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fd_Frasier_05x23 | fd_Frasier_05x23_0 | TEXT: Act 1 Scene 1 - Cafe Nervosa Fade in. A woman (Tricia) is waiting at a table. Frasier comes rushing in. Frasier: Tricia...I am so very sorry. Have you been waiting long? Tricia: Well, let's see: we were supposed to meet at noon and it's now quarter to one. Frasier: Well, I do apologize, it's just that the most extraordinary thing happened. Tricia: Well, at least I'll get a colorful anecdote out of this. What was it? Frasier: My watch stopped. Tricia: [rising] I gotta go. Frasier: No, no, no, no. That really is extraordinary. You see, it's a very fine Swiss timepiece, it only loses a minute per decade. Tricia: And you've had it for what? Four hundred and fifty years? I'm sorry Frasier, I have an appointment at one. Frasier: No, no, no, please, please, let me have another chance. I so enjoyed meeting you last night, I'd love to get to know you better. Tricia: Well, I suppose even Swiss watches sometimes stop. Frasier: You'd be amazed how much fondue gets overcooked that way. [They laugh.] Listen, how about lunch tomorrow? I know the maitre d' over at the Le Petite Bistro, he'll give us the best table in the house. Please? Tricia: Well, OK. I'll meet you there at one. That's when the little hand is on the one... Frasier: Yes, yes, I know, I know. [as she leaves] See you then. Niles walks over with his coffee cup and dusts off the seat. Niles: Frasier. Frasier: Oh, Niles. Niles: Thank god you have room. I just spent ten stupefying minutes sharing a table with a taxidermist. I swear, he doesn't have to stuff his trophies, he can just bore them stiff. Who was that woman? Frasier: Actually, a young woman I met during intermission at the
SUMMARY: | Frasier arrives 45 minutes late for a meeting at Café Nervosa with Tricia, a young woman he met at the opera. He grovels and suggests lunch the next day at Le Petit Bistro, and she agrees before dashing off. The next day, his car breaks down and he misses the second date with Tricia, but leaves an apologetic message offering any other time if she will only give him one more chance. She calls and says she is leaving town that evening for Spokane . While trying to see her before she leaves town, Frasier has many things get in his way, including a surprise party for his birthday thrown by Martin and Daphne. He finally meets Tricia outside her apartment and offers to drive her to Spokane, but is dismayed to find that she is a member of a cult. |
fd_Gilmore_Girls_03x19 | fd_Gilmore_Girls_03x19_0 | TEXT: 3.19 - Keg! Max! OPEN AT LORELAI'S HOUSE [Lorelai and Rory are sitting on the couch] LORELAI: Oh, I know! How about...no. RORY: No, no, you can't keep doing that. You can't just start a thought and then say no. Finish them or don't start them at all. LORELAI: You're very totalitarian today. RORY: No, it just drives me crazy. It's like if you do "shave and a haircut" without the last part, you know? LORELAI: Come on, do it. RORY: Will you stop giving me half-finished thoughts? LORELAI: I promise. Come on, do it. RORY: Two bits. LORELAI: Thank you. RORY: Now what were you thinking? LORELAI: Pizza and TV. RORY: That's our fallback. LORELAI: That's why I said not, I remembered it was our fallback. RORY: When did we become so old and pathetic? LORELAI: Hey, hey, we're neither. We're momentarily stuck on what to do tonight. RORY: It's a Friday night. We should be out, I don't know, partying with the homies. LORELAI: Our Stars Hollow homies are all in bed by now. RORY: Not Kirk. He'll be playing video trivia at the pizza place. We could go and watch. LORELAI: Okay, we're old and pathetic. How did it come to this? RORY: Well, it's our first Friday night that we haven't had to go to Grandma and Grandpa's for dinner. LORELAI: I cannot for the life of me remember what we did before we started doing those. RORY: It feels like a million years ago. [Rory walks over to get the phone] LORELAI: Ooh, who are you calling? RORY: It just feels weird for me not even to say hello to them on a Friday night. LORELA
SUMMARY: | On their first free Friday night, Lorelai and Rory are at a loss over how to spend the evening, while Emily and Richard cavort at the party they're hosting; Lorelai is appointed Grad Night Treasurer and runs into a playing-it-cool Max at her first Chilton Booster Club meeting; Lane's band gets their first gig at a party and rocks the house, but Dave rocks Lane's world when he flips out after discovering that Young Chui is in love with her; a despondent Lane indulges in a little too much beer, and then drunkenly calls her mother and confesses all; when staff cutbacks at the Inn force Lorelai to do turn-down service, she becomes very unsettled at seeing a cozy Luke and Nicole in the room she's offered as thanks for Luke's help with repairs after the fire; Jess's inability to tell Rory that his frequent absences have caused him to flunk out of school and miss graduation and the prom prompts an argument between Jess and Rory, and then a full-blown brawl with Dean after Dean comes upon a tearful and distraught Rory. |
fd_Angel_02x07 | fd_Angel_02x07_0 | TEXT: [PREVIOUSLY_ON] Angel re: Darla: "That's her!" Angel: "So you're what Wolfram and Hart brought back in that box - and they brought you back as human." Lindsey to Darla: "We don't want him dead - we want him dark." Wesley to Gunn: "There are forces that can make Angel revert to Angelus." Cordy: "He knows perfect happiness, he goes evil." Darla to Angel: "We were together 150 years!" Angelus spotting Dru: "The one in the middle." Darla: "She has the sight." Angelus: "She is pure innocence. We turn her into one of us." Darla to Angel: "The gypsies gave you a soul - a filthy soul! No!" Darla in the water tank: "I remember everything, Angel" Angel: "You have a soul now. Pretty soon those memories are gonna start eating away at you. Believe me, I know." Angel is sitting alone in his room sketching a portrait of Darla. Wesley hesitantly steps up to the open door behind Angel and looks in. Angel without looking up from his sketch: "What is it, Wesley?" Wesley: "It? - There is no it. - It's nothing, really. - Just popping around, seeing if everything's all right." Angel, still sketching: "Fine." Wesley: "Oh, good. Good. - You're certain?" Angel: "Uh-huh. Good night." Wesley: "Good night." Angel: "You're still here." Wesley hesitantly comes into the room: "Apparently. So, you're sure there is - nothing on your mind? - That is to say nothing you'd like to - perhaps (sees what Angel is drawing) - share?" Angel looks up at him for a moment: "No." Wesley: "Really." Angel looks up at him, then at what Wesley is looking at. The floor of the room is littered with papers, some crumpled up, others not, showing earlier attempts at drawing Darla. Darla is sitting slumped in
SUMMARY: | Angel continues to search for Darla. A series of flashbacks shows Darla life and unlife; from her first death in 1609, to her relationship with Angelus, to their breakup during the Boxer Rebellion. Her newly restored humanity weighing on her, Darla finally reaches an important decision that horrifies Angel. |
fd_One_Tree_Hill_02x23 | fd_One_Tree_Hill_02x23_0 | TEXT: [INT. ROE RESIDENCE - LIVING ROOM - EVENING] (Lucas is holding the annulment papers and looking down at it. He flips it over and throws it aside roughly. He takes out Haley's assignment and throws at aside too. Lastly, he takes out his HCM pills and takes one out. He only has one left in the tub. He puts the cap back on and puts it into the bag.) (He takes one pill while downing water from his bottle.) [SCENE_BREAK] [INT. ROE RESIDENCE - BROOKE'S BEDROOM - EVENING] (There's a knock on the door and it opens to Brooke at the bed, putting her clothes into a bag. She looks at the doorway and sees Lucas enter.) LUCAS: Hey. (He crosses his arms and leans against the doorframe, sighing.) LUCAS: Need some help? BROOKE: Nah. I figure if I leave all my stuff here, my parents are gonna have to let me come back for senior year. (Smiles and puts some more stuff into her bag.) LUCAS: (Strained) Look, are we ever... gonna talk about Peyton? And the stuff you found? BROOKE: (Evasively) It's not a big deal. (Lucas looks away and shakes his head.) Actually, I was... kinda relieved. LUCAS: (Confused) Relieved? BROOKE: I thought you might be into me. (Shrugs) And... that would've ruined everything because we've become friends... and that's exactly what I needed. (Pause) And... it's exactly what I want. (Smiles and nods.) LUCAS: (Quickly) But you seemed... upset... that I held onto all that stuff; you still do. BROOKE: Finding that stuff was kind of like... evidence. (Lucas looks down sadly.) Reminded me of what happened... and how it happened. (Pause) And I guess my heart just
SUMMARY: | In the second part of the two-hour season finale, things heat up between Lucas and Brooke when he finally tells her the way he feels. Peyton has a surprising visitor. Karen decides to spend the summer holiday in New Zealand. At the climax of Dan's numerous deceptions, someone sets the dealership on fire while he is still inside. And Haley returns home. This episode is named after a song by The Veils . |
fd_FRIENDS_04x19 | fd_FRIENDS_04x19_0 | TEXT: [Scene: Rachel's bedroom; Rachel is awoken by a man singing in the next apartment.] The Singing Man: (singing, duh) Morning's here! Sunshine is here! The sky is clear, the morning's here! The morning's here! Rachel: HEY!! Do you have to do that? It's Saturday! The Singing Man: Oh come on! Morning's here! (Starts singing) Morning's here! The morning is here! Sunshine is here! (Rachel slams shut her window and storms into the living room, where Joey and Monica are eating breakfast.) Rachel: I hate this apartment! I hate the color of these walls! I hate the fact that this place still smells like bird! I hate that singing guy! Joey: Are you kidding? I love that guy! (Starts singing) Morning's here! Morning is here- Rachel: Stop it! I will kill you. I hate the fact that my room is so small. Monica: Hey, I have all the space I need. Just do what I did. Rachel: Monica, you don't even have a bed, you sleep in a ball on the floor! Monica: Y'know what? I am really tired of your bellyaching! Okay, I-I worked really hard at making this a nice place for us to live! Rachel: I'm sorry. I'm so sorry. Monica: Okay. Joey: See, this is a great apartment. Monica: Shut up! This place is a hole! OPENING CREDITS [Scene: Ross's bedroom; Ross and Emily are making out. Ross as a new feature.] Emily: Oh, blimey, I still can't believe you've got an earring! (Yep, it's a little gold loop.) Ross: Huh? I know, I know. Who am I? David Bowe? (Shakes his head around, pretending like he's jamming.) Emily: He does that?! Ross: Uh, I don't know, whatever. Emily: I think it makes you look really dangerous. Ross: Oh, I know.
SUMMARY: | Monica and Rachel make desperate attempts to win their apartment back from Joey and Chandler, including bribing them with Knicks tickets and challenging them to another game. The girls lose the tickets and the game, but are ultimately triumphant in getting their place back with Phoebe's help. Ross is disheartened with Emily returning to London again, so they spontaneously decide to get married. |
fd_FRIENDS_06x24 | fd_FRIENDS_06x24_0 | TEXT: [Scene: Monica, Chandler, and Phoebe's, Chandler is showing Ross, Rachel, Joey, and Phoebe his engagement ring again.] Ross: God that is the most beautiful engagement ring ever! Rachel: Yeah? Well, you should know. You've bought like a billion of 'em. Ross: Yeah, you didn't get one. Chandler: Okay, well tonight's the big night. Phoebe: Yeah! Joey: Okay listen, how are you gonna ask her? Chandler: It is going to be perfect. I am taking her to her favorite restaurant. I'm going to get her a bottle of the champagne that she really loves; therefore knows how expensive it is. Then when the glasses are full, instead of proposing a toast I'm just gonna propose. Rachel: Ohh... Joey: That sounds perfect! Chandler: Yeah. Joey: You're gonna mess it up let me do it. Chandler: I'm not gonna mess it up. Phoebe: If she says no, can I have the ring? Chandler: She's not gonna say no. Phoebe: If! Monica: (entering) Hey! Ross: Hey! (Monica's entrance makes Phoebe try to hide the ring by putting it in her mouth.) Chandler: Hey! Phoebe: (with her mouthful) Hi Monica. (Monica goes into her room.) Chandler: (To Phoebe) Give me it! Phoebe: It's gone. Chandler: Phoebe! (She takes it out of her mouth and hands it to him as Monica returns from her room and this time forcing Chandler to put the ring in his mouth.) Joey: Hey! Chandler: (with his mouthful) Hi Monica. (She goes into the bathroom.) Phoebe: (To Chandler) We're practically kissing. (Makes a kissy face and winks at him.) Opening Credits [Scene: Central Perk, Monica, Chandler, Phoebe, and Joey are there as Rachel enters.] Rachel: (entering) Hey! Chandler: Hey! Joey: Hey R
SUMMARY: | Chandler is about to propose to Monica at a fancy restaurant when Richard suddenly appears with a date and joins them. Wanting his proposal to be a surprise at just the right time, Chandler then pretends he has no interest in marriage. Meanwhile, Ross breaks up with Elizabeth, feeling she is too immature for him. He almost reconsiders until she starts throwing water balloons at him. Joey accidentally buys a sailboat at a silent auction, thinking he won it in a contest. He decides to keep the boat. Richard tells Chandler he wants to marry Monica and have children with her. Chandler has made Monica believe he is uninterested in marriage so she reconsiders their relationship. It appears Monica has left him but she surprises him with her own proposal. She starts but becomes emotional so Chandler finishes. The season ends with Chandler and Monica dancing to "Wonderful Tonight" by Eric Clapton and the screen fades to black. Note: This is Tom Selleck 's last appearance as Richard. |
fd_How_I_Met_Your_Mother_06x04 | fd_How_I_Met_Your_Mother_06x04_0 | TEXT: The bar Barney: I cannot stop staring at that girl's face. Ted: Face. Huh. That's your weirdest nickname for boobs yet. Barney: No, Ted, I'm really looking at her face. Lily: Aw... That's actually really sweet. Barney: Puffy cheeks, smudged mascara, slightly red nose... That girl was just crying. She's so sad and defenseless. Anyone have a condom? Everyone: Oh! Oh, God! No, no, no! Lily: That's it! You know what? Five-minute time-out! Corner booth! Now. Marsall: Hey, get this. You know my friend Max from law school? He's at Gregor's Steakhouse downtown, and Woody Allen is sitting two tables over. He wants us to come check it out. Robin: I don't know, it could be cool. I've never seen Woody Allen. Marsall: What?! Robin, how can you be a New Yorker and never have seen Woody Allen? Robin: I have seen plenty of other famous people. Last week I saw... Maury Povich. Ted from 2030: Kids, you know talk show host Maury Povich. It was uncanny how often we saw this guy. Lily: Dude, everyone sees Maury Povich. Marsall: Maury Povich is everywhere. I'm sorry, Robin, but you're not a real New Yorker until you've seen Woody Allen. Robin: I am, too, a real New Yorker. Ted: That's adorable. You're from Canada. Robin: I have been here for almost six years. It's not like I just got off a boat. Lily: A boat! Oh, wait, that is how you say it. Ted: I'd say you're not a real New Yorker until you've stolen a cab from someone who needs it more than you do. Lily: No, you're not a real New Yorker till you've cried on the subway and not given a damn what anyone thinks. Marshall: No, you're not a real New Yorker until you've killed
SUMMARY: | Robin vows to convince the gang she is a "real" New Yorker, despite their teasing to the contrary, since she hails from Canada. When Woody Allen is spotted in a downtown restaurant, Robin and the gang rush to see the quintessential New Yorker. |
fd_Heartland_08x16 | fd_Heartland_08x16_0 | TEXT: Lou: Previously on "Heartland"... Olivia: Nice, huh? My dad just got him for me. His name is Winner, and that's just what I intend on doing. There's no chance that you're still seeing Cassandra, right? Caleb. Caleb! Jack: The real reason you're going to Moose Jaw is so you can screw up Miranda's wedding? Well, I have to say congratulations! (Struggling grunts, keys jingle) Tim: Give me-ah, hey! (Jack grunts) Lou: It's over, Amy. Peter and I, we've... We've decided to separate. (Door bangs shut) (Footsteps crunch in the snow) Did I tell you how much I missed you? Ty: Well, I missed you, too. I'm glad to hear that Lily's doing so well. Yeah, the program really seems to be helping. But it was hard for me to see her there, but I'm glad I went. Do you think she's gonna make it to the wedding? Well, she's pretty determined to be there. Amy: Speaking of that... Are you sure that you're okay with the venue? I'm happy with it, if you're happy with it. I'd marry you anywhere. Amy: (Laughs and sighs) I wish I could just stay here all day, like this. I honestly can't take much more sleeping on the floor, Lou. My neck is killing me. Lou: Look, you don't have to sleep on the floor. I told you that. Peter: Yeah, I know that's what you said, but you're obviously uncomfortable and I don't wanna... Look, this isn't easy for either of us. But we only have to make it through a few more days. Why can't I just sleep on the couch, maybe, just for tonight? Then what do we tell Georgie when she sees you? Peter: The truth. Lou: Peter, we agreed to wait until the audition's over. I... 'kay. It's just it's getting harder and harder
SUMMARY: | The family strives to support Georgie when Lou and Peter tell her about their separation, and Amy helps Georgie find the strength to deal with the news while training for a trick riding competition. Meanwhile, Ty jumps to Caleb's defense when Jesse calls in Caleb's loan, effectively ruining him. And when Tim enlists Casey to help him cover for Lou at the diner, he discovers that they still have a lot to learn about each other. Georgie makes the trick riding team. |
fd_Charmed_07x19 | fd_Charmed_07x19_0 | TEXT: [Scene: Halliwell Manor. Kitchen] (Leo is on his hands and knees cleaning up the spilled food from under the baby high chair.) (Paige walks into the kitchen.) Paige: Leo, I need your help. Leo: Why, what's the matter? (Leo turns and looks at Paige. He gets to his feet with the mess.) Paige: The Elders have assigned me a charge. Leo: Paige, that's great. (He heads over to the sink.) Paige: No, actually. It's not great. You have to help me get out of this. (He puts the tray and the mess into the sink. He turns to look at Paige.) Leo: You can't get out of it. You're a whitelighter. Paige: I'm also, like, a chick in her twenties who'd like to have a life. I don't have time for this. Leo: You're nervous. (Paige sighs as she puts her head in her hand, resting her elbows on the counter.) Paige: (groans) Oh, I'm just busy. (beat) All right, fine. Maybe I'm a little nervous. (Leo is clearing the table.) Leo: You know what? It used to happen to me all the time before I met my first charge. (Paige straightens and looks at Leo.) It's a good thing. It means you don't want to let him down. Paige: Or maybe I'm just not ready. Leo: Trust me, you're ready. Paige: Yeah? Then... why don't you tell that to my stomach? Because it really hurts right now. Leo: Look, here, try this. (Leo picks up a plate with some toast on it. Paige picks up a slice.) Paige: Toast? Leo: Yeah. It helps calm the butterflies. Paige: You've been a Whitelighter for... sixty years, and toast is what you got for it? (Leo starts gathering the various breakfast items off the
SUMMARY: | After a spell is cast on Phoebe by the 'ugliest' demon in the Underworld, beauty-hungry sorceress Imara, their souls switch bodies and Phoebe ends up becoming trapped in a cage. Paige is in quandary when her first charge (Seamus Dever) appears to be lost to the dark side. Then by accident The Charmed Ones vanquish Phoebe's soul. They realize that Imara was in Phoebe's body, so they vanquish Imara (but not Phoebe's body) and get back Phoebe's soul. In the end Phoebe is yelling at her sisters. |
fd_Doctor_Who_1963_10x19 | fd_Doctor_Who_1963_10x19_0 | TEXT: PLANET OF THE DALEKS BY: TERRY NATION 5:50pm - 6:15pm [SCENE_BREAK] 1: EXT. JUNGLE (NIGHT) (VABER struggles in the Spiridon's grasp.) SPIRIDON: Take him to the Daleks... (They lift him to his feet and start to carry both him and the two bombs away.) [SCENE_BREAK] 2: EXT. ANOTHER PART OF THE JUNGLE (NIGHT) (TARON and CODAL follow VABER'S trail. Hearing movement, they hide in the bushes as watch as the procession of the Spiridons and their prisoner passes.) TARON: (Whispers.) They've got Vaber. CODAL: And the bombs! TARON: (Whispers.) We must get them. (They start to follow the group.) [SCENE_BREAK] 3: EXT. PLAIN OF STONES (NIGHT) (The eyes of the animals watching the group at the plain of stones continue to glow in the darkness. The four left behind have lit a fire in the rocks and look out at the circle of watchers.) REBEC: What sort of creatures are they? DOCTOR: I've no idea...but whatever they are, they're moving in closer. REBEC: I'll try a shot at them. (She fires her gun. The end lights up and one of the creatures gives a howl of pain. The eyes disappear.) LATEP: (Delighted.) They've gone. It scared them off. DOCTOR: Yes...but they don't stay scared for long, do they? (The eyes appear in the darkness as the creatures return. REBEC fires again. There is another howl of pain.) LATEP: Let them get in closer. (REBEC looks at her gun.) REBEC: That's the last of my charges! (LATEP looks at his.) LATEP: And I've only two left. (The eyes continue to watch.) [SCENE_BREAK] 4: EXT. JUNGLE (
SUMMARY: | The Doctor and his friends ambush two Daleks as part of their planet to get back into the city but the Daleks are on the verge of unleashing their virus. |
fd_Veronica_Mars_02x02 | fd_Veronica_Mars_02x02_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars... Veronica's welcoming expression as she stands at her door turns into one of concern in 201 Normal Is the Watchword. VERONICA: Logan? Logan, beaten and bloody, turns and falls into her arms. VERONICA: Logan, what happened? Cut to the Coronado Bridge. Logan challenges Weevil. LOGAN: What do you think you can do to me, huh? WEEVIL: I'll think of something. Felix and the other five bikers pull Logan off the edge of the bridge. A little later, Logan is on the ground. He sees Felix's body. VERONICA: [offscreen] Oh my God, Logan. At the Mars residence, Logan looks up at Veronica as he lies on her lap. LOGAN: No, but I didn't stab him, Veronica. VERONICA: I believe you. Logan emerges from the court into an angry crowd. In the car with Veronica, he is shell-shocked. VERONICA VOICEOVER: Logan's high-priced lawyers crushed the PCHers and the town went crazy. Logan and Veronica are interrupted during a make-out session in his car when a gun blast from a motorcycle shatters the windows. Cut to Veronica and Logan, facing each other while sitting on the couch at the Mars apartment. LOGAN: Are you breaking up with me? VERONICA: Someone's gonna get killed, Logan. Logan smashes a lamp and Veronica jerks back in fear and shock. Cut to Neptune High. Logan leans against the bus, mocking Veronica as she waits for Duncan. LOGAN: Ahh, young love. Logan faces Veronica and Duncan by the bus. VERONICA: Let's just get on the bus. LOGAN: Hey, wait, [to Veronica] I'm gonna miss you. Veronica and Duncan, having boarded the bus, watch Logan outside as he waves. VERONICA VOICEOVER: Did I mention that he didn't take the break-up that well? Kendall Casablancas comes into
