN's sightless eyes, and discovers his hand is clutching something. He gently prises the small metallic device from his hand, and holds it up for inspection. He triggers the device, and to his little surprise it begins emitting the descending three note call to attention. (In the next room, the Silurian hears the signal and instinctively flexes his three-clawed hand. After a moment the DOCTOR notices something moving in his peripheral vision, and spins around to see the reptilian biped slowly marching into the living room towards him. The DOCTOR is quite taken aback and stares in surprise at the Silurian's headcrest, and the prominent three eyes...) DOCTOR: Hello! Are you a Silurian? (The DOCTOR offers the Silurian a friendly hand shake, confronting him with an immediate problem of whether to engage in this custom with either of his claws.) DOCTOR: Look. Do you understand me? (The Silurian nods in assent.) DOCTOR: Well what do your people want? How can we help you. How many are there of you? Tell us what we can do! (The Silurian hears the sound of a car passing by, and immediately suspicious, thrusts the DOCTOR aside, escape at the fore of his mind. The Silurian flees the cottage with a smashing of timber and glass and the DOCTOR is forced to shout after him:) DOCTOR: No wait! Wait! Wait! Unless you Silurians tell us what you want, the humans will destroy you! [SCENE_BREAK] 2. INT. RESEARCH CENTRE, S
SUMMARY: | With Quinn dead, the Brigadier decides to take an armed party into the caves, prompting the Doctor to contact the Silurians himself. |
fd_Roswell_03x16 | fd_Roswell_03x16_0 | TEXT: 59th Episode of Roswell Production Code: 3ADA16 [PREVIOUSLY_ON] In a warehouse with the FBI. Jesse: I won't lie to you. I'm not the biggest fan of my brother in law. But Max is just a kid. Agent Burnes: He isn't from this world. He's an alien pretending to be a normal teenage kid. Later Isabel rushes in to find Jesse has shot Agent Burnes. Isabel: Oh gosh. Later at their apartment. Isabel: Jesse we can leave Roswell and never come back. Jesse: There's nowhere to go. I'm part of this for good now. Max and his Dad fishing. Max: I saw the board in your office. I know what you are doing. It isn't right to spy on your own son. Mr.Evans: I'm not spying. I'm trying to figure out what is going on. Michael and Maria in the car together. Maria: Michael what is on your chest? Michael: You never shut up now get out. Maria: Michael. Michael: Get out! At Isabel's apartment. Michael: You died. I'm king. It's your turn to get into line. Max: No. Michael: Ok, then. The fight scene and Max taking back the seal. At the Crashdown. Max, Liz and Kyle sitting at a booth. Liz playing footsie under the table with Max. Liz: Um, did you know there is a full college scholarshipping Offered to potential podiatry practitioners. Max: Really? Liz: Have to keep my business south of the equator though. Max: (he clears his throat) couldn't you come a little farther north. She moves her foot a little father north and Max jumps. Kyle gives her a look. Michael walks in the Crashdown carrying a bunch of boxes and everyone stops what they are doing. Maria shakes her head. Michael: What? Maria: What? Michael: Whatever. He walks past her and puts the boxes away. Liz: No. Max: What? Liz: Still no apologies from Michael. Max: Ahh. Kyle: Hey you know that ah, that king thing tattoo in
SUMMARY: | Michael witnesses a fatal crash between a fighter jet and an alien vessel, and embarks on his own investigation leading to the recovery of an artifact. Meanwhile, Isabel spends the day with her mother, who's harboring a secret agenda and is working with her husband to discover Max and Isabel's secret, which leads to a shocking revelation. |
