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fd_Justified_03x12 | fd_Justified_03x12_0 | TEXT: [PREVIOUSLY_ON] Raylan: Mags Bennett may have a sizeable amount money socked away. Loretta: You gonna ask do I have it? Raylan: I was just gonna ask if you knew where she kept it. Dickie: Where's my money, man? We gonna need someone with particular skills. His initials are Boyd Crowder. Ava: I want to show you something. Boyd: Dickie Bennett's gonna pay for that. Wynn: How long have you been taking those? Maybe it is time you leave Kentucky. I got nowhere else to go. You deliver Quarles. Show me you can get things done. The price I gave those other assholes was $100,000 dead, $200,000 if Sammy gets a chance to, uh, talk to him about putting a gun in his face. Wynn: Thank you, Mr. Tonin. I'll be in touch. Boyd: Well, I hear my guest here's worth some money. Wynn: Would you say you'd be willing just to kill him to eliminate any chance of his wriggling free? Boyd: I think we can handle him. Well, it turns out I need a place to unload the spoils of my earlier endeavors. There's a whorehouse, but they also deal to the Johns. It's called Audry's. Hi! I think we're about to have us some fun. What's the price they put on my head? [ Electricity crackles ] [ Click ] Hmm. Check me out. I'm gangsta and sh1t. [ Laughs ] That gun's so little, it's like a lady's pistol. What do you reckon it, a.25? Mm... looks like a little 9-mil..32-caliber ACP..32's good. Close range, anyway. Hollow points. They get inside you and they bounce around till there's nothing left but paste. I'm afraid I can't help you out there. We're supposed to keep you company till the boss comes back. Said to keep you comfortable. [ Sighs
SUMMARY: | Quarles escapes, while Duffy conspires with Boyd to kill Quarles. Errol and Dickie approach Boyd about robbing the bank where Limehouse put Mags' money, but Boyd severely beats Dickie. Ava intervenes, angering Arlo. Boyd sends Ava and Arlo to case the bank, attracting the attention of State Trooper Tom Bergen, who informs Raylan. At Audrey's, Raylan finds the prostitutes and Boyd's man Jimmy tied up. Boyd determines Errol is setting him up, and Raylan deduces the same and confronts Limehouse, who tells him the money is with Loretta McCready, taken in by Mags. Arlo, off his meds, locks Ava in her basement and leaves to kill Dickie, who gets the drop on Johnny and forces the location of the money out of Errol. Dickie goes to Lexington to rob Loretta, but finds Raylan waiting; Dickie pulls his gun and Raylan shoots him. Realizing the bank job was a setup, Quarles goes to Boyd's bar, where Duffy and Mike blow up Quarles' car, drawing Trooper Tom. He orders Quarles to drop his weapon, and a shot rings out. Raylan arrives moments later to find Tom fatally wounded, Quarles gone, Boyd unconscious, and Johnny yelling that Quarles shot Tom. |
fd_Frasier_09x12 | fd_Frasier_09x12_0 | TEXT: Act 1 Scene 1 - The Parking Garage Fade in. Frasier pulls his BMW into his parking space. Just after, Cam Winston pulls his HMMV into the spot to his left. Frasier opens his door, but it can only swing about six inches. Cam gets out of his car. Frasier: Excuse me. Cam? Cam walks around the back of the cars. Cam: Oh, hello Frasier. Still driving a sedan? Frasier: Yes, well, at least mine fits in the allotted space. Unlike this new... behemoth you're driving. Cam: Actually, it's the new Behemoth XL. Well, use care getting out. Frasier: Come back here! You know very well I can't get out! Cam: Oh, I'm sorry. Let me see what I can do about that. He walks back to the driver's side of his car as Frasier pushes his head up through his sun roof. Cam: Oh, tough break. If I move I'll be over the line on the other side. Frasier: But you're over the line on this side. Cam: Actually, if you were standing out here, you would see that I'm just on the line, which, as we both know, is in. Frasier: If I were standing out there, we wouldn't be having this conversation! Cam: I wish I could help. Maybe next time you'll think twice before calling the police when I have a party. He begins walking away. Frasier: What makes you think it was me? Cam: You're the only one in the building I didn't invite. He clicks his car alarm and leaves. Frasier, grunting, pulls himself up through the sun roof to sit on the roof of his car. He pulls his hands up, worried about the finish, takes off his shoes and tosses them to the floor, then tries to ease down the back of his car. Slipping, he grabs at the pipe above his car, pulling it loose and pouring water over and into his car and himself. FADE OUT [N.B. Though Cam Winston, and the details of the feud described above, appear first in Season
SUMMARY: | Frasier is furious when he finds his parking space in Elliott Bay Towers encroached upon by the new SUV belonging to Cam Winston, his neighbor and nemesis. He takes the case to the condo board, and is delighted when his impassioned oration persuades them to rule that Cam must park in the sub-basement. However, Cam lives in the apartment above Frasier's, and he devises a suitable method of revenge, involving the American flag . Niles asks Daphne to move in with him, and she eagerly accepts, but when she receives a phonecall from her mother announcing an impending visit, she asks that the move be postponed. When Gertrude Moon arrives, Niles discovers why: she still believes Daphne to be a virgin. Rather than bring her husband, Gertrude turns up with Simon, Daphne's brother. For the next few days, both Crane brothers have a terrible time to endure, as Gertrude stays with Niles and Simon with Frasier. |
fd_Queer_As_Folk_02x19 | fd_Queer_As_Folk_02x19_0 | TEXT: [Ted's Porno Academy. He's got himself an assistant now, named Eddie. Michael and Brian walk slowly through the poorly lit warehouse, watching the different rooms of s*x as Ted shouts out orders.] Ted: That's it, Prison Cell! Really give it to him! Remember he's in for ten years hard labor! The guys in the elevator. Yeah, don't let us members down. Keep it up. Michael, don't across in front of the camera, thanks. Keep it liquid. Michael: Can I ask you a question, Ted? Ted: Shoot! [to one of his boys] Not you! Michael: How do you get any work done with all these hot, horny guys surrounding you? Brian: Yeah, if I were here, I would run with a permanent boner. Michael: Thought you already did! Ted: Hot and horny action IS my work. Uh, it's like a dream come true. Michael: I can guess what kind of dream. Brian: You have ever though that you, Theodore Schmidt, loser and reject putz, lined up with the luckiest fucker in the world. Ted: Do I detect a note of envy, Bri? Brian: I better get back to work. I have a new account. Baby wipes. Michael: Yeah, I got some comic books unpack and filing. Ted: Thank you, Eddie. As for me got rim-bo-rama, to the five, got dildo days. From six to nine. Lets get your boys back on your liveless lucky lives. Michael: Trying to get back. Brian: Fucker! [Justin and Ethan sittin' in a futon.] Justin: You know you make love like you play your violin? Ethan: You are my instrument. First I tune you. And then I stroke you with my bow. And then I make beautiful sounds pour out of you. Justin: I have to go. [He pulls on his pants. Ethan watches] Ethan: You have big plans tonight? Justin: Oh yeah, a day with copier boy. I make posters for my comic book. Ethan: Sounds awesome. Justin: I want to publize all over Liberty Avenue.
SUMMARY: | Michael is tempted to expose Justin's affair with Ethan to Brian. Ted's become immune to porn. Melanie and Lindsay ask Leda to leave. Bowling Showdown: Cops vs. Queers! |
fd_CSI__Crime_Scene_Investigation_06x14 | fd_CSI__Crime_Scene_Investigation_06x14_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY (STOCK) - NIGHT] [EXT. ALLEYWAY -- NIGHT] (A man walks through the alleyway. He stops midway and drops the cigarette he's smoking down on the concrete pavement. He smashes the butt out with the toe of his right foot.) (He takes a couple of steps, turns, then reaches down to pick up the cigarette butt. He pockets the butt, then continues walking quickly through the alleyway.) [SCENE_BREAK] [EXT. BUILDING -- NIGHT] (The man in the jacket climbs up the fire escape stairs to a building behind a large screen billboard.) (He reaches the room he's looking for and stops. He slips a thin, long piece of metal through the crack in the window and pushes the latch open.) [EXT. APARTMENT BUILDING - NASH'S ROOM - NIGHT - CONTINUOUS] (The man climbs through the open window and into the bedroom where a man is sleeping. The lamp on the bedside table is on.) (Karl Cooper shuts the window closed, picks up a chair and puts it down near the bed. He sits down, places his foot on the bed and unmercifully shakes it, waking the sleeping man.) Clayton Nash: Red. Hey. (He chuckles nervously.) You look good, man. It's been a while, hasn't it? Haven't seen you forever. Of course, you know that better than anybody. ("Red" doesn't say anything.) Clayton Nash: I'm... surprised to see you here. Actually, you know what, I'm not that surprised. Listen, I'm glad you dropped by, 'cause there's something I've been meaning to talk to you about. ("Red" raises his gun and points it at Nash.) Clayton Nash: You know, I-I just wanted to say... (He fires twice and hits Nash in the chest.) ("Red" gets up
SUMMARY: | The CSI investigate two murders in the same area: a man killed in a shady motel, and a teenage girl killed in a car accident, but after getting out of her vehicle, killed by being strangled to death. The killer's story is also followed as they try to live a normal life despite his actions. |
fd_Grey_s_Anatomy_03x05 | fd_Grey_s_Anatomy_03x05_0 | TEXT: MEREDITH: First, do no harm. As doctors we pledge to live by this oath. But harm happens. Then guilt happens, and there's no oath for how to deal with that. IZZIE (cooking): Good morning! GEORGE: I thought we were done with the whole muffin thing. IZZIE: This isn't muffins, it's breakfast. Mer needs a good, solid breakfast. First day back after the big surgery. MEREDITH: Are you okay? IZZIE: Of course I'm okay... I'm a millionaire. Fruit? What do you guys think about B&B's? I'm thinking about opening B&B in Vermont where the foliage is, you know? GEORGE: Maybe you should go back to bed. IZZIE: Can't. I'm going to the hospital MEREDITH: Are you going to talk to the chief? IZZIE: Nope. I'm going to clean out my locker. I could buy a hotel. How much do you think a hotel costs? (Izzie pours orange juice spilling it all over her 8.7 million dollar check.) GEORGE: That's eight million... eight million dollars does not like to have juice spilled on it. MEREDITH: You have to take that to the bank today. It's making me nervous in the house. IZZIE: I will. Just as soon as I clean out my locker. I'm fine. Really I'm fine. Denny loved me. He wanted me to have this money; he wants me to be happy. So I'm happy (She plasters on a huge smile.) Juice? [SCENE_BREAK] MEREDITH: She's losing it. She almost battered and deep fried an 8 million dollar check this morning. CHRISTINA: That kind of money, I'd buy my own hospital and stock it full of sick people. Vavuloplasties and ruptured aneurisms. Hmm. GEORGE: You are a psycho, you know that, right? CHRISTINA: Okay, I'm not the one
SUMMARY: | The interns are excited to attend their first Morbidity and Mortality conference but their excitement evaporates quickly after finding out Denny Duquette is first on the agenda. Bailey is raked over the coals for letting her interns run unsupervised about the hospital for long durations. Bailey treats a young mother battling breast cancer and realizes that she blames her infant son for everything that had happened to her. Derek and Addison finalize their divorce; Derek gives up most of their property to Addison but later learns that Mark and Addison's relationship was not just a one-night affair and that they kept seeing each other for three months. Addison and Meredith treat a former couple who got stuck inside one another during sex, however, after separating the pair, the man has a heart attack that causes him go into surgery. In the midst of the surgery, Burke's right hand begins to tremble again. Cristina covers for him by asking to practice her running whipstitch. Izzie decides to give up surgery after receiving Denny's check, but she becomes re-motivated after watching Cristina operate. Callie confesses to Meredith that she slept with another man, but doesn't name Mark. Meredith contemplates telling Derek about her break up with Finn, but is hesitant, despite the fellow interns telling her to let him know as fast as she can. George is surprised when Callie tells him that she broke up with him. |
fd_Degrassi_Next_Generation_06x18 | fd_Degrassi_Next_Generation_06x18_0 | TEXT: At Alex's Paige: Thanks Emily. You are the hostess with the mostest. Emily: You come over anytime you'd like Paige. Paige: Put me down for Oscar night so long as Chad lets us watch on his 6000inch Plasma TV. (There's a knock at the door.) Emily: Pizza money's on the side table, hon. (Chad opens the door.) Police Officer: Good evening. We're looking for Chad Kent. Are you him? Chad: Depends. Uh what do you want? Police officer: We have a warrant for your arrest for the crime of credit card fraud. Emily: Credit card fraud? What? No, there must be some mistake. Chad: Sorry Emily. Emily: No wait! Alex: Should I come? Emily: No. No you stay. I'm sure we'll get this all uh sorted out. (She leaves.) Paige: Wow. How 'Cops' was that? Are you okay? Alex: Paige you should go. Paige: You sure? The TV's all ours. Alex: It's late and I have exams. Could you just go, please? Paige: As you wish, hon. Thanks for your help. At Alex's, the next morning Alex: Nothing like an all-nighter at the police station. Where's Chad? Emily: In jail. You know that big raise he told us about? That was a lie Lexy. He was fired. Alex: Mom that was six weeks ago. What's he been doing all this time? Emily: Well besides buying new plasma TV's with stolen credit cards? Alex: Mom, its okay. We'll send it back and then we're fine, right? TV's gone, loser's in jail. Good riddance. (She doesn't say anything.) Alex: What? Emily: I uh...I gave him a card with his name on it. He took advantage of me Lexy. Now I'm in the hole for 6 grand. Alex: That's not a hole, mom. That's the Grand Canyon. Emily: I know. Alex: How could he put $6000 on your card? Emily
SUMMARY: | Alex becomes a waitress at a gentleman's club when she and her mother start drowning in financial debt, but she soon finds out that there's more money to be made onstage. Meanwhile, Emma is upset when Sean's plans for the future do not include her. |
fd_How_I_Met_Your_Mother_01x12 | fd_How_I_Met_Your_Mother_01x12_0 | TEXT: INT. APARTMENT (Ted opening wedding invitation, Ted sits down and looks at R.S.V.P card, makes check mark) Future Ted VO: When you're single and your friends start to get married, every wedding invitation presents a strange moment of self-evaluation. Will you be bringing a guest or will you be attending alone? What it's really asking is where do you see yourself in three months? Sitting next to your girlfriend or hitting on a bridesmaid? I always checked that I was bringing a guest. I was an optimist. ('Two Months and 26 Days Later,' Ted sitting on couch talking on phone) Ted: Who the hell am I gonna bring to this wedding? (screen splits, Barney in cab on phone on left side of screen, Ted on right side) Barney: Ted, have you ignored all my teachings? Ted: For the most part, yeah. Barney: You don't bring a date to a wedding. That's like bringing a deer carcass on a hunting trip. Oh Ted, oh Ted, no, no date. Ted: Deer carcass, really? That's the metaphor you're going for? Barney: Ted, it's a simile. Ted: Well, it's too late now. If I don't bring a date, a $200 piece of chicken-slash-salmon will go uneaten. I gotta bring someone, but who? Future Ted VO: Of course I knew who I wanted to bring: Robin. (TV screen showing Robin reporting in front of bridge) Future Ted VO: The big unanswered question in my life. Problem was, she was dating this really rich guy named Derek. (shot of Derek and Robin sitting in back of car) Future Ted VO: Pft, Derek. INT. MACLAREN'S (Marshall, Lily, Ted and Barney sit at booth, Robin stands by booth) Robin: Well, Derek and I just broke up. Lily: No, that's terrible, are you OK? Marshall: Yeah, do you need a drink or something? (Robin sits down next to Lily) Robin
SUMMARY: | Ted's decision to bring Robin as his date to a friend's wedding leads to an argument between the bride and the groom that abruptly ends the wedding. Ted and Marshall comfort the bride and groom and urge them to resume the wedding. They agree, but a last-minute opportunity at work leads Robin to unexpectedly cancel, leaving Ted to go alone. |
fd_One_Tree_Hill_07x08 | fd_One_Tree_Hill_07x08_0 | TEXT: [PREVIOUSLY_ON] Dan : You were at that party that night, but you didn't have s*x with Nathan Scott, did you? Renee : No. Nathan : It's over. Dan : I'd been given only days to live. That was 14 months ago. Rachel : so how'd you know she was lying? Dan : takes a con to know a con. Brooke : that night you said you were gonna take that movie in New Zealand, I wrote "marry me" in the sand, and then I didn't tell you because you said you were leaving. Julian : I didn't know. Quinn : hey. Clay : I think you should go home to David. Sara : I don't want you to be alone, honey. Why'd you send her away? Clay : I loved you so much, Sara. I don't want to lose us. Sara : But now it's time to let go. IN SPAIN Doctor : Don't worry, se<unk>or. You won't feel a thing. Dan : So, tell me, doc. How many heart transplants have you done? Doctor : Dos o tres. Más o menos. Dan : Whoa, whoa, wait. Doc, I-I'm -- I'm not under yet. I'm still here. Hey, doc, doc, doc, I'm still here. I'm still here, doc. I'm still here. I'm still here! I'm still here! Rachel : It's okay, baby. It's okay. It was a dream, right? it was just another dream. AT SCOTT'S HOUSE Haley : he's going. Nathan : all right, Haley, I just wanted to spend this weekend with my son and my friends. i barely even know this guy. Haley : he's going. AT BROOKE'S HOUSE Brooke : you're going. Julian : an entire weekend in the woods -- you realize I know nothing about camping? AT SCOTT'S HOUSE
SUMMARY: | Julian agrees to a weekend camping trip but struggles to fit in with Nathan and the guys. Back in Tree Hill, Brooke and Haley spend Girl's Night doing a little bonding of their own, and Quinn helps Clay come to terms with a tragic loss. Meanwhile, Dan and Rachel's past catches up to them. This episode is named after a song by Cutting Crew . |
fd_True_Blood_03x09 | fd_True_Blood_03x09_0 | TEXT: [At Fangtasia. Eric and Pam] ERIC: We need a sanctuary. PAM: Oh my god, what did you done. ERIC: I slayed a vampire, lover's Russel Edgington. PAM: Are you insane? ERIC: WHERE CAN WE GO? PAM: A human home would be safe. We both have been invited in the Sookie's. ERIC: It's out of the question. PAM: You never panic. Should I panicked? [Ginger arrives.] ERIC: Ginger, dear, where do you live? GINGER: Across the river, in Bossier. Why? PAM: We need your house. Now. GINGER: It's because of the V-faid's? [Nan Flanagan is in the Fangtasia, with officiers.] ERIC: Sorry Miss Flanagan. The bar is closed. NAN: Thank you, I already ate. Tru Blood only, of course. You can't stay out of trouble, can you? The V.R.A is two states away from ratification. I should be kissing asses in the Oregon, not cleaning up after you in f*ckin' Louisiana. ERIC: I promise that there nothing is missing in my area. NAN: Shut up. You're making my head hurt. Officers. Silver him. [Eric gets hurt. Ginger screams.] Credits [Russel arrives on his castle running.] RUSSEL: Where is he? GARD: In the office, sir. [He discovers what's left of Talbot.] RUSSEL: Talbot. My love. Hahh! [Stackhouse's house. Sookie and Bill are together on the shower. Then Sookie see a were-wolf dead boby in her living-room.] BILL: Yeah, I suppose I should have mentioned that. SOOKIE: There is an old tarpaulin that back. Normal couples do not do this, Bill Compton. BILL: Don't you giving up on being like a normal couple? What would you rather to be doing? Sit on the sofa, watching television
SUMMARY: | Sookie tells Bill that she knows about the secret file he's been keeping on her family. Nan Flanagan visits Eric at Fangtasia to investigate the disappearance of the Magister. The Authority gives Eric the green light to kill Russell. Tara seeks therapy for her trauma. Hadley introduces Sookie to her son, Hunter, who is also a telepath. Bill meets Claudine in the mysterious dream world and finally discovers what Sookie is. Hoyt admits to Jessica that he doesn't care for Summer. Jason and Crystal tie up and plant V on her fiance, who later savages one of Andy's deputies. Sam beats Calvin nearly to death. Arlene admits she doesn't want Rene's child. Tara attends a rape survivors' group where Holly reveals she too is a survivor. Franklin comes back for Tara, but is shot by Jason with a wooden bullet. Russell appears on TV, killing the news anchor, and pledges to wage war against humans and the American Vampire League. |
fd_Doctor_Who_1963_05x32 | fd_Doctor_Who_1963_05x32_0 | TEXT: FURY FROM THE DEEP by VICTOR PEMBERTON first broadcast - 6th June 1968 (5:15pm - 5:40 pm) [SCENE_BREAK] 1. BEACH (MAGGIE HARRIS and ROBSON stand at the waters edge.) MAGGIE: Very little time. You know what you must do. ROBSON: Yes. MAGGIE: You will obey. (ROBSON looks on as MAGGIE walks towards the sea, staring at MAGGIE's slowly receding figure as she becomes submerged by the waves.) [SCENE_BREAK] 2. CONTROL ROOM (PRICE, VAN LUTYENS and the DOCTOR are at the communications dome trying to contact any of the rigs out at sea.) PRICE: Rig D. Rig D. Control calling. Rig D, come in please. Rig D. Rig D. Control calling, come in please. (To VAN LUTYENS.) I'm sorry sir, I can't reach them. VAN LUTYENS: Try Rig A again. PRICE: Rig A. Control calling Rig A... (To VAN LUTYENS.) It's no good sir. That's three rigs not answering now sir. VAN LUTYENS: The men on the remaining rigs won't last under this suspense much longer. Try the guard post again and see if there's any sign of Mr. Harris... Three rigs now. What could have happened to them? DOCTOR: Well, can't you send someone else to investigate? VAN LUTYENS: No... I don't have the authority here. I'm just their technical adviser. Mr. HARRIS is in charge. When he comes back, he might properly authorise the company helicopter for at least to take a look. DOCTOR: We can do nothing? VAN LUTYENS: Nothing. Wait. Wait. Nothing. [SCENE_BREAK] 3. IMPELLER AREA (The CHIEF Engineer is inspecting the impeller shaft with his repair crew. Their work is interrupted when the familiar thumping heart
SUMMARY: | Van Lutyens' investigation of the base of the impeller places the Doctor and Jamie in danger from the Weed Creature. |
fd_The_Mentalist_02x05 | fd_The_Mentalist_02x05_0 | TEXT: Foster: Hello? What the hell? Beckworth Mansion, Eagle Creek, California Fisher: I appreciate your people coming in on this, agent Lisbon. Haven't handled many homicides- none, in fact frankly, I'm looking to learn from you. Lisbon: Not a problem, deputy Fisher. Fisher: Small town. We don't get much trouble. Jane: Well, that's a shame. Trouble's your business. Fisher: You could say. Victim's Alan Foster- 43 years old, married, no children. Architect. He bought the house a few months back, said he was gonna rehab it. Cho: Was the wife with him last night? Fisher: No, she was in the city. They have a house in San Francisco. I sent a man to break the news. Lisbon: Was anybody else in the house with him? Fisher: Nobody as far as we can tell. I don't know what to say. The house was locked up tighter than a drum when I got here. Took me half an hour just to shut off the alarm. Lisbon: Cho, check the alarm system. Either the victim let somebody in, or they broke in someplace. Fisher: It's a shame. Foster seemed like a nice guy. Jane: Whoa, that's a lie. You didn't like him one bit. Fisher: W-i-I didn't say that. Jane: Yes, you did. You thought he was rich, arrogant, pretentious, an interloper. He wore those trendy architect's glasses. Did you kill him? Fisher: Did i... No. No. What kind of question is that? Jane: He's got something in his hand. Lisbon: Jane! Gloves. Jane: Right. Lisbon: A brass button with the letter "b"? Jane: That mean something to you, deputy? Fisher: No. What's this guy's problem? Lisbon: That would take way too long to answer. Let's take a look inside. Fisher: Okay. It's this way. Fisher: Clear signs of struggle rules out suicide. Lisbon: That, and suicides usually open the window before they jump. Jane: What's troubling you, Fisher? Fisher: What? Nothing
SUMMARY: | The CBI team is called to investigate the death of the wealthy new owner of the old Beckworth Mansion, which is the site where his murdered body was found. The victim and his wife bought the Mansion with the hope of fixing it up, and the sentimental former owner developed a grudge. The local deputy sheriff, and other witnesses, believe that Walter Beckworth's ghost haunts the mansion and killed the new owner, so the investigation is accompanied by a discussion about the existence of ghosts. Jane discovers that the ghost was actually an illusion created by a system Beckworth built into the house to entertain his guests and also points out that the house is full of secret passages that the killer could have used. The CBI team and others, headed by Jane, then try to find a treasure supposedly hidden in the house, and come upon a riddle instead. The killer (the former owner's jealous nephew) is tricked into sneaking undetected into the mansion again in an attempt to locate the treasure, whereupon he is apprehended by the CBI upon arrival. Jane then reveals that he wrote the riddle himself. Van Pelt and Rigsby become closer during this episode, and finally express their feelings for one another. |