SUMMARY: | Veronica discovers that Meg is the only survivor from the bus crash, but is in a coma. When the bus driver is blamed for the crash, his daughter Jessie asks Veronica to clear his name. Wallace meets the new rich girl Jackie Cook, and tries to impress her. Woody is running for the position of Balboa County Supervisor, more commonly known as the "Mayor of Neptune". He asks Keith to run for Sheriff, and Keith accepts after seeing Sheriff Lamb's investigation of the bus crash case. Kevin Smith guest stars as Duane Anders. |
fd_CSI__Crime_Scene_Investigation_05x16 | fd_CSI__Crime_Scene_Investigation_05x16_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY LIGHTS (STOCK) - DAY] [EXT. DESERT - DAY] [EXT. RAINBOW CANYON -- WOODS - DAY] (A fly flies into camera frame. The camera follows the fly.) [FLY POV] (The fly flies, then zooms down into the trees. It burrows into some flesh.) (Resume POV. The camera pulls back out of the flesh and we hear the buzzing of flies and see dozens of beetles on the open chest wound of a dead body.) (Camera pulls back and we see the face of the person has been completely blown off.) [TIME LAPSE] (Fast forward time through multiple nights and days. The flesh of the decomposing body melts away.) (Wild animals stop at the body.) (The flesh of the body rapidly melts away from the bone. Bugs and beetles feast on the flesh.) [EXT. RAINBOW CANYON -- WOODS -- DAY] (Close-up: Grissom picks up a single beetle off the decomposing flesh where the head of the victim used to be. He holds it up and looks at it.) Grissom: Hide beetle. (FAR SHOT of Grissom and David Phillips kneeling next to the body. Multiple officers roam the area, possibly securing the scene.) Grissom: This guy's been here at least two weeks. (Grissom picks up a bullet from out of the decomposing flesh where the head of the victim used to be. He looks at it.) Grissom: Number four buckshot, maybe? David Phillips: Well, his pockets are empty. There's no wallet or any other kind of ID. Grissom: What'd be the point of blowing someone's face off if you're going to leave their driver's license? David Phillips: Well, he's all yours. (David Phillips stands up
SUMMARY: | Grissom and his team are looking for a murderer of a man found dead in a hotel room, leading them to a convention for plus-sized people. Catherine and her team investigate the world of sports betting when a man is found dead in the woods. |
fd_Teen_Wolf_03x01 | fd_Teen_Wolf_03x01_0 | TEXT: [PREVIOUSLY_ON] Scott: You can't just go around turning people into werewolves. Derek: I can if they're willing. Allison: Scott, I'm trying to break up with you. Scott: It's okay, because I know we're gonna be together. Derek: It's their symbol, and it means they're coming. Isaac: Who? Peter: An Alpha pack. And they're not coming. They're already here. Braeden: Quiet. Stay with me. We're almost there. Isaac: My neck. Braeden: From their claws. It's how they share memories. Isaac: But I don't remember anything. Braeden: Also how they steal them. Listen to me, no matter what happens you hold on, okay? You hold on tight. Isaac: I hear something. Someone's coming. Faster! Two of them. No! Braeden: Remember what I said before? Isaac: Hold on? Braeden: Hold on! Isaac: Whoa! Braeden: Isaac? Stay with me! Isaac! Isaac! Get down! I thought I told you to hold on. Tattooist: Boy, it's a good thing you drew me a picture. Stiles:Hey, Scott, sure you don't want something like this? Too soon? Yeah. Stiles: I don't know, man, are you sure about this? I mean, these things are pretty permanent, you know? Scott: I'm not changing my mind. Stiles: Okay, but why two bands? Scott: I just like it. Stiles: But don't you think your first tattoo should have some sort of meaning, you know, or something? Scott: Getting a tattoo means something. Stiles: I don't think that's... Tattooist: he's right, tattooing goes back thousands of years. The tahitian word "tatua" means "to leave a mark." Like a rite of passage. Scott: Yeah, you see? He gets it. Stiles: He's covered in tattoos, Scott, literally. Tattooist: Okay, you ready? You ain't got any
SUMMARY: | Isaac is rescued from the Alpha pack by a mystery girl, but has amnesia about where he has been. Jackson has moved to London . Allison and her father have given up werewolf hunting, and Scott has been working on improving himself over the summer. Derek has been searching for Boyd and Erica, who were captured by the Alpha pack. Something eerie is causing the animals of Beacon Hills to go insane, and Dr. Deaton concludes that the animals are killing themselves intentionally. Derek gives Scott the tattoo he has been wanting to get, and explains about the Alpha pack's leader, Deucalion, who is blind but the strongest and most lethal. |
fd_The_Office_07x22 | fd_The_Office_07x22_0 | TEXT: Michael: [sitting on the roof of the office building] Well, I'm moving to Colorado to start my new life with Holly. Just up here, getting used to the altitude. Dwight: [walking up] Michael? Michael: Yes? Dwight: I've got a treat for you! Michael: Ahh, thank you. Like a butler. Dwight: Colorado specialty, Rocky Mountain Oysters. Michael: [Michael takes one and bites] Oh, these do not taste like oysters. Dwight: [angrily] That's because they're Not oysters, they're bull testicles! I cut them off fresh this morning! [Michael spits it out] Hah! Michael: Sick freak! What is wrong with you? Dwight: What is wrong with you? I'm the sick freak? After what you did? You expect to be buttled? You didn't recommend me?! Michael: I don't own Dunder Mifflin, okay? [Dwight scoffs] The job was not mine to give. [sighs] Look, I need your advice on something. I am told that there are bears in the Rockies. Dwight: Where did you hear that? Obvious XM Radio? Michael: Well, I was just thinking that maybe I should keep a salami in my pocket... Dwight: Great idea. Michael:...in order to feed the bears. Dwight: Especially if you think that life would be better without Legs! Michael: How do you mean? Dwight: Black Bears can smell a salami at five miles Michael, what are you thinking?! And they run faster than a horse, so if you were thinking about outrunning one on a horse I would try a cheetah. You, in tight pants, Michael, are a salami to a Black Bear. Do you understand? [Michael nods in agreement] You're like a giant walking salami! Michael: Okay, so no salami in the pants. How about a pepperoni? Dwight: Any kind of meat that you
SUMMARY: | Michael prepares to leave for Colorado with Holly, and spends his last day in the office saying goodbye to everyone individually, wanting no drama to ensue. Meanwhile, new manager Deangelo and Andy try to keep Michael's biggest clients. |
fd_The_O.C._02x15 | fd_The_O.C._02x15_0 | TEXT: Opening scene - The first thing we see is the pool house, it's dark. near the door we can see someones shadow and we hear a few knocks. Seth opens the doors himself Seth: Ryan (looks over and sees Ryan still in bed, covered by the covers) ugh buddy come on (opens the blinds letting light in) look I know your bummed that Lindsay left but you can t live like this alright Seth pulls Ryan s quilt down from the end, Ryan grabs it up the top and doesn t look impressed) Seth: hey, do you remember when Summer was leaving for Italy with Zach you refused (points) ta let me stay bed ridden an depressed Ryan: (sits up on his elbows) no I didn t (sighs) I gave you your space to do what you have to do Seth: true but right now (sits) what I have'ta do is help you so...what can I do, level with me (rubs his hands together) ask an it shall be yours Ryan: (lifts his head) fine, you leaving right now (puts it back down) Seth: ok, anything but that...hey, what about Captain Oats, I ve seen the way you look at him, you say the word an your pool house is his manger Ryan: (getting fed up) Seth (sits up) Seth: speaking of which are you getting like a little bit sick of the pool house because we can actually switch rooms, you can have mine we jus thought you'd like the privacy Ryan: I do like the privacy, I would like some right now actually Seth: what about a nice private booth at our favourite diner huh, cup'a coffee, short stack a little syrup side'a bacon Ryan: (softly) Seth I mean it (closes his eyes) Seth: extra crispy like the man likes it, maybe those nice little sausage patties Ryan: (means it) Seth shut up (Seth looks at Ryan, shocked) Ryan: please (Seth looks hurt) this thing with Lindsay is...different Seth: different how Ryan: different as in...not fixed by pancakes (Seth goes to speak)
SUMMARY: | Lindsay's actions have left Ryan and Caleb confused. Marissa is trying hard to make her new living situation work, but she needs a break and agrees to join Summer, Seth and Ryan at the mall. Julie and Kirsten await the arrival of Carter, the new editor of Newport Living, but Julie is distracted when she's visited by Lance, an opportunistic man from her past. Meanwhile, Sandy and Caleb finally bond over all of their recent experiences. |
fd_Angel_01x17 | fd_Angel_01x17_0 | TEXT: Close-ups of Angel's and Wesley's faces. Angel: "Maybe we can make a break for it." Wesley: "Impossible." Angel: "Front exit?" Wesley: "We'd be spotted instantly." Angel: "Back door?" Wesley: "Blocked." Angel: "That's it then - we're trapped." Wesley: "We might try shouting 'fire.' (Camera pulls back to reveal that they are sitting in an almost empty theater) Not technically a crowed theater." Cut to Cordy on stage, wearing an old-fashioned dress. Cordy: "One day, I might, yes, many years from now - when I've lost my looks a little. Do not laugh." Wesley looking at his watch: "Only another hour." Cordy: "I mean, of course a time will come when Torvald is not - is not - (turns to back of stage) Line!" Prompter: "is not as devoted to me" Wesley: "Perhaps two." Cordy: "What?" Prompter: "is not as devoted to me" Cordy: "Right, right. (turns back around) When Torvald is not as devoted to me (give a dramatic sob then turns her head back towards the prompter)." Angel: "And I thought I knew eternity." Credits Angel and Wesley are walking down the street at night with Cordy between them. Cordy: "So? What did you think?" Angel and Wesley exchange a look. Wesley: "Well, your - projection was excellent." Angel: "Yeah. I could hear every word and we were way in the back." Cordy: "Okay, so I was loud. But was I any good?" Wesley: "You - took the role and made it your own." Cordy: "Really? Thanks. Angel, was I good?" Angel: "I wouldn't say it if I didn't think so." Cordy: "Thanks. - You didn't say it." Angel: "I didn't?" Cordy spots something across the street. Cordy: "I don't believe it
SUMMARY: | When Rebecca, a Hollywood star, is stalked by an obsessed fan, Angel steps in to protect her. Cordy is thrilled to meet a famous actress and even Angel likes Rebecca. She accepts that he's a vampire and really seems interested in getting to know him better. But, it soon becomes clear that the case is more complicated than it seems and Rebecca has a dangerous plan of her own. |
fd_Doctor_Who_1963_01x34 | fd_Doctor_Who_1963_01x34_0 | TEXT: The Sensorites By Peter R. Newman 5:15pm - 5:40pm [SCENE_BREAK] 1, INT: RECEPTION ROOM SUSAN: So you are the senior Elder? FIRST-ELDER: Signified by the twin sash I wear. The Second Elder, my advisor wears one sash. Other important professions wear distinctive markings. IAN: And the ordinary people? FIRST-ELDER: Are contented with their similarity. IAN: Would you mind telling us something about the d... (He breaks off as he suffers a violent coughing fit.) IAN: I beg your pardon, the disease. SUSAN: Yes, could you tell us about it? We might be able to help you. FIRST-ELDER: I intended to. We need help with this calamity, the disease is invisible and resists all our attempts to stamp it out. It affects all manner of people irrespective of their caste. DOCTOR: Yes er, does it affect the Elders? FIRST-ELDER: No. DOCTOR: I wonder why not? FIRST-ELDER: I cannot imagine, we have been... Fortunate? (Ian coughs again.) DOCTOR: Yes it, er, might be a clue. But what I hoped sir, was this ah... that if my friends succeed where your Scientists fail, will you return the lock of my craft? SUSAN: It would be a just return. FIRST-ELDER: Your Granddaughter speaks well. DOCTOR: Yes, she's a fine young woman. (Ian coughs again and the Doctor turns.) DOCTOR: My dear Chesterton, are you alright, mm? (He can only manage a hoarse rasp.) IAN: My throat's burning, I wonder if you could give me some water, Doctor? DOCTOR: Is this a symptom of your disease? (The First Elder nods. Suddenly Ian jumps up making a gurgling sound, knocks the small table to the side and sprawls to the floor. Susan rushes to his side.) SUSAN: Grandfather
SUMMARY: | The Doctor, Ian, Barbara and Susan arrive in the TARDIS on board aspaceship. Their initial concern is for the ship's human crew, who are suffering from telepathic interference from the Sensorites, but Susan communicates with the Sensorites and finds the aliens fear an attack by the humans and are just defending themselves. Travelling to the Sense Sphere (the Sensorites' planet) the Doctor seeks to cure an illness to which the Sensorites and Ian have succumbed, but finds it has been caused by deliberate poisoning. The political manoeuvring of the Sensorite City Administrator poses another threat to the TARDIS crew as he seeks to discredit and implicate them. |
fd_FRIENDS_07x09 | fd_FRIENDS_07x09_0 | TEXT: [Scene: Central Park, Ross is teaching Ben how to ride a bike. Chandler, Monica, and Phoebe are there also.] Ben: (on the bike) I'm ready! Ross: You sure? Ben: Uh-huh! Chandler: Okay, let me just straighten out your helmet there. (Does so.) Ben: (To Chandler) Thanks daddy. Ross: No-no, one daddy, two mommies. All right, it's all yours. (Ross pushes him off.) Chandler: Okay. Okay. Ross: Yes! Yes! Yes!! (Everyone stands and claps.) Phoebe: His first big kid's bike, this is so exciting! Monica: Oh yeah, I remember mine! Ohh, it was my sixth birthday, my dad took me to the park, I got it, and...it bent. Ross: Yeah. Phoebe: I never had a bike of my own. Ross: (shocked) What?! Phoebe: Well, we didn't have a lot of money. But the girl across the street had the best bike! It was pink and it had rainbow colored tassels hanging off the handle grips, and-and-and a bell and this big, white wicker basket with those plastic daisies stuck on. Chandler: That sounds like my first bike. (They all turn and look at him.) My dad gave me his old one. Ross: Ohh. Monica: Did the girl ever let you ride it? Phoebe: No! But she gave me the box that it came in. It had a picture of the bike on the front. (They're all speechless) So I would sit on it and my step-dad would drag me around the backyard. Ross: That is so unfair! Phoebe: Not really, I got to drag him around too! (They all nod, "Oh.") Opening Credits [Scene: Monica, Chandler, and Phoebe's, Monica is cooking, Joey is eating, and Chandler is entering from the bedroom.] Chandler: Hey! What are you guys doing? Joey: Hey. Monica: Making holiday candy for
SUMMARY: | When Phoebe tells the gang about how she was too poor to have a bike as a child, Ross goes out and buys her one. Rachel writes a playful work evaluation of Tag that he accidentally turns in to human resources. Monica decides to make candy and leave it outside her door as a way to meet the neighbors. |
fd_The_Vampire_Diaries_03x03 | fd_The_Vampire_Diaries_03x03_0 | TEXT: [Salvatore's house] (Damon's phone rings. Ha answers) Damon: You're interrupting my drink Katherine: Miss me? Damon: Where are you? Katherine: Lurking outside your window, pining away Damon: What do you want? Katherine: I'm homesick. What have I missed? Damon: Well, Stefan's still Klaus' little prisoner and Elena still thinks she can save him and no one's thought about you since you left Katherine: And what about you? I'm sure now that you've given up on your brother, you're plotting some sort of way of moving in on his girlfriend Damon: I didn't give up on him. I just don't know where he is Katherine: Hmm Damon: But you do. Are you trailing them? Katherine: A hybrid who wants me dead and his sidekick who's off the rails? I couldn't be further away Damon: Which means you know exactly where they are Katherine: All I know is that Klaus pitched a fit once his hybrids didn't work. Now he's looking for some answers Damon: How do you know that? Katherine: Spend 500 years running, and there will be a few people along the way that are looking out for you Damon: Is that what you're doing? Looking out for my brother? Katherine: Maybe, maybe not. I'm conflicted Damon: Where are they? [Chicago] (Klaus and Stefan go out of a car) Klaus: Welcome back to Chicago, Stefan Stefan: What are we doing here? Klaus: I know how much you loved it here. Bringing back memories of the good old ripper days Stefan: Blacked out most of them. A lot of blood, a lot of partying. The details are all a blur Klaus: Well, that is a crying shame. The details are what makes it legend Chicago, 1920's Klaus: Word was the ripper of Monterrey got lonely, so he escaped to the city for comfort. It was prohibition. Everything was off limits then, which made everything so much fun (Stefan is in a car making out with a girl but then he drinks her blood and
SUMMARY: | Klaus and Stefan arrive in Chicago, where they knew each other during one of Stefan's previous periods as a Ripper in the 1920s. It is revealed that Klaus knew Stefan in the 1920s. Stefan met Klaus and Rebekah in a bar where Stefan fell in love with Rebekah and become like a brother to Klaus. Klaus and Rebekah had to leave and Klaus compelled Stefan to forget them. Klaus then daggers Rebekah when she chooses Stefan. In present day, he removes the dagger keeping her demobilized as she has what Gloria (a powerful witch) needs to help Klaus create hybrids. It is revealed that what Gloria needs is the necklace Stefan had given Elena. Damon gets a tip on Stefan and Klaus' whereabouts from Katherine so he and Elena follow the trail. They go to Stefan's old apartment, where Elena sees Stefan's list of victims. While there, Stefan and Klaus arrive. Stefan sees Elena hiding in his closet, but does not tell Klaus. Tyler tries to rescue Caroline , who is being tortured by her father, who believes he can change her urge to feed on blood by burning her in sunlight every time she feels the urge. |
fd_Downton_Abbey_02x07 | fd_Downton_Abbey_02x07_0 | TEXT: [OPENING CREDITS] [SCENE_BREAK] [EXT. DOWNTON ABBEY, FRONT DOOR - MORNING] [SCENE_BREAK] [Edith watches an army hospital truck leave.] [SCENE_BREAK] [Mrs Hughes joins Edith.] Lady Edith: That's the last of the equipment gone. Mrs Hughes: The maids have put the drawing room back to normal. [The dog follows Robert around the house.] [SCENE_BREAK] [INT. DRAWING ROOM - MORNING] Robert, Earl of Grantham: I'm walking down to the village. I want to have a word with Travis. Cora, Countess of Grantham: You know that Richard will be here any moment. Robert, Earl of Grantham: That's why I'm telling you. Give him my excuses, I'll see him at dinner. Cora, Countess of Grantham: Is there any news on the Bates situation? Robert, Earl of Grantham: Not that I'm aware of. Cora, Countess of Grantham: So, you still want to keep him on? Robert, Earl of Grantham: Cora, Bates's wife has committed suicide. It's very sad, of course, but not, when I last looked, a reason to sack him. Cora, Countess of Grantham: They've taken the rest of the beds. Robert, Earl of Grantham: So, that's the finish of it. Cora, Countess of Grantham: Not quite. We still have Matthew. And I wanted to ask you, isn't it time he went home? Robert, Earl of Grantham: I see. You want to throw him out. Cora, Countess of Grantham: Robert! I want him to learn to be as independent as he can, and I want Mary to get on with her life. What's wrong with that? Robert, Earl of Grantham: Is there something you're not telling me? Cora, Countess of Grantham: What do you mean? Robert, Earl of Grantham
SUMMARY: | Early February 1919. Matthew begins to feel his legs. Matthew announces that he and Lavinia intend to marry soon. Violet tells him that Mary is still in love with him, but Matthew feels obliged to marry Lavinia. Sir Richard Carlisle distresses Anna by asking her to spy on Mary; his behaviour leads Carson to reject his offer of employment. Bates realises that Vera committed suicide in order to frame him. When Major Bryant's parents visit Downton to see where their son convalesced, Mrs Hughes contrives a meeting between them and Ethel and her baby. However, Mr Bryant angrily refuses to believe her claim. Thomas embarks on a new money-making scheme in the post-war black market. Lord Grantham is attracted to the new maid, Jane, and kisses her. Lady Sybil makes the drastic decision to elope with Branson. However, Mary discovers her plan and, along with Edith and Anna, seeks them out and persuades Sybil to return and plead her cause openly to their parents. |
fd_How_I_Met_Your_Mother_05x14 | fd_How_I_Met_Your_Mother_05x14_0 | TEXT: Ted (2030): There are ways to relieve stress. Woman: You'll have a few minutes, Mr. Stinson. Ted (2030): Many people bite their nails. Others tap their feet.And others imagine themselves to be interviewed by renowned sports commentator Jim Nantz. Jim: Hi friends, any sport has had its icon, which it excels. Ali was boxing, basketball had Jordan, and the sport of sleeping with bombs snuff chance, my next guest, Mr Barney Stinson.Barney, welcome. Barney: Thank you, Jim. I'm glad to be back on the show. Jim: It's good to have you. And you know, the statistics, they really speak for themselves. Over 200 women spread over 6 continents, 17 countries, 74 sexual positions, and not a single bead. Impressive. But even with all these successes, there has always been an escape for you. Which brings us back to last week. Tell us about our history. Barney: Hold on, Jimbo, it is extraordinary. First night... Barney, Ted, Lily and Marshall are at McLaren's. Barney: It all started when I decided to start a small challenge. Marshall: Oh my God. Wow. Ted: He decides his victim. Barney: Whatever the girl I'm trying to point is that I go with her tonight. And... they're off! Barney gets up and goes to see a girl at the counter. Marshall: Hi! Robin: Hi! Lily: How did it go with Dale? Robin: You know, sometimes, the guy with thick glasses and a t-shirt of the Smurfs, it's just a cliche. And sometimes it is a moron with a squint and a platonic relationship with Gargamel. Lily: Robin, this is not because a guy talks a lot about a fictional character for your first date it can not be your future. Marshall: The Yeti is not fictitious. Ted, from seeing Barney: That was fast. Jim: So, the first night was pretty normal. Barney: Jim, there is nothing in my usual way to pack. Jim: Respect. Which brings us to the second night.