fd_Dawson_s_Creek_05x08 | fd_Dawson_s_Creek_05x08_0 | TEXT: [Scene: outside in Boston. Jen and Dawson are sitting on a bench drinking coffee and talking to one another.] Jen: Fifteen more minutes Dawson: Yep. You don't have to stay with me if you don't want to. Jen: Hmm, you're not thinking about chickening out again are you? Dawson: I don't No, I'm not thinking about chickening out. I might ditch, but that's something different. Entirely. Jen: You know, it's not really so bad. Dawson: Therapy? Jen: Yeah. Dawson: So. I just talk right? I go into a, total stranger's office. I tell them my deepest fears and it is supposed to solve something? Jen: No, not necessarily. Freud was actually considered himself quite lucks if he could manage to convert hysterical misery into common everyday unhappiness. Dawson: So, the goal here is unhappiness? Jen: Exactly. Dawson: Great. Jen: Ahh. What did he know anyway? All that crap about pen1s envy and over emphasis on libido. Dawson: (Laughs) I love college Jen. I feel like I'm in a French movie. Jen: (Laughs) Really, it's not so bad, trust me. 90% of people on this earth can benefit from a little honest to goodness time on the couch. Dawson: You actually laid on a couch? Jen: Once, but it was not very comfortable. The whole Tom Frost office, very stark, very Danish. However, I predict that this Rachel Weir of yours will probably be much warmer. I'm sure she's Like a spider plant in the window kind of chick. Dawson: You never felt ridiculous blathering on about your problems to a total stranger? Jen: No more ridiculous than I feel about blathering on to no one on the radio. Dawson: Hey. It's not true. I listen. Jen: You and grams. Dawson: Thank you for doing this with me. Jen: Any time. [Scene: Joey's dorm room. Joey is sitting on her bed which is covered with papers, when Audrey comes into the room holding
SUMMARY: | Dawson takes Jen on a road trip to a small film festival in Hooksett, New Hampshire where his documentary about Mr. Brooks has won a prize. The spotlight is intoxicating for both of them as they share one of the single most momentous events in Dawson's life, which results in them becoming a couple. Meanwhile, Jack brings Joey and Audrey to a frat party under false pretenses. Pacey takes Karen on a non-romantic date. |
fd_Gilmore_Girls_04x08 | fd_Gilmore_Girls_04x08_0 | TEXT: OPEN AT ELDER GILMORE RESIDENCE [Lorelai, Rory, Richard, and Emily are eating dinner] RORY: More broccoli, Grandpa? RICHARD: Absolutely. Staves off the cancer. LORELAI: Staves off my appetite. EMILY: You really should eat more green things, Lorelai. LORELAI: I plan to eat a five-dollar bill later tonight. RORY: Oh, have you seen the new twenties? They have a little peach color in 'em. LORELAI: Peach, perfect. I'll eat a new twenty, I'll have my fruits and vegetables. RICHARD: I think we saw some of the new twenties in Atlantic City, didn't we, Emily? EMILY: I think. RORY: How was Atlantic City? Successful? RICHARD: Very. LORELAI: Well, Siskel's chimed in. What about you? EMILY: I'm refraining. RICHARD: It's a bit of a sore subject. LORELAI: We'll talk about something else. EMILY: The garishness, the garishness. LORELAI: Thus spake Ebert. EMILY: Why have a simple sign if it can be in bright flashing neon? And the new slot machines? They don't just make obnoxious bell sounds anymore, they yell at you. LORELAI: The slot machines were talking to you, Mom? Are you sure it wasn't just you? RICHARD: Oh, they talk, I can verify that. One of them kept yelling, "wheel...of...fortune!" EMILY: And the parking lot of the hotel that we stayed at had an area for RV's. LORELAI: Perish the thought! EMILY: And the boardwalk... RORY: Oh, I've always wanted to see the Atlantic City boardwalk. EMILY: I'll save you a trip. Tip an overflowing trash can on your front porch and walk up and down
SUMMARY: | Richard and Emily hold widely differing points of view on the success of their business trip to Atlantic City. Spurred on by her editor, Rory writes a strongly opinionated dance review that leads to a dining hall confrontation with the ballerina. Even though she continues to resist his interest in her, Lorelai can't help but be impressed by Jason's smooth moves as he manipulates a frosty Emily into inviting him for Friday night dinner so that he can woo Lorelai. Lane and Dave have a long distance argument over pottery. Michel is back on the staff of the still-under-reconstruction Dragonfly Inn, but his one sneeze has Bruce, the midwife, erecting barriers to his attending a staff meeting which includes an overly-protective new mother Sookie and baby Davey. When she learns that Nicole and Luke have put their divorce on hold and have resumed dating, Lorelai becomes so flustered that she has an argument with Luke. Richard ecstatically roams throughout the house with his laptop after he goes wireless with Jason's help, but Emily fails to be charmed by either the Internet or Mr. Stiles. |