fd_Roswell_03x11 | fd_Roswell_03x11_0 | TEXT: Title: "I Married an Alien" 54th Episode of Roswell Production Code: 3ADA11 [SCENE_BREAK] Doorbell Rings. Isabel opens the door to Max and Michael Isabel : Honey the painters are here. Michael: Yeah thats funny. Come on move out of the way, this crap is heavy. Jesse: Hey Guys Max: Hey Jesse: You sure you don't want me to stay and help out. Michael: Uh, actually there's a uh couple of cans outside. Isabel: But they can manage. Max: Right, our treat. Seriously its a, its a housewarming gift from us to you Michael: Yeah and a wedding gift, its combined. Isabel: (laughs) Don't be silly. The wedding gift will be seperate. Michael: Of course it will. Isabel: Hmm. Jesse: Well its, its just very generous of you to take your Saturday out to paint our apartment. Max: Ah it won't take us that long we're pretty fast. Isabel: Come on, Honey. You're going to be late, my dad hates late. Jesse: Ok, allright, uh see you guys later and thanks. Isabel: Bye (kisses jesse) Have fun. Michael: No problem. Isabel closes the door. Michael: You know you could've probably done this yourself. Isabel: Right, Jesse was going to let his wife paint the entire apartment all by herself. Max: You know what colour you want? Isabel: Tusant Ochre or? brick red. Michael: Here we go. Isabel: I need to see it in this space. So, uh Max you take ochre to that wall. And Michael you take red to that one, k then I'll decide. Maybe. Michael and Max go to there seperate walls and place their hands on the wall. It then changes to the colour they are holding. Michael: I'm exahausted. Im takin a break. Max: Like the ochre. Isabel: Hmm. Michael turns on the tv. A rerun of Bewitched is playing. Samantha: Now I don't know whats going to happen... Michael: Oh
SUMMARY: | When an old reporter friend of Jesse's comes to Roswell for a visit, he begins to suspect that Jesse married an alien and starts writing an exposé. Isabel imagines how life would be if Jesse knew the truth and daydreams they're in a sitcom inspired by "I Dream of Jeannie." |
fd_The_Big_Bang_Theory_08x14 | fd_The_Big_Bang_Theory_08x14_0 | TEXT: [ Penny's apartment ] [SCENE_BREAK] Penny: So, tell me about your day, how's it going with the particle detector? Leonard: Wow, you remember that? Penny: Yeah, I listen to what you say. You're building a particle detector using superfluid helium. Leonard: You know, when you talk like that, I want to take you right here on this table. Penny: And you know from past experience this table cannot support both our weight. So, how's the detector going? Leonard: Well, it's tricky working with superfluids. Whatever container you put them in, they kind of creep up the sides and crawl out all on their own. Penny: Kind of like Sheldon's ant farm. Leonard: Exactly, except you don't have a lunatic running around, yelling, I fed you sugar water, why are you biting me? Come on, this is boring, you really want to talk about this? Penny: No, I do. I-I didn't write "superfluid helium" on this napkin for nothing. Leonard: Okay, well, this is cool. Uh, there's a thing called "superfluid vacuum theory", where empty space is imagined as a superfluid with all of its qualities, viscosity, density, surface tension... Penny: Hey, if you're pausing for dramatic effect, I'd keep it moving. Leonard: No, no. People don't talk about surface tension. If you imagine our three-space as the surface of an N-dimensional superfluid bubble... This is exciting. This is really exciting. I have to go find Sheldon. Penny: Okay, well, if you find him, use the kitchen island, that coffee table will not support both of you. [SCENE_BREAK] [ The apartment ] [SCENE_BREAK] Leonard: Which means a spherical multidimensional superfluid shows the same negative-energy density as space-time. So what do you think? What do you think? So what do you think? Sheldon: Hmm. Leonard: What? Is it wrong? Have you seen
SUMMARY: | Leonard has a revelation about Superfluid vacuum and presents his theory to Sheldon who approves. Sheldon writes a paper on their work and they post an online paper together. It is well received except for one troll who makes disparaging comments. Sheldon challenges this person, but panics when he tries to video call him. Leonard and Sheldon decide to stand up for themselves and are stunned when their harasser is revealed as Professor Stephen Hawking who actually liked their paper and had only commented negatively because he was bored. Meanwhile at Penny's apartment the girls spend the night embarrassing each other, first by watching the terrible gorilla movie that was Penny's last acting job, then Penny finds some video footage of a younger Bernadette in a beauty pageant, and finally Bernadette reveals Amy's romantic fan fiction of Little House on the Prairie theme about her and Sheldon: this backfires when they become invested in the story. Leonard also enjoys Penny reading the fanfic to him, but stops before a creepy sex scene. |
fd_Doctor_Who_09x02 | fd_Doctor_Who_09x02_0 | TEXT: Boy: Davros. My name is Davros. The Doctor: Davros created a new kind of warrior. Davros made the Daleks. But who made Davros? Boy: You said you'd help me! Clara: Shame. You're ashamed. Colony Sarff: Davros is dying. He has a message for the Doctor. Missy: This is a trap. ( Hissing ) The Doctor: You brought me to Skaro! Missy: This is the planet of the Daleks. ( Missy screams ) The Doctor: Clara! Davros: You cannot help her now, Doctor. Compassion... is... wrong. [SCENE_BREAK] [ Planet surface ] Missy: Consider the Doctor. The Doctor, trapped. The Doctor, alone. You all right there, dear? Clara: Where are we? How did we? Missy: Shh, now. Mummy's talking. OK, I'm going to tell you a story of the Doctor. It's classic. On the run, no TARDIS. No friends, no help. In other words, the Doctor, happy. It was a long time ago. Missy: Doesn't matter which face he was wearing, they're all the Doctor to me. So let's give it to the eyebrows. Clara: But the Daleks... Missy: Yes, I'm coming to that. Clara: Shouldn't we be, um...? I don't want to say dead. Missy: Hush! He's travelling by teleporter. Unfortunately, his teleporter is out of power. Also unfortunate, he's being stalked by, oh, say about 50 android assassins? I may be rounding up. Missy: Ow! 50 invisible, indestructible android assassins, all exclusively programmed to kill him. Clara: Why are you sharpening that stick? Missy: Well, I've no idea how long we're going to be stuck out here. Might have to go hunting. Clara: So why am I tied up? Missy: In case there's nothing to hunt. Miss
SUMMARY: | Using Dalek energy, Missy was able to power her teleporter for her and Clara to escape. The two attempt to find the Doctor, going through the sewers, which are filled with decaying Daleks. They successfully kill a Dalek and empty its case to disguise Clara inside of it. Meanwhile, the Doctor comforts the dying Davros, feeling compassion for him having abandoned him as a boy in the past. The Doctor uses a little regeneration energy to power Davros' life support, which is also connected to every Dalek. This turns out to be a trap, and begins draining the Doctor to regenerate Davros and the Daleks. Missy saves the Doctor, and the energy also restores the dying Daleks, who wish to destroy the functional Daleks. While escaping, the Doctor and Missy encounter Clara's Dalek. Missy tries to trick the Doctor into killing her, but fails after the Dalek asks for mercy. Missy escapes. Using his new sonic sunglasses, the Doctor summons the TARDIS, which also had avoided destruction by its automated systems. The Doctor then returns to the battlefield, where he does not kill Davros, but destroys the mines to free him, and then helps him home. |
fd_Frasier_10x08 | fd_Frasier_10x08_0 | TEXT: ACT ONE Scene One - Niles' Hospital Room [SCENE_BREAK] Niles is in the bed, Daphne is puttering around. Niles holds up a card. Niles: Oh, this one's from your mom. A kitten in a basket of yarn. [He opens it to read.] "Dear Niles, I know we haven't always gotten along..." He checks the back of the card for more, but that's it. Niles: Wasn't that sweet of her? Frasier comes in with Roz. She's holding some flowers. Frasier: Hey, Niles, look what I found in the parking lot. Roz: Hi, Niles. It's good to see you. [crossing to Daphne] How's he doing? Daphne: The doctor says he's doing just great. Roz: Well, he looks just great. [whispering to Daphne] Why is he so pale? Niles: [who's heard her, whispering] He's always this pale. Daphne: I'll take those. She sets the flowers down amongst all the others. Frasier: Well, Niles, you've got quite an impressive array of flowers here. Oh, dear lord, who sent mums? Niles: Those are from Jaime, [pronounced hi-may] our squash valet. Frasier: Really? You know, when I had the flu, Jaime didn't send me so much as a card. Niles: You didn't have the flu, you barely had the sniffles. Frasier: I almost threw up. Who knows, mums might have been just the thing to cheer me up. I guess we'll never know now, will we? Roz: I'm so sorry you have to go through all this, Niles. Niles: Oh, I'm pretty used to him by now. Everyone chuckles. Roz: No, I meant... Niles: Oh, right, the... umm... [pointing at his chest] Yes, well, thank you. Who knew all those years of fois gras and brie would finally catch up with me. Da
SUMMARY: | Niles has been taken to hospital, and is about to undergo heart surgery . Daphne, Frasier, Martin and Roz have all come to see him, and each is coping differently: Martin jovially pretends there is no problem, and that Niles is just avoiding work; Frasier has researched the medical procedure thoroughly, and keeps offering to talk everyone through it; Daphne is just terrified, and Roz does her best to look after her. Frasier irritates the surgeon by asking questions about the operation, and by suggesting that he knows a better way of doing it, just because his source is a colleague from Harvard . Niles, on his way to the operating room, speculates over whether a hospital has memories. Then, at several points while the others wait for the operation to finish, little scenes from their past are played out around them in different parts of the hospital, including when Niles was born, when Roz brought baby Alice in for a check-up, and when Martin received bad news about his wife's health. Once Niles' surgery is over and a relieved Daphne is leaving the hospital, the hospital shows us a hopeful scene from the future in which she and Niles welcome a second child. |
fd_Grey_s_Anatomy_04x01 | fd_Grey_s_Anatomy_04x01_0 | TEXT: Provided by TVTDB.com (Seattle scenes) (Richard sits at his desk) MVO: In the practice of medicine, change is inevitable. New surgical techniques are created, procedures are updated, levels of expertise increase. (George enters the locker room with the new interns) MVO: Innovation is everything. Nothing remains the same for long. We either adapt to change...or we get left behind. (Cristina's interns walk up to her) Cristina: I have five rules. Memorize them. Rule number one, don't bother sucking up, I already hate you. That's not gonna change. (Izzie is with her interns at a nurse's station) Izzie: Trauma protocols, phone lists, pagers. The nurses will page you. You answer every page at a run...a run. That's rule number two. You're supposed to follow me. (Alex is walking through the hall with his interns) Alex: Your first shift starts now and lasts 36 hours. You're grunts, nobodies, the bottom of the surgical food chain. You run labs, you write orders, you work every second night until you drop, and you don't complain. (Meredith is showing her interns the on-call rooms) Meredith: On call rooms. Sleep when you can, where you can. You know, but not with anybody. Not attendings...especially not attendings. Sleeping with attendings...not a good idea. Where was I? George: Um, rule number three. If you're sleeping, do not wake you unless a patient's actually dying. (Cristina is showing her interns the on-call rooms) Cristina: The dying patient better not be dead when I get there, because not only will you have killed someone, you will have woken me for no good reason. Are we clear? (Lexie raises her hand) Yes? Lexie: That was four rules. You said five. Cristina: Rule number five...when I move, you move. (They all stand there) Go! (Alex, Izzie, Cristina and Meredith are in the deserted hallway hangout) Cristina: I hate them.
SUMMARY: | Having just returned from her honeymoon with Meredith, Cristina searches for Burke, but he is nowhere to be found. Meredith, Cristina, Izzie and Alex spend their first day as residents with their own groups of interns. Among the interns are George, repeating his intern year after failing his exams, and Lexie Grey, Meredith's half-sister whom she has never met. The residents and interns have to deal with the victims of a multi-car pile-up, including a man who came to life, a pregnant woman who lost an arm, and a man with a compulsive desire to eat. Izzie attracts her interns' ire by having them treat a deer. Now that Derek's relationship with Meredith has reached an emotional impasse, he looks to his fellow doctors for friendship. Webber resumes his position as Chief of Surgery. Bailey wrestles with her place within the hospital now that her former interns report to new Chief Resident Callie, who struggles with her new position. |
fd_CSI__Crime_Scene_Investigation_01x10 | fd_CSI__Crime_Scene_Investigation_01x10_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY (STOCK) -- DAY] [EXT. LAS VEGAS CITY MOUNTAINS (STOCK) - DAY] [SCENE_BREAK] [EXT. MOUNTAINS -- DAY] (We hear the crunching of footsteps on the brush.) Hiker Man: (o.s.) Isn't it great to get back to nature? (We hear more footsteps.) Hiker Man: (o.s.) You want to set camp here? (In the brush, we see two campers, ANGIE and a man. ANGIE has her legs crossed and shuffles from one foot to the other.) Angie: We can camp on the moon. Just give me the shovel. (HIKER MAN takes off his back pack and grabs the shovel. He hands it to her.) Hiker Man: Chill, chill. You got paper? (She grabs it and hurries off. The MAN laughs silently at her.) Angie: I have what I need. (ANGIE walks some distance away from her camping partner and tries to get the shovel open. We hear insects buzzing. She looks in front of her and gasps.) Angie: Oh, my god! Hiker Man: (concerned) Angie? (ANGIE is frozen as she stares at whatever it is she's looking at. When ANGIE doesn't answer him, the MAN turns to go look for her.) Hiker Man: Angie! (He runs toward her and finds her frozen at whatever she's looking at.) Angie: They're... they're everywhere. Hiker Man: What the...? (In front of them, under the bush, is the body of a person.) Hiker Man: That's a person. (They both start coughing and gagging at the thought.) [SCENE_BREAK] [EXT. MOUNTAINS - NIGHT] (Large lights are set up on the mountain side. SARA and GRISSOM make their way down toward the dead body.) Detective
SUMMARY: | Grissom and Sara investigate when the body of a woman is found in the desert, covered with insects. Grissom uses entomological evidence to discover the time of death. Unfortunately their prime suspect - the husband - was out of town at that time, and to Sara's dismay, it looks like he is getting away with murder. Meanwhile Warrick and Catherine try to find out who stole a painting. Nick deals with a missing persons case when a woman's car is found at a bus station. |
fd_Buffy_the_Vampire_Slayer_06x20 | fd_Buffy_the_Vampire_Slayer_06x20_0 | TEXT: •I do not own the characters or situations of BTVS and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you really want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. DO NOT POST MY TRANSCRIPT ON YOUR SITE WITHOUT MY NAME ON IT! • I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] GILES VOICEOVER: Previously on Buffy the Vampire Slayer... Spike and Buffy in the graveyard. SPIKE: Why won't you sleep with me again? BUFFY: Because I don't love you. Willow and Tara in the bedroom. WILLOW: See? Clothes. TARA: Better not get used to 'em. WILLOW: Yes ma'am. Willow and Tara kissing. Warren and Buffy fighting. WARREN: Say goodnight, bitch. Buffy smashing the orbs. Warren losing his powers. BUFFY: Goodnight, bitch. Buffy kicking Warren. Buffy and Spike struggling in the bathroom. SPIKE: I'm gonna make you feel it! BUFFY: Stop! Buffy kicking Spike across the room. BUFFY: Ask me again why I could never love you. Spike on his motorcycle. SPIKE: Get nice and comfy, Slayer. I'll be back. And when I do... things are gonna change. Spike riding off into the night. Warren storming into Buffy's backyard. Buffy and Xander reacting. WARREN: You think you can just do that to me? You think I'd let you get away with that? Think again. Warren shooting at them. Xander falling to the ground. The window shattering. Willow with blood on her shirt. Tara falling down. WILLOW:
SUMMARY: | Willow, after being told Tara cannot be resurrected, is pushed over the edge by her grief. After magically saving Buffy, a vengeful Willow hunts down Warren, who desperately tries to escape town. Though her friends try to stop her, Willow tracks down Mears and brutally murders him by flaying him and burning him alive with her magic. |
fd_Degrassi_Next_Generation_03x21 | fd_Degrassi_Next_Generation_03x21_0 | TEXT: At a music place in the mall Sean: Have you seen this? This is MC Terminal. Drives up onstage in a (something). It's sick. Jay: We need this disc. Sean: It's $50. It's an import. Jay: Hold on. I've got discount cards. Sean: You've got discount cards? Jay: Yeah two. They get me 100% off everywhere. (They each take the discs and put them in their hoodies.) Security Guard: You boys forget to pay for something? Sean: Well we were just about to... Jay: Go! Security Guard: Hey get back here! (Jay and Sean start running away and a security guard puts out his arms to stop them as they run basically right into him.) At Sean's house Sean: So some rent a cop banned me from the mall. Big deal. Tracker: It is a big deal Sean because they could have called the real cops. Sean: I know. I was lucky. Tracker: You've been off probation for what like a month now? This is how you celebrate, by pulling a stunt like this? That guy um Jay, he talked you into doing this? Sean: What? No! No... Tracker: I know guys like him Sean. All right? He's bad news and you're gonna have to cut him lose. Sean: He's my best friend...ok dad! (phone rings) Tracker: Yeah hello? Hold on a second. (Looks at Sean pouring chocolate milk) What kind of breakfast is that huh? Tracker: Yeah go ahead, sorry. I thought you said the job was filled. How much is it? Absolutely! At school, in a classroom Liberty: So JT...got a date for the semiformal? JT: Why? Are you propositioning me, Liberty? Liberty: No such luck. I'm very taken. (Showing a notebook filled with pictures of her and Towerz) JT: Oh well that's good. He's getting some practice for the mug shot. Liberty: As a more experienced dater I'd like to offer you some words of advice. JT: This should be good. Liberty: Ask Manny to the semiformal! J
SUMMARY: | Sean's brother gets a job in Alberta, but Sean wants to stay at Degrassi. He finds out that he can live by himself with student welfare, but that plan is in jeopardy when his place becomes party central. Meanwhile, Liberty makes it her mission to get J.T. his dream date to the semiformal, even if it's not her. |
fd_Doctor_Who_1963_16x22 | fd_Doctor_Who_1963_16x22_0 | TEXT: THE ARMAGEDDON FACTOR BY: BOB BAKER AND DAVE MARTIN Part Two Running time:23:56 [SCENE_BREAK] DOCTOR: Yes, buried under that rubble. ROMANA: Then we're trapped. There's no way out. DOCTOR: There's always a way out, if only we can find it. ROMANA: Yes, and if one has time. Those guard'll be after us any minute. DOCTOR: Possibly, possibly. K9's watching our rear. ROMANA: Shush, someone's coming. DOCTOR: Oh, it's you. MERAK: Where is she? Where's Astra? ROMANA: We don't know. DOCTOR: Just a minute, just a minute. Why do you want to know? MERAK: I love her. ROMANA: Oh. DOCTOR: Ah. Oh. Oh, well, just before the Marshal arrested us, I did find somebody, and judging from the voice it was certainly a young woman. MERAK: Where? Where? DOCTOR: She was through there. MERAK: That's a high radiation zone! DOCTOR: No, no, no, wait a minute, wait a minute. I'll take a look. DOCTOR: I can't see anything. K9, any sign of our pursuers? K9: Negative, master. They went the other way. DOCTOR: Good. Now listen, K9. K9, we want this door open, but be careful. There may be someone on the other side. K9: Understood, master. DOCTOR: Come on. MERAK: What is it? ROMANA: It's all right, he won't hurt you. He's with us. MERAK: Who are you? Are you Zeons? DOCTOR: No, no, no, of course not, but we're friendly. Don't worry about that. Romana? ROMANA: Yes? DOCTOR: Keep an eye out round the corner. Come here, Merak. ROMANA: Right
SUMMARY: | When the Doctor and Romana work to escape they Marshal, they not only discover that their TARDIS has been buried underneath a pile of rubble from a recent Zeos attack, but also they discover someone who may be trapped and kidnapped by a unknown source. |
fd_The_Originals_03x01 | fd_The_Originals_03x01_0 | TEXT: [ Flashback: Southern France, 1002 A.D. ] [SCENE_BREAK] Klaus (V.O.): In the beginning, we were so naive. Our mother had made us into beasts that fed on blood, but immortality was beyond our grasp, compulsion a trick we had yet to learn. Klaus (V.O.): All we knew was a fear of being hunted. That and a terrible hunger. Klaus (V.O.): So we ran... as a family... and when we needed to... as a family... We fed. (Neighing) Elijah: Kol, are you quite done? Kol: Ahh. Oh, bother, Elijah! Is all of this truly necessary? Elijah: Brother, the road is a major thoroughfare. If the bodies are found, word of our presence will spread to Mikael. Rebekah: We have run through autumn and winter, through sleet and snow. Are we cursed to forever live in fear of our father? Finn: I should say yes sadly. Elijah: Finn, please. Niklaus. Rebekah: Do we have any idea where we're running to next? Kol: Why not just do what we've all thought of doing? Split up! Klaus: We swore a vow! Kol: Your vows haunt me more than father himself! At least he can't chase us all. I say we take our chances. Finn: Perhaps Kol is right. Kol: Thank you, Finn! Yeah, I've always said eldest is the most intelligent. Finn: Stop talking! Finn: I take no Joy in our assent, but I do wish to sleep in a bed, to bathe in a bath, to feed of proper food. Elijah: No, brother. Niklaus is right. We made a vow. Elijah: Family above all. Elijah: Always... forever. [SCENE_BREAK] [ Present day - Mikaelson Compound ] [SCENE_BREAK] Klaus: Always and forever indeed. [SCENE_BREAK] Freya (V.O.): "My dear Rebeka
SUMMARY: | Months after following their violent and deadly showdown with the powerful witch Dahlia, a rift continues to divide brothers Klaus and Elijah, while Freya searches for a way to heal their fractured bond and return their family to the way they once were. Meanwhile, Klaus' suspicion piques when he learns that an old vampire friend named Lucien has arrived to New Orleans with a mysterious agenda involving the Mikaelson's remaining sire lines. Elsewhere, Elijah questions whether he can truly forgive his brother for his mounting offenses, while Hayley struggles with being cursed to her wolf form in the bayou. In the French Quarter, Vincent and Cami assist Detective Kinney after a series of gruesome discoveries are made, leading them to believe they may have a serial killer on the loose. Finally, Marcel, who has regained control of the French Quarter once again, tries a new strategy to recruit vampires, while Davina, who is now Regent to the New Orleans witches, makes a decision that will find her and Marcel on opposite sides of an escalating conflict. |
fd_How_I_Met_Your_Mother_02x02 | fd_How_I_Met_Your_Mother_02x02_0 | TEXT: Ted from 2030: Marshall and Lily have together for nine wonderful years until she dumped him and ran off to San Francisco. The healing process was taking a long time. Then, one night he made a giant leap forward. At MacLaren's. Robin: Alright, see you guys later. Ted: I'll walk you out. Marshall: See ya. Barney: You just checked out Robin's ass. Marshall: What? No. I... Barney, I was... Barney: Dude, that's awesome! You're finally forgetting about that short redhead. Marshall: Lily. Barney: Yes, Lily, thank you. That was gonna drive me crazy all night. Hey, Ted! Marshall's just checked out your girlfriend's ass. Marshall: I did not Ted... Ted: Awesome! You're finally getting better. Barney: This is the moment I've been waiting for. Starting tonight, I'm gonna teach you how to live. Ted, you're out of chance, Marshall's in. Ted: Yes! Marshall: Oh, God! Barney: Marshall, being a single guy in New York city is like... Pfff... What does everybody like? Marshall: Candy. Barney: Yeah! It's like being in a candy store. You just walk right in and grab yourself some Whoppers. Yeah. Is Whoppers the best ones? Ted: Mounds. Barney: Milk Duds. Ted: Gobstoppers. Barney: Um... Ted from 2030: This went on for another hour. I'll just skip to the end. Ted: Dubble Bubbles. Barney: Nice! Marshall, we're doing this. I am not taking no for an answer. Marshall: Fine. Ted (on the phone): Hey Robin. Marshall checked out your ass. Marshall: Ted, what is wrong with you? Robin (on the phone): He checked out my ass? Hey, tell him thanks. I felt like I was having a bad ass day. Cool. See ya. Robin reaches her apartment. Lily is on her landing. Robin: Lily. Lily: It is a great ass. CREDIT TITLES Ted from 2030
SUMMARY: | Barney teaches Marshall how to pick up women. When things start to go sour for an awkward Marshall, Barney steps in and wins the women over... for himself. Lily returns from her art experience. While helping her look for a new apartment, Ted gets sick of hearing about Lily's amazing summer in San Francisco. |
fd_Doctor_Who_1963_06x22 | fd_Doctor_Who_1963_06x22_0 | TEXT: The Krotons By Robert Holmes 5:15pm - 5:40pm [SCENE_BREAK] 1, INT: UNDER-HALL (The Doctor looks upwards as the split in the ceiling widens and a chunk of concrete dislodges, falling to the ground.) DOCTOR: Oh...oh! ZOE: Doctor! (A stream of rubble falls from the hole in the ceiling burying the Doctor completely.) DOCTOR: Argh...oh! [SCENE_BREAK] 2, INT: LEARNING HALL (Thara and Vana descend the steps to the hall and gaze towards the entrance of the machine, the ground juddering and there is a loud rumbling.) THARA: I'm going down. You go back. (He begins to descend to the under-hall.) VANA: Well be careful Thara! [SCENE_BREAK] 3, INT: UNDER-HALL (Zoe coughs and looks up from where she is lying, covered in dust.) ZOE: Doctor! (Thara rushes over and helps her up.) THARA: Are you alright Zoe? ZOE: Yes, I think so. (Thara takes her by the hand.) THARA: Come on, this way. ZOE: No, we must find the Doctor! THARA: Well where is he? ZOE: S-somewhere over there, I saw him fall. THARA: I'll look for him. You stay under here. (He moves off to search.) [SCENE_BREAK] 4, INT: LEARNING HALL (Selris helps a few survivors from the under hall evacuate, and runs across Vana.) SELRIS: Vana, what are you doing here? Why aren't you in the hills? VANA: Because Thara and I stayed behind with Beta to make some acid. We were bringing it here for the Doctor when we felt the earthquake. SELRIS: The Doctor! (He looks around.) SELRIS: Has anyone seen him? VANA: He's probably buried down there with the digging party. (Selris rushes down to the under hall again