SUMMARY: | When Barney is about to complete the perfect week - landing seven different girls in seven days - the gang roots him on in order to forget about their own miserable week. |
fd_Doctor_Who_1963_13x09 | fd_Doctor_Who_1963_13x09_0 | TEXT: PYRAMIDS OF MARS BY: "STEPHEN HARRIS" (ROBERT HOLMES AND LEWIS GREIFER) Part One Running time: 25:22 [SCENE_BREAK] SCARMAN (OOV.): Gently. Be careful. That's it. SCARMAN: It's perfect. It's absolutely untouched. The reliquaries are still sealed. Look at this. Great heaven, this tomb must date back to the First Dynasty of the Pharaohs. How many thousands of years since the priests sealed the inner chamber and draped this tapestry across the entrance? SCARMAN: Achmed, your lantern, man. Quickly, quickly. It's the Eye of Horus. ACHMED: No, Professor Scarman! SCARMAN: Come back! Come back! I need your help! Superstitious savage. I've come too far to turn back now. [SCENE_BREAK] SARAH: Hey, Doctor. Doctor, look what I've found. DOCTOR: Hello, Vicky. SARAH: What? DOCTOR: Hmm? Where did you get that dress? SARAH: I just told you. I found it back there in the wardrobe. Why, don't you like it? DOCTOR: Yes. Yes, I always did. Victoria wore it. She travelled with me for a time. SARAH: Well, as long as Albert didn't wear it. Oh, come on, Doctor. That's worth a smile, surely? What's the matter? You should be glad to be going home. DOCTOR: The Earth isn't my home, Sarah. I'm a Time Lord. SARAH: I know you're a Time Lord. DOCTOR: You don't understand the implications. I'm not a human being. I walk in eternity. SARAH: What's that supposed to mean? DOCTOR: It means I've lived for something like seven hundred and fifty years. SARAH: Oh, you'll soon be middle aged. DOCTOR: Yes! About time I found something better to do than run around after the Briga
SUMMARY: | The Doctor and Sarah are drawn off course and, instead of UNIT HQ, they arrive on the same site in 1911. |
fd_FRIENDS_09x17 | fd_FRIENDS_09x17_0 | TEXT: Aired: 3/13/2003 Teleplay by: Brian Buckner & Sebastian Jones Story by: Robert Carlock [Scene: Ross' apartment, Chandler and Joey enter] Chandler: Hey! Ready to go? Ross: Oh yeah, let me just finish this. Joey: Hey Ross, check this out! (he tries to spin a basketball on his fingertip but he throws it against a table) yeah, I can't do that! Chandler: What are you doin'? Ross: Have you seen this? It's a new alumni website for college! It's cool! You can post messages for people, let everyone know what you're up to. Chandler: Great, a faster way to tell people that I'm unemployed and childless. Ross: It's actually kinda interesting to find out what people are doing... remember Andrea Rich? Chandler: The tall girl who wouldn't sleep with you? Ross: Uh uh... well, her Internet Company went under and she lost an ear in a boating accident... Chandler: Bet she'd sleep with you now... Ross: No... I already e-mailed her. Chandler: Let me see what you wrote about yourself: "Doctor Paleontology, two kids... " (pause) You split with Carol because you have different interests?... I think you split with Carol because you've one very similar interest! Ross: You know what? I'm gonna finish this later, ok? Let me just grab my coat. Joey: Hey! (he throws the basketball against a table again) Ross: (he picks up the ball) What do you think you learnt how to do in the last two minutes?? (he enters another room) Chandler: Maybe we finish this for him! (he sits down on the sofa and he start typing on Ross' computer) "Also I cloned a dinosaur in my lab. She's now my girlfriend. I don't care what society says. It's the best s*x I've ever had"... aaand SEND! Joey: (he stops Chandler from posting the message) No, no, no... what do... you can't do that to him
SUMMARY: | Ross and Chandler post false information about each other on their college's alumni website, namely that Chandler is gay and Ross is dead. Meanwhile Joey and Emma fight over Joey's 'bedtime penguin pal' Hugsy. Phoebe asks Monica to help her get over Mike. |
fd_Charmed_04x09 | fd_Charmed_04x09_0 | TEXT: [Scene: Manor. Kitchen. Phoebe is cutting up some vegetables. Cole walks in.] Cole: Hey, where is everyone? (Phoebe rips off her apron to reveal a tight black dress.) Phoebe: Surprise! Cole: You look beautiful. Phoebe: Thank you. (She picks up two glasses of wine and hands one to Cole.) I sent everyone away. So we could celebrate. Cole: What are we celebrating? Phoebe: Cole, you're finally fully human. No more demon half means no more obstacles for our relationship. Yay us. (She clinks their glasses and takes a sip. Cole doesn't.) Uh, that was a toast and usually after the clinking part you take a little sip. Cole: I don't know if sending your sisters away was a good idea. I don't have powers anymore and I can't protect you if there's an attack. Phoebe: Well, my sisters are in calling range and more importantly, I am in kissing range. (She kisses his neck. He stops her.) Cole: Phoebe, you don't seem to understand that with the Source injured, you might be in more danger than ever before. Phoebe: Well, you don't seem to understand that sometimes a girl needs a night off. Now please, is there anything that I can do, (she kisses his neck) to help you relax? (She kisses his cheek.) Cole: Well, that helps, a little. Maybe you should keep doing that. (He stops her again.) It's just that without a strong leader, there's energy in the underworld. Phoebe: Wow, you're a sweet talker. Cole: Demons who would normally compete for the Sources favour... Phoebe: Will start banning together to try to take out the Source. Honey, you told me this part already. Cole: But I'm not sure you get it. Demons hoping to replace the Source will gather factions of followers, and what better way to gain support for your faction, than to kill the
SUMMARY: | Piper, Phoebe, and Paige learn that a warlock is in the process of kidnapping and enslaving the muses inside a special ring in order to make the forces of evil more powerful. As a result, they have to find a way to save the remaining ones and rescue the others before the warlock's plan comes to fruition. Meanwhile, Cole starts to get frustrated that Phoebe has so far spurning his marriage proposal and is worried that without his demonic powers, he'll be unable to help keep her safe from the demon factions who plan on attacking the Charmed Ones. |
fd_Buffy_the_Vampire_Slayer_05x22 | fd_Buffy_the_Vampire_Slayer_05x22_0 | TEXT: •I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] Teaser GILES VOICEOVER: Previously on Buffy the Vampire Slayer... Giles in the Sunnydale High library in "Welcome to the Hellmouth." GILES: You are the Slayer. Into each generation a Slayer is born. A series of scenes from "Welcome to the Hellmouth"... BUFFY: Why don't we start with 'Hi, I'm Buffy.' XANDER: Xander. CORDELIA: Cordelia. Shot of Willow at the water fountain. BUFFY VOICEOVER: Willow, right? GILES: Mister Giles. ANGEL: Angel. Giles thumping the book "VAMPYR" onto the library counter. A quick series of scenes from the first season: the Master with the Anointed One; Buffy and Angel kissing; Angel vamping out, Buffy screaming; the possessed ventriloquist dummy; Buffy punching someone; Buffy dying; Buffy killing the Master, etc... Moves into a series of scenes from the second season. They go by faster and faster. I can't possibly detail every one, but they include all the major demons and recurring characters: Spike, Ethan, Drusilla, Kendra
SUMMARY: | Buffy and the gang set out to rescue Dawn and fight Glory as the ritual commences. Also, Buffy finally realizes the meaning of "Death Is Your Gift." |
fd_CSI__Crime_Scene_Investigation_02x12 | fd_CSI__Crime_Scene_Investigation_02x12_0 | TEXT: [EXT. LAS VEGAS CITY OUTSKIRTS (STOCK) - DAY] (Overhead view of dry land outside the city.) [SCENE_BREAK] [EXT. LAS VEGAS FIELD - LATE DAY] (Camera cuts to a view of open plains and dry fields. Just over the hill is an empty construction site with large machinery, white pipes and other materials.) (In the background, we hear a horse neighing and off in the distance, we can see a single horse and rider approaching the site.) (Cut to a closer view as the horse and rider approach the site.) (The horse starts to struggle against the rider.) Rider: What is wrong with you? (She gets off of the horse, puzzled at what could have gotten the horse spooked. As she checks out the large pipe directly in front of the horse, she finds a dead body hidden inside.) [SCENE_BREAK] [EXT. CONSTRUCTION SITE - NIGHT] (BRASS and GRISSOM check the dump site out. All around them, the field is covered with officers.) Grissom: A girl in a culvert pipe... at a highway construction site in the middle of an alfalfa field. (BRASS waits for GRISSOM to finish. GRISSOM looks at BRASS.) Grissom: You got anything to add? Brass: Nothing as poetic. (BRASS reaches into his coat pocket for his notebook and starts to read from it.) Brass: Just, uh, road crew took off at 3:00. Body was discovered 5:15. Grissom: Who found the body? (BRASS turns to indicate the girl standing next to her horse just beyond the police tape.) Brass: Our friend, Flicka. Grissom: Well, there goes that theory. Brass: What's that? Grissom: Whoever finds the body is the first suspect. Sara: (o.s.) Uh, Grissom... (GRISSOM turns to see SARA standing next to another culvert pipe. He
SUMMARY: | Grissom and Sara are called to the crime scene when two murder victims are found hidden in pipes at a construction site in the middle of an alfalfa field, while Catherine and Nick investigate an ostensible hunting accident. The investigation of the construction site murder reveals that the victims were sisters and the relationship of one of the sisters to a former prison inmate is a cause for suspicion -- especially when his presence is traced to the scene of the crime. Meanwhile, Catherine and Nick begin to doubt seriously that the body found in the woods was the victim of a hunting accident. |
fd_Teen_Wolf_04x05 | fd_Teen_Wolf_04x05_0 | TEXT: SCOTT: Previously on Teen Wolf... Coach: Someone ask her if she's ever played lacrosse. (GROWLS) Stiles: The kid's got some serious anger issues. Deputy Parrish: Does anyone recognize the handle "Benefactor"? Kira: What do you hear? LYDIA: The key to break the code. (BEEPING) Lydia: It's a dead pool. Sheriff: He's an assassin. (CHOKING) Garrett: Our friend just sent me a text. (PANTING) (WHIRRING) (PANTING) Carrie: The sun, the moon, the truth. (SOFTLY) The sun, the moon, the truth. (DOOR OPENING) (EXCLAIMING) (GRUNTS) (CAR HONKING) (TIRES SCREECH) Garrett: Get in! Come on, she's coming, get in! Seriously? I can't believe you fell for that. (GASPS) (MUSIC PLAYING) Stiles: So, the Walcott's were the first. At least the first that we know about. Four murders. Sean, his brother, and their parents. They were killed by a professional assassin called The Mute. Weapon of choice, a military tomahawk. But then The Mute was killed by Peter Hale after he tried to blow up Derek with a Claymore mine. Next was Demarco. He delivered a keg to the party at Lydia's lake house. And got decapitated outside his car. Chris: Does the scent tell you anything? Scott: Definitely a werewolf. But there's more. I think he was part of a pack. Chris: Well, if he was, they'll be looking for him. Stiles: And then last night, 23-year-old Carrie Hudson. Scott: It's a dead pool. A hit list of supernatural creatures. This is only part of it. The rest still has to be decoded. Sheriff: Who found this list? Stiles: Lydia. Sheriff: How? Stiles: She wrote it. Actually, she transcribed it. Without
SUMMARY: | Violet and Garrett kill another werewolf at the school, and then prepare to take down their next target during the first lacrosse scrimmage. Malia tries to help Lydia use her powers to find the next cipher key, but when Lydia is unsuccessful, they decide to contact Meredith Walker - another banshee from Eichen House. Derek reveals to Chris that he is losing his powers. Scott, Stiles and Kira spend the game attempting to keep Liam safe, assuming that he is the assassins' target; however, Brett, a player from Liam's old school, is revealed to be a werewolf, and turns out to be Violet and Garrett's target. With help from Meredith, Lydia is able to decipher the second code, using the codeword "AIDEN", and is shocked to discover that the deadpool includes Deputy Parrish. Violet uses Brett as bait and tries to take down Scott, but he effortlessly overpowers her. |
fd_The_Big_Bang_Theory_05x08 | fd_The_Big_Bang_Theory_05x08_0 | TEXT: Scene: The apartment. Penny: So, Bernadette, how goes the hunt for bridesmaid dresses? Bernadette: Well, if you don't mind looking like an orange traffic cone, great. Amy: Girlfriends, I have the answer to our dress problems. Bernadette: Really? Amy: Twelve years ago, my cousin Irene and her entire family died in a horrific carbon monoxide accident the night before her wedding. Bernadette: That's horrible. Amy: Yes and no. All those bridesmaids dresses remain unused and available to us for free. So it seems that cloud of odourless deadly gas had a silver lining after all. Check it out, still in the bags. The gowns, not the bridesmaids. Bernadette: I don't know. Dead people's dresses? Penny: Yeah, and cap sleeves? U-u-uh. Amy: Uh, I was hoping you wouldn't notice. Irene was always a slave to a good bargain when it came to clothes, and sadly as it turned out, space heaters. Sheldon: Ladies, please. These four walls once housed an intellectual salon where the mind received nourishment as well as the stomach. But through no one's fault, Penny, the quality of dinner conversation in this apartment has declined. And again, I'm looking at no one in particular, Penny. Leonard: Fine. What would you like to talk about, Sheldon? Howard: What would you like to talk about, Sheldon? Why do you hate us? Sheldon: I've prepared a number of topics that should appeal to both the advanced and novice conversationalists. Penny: Okay, that time you looked at me. Amy: Who didn't? Your skin is like alabaster. Do you even have pores? Sheldon: Topic one. Faster-than-light particles at CERN, paradigm-shifting discovery or another Swiss export as full of holes as their cheese? And converse. Penny: All right, who wants to go to my apartment and look at bridal magazines? Bernadette: Oh, me. Penny: Through no one's fault, Sheldon,
SUMMARY: | Amy becomes extremely upset when Penny and Bernadette go shopping for bridesmaid dresses without her and cuts all contact with everyone, including Sheldon. A worried Sheldon goes over to her apartment, where he ends up cuddling her after rejecting her suggestion to have sex. This step further into their relationship makes him uncomfortable, so the following morning, he demands Leonard and Howard to force Penny and Bernadette to apologize to Amy, as he is not her 'snuggle bunny'. When they confront Penny and Bernadette over Amy, they reveal that they did not take Amy because she was very over-enthusiastic about being a bridesmaid and would have been a hindrance to their dress shopping, but feel guilty when they find out that she became really upset over the snub. They go to her neurobiology laboratory to apologize, but she brushes off their apologies, telling that she is used to being shunned by people whom she considers as friends. Later that evening, Amy calls Sheldon and tells him that she is drunk in a liquor store parking lot, prompting him and Leonard to immediately rush there and take her home. The next morning, Penny and Bernadette again try to apologize to Amy. After a few unsuccessful attempts, Bernadette decides to end their standoff once and for all by asking Amy to be her maid of honor at her wedding. She immediately becomes excited at this and forgives them. The episode ends with Amy filming a dress shopping trip with Penny and Bernadette. |
fd_Greek_02x08 | fd_Greek_02x08_0 | TEXT: ZBZ HOUSE - Dining room Ashleigh : Yeah. You're ahead. I count two more pink than white. Casey : Which means our preliminary polls put me two measly votes ahead of Frannie. Ashleigh : I can't believe there's even a chance she could be ZBZ president again. Casey : I know, right? It's like nobody remembers that she was removed from office last semester. Ashleigh : That was just last semester? It feels like forever ago. Betsy : That was Jessica S. She's going with Frannie. Casey : Of course she is. She still thinks I stole her toothbrush. As if there's no Colgate makes more than one of the same stupid color. Ashleigh : Forget about Jessica S... and Jessica P. We have Jessica M. and Jessica R. still undecided. Casey : Half the house is still undecided. And she's a senior, AKA one of Frannie's pledge sisters. Ashleigh : You have most of the juniors. Casey : How many sophomores do we have? Betsy : Seven firm, eight maybe. Casey : Then there's the pledges. Who will probably follow whoever Rebecca chooses to back. Ashleigh : Our very own super dele... pledge. Casey : Which is why I want her to nominate me at tonight's meeting. Ashleigh : You think she'll do it? Casey : She owes me one. But who knows? Rebecca is one tough nut to crack. Ashleigh : Yeah, she's like one of those pistachios with no opening. Casey : I hate those. Betsy : So do I. Casey : I just have to break her before Frannie does. Speak of the nutcracker. Ashleigh : Frannie's calling me, too. Betsy : And me. Frannie : It's up to each of you to decide the fate of ZBZ on election night. Who would you rather have leading the house, a sister with a proven track record like myself, or a sister with Liz
SUMMARY: | To garner more votes for the upcoming presidential election , Frannie and Casey use unfriendly tactics . Rusty tries speed dating, but reunites with Jen K while out on one of his dates. Calvin is unsure if he should breakup with Michael since cheating on him with Heath ( Zack Lively ). |
fd_The_Mentalist_01x07 | fd_The_Mentalist_01x07_0 | TEXT: Temple of Harmony Kristina Frye: Rosemary, please don't go. I'm only trying to help. Rosemary: I'm not listening to you anymore. Kristina: Rosemary, you're in serious danger. Rosemary: I'm not listening. Rosemary walks in the street. Her phone rings. She looks at it and hangs up. A car starts to drive and follows Rosemary who tries to run. Rosemary: No! The car knocks down Rosemary who dies and leaves the place quickly. Later, the police is there. Marco Francis: Thank you for coming so quickly. Lisbon: Your victim is the widow of Macon Tennant. Founder of Calsure Financial. Close friends of the lieutenant governor. Rigsby: Yeah, we got to use the chopper. Francis: Cool. Well, we have two witnesses who saw a silver sedan deliberately chase her down. Uh, we're getting paint off of the trash cans right now. Hopefully we'll get a make and model. Uh, we've also got a partial plate. Lisbon: Sounds like you're on top of it. Francis: Sure, but I don't mind getting your backup. Lisbon: We're not backup. We're lead. Francis: Yes, ma'am. A few days ago, Rosemary here filed a missing persons report on her teenage son Travis. He had been gone for a week, but he's run away from home twice, and he's done a stint in juvie, so... Rigsby: What was the juvie charge? Francis: D.U.I. on a learner's permit. Her house is eight blocks that way, so we figured that she was walking home, but from where, we're not sure. Kristina: She was with me. Francis: And who are you exactly? Kristina: My name is Kristina Frye. I was Rosemary's spiritual advisor. Jane: I'm sorry. Did- did I hear that correctly? Lisbon: Miss Frye, you were with her where? Kristina: At my house. We had finished
SUMMARY: | The team investigates a hit and run murder of a wealthy California heiress, Rosemary Tennant, whose death was predicted by her psychic, Kristina Frye ( Leslie Hope ), moments before the accident. Jane, always the skeptic, laughs at the prediction and becomes intent on proving the psychic is a fake and a killer. But when CBI discovers Rosemary's will was being changed, suspicion falls on Rosemary's deviant teenage son, who was being cut out of the will, her younger lover, as well as the ever-present Kristina who was named as a beneficiary in the will. In order to catch the real murderer, Jane uses a gathering of Rosemary's supposed loved ones at a seance, that they think is to expose Kristina as a fraud, but is instead a trap to flush out the killer. |
fd_Doctor_Who_1963_06x30 | fd_Doctor_Who_1963_06x30_0 | TEXT: The Space Pirates 5:15pm - 5:40pm [SCENE_BREAK] 1: SPACE (The Pirates' Beta Dart detaches from the beacon and moves off.) [SCENE_BREAK] 2: INT. V-SHIP FLIGHT DECK (PENN calls up to the commanding officers on the upper deck.) TECHNICIAN PENN: They're leaving Beacon Alpha Four, sir. [SCENE_BREAK] 3: SPACE (The Beta Dart continues to speed off.) [SCENE_BREAK] 4: INT. V-SHIP FLIGHT DECK MAJOR IAN WARNE: It's exactly what happened before. GENERAL HERMACK: What is our arrival time? TECHNICIAN PENN: Still ninety minutes to go, sir. GENERAL HERMACK: (Furiously.) We are going to be too late again! (They suddenly hear the detonation radio signal.) MAJOR IAN WARNE: The beacon should blow any second now. [SCENE_BREAK] 5: SPACE (Space Beacon Alpha Four explodes.) [SCENE_BREAK] 6: INT. SPACE BEACON ALPHA FOUR. COMPARTMENT (The TARDIS crew is thrown to the floor screaming, as smoke fills the exploding beacon.) [SCENE_BREAK] 7: SPACE (The huge V-Ship continues its journey.) [SCENE_BREAK] 8: INT. V-SHIP FLIGHT DECK (HERMACK and WARNE have come down to the lower deck where they walk over to PENN'S station where the soldier is furiously adjusting controls on his console.) GENERAL HERMACK: Penn! Give me a bearing on that pirate ship. TECHNICIAN PENN: I can't pick her up, sir. GENERAL HERMACK: (Furiously.) What? (No signal now shows on the radar sweep.) TECHNICIAN PENN: The debris from that beacon's jammed the signals. GENERAL HERMACK: Oh, Penn
SUMMARY: | With the Doctor, Jamie and Zoe trapped on a beacon segment, Hermack becomes suspicious of the unruly prospector Milo Clancey. |
fd_The_Vampire_Diaries_04x07 | fd_The_Vampire_Diaries_04x07_0 | TEXT: [The Woods] (Stefan is doing push-ups. He's on speakers with Caroline) Caroline: What do you mean, you're not coming? I don't need to remind you that your miss Mystic Falls attendance record totally sucks. Besides, you're a founding family member. By definition, you have to be here Stefan: Elena and I broke up. By definition, I don't need to be anywhere Caroline: Did that sound as depressing to you as it did to me? Stefan: I'm not depressed. I just want to rip into someone's artery and feed until I can't breathe anymore Caroline: Well, you can't. As your sober sponsor, I'm not going to let that happen. Try and sublimate Stefan: She said she has feelings for Damon Caroline: What? She can't have feelings for Damon. He's... Damon, and you're you, and I'm... Revolted. You know, I'm gonna talk to her. I'm going to shake some sense into her clearly diseased brain Stefan: Yeah, well, I don't know what good that'll do. Elena's right. Being a vampire really has changed her Caroline: All the more reason you need to cure her. Look, I got to go. Be careful and remember, there's sublimating and then there's insanity Stefan: I'll be fine. Bye (Klaus arrives and strangles him from behind) Klaus: In what world do the words "tell no one" mean "tell your brother and every teenage sycophant in town"? Stefan: The secret's safe. No one who knows about the cure would endanger us. Trust me. You know I want to find it more than anyone else Klaus: Well, then I suggest you find some vampires for Jeremy to kill before I'm tempted to offer you up as a victim. And try to keep this one to yourself, would you? [Salvatore's House] (Stefan is about to leave. Damon is here) Damon: Where have you been? Stefan: Oh, you know. Out Damon: Where you going? Stefan; Out Damon
SUMMARY: | The Miss Mystic Falls pageant is back, and Elena and Caroline help April find something to wear. Meanwhile, Caroline calls Stefan and Stefan tells Caroline about Elena's feelings for Damon, which Caroline objects to. Klaus shows up shortly afterwards, questioning Stefan's trust in him. Damon and Stefan's relationship is even more strained, but they continue their search for the cure to vampirism for Elena's sake. Caroline and Elena are suspicious of Shane, who Damon decides to confront. Ever since awakening as a hunter, Jeremy has been having nightmares in which he kills Elena. Stefan uses criminals to create vampires for Jeremy to use to complete his tattoo. Hayley and Tyler work to break the sire bond of Klaus' hybrids. Caroline is stressed by a favor she owes Klaus- a date, which Klaus convinces Caroline to let him escort her to the Miss Mystic Pageant. Klaus manipulates her into feeling jealous of Hayley and Tyler's friendship, while also charming her. She asks if he ever wanted to be human again, and Klaus shares with her that he considered being human momentarily while looking at a hummingbird and contemplated the fragility of mortality and how struggling to stay alive would make every day you're living that much more meaningful. Caroline bonds with Klaus as Tyler jealously looks on with Hayley. Jeremy's hunter instinct- a hatred of vampires- develops to the point that he attacks Stefan. Damon asks why Shane showed up in Mystic Falls in the first place causing Shane to reveal that he is a vampire. Jeremy arrives at the pageant and attacks Elena, nearly killing her. She is rescued by Stefan and Matt. Stefan reveals to Elena he provided vampires for Jeremy to kill, to which she replies that she doesn't want her humanity back if it costs her brother his. Matt moves into her house and Elena decides to stay in the Salvatore House. Stefan then decides to leave, unable to stay in the same house as Elena. It is eventually revealed that Shane and Hayley are working together to break the sire bond with Klaus's hybrids. Later, Elena has a talk with Damon, which leads to a dance between the two and passionate sex afterwards, all while Caroline and Stefan figure out that Elena is sired to Damon. |
fd_How_I_Met_Your_Mother_02x10 | fd_How_I_Met_Your_Mother_02x10_0 | TEXT: Ted (V.O.): Kids, there's nothing more wonderful than New York City in the winter... except the view of New York City in the winter through your apartment window.In the winter of 2006, Marshall, Lily, Robin and I were all deep in couple hibernation mode. Sadly, this left Uncle Barney out in the cold. Barney comes into the apartment. Barney: Okay. All-night rave, abandoned tire factory in Newark. We're on the list. Who's in? Ted: - Nope. Robin: - No. Later, Barney comes back.. Barney: Private jet. Teeterboro Airport, skinny-skydiving. Who's in? Ted: - Nope. Marshall, lily, Robin: - No, thanks. And again... Barney: One beer. Bar, downstairs, 15 second walk. Who's in? Marshall: Shh... Lily went sleepy-bye. Ted (voix off): It got so bad, Barney tried to be his own wingman. Barney is at the bar talking to a girl Barney: Hi. Have you met me? Ted (voix off): Finally, he decided to bring in reinforcements. Barney comes into the apartment. Tous: - No. Barney: Yes. And do you know why? Hang on to your bedsores, grandparents from Willy Wonka, because guess who's on his way up to this apartment right now? My... wait for it... brother, James. React. Tous: - Hey! Robin: - You have a brother? Barney: - Yeah. He's the awesome-est, most best looking-est, greatest guy ever. Lily: He's exactly like Barney. Barney: That's what I just said. Ted: Well, Barney and his brother aren't exactly alike. James is gay. Robin: Really? I never in a million years would I picture you with a gay brother, that's awesome. Ted: Yeah. I just wanted you to have a heads up, so you don't act all surprised when he gets here. Someone knock on the door and Barney opens Barney Here he is. James: What up,
SUMMARY: | Barney's brother James ( Wayne Brady ) visits and Robin, the only one in the group who's never met him, is surprised. But James has a surprise for Barney that he finds hard to accept. |
fd_CSI__Crime_Scene_Investigation_01x02 | fd_CSI__Crime_Scene_Investigation_01x02_0 | TEXT: Narrator (William Petersen): Previously on C.S.I.... [Scenes from 1X01: Pilot] [INT. GRISSOM'S OFFICE - NIGHT] (HOLLY GRIBBS gasps and jumps in surprise.) Gil Grissom: Hi, sorry. Welcome to Forensics. Gil Grissom, I'm your supervisor on grayayard. Holly Gribbs: Holly Gribbs. (The shake hands. She exhales with relief and smiles.) [SCENE_BREAK] [INT. JIM BRASS' OFFICE - NIGHT] (In CAPT JIM BRASS' office, GRISSOM takes a seat on the couch near the window, HOLLY remains standing in front of his desk.) Jim Brass: (angry) Well, congratulations, Gribbs. You're the fifth person I've been forced to hire. Holly Gribbs: Well, that's not fair. Jim Brass: Putting a juiced-in Lieutenant's daughter on the shift is fair? [SCENE_BREAK] [INT. COFFEE SHOP - NIGHT] Holly Gribbs: I'm fulfilling her dreams, not mine. Catherine Willows: I can sit here, and I can baby you and I can tell you to quit, but I'm not going to do that at least until you've solved your first, and if, after that, you don't feel like King Kong on cocaine, then you can quit. [SCENE_BREAK] [INT. CSI - BRASS' OFFICE - MORNING] Jim Brass: Grissom! (GRISSOM, standing out in the hallway, turns and heads for the office.) Jim Brass: Have Warrick shadow Gribbs for the next three weeks or until Nicky makes his 100th, whatever comes first. Warrick: People walk every day because of you. Gil Grissom: That's enough. Warrick, let's go! [SCENE_BREAK] [HALLWAY - CONTINUOUS] (GRISSOM talks with WARRICK Gil
SUMMARY: | In the aftermath of the shooting that has left Holly Gribbs fighting for her life, there are big changes in store at the Vegas Crime Lab. Brass is sent back to Homicide while Grissom becomes the newly appointed head of the crime lab and is also in charge of the night shift. His first case is to investigate the supposed suicide of a jackpot winner with Nick. Meanwhile, Warrick has to deal with the fact that the shooting of rookie CSI Holly Gribbs was due to his failure to supervise her. Catherine decides to work Holly's shooting and is annoyed when Grissom brings in Sara Sidle to help with her investigation. Unfortunately, Holly succumbs to her injuries, leaving the team devastated. |
fd_Torchwood_2x05 | fd_Torchwood_2x05_0 | TEXT: INTRODUCTION JACK HARKNESS: (v.o.) Torchwood... outside the government, beyond the police... fighting for the future on behalf of the human race. The 21st Century is when everything changes... and Torchwood is ready. INT. GWEN'S PLACE - BEDROOM - DAY Gwen giggles and laughs as Rhys holds onto her leg as she tries to get out of bed. He tries to pull her back. RHYS : Come on let's...! GWEN: No, I can't, I'm late as it is. He successfully pulls her back into bed and onto her back. She laughs, her shoe clutched in her hand. GWEN : Argh! Rhys! RHYS : You're itching to go back to work, aren't you? She smiles this way and that at him. RHYS : Oh, I'll take that as a "yes," then. GWEN : Having you to come home to, that's the best bit. (Beat) Aw... He doesn't buy it. He fakes retching and they laugh. [SCENE_BREAK] INT. THE HUB - WORKSTATIONS - DAY Owen sits at the workstation and looks through a file. He's dressed in a conservative sweater and is wearing glasses. Jack rushes out of his office carrying a Torchwood locked box. JACK : Unlabeled Class D artefacts. (He puts it down on the table). Tosh, I need you to run a full check. Toshiko is walking past on her way back to her workstation. TOSHIKO : Sure. There's another man there. JACK : Owen, you can help. OWEN : Happy to. JACK : Adam, I know how much you love audits. Owen vacates the workstation seat. ADAM : Ah, it's gotta be done. JACK : If you could... ADAM :... go through the reports, find out when they came
SUMMARY: | When Adam, an alien with the power to change memories infiltrates the team, the entire dynamic of The Hub shifts. With Captain Jack caught up in memories of his lost family, Gwen struggling to remember Rhys, and Ianto convinced that he's a murderer... it costs the entire team dearly to rid themselves of Adam's influence. |
fd_The_Big_Bang_Theory_08x06 | fd_The_Big_Bang_Theory_08x06_0 | TEXT: [ The apartment ] Bernadette: I like your suit. Penny: Oh, thanks. Got a couple new outfits for work. Howard: How does it feel knowing your fiancée's job is to go out and flirt with doctors, looking like that, while you sit here, you know, looking like this? Leonard: She doesn't flirt with doctors. Penny: Yeah. It's all very professional. Amy: You know when you bend over, I can see down your shirt? Penny: Okay, good. Bernadette: Speaking of new careers, how are things going with dark matter, Sheldon? Sheldon: Oh, yeah, I'd have to say it's the most exiting time in the history of the field. Bernadette: Oh. What's going on? Sheldon: I started doing it. Raj: You know, the government funded the biggest experiment yet to detect dark matter. Leonard: Yeah, I've read about that, they're sending research teams down into abandoned salt mines. Raj: You know, Sheldon, if we apply to be one of those teams, we could be on the ground floor of something big, not just for theoretical physics but for astrophysics as well. Penny: Wait, hang on, you guys are gonna work in a mine? Sheldon: Why not? Penny: You had a panic attack when we went through the car wash. Sheldon: Perhaps the emotion you're referring to was shock at you having something cleaned. Leonard: I think what Penny meant is, the thought of you two in a mine is kind of funny, it's like a cat riding a Roomba. Howard:If they get scared, they'll have those hats with the lights on them, 'cause down there it's night-night all the time. Bernadette: Maybe they could ride around in one of those mine carts that go (squeakily) ee-oo-ee-oo-ee-oo. Leonard: Yeah, it'll help them get away when they see a g-g-ghost. Sheldon:Are they making fun of us? Raj: Yup.