SUMMARY: | Selris succeeds in drawing the Krotons out of the Dynatrope but Eelek agrees to hand the Doctor and Zoe over to them in return for their leaving the planet. |
fd_The_Vampire_Diaries_04x15 | fd_The_Vampire_Diaries_04x15_0 | TEXT: [Gilbert's House] (Elena takes a picture of Jeremy and her and looks at it) [The Island] (Elena rushes toward Jeremy and takes him in her arms) Elena: Jeremy! Oh, no. No. No. Oh, no. Oh, God, no. Oh, God... It's fine. It's fine. It's fine. You're gonna be ok. The ring will bring you back. It's ok. It's ok. You're gonna be ok. You're gonna be ok, Jeremy. You're gonna be fine (Damon and Stefan are in the tunnels) Damon: How'd this happen? Stefan: It was Katherine. She must have been following us this whole time Damon: What about the cure or Silas? Stefan: If there was anything in there at all, it's all gone Damon: Where the hell is Bonnie? Stefan: I have no idea. She went looking for Jeremy last night. She never came back. Damon, Elena is in there waiting for the Gilbert ring to bring Jeremy back to life Damon: Ok. Fine. We'll wait with her Stefan: Damon, listen to me. Jeremy was one of the five, a hunter Damon: He's supernatural. The ring won't work anymore. She won't survive this. I'll find Bonnie. You get Elena off this island [Gilbert's House] (Caroline is cleaning. Elena and Stefan enter. He's carrying Jeremy's body) Caroline: Hey, you're home. I was trying to clean the burn mark where Kol... I couldn't get the spot out Elena: Come on. Let's get him upstairs (Stefan lays Jeremy on his bed) Stefan: Can I get you anything? Elena: No. I'm fine. I'm just gonna sit here and wait with him until he wakes up. Let me know if you hear anything about Bonnie, ok? Stefan: Yeah. Sure [The Island] (Damon is back at the camp and looks around. He hears a noise) Damon: Unless you're a blo
SUMMARY: | After much denial, Elena realizes that Jeremy is truly dead. Bonnie agrees to help Shane by killing twelve more people to get the proper magic needed to break the veil between this realm and where all supernatural beings go when they die. If this veil is broken successfully, every supernatural being that has died will come back to life. Also, with the veil broken, Silas will no longer be trapped on the otherside when he dies, thus finally being able to be reunited with his true love. When Bonnie tells everyone about her plans, they all tell her it's a terrible idea. Caroline tries to reach Tyler but is unsuccessful. Matt has a hard time with Jeremy's death. Rebekah leaves Vaughn to die in a cave after he warns her that no one is safe from Silas. Damon makes Elena shut off her humanity because the pain of losing Jeremy is too much for her. After she flips the switch, Elena burns down the Gilbert house as a cover story for Jeremy's death. Disguised as Shane, Silas returns back to Mystic Falls with the group. |
fd_NCIS_03x19 | fd_NCIS_03x19_0 | TEXT: MUSIC IN: EXT. ROCK CREEK PARK - DAY JEREMY: Do you like Mom's new boyfriend? SEAN: I haven't decided yet. JEREMY: I like him. SEAN: You only like him because he bought us PSPs. JEREMY: So you don't like him? SEAN: I didn't say that. I'm just saying I wouldn't be too nice to him. We play it cool, an Xbox could be right around the corner. (BEAT) What's up? JEREMY: It's already March, Sean. SEAN: It's still frozen. See? Come on. Oh, chicken. (SFX: CHICKEN CLUCKING) (MUSIC OVER ACTION/JEREMY RUNS ACROSS THE ICE) JEREMY: Oh, who's the chicken now? SEAN: I'm coming!(MUSIC OVER ACTION) JEREMY: Hurry up or I'm going to tell Mom! Come on, Sean! SEAN: (GASPS) (MUSIC UP AND OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) MUSIC IN: INT. SQUAD ROOM - DAY TONY: Apricot oil, aloe vera... shea butter? ZIVA: I didn't know you were so interested in skin care. TONY: Yeah, it's not mine. It's McGee's. Maybe the Probie is gay. MCGEE: I'm not gay, Tony. ZIVA: Are you saying there's something wrong with being gay, Timothy? MCGEE: No, that is not what I am saying. TONY: Bi-curious. I suppose now you're gonna tell us that a lot of your friends are of the homosexual persuasion and that I should be more sensitive. MCGEE: No, actually, I was going to tell you to stay out of my desk. TONY: Right, because you wouldn't want word spreading that you're (READING)
SUMMARY: | While exploring a frozen pond, two young boys discover the body of a Marine in the pond. When Gibbs and the team are dispatched to the scene to investigate, they find three more bodies who are high-ranking members of a notorious Central American street gang, "La Vida Mala" or LVM for short. The team must find out who's responsible for the killings while enduring heat from the deceased Marine's unit who are being held in Iraq until the case is closed, fearing the other Marines might seek retribution. Abby and McGee find a trail of text messages which reveal a shocking truth while Ziva, McGee and Tony take turns interrogating their main suspect. |
fd_Dawson_s_Creek_04x22 | fd_Dawson_s_Creek_04x22_0 | TEXT: [Capeside High - Graduation Rehearsal. The senior class sit and listen to Principal Peskin at the podium.] Peskin: Welcome to this rehearsal of Capeside high's cap and gown ceremony for the graduating class of 2001. The actual ceremony will take place this Saturday at high noon. Before the distribution of your hard-earned diplomas, the winner of the Capeside Pinnacle award, miss Josephine Potter, will deliver a speech which, uh, I am sure will both razzle and dazzle us for many years to come. Miss Potter, it's go time. (Joey moves to the stage) Joey: (standing behind the podium) Uh... my speech isn't quite ready yet. Uh... so, I guess I don't really have anything to say right now. Um... thank you. (people begin to clap) Dawson: (clapping) All right! Yes! Joey: (joining her friends) No one says a word. Peskin: All right, a quick reminder for those of you who may be susceptible to dark pagan desires. (Dawson looks behind him at Drue, who turns and looks behind himself.) If you are considering pulling a graduation night prank, think again, I can assure that security will be... tighter than Ricky Martin's pants. (no one laughs) What? All right, some housekeeping details. Uh, the blue parking permits will not be valid at all on Saturday... (Pacey rushes up to join his friends, but Mitch catches him before he can reach them.) Mitch: Hey, Pace. Pacey: Look, Mr. Leary, I'm really sorry that I'm late, but I'm stuck with this American history teacher that seems to think the final bell, that's her queue to vomit up a 10 minute dissertation on who won the cold war, which, by the way, was us. So, go U.S.A. Mitch: It's not about your being late, Pacey. I wish it was. Pacey: That sounds vaguely ominous. What is this about? Mitch: It's about
SUMMARY: | As graduation approaches, Joey has a tough time preparing her speech, and Dawson helps her find some bittersweet inspiration. Joey gets a surprise gift from her late mother. Pacey wonders if he's going to graduate at all, and he worries that his last final will be the toughest one. He walks out of the test after the teacher makes a comment to him, nearly costing him his diploma. Meanwhile, Andie McPhee returns home for the cap and gown ceremony, and is surprised to meet Jack's new boyfriend, Toby. Drue, who is staying at Jen's after a fight with his mother, convinces Jen to help him pull a hilarious senior prank. Pacey tells Andie he has decided to take a job offer on a boat for the summer. |
fd_Gilmore_Girls_05x22 | fd_Gilmore_Girls_05x22_0 | TEXT: POLICE STATION [Lorelai walks up to the counter.] LORELAI: Hi. Hello. Yes, I'm here to pick up my daughter. OFFICER: Your daughter's name? LORELAI: Rory Gilmore. Lorelai Gilmore. She goes by Rory. I don't know what you have her under. OFFICER: Rory Gilmore. LORELAI: Oh, that's good, because she only answers to that. Not that she won't to the other, but - OFFICER: She'll be out in a minute. LORELAI: Okay. Thanks. [Pause.] Sorry, when you say she'll be out, do you mean out of a cell? OFFICER: Yep. LORELAI: So she was in a cell. OFFICER: That's where we usually put people when they're arrested. LORELAI: Was she in the cell alone? OFFICER: It was a slow night. She had the place to herself. LORELAI [relieved]: Oh, that's good. I mean, not that she's a snob. She can get along with anyone, it's just, it was her first time in a cell, so I didn't want her to be attacked, you know, like in Caged Heat? Or was it Switchblade Sisters? Anyway. I mean, my daughter never gets into trouble. Except, you know, now. But on the whole, the kid is an angel. She goes to Yale. OFFICER: She'll be out in a minute. LORELAI: Right. [She looks around.] I'm sorry. Are you, like, solving something? OFFICER: What can I do for you? LORELAI: I was just wondering. Is Rory in the system now? Because I just remember when Sipowicz's son accidentally got arrested because he looked like a drug dealer. Sipowicz was freaked out that the son was going to wind up in the system. And I just wonder, you know, should I be freaked
SUMMARY: | After receiving a call from her, Lorelai goes to pick Rory up from the police station and takes her home. While on the way home Logan calls Rory and Lorelai orders her not to talk to him and she does anyway. Rory explains that the boat theft was not Logan's idea and Lorelai should not blame him. Lorelai goes to Luke and freaks out about what to do and how to act and Luke plays the fatherly type toward Rory while talking to Lorelai. Logan finds out that his father upset Rory and says he will have a talk with his father, but Rory begs him not to. Rory tells Lorelai that she decided she won't be going back to Yale next year. Lorelai doesn't like this idea and goes to her parents for help. Somewhere in between, Rory goes to her grandparents house to talk to them about her situation and ends up convincing them to support her decision. They then tell Lorelai that Rory will be living in their poolhouse until she decides she wants to go back to Yale. On the other hand, Mrs. Kim helps Lane and her band get gigs and stay together. Show ends with a proposal from Lorelai. |
fd_Frasier_03x18 | fd_Frasier_03x18_0 | TEXT: ACT ONE Scene One - Frasier's Apartment It's evening. Niles is sitting at the dinner table, eyes shut. Frasier: Are your eyes closed? Niles: What is it? Frasier places a huge, gorgeously elaborate antique chess set on the table. Frasier: It's something my antiques scout found for me. Voila! [Niles opens his eyes and gapes] Paris, 1882! Designed by Jean- Francois Blon, while attending L'Ecole des Beaux Arts! Niles: Mon Dieu! It's absolutely breathtaking! I'm breathless! [gasps] I need to take a breath. Daphne comes into the living room. Daphne: Evening, Dr. Crane. Frasier and Niles ad-lib hellos. Frasier: Would you like to try a game, Niles? Niles: Oh, I think not. It'll make me too melancholy. Frasier: Well, all right. Niles: Maris and I used to play chess every Thursday night. Oh, how she loved the game. Frasier: No wonder - the king is stationary while the queen has all the power. Daphne: How are you getting along, Dr. Crane? Niles: Oh, all right, I guess. Daphne: Feeling a bit lonely, are we? Niles: Only some times when I'm by myself, or other times when I'm with other people. Daphne: It may not be my place to suggest this, but perhaps all you need is a little company at the apartment - something warm and friendly to come home? Niles: Well, I'm sure Dad would miss you. Daphne: [laughs and bats his arm] Oh, Dr. Crane! Niles: [laughs and bats himself] Oh, me! Frasier bats his arm, signaling him to knock it off. Daphne: I'm talking about a dog. They're wonderful companions. Just look at how much Eddie's brought to your father's life. Frasier scowls, thinking exactly how much Eddie
SUMMARY: | Frasier has acquired a 19th-century Parisian chess set, designed by a student of l'École des Beaux-Arts . Niles is in awe, but Frasier cannot persuade him to play, so he asks his father. Martin professes not to know much about the game but wins conclusively. Frasier demands rematches, but cannot win until Martin deliberately loses a match. Meanwhile, Daphne suggests to Niles that if he needs companionship, he should get a dog. The animal he brings back from the pet shop is extremely thin, highly strung, and refuses to heed a single command, resembling descriptions of his unseen wife Maris. |
fd_The_Office_02x09 | fd_The_Office_02x09_0 | TEXT: Michael: It is Friday morning and it is another beautiful day in Scranton, Pennsylvania. [sees man in a turban outside] Oh my God. Ohhh. [dials phone number] Pick up, pick up, pick up, pick up. Oh, we have a serious problem here. [goes out onto office floor] Alright everybody, lock the doors, turn off the lights. Pretend you're not here. Jim: Are we in danger? Michael: There's no time to think about if this is real. Just, shh, everybody. [knock at the front door] Kevin: Michael, should I call the... [Michael waves his hands] What? [SCENE_BREAK] Michael: The IT tech guy and me did not get off to a great start. [SCENE_BREAK] Michael: Yeah, I tried to install it myself, but, uh, you guys have these things so password-protected... Sadiq (IT guy): That just means you have to enter your password. Michael: Oh... Sadiq (IT guy): What's your password, Michael? Michael: Oh, umm... [looks at Post-It on computer] Sadiq (IT guy): Oh, it's 1-2-3. Michael: Yes. [SCENE_BREAK] Dwight: Mi- Michael: AH! Guh-oood. Dwight: Sorry. Michael: Please don't do that. Dwight: Ok, I'm sorry. What is going on in there? Why is he here? What are you doing? Michael: I can't tell you. Dwight: You have to tell me. Michael: I don't have to tell you anything. Dwight: Look, Michael, I know you don't want to have to think about this, but if something were to happen to you, God forbid, then I would need to know in order to take over. Michael: Dwight, nothing is going to happen to me, ok? I'm in the best shape of my life. Look at this. [flexes his arms] Brrr! That's strong! Dwight: Yeah, but that doesn'
SUMMARY: | Jim is hosting a party at his home, but has not invited Michael, who learns of this when he begins spying on his employees' emails. Pam begins to notice Dwight and accountant Angela Martin engaging in odd interactions, and suspects that they are in a relationship, but dismisses the idea after comparing it to her friendship with Jim. Meanwhile, unable to distract himself with an improvisational comedy class, Michael crashes Jim's party. |
fd_Torchwood_1x07 | fd_Torchwood_1x07_0 | TEXT: Opening credits and series recap. JACK : (VO) Torchwood : Outside the government, beyond the police. Tracking down alien life on earth and arming the human race against the future. The 21st century is when everthing changes, and you gotta be ready. EXT. WOODS - NIGHT -1812. The woods are dark and foggy. A pretty blonde woman enters shot and looks behind her towards a young soldier. MARY : Nearly there, we've been right busy since you lot were billeted here. This your first time? The others been teasing you, that it? My name's Mary. Mary starts to undo the man's jacket button. Mary : Mary, like the virgin. The soldier slaps her hard across the face. MARY : Religious man are ya? The soldier slaps her again and she smiles at him incredulously and wipes her mouth. Moving closer she puts her hand over his cheek. MARY : I'm not your bloody hound! She scratches his face and runs into the trees. The soldier chases her. SOLDIER : Whore! Mary carries on running deeper into the trees. A shrill sound makes her cover her ears. She sees a light among the trees. She pauses, looks behind her then runs towards the light. The soldier is still running after her and he sees the light and stops to stare for a second. The soldier slowly draws his pistol and hears the same shrill noise - like a steam horn. The lights go out with a rush of wind. The soldier grits his teeth and walks quickly in the direction of Mary, pistol held out in front of him. He sees Mary who stands a short distance away, she turns as he lowers the pistol and walks towards her. SOLDIER : Do whores have prayers? He stops, raises the gun and shoots her calmly. Mary smiles. EXT. A BUILDING SITE - DAY - PRESENT The Torchwood SUV travels down a dusty track then stops between police cars. Owen exits the passenger door then goes to the boot
SUMMARY: | After meeting an usual woman named Mary at a bar, Toshiko is given a strange alien pendant. She is upset, yet amazed by what she now has - the ability to read people's thoughts. As the rest of the team puzzle over a centuries-old skeleton, Tosh discovers that her newfound ability is as much of a curse as it is it a blessing, and begins to question her commitment to Torchwood. |
fd_Bones_04x19 | fd_Bones_04x19_0 | TEXT: "The Science in the Physicist" [SCENE_BREAK] TEASER (A vacant lot) PHOTOGRAPHER: Okay, give everything, my darling. Everything. Utter draw, stop or clasp gloss. Okay, keep her lit. (instructing assistants) Keep her bathed in the glow. Alright, yes. Okay good. (to the model) Now look up. Alright, yes, nice, okay. Right in front of you. That's it. That's the future. Yes, okay. (crows start to caw) What the hell is that? MODEL: Pigeons or blackbirds or crows. Something along those lines. PHOTOGRAPHER: (to his assistant) Telephoto. (the assistant brings over a new lens) MODEL: (to herself) God, he has an idea. PHOTOGRAPHER: (taking pictures of the crows) This is what we need. Caw, caw. Yeah, flap, flap. Yeah, yeah. Give me more. Yes, this! Aviary! Wings! Yes! Beaks! Caw, caw, caw, caw, caw. Those creatures...they are death. (to the model) Flap you're arms, chaste at the way, but remain beautiful. You understand? MODEL: Running through a vacant lot. (laughs). And a bunch of birds. In six inch heels. (The model runs into the group of crows. They fly up around her and she screams) PHOTOGRAPHER: Ooh, excellent. Good, good, good. You're a leopard. Leap! You're an angel. Yes, beautiful! Beautiful! Terror! Fear! Okay, gaze heavenward. Look at the beastly birds, my darling. Look up. Oh, I love it! Yes! (the model stops moving. She's seen something in the grass. It is an ear) Gaze heavenward, darling. Yes, look up at the beastly birds. Look up at the... (the model screams. The camera flashes become those of the forensic crime scene
SUMMARY: | Booth and Brennan are sent to investigate when human remains are found during a photo shoot. When the team uncovers a meteorite in the victim's ear, they are led to the Collar Institute of Science in D.C. There they learn the victim had been a part of a controversial project, Brennan and Booth must investigate the several death threats she had received. Meanwhile, Angela's father arrives in town to confront Hodgins. |
fd_Salem_01x07 | fd_Salem_01x07_0 | TEXT: [PREVIOUSLY_ON] Cotton: Ritum magni. John: The grand rite? Cotton: It says this object, this "malum," is thought to be present at every grand rite throughout history. This object is evil. It consecrates the earth for the Devil's return. John: It was here for delivery. Someone was expecting it. Mary: So the others have turned on me. Tituba: Yes. Each and every one. Mary: Rose? Tituba: Everyone. If you wish for John Alden to live, you will complete the grand rite. Cotton: What is the grand rite? Rose: [Gurgling] You think you can dangle me like a puppet? You're the puppets, all of you... puppets! John: I thought you said Saturn would compel her to speak the truth. Cotton: It did. Sometimes the truth is a riddle. John: And the answer? Cotton: I must think and then think again. Anne: Father? [Gasps] Aah! Mrs. Hale: Come, child. It's time we talked about your father. Mary: You brought the malum to Salem behind my back. [Rat squeaking] [People coughing] Captain: Not one of them will survive. Nor the rest of us, at this rate. 10 days becalmed. Nearly out of food and water. We've no hope unless we catch the wind. Grim man: It is not the wind that we must catch, Captain. It is a witch. Girl, look at me. Captain: We have searched every passenger and crew member for your supposed witches. None were found. Grim man: There is a witch on this ship. You understand me, Captain? The witch will kill everyone aboard in order to stop me. We will find the witch. [Coughing continues] Mary: Make no mistake. It could just as well be your head. Rose brought the malum here behind my back to complete the grand rite without me. Whose idea was it to turn the puritans' hatred against themselves? To use them to achieve the first grand rite in centuries? Who made that possible? Me. Yet you and that foul bitch mistrusted me.
SUMMARY: | Mary rediscovers her passion for John, and her new apprentice Mercy could help accelerate the Grand Rite. Magistrate Hale tries to delay an possible threat to the hive. His daughter, Anne, becomes more suspicious of those around her. |
fd_Dawson_s_Creek_05x04 | fd_Dawson_s_Creek_05x04_0 | TEXT: [Scenes: Outside the Leery Fresh Fish. A couple go up to the door and there is a sign on the door that says <unk>Closed due to death in the family. Then a montage of scenes from an empty rooms in the Dawson house, to Dawson in the kitchen looking out the window thinking.] [Opening Credits] [Scene: The Funeral Parlor. Dawson is meeting with the salesman walking down the stairs talking about his father.] Salesman: Your mother... how is she holding up? Dawson: She cries a lot. Salesman: I understand. And you? How are you? Dawson: People ask me that a lot. It's a weird question. Every time I start to give too long of an answer, which I'm starting to do right now, those same people get very uncomfortable. Not you, though, huh? I guess you're an old pro at this. Salesman: You could say that. Dawson: I'm fine. [Clears throat] That one. [Points to a coffin] Salesman: Very nice choice. Very tasteful. Dawson: Thank you. [Scene: Pacey's Boat. Pacey is sitting on the deck of the boat reading a book, when Joey comes walking up to him with a very sad look on her face.] Joey Hey. Pacey: Hey. What's with the furrowed brow? Better watch out. You're gonna give yourself a wrinkle. Joey Pacey, I've got some bad news. Pacey: Aw, why don't you look like you're kidding? Joey Doug gave me a call. He said he's been trying to get in touch with you. He left you a bunch of messages at the restaurant. Pacey: Yeah, I know. I meant to call him back, but what are you gonna do? Joey You probably should've. Pacey: What's going on? Joey It's Mitch. Um... he's dead. Pacey: What? Well, how? [in disbelief] Joey It was a car accident. Pacey: And I-
SUMMARY: | The group reconnects back in Capeside in order to support Dawson at the funeral of his father. They make separate attempts to let him know they are there for him; Pacey makes an emotional attempt at convincing Dawson that he was not to blame for his father's death. Dawson and Gail are devastated that Lily will never remember her father. |
fd_One_Tree_Hill_07x03 | fd_One_Tree_Hill_07x03_0 | TEXT: [PREVIOUSLY_ON] Brooke : Millie was right. Alex Dupre is the perfect choice to be the face of the new campaign. Millicent : Alex, Millicent Huxtable, Clothes Over Bros. Welcome to Tree Hill. Alex : Thank you. Brooke : I want you to move your stuff in, okay? This is our house now, not just mine. Haley : Quinn, what actually happened between you and David? Quinn : He used to see the world exactly the way I saw it. He just doesn't anymore. Dan : Ladies and gentlemen, my wife and the love of my life. Clay : That night after your big game against Memphis, we had that party. We were pretty wasted that night. Nathan : Yeah. So? Clay : Well, that was three months ago. She's three months pregnant, Nate. Nathan : What do you want from me? Huh? Renée : Hi, Nathan. Nathan : You need to stop this now, Okay? Do you hear me? Why are you doing this to me? AT BROOKE'S HOUSE Julian : Brooke, I'm shaving. Brooke : Got to go. I'm late. I have a big day. I love you. Bye. AT MOUTH'S APPARTMENT Skills : I'm gonna kill you, Mouth. AT THE HOTEL ROOM Millicent : Alex? Oh, well, at least she's awake. Alex, come on! We got to go! Alex : Oh, my God. Keep it down. I'm so tired. Millicent : You've been out all night? Alex : I have to sleep. Millicent : But the shower. Alex : I leave it on. I like the sound of the rain. Now I have to sleep. Go away. Millicent : No, no. Alex, you have a photo shoot in, like, now. You have to get up. Alex : I can't hear you. I'm asleep. Oh, there's a sheep. Hello, counting sheep. You're funny. Millicent : Well, there goes your counting sheep with
SUMMARY: | Clay and Nathan disagree on how to handle an ever-worsening scandal. Quinn and Brooke organize a photo shoot, and Mouth ups the stakes in his battle with Skills. Meanwhile, Alex makes Julian an interesting proposition. This episode is named after a song by Noah and the Whale . |
fd_True_Blood_03x02 | fd_True_Blood_03x02_0 | TEXT: Scene 1 : In the woods - Bill, Cooter, Russell, Louie Louie: My ear. My f*cking ear. Bill: You're next. A man arrives on a white horse; it's Russel Edington. Russell: Heel. Bill: Your Majesty. Russell: I said escort him, not hunt him like an animal. Cooter: He is a goddamn animal. He killed three of us, ripped off Louie's ear. You're about to get deader, dead-ass m*therf*cker. Russell: Cooter. Back off. Bill: Cooter? Heh-heh. Seriously? Cooter: Call me that again. I f*cking dare you. Russell: Coot can be a little sensitive about his name and the evisceration of his friends. For future reference, Coot, I'm not a fan of improvisation. When I give you an order, I expect it to be followed exactly. You understand? Cooter: Mm. Bill: These wolves do your bidding? Russell: Well, unfortunately, not as well as I'd hoped. I'm terribly sorry, Mr. Compton. Bill: You're sorry? Your Majesty, you've had me abducted by werewolves. Dragged across state lines. They took silver to me, fed on my blood. Russell: You drank from my guest? Mr. Compton, join me at my home. I will explain everything. That was an order. Scene 2: Lafayette's house - Lafayette, Tara, Letti Mae Lafayette: Tara, what--? What are you doing? Open your mouth. Open up your goddamn mouth. I ain't playing. Open your mouth. Spit it out. Spit it out. Letti Mae: What are you doing to her? Lafayette: Saving her life. Letti Mae: Sweet Jesus. Lafayette: You're too busy praising Jesus to realize your daughter trying to move in with him. Letti Mae: Tara Mae, no. You can go to hell for this, baby.
SUMMARY: | Sam Merlotte gets to know his shifter birth family in Arkansas. Meanwhile, Bill is an unwilling guest at the home of Russell Edgington, the vampire King of Mississippi, who has ambitions to take over Louisiana. Jessica seeks advice from Pam on feeding off humans and on the disposal of bodies. Lafayette and Tara visit Lafayette's mother Ruby Jean in a psychiatric institution. Eric arrives at Sookie's home to protect her from werewolves. |
fd_The_Walking_Dead_01x04 | fd_The_Walking_Dead_01x04_0 | TEXT: On the lake Amy and Andrea are fishing out in a boat. Amy: What? Andrea: Nothing. Amy: It's not nothing. It's always something. Andrea: Didn't dad teach you to tie nail knots? Amy: Why would he do that? He only ever used a fisherman's knot. One knot. Andrea: No, he didn't. No, he tied at least three. Amy: Clinch knots? Andrea: No way. Fine, I'm making it up. Did dad teach you mostly dry lures? Amy: Yeah. You? Andrea: Wet. Amy: You're kidding. But he was always so adamant. I mean, you know dad on the fishing thing. Andrea: Gee, you think? I only spent my entire childhood with my ass in a boat. But in my day it was all about getting the hook seated. We were fishing for the dinner table. Amy: Not us. We always threw them back. Always. Andrea: I guess he changed things up. Amy: But that'd be like changing his religion or something. Andrea: People change. It's not his fault we were born 12 years apart. Amy: No. No, because the minute you went off to college it was my ass in that boat and he taught me dry lures from day one. This was not behaviour developed over time. Andrea: You think he did it for us? Amy: Because he knew we were so different. He knew that you needed to catch the fish and I needed to throw them back. Andrea: All right, remember his rule: No crying in the boat. It scares the fish. Amy: Mom and dad... I mean, maybe Florida wasn't hit so bad. Maybe it's better there. Do you think? Andrea: I think you have a bite. Even with the wrong knots. Amy: Oh God. So much for the no crying rule. Andrea: I think that was more for dad than the fish. The two girls smile. At camp Dale stands on top of the RV to keep watch for Walkers. He sees Jim over in the bushes digging holes. He realizes that Jim has been at it for quite awhile. Close-up on Jim He has dug several separate holes
SUMMARY: | Rick's group briefly scuffles with a group of Latino survivors protecting the residents of a nursing home in Atlanta, who want Rick's weapons, but Rick is able to defuse the situation peacefully. They return to camp too late to stop a walker horde from attacking, killing Andrea 's sister Amy , and Carol 's husband Ed. |
fd_FRIENDS_03x04 | fd_FRIENDS_03x04_0 | TEXT: Originally written by Alexa Junge Scene: Monica and Rachel's: everyone is there and they are watching an info-mercial that stars Joey.] HOST: Welcome everybody, welcome to Amazing Discoveries! PHOEBE: Oh, oh! It's on again! JOEY: You guys, can we please not watch this all right. ALL: Shhhh! HOST: Folks, has this ever happened to you. You go to the refrigerator to get a nice glass of milk, (Joey is in the background struggling to open a cartoon of milk) and these darn cartons are so flingin'-flangin' hard to open. JOEY: (on tv) Oh, you said it Mike. (rips open the carton and spills milk on the counter) Aw! There's got to be a better way! MIKE: And there is Kevin. JOEY: Can we please turn this off? RACHEL: Noo way, Kevin. MIKE: There is a revolutionary new product that guarantees that you'll never have to open up milk cartons again. Meet the Milk Master ROSS: (to Chandler) Are you intrigued? CHANDLER: You're flingin'-flangin' right I am! MIKE: Keep in mind, he's never used this product before, you're gonna see how easy this is to do. (to Kevin) Go ahead. ('Kevin' starts using the product, it is a spout that you jab into a paper milk carton so that you don't have to rip it open.) This works with any milk carton. JOEY: (on TV, finishing installing the Milk Master 2000) Wow, it is easy. (starts to poor the milk) Now, I can have milk everyday. (they all start laughing at him) OPENING CREDITS [Scene: Central Perk, Chandler, Monica, Janice are sitting on the couch, and Phoebe is sitting next to them in the chair.] CHANDLER: Well, it's official there are no good movies. JANICE: Well, let's go to a bad one and make out. (they
SUMMARY: | Phoebe pretends to be Joey's agent and has some success in getting him auditions; the initial rush soon wears off when she is forced to tell him why he is being turned down for parts. Ben brings a Barbie doll that he picked out himself on his weekend visit with Ross. This bothers Ross, who then tries to get him to give up Barbie in favor of G.I. Joe. Chandler is advancing in his relationship with Janice and, realizing his fear of commitment, seeks the girls' advice. |
fd_Doctor_Who_1963_07x04 | fd_Doctor_Who_1963_07x04_0 | TEXT: SPEARHEAD FROM SPACE BY: ROBERT HOLMES 5:15pm - 5:40pm [SCENE_BREAK] 1: INT. SCOBIE'S HOUSE (MAJOR GENERAL SCOBIE looks in shock through his open front door. Outside is himself, shiny-faced and expressionless but nevertheless a perfect facsimile of SCOBIE. It starts to enter the house and the real GENERAL backs off. The facsimile continues to walk towards its original...) MAJOR GENERAL SCOBIE: No...no! [SCENE_BREAK] 2: INT. UNIT HEADQUARTERS. LABORATORY (At UNIT HQ, the sphere is still connected to the series of sensors, monitored by the DOCTOR and LIZ.) BRIGADIER LETHBRIDGE-STEWART: What are you actually trying to do, Doctor? (The DOCTOR points at the sphere.) DOCTOR: Well, it appears that in there we have what one might loosely call a brain. (To LIZ.) Fifty megacycles, Liz. (LIZ turns a dial on the machine that she is stood over.) DOCTOR: If we can establish the frequency on which it operates... (He is interrupted by a small flash which emanates from LIZ'S machine.) DOCTOR: Oh, dear. LIZ: We overloaded the circuit, I think. BRIGADIER LETHBRIDGE-STEWART: Doctor, you were saying that this is some kind of brain. DOCTOR: Yeah, or part of a brain. (Thoughtfully.) An intelligence...yes, that's probably nearer the mark. BRIGADIER LETHBRIDGE-STEWART: Sending signals somewhere. Where to? DOCTOR: Well, the rest of itself, surely? LIZ: The other globes that came down? DOCTOR: (Nods.) Mmm hmm. LIZ: They're all part of one entity? Let's say a collective intelligence. (The BRIGADIER stares nervously at the sphere
SUMMARY: | With UNIT's investigation being blocked by the Replica of Scobie, the Doctor and Liz visit Madame Tussaud's to try and find out more as Channing prepares to activate the Autons. |
fd_Doctor_Who_1963_05x39 | fd_Doctor_Who_1963_05x39_0 | TEXT: THE WHEEL IN SPACE by DAVID WHITAKER from a story by KIT PEDLER first broadcast - 25th May 1968 running time - 22mins 57secs [SCENE_BREAK] 1. LOADING BAY (The DOCTOR and JAMIE edge down the steps to the loading bay. After looking about for a moment, JAMIE sees the crate that they are looking for.) JAMIE: Doctor, there it is. DOCTOR: Jamie, I know, now shush. (They both go over to have a look at it. They both speak in whispers.) JAMIE: It's safe? DOCTOR: Yes, this is it. JAMIE: But can they... (They soon discover the crate's false bottom. However a noise is heard - Someone is coming down the steps. They both whisper to each other and hide behind the crate to see who it is... It's a CYBERMAN. It descends the steps, crosses over to one of the boxes of Bernalium. However, if it turns around it will see the DOCTOR and JAMIE... Instead it effortlessly lifts the box, carrying it back to the steps. It quickly ascends, vanishing from sight. After they are sure that it has gone, The DOCTOR and JAMIE come out of cover.) JAMIE: That was close. DOCTOR: So easy. JAMIE: What? DOCTOR: I don't understand them. JAMIE: What are you talking about? DOCTOR: Destroying the wheel Jamie, that's what I am talking about. From the outside it is strong enough but now that the Cybermen are inside I... JAMIE: Yes, I see what you mean... What do you think they are planning? DOCTOR: Well, they obviously don't want to destroy the wheel. JAMIE: What do they want then? DOCTOR: I wish I knew. The first thing that we must do is to protect the people here. JAMIE: How? DOCTOR: What's the thing we need to survive which the Cybermen don't? JAMIE: Food. DOCTOR:
SUMMARY: | The Cybermen gain control of more members of the Wheel crew and the Doctor realises the only way to stop them is for Jamie and Zoe to make a dangerous space walk. |
fd_Married_01x05 | fd_Married_01x05_0 | TEXT: Russ: It's the same conversation that we've been having since we first met. I'm just a very... I'm a sexual person. Lina: She doesn't want to hear this. Russ: And so finally, she gets so fed up, right? That she tells me to go have s*x with other people. Even though we're married and in love, supposedly. Lina: Supposedly. Russ: And so, do I go and have s*x with other people? No. Do I get credit for it? Of course not. Woman: This is all very interesting, but this is a parent-teacher conference, and we're here to talk about your daughter. I love Maya. All her teachers do. But I see her spending an awful lot of time by herself. Lina: Well, she's kind of a loner. She's like me in that way. Russ: Could it be genetic? Teacher: A lot of times these behaviors are learned. What is your social situation like? Are you friends with any of the other parents? Lina: We say hi to them. Russ: Mm-hmm. Lina: And-and go to their stuff. Russ: Yeah. I'm good friends with, um... The one who likes the celtics. Teacher: Um, if you want Maya to have more friends, it might help to lead by example. Russ: Or we could just have more s*x and see if that does the trick. (Chuckles) S01E05 Jess: Hey. He wants us to come inside. Shepard: No, no, no, no, no, no, no, no, no. I'm ju... I'm just gonna wait in the car. Jess: Can you please just come on? Shepard: I don't understand why we can't just have brunch, just you and me. Jess: Because he's having a hard time with the divorce and it's been rough on him. Shepard: It's been rough on all of us. AJ: We have a bit of a situation. Shepard: Of
SUMMARY: | After being told by a teacher that Maya is a loner at school, Lina reluctantly agrees to bring Maya to a play date arranged by Stacey ( Michaela Watkins ), a woman she hates. While accompanying the kids, Russ remarks that the house looks familiar, and is able to confirm that it was used as a location in an early 90s porn movie. Elsewhere, Jess and Shep are invited to a brunch with A.J. and his 19-year-old girlfriend, but when they go to pick them up, the young woman won't come out of the bathroom. |
fd_Alias_04x11 | fd_Alias_04x11_0 | TEXT: P[A]RIS Sydney, in an alias of an (ugly) prosthetic nose and a curly red wig, enters a restaurant. Host: Bonsoir, Madame Syd: Marie Gerard Host: La table est prête Sydney follows the host, and walks pass Vaughn, sitting at the bar. Sydney is seated. Syd: Un martini. Sec. Quatre olives. Vaughn: She's in position. No sign of Connelly. Cut to Dixon in van. Dixon: He'll reveal himself. Host (placing Martini on table): Madame. Syd: Merci. Syd takes the four olives out of the glass and puts them on the table. Vaughn: She just made the announcement. A man walks up to the table Connelly: Il est trop tard pour une femme d'être ici toute seule. Syd: Moins dangereux qu'au Bangladesh. Connelly nods and sits down. Connelly: I thought you might not come. Syd: You underestimate me already. Connelly: Well, I almost didn't come Syd: Why is that? Crisis of conscience? Connelly: I thought I might find a buyer willing to pay more. Syd: I am not here for small talk, Monsieur Connelly. Are you selling, or no? Connelly: I presume... you brought the down payment. Sydney smiles slightly. A man enters the dining room. Vaughn notices him, watches him sit down. Vaughn: We may have a possible third party. Sending you a visual Outrigger. Vaughn snaps a pic of the man with a camera phone. Dixon: Got it, searching for a match. Dixon's computer runs a facial recognition scan. Cut back to Syd and Connelly Connelly: So, what are your plans for your...new purchase. Syd: Monsieur Connelly, where..is..the chip? Connelly pulls of the bottom of a wine bottle, revealing the chip. Connelly: This is my way out. Cut to Vaughn Vaughn: Anything, Outrigger
SUMMARY: | Jack kills an old friend who is poised to receive a biometrically targeted weapon. Sydney confronts the weapon (miniature helicopter with automatic weapons fire and Artificial Intelligence) and saves an innocent civilian. Vaughn learns that his father was possibly a traitor. |
fd_The_Big_Bang_Theory_06x01 | fd_The_Big_Bang_Theory_06x01_0 | TEXT: Following a "Previously on The Big Bang Theory" section Scene: The Comic Book Store. Stuart: So, Howard's really in space, huh? Leonard: Mm-hmm, International Space Station. 250 miles that way. Raj: Right now, Howard's staring down at our planet like a tiny Jewish Greek god. Zeusowitz. Sheldon: I must admit, I can't help but feel a twinge of envy. He can look out the window and see the majesty of the universe unfolding before his eyes. His dim, uncomprehending eyes. It's like a cat in an airport carrying case. Leonard: You know, it's not exactly glamorous up there. The water that the astronauts drink is made from each other's recycled urine. Stuart: Must be nice. Nobody wants anything that comes out of me. Raj: I wonder what he's doing right this very second. Leonard: Mm, conducting experiments in zero gravity. Raj: Peering through his telescope at the birth of the cosmos. Sheldon: Whatever it is, we know his life will never be the same. Scene: The International Space Station. Mrs Wolowitz (off): Howard. Can you hear me? Howard: I can hear you without the phone, Mrs Wolowitz (off): Don't be snippy. I'm just excited to talk to my baby. Howard: I'm excited to talk to you, too. Mrs Wolowitz (off): So, what's this mishegas about you moving out to go live with the little Polish girl? Howard: How about calling her my wife? Mrs Wolowitz (off): Wives don't take boys from their mothers. Howard: They do. That's why we marry them. Mrs Wolowitz (off): I just hope I'm not dead from a broken heart before you get back. Howard: Ma, please. Everyone from NASA is listening to this phone call. Mrs Wolowitz (off): Good. They should know what a horrible son you are. Howard: Okay, Ma, great talking to you. Gotta go. Well, space is ruined. Credits sequence. Scene: Penny's apartment. Penny is bleaching Amy's upper
SUMMARY: | Howard's mother, furious to learn he plans to leave her for Bernadette, calls him at the ISS. To pacify his mother, who wants him to stay, and Bernadette, who doesn't, he lies to both. Meanwhile, Sheldon invites Howard-less Raj to his second anniversary with Amy to outsource to the Indian any romantic activities the Relationship Agreement demands of him. Amy forces Raj to leave, so he crashes on Leonard and Penny's date. Leonard, unlike Penny, wants to discuss their relationship and resents Raj's intrusion, but has to accommodate him for Penny. When a drunk Raj demands Penny declare her love for Leonard, Raj is ejected from the apartment and goes to the comic book store, where he and Stuart bond over a nightcap and plan to meet up the next evening. Elsewhere, Amy's flirtatious gestures are lost on Sheldon; a hurt Amy tries to abandon their date. When he demands she return to drive him home, she says she will break up with him unless he says something romantic. He responds with a stunningly romantic soliloquy which she finds incredibly touching until he admits quoting it from the first Spider-Man movie. |
fd_Doctor_Who_09x09 | fd_Doctor_Who_09x09_0 | TEXT: [ Le Verrier Lab ] [SCENE_BREAK] ( White noise ) Professor Rasmussen (O.C.): You must not watch this. Professor Rasmussen: I'm warning you; you can never unsee it... but if you do watch, Gagan Rasmussen... I'm Gagan Rasmussen. This is Le Verrier lab in orbit around Neptune. ( Eerie groaning ) I've put things together into some kind of order so that you can understand, so you can have some idea. There are bits missing. Sorry about that. I don't fully understand what's been going on here. But, er... This is what happened. ( Roaring ) [SCENE_BREAK] [ Rescue ship ] [SCENE_BREAK] Chopra: Stop staring! Rasmussen (O.C.): They came from Triton. This is Chopra. Bit of an attitude, in my opinion. Nagata: Calm down, pet! Chopra: Well, it's ridiculous! That thing's meant to be a lethal fighting machine and it just moons around like a love-sick puppy! Deep-Ando: I could hear you ranting from inside the pod, Chopra, for the Gods' sake! Nagata: Feel better? Rasmussen (O.C.): Commander Nagata. Young, for the responsibility. Quite a baptism of fire, I'm afraid. Deep-Ando: Marvellous, ma'am. All hail, Morpheus, eh? Rasmussen (O.C.): Deep-Ando. Conscript. Likes to think of himself as the joker of this little group. Well...he did... Chopra: Morpheus, Morpheus, Morpheus... Sleep's the one thing left to us. The one thing they couldn't get their filthy mitts on. Now, they're even grabbing that! Colonising it. Nagata: Spoken like a true Rip! Chopra: Don't call me that. Nagata: "Don't call me that, ma'am
SUMMARY: | A four-person rescue team from Triton arrives at Le Verrier Lab, a space station in the 38th century in orbit around Neptune which has fallen silent. They meet the Doctor and Clara, who claim to be assessors. They then meet Gagan Rassmussen, the last survivor of Le Verrier and creator of large pods called Morpheus, which reduces the time a person sleeps to allow them to work more but also mutates the rheum in the corner of the eye into a carnivorous life form called the Sandmen. Chopra, Deep-Ando, and 474 are killed during their escape. Rassmussen plans to use the rescue ship to return to Triton and release Morpheus there with a Sandman, which he says is now spread by spores. The Doctor destroys the gravity shields, sending the station and ship into Neptune. The Doctor comments that the inconsistencies in how Morpheus is spread seems to be contrived like a story. The Doctor, Clara, and Nagata escape in the TARDIS. Rassmussen, revealed to be a Sandman himself, orchestrated the events to use footage collated from people's vision to create a video that people would watch to transmit the Morpheus signal across the solar system to create more Sandmen. |
fd_Frasier_10x03 | fd_Frasier_10x03_0 | TEXT: Skyline: A helicopter rises above the buildings. ACT 1 [Scene 1 - Frasier's apartment. Martin and Daphne are sitting at the table.] Martin: A hell of a breakfast, Daph. I'm stuffed. Daphne: Thanks. Now come on, let's do some exercises. Martin: And risk a cramp? What kind of training did you get? [Frasier enters] Frasier: Good morning. [He sits.] Martin: Hi, Fras. Daphne: Morning. Martin: Want some breakfast? Frasier: Um, no thanks. Coffee will be fine. Hi, Daph, uh, listen. I could use an objective opinion. I am running for condo board president, and I want to know what you think of this as a slogan: "Frasier Crane--The People's Elixir." [He beams.] Martin: OK, I'm ready for my exercises now. Frasier: Please, Dad, this is serious! I have a feeling this could be my year. Daphne: Don't you say that every year. Frasier: Yes, I do, but this year, I am the only one running against the incumbent, which means the people will rally their inchoate yearnings for change behind my banner. Martin: Well, you're full of catchy slogans. Frasier, don't get your hopes up too high, I mean, name one person on the condo board you haven't ticked off at least once. Frasier: That's just because I have a Type-A, hands-on, get-it-done personality. Martin: Seriously, name one. You know, Fras, you might be the best man for the job, but a friendly smile and a "How do you do" in the hallway goes a lot further than being "The People's Laxative." Frasier: [indignantly] Elixir! Well, I suppose you're right. I haven't really established myself as the neighborly sort. I thought that my term as fire safety captain might do the trick, but...I guess I drilled them once too
SUMMARY: | When Frasier fails to become the President of the Condo Board at Elliott Bay Towers, he decides to use Martin as a candidate, while secretly pulling the strings. Meanwhile, a verbal misunderstanding leads Roz to think that Niles and Daphne are asking her to join them in a threesome, resulting in days of teasing. |
fd_How_I_Met_Your_Mother_02x09 | fd_How_I_Met_Your_Mother_02x09_0 | TEXT: INT. KITCHEN (Robin cooking, Ted walks in) Future Ted VO:...learn about relationships is that you're never done getting to know someone. Everyone has secrets. Some are nice. Ted: You know how to make crepes? That is so cool. (Ted and Robin kiss) INT. TED'S BEDROOM (Robin and Ted sitting in his bed) Future Ted VO: Some aren't as nice. Robin: And then there was Derek and counting you, that puts the total up to... Ted: Oh, I got your total...counting along... INT. MACLAREN'S (Robin, Ted, Marshall and Lily sitting at booth) Future Ted VO: And some are just weird. Ted: You're scared of the Seven Dwarfs? Robin: Just Doc. He's creepy. I mean, the guy went to medical school. What's he doing living with six coal miners? (Barney runs in) Barney: Oh, man, I'm so excited. I couldn't sleep last night. I bet you guys couldn't either. Robin: Why? Barney: Ah, only the gala event for the grand opening of Sharper Image's 500th store. Didn't you get my email? Robin: No, I blocked your address after the fourth time you sent me the video of the monkey sniffing his own butt. Barney: Come on, it's on me! I'm buying three of you foot massagers and one of you a nose hair trimmer. You know who you are. (Marshall looks at Lily then looks down, Lily strokes his shoulder) Barney: Come on, let's go. Robin: All right, I'm in. (Robin, Ted, Marshall and Lily get up to leave) Barney: To the Willowbrook Mall! Ted, Marshall: To the Willowbrook Mall! Robin: Oh, it's at a mall? I'm not going. Ted: What? Why not? Robin: I just don't feel like going to a mall. Lily: We can split a cinnabun. Robin: No, I'm really not gonna go. Ted
SUMMARY: | Barney uncovers Robin's secret past and the real reason behind her strong aversion to malls, which leads Barney and Marshall to make a bet. |
fd_Charmed_03x14 | fd_Charmed_03x14_0 | TEXT: [Scene: A ghost town. A car pulls up. Phoebe and Victor get out. He puts his arm around her and they start walking.] Phoebe: Alright, dad, spill it. What are we doing here? Victor: What, can't a father spend a little quality time with his daughter? Especially after all the time we've been apart. Phoebe: Alright, I take after you, okay. I've inherited all of your tricks, especially your fine art of fibbing. Victor: I don't know what you're talking about. Tell me a little bit more about this Leo fellow anyway. How did he and Piper meet? Phoebe: Oh, it was a couple of years ago at the house. He was our handyman. Victor: Piper's marrying a handyman? Phoebe: Well, no, he isn't really a handyman. Wait, you do know... Victor: All I know is he's a nice enough guy who seems to know the big bad secret. Trust me, it's a lot better for a mortal to know he's marrying a witch before the wedding instead of after. Wish I had. Phoebe: Mortal. Right. (Phoebe hears a noise coming from one of the buildings. She looks around. Tumbleweed rolls past and a door slams shut.) Victor: What? Phoebe: It's nothing. I guess that's why they call it a ghost town, huh? Victor: What do you mean? Did you actually see something? Phoebe: What do you mean? Victor: I mean, like a premonition, or whatever you call it. Alright, I confess. I brought you here hoping maybe you could give me a little bit of your help. I just didn't know how to ask. Phoebe: Magical help? Dad... Victor: Well, this place seemed like such a good investment. Too good, actually. Made me think that all the stories were true. Phoebe: I'm biting. What stories? Victor: Ghost stories. Something's been
SUMMARY: | After visiting a deserted old ghost town with her father, Phoebe begins to have visions of an American-Indian getting beaten up by a local thug and soon starts receiving the same injuries as the man. When Prue and Piper realize that Phoebe is caught up in a time loop of that town, Prue has to go there and with the help of Cole, save Phoebe and the man before the thug kills them and break the loop. |
fd_Doctor_Who_1963_14x14 | fd_Doctor_Who_1963_14x14_0 | TEXT: THE FACE OF EVIL BY: CHRIS BOUCHER Part Two Running time: 24:58 [SCENE_BREAK] LEELA: What happened? You must be able to remember. DOCTOR: Well, of course I can remember. I'm trying to. Perhaps I was on another part of the planet. LEELA: There is no other part. Only beyond the Wall. DOCTOR: Beyond the Wall. I wonder. LEELA: What? DOCTOR: Shush, shush, shush. I'm wondering. Back to the village. LEELA: We can't! DOCTOR: Why not? LEELA: We'll be torn to pieces! DOCTOR: Not if they don't catch us, we won't. Anyway, they'll be preparing for their battle. LEELA: That's what you said last time. DOCTOR: Well, you can't expect perfection, you know. Not even from me. LEELA: (silent) Oh, you. [SCENE_BREAK] ANDOR: The men refuse to attack while the Evil One is out there. NEEVA: I have been thinking. We tell them it has been destroyed. ANDOR: No! I will not lie to my people. NEEVA: The Wall will be open for a very short time. We dare not delay. We must attack now, or you betray our god. ANDOR: Has Xoanon commanded this? NEEVA: He has. ANDOR: Guard, sound the call. ANDOR: You had better be right, Neeva, because servant of Xoanon or not, if we fail, I will kill you. NEEVA: Xoanon has promised us victory. ANDOR: No. He has promised you. And you have promised us. [SCENE_BREAK] DOCTOR: (quietly) I must examine those relics. LEELA: (quietly) The village was dangerous enough, but the shrine of Xoanon? [SCENE_BREAK] NEEVA: Speak to me, Xoanon, that I may know your will. Speak,
SUMMARY: | Despite protestations against being the Evil One, mounting evidence points to the Doctor's prior involvement with Leela's people, and an error in judgment he once made in their distant past that puts them all in immediate jeopardy. |
fd_FRIENDS_10x14 | fd_FRIENDS_10x14_0 | TEXT: Teleplay by: Tracy Reilly Story by: Robert Carlock Produced by: Robert Carlock & Wendy Knoller Final check by Kim [Scene: Chandler and Monica's apartment. They are having a diner party with Phoebe and Mike.] Mike: (raising his glass) Thank you guys for having us over. Phoebe: Oh! Yeah, this is fun, couples night. Chandler: Yeah, I don't know why we hang out with married couples more often. Monica: Well, because every time we do, you make jokes about swinging and scare them away. Chandler: You mean that Portuguese couple? Yeah, like you wouldn't have done it. (she shrugs) Ross: (entering) Hey, you guys... I have great news. Monica: Ross, we're kind of in the middle of diner here. Ross: Oh, well, er, I already ate, but sure...! (they all look at each other when Ross grabs a plate) Guess what happened at work today... Chandler: A dinosaur died a million years ago? Ross: Try sixty-five million years ago, and then try sssshhhhhh.... My tenure review board met today and I hear it's looking really good. Phoebe: Wow! Ross: Yeah. Do you have any idea what this means in academic circles, uh? I am gonna get laid. Rachel: (while entering) Hi you guys. All: Hey. Rachel: Ooh, Italian! (she also grabs a plate) Monica: No one wanted seconds, right? Ross: No, no. I-I'm good. Rachel: Hey you guys... You're never gonna believe it. This headhunter called me. I have a meeting tomorrow with Gucci. Gucci wants me. Ross: I'm up for tenure. Rachel: Congratulations! Ross: You too! What are the odds? Rachel: Ooh! (they hug) Joey: (enters) Guess what? (they all look expectantly at him) I finally got that seed out of my teeth. Monica: I don't know who I'm happiest for... Phoebe: I do, he's been working on
SUMMARY: | Rachel has an interview in a restaurant for Gucci however her boss from Ralph Lauren catches her when he ends up at the next table and she ends up fired, with her erratic behaviour in front of the Gucci representative ( Brent Spiner ) causing her to not get that job either. By a twist of fate she bumps into her old colleague Mark from Bloomingdale's who arranges for her an interview which she passes, only for the job offer to be from Louis Vuitton in Paris . Newly married Phoebe tries to change her name to Phoebe Hannigan, but after learning from a government worker ( Craig Robinson ) that she can change her name to whatever she wants, she changes it to "Princess Consuela Bananahammock", but insists that her friends call her Valerie. Mike is unimpressed by this, and decides to make a point by changing his name to "Crap Bag". Eventually Princess Consuela gets it and changes her name again to Phoebe Buffay-Hannigan. Meanwhile, Monica and Chandler plead with a depressed Joey to see their new prospective house, and he meets an eight-year-old girl ( Dakota Fanning ) who makes him realize he needs to let them go. |
fd_Dawson_s_Creek_06x14 | fd_Dawson_s_Creek_06x14_0 | TEXT: [Scene: The Electronics' Store. Pacey and Jack are staring at something off screen, and practically drooling while Joey is standing behind them shaking her head] Pacey: [Sniffles] My god, she is gorgeous. Jack: Even I can appreciate that. Pacey: [Sighs] And this one, she knows how to turn on the fun. You know what I mean? Jack: Can you afford her? Pacey: Please, Jack, do not tarnish this moment with talk of money. Jack: I'm just saying<unk> Pacey: I must have her, therefore I can afford her. Her... and all of her little toys, too. [Camera pulls back showing us that they are staring at a large screen TV] Pacey: [Breathes deeply] Joey: What are you guys even gonna do with something this big? I mean, it's kind of grotesque, not to mention the fact that Emma's gonna freak out when you drag this through the living room. Pacey: Joey, don't be jealous just because she can do things that no man has ever known before. Joey: Ok, now you're disturbing me. It's a television that looks like it ate a small country. This is the most blatant display of capitalism I've ever seen. Jack: Don't be threatened by something you don't understand, Joey. I'm gonna go get the sales guy. [Jack seeing Pacey staring at the screen and nodding runs off to get the sales person] Joey: Aren't there better things you can be doing with your money? Pacey: What, like funding your drug habit? Joey: Now we're talking. Gratuitous purchases aside, I'm very impressed with you, Pace. Pacey: Hey, you put any fool in a suit and he can change the world. Just look at trading places. Joey: It's not the suits, and it's not the high-tech toys. It's how you got yourself to this place. I mean, look how far you've come. Pacey: Not too far, I
SUMMARY: | In Los Angeles, Dawson visits Audrey at the rehab clinic where he spots a big time film producer, named Toni Stark, and follows her into a therapy session hoping to talk to the woman who'll direct Dawson to better contacts. Meanwhile in Boston, Pacey throws a party at his place to celebrate his new success at his job as well as purchasing a new super-sized TV set and is surprised when Joey, still sulking over the departure of Eddie, lets loose by getting drunk and setting up a spontaneous game of spin the bottle. Jen catches the reformed alcoholic C.J. with a drink which leads to them arguing, and making up by having sex for the first time. Also, Emma tries to stay in the country to get her green card by courting a stoner to marry her until Jack offers to marry Emma. |
fd_NCIS_03x12 | fd_NCIS_03x12_0 | TEXT: MUSIC IN: EXT. PORT AUTHORITY - DAY TONY: Ah, you should have been there last night, you would have loved it. Two warriors squaring off in the ring. ZIVA: I had plans with McGee. TONY: Mud glistening off their thongs. Wait, back up a second. You were with McGeek? ZIVA: No. He was with me. I was making him dinner. TONY: Why would you make McGee dinner? ZIVA: I like to cook. TONY: You cook? ZIVA: Jimmy seemed to like it. TONY: Palmer?! I've never even been to your place and you're cooking dinner for McGee and the autopsy gremlin? At what point did the Earth come off its axis? ZIVA: Perhaps now, Tony. What's wrong with that picture? TONY: Containers aren't unloaded at the dock. (MUSIC OVER ACTION) TONY: Clear! Custom seal's been broken. ZIVA: (SHOUTS) Tony!(MUSIC OVER ACTION) (SFX: RAPID GUNFIRE) TONY: Get inside! (SFX: VOICES SHOUT B.G.) (SFX: TRUCK STARTS B.G.) (DOOR CLOSES) ZIVA: I think we've just been screwed in here, Tony. TONY: The term is bolted. ZIVA: Same difference. (FADE OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) MUSIC IN: EXT. PORT AUTHORITY - DAY TONY: (V.O.) I tried that. It's bolted from the outside. [SCENE_BREAK] INT. CONTAINER - DAY ZIVA: I knew your idea was stupid.(SFX: TONY AND ZIVA KICK THE WALLS) TONY: My idea? ZIVA: Yes. Taking up a defensive position inside
SUMMARY: | While investigating a naval stockyard for a container with illegal weapons, Tony and Ziva are ambushed and forced to take cover in a container, where they subsequently become locked in. Gibbs, McGee and Abby attempt to search for them with the help of the port security office. Meanwhile, Tony and Ziva discover that the crates of DVD movies inside the container served as a cover for hidden crates, which contain millions of dollars of counterfeit money. But they both find themselves in a gunfight after the container is later taken away to a warehouse guarded by terrorists, forcing Gibbs and McGee into a race against time to find their location before Tony and Ziva end up dead. |
fd_Gilmore_Girls_07x14 | fd_Gilmore_Girls_07x14_0 | TEXT: HOSPITAL - HALLWAY [Richard is walking with Lorelai, Rory and Emily down the hall.] LORELAI: You're looking good, dad. I'd say you shaved a few minutes off your last lap. If I had to guess, I'd think you're clocking in at about a 45-minute mile, which puts you just behind Mrs. Abalone. EMILY: Lorelai, really. RICHARD: I think that's an unfair comParison. Mrs. Abalone had her bypass two whole days before mine. LORELAI: No, no, no excuses. Your just gonna have to dig a little deeper. RORY: Come on grandpa, just visualize Mrs. Abalone eating your dust. EMILY: Rory, honestly. RICHARD: No, it's all right. [Richard walks faster] How's this? LORELAI: Wow, I would say we have a new slow-walk leader in the cardiac-recovery wing. Hey, do you hear that? [makes a sound] RORY: What, the crowd cheering? LORELAI: Whoo! RORY: Yeah, grandpa! EMILY: Would you two stop? You're making a scene. LORELAI: [using here hand as microphone] Mr. Gilmore, congratulations on your recent victory. Any opinions about the allegations of steroid use among your fellow athletes? RICHARD: Well I consider myself proof positive that it can be done... and done clean. EMILY: Richard, must you encourage them? RORY: Well excuse me, Emily. I'm getting a little stir crazy in this place. EMILY: Well you'll be getting out of here soon enough. Oh, I forgot to tell you -- Kate and Daniel Urman called to send their regards. RORY: Oh, hey, Mr. Gavelle. LORELAI: Looking good, Ira. EMILY: Well they sent a lovely floral arrangement to the house. Although personally I find white roses a little uninspiring. I think my favorite arrangement is still the one that Christopher sent.