SUMMARY: | After Penny gets a company car, she sells the one that Leonard gave her months ago and gives him the money. It bothers Leonard and leads to a conflict between the two. They later share a dinner with Howard and Bernadette to seek their counsel on marriage and finances, but this in turn leads to an argument between Bernadette and Howard over money since Bernadette earns more than Howard. Leonard and Penny decide to use it as an example of what not to do in their marriage and finish having sex on the money. Bernadette and Howard eventually make up as well. Raj and Sheldon see a chance to study dark matter by participating in experiments conducted in a salt mine. To test themselves, they crawl into a hot, sweaty steam pipe tunnel in the university basement with Amy waiting above ground. Sheldon fights several phobias including fear of enclosed places. He also reveals his fear that his new research will fail him like string theory did. Raj consoles him by relating his own fear when he first left India. When some rats show up, a panicked Sheldon quickly abandons Raj, who later excoriates Sheldon for doing so. Their simulation lasts eleven minutes, longer than Amy's estimates. |
fd_Justified_04x04 | fd_Justified_04x04_0 | TEXT: [PREVIOUSLY_ON] I'm gonna need you to get out. If I wanted to do wrong by you, there are things I could say. What about Ellen May? What if in her need to unburden her soul she decides to divulge certain details about the murder of a pimp? Praise Jesus! Billy! Somebody call an ambulance now! Somebody please call an ambulance. Randall decided he didn't like the idea these guys had been puttin' their hands on me. Ended up beating one half to death. Fighter management. Get Lindsey to run the old scam. Rip off some fella' does backyard fights name of Hoppus? You get the cash, I'll make the call. How about six o'clock this pm I put a little limp in that Gary Cooper walk? Write my name all over that pretty face of yours. How's that sound? How much you got? Ten. Good for you. Lindsey ain't here tonight? Well, last I saw her she was headed up to wait for you. Guess she got tired of waiting. I'm thinking you should have seen this coming. Too easy, duckin' me like that. Six pm, don't be late. So it's Randall then, came back and took your money? Meaning what? Everybody knows? All about your secret money? Please. Great. How much we talkin'? Raylan: It was a goodly sum. Rachel: You gonna call it in? Raylan: And say what? I don't know if Lindsey's part of it or he come back, whacked her over the head, and took her off like a caveman. [ Liquid pours ] Rachel: She keep stuff here? Raylan: Like? Rachel: Clothes, makeup for whenever she stays over? Raylan: Like a overnight kit... Little clutch, toothbrush. Rachel: And is it still here? Raylan: No. Rachel: Mm-hmm. Raylan: Don't mean she ain't in trouble. Rachel: Doesn't look like she's planning on sleeping over much, either. How much you know about this girl? Raylan: She's
SUMMARY: | Raylan and Rachel are surveying Raylan's tossed apartment. Meanwhile, Lindsay and Randall go to visit sleazy fight promoter Joe Hoppus, who after a tense exchange agrees to set Randall up as a manager of fighters. Raylan and Rachel show up at Hoppus's house the next morning, finding a wrecked backyard full of hungover party goers and Hoppus in a three-way with a couple of prostitutes. Hoppus imparts that Randall was looking to get into the business of fighting chickens, and gives Raylan the name of the farmer that he was headed to see. Randall and Lindsey stop for gas, and Randall steals a bottle of beer while Lindsey distracts the cashier. Randall gets angry because he thinks the cashier was flirting with Lindsay, and goes back to beat him up. Lindsay, disgusted, calls Raylan from a pay phone. Raylan later questions the badly beaten cashier. Raylan learns where Lindsay and Randall are headed and finds them on a horse farm farther north. He shoots Randall with a non-lethal beanbag gun and questions Lindsay, forgetting about Randall, who regains his wits and attacks. Raylan and Randall fight until Lindsay gets the beanbag gun; she shoots Raylan, then Randall, and knocks Randall out with the butt of the gun. Raylan comes to his senses to find Lindsay gone. Raylan detains Randall, but learns that he and Lindsay had already spent Raylan's money on a van full of fighting chickens. Meanwhile, Boyd and Ava grapple over what to do with Ellen May when she returns to the bar after Preacher Billy's death. Knowing that Ellen May holds secrets that can burn them down, Ava presses Boyd to have her killed. Boyd proposes an alternate solution: send her down to Alabama, where his cousin Lonnie runs a motel and bar. Ellen May can work for Lonnie and have a shot at a decent life. However, when Ellen May inadvertently mentions Ava's murder of Delroy in a crowded hallway, with several people nearby, Boyd orders Colt to kill her. Colt, acting as though he is taking Ellen May to the bus station, stops at a gas station to check his .45 and snort some heroin in the restroom. When he goes back outside, he discovers Ellen May has disappeared. |
fd_Alias_04x08 | fd_Alias_04x08_0 | TEXT: Open to daytime establishing scene of aerial view of the beach area where Sydney and Weiss live. Cut to Nadia, sitting at the breakfast counter, while Sydney stands behind it in the kitchen area, getting ready to prepare breakfast. Nadia: We were driving on Mullholland, you know, all the curves...and we come around this corner and the sun's right in our eyes... Sydney: Egg whites? Nadia: Yeah, sure...thanks. Sydney: So the sun's in your face? Nadia: Completely blinding me. And the first thing he does, without even thinking about it, is...he slaps down the, uh... Sydney (supplying word for her): Visor... Nadia: Yeah, the visor...so the sun's not in my eyes. And I just thought that was so sweet! Sydney: He really likes you. Nadia: He's so funny. Sydney: You're not gonna break his heart, though, right? Nadia: Me? Sydney: Eric's a friend; you know what I mean. Nadia: No, I like him, too. (pauses, looks down) Sydney: But... Nadia: But nothing. They nod at each other and then both their cell phones go off. Nadia: Hello. Sydney: Yeah. Nadia: Okay, I'll be there. They both hang up their cell phones. Nadia (getting up from her chair): We'll eat later. Cut to Vaughn and Weiss walking down the hallway leading to APO talking. Vaughn (scoffing): She compared you to ice cream... Weiss: Yeah, Vanilla Swiss Almond, which is a really significant flavor... Vaughn: I'm not saying it's not... Weiss: And then she said I'm like this big spoonful... Vaughn: Which you took as a compliment!? Weiss: I take everything she says as a compliment; she's got that great accent. I don't know; I can't even look at this girl, she's so pretty! Man, I... Vaughn (cutting Weiss off): Nadia's great. I know that
SUMMARY: | Former K Directorate agent Anna Espinosa abducts and tortures Nadia. Sydney relates a Rambaldi prophecy that says that she and her sister must fight to the death. Sloane makes it clear that Espinosa is part of the Cadmus Revolutionary Front; a Rambaldi-obsessed group and will try to make the prophecy come true. Espinosa shoots Nadia, leaving her in a coma. Mr. Sark claims to have knowledge about the Cadmus Revolutionary Front and tries to cut a deal. |
fd_Greek_01x18 | fd_Greek_01x18_0 | TEXT: CRU - Street Frannie : Ready to get your ass kicked? Ready to kick yours actually. Rebecca : Please. You dogs are all bark. Casey : What did you call us? Rebecca : You heard me. Care to make things a little more interesting? Frannie : Like a bet? Rebecca : Are you even allowed to? Isn't gambling a gateway behavior back to bitchery? Casey : Well, you're the expert. So what are your terms? Rebecca : Losers are on laundry duty for a week. Frannie : What an amateur. Losers are on bathroom duty... Fraternity bathroom duty. Casey : Sounds good. Losers clean their winning team's bathrooms. We're on. I forgot how good you are when you're bad. Frannie : Don't be silly. I've sworn off bad, remember? OMEGA CHI HOUSE - Living room Frannie : ZBZ fest is our annual philanthropy event in which every fraternity at CRU competes for the ZBZ fest cup as well as the title of big cat on campus, which was named after our famous ZBZ mascot, PussyWillow the Cat. Aside from bragging rights, all of the money you raise through this week's activities will go to charity. And as your coach, I will be guiding you through each event, which will test your... LAMBDA SIGMA HOUSE - Garden Casey : Talent, endurance, and athleticism. That one should be easy for you guys. As for the events, we have the scratching post pole cross contest, the kitty kennel phone-a-thon the sitting kitty seesaw sit. And the crowning event of ZBZ fest, the Mr. Purr-fect pageant. And you guys know what that means. Pick the brother who looks best in a speedo. Kidding. Shane : Well, thank God. 'Cause I'm a thong man. Casey : Where was I? All right, the Mr. Purr-fect event... KAPPA TAU HOUSE
SUMMARY: | The ZBZ girls compete head to head with one another as they each coach a different fraternity in a series of crazy contests. Casey ends up coaching the Lambda Sigs and develops a crush on one of the brothers of that fraternity. While Rebecca coaches the Kappa Tau's and puts her relationship with Cappie to the test. Who will come out on top? |
fd_The_Big_Bang_Theory_06x18 | fd_The_Big_Bang_Theory_06x18_0 | TEXT: Scene: The apartment Leonard: Look, I know you guys don't want to do this, but we have no choice. So, you can either bitch and whine or we can just get it over with. Howard: I got whine. Sheldon: I got the B word. Leonard: Yeah, well, it's in our contract to serve on a university committee. And frankly, this is one I believe in. Okay, here we go. Encouraging more women to pursue a career in the sciences. Howard: Come on, if I was any good at convincing women to do stuff, I wouldn't have spent so much of my twenties in the shower. Sheldon: If you ask me, this whole thing is a waste of our time. Leonard: Helping women? Y Sheldon: Helping anyone. People should take care of themselves. Leonard: Oh, like yesterday, when you made me drive you to the dry cleaners, the pharmacy and the post office? Sheldon: I'm not saying people can't use tools. Even an otter picks up a rock when he wants a clam. Leonard: You don't think it's worthwhile to try to get more women working in science. Sheldon: I think that's incredibly sexist of you. I believe in a gender-blind society like in Star Trek, where women and men of all races and creeds work side by side as equals. Leonard: You mean where they were advanced enough to invent an interstellar warp drive, but a black lady still answered the space phone? Howard: Oh, I did spend a lot of my shower time with Lieutenant Uhura. Sheldon: Howard's disturbing recollections aside, I don't appreciate being forced to do banal committee work. Leonard: Yes, I know, you're too smart for this. Sheldon: Exactly. It's like asking the Human Torch to heat up your frozen burrito. Leonard: Got it. All right, I'm thinking one way to counter bias in the peer-review process, is for papers to be submitted under gender-neutral names. Like S. Smith instead of Samantha Smith. Sheldon: I suppose
SUMMARY: | As part of their Caltech contracts, Leonard, Sheldon and Howard must serve on a committee that promotes science among young women. Neither Sheldon nor Howard are interested, but on Leonard's cajoling, Sheldon suggests focusing on middle school girls and inspiring them to pursue science after completing school. They implement their ideas at Howard's old middle school but cannot enthuse the girls for science, so Sheldon calls Amy and Bernadette, both scientists, to talk to the class by phone about careers in science. The women have meanwhile skipped work to go to Disneyland and be made up as Disney princesses. All want to be Cinderella, but Bernadette insists she be Cinderella since she planned the trip and drove them there, so Penny is Aurora from Sleeping Beauty and Amy is Snow White. Back home, Bernadette's and Penny's costumes turn on their partners. Amy, still in her Snow White costume, wants Sheldon to awaken her with a kiss, but he is tired and uninterested. Elsewhere, Raj and Lucy have a "texting date" in the library: they interact by texting to circumvent their social problems. At the end of their date Lucy wants to kiss Raj, but gets shy before doing so. Raj is impressed, counting it as foreplay. |
fd_Gilmore_Girls_06x20 | fd_Gilmore_Girls_06x20_0 | TEXT: [Before the teaser there is a montage of scenes from previous episodes.] DRAGONFLY INN [Sookie is getting coffee for Lorelai] LORELAI: Is there something long and sharp sticking out of my head? SOOKIE: No. LORELAI: I want there to be. There's an effect. I need a cause. SOOKIE: The cause was 10 giant shots of Tequila, sweetie. LORELAI: It makes me woozy just hearing that. SOOKIE: That's the price you pay for being the hit of Lane's wedding. LORELAI: Hit? I was a raving lunatic. And that toast...[A pan bangs on the counter] Oh, my god! Loudest sound ever. FRED: Sorry. SOOKIE: Don't worry about the toast. And you weren't a lunatic. You were a character. What is Stars Hollow if not a haven for colorful characters? I mean you're not up there with Stevie the pantsless Santa Claus or Jojo the cow whisperer, but you made some strides. LORELAI: Is this supposed to be a consolation? [More pan bangs] That's twice in 20 seconds, Fred. FRED: Sorry. SOOKIE: I've seen you wasted before but never like this. I mean we had you guzzling coffee, but coffee was making you energetically wasted. LORELAI: I should borrow the reception video to see what a fool I made out of myself. SOOKIE: And check out your audition. LORELAI: My what? [Bangs the pans again] You want a piece of me, omelet boy? SOOKIE: Fred why don't you let the vegetables simmer for a while? I'll look after them. FRED: Sure, Sookie. LORELAI: Sorry, Fred. I'm not myself this morning. [Small Laugh] So, now, what did I do in front of the camera? SOOKIE: Well when you spotted the videographer, you got suddenly very excited to film your audition tape for
SUMMARY: | Luke decides to give April a birthday party at the diner. Lorelai volunteers to help and is hurt when Luke explains that he still thinks it's too soon for them to meet. However, Luke changes his mind when the party is a disaster, giving Lorelai a chance to bond with April. Meanwhile, Rory rushes to be with Logan at the hospital after he is seriously injured during a stunt with the Life and Death Brigade. |
fd_The_Mentalist_02x17 | fd_The_Mentalist_02x17_0 | TEXT: Ext. Daytime. CBI Building (Lisbon, Jane, Rigsby sortent du batiment) Lisbon: Her name's Madeleine Hightower. She's been running Intelligence down in Fresno. Rigsby: New boss? Jane: New boss. Madeleine Hightower. Lisbon: Chief Deputy A. G. says she'll be here sometime tomorrow. Word is she's hard as nails... Political, tight statehouse connections. Rigsby: So this is good for us. We'll have some real muscle upstairs. Lisbon: We'll see. Jane: No need to be nervous. Lisbon: I'm not nervous. Jane: You're an exemplary agent. No reason for butterflies. Lisbon: No butterflies. I'm fine. Jane: Keep telling yourself that. (The three get in the CBI 4X4) Ext. Daytime. Hopper Banks Estate. Citrus Heights, California (Lisbon, Jane, Rigsby, Vic Bandino) (Lisbon's car arrives at the scene of the crime) Vic Bandino: Vic Bandino, Alpha Bravo residential security. Appreciate your quick response. Lisbon: Agent Lisbon. This is Patrick Jane, and this is Ag... Vic Bandino: Wayne Rigsby. CBI, huh? You did okay. Rigsby: Hi, Bandino. What's up? We worked a couple of cases together back in the day. San Diego P. D. Arson squad. Yeah. Vic Bandino: Boy, those were the times, huh? Remember that stakeout in Pismo? You ever call that chick? Lisbon: Yeah... would you show us the body, Mr. Bandino? Vic Bandino: Yes, ma'am. Yeah, of course. Please. He's in the pool house. Name's James Smithson... 28, British citizen. He's a high-priced tutor for local kids. Daughter of the homeowner's one of the students. Couple months ago they let him move in here. Lisbon: Rigsby, can you find out why the coroner's not here? Rigsby: Yeah, sure. Lisbon: Who found the
SUMMARY: | Jane and the CBI team investigate the murder of a tutor, and find a mysterious little red box near the body, starting a chain of events that turns the murder into the search for a priceless ring stolen from the British Museum. Meanwhile, Lisbon is worried when a new boss, Madeleine Hightower, takes command of the CBI, and informs Lisbon that she has mysteriously learned about Rigsby and Van Pelt's relationship. |
fd_Roswell_03x03 | fd_Roswell_03x03_0 | TEXT: 46th Episode of Roswell Production Code: 3ADA03 [SCENE_BREAK] [Isabel and Jesse are shown kissing each other, and seeing each other on the street. At night, they have a redesvous at a movie theatre] Isabel: I can't believe she married him. Jesse: She loved him. Isabel: She did. She really, really loved him. Jesse: Even though he was damaged. Isabel: And wounded. He was so wounded. Jesse: She didn't care. Jesse: She was brave enough to see past that, you know, to see how good he really was. Isabel: I love old movies, you know? The hero always catches the bad guy or wins the war or gets married and lives happily ever after. I wish real life could be like that. Jesse: It can be like that. [Later, at home, Isabel touches a picture of her and Jess, and enters his dream- in the dream he proposes to her] Jesse: Isabel, will you marry me? Isabel: Yes. (in the dream) Isabel: Oh, my god! Oh, my god. [The next day, Isabel is looking at diamonds, and Alex (his ghost) appears] Alex: I go away for a couple of days, and you're looking at wedding rings. Isabel: Alex... Where have you been? I've missed you. Alex: If only you loved me this much when i was alive. Isabel: Alex. Alex: I'm kidding. I'm kidding. [At the crashdown, Liz and her father are arguing with each other- Michael and the security guards come in for breakfast] Liz: Chili and a hot dog. Mr. Parker: No fries? Liz: Did I say fries? Maria: scrambled, bacon, buttered toast. Mr. Parker: You got it. Maria: You know, I work here, too. Liz: Good. Maybe we could stage a revolt, burn down the kitchen, and free the slaves. Maria: You're making life impossible. Liz: Well, he could fire me. Maria: Or i could kill you. Liz: See, you're too late for that, because I'm working, like, 90 hours
SUMMARY: | With Alex's ghost as her guide, Isabel must finally confront her fears about love and her conflicted feelings for Jesse. Meanwhile, Maria happily discovers a whole new, human part of Michael in, of all places, a bowling alley, and Liz and Max struggle to remain together despite her father's insistent disapproval. |
fd_FRIENDS_01x20 | fd_FRIENDS_01x20_0 | TEXT: Originally written by Doty Abrams. Transcribed by guineapig. PRE-INTRO SCENE: RACHEL+MONICA'S APARTMENT (ALL PRESENT) CHANDLER: I can't believe you would actually say that. I would much rather be Mr.Peanut than Mr.Salty. JOEY: No way! Mr.Salty is a sailor, all right, he's got to be, like, thetoughest snack there is. ROSS: I don't know, you don't wanna mess with corn nuts. They're craaazy. MONICA: (LOOKING OUT OF WINDOW) Oh my God. You guys! You gotta come see this! There's some creep out there with a telescope! ROSS: I can't believe it! He's looking right at us! RACHEL: Oh, that is so sick. CHANDLER: I feel violated. And not in a good way. PHOEBE: How can people do that?... (ALL BUT PHOEBE WALK AWAY FROM THE WINDOW IN DISGUST) Oh, you guys, look! Ugly Naked Guy got gravity boots! OPENING TITLES SCENE 1: CENTRAL PERK (ALL PRESENT EXCEPT RACHEL) CHANDLER: I am telling you, years from now, schoolchildren will study it as one of the greatest first dates of all time. It was unbelievable! We could totally be ourselves, we didn't have to play any games... MONICA: So have you called her yet? CHANDLER: Let her know I like her? What are you, insane? (THE GIRLS MAKE DISGUSTED NOISES) It's the next day! How needy do I want to seem? (TO THE GUYS) I'm right, right? JOEY+ROSS: Oh, yeah. Yeah. Let her dangle. MONICA: I can't believe my parents are actually pressuring me to find one of you people. PHOEBE: Oh, God, just do it! (GETTING
SUMMARY: | Rachel and Barry secretly see each other, even though he is now engaged to Mindy, who asks Rachel to be her maid of honor. When Mindy says she and Barry had an affair while Rachel was engaged to Barry, Rachel finally confesses to Mindy that she has been sleeping with Barry; the two women confront him, though Mindy still wants to marry Barry. Meanwhile, Chandler goes nuts when a woman he likes does not return his phone calls, later realizing there was a mix-up. The friends become annoyed after discovering someone across the street is spying on them. |
fd_Doctor_Who_1963_05x20 | fd_Doctor_Who_1963_05x20_0 | TEXT: THE ENEMY OF THE WORLD by DAVID WHITAKER first broadcast - 13th January 1968 running time - 23mins 46secs [SCENE_BREAK] 1. SALAMANDER'S OFFICE SALAMANDER: But I tell you... I must get back to Research Centre. You will come with me. BRUCE: It was you! Or... someone like you. [SCENE_BREAK] 2. KENT'S OFFICE DOCTOR: Patience, Mister Kent, patience. KENT: Astrid should have been in contact by now. DOCTOR: Oh, perhaps her plan to infiltrate into Salamander's organisation has failed. KENT: Ah, no, otherwise Benik's little visit here wouldn't have been so moderate. He wouldn't have stopped at breaking up the crockery. DOCTOR: Can't you contact her? KENT: If I knew where she was. Oh no, I know she's in the Central European Zone, but that's a big place. No, we'll just have to sweat it out and wait. DOCTOR: But your friend Benik did indicate we weren't entirely welcome here, you know. KENT: Yes, it's not safe, ah, and taking you from place to place isn't easy. And I mean, you're er, not exactly inconspicuous, are you? DOCTOR: Ah, thank you. Well, I suggest we give her another hour, and then if she doesn't contact us by then, we'll move out and find out what has happened. [SCENE_BREAK] 3. OUTSIDE (ASTRID arrives. She keys the intercom.) [SCENE_BREAK] 4. KENT'S OFFICE KENT: Astrid, you're back. Switch to scramble. ASTRID: (On intercom.) Scramble? Are we being monitored? KENT:... ASTRID: Right. Switching now. [SCENE_BREAK] 5. RESEARCH CENTRE BENIK: Has Leader Salamander's ship arrived at the terminal? GUARD: I think it's due
SUMMARY: | Fariah brings the Doctor and Kent evidence of Salamander's activities but then they come under attack from Benik. |
fd_One_Tree_Hill_09x04 | fd_One_Tree_Hill_09x04_0 | TEXT: [PREVIOUSLY_ON] QUINN: I saw you. CLAY: You saw what? What's the matter? QUINN: I saw you buying drugs, Clay. You've been lying to me this entire time. MICRO: You've been shrinking my shirts, haven't you? MILLICENT: No, Marvin! Nobody shrunk your shirts! You're fat! Fat, fat, fat! CHASE: I want you to live here, with me. CHRIS: Hey. I thought you left. ALEX: I want to take that tour. WOMAN: Is that Dan Scott? HALEY: Yes. WOMAN: How could you allow that man to work for you? He's a murderer! HALEY: I really don't think that's any of your business. Now get out. NATHAN: When I come back, you need to be gone. DAN: I understand. JAMIE: Grandpa Dan. I was worried. I thought maybe you were leaving, too. DAN: Don't worry, Jamie. I'm not going anywhere. JULIAN: Hey, baby. BROOKE: Well, the daycare called and said you never dropped Davis off. HOPITAL Julian is worried, Brooke arrives and passes away on him. CLINN'S HOUSE Quinn enters in the house and calls Clay. QUINN: Clay? Clay, are you home? STREET Clay sees a dealer of drugs in his car. IN FRONT OF KAREN'S CAFE Haley gets out and sees a panel on the other cafe. NALEY'S HOUSE Dan and Jamie camp in the backyard. JAMIE: I like camping in the backyard. Do you think dad will stay out here with me? DAN: I think that's a pretty safe bet. JAMIE: Did you guys ever go camping? DAN: No, we never got the chance. JAMIE: Maybe when he gets home, the three of us can. DAN: you miss him, huh? JAMIE: Yeah. He'll be home soon, though. DAN: Yeah. HOSPITAL Brook
SUMMARY: | Clay gets into trouble and Quinn gets involved; Julian deals with his guilt over leaving the baby in the car; Mouth agrees to take care of his health but continues eating when Millie is asleep. Meanwhile, a new cafe opens and the owner immediately angers Brooke and Haley. This episode is named after a song by Kate Nash . |
fd_Charmed_02x20 | fd_Charmed_02x20_0 | TEXT: Teleplay by: Constance M. Burge and David Simkims Story by: Constance M. Burge [SCENE_BREAK] [Scene: Manor. Kitchen. Piper's there reading some mail. Phoebe walks in still in her pyjamas.] Phoebe: Morning. Piper: Hey, Pheebs. Phoebe: Uh, did you get the postcard from Dan? Piper: Yeah, it sounds like he's having a great time. Phoebe: What's the matter? Is something wrong? (Phoebe looks in the cupboard.) Piper: I got another letter from Dr. Williamson. Phoebe: Williamson? Isn't he the specialist that treated you for Arroyo fever? Piper: That would be him. (Phoebe opens the pantry.) Phoebe: Oh that was months ago. What does he want? Piper: He wants me to come in for blood work so he can make sure I'm cured. Phoebe: An angel brought you back to life. Trust me, you're cured. Piper: I know, but I can't exactly tell him that. Phoebe: So just throw the letter away. Piper: I have been. He keeps sending more. (Phoebe looks in the bin.) Phoebe: Here's my Granola. (She pulls out an empty box of Granola.) What's it doing in the trash? I just bought this two days ago. Who eats this besides me? Piper: Leo, but I'll replace it, I promise. (Phoebe throws the box back in the bin.) Phoebe: Um, Piper, um, I don't want you to think I mind because I don't but if Leo's gonna be living here then I think we should probably set some ground rules, you know. Piper: Leo doesn't live here. Phoebe: He eats breakfast here. Piper: Uh huh. Phoebe: A lot. Piper: Maybe
SUMMARY: | The doctor who treated Piper when she was sick with Oroya fever is trying to figure out how she was able to make complete recovery. As a result, accidentally gains their magical powers from their blood during a test he was conducting. Following this, he starts to use his newfound abilities in an attempt to save his dying sister. However, it doesn't take long for the doctor to go mad from having the sisters' magical powers and they have to find a way to remove them while not bringing any harm to the doctor. Meanwhile, Prue's latest assignment brings some unwanted attention from the paparazzi. |
fd_Doctor_Who_1963_09x03 | fd_Doctor_Who_1963_09x03_0 | TEXT: DAY OF THE DALEKS BY: LOUIS MARKS 5:50pm - 6:15pm [SCENE_BREAK] 1: EXT. AUDERLY HOUSE (The DOCTOR climbs in the seat of the jeep vacated by the driver and sets off at speed. The BRIGADIER calls after him...) BRIGADIER LETHBRIDGE-STEWART: Doctor, come back at once! (He gives a rueful shake of the head.) [SCENE_BREAK] 2: EXT. TUNNEL AREA (The jeep crashes through the undergrowth and arrives at the bridge. The DOCTOR gets out and runs through a gap in a chainlink fence, down the canal side and into the tunnel.) [SCENE_BREAK] 3: INT. TUNNEL (He pauses within the brick-lined passageway. As he looks round, he hears the sound of materialisation from one of the time travel machines. A DALEK fades into view in a side tunnel and he looks once more upon the form of his greatest enemies. He reacts instantly and looking round quickly, runs at full pace further down the tunnel.) [SCENE_BREAK] 4: INT. ANOTHER PART OF THE TUNNEL (Two DALEKS glide from opposite directions and turn down the same side tunnel.) [SCENE_BREAK] 5: INT. ANOTHER PART OF THE TUNNEL (The DOCTOR runs down another brick passageway. He reaches an intersection, stops and looks urgently round. ANAT and BOAZ stand there, the latter's hands round one of their time machines which he is about to operate. BOAZ sees the DOCTOR.) BOAZ: Get back! Get back! DOCTOR: Please! Wait! I've got to talk to you! ANAT: Keep away! (She suddenly gasps and looks in horror over the DOCTOR'S shoulder. He looks behind him and sees that a DALEK is a few feet away.) DALEK: Exterminate! BOAZ: __ or you'll be caught
SUMMARY: | The Doctor forces the guerrillas to take him to the 22nd century where he is soon captured by the Controller. |
fd_Charmed_05x08 | fd_Charmed_05x08_0 | TEXT: [Scene: Manor. Front porch. Phoebe and Miles are there.] Phoebe: So, here we are. Miles: Front porch. Phoebe: Yeah. Where all good dates end. Miles: What about great dates? Phoebe: Oh, no, great dates never end on the front porch. Miles: So that only leaves one question. Was this a good date or a great date? Phoebe: I'll tell you in a second. (They lean in for a kiss but is interrupted by Piper and Leo carrying groceries to the door.) Piper: Heads up! Pregnant lady coming through with groceries. Here we go, people. (Piper goes inside.) Phoebe: What's wrong with Piper? Leo: Oh, they gave us paper instead of plastic. (Leo goes inside.) [Cut to inside. Foyer.] Leo: What was that about? Piper: Oh, tell me about it. I practically needed a crowbar to pry them apart. Leo: I meant with you. Piper: Me? Phoebe's the one with the puppy love eyes. Doesn't that bother you? Leo: No, it-it doesn't. Should it? Piper: Yes. Miles is not her type and she would see that if she wasn't on the rebound. Leo: Okay, I don't think so. I think he's a nice guy. Piper: He just got divorced. Leo: So did she. Piper: He's wearing cologne. Leo: Oh, and that's a bad thing. Piper: And he's a computer programmer? He works with numbers all day. You know how is with math. They have absolutely nothing in common. (They walk into the parlor.) Leo: You're right. We-we should just vanquish him. Piper: All I'm saying is she needs to slow down or she's gonna get hurt. (Paige and her date pops their heads up from the couch where they were busy making out.) Paige: Hey.