SUMMARY: | Rory quickly develops a crush on Richard's replacement teaching assistant and feels compelled to confess the attraction to Logan. But she feels really bad about it and he completely understands and the two of them reassure each other that in the end they are crazy about each other. Meanwhile, Lorelai distracts herself from thinking about Christopher by arranging a memorial service for Michel's dog. Christopher seeks her out, however, and the two are forced to face their problems. Christopher feels like he's been trying to get Lorelai to fall in love with him, and Lorelai realizes she still has feelings for Luke. Lorelai and Christopher end their marriage. |
fd_Merlin_03x01 | fd_Merlin_03x01_0 | TEXT: BIG DRAGON : In a land of myth and a time of magic, the destiny of a great kingdom on the shoulders of a young boy. His name - Merlin. Vaste prairie. (jonchée de cadavres) ARTHUR: Check for survivors. SOLDAT: Seems their attackers headed north. ARTHUR: Come on. MERLIN: Do you think we should be going after them? ARTHUR: You are such a girl's petticoat. Camelot GAIUS: Sire, how many more men are you going to lose in this quest? UTHER: As many as it takes. GAIUS: I need to speak to you as a friend. UTHER: I have no time for friends. GAIUS: Then I'll speak to you as your physician. This is madness. She has been missing for more than a year now. When are you going to stop? UTHER: When Morgana is found. Dans la prairie. MERLIN: Ow... ARTHUR: Is there something wrong with you? MERLIN: Yeah, I've been on a horse all day. ARTHUR:Is your little bottom sore? MERLIN: Yes. It's not as fat as yours. ARTHUR: You know, you've got a lot of nerve...for a wimp. MERLIN: I may be a wimp, but at least. I'm not a dollop-head. ARTHUR: There's no such word. MERLIN: It's idiomatic. ARTHUR: It's what?! MERLIN: You need to be more in touch with the people. ARTHUR: Describe dollop-head. MERLIN: In two words? ARTHUR: Yeah. MERLIN: Er...Prince Arthur. (Des bandits surgissent des bois) ARTHUR: On me! MERLIN: Ecg geteoh ping to! ARTHUR: We're not playing hide and seek, Merlin. MERLIN: Dollop-head. (Une silhouette émerge du brouillard
SUMMARY: | A year has passed with many fruitless quests in search of the missing Lady Morgana. The despondent Prince is all but ready to give up, but as he and Merlin recover from their latest skirmish a bruised, bloodied figure emerges from the mist; it is the Lady Morgana. King Uther is overjoyed, but then starts to lose his mind. Merlin thinks that magic is the cause; could this be the work of his dutiful ward? The young warlock puts himself in grave danger trying to find out whose side Morgana is really on, and he's forced to call the Great Dragon to save himself. |
fd_Doctor_Who_1963_04x14 | fd_Doctor_Who_1963_04x14_0 | TEXT: THE POWER OF THE DALEKS 5:50pm - 6:15pm [SCENE_BREAK] SCENE 1 - CAPSULE INTERIOR (The Daleks are gathering inside their production plant.) SECOND DALEK: Orders received. Exterminate all humans! FIRST DALEK: Exterminate all humans! SECOND DALEK: Exterminate! Annihilate! Destroy! Daleks conquer and destroy! ALL DALEKS: (In unison.) Daleks conquer and destroy! Daleks conquer and destroy! Daleks conquer and destroy! Daleks conquer and destroy! Daleks conquer and destroy! Daleks conquer and destroy! Daleks conquer and destroy! Daleks conquer and destroy! Daleks conquer and destroy! Daleks conquer and destroy! (One by one, they glide from the capsule.) FIRST DALEK: Take up positions. Ready to exterminate all human beings. SECOND DALEK: Exterminate! DALEKS: (In unison.) Exterminate! Exterminate! Exterminate! Exterminate! [SCENE_BREAK] SCENE 2 - CORRIDOR (In one of the corridors of the colony, two guards are escorting the Doctor, Polly and Quinn back to the detention area. Suddenly, the Doctor halts as he sights a Dalek at the far end of the corridor.) FIRST GUARD: Move on! DOCTOR: The Dalek! POLLY: What about it? DOCTOR: Can't you see it's armed? FIRST GUARD: Keep moving! (The guard shoves the three prisoners further along the corridor. The Dalek, however, moves into the corridor, barring their passage.) DALEK: This area is restricted. QUINN: On whose authority? FIRST GUARD: Silence! (The Dalek scans the group. Its eye-stick remains on the Doctor a few seconds longer.) DALEK: Repeat. This area is restricted. (Another Dalek glides into the corridor.) SECOND DALEK: Obey or you shall be exterminated. QUINN:
SUMMARY: | The Daleks begin their attack while the battle rages between the loyalists and the rebels and it falls to the Doctor to make an attempt to stop the Daleks plot. |
fd_The_Big_Bang_Theory_05x11 | fd_The_Big_Bang_Theory_05x11_0 | TEXT: Scene: The apartment. Penny (entering): Hi. Did Sheldon change the Wi-Fi password again? Leonard: Yeah, it's "Penny already eats our food, she can pay for Wi-Fi." No spaces. Penny: Okay. If you can't get me to stop eating your food, what makes you think you can get me to stop using your Wi-Fi? Sheldon: I believe that you're capable of great change. Like when I finally got you to stop saying Valentimes Day. Leonard: You want to hear something weird? Penny: Sure. Sheldon: In the year 2000, Pope John Paul II was named an honorary Harlem Globetrotter. Leonard: What are you talking about? Sheldon: You asked Penny if she wanted to hear something weird. Leonard: Yeah, because I have something weird to tell her. Sheldon: Oh. I thought it was a game. Penny: What's yours? Leonard: There's this guy, Jimmy Speckerman, who used to torment me in high school. He sent me a message through Facebook. He's in town and wants to have drinks. Sheldon: Okay, Penny, if it were a game, here are your choices. An e-mail from an old acquaintance, or the head of one of the largest religious institutions in the world slam dunking to Sweet Georgia Brown. Pick. Leonard: Just do it, 'cause he's not gonna let it go. Penny: Basketball Pope. Sheldon: And that's how it's done. Penny: What are you gonna do about your bully? Are you gonna see him? Leonard: I don't know. Sheldon: Is this the fellow who peed in your Hawaiian Punch? Leonard: No, that was a different guy. Sheldon: Was he the one who wedgied you so hard, your testicle reascended, and you spent your whole Christmas break waiting for it to come back down? Leonard: No, that was a different, different guy. Sheldon: Was he the one who used your head to open a nut? Leonard: No.
SUMMARY: | Leonard receives a Facebook message from a high school bully Jimmy Speckerman which says that he is in Pasadena and wants to have a drink with him. When Leonard meets Speckerman at a bar, the latter reveals that he needs Leonard's help for implementing his potentially money-making idea- a pair of glasses that can convert any movie into 3D- to which Leonard replies that it is impossible to make such a pair of glasses. Sheldon then stands up for Leonard and tells Speckerman that he should apologize to Leonard for all the heinous acts he committed against him while in high school. Later that night, Speckerman comes over to Leonard and Sheldon's apartment drunk and apologizes to Leonard for all the atrocities he committed on him. Leonard forgives him and then lets him stay for the night as he is too drunk to drive, despite Sheldon's opposition. The next morning however, Speckerman once again bullies Leonard, forcing Leonard to finally stand up to his high school bully. This fails; Leonard and Sheldon end up being chased by Speckerman down the stairs instead. Meanwhile, the girls discuss Leonard meeting his high school bully and their own encounters with bullies. Penny tells that she had played a prank on a smart girl in high school by tying her up and leaving her in a cornfield, revealing that she was actually a bully in her teens. She feels bad for her behavior at school and tries to make amends by calling the people she had bullied to apologize, but they refuse to forgive her. Amy and Bernadette then tell her that she could make up for her past behavior by doing charity. Penny decides to give away her old clothes that she no longer wants, but when the girls go to the clothing bin, they instead steal other old clothes already in the bin. The next night, they return to the bin to steal more clothes, but then Penny realizes that what they are doing is wrong and puts back the clothes they had collected in the bin. However, Bernadette decides to take some boots Amy showed her earlier, and runs away saying "It's okay, I serve soup to poor people!" |
fd_Greek_02x11 | fd_Greek_02x11_0 | TEXT: HOLIDAY CAMP Rusty : I had so much fun with you guys this year. You were the nicest group of campers I've ever met. I'll see you next summer. OK, Pine Saplings. It's time to go home. Grow into big strong trees. Kid 1 : I'm gonna put it in your nose. Rusty : Dylan, not again! Put the pebble down. You OK? Kid 2 : Yeah. Thanks, Rusty. Man : Good save, Cartwright. Rusty : I guess you could say when it comes to little boys I have the touch. That's not what I meant. Man : Last day, son. Keep it together. All right, Pine Saplings gather round, gather round. Little Pine Saplings, take a seat. Rusty : Dylan, sit. Man : You boys may be leaving today, but remember this: Camp Tiny Pine is not just a place, but a feeling. A feeling that takes roo in your heart. So wear your evergreen friendship necklaces close to the trunk to remind you of the special time that you had here. Rusty : Now go out there and proudly spread your seed. I'm really not sure what's wrong with me today, sir. Not funny. WASHIGTON D.C - Casey office Woman : Casey, the door. Casey : Wait. I have to... Hold on. Sorry. What? Max : Do I need to do something? Casey : No, I have a code. I've never been so happy to see someone in my entire life. Max : Let's hope that lasts the whole 11 hour car trip back to Cyprus. And that's 11 hours not including gas, food, bathrooms... Casey : It could be 11 years. Max : So, you ready to start a whole new year together? Casey : Am I a horrible person for being partly glad your Caltech grant money fell through and you're stuck at Cyprus with me? Max : I could never describe you as horrible. Casey : Even though that part that's glad is way, way bigger than the other
SUMMARY: | Casey's resolve to focus on her education is put to the test when Ashleigh needs her help to battle rival sorority, Iota Kappa Iota , Frannie's new house. Calvin invites his high school friend, Andy ( Jesse McCartney ) to rush, who shows interest in both Omega Chi and Kappa Tau. Rusty and Dale take over Casey's lease when she decides to recommit to ZBZ. |
fd_Doctor_Who_04x07 | fd_Doctor_Who_04x07_0 | TEXT: The peace and quiet of the garden of a manor house is disturbed by the sound of the TARDIS materializing. The Doctor steps out, followed by Donna. There's a loud buzz as they walk towards the house. DOCTOR: Smell that air. Grass and lemonade... and a little bit of mint. A hint of mint, must be the 1920s. DONNA: You can tell what year it is just by smelling? DOCTOR: Oh yeah! DONNA: Or maybe that big vintage car coming up the drive gave it away. A vintage car pulls up at the entrance to the manor. The butler, Greeves and a young footman, Davenport come out of the house. GREEVES: The Professor's baggage, Richard, step lively! Davenport goes for the baggage, while Professor Peach steps out of the car and walks to the entrance. GREEVES: Good afternoon, Professor Peach. PROFESSOR PEACH: Hello, Greeves old man. A vicar rides up the drive on his bike. PROFESSOR PEACH: Ah, Reverend. REVEREND: Professor Peach! Beautiful day. (he gets off the bike). The lord's in his heaven, all's right with the world. GREEVES: Revered Golightly. Lady Eddison requests you make yourselves comfortable in your rooms. Cocktails will be served on the lawn from half past four. PROFESSOR PEACH: You go on up, I have to check something in the library. REVEREND: Oh? PROFESSOR PEACH: Alone. REVEREND: This is supposed to be a party! All this work will be the death of you. During this, the Doctor and Donna have been hiding in a bush, listening in on the conversation. DONNA: Never mind Planet Zog, a party in the 1920s, that's more like it! DOCTOR: Problem is, we haven't been invited. (he gets the psychic paper out, grinning) Oh I forgot, yes we have! [SCENE_BREAK] In the library, Professor Peach is examining a piece of paper closely with his spectacles on.
SUMMARY: | The Doctor and Donna invite themselves to a dinner party in 1926, hosted by Lady Clemency Eddison and Hugh Curbishley, where one of the guests is Agatha Christie . The Doctor realises that they have arrived on the day Agatha inexplicably disappears. A giant shapeshifting alien wasp in human form called a Vespiform kills three of the guests with methods similar to the murders in Agatha's murder mysteries. The Vespiform is revealed to be Lady Eddison's illegitimate half-human son, Reverend Golightly. Golightly, who has a telepathic link with Lady Eddison through her necklace, became aware of his alien nature and absorbed the details of The Murder of Roger Ackroyd , an Agatha Christie murder mystery his mother was reading at the time. He transforms into the Vespiform and threatens the guests. Agatha lures him towards the Silent Pool . Donna throws the necklace into the water, and the wasp dives after it and drowns. Due to her own connection with the necklace, Agatha falls unconscious and suffers from amnesia . This becomes the event that gave her the amnesia during her disappearance, and the Doctor drops her off at the Harrogate Hotel . |
fd_The_Office_02x02 | fd_The_Office_02x02_0 | TEXT: Michael: [clears throat] Hey, what's up? Jim: Hey. Michael: Any emails today? Jim: Um... I don't think so. Michael: No? Um... Check your spam folder. Jim: Oh! There it is! Michael: What? Jim: Um... 'Fifty signs your priest might be Michael Jackson.' Michael: [laughs uncontrollably] Jim: Well done. Michael: Kay. Jim: Topical. [SCENE_BREAK] Michael: I am king of forwards. It's how I like to do business, everybody joking around. We're like 'Friends'. I am Chandler and Joey and, uh, Pam is Rachel. And Dwight is Kramer. [SCENE_BREAK] Dwight: So the monkey does the s*x thing right here! [monkey noises in background] Michael: That's funny! That's funny. Not offensive. Uh... because it's nature. Educational. Dwight: Do you want the link because then you could forward it around? Michael: Um, I... Dwight: Consider it? Michael: Yeah... maybe. Maybe. Well, we'll see. Because I... I don't know if it's... [muffled by jacket over his head] Whup! Come on! Hey! Todd Packer: What has two thumbs and likes to bone your Mom? [points at self] This guy! Michael: Kay! Oh, you are so bad! Yeah! Todd Packer: [makes laser gun noises] Michael: Oh, Boom! Bam! Oh, this guy is out of control! He is a madman! Better get the bleep button ready for him. Todd Packer: bleep, bleep. What's up, Halpert? Michael: Uh oh. Todd Packer: Still queer? Michael: Uh oh! Oh-ho-ho-ho-ho-o! [SCENE_BREAK] Michael: Todd Packer and I are total BFF. Best Friends Forever. He and I came up together as salesmen. One time, we were out and we met this set of
SUMMARY: | Corporate headquarters orders Human Resources representative Toby Flenderson to conduct a review at the Scranton branch of the company's sexual harassment policies. The company also sends a lawyer to Scranton. Michael fears that this will hinder his ability to keep an "easy-going office," but later realizes that the lawyer was sent to protect him. |
fd_Once_Upon_A_Time_04x05 | fd_Once_Upon_A_Time_04x05_0 | TEXT: [PREVIOUSLY_ON] It's Marian. Regina: He's honor-bound to stay with her. Therefore, I have to save her. Why the hell are you following me?! I'm starting to think maybe it wasn't just some curse that brought her to Storybrooke. Where is she? She's gone. [SCENE_BREAK] [ Storybrooke ] [SCENE_BREAK] (The Snow Queen uses her power to make an ice person.) [SCENE_BREAK] (At the sheriff station. Emma and Elsa continue their researches on the Snow Queen.) Emma: Somewhere in here, there's got to be something on her. Elsa: There has to be a better strategy. While we're reading files, my sister is out there somewhere. We have to confront this Snow Queen. Emma: Believe me, if I could, we would. We have to find her first. And, Elsa, we have to be careful. This woman is tricky. She seems to know both of us, and we don't remember anything about her. And something tells me that that is not an accident. Elsa: You think she took our memories? Emma: I'm really good with names and faces. It was my job. She took them, all right. The question is why. We need to find out what the hell she's up to. (Hook enters with another box.) Hook: Paperwork, ahoy! Old city records from the mayor's office, per your request. Will: Oi! Somebody's forgotten about me dinner! I had the bangers and mash. Emma: You had the water and pop-tart. Will: Somebody's already had a nibble. Emma: I've had my shots. Will: What a relief. Now, I've served me time. So when will I be free? Emma: When I say so. Hook: Well... I'm off to take Henry sailing, love, unless there's something else you want me to do here. Emma: Make sure Henry wears his life vest, okay? Will: Befriending the son to get in with the mum? Yep, no one will ever see
SUMMARY: | Emma and Regina are forced to team up when Ingrid, the Snow Queen, leads them and Elsa into a trap. Ingrid conjures up an ice warrior to stop Regina and Emma, and uses an illusion of Anna to lure Elsa into chains, keeping her out of the way. The three ladies fight back, with Elsa overcoming her fear and destroying the chains, and Emma and Regina combining their powers to destroy the ice warrior. The Snow Queen acquires the services of Sidney and takes possession of the magic mirror. Meanwhile, Mary Margaret leaves Neal with Belle as she and David spend time together, only to be interrupted by Will escaping jail, who Mary Margaret later pardons. Emma has flashbacks of running away as a teenager, and finds videotape evidence that Ingrid (Storybrooke alias Sarah Fisher) is her foster mother. |
fd_Doctor_Who_1963_13x10 | fd_Doctor_Who_1963_13x10_0 | TEXT: PYRAMIDS OF MARS BY: "STEPHEN HARRIS" (ROBERT HOLMES AND LEWIS GREIFER) Part Two Running time: 23:53 [SCENE_BREAK] LAURENCE: Marcus! DOCTOR: Shush. [SCENE_BREAK] SCARMAN: Take up the generator loops. SCARMAN: Place them in position at the compass points. Activate at ground strength. [SCENE_BREAK] DOCTOR: Quick, hide. SARAH: Where have they gone? DOCTOR: To set up a deflection field around the house. He's obviously planned every step. LAURENCE: Who, Marcus? DOCTOR: No, Sutekh. [SCENE_BREAK] DOCTOR: Sutekh is breaking free from his ancient bonds. If he succeeds, he'll destroy the whole world. SARAH: You mean Sutekh is still alive? DOCTOR: He destroyed his own planet, Phaester Osiris, and left a trail of havoc across half the galaxy. Horus and the rest of the Osirans must have finally cornered him on Earth. SARAH: In Egypt? DOCTOR: The wars of the gods entered into mythology. The whole of Egyptian culture is founded upon the Osiran pattern. LAURENCE: I'm afraid this is beyond me. SARAH: It's beyond me, too. DOCTOR: Ah! Found it. SARAH: What? DOCTOR: The lodestone that drew the TARDIS off course. LAURENCE: That's not a lodestone, that's just a sarcophagus. DOCTOR: No, it isn't. It's the entrance to a time-space tunnel. SARAH: Leading where? DOCTOR: To Sutekh. (The Doctor activates a cartouche on the case and it starts to do its multicoloured effect. SARAH: Doctor! DOCTOR: Keep back! [SCENE_BREAK] SARAH: Doctor! Doctor, come on. Wake up, please. LAURENCE:
SUMMARY: | The Doctor, Sarah and Laurence try to find a way to sever Sutekh's link to the mummies while poacher Ernie Clements finds the priory surrounded by a forcefield. |
fd_Charmed_04x10 | fd_Charmed_04x10_0 | TEXT: [Scene: Police station. Cole is sitting on the bench stuck in between a biker guy with about twelve earrings on his face, and two toothless, dirty homeless men. Cole isn't impressed. Darryl walks over to him.] Cole: Is this the way you treat every driver with a busted headlight? Darryl: No, just the ones without ID. Now, I convinced Lopez not to sight you. But no more driving without a license. Cole: Am I free to go? Darryl: Yeah. Cole: Finally. (He stands up.) Darryl: Finally? Cole: I mean thanks. Darryl: Finally? You think I need this? You see this assignment board? (He points to it.) It's full of cases. Open cases that I should be working on, instead I'm cleaning after your mess. Cole: Hey, I don't like it either. Darryl: It's bad enough I have to clean up after the suspects... Cole: I'm just trying to fit in but I have no ID, no job. (They talk over the top of each other.) Darryl: Doesn't anyone ever say thank you? Cole: I can't even go to the grocery store without even getting arrested. Cole, Darryl: It just sucks! (They stop and stare at each other.) Cole: You good? Darryl: Yeah. Cole: Me too. Darryl: Okay. (Piper and Paige walk in and go over to Darryl and Cole.) Piper: Oh my god, Cole. How's my car? Cole: It's fine. Piper: That was the first and last time you borrow my car. Got it? Good. Let's go. [Cut to outside the police station. Piper, Paige and Cole walk outside.] Cole: Being human was supposed to make my life easier, instead it's getting worse by the minute. Piper: Yeah, I know the feeling. Cole: I swear, Phoebe was closer to marrying me when I was a demon. Piper: Well, to be honest, Cole, getting busted by the cops is not the best way to win her over. Paige: Oh, Piper, gosh, I
SUMMARY: | Still feeling guilty about her adoptive parents' death, Paige gets some help from Leo and the ghosts to go back to the day of their car accident so can work through her feelings and discovers how she was able to live through the accident. Meanwhile, Phoebe and Cole get possessed by a pair of ghosts who look to finish a job from 50 years ago, and as a result, Piper has to find a way to keep the ghosts in succeeding in their mission. |
fd_NCIS_04x16 | fd_NCIS_04x16_0 | TEXT: INT. SQUAD ROOM - DAY TONY: How much? ZIVA: Don't know. TONY: Come on! Take a guess. ZIVA: I don't know. TONY: Then we're just going to have to settle this with facts. I am Googling "men's jacket." What would you say it was made of? It felt like butter. ZIVA: Lambskin. TONY: Who's the designer? ZIVA: Why do you assume I know? TONY: Because.... ZIVA: Because? Because I'm a woman? Because I am Jewish? TONY: Because you're a great detective. ZIVA: True. McGee flashed the label when he showed us his lining. Armani. TONY: Anything else? ZIVA: Lizard-embossed trim, a two-way zipper, and a chest pocket. TONY: Found it! It's from the Armani Two Thousand Seven Resort Collection. You can purchase it for... ZIVA: Two thousand dollars. They say the clothes make the man. TONY: Hmm. He's not a man, he's a McGee. GIBBS: Either way, where is he? TONY: Um... over there. Overdressed. (SFX: SANDERS COUGHS) MCGEE: Are you okay? SANDERS: Yeah. I um... I just need to talk to Special Agent Gibbs. Hey, your jacket's really soft. MCGEE: Thanks. ZIVA: Who is McGee escorting? TONY: I don't know. Never seen him before. MCGEE: This is Special Agent Gibbs. SANDERS: Lieutenant Sanders, Sir. I need you to investigate a murder. GIBBS: Whose? SANDERS: (BEAT) Mine. (MUSIC UP AND OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) [SCENE_BREAK] INT. SQUAD ROOM - DAY ZIVA: This is
SUMMARY: | A Navy Lieutenant arrives at NCIS with radiation poisoning requesting that the team investigate his murder, prompting them to investigate who is responsible for poisoning him. The Navy Lieutenant is an inspector for the International Atomic Energy Agency, so the team tries to figure out who would want to make sure he didn't make it to the next inspection. However, only his two closest colleagues knew where the next inspection was to take place. Meanwhile, Ziva sympathizes with the Lieutenant, in whom she sees a reflection of her own most strongly held beliefs and develops feelings for him. It is revealed in the next episode that the Lieutenant had died. |
fd_FRIENDS_07x10 | fd_FRIENDS_07x10_0 | TEXT: [Scene: Monica, Chandler, and Phoebe's, Chandler is on the phone, Rachel and Monica are sitting in the kitchen.] Chandler: Buh-bye. (Hangs up the phone) I just got us reservations at Michelle's and tickets to the Musicman to celebrate our first holiday season as a betroughed couple. Monica: Betrothed... (Corrects him) Chandler:...betrothed couple. Phoebe: (entering carrying a skull) Hey! Chandler: Hey! Rachel and Monica: Hi! Phoebe: Haaaa... (Puts the skull on the table)... ahhhh! Chandler: Pheebs? Phoebe: Huh? Chandler: Skull? Phoebe: Oh, yeah, it's my mom's. Rachel: (freaking out) Oh my god!! Phoebe: No, no, no. It's not! It's not my mom. It belonged to mom. Yeah, no, she used to put it out every Christmas to remind us, that even though it's Christmas, people still die. And, you can put candy in it. (She grabs the skull, pulls out a stick of licorice, and takes a bite.) Ross: (entering) Hey! All: Hey! Monica: (Offering Ross the skull) Licorice? Ross: (Thinking it over) Sure! (Takes one) Hey, I just found out, I get Ben for the holidays this year. All: Ohh! That's great! Monica: Are you gonna dress up as Santa? Ross: Nope. I mean, I know Susan does every year, but I think I wanna take this year to teach him all about Hanukkah. Phoebe: And maybe I could teach Ben about the Christmas skull and how people die. Rachel: You may need to use this year to teach Ben about Phoebe. Ross: Hmm. (Joey comes out of the bathroom reading a newspaper) Joey: Hey. (He exits) Rachel: (to Monica) Did you know he was in there? Monica: No. Chandler
SUMMARY: | Ross wants to introduce Ben, who is half-Jewish, to Hanukkah , though Ben loves Christmas. Phoebe and Rachel's apartment has been repaired, but Phoebe fears Rachel prefers living at Joey's. To prevent this, she presents Joey with various gifts - a spider that scares Joey more than Rachel and a drum kit that annoys Monica. Ross dresses up as the "Holiday Armadillo" to excite Ben for Hanukkah. In 2019, The Herald-Dispatch called it the third best Christmas TV episode of all time. [3] |
fd_Doctor_Who_1963_03x10 | fd_Doctor_Who_1963_03x10_0 | TEXT: 5:50pm - 6:15pm [SCENE_BREAK] 1: INT. TARDIS. CONSOLE ROOM (STEVEN, still in his Trojan tabard, lies on the divan, semi-conscious.) (The DOCTOR'S hands move over the controls of the TARDIS.) (KATARINA watches over STEVEN.) KATARINA: He has a strange sickness. Can you not help him? (The DOCTOR joins her.) DOCTOR: I'm doing the very best I can, my child. (He laughs gently and looks over STEVEN.) DOCTOR: Oh dear, dear, dear, this is such a worry. This poison seems to be spreading throughout the whole of his system. Yes, we need a special drug. I shall have to land somewhere. (The hum of the TARDIS suddenly diminishes.) DOCTOR: Hmm. (KATARINA looks round in alarm.) KATARINA: What is that? DOCTOR: Oh, we're slowing down, my dear. We're going to land in a moment. KATARINA: Can we have reached the place of perfection so soon? DOCTOR: Er, well, I rather doubt it. At least, that is, er, we shall be stopping at a lot of places before that. Now, I... I... I want you to look after Steven, if you will. And see that you keep that wound clean, please, hmm? (Again he laughs gently.) DOCTOR: (Warmly.) That's a good girl. (He leaves her and goes back to the console.) [SCENE_BREAK] 2: EXT. KEMBEL. JUNGLE (Deep in the Kembel jungle are two Space Security agents, KERT GANTRY and BRET VYON. Both are in rough shape with dishevelled clothing, especially GANTRY, who lies on the ground with a shattered leg in a crude splint. Around them are the sounds of the wildlife of the jungle and both men jump at the sound of a particularly loud roar. VYON speaks into
SUMMARY: | Missing episode In the year 4000, the Daleks conspire to conquer the Solar System. Their scheme involves treachery at the highest levels and a weapon capable of destroying the very fabric of time. Only the Doctor and his friends can prevent catastrophe - and there is no guarantee they will escape with their lives... |
fd_One_Tree_Hill_03x17 | fd_One_Tree_Hill_03x17_0 | TEXT: Lucas : (v.o) Previously on One Tree Hill. [Ext. Tree Hill High-Day] Brooke runs to Lucas. -Brooke : Somebody has a gun inside and they're shooting. [SCENE_BREAK] [Int. Tree Hill High-Class-Day] Nathan, Haley, Mouth, Rachel and Marcus are in a classroom. Jimmy has a gun. -Nathan : We're getting out of here, okay? -Jimmy: Get away from the door. [SCENE_BREAK] [Int. Tree Hill High-Library-Day] Lucas is next to Peyton in the library. -Lucas: We gotta get you somewhere safe. Come on.Lucas stands up but Peyton hold him by the arm. -Peyton: No, don't leave me, please. [SCENE_BREAK] [Int. Tree Hill High-Class-Day] Jimmy point the gun at Nathan, Haley, Mouth...Nathan has a bat. -Jimmy: You're gonna tape a line down the center of the room. (Jimmy throw Scotch to Nathan.) Go on! [SCENE_BREAK] [Int. Tree Hill High-Library-Day] Lucas and Peyton are sitting on the floor. -Peyton (crying) : If I say, "I love you" right now, will you hold it against me? [SCENE_BREAK] [Int. Tree Hill High-Class-Day] -Jimmy: Don't push me. -Marcus: He's not gonna do it! -Jimmy: Back him up! -Rachel: Listen to him! [SCENE_BREAK] [Succession of scene] Peyton kisses Lucas and you see Jimmy in the class. -Jimmy: I promise you! Whoever steps into that hallway is gonna die. You can see Brooke crying outside of the Tree Hill High. In the Library. -Peyton: It's never gonna be the same. In the class. -Nathan: This is wrong
SUMMARY: | The aftermath of the school shooting and the death of Jimmy Edwards force everyone in Tree Hill to examine their lives. Nathan reassesses his relationship with Haley, while Brooke and Rachel join forces to heal the student body. Dan must deal with the ramifications of killing Keith. Lucas and Peyton consider the implications of their kiss in the library. This episode is named after an album by Murder by Death . The title is also the tagline of the 1974 horror movie The Texas Chain Saw Massacre . |
fd_Merlin_04x05 | fd_Merlin_04x05_0 | TEXT: "In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a young man. His name...Merlin". FIELD - DAY Merlin, dressed as a knight, is running. Armed men are running after him. Merlin heads into the woods and keeps running until he reaches a dead end in a narrow pass. He stops and turns to face his pursuers, who are now slowly walking towards him. A man, who appears to be the leader, stands out of the pursuers. Leader: Trapped...are we? An arrow hits one of the pursuers. Everyone looks up to see Camelot's knights on either sides of the pass. Merlin (smiling): That's the idea. King Arthur (jumping down on the ground): On me! [SCENE_BREAK] OPENING TITLES [SCENE_BREAK] FOREST - DAY Agravaine is dragging along the leader of the prisoners towards King Arthur. Agravaine: Your Majesty. Look what we have here. King Arthur: He comes with us. We'll deal with the prisoners when we get back to Camelot. Agravaine: I fear this is no ordinary prisoner, Your Highness. He pulls a necklace out from the leader's neck and hands it over to Arthur. King Arthur: Well, well. Merlin: What is it? King Arthur: This, Merlin, is the royal crest of Caerleon. Is it not (facing the leader)...Your Highness? FOREST, CAMPFIRE - NIGHT King Arthur: This is not the first time he's trespassed on our lands. Agravaine: No, sire. Only last week he seized the village of Stonedown on the western borders. King Arthur: We're not on the borders now, Agravaine. This is the heart of the kingdom. He took a grave risk coming here. Agravaine: Perhaps he doesn't see it that way. I fear it's no coincidence that all this has happened since Uther's death. King Arthur: What do you mean? Agravaine: Arthur, your father
SUMMARY: | For the first time since his coronation, Arthur finds out what it's really like to be King. Arthur faces his first true test as King when he incurs the wrath of the formidable Queen Annis. With the lives of thousands hanging in the balance, Arthur must find the strength to be his own man and become the leader Camelot so desperately needs. |
fd_Frasier_04x17 | fd_Frasier_04x17_0 | TEXT: Act One. Scene One - Frasier's apartment. Frasier opens the door to Niles. Frasier: Niles. Niles: I'm sorry to drop by unannounced, but I need your help. Frasier: Of course. Sherry? Niles: Please. As you know, ever since I moved into the Montana I've been angling to meet our most famous tenant: Esmeralda Bing, the Walnut Queen. Well, I finally cornered her in the ornamental garden, by the wishing well, and I felt very pleased with myself - that is until the Walnut Queen invited me to a ball. Now I have a problem. Frasier: [sarcastic:] Yes, your life has become an operetta. Niles: [smiles at the quip] No, it's a charity ball. And when I say invited, I mean she let me buy a table for ten at five thousand dollars. I've until Sunday to sell eight five hundred dollar tickets... Frasier: [picking up cheque book:] Say no more. It's a bit steep, but if it's for charity... Niles: Thank you Frasier, it is a very worthy cause. Frasier: Alright, who should I make this out to? Niles: [Frasier writes as Niles speaks] The Esmeralda... Bing... International... Doll Museum. Frasier puts his cheque book away and rips the cheque up. Frasier: You do have a problem! Niles: I thought you prided yourself on supporting the arts! Frasier: The arts, Niles, not the crafts! At this point Daphne & Martin come out the bedroom and into the main room, arguing as usual. Martin: I told you, I can't do it now. Sherry's taking me out for our third-month anniversary, and I've got to get a new sport coat. Daphne: You cannot skip your exercises again - you skipped them yesterday. Martin: This is the only time Sherry can go shopping with me and I can't go without her. There isn't a woman alive
SUMMARY: | An on-air spot opens at KACL, and Roz decides to apply for it with Frasier's blessing. When the interview goes well, Frasier is happy for Roz but notes to Bebe that he will be very sorry to lose her if she does get the position. As a result, Bebe pulls strings to ensure Roz is taken out of the running. When Frasier finds out, he is furious and decides to fire Bebe, but finds it harder than expected when he calls round her office to do the deed. |
fd_Doctor_Who_03x03 | fd_Doctor_Who_03x03_0 | TEXT: A screen buzzes into life, and a charming blonde news anchor smiles out of it. SALLY CALYPSO: Salutations! This is Sally Calypso with the traffic news at 10:15. We've got reports of a multiple stackpile at Junction 509, with a spate of carjackings reported on New Fifth Avenue. So you take care now! Drive safely. Zooming out, we see a middle-aged couple, bouncing around in what is apparently some kind of vehicle. These are Ma and Pa, the currently frantic-looking parents of an as-yet-unseen character. MA: They're gonna get in. There's no stopping them. PA: The police are on their way, I promise. I've sounded the alarm. He holds a small remote what looks to be a vocal transmitter. PA (speaking into transmitter): Repeat. This is Car One Zero Hot Five. We have a problem. Require urgent assistance. ELECTRONIC VOICE (over transmission): Thank you for your call. You have been placed on hold. MA: It's all your fault. You lied to the computer. You said there were three of us. You told them three! She begins to sob as the car crashes back and forth. PA: Repeat! Urgent assistance! Car One Zero Hot Five! This is an emergency! Help us! Oh my God, I'm begging you. Please, help us! Both Ma and Pa scream as the car continues to buck and roll. A terrible growling roar is heard, warning lights sound, sparks fly into the compartment, and the last thing we see is a single hand sliding off the face of the screen where the news report is still blaring. SALLY CALYPSO: The weather is at 36 degrees, and it's blue skies all the way home. This is Sally Calypso, signing off. Missing you already! OPENING CREDITS In the TARDIS, Martha sits demurely while the Doctor flips a few levers. He's in a good mood. THE DOCTOR: Just one trip. 'S'what I said. One trip, in
SUMMARY: | The Doctor takes Martha to the undercity of New New York on the planet New Earth in the year 5,000,000,053. 24 years earlier, a virus mutated which killed nearly everyone on the planet. The undercity was sealed off to save it from the virus, its system being maintained by the Face of Boe and his nurse Novice Hame, but they did not have enough power to reopen it. Martha is kidnapped by two motorists in flying cars to grant them access to the fast lane on the Motorway. The fast lane is infested by crab-like Macra, old enemies of the Doctor and the former rulers of an empire in this galaxy who have since devolved. Aided by the Face of Boe, who uses the last of his life, the Doctor finds a way of restoring power to the system which opens the roof of the Motorway, finally freeing the inhabitants trapped in the undercity's Motorway and saving Martha and her kidnappers from the Macra. Before dying, the Face of Boe tells the Doctor he is not alone. |
fd_The_Big_Bang_Theory_02x15 | fd_The_Big_Bang_Theory_02x15_0 | TEXT: Scene: The apartment. The guys are playing Rock Band. Sheldon is on guitar, Howard drums and Raj singing. They are performing the Red Hot Chili Peppers "Under the Bridge". As Raj gets into the song, Penny enters and his singing turns into a squawk. Penny: Fellas, please. Howard: Penny, come on, we were just finding our sound. Penny: You found it. It's the sound of a cat being run over by a lawn mower. Leonard (entering on the phone): I'm really very busy. Is there any way that we can put this off until I have more time to prepare? Of course. But, uh, you understand my trepidation. Penny: What's that about? Howard: Not a clue. Leonard: Can't we just postpone it till the spring? Maybe next summer? Sheldon: This should be fairly easy to deduce. He's holding the phone to his left ear. Ears do not cross hemispheres, so he's using the analytical rather than the emotional side of the brain, suggesting that he has no personal relationship with the caller. Leonard: No, I didn't realize it had been so long. Sure, I guess there's no other choice but to just go ahead and do it. Sheldon: He's referring to an activity he has done before. It's unpleasant and needs to be repeated. This suggests some sort of invasive medical test, like perhaps a colonoscopy. Leonard: Aren't there any other options? There's not a lot of room, it's gonna be uncomfortable. Sheldon: Yes, yes. Yeah, I'm definitely going with colonoscopy. Leonard: Okay, bye. My mother's coming to visit. Howard: How about that, you were right. Credits sequence. Scene: The lobby. Penny finds a woman studying the lift. Penny: It's out of order. Woman: Yes, I can read the sign, I'm just pondering the implications. Penny: I think it implies that the elevator doesn't work. Woman: Again, I can read the sign. But the
SUMMARY: | Leonard becomes worried when he learns his mother, accomplished psychiatrist and neuroscientist Dr. Beverly Hofstadter, is coming to visit. On arriving, Beverly meets Penny; by the time they have climbed the stairs to Leonard's apartment, Penny is in tears after being psychoanalyzed over her childhood issues with her father. Sheldon, on the other hand, immediately develops a comfortable relationship with Beverly, who turns out to be as strict and logical as himself. Howard and Raj meet Beverly too, but after learning that Howard still lives with his mother and Raj cannot talk to women, she is quick to declare that they are in an "ersatz homosexual marriage". Leonard later goes to talk to Penny and they comfort each other by discussing their respective childhood issues with their parents. After becoming drunk, Penny and Leonard end up in bed together, but Leonard ruins the moment by invoking psychiatric theory, implying that he is effectively having sex with his mom and she with her dad. Horrified about this, Penny throws Leonard out of her apartment. She wants to talk about it the next day, but Leonard assures her she never has to talk to him ever again. |
fd_Degrassi_Next_Generation_05x03 | fd_Degrassi_Next_Generation_05x03_0 | TEXT: At the movie theatre, Paige and Alex are working Alex: You could be in one of these university guides. Everybody in here looks so happy! Paige: Say it in your squeaky voice. Alex: (In a squeaky voice) Everybody looks so happy! (Paige laughs.) Alex: I'm bored. Maybe I should eat something. Paige: Twenty universities and colleges are coming to Degrassi on Wednesday. Alex: So? Look don't worry about me. You're applying to Banting. Worry about choosing the right SUV following graduation. Paige: Alex! Oh um want to take my shift tomorrow? Alex: I need the money. Paige: Wanna know why? Matt's back. Alex: Now say it in your squeaky voice. Paige: He called me last night all out of the blue. By this time tomorrow, Matt and I will be reunited. Resuming quelle grande romance. Alex: Great. Now I'm bored, nauseous and irritated. All at the same time. Paige: Well I'm just plain all happy. In the cafeteria, JT and Liberty walk in JT: (He clears his voice) Ladies and gentlemen, your new president. (Everyone claps and cheers for her.) Marco: Looks like Liberty won school president. Paige: Was there an election? Marco: There was an acclamation and nope you didn't miss anything. Paige: So Matt's back tonight. Marco: Mini hurray! Now back to me. Look I need to decide my future over my lunch of cabbage rolls. Paige: Apply to Banting. Alex: Banting's for rich kids and freakish genius savants. Paige: Did you sign up for those college info sessions tomorrow? Alex: Why do you drone on about me going to college? Paige: Because I don't want to come back for the reunion to find out my former friends are losers. The sign up sheet's in guidance. Go. (Alex gets up and sits at another table, glaring at Paige.) In a classroom Teacher: So Prime Minister Trudeau had two choices. He could either
SUMMARY: | Paige has her whole future planned out: She is going to the best Canadian university, Banting, she will live with Matt, and everything will be perfect. That is, until Matt comes back a changed man. Meanwhile, Jimmy is proud to be the new basketball coach, but a new member, Derek, causes trouble. |
fd_Grey_s_Anatomy_02x23 | fd_Grey_s_Anatomy_02x23_0 | TEXT: (Hospital basement) MVO: The key to being a successful intern is what we give up. Sleep, friends, a normal life. We sacrifice it all for that one amazing moment. That moment when you can legally call yourself a surgeon. (Callie and George come out from underneath the blankets, obviously just having finished having s*x.) Callie: Thank you. Oh, thank you, thank you, thank you. (Derek and Addison's trailer. They are lying in bed looking disgusted.) Addison: Thanks. MVO: There are days that make the sacrifices seem worthwhile. Derek (Laughing): Oh, my God. You're thanking my for the most boring s*x ever? Addison: I didn't know what else to say. I mean, you did your best. Derek: Oh, great. Thanks. You too. It's really nice work. Addison: We used to be really good at this, didn't we? Derek: We're going to do this until we get it right. (They butt heads) Ow! Jeez! (The phone rings.) Addison: Perfect. Ow. Derek: That's the hospital. Hello? Hi. No, no, no, no, no. It's about Doc. Yeah. No, I'm here. Yeah, I can pick him up this morning. Sure. Bye. No. Come on. (Addison takes the phone from Derek.) Addison: Dr. Dandridge. Dr. Dandridge. I...We're gonna have to call you back. We're trying really hard to have some decent s*x here. (Screen switches to show Meredith on the phone.) Addison: Come on. What's so funny? (Meredith is at the vet, she hangs up without saying anything.) MVO: And then there are the days where everything feels like a sacrifice. (Finn enters the room with Doc.) Finn: Everything ok? Meredith: Yeah. Everything's great. Hey, Doc. You look good. He looks good. Finn: It may just be a virus. But I'd like to wait
SUMMARY: | Izzie grills George about the personal details of his life, and under instructions from Derek, tries to get a divorce lawyer to have a seizure so he can operate on her. Addison and Alex treat a pregnant woman who is expecting her seventh child, and face a difficult decision when the woman requests her tubes be tied off-record in order for her to avoid telling her very religious husband that she doesn't want to have any more children. Burke performs surgery on his musical hero who wants a pacemaker removed as it has ruined his ability to play the violin. Meredith learns from Denny that life is too short to follow the rules, and decides to abandon her knitting and accept a date with Doc's vet. George moves back in with Izzie and Meredith. Derek finally agrees to have hot sex with Addison. |
fd_Teen_Wolf_03x18 | fd_Teen_Wolf_03x18_0 | TEXT: NARRATOR: Previously on Teen Wolf When a kitsune rubs its tails together it can create fire or lightning. It's called foxfire. All day I have been hearing this sound. (WHISPERING) You've been right every time something like this has happened. So don't start doubting yourself now. Are you all right? STILES: I guess not really. ALLISON: They're called the oni. They're looking for someone possessed. A dark spirit attached to them. (PHONE VIBRATING) Scott: Hey, man, what's up? Stiles? (STILES BREATHING NERVOUSLY) Scott: Stiles? You there? STILES: (WHISPERING) Scott? Hey, I'm here. Scott: Are you okay? Can you hear me? Stiles: Scott, I don't I don't know where I am. I don't know how I got here. I think was sleepwalking. Scott: Okay, um, can you see anything? Just tell me what you see. Stiles: Ah, it's dark. It's hard to see. I think there's something wrong with my (DISCONNECTS) STILES: (VOICE MAIL) Hey Stiles? This is Stiles and you missed me. Leave a message (EXHALES DEEPLY) Scott: Come on. STILES: (VOICE MAIL) Hey, this is St (BREATHING HEAVILY) Scott: God, come on. Come on. Scott: Stiles? STILES: Scott, I don't think I can get out of here. I can't move. Scott: Where are you? Stiles: I don't know. I don't know, It's too dark. I can't see much and something's wrong with my leg. It's stuck on something. And it's.. I think it's bleeding. Scott: How bad? Stiles, how bad is it? Stiles, are you there? Can you hear me? Stiles: Ah, there's some kind of smell down here. Something smells terrible. It's brutal. My
SUMMARY: | Stiles makes a panicked late-night phone call to Scott after he finds himself in a strange location with his leg in a steel trap. Lydia leads them to the mental health center where Barrow was committed, however Stiles is not there. Scott's mother and father find Stiles, who had been sleepwalking. Derek and Kira find Stiles's baseball bat at the power station, and Derek deduces that Kira was indirectly responsible for the Nogitsune taking over Stiles's body. Stiles has an MRI scan to test for frontotemporal dementia , the same illness that caused his mother's death. The power then goes out, due to the Nogitsune having damaged the wiring on the roof the previous night. The Nogitsune, now in complete control of Stiles's body, confronts the remaining Oni, who are revealed to be led by Kira's mother. A charged high voltage cable falls out from the hospital roof on top of Kira. |
fd_Once_Upon_A_Time_03x01 | fd_Once_Upon_A_Time_03x01_0 | TEXT: SCENE: The Land Without Magic. Past. Phoenix, Arizona. Emma is giving birth in a prison hospital room where the doctor and the nurses are attending to her. The clock strikes eight-fifteen. [SCENE_BREAK] Doctor : Big breath. Breathe away, breathe away. Nurse: Okay, here we go. Doctor: You're doing great. Hang on, hang on. Nurse: You're almost there. Doctor: You're doing fine. Nurse: Keep breathing. Doctor: You're doing fantastic. That's it. Breath, breath, breath! Doing great. You're doing great. Here you go. Keep going. Yep. Breathe, breathe. Take a deep breath. Okay big push, big push. (Emma screams) Doctor: Push, push, push! (The lights begin to flicker and go out as Henry is born. Emma sighs in exhaustion and relief.) Doctor: (Holding baby) Great. Here we go. That's good. That's beautiful. (To the baby) How you doing? (To Emma) It's a boy, Emma. (She looks away) Doctor: Emma? (Emma shakes her head. The nurse whispers in the doctor's ear.) Doctor: Oh. Emma, just so you know, you can change your mind. Emma: No, I can't be a mother. (She cries as the doctor takes the baby away.) [SCENE_BREAK] SCENE [SCENE_BREAK] Inside the magic bean's portal. Present. Emma, David, Mary Margaret, Mr. Gold and Regina hold tight to ropes on theJolly Rogerwith Hook at the helm as the ship crosses through the portal. They finally land on the waters of Neverland. The group looks around in confusion. [SCENE_BREAK] Emma : Is that it?! Hook: Aye, Neverland. (Emma gazes at the island with determination.) [SCENE_BREAK] SCENE [SCENE_BREAK] Neverland's island. Present. Henry lands on the shore after falling through the portal. He attempts to get up and run. [SCENE
SUMMARY: | In the season premiere episode, "Heart of the Truest Believer," as Emma, Mary Margaret, David, Regina, Mr. Gold and Hook enter Neverland to search for a kidnapped Henry, they're greeted by a school of not-too-friendly mermaids who threaten to end their search before it begins; Henry finds himself on the run from the Lost Boys with another escapee from Peter Pan's encampment; and Neal, recovering from his wounds, travels through the Enchanted Forest with Mulan in an attempt to learn the fates of Emma and Henry. |
fd_The_Office_05x06 | fd_The_Office_05x06_0 | TEXT: Kelly: [dressed as Carrie Bradshaw] Wow you guys look amazing. Stanley, I thought you hated Halloween. Phyllis: [dressed as Raggedy Ann] Shh. He wears that so he can sleep at his desk. Who are you? Kelly: Oh, I'm Carrie Bradshaw from s*x And The City. Phyllis: Mm. I like your shoes. [Kelly has 5-inch heels on] Kelly: Thank you. Will you help walk me to the fax machine? Phyllis: Sure. Ryan: I got her, I got her. I can help you. You look amazing. Kelly: Inappropriate. Thank you. Who are you, Larry King? Ryan: Gordon Gekko. Kelly: Oh, from the insurance commercials! Ryan:... Yeah. [SCENE_BREAK] Oscar: [Creed dressed as the Joker enters] Whoa. Awesome. Creed: Let's put a smile on that face! Kevin: [also dressed as the Joker] Dammit Creed! I've been up since four! [SCENE_BREAK] Andy: [dressed as a kitten] Meow. Sweet'stume, dude. Who are you supposed to be? Jim: Dave. Andy: Cool. Jim: You are? [Andy hisses] A cat? Andy: [buzzer noise] We were looking for "kitten." Jim: [phone] Oh, hang on one second. Jim Halpert. Pam: Hey. Jim: Hey New York, Happy Halloween! Pam: Thanks. My costume's getting a lot of attention. [Pam is dressed as Charlie Chaplin] [SCENE_BREAK] Pam: So apparently no one dresses up for Halloween here. I wish I had known that before I used greasepaint for my moustache. And I can't even take off my hat, because then I'm Hitler. [SCENE_BREAK] Dwight: [dressed as the Joker] Hm mm mm mm. Want to see a magic trick? Heh heh heh! I'm gonna make a pencil disapp-- o
SUMMARY: | When corporate transfers Holly to Nashua, Michael (with Darryl's help) moves her back to New Hampshire. Their plans to continue dating are dashed and they break up, and Darryl teaches Michael to sing the blues . Pam meets Jim's brothers, who pull a prank on Jim, which embarrasses her. Dwight torments Andy by becoming a fan of Cornell University . Pam is embarrassed when she is the only person at corporate wearing a costume on Halloween. |
fd_Doctor_Who_1963_21x24 | fd_Doctor_Who_1963_21x24_0 | TEXT: THE TWIN DILEMMA BY: ANTHONY STEVEN Part Four Running time: 25:04 [SCENE_BREAK] NOMA: Why don't you kill her? MESTOR: I find her pleasing. Pleasing! NOMA: She's better dead. MESTOR: This creature offers no threat. PERI: That's right! NOMA: Be silent. MESTOR: But her companion... they should have found him by now. I sense danger. DRAK: Be at peace, Doctor. DOCTOR: How? The very core of my being is on fire with guilt and rage... how is he? AZMAEL: Superficial damage, he'll be all right. NOMA: He is the one. AZMAEL: But Noma, he is a friend, he will save us from Lord Mestor. NOMA: Lord Mestor is our friend. He is our enemy. MESTOR: They have him! Yes, earthling. They have your friend. PERI: He came here to help! MESTOR: He did, hmph. DOCTOR: Peri you're alive. PERI: Oh please release him. MESTOR: And have the fool wreck a scientific project of vast consqeuence? DOCTOR: It's debatable who the fool is. If you intend to blow up this corner of the universe! MESTOR: Are you challenging my calculations? DOCTOR: Not at all. In fact if I can hold my mind together I might even be able to help you. MESTOR: What can you offer me? DOCTOR: Moving planets around is not for amateurs, you know. I mean the twins may have the mathematical skill but I have the empirical knowledge. The practical experience that can guarantee success. I mean one tiny error in your calculations, the planets you're trying to shift could fly off in any direction. MESTOR: You're telling the truth, Time Lord? DOCTOR: You should know. I can sense your presence in my mind. MESTOR: Then why do you resist me? DOCTOR: I'm secretive by nature. Besides, if you were to learn everything too quickly you'd have no reason to keep me alive.