SUMMARY: | Phoebe inadvertently opens a tunnel in time by repeatedly saving the life of her new boyfriend Miles, who is destined to die. The time tunnel provides a pathway for a warlock from the future named Baccara to team up with his present self and steal the Book of Shadows . With the help of his present self he steals the Charmed Ones powers and kills Phoebe and Paige. Piper manages to escape with Leo's help and uses the time rift to travel back in time. There she gets her past self to prevent Phoebe from saving Miles, changing time and setting history onto its right track. |
fd_Doctor_Who_1963_12x08 | fd_Doctor_Who_1963_12x08_0 | TEXT: DOCTOR WHO THE ARK IN SPACE BY ROBERT HOLMES PART ONE 5:30pm - 5:55pm [SCENE_BREAK] SARAH: Run, Doctor! Run! NOAH: Stay, Vira, stay... Abandon the Ark, Vira! Take the transport ship. Leave now. If you stay, you are doomed. VIRA: That would be desertion! NOAH: Then, you must die - all of you! When the Wirrn emerge, you will be hunted down and destroyed, as you destroyed us! SARAH: (To NOAH.)We've never destroyed... (To the DOCTOR.) What does he mean? NOAH: Long ago... Long ago, humans came to the old lands. For a thousand years, the Wirrn fought them, but you humans destroyed the breeding colonies. The Wirrn were driven from Andromeda. VIRA: Andromeda? So our star pioneers succeeded? NOAH: Since then, we have drifted through space, searching for a new habitat. The Ark is ours! It must be ours! DOCTOR: But the Wirrn live in space. You don't need the Ark! NOAH (OOV.): You know nothing! NOAH: We live in space, but our breeding colonies are terrestrial. DOCTOR: But you could leave the Ark and go on. There's plenty of room in the Galaxy for us all. NOAH: In the old lands, senseless herbivores, cattle, were the hosts for our hatchlings. Now we shall use the humans in the Cryogenic Chamber. We shall be informed with all human knowledge. In one generation, the Wirrn will become an advanced, technological species. We shall have power! VIRA: That proposition is genetically impossible! NOAH: I already have all Dune's knowledge! High-energy physics, quantum mechanics... Every ramate in the next hatching of Wirrn will possess the sum of your race's learning. NOAH (OOV.): That is why you must die! DOCTOR: Time to leave. NOAH: Leave the Ark, Vira, or die
SUMMARY: | The Doctor tries to protect the humans still in cryogenic suspension from the Wirrn, who are determined to use Earth as their new breeding ground. |
fd_How_I_Met_Your_Mother_04x15 | fd_How_I_Met_Your_Mother_04x15_0 | TEXT: The band is in McClaren's. Lily: Look. Three beautiful blondes drinking bad decision juice at 8am. Marshall: Pretty radar chest. This is my wife. Barney: No, I must go. Lily: Seriously? They are blond and stuffed. This is not your type? Barney: Maybe I did not like. My God, you think that the male spirit is really so simple, we all have a favorite type? Lord.Asian, big tits. I go to the bathroom, then I'm going. Lily: You noticed that Barney is weird lately? Ted: Actually, yes. You know, he never gives flowers to a girl, because living things remind babies? Lily: Yes. Ted: The other day I saw him in a flower shop on the 82nd, he bought roses. Robin: What? Marshall: Now that you say, Barney did something weird yesterday at the office. Flashback Barney is sitting in his office. Barney: OK, to Saturday. (Marshall is in the doorway) I was thinking of a brunch, and perhaps a hike. I love you too. End flashback Marshall: I thought he was talking to a girl he just wanted to jump. Or Ted, but now I know more. Lily: You think it is possible that Barney Stinson has a girlfriend? Barney: A plus. Lily: Wait. Where are you going? Barney: Nowhere. At the beach. It's winter. Laser Tag. At home. Shut up! It is you who are going somewhere. Barney leaves the bar. Lily: My God. He goes to see now. Everyone ran from the bar to catch Barney. They are all in a taxi and follow Barney. Marshall: Where is Barney? Ted: Yeah. It is even more in Manhattan. Where does this girl? Robin: We talk about a woman that Barney Stinson has worked. I vote for Narnia. Ted: He stops. Barney enters a house without knocking. Lily knocking on the door. Barney opens. Barney: What are you doing here? Lily: Where is she? Barney: Who? Lily: Your girlfriend. You did not really like
SUMMARY: | The gang suspect Barney has a girlfriend after he suddenly leaves MacLaren's but realizes he has a wife and a son. |
fd_Doctor_Who_1963_02x08 | fd_Doctor_Who_1963_02x08_0 | TEXT: THE DALEK INVASION OF EARTH 5:40pm - 6:05pm [SCENE_BREAK] 1: EXT. EDGE OF THE MINESHAFT (NIGHT) LARRY MADISON: It's a sheer drop! IAN: We'll have to go back. (They turn back but the SLYTHER has pursued them.) LARRY MADISON: The Slyther, Ian! It's coming straight for us! (Claw outstretched, the SLYTHER moves towards the two men. They back further towards the edge of the shaft and IAN sees that LARRY is about to fall.) IAN: (Reaching out to grab him.) Larry! (LARRY misses IAN'S grab and falls over.) LARRY MADISON: Ian! (He grabs the edge of a mining bucket that hangs over the shaft. IAN jumps onto the bucket and then into it as the SLYTHER gets closer. IAN reaches over to pull LARRY in.) IAN: Hold on Larry! (IAN pulls him into he bucket.) IAN: All right? LARRY MADISON: Thanks. IAN: Still coming. I hope it can't jump. LARRY MADISON: It's gonna try! (The SLYTHER jumps onto the edge of the bucket. IAN grabs a rock from the floor of the bucket and clubs the creature until it loses it grip and falls down the shaft.) LARRY MADISON: Let's get out of here. IAN: No...no...hang on a minute. Somebody might have heard us. [SCENE_BREAK] 2: INT. DALEK CONTROL ROOM (The door of the control room slides upward and the BLACK DALEK glides into the room and up to one of its subordinates.) BLACK DALEK: There is no work party in shaft nine. Why? FIRST DALEK: The section is completed. The labour force is being assembled for clearing operations. BLACK DALEK: Work must proceed to schedule. There must be no delays. FIRST DALEK: All will be ready. The waste
SUMMARY: | The TARDIS returns to London; however, it's the 22nd century. With bodies in the river, and quiet in the docklands, the city is a very different place. The Daleks have invaded and it's up to the Doctor to thwart them once again. |
fd_FRIENDS_06x08 | fd_FRIENDS_06x08_0 | TEXT: [Scene: Joey and Janine's, Chandler knocks on the front door. Joey answers the door.] Joey: Hey. Chandler: Hi, my name's Chandler. I just moved in next door and I was wondering if you would be interested in battling me in a post-apoplectic world for control of the galaxies last remaining energy source? Joey: Sure, neighbor come on in. Chandler: So, is Janine around? Joey: Uh, no, she's at dance class. Chandler: Can I check out what she did to my room? Joey: Yeah, but, hey look, don't go through her stuff. She gets really mad.(Chandler gives him a look and walks to the door of his old room.) Chandler: (The room is filled with flowers and a floral print sheet on the bed.) Oh my God. What is th... it's like a guy never lived in here. Look, you've got to be careful. This girl thing is dangerous. (Looking around the living room.) It's spreading already. Joey: (Looking around the room.) It is??? Chandler: (Picking up a pillow.) Yeah, is this your pretty pink pillow on the couch? Joey: No. Chandler: (Pointing to the table and picking up the box.) Is that your tiny little box, that's too small to put anything in? Joey: No. Chandler: No! Ok, this is not good. You are a guy. Ok? This is a guys place. If you let this go, you're going to be sitting around with your fingers soaking in stuff. Joey: (With Big Eyes.) All right, you're right. I'll talk to her. Chandler: Yes talk to her. Be a man. Joey: I'm a man. Chandler: Defend yourself. Joey: (Grunting) Hmm. (Monica opens the front door and comes in.) Monica: Chandler come on. We have to hem the new dust ruffle. Chandler: Be right there sweetums. (Monica leaves. To Joey.) A totally different situation. Opening Credit
SUMMARY: | Ross bleaches his teeth for a date with Monica's coworker. The only problem is that they now glow in the dark. Chandler convinces Joey that Janine is trying to take over his apartment. Phoebe makes out with the copy guy at Rachel's office. Rachel spreads rumors about Phoebe but her boss thinks that Rachel slept with Ralph Lauren. |
fd_The_Walking_Dead_04x08 | fd_The_Walking_Dead_04x08_0 | TEXT: Too Far Gone - TWD [PREVIOUSLY_ON] Don't hurt my little girl. Don't pretend to be a governor. Failing to see the devil beside you. Oh, I see him all right. I need to talk to you about Carol. I'm in charge. No dead weight. End of the world don't mean sh1t when you got a tank. Maybe we can find a better place. Governor: I have to talk all of you into doing something. Something I know we need to do. And I don't know how to talk about it. What do you want us to do? Governor: I want you to survive. We're not gonna last here. The biters, there'll be a herd of them. They'll fill the pits, they'll crawl over one another. There'll be enough to tear right through our camp. Or it'll be people. There's nothing between us and the rest of the world. Nothing between us and them. We stay here, we'll die. The people who destroyed the camp I was in with Martinez... they live in a prison. It's north off Highway. They got walls... fences, plots of land for farming. We could live there. Uh-uh. Governor: If we're willing to take it from 'em. I have a plan to do it without anyone getting hurt. I captured two of them. What? Governor: I was scouting the prison and our paths crossed, so I took 'em. You took them? They're the key. Governor: They're gonna help us take that prison without firing a shot. We can have it and we don't need to kill anyone. But... we need to be prepared to. ( theme music playing ) Governor: The people in this prison, not all of them are bad. But most of them are thieves, murderers. Now why should people like that have peace of mind when we're burying our own just about every day? These people, they mutilated me... burned my camp... killed my daughter. Now you saw me-- I tried. I tried to die. 'Cause I didn't want to accept that you couldn'
SUMMARY: | The Governor captures Michonne and Hershel and challenges Rick and the others to abandon the prison. Though Rick offers co-existence, The Governor refuses and decapitates Hershel, and gunfire breaks out. In the midst of battle, Lilly rushes up to The Governor with the body of Meghan, who was bitten by a walker while playing. The Governor shoots Meghan to prevent her from reanimating and then orders a full-out assault of the prison, tearing through its fences and allowing a horde of walkers in. The survivors in the prison are forced to scatter when they no longer can hold down their defenses. At the same time, Rick and The Governor engage in a one-on-one brawl in which the latter gains the upper hand, only to be mortally stabbed by Michonne just before he can kill Rick. Rick escapes with Carl, while the near-death Governor is approached and executed by Lilly. |
fd_The_Vampire_Diaries_02x02 | fd_The_Vampire_Diaries_02x02_0 | TEXT: [Mystic Falls' hospital] (She wakes up with a start and goes out of the room. The nurse is here) Caroline: Excuse me? Where is everyone? Nurse: It's the middle of the night honey Caroline: It is? Oh, uh... have you seen my mom? Nurse: She left after dinner with your boyfriend and then your friend Elena stepped by Caroline: She did? Yeah, she did but she said her name was Katherine. Can I just get something to eat? Nurse: Breakfast comes around seven Caroline: But I'm hungry Nurse: You should go back to sleep (She goes toward the room but then she stops) Caroline: What is that smell? Nurse: Back to bed (The nurse leaves but Caroline stays in the hallway. She looks everywhere and sees a blood pouch in a patient's room. She goes toward the pouch and touches it but the nurse arrives) Nurse: What are you doing in here? Caroline: I don't know Nurse: You need to go back to bed (She takes Caroline to her room and leaves. Caroline sits down on her bed and takes he blood pouch from her pocket. She drinks but she doesn't like it so she throws the pouch on the floor. She looks at the pouch on the floor and takes it. She drinks) [Mystic Falls' high school] (Everyone is preparing the carnival. Bonnie and Elena are taking care of everything) Bonnie: Katherine looked just like you, it was freakish Elena: She is my ancestor. Eh, I move the student booth into the cafeteria Bonnie: Your vampire ancestor and she didn't just resemble you like a family member would. She was you Elena: I don't know, I can't explain it. It's creepy, that's all you got Bonnie: How do you know she's not still out there pretending to be you? Elena: I don't but I could sit here and be tortured by the not-knowing or I could get these prices to the ring toss Bonnie: Have you talk to Damon since he killed Jeremy or tried to kill Jeremy? Elena: No Bonnie, I haven't and I won't and I don't want to talk about Damon or anything else that'
SUMMARY: | Caroline has become a vampire and awakens in the hospital craving blood. Tyler catches Mason searching for a moonstone, which is a family heirloom. At the carnival, Damon compels a boy named Carter to pick a fight with Tyler to provoke one of Tyler's bursts of anger. Mason breaks up the fight using his supernatural abilities, proving that he is a werewolf. Caroline confronts Damon about his abusive treatment, and he realizes that she is a vampire. He alerts Elena and Stefan, while a ravenous Caroline drains Carter. Stefan promises Caroline he will guide her journey as a vampire. Tyler retrieves the moonstone Mason has been seeking. Matt notices Caroline's erratic behavior but admits that he loves her. |
fd_Gilmore_Girls_01x08 | fd_Gilmore_Girls_01x08_0 | TEXT: 1.08 - Love and War and Snow OPEN AT TOWN MEETING MISS PATTY: This town meeting will come to order. TAYLOR: No one is listening to me. MISS PATTY: Oh, Taylor, calm down. TAYLOR: I can't calm down, I'm being persecuted. MISS PATTY: I promise that we hear you. ANDREW: We've been hearing you for 20 minutes. TAYLOR: Well, excuse me Andrew, but some of us have businesses to run that don't involve peddling drug paraphernalia to kids. ANDREW: It was a lava lamp, Taylor. TAYLOR: There is no use for a lava lamp unless you're on drugs. ANDREW: Oh for crying out loud. MISS PATTY: Now we've already agreed to look into your accusations, lets just move on... (Lorelai slides into her seat next to Rory, carrying food and drinks.) Lorelai (whispers to Rory): What did I miss? RORY: Taylor Doose wants the no parking zone in front of his store removed. He says his customers are being unfairly ticketed. LORELAI: No, its just because he wants to park there all day. RORY: Genius. MAYOR: I have been mayor of this fine town for a long time. I tend to think of all of you as my children. Unfortunately sometimes children have to be disciplined. Now I'm going to say something and I'm only going to say it once. We have leash laws people. LORELAI (whispers to Rory): Daddy's getting angry. MAYOR: Rover will not leash himself. R: Hm, good point. MAYOR: I would like to now move on tom something of even greater importance. As you all know this coming Friday is the anniversary of the legendary battle of Stars Hollow. (applause) L (whispers): Where's Luke? R: Up there. MAYOR: Penny will be circulating a sign up sheet for those of you who would like to participate in the reenactment
SUMMARY: | The first snowfall prompts Lorelai and Max's first date. Lane is upset with Rory for being distracted by Chilton and Dean. Rory is snowed in with her grandparents and introduces them to frozen pizza. Meanwhile, Luke mocks and refuses to take part in the annual re-enactment of the Battle of Stars Hollow. Lane embarrasses herself in front of her crush, and goes to Lorelai's house looking for Rory. Lorelai brings Max home, but he sleeps on the couch when Lorelai discovers the distraught Lane. Rory returns home, apologized to Lane for ignoring her, and contends with the idea that her mother might end up with someone other than her father. |
fd_Alias_03x20 | fd_Alias_03x20_0 | TEXT: Shooting range. VAUGHN: This was supposed to be over by now. DIXON: With Sloane executed, we reached a dead-end in our pursuit of the Passenger. But in the meantime... VAUGHN:...Lauren is too valuable an asset. DIXON: We can use her to feed disinformation to the Covenant, keep them from impeding Sydney and Jack's investigation. DIXON: As soon as the Passenger is located, Lauren will be taken into custody. DIXON: Meanwhile, Weiss will maintain surveillance. DIXON: I'm sorry. [SCENE_BREAK] Someplace in L.A. [SCENE_BREAK] SYDNEY: I wasn't sure I should come. JACK: I appreciate you putting aside your anger. JACK: Sydney, you were right. I did find evidence that Sloane was assisting the Trust in covert pursuit of Rambaldi. SYDNEY: Why are you telling me this now? Sloane's dead. JACK: Actually, that's why I called you here. SLOANE: Sydney. Sloane walks out of the shadows. JACK: I was about to give Director Bell the evidence to clear Sloane when I realized he was a member of the Trust. JACK: I was unclear about what their alternate agenda was, but I did know executing Sloane was part of it. JACK: The only sure way to save his life was to allow him to die. SLOANE: Your father was kind enough to offer me a final glass of wine. It was laced with a tetrodotoxin compound. It counteracted the lethal injection while reducing my cardiac and respiratory functions. SYDNEY: Mimicking death. SLOANE: Thats right. Sydney, whatever grief my apparent death might have caused you, I only wish I could have spared you the pain. SYDNEY: When I heard you were dead, any grief I felt was over the possibility of never knowing my sister. I did not grieve for you. SLOANE: I see. Well, in the interest of finding your sister, may I have the hourglass? Sydney
SUMMARY: | After discovering the identity of the Rambaldi "Passenger," Sydney and Jack seek the aid of Sloane, to track the "Passenger" down, which involves infiltrating a museum, using retinal scans (obtained by Arvin Sloane) from the members of The Trust. Meanwhile, after learning a secret about his father from Thomas Brill, Vaughn is kidnapped and tortured by Lauren and Sark, who are about to track "The Passenger" down themselves. |
fd_The_O.C._03x14 | fd_The_O.C._03x14_0 | TEXT: Opening scene - The pool house, dawn - Sandy comes into the pool house dressed in a robe, very flustered. the sun is just coming up Sandy: Ryan, Ryan (shakes Ryan's body gently) c'mon wake up (we see Ryan curled up on the bed under the covers, he stirs a little) Ryan: hey, what's wrong Sandy: Seth is gone Ryan: (sits up on his elbows, frowns) what, he's gone Sandy: yeah, yeah his alarm went off I went inta his room his bed is empty Ryan: uhhh calc exam Sandy: calc exam (raises eyebrows) Ryan: yeah, yeah yeah um he probably jus (screws up face) went in early to school, cram for it Sandy: yeah well I'm gonna drive over there to make sure Ryan: no-no-no-no-no (pushes covers away) no ill go, ill go, I gotta get to school early anyway (sits around) Sandy: if there was anything going on with Seth, anything I should know (Ryan looks at him) you would tell me right Ryan: (sniffs, nods) yeah, ill call you uh when I find him (Sandy looks at Ryan then looks around the pool house helplessly before leaving) CUT TO: The Pier - we see Seth leaning on the railing looking out at the water, Ryan walks up to him Ryan: hey man (Seth looks) so uh Sandy noticed you were gone, he's worried Seth: jus takin in the sunrise Ryan Ryan: eh that's what they got windows for Seth: so I wanted to be alone are you the only one in this family that's allowed to brood Ryan: (sighs) man whatever it is you can tell me Seth: (looks at Ryan then down) my Brown interview did not go...so well, actually it didn't go at all Ryan: (looks at Seth) blew it off Seth: (nods, looks down) yep, an
SUMMARY: | Ryan confronts Marissa about their relationship when Kaitlin interferes with her friendship with Johnny. Seth confronts Summer about his Brown interview. Meanwhile, Kirsten and Julie take their dating service a little too far. |
fd_The_L_Word_01x07 | fd_The_L_Word_01x07_0 | TEXT: INT. - ROME, ITALY - A COSTUME SEWING ROOM - DAY [Light opera music plays softly in the background. Beyond that, a man and a woman can be heard bickering in Italian.] [Closeups of spools of ribbon in pink, gold, white; spools of string in red, purple, gold, and blue. Straight pins with colored heads, stuck in a small pin cushion. 1920s-era paintings of women, one in a maid's uniform, one in an exquisite black gown.] [A beautiful young Italian woman stands in the center of the room, on a platform. Francesca Wolff, professional costume designer, kneels near her, tending to her gown. Francesca's assistant, Carla, stands nearby.] Francesca: I don't usually do a live performance. But, I did the movie with Baz. [title card: Rome, Italy - Present Day] Girl: (politely) I did not see it. Francesca: (standing) Oh, but you know the story. [The girl smiles and shakes her head.] Girl: No. Not really. Francesca: Oh, my god, "The Gift of the Magi"? [Francesca looks at the back of the girl's gown.] Francesca: This is not gonna work. They were supposed to cut it on the bias. You can't wear this. (to assistant) Carola, non mi piace. Di a Battistoni di rifarlo. (Carola, I don't like it. Tell Battistoni to remake it.) [Carola leaves.] Francesca: (to girl) Well, let me see what I can do here. Turn this way. [Francesca puts her hand on the girl's rear and turns her.] Woman's voice: (offscreen) Bueno, bueno! Andiamo! (Good, good. Hurry up!) [Francesca works on the gown and watches herself in the mirror.] Francesca: (to girl) Anyway, "The Gift of the Magi". It'
SUMMARY: | Jenny is hurt when Tim rejects her and rudely tells her to move out. Jenny then tries to live with Marina, who eventually tells Jenny that she has another lover living in Italy. Bette and Tina struggle with their fears of parenthood. Meanwhile, Dana's fears about being outed by her endorsement contract with Subaru destroy her relationship with Lara. Shane throws a party aboard Harry's boat with all her friends in attendance. Alice, fed up with women, tries a relationship with Lisa, which does not turn out as expected. Kit is stung when her estranged son, David Waters, doesn't show up for their meeting because he thinks she's fallen off the wagon again. |
fd_The_Office_06x23 | fd_The_Office_06x23_0 | TEXT: Michael: Buenos dias, Erin. Erin: Buenos dias, Miguel. [phone rings] Hello, Dunder-Mifflin. Michael: No, no, no, no. Solamente en espanol, por favor. [SCENE_BREAK] Michael: I believe that every man, woman, and child in this country should learn how to speak Spanish. They are our neighbors to the South, and this would be a healing thing for... for all of North America. And... I am going on vacation next week to Cancun. [SCENE_BREAK] Michael: Buenos dias, Jaime. Jim: Buenos dias, Miguel. Como estas? Bien? Claro que si! Yo estoy fantastico. Que pasa? Michael: Ha ha! Buenos dias, Dwight! Dwight: Guten tag, Herr Michael. [SCENE_BREAK] Dwight: I don't understand why Michael is wasting his time with Spanish. I have it on very good authority that within 20 years, everyone will be speaking German. Or a Chinese-German hybrid. [SCENE_BREAK] Michael: La telefona. Oscar: El telefono. [SCENE_BREAK] Oscar: Michael's having a hard time with the gender part of Spanish. So I told him to mark everything with the international symbol for gender. And, um... [holds up two blurred-out drawings of male and female genitalia] I should have been more specific. [SCENE_BREAK] Oscar: Your office is full of genitalia. Michael: [clears throat] Oh. Eso es lo que dice, el! Oscar: "That's what he says?" Michael: Damn it. [knock on door] Ah, Angelo. Angela: Angela. [Michael sticks post-it on Angela's forehead with female genitalia] Michael. Michael: Yo soy Cancun. Angela: [removes post-it, leaves] Uhh! [SCENE_BREAK] Jim: All right, so I'll finish up on bulk pricing, and then you go into delivery guarantee. Pam
SUMMARY: | Pam and Jim work on their first sales pitch together to Donna, the manager of a local restaurant, but Michael keeps misreading the signals she's putting out. Dwight encourages Kelly to try out for the minority training program. |
fd_Once_Upon_A_Time_02x19 | fd_Once_Upon_A_Time_02x19_0 | TEXT: SCENE: Storybrooke. Present. Mr. Gold's Pawn Shop. Henry, surrounded by Emma, Neal, Mary Margaret, David and Mr. Gold, blows out eleven candles on a cake. The adults cheer and clap their hands. [SCENE_BREAK] Mr. Gold: (leans towards Henry.) And now, my boy, for your present. Pick one object from this shop. Anything you like. Henry: (walks around looking for something, then suddenly stops and points at one of the wands.) That. (takes the wand and waves it around.) Neal: Alright, careful, buddy! Wands are powerful. Henry: (turns to Mr Gold.) So how does it work? Mr. Gold: Here, let me show you. (Henry hands Mr. Gold the wand. Mr. Gold waves it through the air for a moment, and then turns Henry into a statue with a flick of his wrist.) David: Gold, why would you do that!? Mr. Gold: The prophecy. The seer said the boy would be my undoing. So I have no choice: I must be his. (takes his cane and shatters the statue) [SCENE_BREAK] SCENE: Storybrooke. Present. Mr. Gold's House. Mr. Gold suddenly wakes up and looks around. [SCENE_BREAK] SCENE: Storybrooke. Present. A park. Neal and Henry are sword fighting while Mr. Gold watches on. Regina Mills approaches Mr. Gold. [SCENE_BREAK] Regina: Seems like we both have been pushed to the side lines. Mr. Gold: What are you doing here? Regina: The real question is what's your son doing with mine? Mr. Gold: Oh that... (turns towards Regina.) That's right, you didn't get the birth announcement, did you? That's Henry's father. Regina: What? Mr.Gold: Do I have to spell it out for you? Miss Swan and my son- Regina: (Interrupting.) You're Henry's grandfather? Mr. Gold: Guess that makes us family! He's got my eyes, don
SUMMARY: | Mr. Gold enlists the aid of David to help him try to jog Belle's now cursed memories and get her to love him again; and when it is revealed that the magic beans Anton and the dwarves have been harvesting have begun to grow and could possibly transport everybody home, Emma is torn over whether she would want to live in fairytale land or stay in our world. Meanwhile, in the fairytale land that was, Rumplestiltskin forces Belle to accompany him on a hunt to kill a thief, whom she had freed in the name of mercy. |
fd_Doctor_Who_1963_22x01 | fd_Doctor_Who_1963_22x01_0 | TEXT: ATTACK OF THE CYBERMEN BY: "PAULA MOORE" (PAULA WOOLSEY) Part One Running time: 44:17 [SCENE_BREAK] DAVID: Let's take a look down here. Look at the state of it. BILL: This is a hoary old one. Talk about neglect. DAVID: Yeah, there can't have been anyone down here for years. There are more bulges than an anti-natal clinic. BILL: What's that? BILL: Hang on a minute. We are under Fleet Street? DAVID: Well, you've got the map. BILL: According to this, there was work done here seven years ago. Three half walls with bolted buttresses. DAVID: We must be in the wrong tunnel. BILL: No, we're not. DAVID: Hang on, I'll check it out. BILL: No, we are in the right tunnel. David? David! David? You all right? David! [SCENE_BREAK] DOCTOR: Here we go again. DOCTOR: Oh, there you are. Soon put you to rights. DOCTOR: Well, that shouldn't have happened. PERI: What are you doing? DOCTOR: Something I should have done a long time ago. [SCENE_BREAK] DOCTOR: Repair the chameleon circuit. PERI: What? DOCTOR: The TARDIS, when working properly, is capable of many amazing things, not unlike myself. One of its functions is that it can change shape to blend perfectly with its surrounding environment. PERI: I see. DOCTOR: Not yet, you don't. I wonder why I didn't do it before. PERI: Look, Doctor, do you really think you're up to this? I mean, you've only recently regenerated and yet you've undertaken so much work. PERI: Well, what I really mean to say is, you still seem a little unstable. DOCTOR: Unstable? Unstable? Unstable! This is me, Peri. At this very moment I am as stable as you will ever see me
SUMMARY: | The Doctor and Peri investigate strange signals, in the process, The Tardis lands at the spot where it all began. I.M. Formemans junk yard on Totters Lane. The Doctor is followed by some odd policemen. After landing, he works on the TARDIS's Chameleon circuit and the TARDIS starts to change shape but seems to have a bit of trouble blending in after such a long time of not working. |
fd_Veronica_Mars_03x03 | fd_Veronica_Mars_03x03_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars... Veronica sneaks into the secret room at Zeta Theta Beta and discovers the marijuana crop in 302 "My Big Fat Greek Rush Week." VERONICA: [offscreen] There's going to be an article in the school newspaper. A regretful Veronica stands at the door of the sorority, before den mother Karen and Marjorie, the cool sorority girl. VERONICA: You need to get rid of the marijuana before it comes out. As they stand by the Saturn, Marjorie pleads with Veronica. MARJORIE: Karen has cancer. This botany professor gave her some seeds. In the library, Veronica picks up a copy of the newspaper article about the marijuana. She is named as the article's "contributor." MARJORIE: [offscreen] She won't just lose her job over this, she'll lose her insurance. Please don't say anything. Fern passes Veronica as she reads the article. FERN: Well done, sister. Veronica is not so pleased with herself. Cut to Nancy at the Take Back the Night rally in 301 "Welcome Wagon." NANCY: How many women like me have to be raped... Parker stands in front of the mirror, horrified by her shaved head and the realisation that she has been raped. Veronica and Mac stare at her and each other in shock. NANCY: [offscreen]...before this administration listens to our demands? Logan gifts Veronica with a key to his room at the Neptune Grand. VERONICA: Your room key? What if I drop in unexpectedly? LOGAN: You know there's no one else. You ought to know that by now. End previously. EXT - HEARST COLLEGE, ATHLETIC COMPLEX - DAY. A football player, wearing shirt number 44, is running up and down the steps in the stands. A coach watches, yelling at him. COACH FRY: Is it too tough, Fenstermacher? Huh? Instead of skipping meetings, why don't you just quit? Focus
SUMMARY: | To help Weevil stay out of prison, Veronica convinces her father to give him a job at Mars Investigations. A Hearst football player loses the team playbook and, with his scholarship at stake, hires Veronica to find it. Veronica fights with Logan after she discovers that he chose to gamble with his friends instead of spending time with her. The Dean of Hearst threatens to expel Veronica unless she reveals her sources for a sorority article she wrote. Claire, one of the girls of Lilith House, a center of feminist activism, is raped. |
fd_CSI__Crime_Scene_Investigation_04x17 | fd_CSI__Crime_Scene_Investigation_04x17_0 | TEXT: [EXT. LAS VEGAS DESERT (STOCK) - DAY] [EXT. HIGHWAY (STOCK) - DAY] [EXT. ROADWAY (STOCK) - DAY] [EXT. ROADWAY - DAY] (A bus travels along the roadway. A car with a young couple in it follows closely behind. The car horn beeps impatiently. The bus continues to travel at its current speed which is apparently way too slow for the car behind it.) (The driver of the car behind the bus continues to beep his car horn.) Man (driver): (shouts) Come on! (The man in the car behind the bus continues to beep his car horn in frustration.) Woman (passenger): Honey, just pass him. (He pulls the car a little toward the center line to see if there's room enough to pass.) Man (driver): (shouts) Move it! Woman (passenger): Calm down and just pass him. (The man takes her advice and speeds up to overtake the bus but an oncoming SUV stops him. He pulls back into his lane behind the bus to avoid an accident.) (The bus hits a bump in the road and a human appendage from under the bus flies out and hits the car in the windshield leaving a trail of goo on the glass.) (The MAN and the WOMAN in the car scream.) (He hits the brakes and pulls the car over to the side of the road.) [EXT. ROADWAY - DAY - LATER] (BRASS looks at the mess on the car's windshield.) Catherine: (o.s.) Hey, Jim! (BRASS turns around to see CATHERINE and NICK walk toward him.) Catherine: We got a call. A possible 4-19. Is there a dead body or not? Brass: That arm crash-landed on the windshield of the car. According to the driver, it shot out from under the bus. Generally speaking, where there's an arm, there's a
SUMMARY: | A mutilated female body is discovered tied to the undercarriage of a bus carrying prisoners from a women's correctional facility after a severed arm flies out from beneath the vehicle and strikes a car. Catherine leads the investigation and at first believes the woman was escaping, but the evidence increasingly points to murder. Back in town, Warrick probes the death of a gambler who was stabbed multiple times in his brother's kitchen. |
fd_Grey_s_Anatomy_01x06 | fd_Grey_s_Anatomy_01x06_0 | TEXT: (Scene: Sunrise) MVO: A couple hundred years ago, Benjamin Franklin shared with the world the secret of his success. "Never leave that till tomorrow," he said, "which you can do today." (Scene: Meredith lying in bed, staring at the ceiling. It is storming outside and her alarm starts buzzing.) MVO: This is the man who discovered electricity. You'd think more of us would listen to what he had to say. (Scene: George walking through the hall towards Meredith's room with two cups of coffee. Izzie comes out into the hall. George spills the coffee on himself.) MVO: I don't know why we put things off, but if I had to guess, I'd say it has a lot to do with fear. Fear of failure, fear of pain, fear of rejection. Izzie: Wouldn't it be easier to just ask her out? (George walks away and Meredith hits snooze again.) George: She's gonna be late. Izzie: Maybe not. George: We should wait for her. Izzie: Definitely not. I'm not her mother, and you are not her boyfriend. Not yet, anyway. George: Stop, ok? I told you I'm not interested. Izzie: Life is short, George. Do you really want to die before you ever ask her out? George: I do not want to ask her out. Izzie: Do you really want to die a liar? George: I'm not...I'm not dying. (Seattle scenes) MVO: Sometimes, the fear is just of making a decision. (Scene: SGH parking lot, Meredith is rushing) MVO: Because, what if you're wrong? What if you're making a mistake you can't undo? (Derek arrives and parks next to Meredith) Meredith: Crap. Derek: Crap? Meredith: Hi. I'm late. Derek: You're avoiding me. Meredith: Yes, but also late. Derek: Ok, are we going to talk about this? Mer
SUMMARY: | Alex gains the trust of Annie, a nervous patient with an extraordinarily large tumor, only to humiliate himself in front of her later. Meanwhile Derek chooses Meredith to assist with an elderly Parkinson's patient who may need surgery -- but Bailey disapproves of their relationship and is determined to make Meredith suffer -- and tensions escalate between Burke and Shepherd. |
fd_Doctor_Who_1963_11x18 | fd_Doctor_Who_1963_11x18_0 | TEXT: THE MONSTER OF PELADON BY: BRIAN HAYLES PART FOUR 5:30pm - 5:55pm [SCENE_BREAK] 1: INT. TUNNEL OUTSIDE REFINERY (GEBEK hears the miner's cries and runs to the DOCTOR who has the junction box open and is re-fixing the wires within.) GEBEK: Doctor? Can you hear? Back there - down the mine! DOCTOR: Yes, yes, stop worrying. I've just got one more connection to make. [SCENE_BREAK] 2: INT. MINE TUNNEL (Screaming, both guards and miners run at full tilt down a tunnel.) [SCENE_BREAK] 3: INT. TUNNEL OUTSIDE REFINERY GEBEK: They're coming this way, Doctor! (The DOCTOR wraps two wires together and within the junction box, a red and orange light both flash.) DOCTOR: That should do it. It should open now. (They turn to the refinery door. It opens - and an armed Ice Warrior steps out! The DOCTOR and GEBEK look at each other in amazement. Another Ice Warrior - SSKEL - steps forward behind the first.) SSKEL: Do not move. You are my prisoners. [SCENE_BREAK] 4: INT. COMMUNICATIONS ROOM (The observers in the communications room see the Ice Warriors on the monitor.) SARAH: What are those things? ALPHA CENTAURI: Natives of the planet Mars. Your friend, the Doctor, calls them Ice Warriors, but... (Behind them, an Ice Lord, AZAXYR, walks into the room, his green glittering cloak billowing behind him.) ALPHA CENTAURI:...I thought they were still in orbit? AZAXYR: Greetings, Ambassador. (They spin round. SARAH gasps at the sight of this new alien.) AZAXYR: This planet is now under martial law. [SCENE_
SUMMARY: | The Ice Warriors take control of the planet and force the miners to return to work but Ettis takes the opportunity to try and destroy the citadel. |
fd_Doctor_Who_1963_13x25 | fd_Doctor_Who_1963_13x25_0 | TEXT: THE SEEDS OF DOOM BY ROBERT BANKS STEWART PART FIVE 6:45pm - 7:10pm [SCENE_BREAK] SARAH: Run! DOCTOR: Come on, don't waste your bullets! [SCENE_BREAK] DOCTOR: Block the door. SCORBY: Yeah, come on. DOCTOR: Quietly! SCORBY: How do you do it, Doctor? You should be compost by now. DOCTOR: We'll all be compost if we don't keep away from that Krynoid. SCORBY: Krynoid? Is that what that thing is? SARAH: Yes. It used to be called Keeler. Remember Keeler, your friend? Now do you see what we're up against? SCORBY: That's Keeler? DOCTOR: Yes. SCORBY: Yeah. CHASE (OOV.): Scorby, what was that firing? SCORBY: That Krynoid thing, Mister Chase. It's got us trapped in the cottage. [SCENE_BREAK] CHASE: You idiots. Listen to me. Whatever happens, it must not be harmed. Is that clear? [SCENE_BREAK] SCORBY: Mister Chase, you don't understand. It's eight foot high and its already killed Dunbar. [SCENE_BREAK] CHASE: I don't care who it's killed. People are replaceable, Scorby. The Krynoid is unique. It must not be damaged in any way. That's an order. [SCENE_BREAK] SCORBY: Mister Chase, I am not getting through to you DOCTOR: Give it to me. Chase, try and understand one thing. The Krynoid is an uncontrollable carnivore that's getting bigger and more powerful by the minute. Now (beep) Chase? Chase! Arrogant fool. SARAH: Where is it now? DOCTOR: I don't know. SARAH: What are we going to do? SCORBY: I
SUMMARY: | In the interest in self-preservation, Chase's men side with The Doctor against the Krynoid, but the Krynoid - now bigger than the Chase Mansion - invites The Doctor to join it, promising to leave the others alone if he does. People within a mile of the Chase Estate, however, start getting strangled by their plants, while Chase, snapping photos of the Krynoid, has a significant one-on-one encounter with it. |
fd_Charmed_06x18 | fd_Charmed_06x18_0 | TEXT: [Scene: P3. It's dark. Chris is sitting at the bar reading his future with tarot cards. He flips over the judgment card and sighs. The lights turn on in the room and a guy walks down the stairs.] Chris: Dennis, what are you doing here? Dennis: I work here, remember? Chris: No, I know, I mean, what are you doing here so early? Dennis: Piper called. Wanted me to set up for the band. Chris: Piper called? From where, the doctors? Dennis: I don't know, maybe. Is something wrong? Is she okay? Chris: Yeah, it's just a regular check up for the baby, I'm sure everything's fine. Dennis: You mind if I ask you a question? Chris: Sure. Dennis: You know Piper pretty well, don't you? I mean, you guys seem close. Chris: Yeah, real close. Dennis: What's the deal with the ex of hers, Leo? Dude gets her pregnant, right? Then what, just skips town on her? I mean, what's up with that? Chris: It's a long story. Dennis: As far as I'm concerned, she deserves a hell of a lot better. Chris: Couldn't agree with you more. [Scene: Doctors Surgery. Hallway. Piper and Paige are standing by the elevator doors with about five people frozen behind them.] Paige: Are you hormonal or just plain crazy? Piper: One woman can only take so much. Paige: Okay, if these people walk out of their offices, what do you think they're gonna see? Piper: Well, I think they won't be touching my stomach anymore, that's what I think. Paige: Piper, that is not a good enough reason to freeze people. Piper: I think it is. (The elevator doors open. Piper unfreezes the people and walks in it. A lady that was standing behind Piper stumbles forward. Paige catches her.) Paige: It's okay, it's okay, we all just get a little vertigo sometimes. (Pa