SUMMARY: | The Doctor attempts to halt Mestor's true plan for the planet of Jaconda, Azmael has a decision to make for his world. |
fd_Doctor_Who_1963_04x43 | fd_Doctor_Who_1963_04x43_0 | TEXT: THE EVIL OF THE DALEKS First broadcast: 1st July 1967 Repeat broadcast: 8th August 1968 Running Time: 25:25 [SCENE_BREAK] 1. CONTROL ROOM, DALEK CITY (A special light slowly illuminates a familiar shape - A British 1960s Police Telephone Box.) JAMIE: The TARDIS, Doctor! (The DOCTOR worriedly turns to face the massive EMPEROR as it makes its most terrifying statement.) EMPEROR: You will take the "Dalek Factor." You will spread it to the entire history of Earth! (All three are shocked and, worst of all, the DOCTOR sees that he has not really got any choice in the matter at all.) DOCTOR: (Half-shocked and half-defiant.) No. You can't make me do it! You can't! EMPEROR: You will obey! (The Black Dalek prods the three humans in the back.) BLACK DALEK: Move! EMPEROR: Doctor. (The DOCTOR turns back to the EMPEROR.) EMPEROR: You will obey! [SCENE_BREAK] 2. EXPERIMENT ROOM, DALEK CITY (Here, a BLACK DALEK enters the room to meet another DALEK. The room is almost filled up by some strange device.) DALEK: Experiment ready. BLACK DALEK: Proceed. (The DALEK activates the strange device. As the machine starts to glow, a low hum can start to be heard.) [SCENE_BREAK] 3. CELL, DALEK CITY (The DOCTOR, JAMIE, and WATERFIELD have been put with KEMEL, MAXTIBLE and VICTORIA into a holding cell. The DOCTOR is idly playing his recorder as the others (except for MAXTIBLE) talk in low voices.) MAXTIBLE: Transmutation of metal into gold. JAMIE: You mean to say, he's worked against us all, just for that? DOCTOR: People have done worse for less,
SUMMARY: | The Daleks are poised to spread the Dalek Factor throughout the history of Earth and begin by implanting the Doctor. |
fd_How_I_Met_Your_Mother_04x20 | fd_How_I_Met_Your_Mother_04x20_0 | TEXT: Ted, Barney and Marshall are at McClaren's and Lily joined them. Barney: I heard a joke at work. Ted: Come on. She will not like it. It's funny for the guys, not girls. Barney: It's sexist! When it's funny, it's funny. Lily's cool. She'll love it. Marshall: Do it yourself. Lily: Tell it. Barney: Ready? What is the difference between jam and Nutella? (Marshall laughs) It's funny. Ted: For the guys. Marshall: She will not like it. Lily: Why do not I decide? What is the difference between jam and Nutella? Ted (2030): Can Barney gave the fall. To date, it remains the most disgusting joke I have ever heard in my life. And no, I do not say. Lily: Yeah, I can not hang out with you. Lily leaves the bar. Barney: Come on. It's funny. This is... Ted: I told you so. Barney: She'll be back. Ted (2030): And we saw more Lily for 4 weeks. GENERIC Ted (2030): The children, after being fired, I finally realized my lifelong dream: to create my own architectural firm. I had just customers. Ted checks the phone. Robin, out of the room: I think it's great that you fly with your own wings. I admire that. Ted: Thank you. And thank you for letting me use the apartment. Robin: Yeah, sure. Anything you want. Ted: A little thing, do you mind to cut off the TV during labor? Robin: It's not work! Ted: Sorry. It's just... I can not concentrate during the Wheel of Fortune... A penny saved is a penny, Helen! Robin: I know you're nervous, but we must stop procrastinating. You've spent two days to choose the pen official Mosbius Designs. Ted: I've suggested! I removed the felt. I make fun of that? The felt is back. Barney comes to see that Marshall is in his office. Barney: You know for layoffs? Marshall: Yes, I know. I tag. Are you worried
SUMMARY: | When Ted loses his job and decides to form his own architectural firm out of his apartment, he hires an intern to help get his company off the ground, but the intern gets too close for comfort with some of Ted's friends. Meanwhile, Marshall tries to make himself more valuable at work with a gimmick. [22] |
fd_The_Big_Bang_Theory_01x05 | fd_The_Big_Bang_Theory_01x05_0 | TEXT: cene: The Cheesecake Factory Sheldon: Alright, I'm moving my infantry division, augmented by a battalion of Orcs from Lord of the Rings, we flank the Tennessee Volunteers, and the North once again wins the Battle of Gettysburg. Howard: Not so fast, remember the South still has two infantry divisions, plus Superman and Godzilla. Leonard: No, no, no, no, Orcs are magic, Superman is vulnerable to magic, not to mention, you already lost Godzilla to the Illinois Cavalry and Hulk. Raj: Why don't you just have Robert E. Lee charge the line with Shiva and Ganesh. Penny: Hi, you guys ready to order? Howard: Hang on, honey. Shiva and Ganesh? The Hindu Gods against the entire Union army? Leonard: And Orcs! Penny: I'll be back. Raj: Excuse me, Ganesh is the remover of obstacles, and Shiva is the destroyer. When the smoke clears, Abraham Lincoln will be speaking Hindi and drinking mint juleps. Penny: Alright, my boss says you either have to order, or leave and never come back. Howard: What do you recommend for someone who worked up a man-sized appetite from a morning of weight training and cardio-funk? Penny: A shower. Howard: I'll take the heart smart platter. Penny: Alright, thank you, and Sheldon. Sheldon: We don't eat here, I don't know what's good. Penny: Well, it's all good. Sheldon: Statistically unlikely. Leonard: Just get a hamburger, you like hamburgers. Sheldon: I like the hamburgers where we usually have hamburgers, you can't make the assumption that I'll like the hamburgers here. Leonard: I'm sorry. Give him a hamburger. Penny: Uh, which one, the Classic Burger, the Ranch House Burger, the Barbecue Burger or the Kobe burger? Sheldon: Can't we just go to Big Boy? They only have one burger. The Big Boy. Penny: The Barbecue Burger is like the Big Boy
SUMMARY: | The guys, eating at the Cheesecake Factory where Penny works, are approached by Leslie Winkle. She wants Leonard to play cello in her string quartet as the other players are uncomfortable near the current cellist who was possibly irradiated at work. After the quartet practise in Leonard and Sheldon's apartment, Leslie seduces Leonard for the night, making Sheldon so uneasy that he repeatedly asks Penny's advice. Penny later congratulates Leonard, who tries to figure out what she meant. Leonard decides to pursue a real relationship with Leslie rather than an imaginary one with Penny, but at her lab, Leslie makes it clear she is not interested in a relationship: she just needed him for a one-night stand to satisfy her sex drive - which is now satisfied until New Year. Leonard later tells Penny, who reassures him and walks away smiling. |
fd_The_O.C._03x21 | fd_The_O.C._03x21_0 | TEXT: COHEN HOUSE KIRSTEN: Nice job on the grill, Seth. Those swordfish look perfect. SANDY: Wow, the student becomes a master. There's a new king of the B-B-Q. I cede you my oven mitts. SETH: And here I thought I was destined to live in your shadow. See, buddy? No need to become a fisherman after all. RYAN: Yeah, that was a bad idea. SETH: We all have our moments. RYAN: You mean like you lying to Summer and breaking up with her to cover it up? SETH: No, actually, I think that was a great idea. RYAN: Yeah, 'cause what was your other option: telling her the truth? SETH: Exactly. RYAN: Yeah. SANDY: What are you guys talking about? SETH: Nothing. RYAN: Nothing. KIRSTEN: Ryan, I don't know if you saw, but your graduation tickets came. SANDY: Aisle seats. Nice! Although you'd think after sending two kids to Harbor, they could cough up more than two tickets per student. KIRSTEN: He's just worried about the Nana. SETH: Well, she is an excellent clapper. SANDY: She can do the two-finger whistle. KIRSTEN: She's never taken a picture out of focus. SANDY: The woman was born for graduations. RYAN: Well, let her take my tickets. I mean, Seth's got you guys covered. I'd hate to see mine go to waste. KIRSTEN: Why don't you invite someone from your family? Your mom would love it. RYAN: I'm going to go wash up. SETH: Sink's right here, uh... SANDY: I don't think it's such a good idea, honey. I tried this already. KIRSTEN: She signed up for AA. She's starting her life again. SANDY: Yeah, after writing bad checks and getting arrested and disappearing. SANDY: She doesn't have the greatest track record. SETH
SUMMARY: | Ryan leaves Newport to invite Dawn to graduation, but hesitates. Summer and Taylor try to discover what Seth is hiding from them. Julie confronts Volchok about his relationship with Marissa. Meanwhile, Sandy begins to pay more attention to the Newport Group than his home life. |
fd_Frasier_07x07 | fd_Frasier_07x07_0 | TEXT: Act One. Scene One - Café Nervosa. Frasier enters the café to find Roz at one of the front tables surfing the net on a laptop. Frasier sits with her. Frasier: Hello, Roz. Roz: Hey. Frasier: Oh, what are you up to? Roz: Oh, they put in phone jacks so you can go on-line. I was just talking to this guy who sounds really great. [Frasier sighs as if the idea is absurd] What? I'm a very busy person, how else am I going to meet people? Frasier: It just seems so impersonal, Roz. God, what ever happened to human contact? Engaging people, face to face, eye to eye. Roz: [points out Martin at counter] There's your dad. Frasier: Don't let him see me! [turns away as Martin crosses to the table] Roz: Hey, Marty. Martin: Hey, Roz. Roz: Hey. Martin: What you been up to? Roz: Oh, just surfing the net. Frasier: Hi, Dad. Martin: [ignoring his son] You know, I never got into that net stuff. Roz: Really? You really ought to give it a try. It's a great way to stay in touch with your friends and your family. Martin: Family? Gosh, you know, that's nice to know that some people still care about their family. Frasier: Dad, please! Martin: Well, I gotta go. I'm going night-fishing with Duke - and Eddie, of course! I wouldn't leave Eddie, you don't turn your back on your family! Martin exits the café. Roz: What is that all about? Frasier: Oh, our Cousin Dodie's wedding was last week. Oh, excuse me, Cousin Dodie's "weddin'!" A western theme. On the response card it asked for our chili preference: mild or "kick ass!" Anyway, Niles and I told her that we had a conference to attend at the Therapist's Guild. Roz: There is no Therapist's Guild, is
SUMMARY: | Antiques Roadshow comes to Seattle, and after watching the previous show together, Martin and his sons decide to take a family heirloom for appraisal. The object, a pewter clock, turns out to be Russian, and is one of a collection made exclusively for the imperial Romanov family . It is valued at $25,000, which Martin is delighted by. Frasier and Niles are more interested in the Romanov connection, and they know that their great-great-grandmother was from Russia. They decide to research their family history , thrilled at the possibility that they may be descended from royalty. |
fd_The_Office_08x08 | fd_The_Office_08x08_0 | TEXT: Gabe: The Sabre Code of Conduct outlines the governing principles key to establishing and maintaining trust with our employees, clients- Kelly: Oh my God, kill me! Andy: Hey! All right, obviously we all want to die but we have to get through this. So, Gabe go ahead. It's okay. Gabe: Oh, is it okay with you? Because if it's not, you work for me, so... Comply with all applicable laws, regulations, policies and contracts governing our business. Be honest, fair- Pam: [whispers to Jim] I'm gonna do it. Gabe: And trustworthy in all your business activities and relationships. Treat one another- Pam: Oh! I'm going into labor! Oh my goodness! Jim: Oh okay, she's going into labor. Make way, everybody! [SCENE_BREAK] Pam: I know it's wrong to fake going into labor just to get out of things, but sometimes it's necessary. [SCENE_BREAK] Pam: [after Angela gives her a stack of files]: I'm going into labor! [SCENE_BREAK] Phyllis: Or should I have corndogs. I mean- Pam: I'm going into labor! [SCENE_BREAK] Ryan: Okay, three reasons you are wrong about True Blood. Number one- Pam: I'm going into labor. [SCENE_BREAK] Pam: Here we go! Andy: Hey guys, uh, can't keep saying you're going into labor. Everyone knows you're full of it. Kelly: Yeah. Oscar: It's not fair, you guys. Kelly: Pitiful. Meredith: It's stupid. Andy: Never cry wolf. Jim: Okay. Pam: Okay. Erin: Oh. [liquid splatters] Pam: Oh! Oh! Everyone: Oh! Oh my goodness! Jim: Oh my God! Pam: I'm really in labor! This is happening! Jim: Okay guys, here we go! We'll see you! Pam: Oh! Jim: How do you feel? Erin: Drive carefully! Oscar: Good luck! Everyone: Goodbye! Good luck! [empty bottle falls to the ground] Pam
SUMMARY: | Andy takes some of the office staff on a field trip to Gettysburg for inspiration. After most of the office abandons him, Darryl and Jim confront Andy and tell him that he should stop trying so hard to impress his coworkers. Meanwhile, Gabe finds himself enjoying the trip when he is mistaken as an Abraham Lincoln impersonator. Robert tasks the remaining employees with coming up with a new business idea for Dunder Mifflin and becomes convinced that Kevin's simple ideas are elaborate metaphors. |
fd_Alias_03x15 | fd_Alias_03x15_0 | TEXT: INT. BELFAST - UNKNOWN In an office building with a security desk, people are running everywhere. Armed police are running up some stairs. There's a bomb in an alcove on a wall. Two bomb technicians are trying to disarm it. BT2: This is way out of my league. BT1: Motion sensor. A dedicated board running God knows how many programs. There's no way we's shut this down in time. Our best bet is to try and defuse the motion sensor and get this thing off-site in a blast-containment vessel before it vaporizes the block. BT2: Can you do that? BT1 doesn't answer. BT1: I found the lead for the motion sensor. Cutting it. He cuts the white wire. BT1: It's no good. It's still operational. It must be looped. BT2: What the hell do we do now? BT1: Your guess is as good as mine. BT2: My kid's favorite color is red. BT1 gets ready to cut the red wire. BT2 nods. BT1 cuts the red wire, and the scene immediately cuts off... [SCENE_BREAK] INT. - ROTUNDA - CONFERENCE ROOM Pictures from the blast are shown on the monitor. DIXON: The Wicklow National Bank building, or what's left of it. VAUGHN: Do we know who's responsible? DIXON: His name is Daniel Ryan. This morning we intercepted a message he sent to the Covenant for the bombing. JACK: Ryan's former Royal Navy, explosive ordinance disposal. After his dishonorable discharge, he went from disposing. bombs to designing them. He's worked with the Covenant in the past and wants to sell them his latest product. SYDNEY: So he displays their effectiveness by destroying a downtown office building? JACK: Actually, Ryan alerted local authorities, gave them time to evacuate the building. WEISS: So he's a humanitarian bomber? JACK: His goal was to provide a state-of-the-art bomb squad
SUMMARY: | Sydney and Vaughn must convince bomb maker Daniel Ryan that they are part of The Covenant in order to find out where he has hidden one of his devices. But Sydney discovers that her ties to the bomber could lead him on a suicide mission. Daniel Ryan, former bomb disposal expert, has created a bomb and detonates it in public to advertise his skills and prove that the bomb cannot be disarmed. He is willing to sell the bomb to The Covenant. Based on information from Lysanker, the CIA captures Ryan, under the guise of representing The Covenant. They reproduce a Moscow hotel in order to convince Ryan that he is dealing with The Covenant. Ryan agrees to the deal, but demands that the information be provided only to Sark on a scheduled airline flight. When the contact does not eventuate, the CIA investigates Ryan and discovers that The Covenant had killed his brother. It was Sydney who had performed the murder, during a test of loyalty (explained in Full Disclosure, episode 11). A bomb is then discovered on board the plane carrying Vaughn and Sark which will activate if the plane descends to land. The CIA reveal their identity to Ryan but he refuses to help. Sydney sympathizes with Ryan, explaining that The Covenant also stole a part of her life when turning her into Julia Thorne. Ryan then agrees to disarm the bomb, supplying a pager code. However, this actually activates the timer of the bomb on board the plane, together with one held in the CIA office, with only 5 minutes until detonation. Ryan explains that he knows it was Julia Thorne who killed his brother. Jack manages to coerce Ryan into providing a deactivation code and both bombs are stopped with one second remaining. |
fd_CSI__Crime_Scene_Investigation_04x22 | fd_CSI__Crime_Scene_Investigation_04x22_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY (STOCK) -- NIGHT] (Sirens wail in the distance.) [INT. UNKNOWN PLACE - NIGHT] (ERNIE MENLO sits in the chair in the center of the darkened room. In front of him stands two men - one holding a bright light on him, the other interrogates him.) Interrogator: I'm going to make this really simple. Who are you working with? Ernie Menlo: I'm, uh, unemployed at the moment. Interrogator: You got any idea what we did to chumps like you back in the day? Ernie Menlo: (swallows and tugs at his collar) Uh, no. Look, could you put the A.C. on in here or somethin'? That, or just, uh, let me go. I mean, you can't keep me in here. It's against the law. Interrogator: There's no law in this room. (He looks at both his interrogators.) Ernie Menlo: (scared) You can't touch me. [SCENE_BREAK] [EXT. NEON GRAVEYARD -- NIGHT] (Camera swoops down to show ERNIE MENLO'S dead body at the base of the "W" in the WHISKEYTOWN letter sign.) [EXT. NEON GRAVEYARD - NIGHT - LATER] (BRASS, GRISSOM and CATHERINE stand around the body.) Brass: Two shots to the back of the head. Double tap. (GRISSOM shines his flashlight on the wound at the back of the victim's neck.) Grissom: He's wearing a wig and a fat suit. It's not Halloween, is it? Catherine: In this town, it's always Halloween. (BRASS picks up the NEVADA DRIVER'S LICENSE. It reads: MENLO, ERNIE 2974 WESTFALL AVE LAS VEGAS,
SUMMARY: | Two young men are found murdered after scamming Sam Braun's casinos. Because of her relationship with Braun, Grissom refuses to allow Catherine to participate in the case, leaving the rest of the team to solve the mystery. One of the suspects is the son of a man who was black-listed for cheating years ago in Sam Braun's casinos. Sara finds out that Grissom recommended Nick for the promotion that she wanted. |
fd_Buffy_the_Vampire_Slayer_03x12 | fd_Buffy_the_Vampire_Slayer_03x12_0 | TEXT: Prologue: Angel's mansion. The lights are low. The logs in the fireplace are burning steadily. Candles are lit throughout the room. The camera pans across a blanket upon which are the remains of a cozy picnic dinner. Suddenly Buffy hits the floor in front of the fireplace hard on her back. She has her right knee pulled up to her chest. Angel crouches over her, holding himself up with his arms and grinning down at her. She uses her leg to throw Angel over her head. He flips backward and lands flat on his back. Buffy does a kick-up, bringing her up to a standing position, and spins around to face Angel as he gets to his feet. He hesitates for a moment before lunging at her with a wide punch that she easily ducks. She comes up behind him, and he turns around to face her. He tries a left-hand punch, but she inner form blocks it and flies into a half-spinning in-to-out crescent kick. Angel ducks it, but gets knocked off his feet when Buffy keeps on spinning downwards with a back leg sweep, sending him to the floor. She scrambles to grab a baguette from the blanket and rolls toward Angel. She comes up straddling him at the waist and plunges the long, thin loaf at his chest, stopping just short of penetration. Buffy: Gotcha! Angel: (defeated) Uhh! Right in the heart. Buffy: (smiling) Satisfied? Angel: I'm not sure that's the word. Buffy: (taken aback) Okay. She sets aside the baguette, stands up and takes a few steps away. Buffy: I didn't mean'satisfied' like... He grabs the baguette and gets up also. Angel: No, I, I wasn't trying to... Buffy: (awkwardly) 'Cause we're not having satisfaction in the personal sense. Angel: Of course. (exhales) Buffy: (smiles) I should go. (walks past him) Giles is... Angel: (turns
SUMMARY: | Giles secretly prepares Buffy for the Cruciamentum, an ordeal the Watchers' Council requires every Slayer endure on her eighteenth birthday. Giles helps Buffy, thereby affecting his job as a watcher. |
fd_Degrassi_Next_Generation_06x13 | fd_Degrassi_Next_Generation_06x13_0 | TEXT: In the gymnasium (The Spirit Squad is practicing their routine.) Manny: Way to stick it guys. Darcy: I love you Manny. You are a miracle worker. Well so to speak. Manny: Miracle, schmiracle. Hard work plus Degrassi spirit equals first time ever metro finals. Chante: With only one team in our way. Manny: Sucks to be them. Go Degrassi! (They all cheer and start to leave as Emma walks over to Manny.) Emma: Hey guys. Wow are all non-cheerleaders invisible? Manny: They're just excited. Going to finals is like scaling Everest with pom-poms. Just imagine if we actually win. It will be a Degrassi first. Emma: If you win it'll be without JT. Manny: If we win we'll make Degrassi feel better. It's our job. Emma: Yeah. You're right I guess. I'm just not myself since...you know. Let's get lattes and hang out. Manny: I'm kind of meeting someone Em. Emma: Let me guess, Damien your new fancy boy from the enemy school? Mrs. Santos: Manuella? Manny: Mom can you give me a sec? Emma: What's she doing here? Manny: She's just here to talk. Don't be mad Em, but I think it's time for me to go home. (Manny walks over to her mom and they hug while Emma watches them disappointed.) At Emma's house, Manny is packing her stuff Emma: Hey that's mine! Manny: Really? I wore it all summer. Emma: With my strappy sandals, I know. Manny: And I thought you wanted me to stay. Emma: I do. I can't believe you're leaving, especially now! My parents are freaked, our house is the center of a murder investigation. Manny: Maybe that's why my parents want me back home. Emma: Do you miss your dad's tirades? Manny: Mom says he's willing to hang up the dictator cap, try anyway. Emma: What about the curfews and
SUMMARY: | Emma causes a riot between Degrassi and Lakehurst when she feels that J.T.'s death is being glossed over, while not knowing how to tell Manny that she doesn't want her to move back home. Meanwhile, Marco thinks Dylan is cheating on him again. |
fd_Frasier_09x19 | fd_Frasier_09x19_0 | TEXT: ACT ONE BRYCE ACADEMY APRIL 3RD, 1967 3 P.M. Scene One - School Science Lab - 35 Years Ago The science room is empty. Two towheaded boys, Frasier and Niles, stick their heads in. Frasier: There he is, Niles. That's our Yorick. The camera pans up to show a small human skull sitting on top of a cabinet. Niles: He's perfect, Frasier! The missing link to our backyard production of "Hamlet!" Frasier: Exactly what I was thinking. [makes a basket with his hands and leans over] Now get up there. Niles: Why me? Frasier: Because I'm the director, that's why. Niles steps onto Frasier's hands and Frasier boosts him onto the shelf of the cabinet. Frasier: Come on! Just get up there. Niles reaches up and takes down the skull. Niles: [strikes a Shakespearean pose] Alas, poor Yorick. I knew him. Frasier: Knock it off! He bats Niles on the knee, causing him to drop the skull onto Frasier's head, and then onto the floor. Frasier: Ow! [picks up the skull] Niles: Are you okay? Frasier: No! He holds up the skull. The jaw has fallen off and there is a small crack on the surface. Frasier: You cracked my skull! [SCENE_BREAK] Scene Two - Café Nervosa - Present Day Niles and Daphne are sitting at a table, while Frasier orders at the counter. Frasier: [speaking quickly] Yes, may I get a double latte please, one shot of decaf espresso, one shot of regular espresso, with some steamed low-fat milk and some non-fat foam? He looks the barista in the eye, as if daring him. Barista: [staring right back] Sure. As he turns to the machine, Frasier goes to the table. Niles: Well? Frasier: He didn't even blink an eye.
SUMMARY: | The first scene of this episode is a flashback to Frasier and Niles as schoolchildren, stealing a skull from the school science laboratory to use in a production of Hamlet . The Cranes' old family house is up for sale, and Frasier and Niles decide to pay it another visit, wondering if it would be worth purchasing and turning into a bed and breakfast . The owner, Mr Lasskopf, has no memory of them, but Martin remembers that he never returned their security deposit . The brothers soon realise that the house is too small to be a bed and breakfast, but then they remember that there is a memory chest hidden under a loose floorboard, so they return secretly after dark to find it. First, however, they find a human skull, and leap to the conclusion that they have stumbled upon an unsolved murder, involving Mrs Lasskopf. |
fd_The_Office_06x16 | fd_The_Office_06x16_0 | TEXT: Hotel Employee: [on phone] Vancouver Court Hotel, how many I help you? Michael: Hello Vancouver, this is Michael Scott calling from the United States of America! I have a reservation in your fair city from February 12th to the 19th, first week of the Olympics. Hotel Employee: Well, we are looking forward to having you, so, let me just pull up your information here... Michael: Okey doke. Hotel Employee: Um, I don't seem to have it, sir. Michael: What? Dwight: [looking through Michael's email] I'm not seeing anything under "confirmation." Michael: No. Dwight: Could it be under "affirmation?" Cause you have thousands of those. Michael: No. [to hotel employee on phone] We're trying to look it up right now. Dwight: You did get the e-vite to my barbeque! Michael: Um, come on. Dwight: Michael... Hotel Employee: Uh, sir? A lot of people are trying to get last-minute reservations at hotels here for the Olympics, but we've been fully booked for months. Michael: Well, I have been booked for three years, so you should have that. I've always heard that British Columbia is a very nice place, but I am not getting that from this conversation. Dwight: Wait, I got it! Confirmation code[/b]: XV2RDM! Hotel Employee:...Oh, here it is. Yep. Michael: Oh. Dwight: Thank you. Hotel Employee: Uh-huh. Seven nights in our street-view economy single? Michael: That's it! Hotel Employee: Yeah, we changed it since it was a while back. I do apologize. Michael and Dwight: Uh-huh, okay... Hotel Employee: Yeah, how may I help you Mr. Scott? Michael: Alright, I would like to cancel my reservation, please. Hotel Employee: There is a cancellation fee for this, sir. Michael: Okay, put it on my card. [SCENE_BREAK] Michael: Today, Jo Bennett, the CEO from Sabre, is coming to see us here for the first time. She bought us sight unseen, like a mail-order bride
SUMMARY: | The office is eager to welcome Sabre CEO Jo Bennett to Scranton, and are dazzled by her Southern ways. When Jo finds out there are two branch managers, she says either Michael or Jim must go back to being a salesman. Jim surrenders his role as manager when he comes to know about the no cap commission policy, making Michael happy, but then Michael comes to know about it too, making things difficult. Meanwhile, Andy's Valentine's Day plan for Erin backfires when he accidentally gives the card he meant for her to Kelly. |
fd_Queer_As_Folk_02x12 | fd_Queer_As_Folk_02x12_0 | TEXT: [We open with just blue lights and mostly naked, mostly wet men. Wet chests. Flashing lights. A man who looks suspiciously like a woman. Wet. Naked. The only not naked guy in the entire building is Michael.] Michael: You know, it's gonna happen. Ben: What's gonna happen? Michael: That we're gonna go back to your place. Ben: Yeah? Michael: And then I rip off your clothes. Ben: Sounds good, after that? Michael: I rip my opinion like wrestle-mania. Let's just dance the bitching match. I work with my tongue down... Ben: Why? Michael: Why gonna this far? Ben: OK. I say let's get out of here and f*ck. Michael: Well, that's my fantasy anytime. [He looking to Brian] Brian! You're back. How was Miami? Brian: It rained every day and I never left the hotel. Ben: Uh, that White Party was a real success. Brian: [to Ben] Not as good as the one a couple of years ago. Ben: Yeah. Michael: You two are at the White Party together? Brian: A long time before Pittsburgh. Ben: Yeah, I was there to a research for a paper. "The Influrences of Tribal Ritual On Queer Cultures Yet." Michael: C'mon, do you want talk or dance? Ben: Let's dance. [Justin follows Brian over to the bar wearing a very knowing look.] Brian: What? Justin: You f*cked him, didn't you? Brian: Who? Justin: Who do you think? Ben. Brian: Where did you that idea? Justin: He's only, like, the hottest guy I've ever seen. How many times did you f*ck him? I want numbers and positions. Brian: Once...twice. Justin: I'm getting hard just thinking about it. How come you haven't told Michael? Brian: It's the first rule of Gay Etiquette is never talk about your past f*cks. Especially when your past f*ck is your best friends current f*ck. [Justin just nods.
SUMMARY: | Michael has trouble dealing with the news that his new boyfriend Ben once slept with his best friend Brian. Debbie needs to do something about the dead boy found behind her diner. She impresses Detective Horvath with her sleuthing. Ted gets a shot at being accepted by the elite A-Gays of Pittsburgh. |
fd_Merlin_04x13 | fd_Merlin_04x13_0 | TEXT: Woods (Night) Southrons chase Arthur's party through the woods. Tristan supports Isolde as they go. Arthur's party approaches the mouth of cave tunnels. Merlin: I'll cover our tracks, you keep going! Merlin turns away from the others as they head into the caves. Merlin: *O drakon, fthengomai au se kalon; su katerkheo deuro.* Merlin sees the Southrons approaching and Kilgharrah isn't arriving, so he heads for the caves. Agravaine hears the dragon's roar and looks up. Kilgharrah swoops down on them. Agravaine: Take cover! Kilgharrah flame roasts most of the Southrons as Agravaine tries to run [SCENE_BREAK] Moutain tunnels Merlin catches up to the others in the cave. Arthur: Did you lose them? Merlin: We're safe. Arthur: You sure? Merlin: Do I look like an idiot? Arthur: Yes. Merlin: He doesn't change, does it? Arthur: Which way now? Merlin looks around uncertainly. Arthur: I thought you said you grew up in these tunnels. Merlin: I did. It could be that way. Arthur: Or it could be that way. Merlin: Yes. Arthur: That's very reassuring. [SCENE_BREAK] Woods Agravaine and a few of his men come out of hiding to look out over the field of crispy Southrons. Kilgharrah roars again and comes back for another pass. Agravaine: Run! Agravaine and the remaining Southrons run into the mountain tunnels, followed by a stream of fire. They escape unscathed. [SCENE_BREAK] Mountain tunnels Arthur and Merlin lead their party through the caves. Tristan: So you know Arthur? Gwen: I was a servant in Camelot. Tristan: To Arthur? Gwen: No. Tristan: So why are you here? Gwen: He's my king. Tristan: I can't say I've detected many kingly qualities so far. Arthur is upset as
SUMMARY: | Helios and Morgana have successfully captured Camelot, while Merlin, Arthur, Gwen, Tristan and Isolde are outlawed and on the run. To prove that Arthur is the rightful heir to the throne, Merlin makes Arthur draw an ancient sword out of a stone. Finding his courage, Arthur strikes Camelot and overthrows Morgana. Arthur takes his crown back and marries Gwen, who finally becomes Queen of Camelot. Wounded and banished, Morgana almost dies, but at the very end, the little dragon Aithusa heals Morgana before flying away. |
fd_Downton_Abbey_02x08 | fd_Downton_Abbey_02x08_0 | TEXT: [OPENING CREDITS] [SCENE_BREAK] [INT. GREAT HALL - DAY] Cora: We can put the presents in the drawing room against the window. Mrs Hughes: Very good, milady. [Mrs Hughes leaves to take care of it.] Isobel: I suppose we do have to display all the presents. It can look rather greedy. Lavinia: I can't bear the disruption we seem to have brought down on your heads. Cora: Don't be silly. [Matthew enters and Mary and Lavinia go to him.] Lady Mary: How are you feeling? Matthew: Just wish I could get rid of this damn stick. Sorry. Lady Mary: Don't be. If anyone has a right to swear, it's you. Cora: Don't bully yourself. Think of where we were a few months ago and smile. Lady Mary: I quite agree. Matthew: I want to make it up and down that isle without assistance. Lavinia: Up, yes. You'll have me to lean on when you're coming down. Lady Mary: And you still have three full days of practice, so never say die. Isobel: My goodness, is that the time? I must be getting back. Lavinia: I'll go with you. Matthew: She's just sucking up, Mother. Lavinia: Any bride who doesn't suck up to her husband's mother is a fool. [Isobel chuckles and they exit arm in arm. Matthew smiles after them.] [SCENE_BREAK] [INT. MR CARSON'S OFFICE - DAY] [SCENE_BREAK] [Mrs Hughes knocks and enters.] Mrs Hughes: Can I bother you? Mrs Bryant has written a letter I did not expect. [Mrs Hughes hands it to Mr Carson.] Mrs Hughes: She says her husband wants to see the baby. They both do. Mr Carson: Isn't that what you hoped? Mrs Hughes: Yes and no. Remember what he was like the last time. I don't want to build up Ethel'
SUMMARY: | April 1919. Preparations are under way for Matthew and Lavinia's wedding. Lady Grantham, Carson, and Lavinia are taken ill by the Spanish flu . Matthew and Mary acknowledge that they cannot marry as it would be cruel to Lavinia. Lavinia overhears them and sees them kiss. Ethel is surprised when Major Bryant's parents want to see her but is horrified when she learns that Mr Bryant offers to take custody of the baby and tells her that she will not be allowed to see him. Lord Grantham and Jane have an encounter but are interrupted and Jane decides to leave. Anna and Bates marry in secret. Cora becomes seriously ill. Lavinia succumbs to the flu and dies. Matthew tells Mary that any relationship between them is now impossible. Lord Grantham reluctantly gives his blessing for Lady Sybil and Thomas Branson to marry. Bates is arrested for the murder of his late wife. |
fd_FRIENDS_07x06 | fd_FRIENDS_07x06_0 | TEXT: [Scene: A Restaurant, Phoebe, Rachel, and Monica are having brunch.] Monica: Okay, the reason why I asked you guys out to brunch today is because I have been doing some thinking about who should be my maid of honor. Rachel: Oh my God! This is it! (She and Phoebe hold hands.) (To Phoebe) I really hope it's you! Phoebe: I hope it's you. Rachel: Me too! Monica: First of all um, I love you both so much and you're both so important to me... Rachel: Okay, bla-bla-bla-bla!! Who is it?! Monica: Well umm, I was thinking that maybe we could come up with a system where we trade off being maid of honor for each other. Like hypothetically, if Phoebe were mine... Phoebe: Yes!!! Oh!! Rachel: Hypothetically! Phoebe: Still. Monica: If Phoebe were my maid of honor... Rachel: Uh-hmm. Monica: Rachel would be Phoebe's, I would be Rachel's, that way we all get to do it once and no one would get upset. Rachel: Yeah that's actually a pretty good idea. Phoebe: Yeah, I'll do that. So who gets to be yours? Monica: (laughs) Well that's the best part. Umm, you guys get to decide! Phoebe: Wh-why is that the best part? Monica: Because then I don't have to! Rachel: Well of course we will help you decide! We will do anything we can to help you! Now, I would like to make a toast, to the future Mrs. Chandler Bing (A woman at the table behind them overhears Chandler's name and starts listening closer), my best friend, and truly one of the nicest people that... Monica: I'm really not deciding! Rachel: Fine! (The woman gets up and walks over to their table.) Woman: Excuse me, I-I couldn't help overhearing, you're marrying Chandler Bing? Monica: Yeah that's right. Woman: (sarcast
SUMMARY: | Joey and Ross accidentally take a nap together and, much to their dismay, find that they like it. Phoebe and Rachel compete to be Monica's maid of honor. Meanwhile, Chandler's breakup with a past girlfriend because she was overweight places Monica in doubt about him being committed to their relationship. |
fd_Doctor_Who_1963_03x06 | fd_Doctor_Who_1963_03x06_0 | TEXT: 5:50pm - 6:15pm [SCENE_BREAK] 1: EXT. PLAIN (A dry, dusty and sunlit plain; a warrior dressed in ancient armour runs in from the distance. He is called out to by another warrior...) HECTOR: Achilles! (This warrior is the larger of the two and wears studded leather armour and wields a huge sword; his helmet is in the shape of a plumed horse's head. He draws his sword. The other man, ACHILLES, is less strong but fleet of foot, and goads his pursuer...) ACHILLES: Over here, stable keeper! Barbarian horse worshipper! HECTOR: (Sneering.) Out of breath so soon, my light-foot princeling? Your friend Patrocolus fled me further, and made better sport! ACHILLES: (Angrily.) Murderer! Patrocolus was a boy. HECTOR: A boy? Well he died like a dog, whimpering after his master Achilles! Ha! Let me send you to him where he waits in Hades. Let me throw the dog a bone or two! (ACHILLES is goaded and they have a clash of swords but HECTOR is easily able to parry his opponent's thrust and the Greek jumps back.) HECTOR: What? So anxious to be gone? I would not keep you for the world! ACHILLES: Your bones would be the meatier, Trojan - though meat a trifle rough at that. Well all's one - they will whiten well enough in the sun! (Enraged, ACHILLES attacks again but the Greek realises that the muscle-bound ape in front of him has a small advantage in a straight fight. He turns and runs out of reach again. HECTOR calls after him as he tries to keep up.) HECTOR: Run, Achilles! Run! Run a little more, before you die! (The two running figures are tiny specks in the vast plain.) [SCENE_BREAK] 2: INT. TARDIS. CON
SUMMARY: | Missing episode When the TARDIS arrives on the plains of Asia Minor not far from the besieged city of Troy, the Doctor is hailed by Achilles as the mighty godZeus and taken to the Greek camp. He meets Agamemnon and Odysseus. Forced to admit he is a mere mortal - albeit a traveller in space and time - he is given two days to devise a scheme to capture Troy. Steven and Vicki, meanwhile, have been taken prisoner by the Trojans. Vicki, believed to possess supernatural powers, is given two days to banish the Greeks to prove she is not a spy. |
fd_Angel_01x18 | fd_Angel_01x18_0 | TEXT: Dennis' face bulges through the wall. Wilson: "Who are you talking to?" Cordy: "My ghost. I-I have a ghost." Lindsey offering his business card to Angel in Russell's office. Lindsey: "Should you continue to harass our client then we will be forced to bring you into the light of day. I place that I'm told is not all that healthy for you." Russell bursting through the window, screaming. Angel turning away with a smile. Lindsey on the phone: "Seems there is a new player in town." Buffy and Faith pulling out their stakes as they enter the vampire lair in "Bad Girls" Wesley (in the library): "Ah! This is perhaps Faith." Faith: "New Watcher?" Buffy and Giles in unison: "New Watcher." Faith killing the book-demon. Buffy voice over: "Being the Slayer is not the same as being a killer." Faith hitting a police officer as she runs away from Buffy in "This Years Girl" Faith stabbing Finch. Buffy: "You killed a man!" Faith: "I don't care." Faith admiring the knife the Mayor gifted her with in "Choices" Angel: "You can't imagine the price for true evil. - If you can trust us Faith, this can all change." Wesley storming in with a big wooden cross, his flunkies beating Angel up with crowbars. Wesley to Faith: "I'm exercising my authority and removing you to England - where you will accept the judgement of the disciplinary committee." Faith busting out of the truck. Giles voice over: "We have a rogue Slayer on our hands. I can't think of anything more dangerous." Buffy: "I don't she's coming back." Riley: "Guess she's had her fun." Night. Marquez walks up to some guys huddled around a fire burning in a trashcan under a bridge. Marquez: "Yo ese! What the hell you're burning there man? Smells like... Yo, you're hanging in
SUMMARY: | This episode brings Faith to LA. She's still struggling with her darkness and fleeing her life in Sunnydale. After Angel ruins another Wolfram and Hart case, they set out to get rid of him once and for all. And who better to do the job than Faith, a rouge Vampire Slayer? They hire her to kill Angel, unaware that Angel identifies with Faith's pain. Meanwhile, Faith is driven by self-hatred and is careening out of control as she goes after Angel and his friends. |
fd_Charmed_04x06 | fd_Charmed_04x06_0 | TEXT: [Scene: Paige's apartment. Paige and Glen are lying on the bed staring out the window at the stars.] Paige: Once upon a time, there lived a handsome prince who was about to marry a beautiful maiden. But an evil Enchantress with dark powers wanted the Prince for herself, so she could become Queen and rule the entire kingdom. Glen: I hate her. Paige: Really? I always kind of related to her. Glen: Like I said, I love her. Then what happened? Paige: Well, in order to pull off that kind of magic, the evil Enchantress had to wait for a sign that her powers were at their darkest. Glen: A sign? Paige: Mm-hmm. See in the stars. (She points to a pattern in the stars.) See the Prince, his sword, and the three stars that form his crown? Well, once the evil enchantress saw the sign, she locked away the beautiful maiden, and cast a spell on the unsuspecting Prince. "Bring together my Prince and me, let him fall on bended knee. I summon I summon " I can never remember the end of it. Glen: Let me guess. The Prince defeats the evil Enchantress, he married the beautiful maiden, and they lived happily ever after, right? Paige: Nah-mm. Actually, the evil Enchantress bore an heir, killed the Prince, and ruled the kingdom forever. Glen: Well, what kind of fairy tale is that? Paige: It's just one that kinda stayed with me for as long as I can remember. I told you I was a weird kid. Glen: I need to get you out more, Paige. Paige: It'd be easier if you were around more, Glen. Glen: I'm around now. (They kiss.) [Scene: Medieval times. A castle. A guard pushes Lady Julia inside. The evil Enchantress is standing in front of a dark window.] Lady Julia: What is the meaning of this? How dare you summon me. Enchantress: Forgive me for inconveniencing you at this late hour, Lady Julia. (The guard leaves.)
SUMMARY: | Paige's favorite (self-made) childhood fairy tale-which she could never remember being able to recall parts of suddenly becomes real, bringing her face-to-face with her past life as an Evil Enchantress from Medieval times and into the arms of a knight in shining armor. Phoebe and Piper go back in time to vanquish the Evil Enchantress and end up trapped in the Dark Ages , leaving Paige and Leo to rescue them. At the same time, Piper and Phoebe have to periodically fight an electrical demon who is plaguing them, but they need the Power of Three spell to vanquish it. Piper and Phoebe put forward the idea to Paige that she should move into the manor with them. |
fd_FRIENDS_09x18 | fd_FRIENDS_09x18_0 | TEXT: Teleplay: Sherry Bilsing - Graham & Ellen Plummer Story: Brian Buckner & Sebastian Jones [Scene: Central Perk - Chandler, Monica, Phoebe, Ross and Rachel are sitting on the sofas. Joey enters] Joey: Monica, hey, can I borrow the Porsche? Monica: Ok. Joey: Alright! Monica: But ehm...what is it not? Joey: (abashed) A place to entertain my lady friends. Monica: And what else is it not? Joey: (even more abashed) A place to eat spaghetti. Monica: Very good! (Gives him the keys) What do you need it for anyway? Joey: Oh well, the powerball lottery is upto 300 million and they don't sell tickets here in New York, so... Rachel: Oh! So you're driving up to Connecticut? Joey: (hesitates for a moment)Yeah Connecticut...Not West Virginia. Monica: Hey, maybe I'll drive you up there! I'd like to buy some tickets myself! Joey: Uh! Monica: Yeah with Chandler not getting paid, we could really use 300 million dollars. Chandler: Yeah, because if I was at my old job we'd say 300 million? No thank you! Phoebe: Hey will you get me tickets too? Rachel: Yeah me too. oh! I have an idea. Why don't we all pitch in 50 bucks, we'll pool our money together and then if we win, we'll split it! Everyone almost simultaneously except Ross: yeah thats a great idea! Ross: No thanks! Phoebe: You don't wanna win the lottery? Ross: (in a mocking voice)Uh...sure I do, and I also wanna be King of my own country and find out what happened to Amelia Earhart. Chandler: Still on Amelia Earhart? Ross: The woman just vanished! Joey: Seriously, Ross, you don't want in on this? Ross: No! Do you know what your odds are of winning the lottery? I...I mean you have a better chance of being struck by lightning 42 times. Chandler: Yes but there'
SUMMARY: | The gang buys lottery tickets and fight over how to divide them up. Chandler waits for a job offer at the advertising agency, while Rachel and Ross anticipate Emma's first word. Special guest: Phill Lewis |
fd_Doctor_Who_1963_13x06 | fd_Doctor_Who_1963_13x06_0 | TEXT: PLANET OF EVIL BY: LOUIS MARKS Part Two Running time: 22:30 [SCENE_BREAK] PONTI: Nothing. DE HAAN: I heard a scream. PONTI: Who's the guard on this sector? DE HAAN: O'Hara. There's no sign of him. PONTI: Let's get some lights round here. DE HAAN: Right. I'll go and look for him. DOCTOR: All right, Sarah, I think it's gone. Are you all right? What's the matter? SARAH: It's how I felt before, in the jungle. As though I was being drawn from my body. DOCTOR: You've had a very narrow escape. SARAH: What was it? DOCTOR: I'm not sure yet, but I've got a very unpleasant theory. [SCENE_BREAK] SALAMAR: Everything's normal now. VISHINSKY: Something caused that power drain. There was a temperature drop of four degrees. PONTI: Controller! VISHINSKY: Later, Ponti. We have a systems fault. PONTI: I think the base is under attack, Controller. SALAMAR: Under attack? PONTI: We've heard something out there. And O'Hara seems to have disappeared. We need lights. SALAMAR: Better check the prisoners, Vishinsky. [SCENE_BREAK] SALAMAR: As I thought. VISHINSKY: I'll call the crew to alert. [SCENE_BREAK] SARAH: It's as if life was sucked out of him. DOCTOR: Come on. I think we've been missed. [SCENE_BREAK] PONTI: Halt! [SCENE_BREAK] VISHINSKY: With the power drain, the magnetic lock must have failed. SALAMAR: Obviously. But we still don't know what caused it. SALAMAR: What is it? PONTI: Something you should see for yourself, Controller. They've killed O'Hara. [SCENE_BREAK] SALAMAR: They must be recap
SUMMARY: | The Doctor realises that Zeta Minor lies on the boundary between the universes of matter and anti-matter and something on the planet won't let the Morestrans leave. |
fd_Queer_As_Folk_01x14 | fd_Queer_As_Folk_01x14_0 | TEXT: [Brian walks into his office,followed by Cynthia, his assistant.] Brian: I called my travel agent. He booked my in the bestressort in Bahamas. Cynthia: Bahamas? What, is South Beach over? Brian: No, Liberty send me there for our marketingretreat. Cynthia: Oh, so this is all work and no play? Oh, I'lljust crack open the Spartacus guide. Ryder: Hey. You got a minute? Brian: Yeah, we're just planing my trip. Ryder: You're better hold of. I'm sending Darren Chanceinstead. I need you for work home. Cynthia: If you excuse me for a minute? [Cynthia leaves the room. Ryder closes the door behindher] Ryder: This is just the whole harassment thing is over. Brian: Whatever happened to innocent until proven guilty? Ryder: Look, the Liberty Air are very converative. Whatwould happen if they found out that their accountexecutive was involved in a gay s*x scandal? Brian: You mean, they wouldn't mind a straight one? Ryder: I also speak with legal. You're going to be seeinga rep from Human Resources; there's going to be anoutside investigation, followed by a tribunal with animpartial mediator. Brian: When's the hanging? Ryder: If I were you I would get myself a good lawyer. [He solemnly walks out. Cynthia is about to walk back in,but then sees Brian turned to the wall, and thinks betterof it.] [Liberty Diner. Mike shakes hishead.] Michael: I told you not to f*ck him. Brian: Do you ever notice that when your Mom's notserving us, the portions shrink by approximately onethird? I said 'fries'? Plural? Michael: Are you listening to me? Brian: Yeah, I shouldn't have f*cked him. Ted: It's like Mr.Workshafter f*cking me. Michael: Mr.Workshafter is, like, seventy-two. Brian: [to Michael] Do you mind? I was trying to eat. Ted: You
SUMMARY: | Brian is named in the sexual harassment suit and turns to Melanie for legal advice; Emmett starts dating a woman in his continuing attempt to go straight; Michael lies to David about seeing Brian. |
fd_Frasier_08x22 | fd_Frasier_08x22_0 | TEXT: Act 1 Scene 1 - Niles' Bedroom Fade in. Niles and Daphne are in bed, asleep and holding hands. (And before you frantically scroll down: No, this isn't a dream, for you or Niles.) Daphne, frowning a bit in her sleep, rolls first one way then the other, finally throwing her arm across Niles' chest and waking him. Niles ruffles her hair to see if she's awake, then carefully rolls her over onto her back. He pulls the covers back up to her chin - then pulls them back for one last look down her front. A satisfied smile on his face, he settles back down. Daphne rolls away, taking all the covers from him, then rolls again to snuggle against his back. Apparently thinking this is a pleasant enough compromise, Niles again grins and settles back to try and sleep. Daphne flails out with her arm and pushes him off the bed entirely, still asleep. Niles pokes his head back up, wondering what to do. [SCENE_BREAK] Scene 2 - Frasier's Apartment Fade in. Frasier and Kirby are studying at the dining table. Frasier: All right, Kirby, we've got a few minutes before your mother gets here. One last question: In our studies this week, what did we learn about William Henry Harrison? Kirby: Well, I guess I would say that this week we learned that William Henry Harrison was... a great man... who was important...because he was... Frasier: President? Kirby: No. Yes! Yes. Frasier: Good, good. And which president was he? Kirby: Of the United States. Frasier: I mean which number? Kirby looks confused. Frasier: All right, here's a hint: He was elected in eighteen-forty. Kirby: Eighteen. Frasier: No. Kirby: Fortieth? Frasier: Kirby! Did you do any reading this week? Kirby: Sort of. Frasier: What does "sort of" mean? Kirby: No. Frasier: Right. Why
SUMMARY: | Lana has agreed to ensure that Frasier gets a chance with Claire, if he tutors her son Kirby in U.S. History so that he gets a passing grade. Frasier finds Kirby difficult to motivate, until he introduces him to Roz. They come to their own arrangement: Kirby promises to study hard if Frasier can persuade Roz to accompany him to his prom. Roz has already asked Frasier for a particular day off, so she can queue for tickets to a Bruce Springsteen concert, and he has refused. Now, therefore, he offers to get the tickets for her if she will do this for Kirby. |
fd_The_Office_05x10 | fd_The_Office_05x10_0 | TEXT: Oscar: Here are our final actual costs for this year. Michael: Mmm... okay. Oscar: As you can see, we did pretty well, so... Michael: Yes. Yes, I can see... that we did indeed. Why don't you explain this to me like I am an eight-year old. Oscar: Alright, well this is the overall budget for this fiscal year along the x-axis... Michael: Yes. Oscar: Right there. Michael: There's the x-ax...icks. Oscar: You can see clearly on this page that we have a surplus of $4300. Michael: Mmhmm, okay. Oscar: But we have to spend that by the end of the day or it will be deducted from next year's budget. Michael: Why don't you explain this to me like I'm five. Oscar: Your mommy and daddy give you ten dollars to open up a lemonade stand. So you go out and you buy cups and you buy lemons and you buy sugar. And now you find out that it only costs you nine dollars. Michael: Ho-oh! Oscar: So you have an extra dollar. Michael: Yeah. Oscar: So you can give that dollar back to mommy and daddy, but guess what? Next summer... Michael: I'll be six. Oscar: And you ask them for money, they're gonna give you nine dollars. 'Cause that's what they think it costs to run the stand. So what you want to do is spend that dollar on something now, so that your parents think it costs ten dollars to run the lemonade stand. Michael: So the dollar's a surplus. This is a surplus. Oscar: We have to spend that $4300 by the end of the day or it'll be deducted from next year's budget. Michael: [whistles poorly] Whoo. Oscar: We should spend this money on a new copier, which we desperately need. Michael: Okay, break it down in terms of, um... okay, I-I think I'm getting you... [SCENE_BREAK] Michael: Guess what, everybody? Christmas has come early this year. Oscar, very smartly, has discovered an extra $4300 in the budget. Thank you,
SUMMARY: | The office must spend a $4,300 surplus or lose it in next year's budget. Factions break out and court Michael to get what they want-Oscar and Jim want a new photocopier, Pam, Stanley , and others want new chairs. They finally agree on the chairs to prevent Michael from earning a bonus by returning the surplus. Dwight takes Angela and Andy to Schrute Farms to settle wedding plans. In a mock ceremony, Dwight secretly weds Angela. Angered at his deception, she plans to have the wedding annulled. |
fd_CSI__Crime_Scene_Investigation_05x19 | fd_CSI__Crime_Scene_Investigation_05x19_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY INTERSECTION (STOCK) -- NIGHT] (Time Lapse Fast Forward. Focus on the street intersection below. The cars zoom quickly, their lights simple streaks of light on the street. In the center of the screen is the back of the Statue of Liberty.) [EXT. TACO STAND - NIGHT] (A young man makes a purchase and takes his tacos with him as he leaves. A woman nearby giggles.) (The young man heads for his car, gets inside and starts the engine.) (The headlights flip open.) (The car moves forward and pulls out of the parked area.) (Inside the car, the young man takes a bite from his taco. He grabs the steering wheel and turns his car out onto the main road.) (He drives away while eating his taco. He takes another bite, looks up when bright lights shine straight toward him. He slams on the car breaks.) (The car screeches to a halt as a large Hummer heads straight for his car.) (The Hummer doesn't stop and rolls right over his car.) (The windshield glass breaks. The man grunts as he's thrown side-to-side. He squishes his taco into the side window.) FLASH TO: [EXT. STREET - NIGHT] (The officers lift the crime scene tape as Grissom ducks under it. He walks past Officer Metcalf, who drops the tape behind him, a large taco clutched in his other hand.) Officer Metcalf: This is the best taco I ever had. Grissom: I'm happy for you both. (Grissom heads toward Brass, who turns around and appears surprised to see Grissom there.) Brass: What, did you piss off Ecklie again? This is a hit-and-run. I was expecting Greg Sanders. Grissom: We're slammed. Everybody's on a case. (Grissom puts his kit down on the road near the car
SUMMARY: | It's a busy night in the lab as the CSIs investigate four cases: A hit and run involving a stolen Hummer , the murder of a Convention Girl, the death of a body builder and the death of a boy found on a bench. |
fd_Degrassi_Next_Generation_05x15 | fd_Degrassi_Next_Generation_05x15_0 | TEXT: At Emma's house Spike: You guys are on your own for breakfast. Emma: And lunch and supper and every meal after that. Spike: We count on you Em. I count on you. Emma: And what a super job I'm doing. Spike: You are. Look I gotta go or I'll be late getting Jack to daycare. Emma: Snake called again. Spike: How nice for him. (Spike leaves and Manny walks upstairs.) Manny: I am so fat! Emma: Don't even talk about fat. I'm the fat one in this house. All this fast food, no wonder I've gained all this weight. Manny: Tell me about it. I have a meeting with Bernice Fein on Friday and I can't even fit into my lucky jeans! Emma: 'Dump the lumps' Bernice Fein, as in the agent from hell? Manny: If she's Satan, then that explains why she's best agent in town. She called because she saw me in the Kevin Smith movie. Wants to audition me again. Crisis down here! (Manny's on the floor trying to get her jeans on.) Emma: Look around you. Crisis is actually an epidemic. Manny: My thighs are an epidemic and they're taking over the world. Emma: We are going to take control. I am going to take control. In Mr. Armstrong's class Emma: Manny! (She shows Manny a chart she made.) Manny: Pie charts? We've done pie charts every year since grade 4. Emma: It's a chore wheel. Manny: Okay does it have laundry on it because I'm out of underwear and this commando chafing is killing me! Mr. Armstrong: Not up to your usual standard. (Emma looks at the test and it has a big C on it.) Emma: Okay Manny you are on laundry. I'm on homework and exercise and grocery shopping and cleaning and mom management. Manny: That should burn a few calories. Emma: I sincerely hope so. Manny: You're a stick and you're insane. At Emma's house Emma: Mom I'm home! Manny: She's working late
SUMMARY: | Emma's life is in complete chaos as she feels she is losing all control. She soon finds her solution when she and Manny go on a strict diet regime, which includes cutting off junk food, exercising, and purging. Meanwhile, tired of living with Joey, Snake makes an attempt to reconcile with Spike. |