SUMMARY: | Piper is kidnapped and cocooned by the Spider Demon, a creature that emerges every hundred years to feed off a powerful magical being. During the attack, Chris is infected with the demon's venom, causing him to mutate into a spider demon himself. In need of desperate help, Paige calls Leo. Phoebe then reveals to Leo that Chris is his son. While trying to save him, Chris attacks Leo and starts repeatedly punching Leo, yelling that Leo does not know him. Later, Leo finds Chris on the Golden Gate bridge and begs him to tell him why he hates him so much. Chris replies that Leo was never there for him, but he was there for Piper, Wyatt, and half the world. Leo tells him that maybe he did not come back just to save Wyatt, but to save their relationship as well. |
fd_One_Tree_Hill_03x22 | fd_One_Tree_Hill_03x22_0 | TEXT: Lucas's voice: At this moment there are six billons, 502 million, 867 120 people in the world (there are noise of a car's accident)... give or take a few! ( and we can see the bracelet of Haley) And sometimes, all you need is one. For better or for worse. We see Haley in her wedding's dress, she's in the water and we heard her Nathan get up : he have do a nightmare! (is really upset) River court Nathan joins Lucas Nathan: How long you been out here? Lucas: A couple hours. Sometimes, I come out here when I can't sleep. Nathan: You miss it? ( about basket) Lucas: Every day,... so what's up? Nathan: I had this messed up dream last night. Haley was drawing and I couldn't save her. Of course Haley insist that we don't see each other until the wedding, even though we're married. Maybe I should just go see her. Lucas: I'll tell you what, I'll go check on her for you, how's that? Nathan: Well, tell her t stay away from the water, okay, no swimming or anything! Lucas: Nathan, it's your wedding day. Again! It's gonna be a great day. Nathan: Thanks. (Lucas go away, Nathan stay alone) In front of Keith's tomb, Deb joins Dan. Dan: You're closer than 100 feet. Deb: Just paying my respects. Dan: You know, everyone think of Keith as the perfect guy but they're wrong. Deb: No, they're not, Dan. Keith is a hero. ( she go away) Dan: He tried to kill me. That's right. He's the on who tried to burn me in the dealership fire. So I guess the hero got what was coming to him, after all. (Dan goes away) Karen's house. Haley: Knock, knock! Oh hi! Karen: Hey! How is the bride-to-be again? Haley: Oh, good. Karen: Well, I'm afraid you've missed the boys They were gone pretty early Haley: Oh, that
SUMMARY: | Nathan worries about Haley as they prepare to renew their vows. Deb confesses to Dan about the fire. Peyton and Brooke's friendship becomes strained when Peyton confesses she still loves Lucas. Cooper tells Rachel that he doesn't want a relationship. Lucas accidentally tells Brooke that he and Peyton kissed during the school shooting. Karen tells Dan that she is pregnant. Rachel makes an embarrassing toast at Nathan and Haley's wedding to Cooper. Rachael causes Cooper to wreak the limo into the river. Nathan, Cooper and Rachel's lives hang in the balance after a car accident. This episode is named after a song by Queen . |
fd_The_Vampire_Diaries_01x12 | fd_The_Vampire_Diaries_01x12_0 | TEXT: [Stefan's bedroom.] ELENA: Stefan, who was that man in the road? STEFAN: I don't know. Do you remember anything else about him? ELENA: I wish. I never really saw his face. He was wearing a hoodie. All I can remember is that there was these black boots coming towards me. STEFAN: I brought some vervain for, um-- for you and jenna. And, um, I made this bracelet for Jeremy, few extra on for friends. You can put it in jewelry, or you can even put it in food or drink, but as long as it's in you or on you, a vampire cannot control you. ELENA: Wow. So much to remember. STEFAN: I know, but there's another vampire in town. So until we find out who it is and what he wants, we have to be careful. [Elena's house.] Dorbell rings. MAN: Hey. It's gonna be $22. JEREMY: Elena, I need the money! Uh, here. Come in. Just put it on the table. ELENA: Hi. Um, keep the change. MAN: Thanks. And you have yourself a good night. [Salvatores's house] Noises: books falling. STEFAN: What are you lookin' for, Damon? DAMON: Not your concern. STEFAN: No, but putting Elena in harm's way, That is my concern. Heh heh. DAMON: What are you talking about? STEFAN: I'm talking about Atlanta. DAMON: Oh, yeah. Elena and I had blast. STEFAN: I get it. You're just bitter because one of us gets to be with the person that we love, and poor katherine is just out of reach. Unless there's another way for you to get into that tomb. Is that what Bree said? DAMON: You're pathetic when you're fishing. STEFAN: You're transparent when you're deflecting. DAMON: Don't you have school? [History
SUMMARY: | As Stefan and Damon try to figure out the identity of the new vampire in town, Stefan gives Elena more vervain-filled jewelry to protect her family and friends. Strapped for money, Matt takes a job as a busboy at the Mystic Grill, where former high school football-star Ben works as a bartender. Ben comes to Bonnie's aid when he notices Damon is bothering her. Damon and Stefan accompany Elena to a school dance with a 1950s theme, where Alaric introduces himself to Damon. Noah, ( Dillon Casey )the vampire that has been stalking Elena is killed by Stefan and Damon. Before dying, he reveals that the way to get into the tomb lies in the Gilbert journal. While Jenna and Alaric are walking home from the party, Alaric tells Jenna that his wife was named Isobel, the same name as Elena's birth mother. Meanwhile, Anna keeps on trying to get close to Jeremy, because she wants to get her hands on his ancestor's journal. At the end, it is revealed that both Anna and Ben are vampires and appear to be romantically involved with each other. |
fd_FRIENDS_05x18 | fd_FRIENDS_05x18_0 | TEXT: [Scene: Central Perk, Joey, Chandler, Monica, and Phoebe are there. Joey is holding a deck of cards out to Chandler.] Joey: Okay, pick a card. Chandler: Okay. (He picks the 9 of Spades) Joey: All right now, memorize it. (Pause) You got it? Chandler: Oh yes. Joey: (holding up the Queen of Clubs) Is that your card? (He winks and smiles.) Chandler: (pause) Yes. (Joey laughs then realizes the trick didn't work when Chandler hands him his card back.) Carol: (entering with Ben and Ross) Hey guys! Ross: Hi! Chandler: Hi there! Ben: Hi!! Carol: Guess what? Ben is going to be in a TV commercial! Phoebe: What are you talking about?! Ross: (sets Ben down) Well, it's not for sure but umm, we met this guy in the park who thought Ben was really cute--y'know, which he is--so umm anyhoo, he uh, he gave us his card and told us to bring him down for this commercial he's auditioning. Joey: (reading the card) Whoa! This guy is like the biggest commercial casting director in town! (Ross gasps) Ben takes one lousy walk in the park and gets an audition!! (Ross and Carol stare at him, then Joey realizes what he just said.) I mean, way to go Ben! (Gives Ben the thumbs up, which Ben returns.) Man! I've been in that park a million times and no one offered me an audition. Ross: I know, it's crazy! We were just pushing Ben on the swings... Joey: I'm always on the swings! What am I doing wrong?! Chandler: That. Opening Credits [Scene: Monica and Rachel's, everyone is eating breakfast, Ross is heading for the bathroom.] Rachel: (entering from her room) Okay, gotta go! Wish me luck! Joey: Luck! Chandler: Hey Rach, now that you'
SUMMARY: | Rachel attempts smoking to feel more included at work with her boss and co-worker. Joey auditions for a soup commercial with Ben playing his son. When the director pairs Ben with another father, Joey is left in the uncomfortable position of competing with his friend's son. Monica and Phoebe plan Rachel's birthday party, but when Monica takes over, leaving Phoebe in charge of only cups and ice, Phoebe goes all out. |
fd_Doctor_Who_1963_01x18 | fd_Doctor_Who_1963_01x18_0 | TEXT: 1. EXTERIOR - TIME TRAVELLERS' TENT (IAN cuts through the tent, and sneaks up behind the guard. However, the guard offers no resistance. IAN turns him over. The guard is dead, having been stabbed through the chest.) [SCENE_BREAK] 2. THE BAMBOO FOREST (ACOMAT and the MONGOL warriors are hidden in the bamboo forest. ACOMAT turns to the Mongol warrior next to him.) ACOMAT: Are the men in position? MONGOL: The caravan is surrounded, my lord. ACOMAT: Do they know the signal to attack? MONGOL: Each one has been told that lord Tegana will wave a burning torch. ACOMAT: Then we shall watch for it. [SCENE_BREAK] 3. INTERIOR - TIME TRAVELLERS' TENT (IAN rushes back into the time travellers' tent. The others immediately note his agitated state.) DOCTOR: What's the matter? Did you kill him? IAN: No, of course not. He was dead. BARBARA: Dead? IAN: Yes, he's been stabbed. BARBARA: Bandits? IAN: They must be just on the point of attacking us. SUSAN: Grandfather, what are we going to do? DOCTOR: Well, continue with our plan, get the keys, and get out of here as soon as possible. SUSAN: (Looking out the tent.) Tegana! IAN: We're already too late, Doctor. The only thing I can do now is warn Marco. BARBARA: Be careful, Ian. IAN: I will. (IAN rushes out of the tent.) [SCENE_BREAK] 4. MARCO POLO'S TENT (IAN creeps into POLO's tent, and attempts to wake POLO.) IAN: Marco, Marco... wake up. (POLO mumbles, reaching for his sword.) IAN: No, no, it's all right. (POLO turns sleepily towards IAN.) IAN: Marco, the guard's dead, I think we're
SUMMARY: | Missing episode Arriving in Central Asia in 1289, the Doctor and his companions join the caravan of the famous Venetian explorer Marco Polo as it makes its way from the snowy heights of the Pamir Plateau, across the treacherous Gobi Desert and through the heart of imperial Cathay. Having witnessed many incredible sights and survived a variety of dangers, they arrive at the mighty Kublai Khan's Summer Palace in Shang-tu, where the Doctor strikes up an extraordinary friendship with the now-aged ruler. They move on at last to the even more sumptuous Imperial Palace in Peking, where the travellers save the Khan from an assassination attempt by the Mongol warlord Tegana - supposedly on a peace mission - before departing once more in the TARDIS. |
fd_Angel_03x06 | fd_Angel_03x06_0 | TEXT: [PREVIOUSLY_ON] Wesley: "All those years she spent hiding out alone in that cave." Cordy: "The girl's trading one cave for another." Fred: "The vision's aren't from the powers!" Lilah: "There's a young man who's been unfairly imprisoned and - you're gonna save him." Angel: "I do this for you and you stop sending Cordy the killer visions." Lilah: "It's just business." Angel: "Don't you come at me through Cordelia ever again. You play that card a second time and I'll kill you." Angel: "Just trust me." Cordy: "I do." Hyperion, basement, Angel is standing behind Cordy, leaning in close. Angel: "Don't stiffen up." Cordy: "Yeah, you either." Cordy raises the sword in her hands and they start moving through an exercise with Angel Guiding her movements. Angel: "Alright. A good defense is about moving the line of attack. When the bad guy comes at you, you want to step off the line (His hands direct Cordy to turn) like this (he jumps back to avoid the sword slicing his belly open) creating a new one. Every time you do, your opponent will be forced to adjust. Always make the other guy work." Cordy: "Okay. Move the line. Then what?" Angel picks up a sword of his own. Angel: "Then - just keep moving the line. You'll be able to keep an attacker busy until... - You know." Cordy: "What? Until he dies of old age or until *you* swoop in to save me? Angel, I didn't ask you to train me so I could stave. I already know how to stave. *Now* I need to learn how to fight!" Angel: "You don't think that I would?" Cordy: "Would what?" Angel: "Save you." Cordy: "Men-folk not always around to protect the women-folk, you know? - Besides, what if it turned
SUMMARY: | A guy named Billy is infecting men with primal misogynistic impulses. When he touches men, they attack any women that they come across. Lilah is beaten and several other women wind up dead. Cordy and Angel try to track Billy down. But, when Billy's blood infects Wes and Gunn, it might be too late for Fred. And when Billy touches Angel, Cordelia could be in trouble, too. |
fd_The_4400_02x03 | fd_The_4400_02x03_0 | TEXT: Voix intérieures (2x03 : Voices Carry) Written by LISA MELAMED Directed by VINCENT MISIANO Flashbacks to season one and the season two opener 'Wake Up Call' One of the 4400, Gary Navarro, is in a locker room with other baseball players. Gary was abducted on January 5th 1973. He sits on a bench wearing boxers and a baseball hat. Player 1: Getting dressed from the top now? The the way they do it on the Mariners? Player 2: Mariners? Gary's got his eye on the Sox. Player 3: You mean the Sox got their eyes on him. Player 2: How's it feel? All those scouts in the stands. You bend over to tie a shoelace, they making note. Player 3: How about a little respect huh? You're in the presence of the new Jackie Robinson. Those 4400 make big news. Don't worry about the scouts, man. I'll float you some right down the middle. You just get into your rythmm and forget they're even out there, alright? Player three's thoughts are clearly heard by Gary. Player 3: Can't blame him. Six scouts. I'd be afraid I was gonna choke. Gary: I'm not gonna choke. Player three looks at him in confusion. The rest of the team begin to leave the room. Gary holds his head as a myriad of voices are heard, bringing him great pain. Out on the baseball pitch, Gary is hearing a multitude of thoughts from the players around him. A ball is thrown and he misses it. Catcher: Laurence can't serve any better than that. Gary: Just give me a second Gary hears the thoughts of those around him. Loser, what was up with that etc. He misses another ball. Crowd: Come on! Catcher: This time try taking the bat off your shoulder. Gary: Why don't you try kissing my ass. Catcher: What's your problem Gary. Coach: Navarro, get your head in the game! Focus! I wanna see some contact.
SUMMARY: | A baseball player unsettled by his ability to read the thoughts of others turns to NTAC for help and is instead used to spy on Jordan Collier. Meanwhile, Diana's younger sister visits; and Richard and Lily's life on the lam is complicated by their daughter's growing powers. |
fd_Dawson_s_Creek_03x18 | fd_Dawson_s_Creek_03x18_0 | TEXT: [Scene: The Kiss. Pacey is on the side of the road kissing Joey, when she stops him, shoving hi as she talks to him.] Joey: Ohh! Are you insane? How could you do that? How could you take some simple declaration of friendship as an invitation to just maul me, Pacey? Answer me. What were you thinking? What? Pacey: What? I don't know. It--it--it was an impulse. Joey: An impulse?! Pacey: Yes, an impulse. You know, sudden, momentary, and, believe me, fleeting. Joey: Do you have any idea of the monumental implications of that meaningless little impulse? The ripple effect that it could create in our small but fragile universe? Pacey: You're right, Potter. Forgive me for thinking a kiss is just a kiss. Joey: Well, it's true. A kiss is not just a kiss, not between you and me, and you know why. Dawson? Remember? He factors into this little... Hormonal meltdown. Pacey: "Meltdown"? Joey: Yeah. Pacey: I just had a meltdown? Forgive me if I don't think that this is the worst tragedy in the history of humankind-- that Pacey Witter, in a moment of... Impulsive, compulsive, hormone-induced insanity, would have the nerve to kiss Joey Potter. And you let me do it. You did, you let me do it. So, what, now I guess the universe begins to unravel. Well, excuse me while I get in the car. Joey: Oh! Pacey: Would you get in the car, potter! Joey: No! Pacey: Will you just get in the car, potter, please? Joey: No. Pacey: I didn't even mean it. You know? This is me Pacey-- act first, think later. And now that I'm getting a chance to think about it, I take it all back, ok? So get in the car. Joey: No. Pacey: Jo, it's at least another 6
SUMMARY: | After the kiss, Joey is upset by Pacey's impulsive actions and they both head home to discuss the situation with their siblings. Pacey receives encouragement from Doug that Joey might be protesting a little too much, and attempts to tell Dawson how he feels, in the hope that he will then give Pacey the green light to tell Joey everything. However, he fails to confess when events conspire against him. Joey attempts to make sense of everything by having a rare girls night with Jen and Andie, and a moment of clarity with Jen forces her to acknowledge that Pacey might not be the only one in a state of confusion. Jen has a fight with Henry, but later forgives him when she realizes he was lying to her with the best intentions. |
fd_The_Big_Bang_Theory_02x20 | fd_The_Big_Bang_Theory_02x20_0 | TEXT: Scene: The apartment. Sheldon: Hu-u-u-uh.... Hu-u-u-uh! Leonard: Problem? Sheldon: This is Thai food. Howard: Here we go. Sheldon: We don't have Thai food on Thursday. We have pizza on Thursday. Leonard: Yes, but we all agreed that the third Thursday of every month would be Anything Can Happen Thursday. Sheldon: Well apparently the news didn't reach my digestive system, which, when startled, has its own version of Anything Can Happen Thursday. Howard: Come on, the whole idea behind Anything Can Happen Thursday is to get out of this rut we've been in lately. Sheldon: Rut? I think you mean consistency. And if we're going to abandon that, then why even call it Thursday? Let's call it Quonko Day and divide it into 29 hours of 17 minutes apiece, and celebrate it by sacrificing a goat to the mighty god Ra. Raj: I could go for some goat. Leonard: Sheldon, we agreed we'd do something different tonight. Sheldon: All right. Let's go to the comic book store. Raj: We went to the comic book store last night. Sheldon: Last night was Wednesday. Wednesday is comic book night. Tonight, we'll be going on Thursday, because it's Anything Can Happen Thursday. Leonard: Way to think outside but pressed right up against the box, Sheldon. Raj: So what are we going to do tonight? Howard: If I may proffer a suggestion, in bars all across this great nation of ours, Thursday night is Ladies' Night. Which means, as the evening progresses, we will get better looking courtesy of 99 cent margaritas and two-for-one Jell-O shots. Leonard: Come on, Howard, the odds of us picking up girls in a bar are practically zero. Howard: Really? Are you familiar with the Drake Equation? Sheldon: The one that estimates the odds of making contact with extraterrestrials by calculating the product of an increasingly restrictive series of fractional values such as those stars with planets, and those planets likely to develop life? N equals R times FP times NE times FL times
SUMMARY: | When Penny accompanies the guys to the comic book store to buy a present for her nephew's birthday, the owner, Stuart, asks her out on a date, making Leonard jealous. To take his mind off the situation, Leonard asks Howard and Raj to take him to a bar to socialize with women, but neither he nor Howard succeed in finding a woman. Stuart's date with Penny goes well until they are intercepted at Penny's apartment by Sheldon, who starts an argument with Stuart about who should succeed Bruce Wayne as Batman, during which Penny falls asleep. |
fd_Frasier_04x22 | fd_Frasier_04x22_0 | TEXT: Act 1 Scene 1 - KACL. Frasier is finishing his show. There is a crowd of people outside in the corridor. Frasier: Well, that's our show for today. But before we close I'd like to invite you all to join us here at KACL in wishing a fond farewell to our Happy Chef, Leo Pasquale, as he bubble-wraps his crepe pan and heads south towards sunny Santa Fe. Leo, you stirred us with your passion; melted us with your charm; added spice to our lives. Now as you whisk yourself away let's not say goodbye, but rather "tartar" for now. This is Dr. Frasier Crane, KACL 780. Roz: [coming into the booth] Well, at least you stopped short of saying, "I'll be fricasseeing you." You ready to go to Leo's party? Frasier: Oh, dear God, there is nothing I detest more than a KACL goodbye party. They're all the same - twist-top wine with a bunch of people standing round awkwardly trying to summon up some affection for someone they hardly even know. It always ends up reeking of insincerity. Bulldog enters the booth, practically in tears. Bulldog: What are we gonna do, Doc? He's leaving us. Roz: Bulldog and Leo were tight. Frasier: Well, Bulldog certainly is. Bulldog: I love that guy, man. He'd give me all his leftovers. Roz: I warned Leo: you keep feeding him, he'll keep coming back. Bulldog: You going to his party? Frasier: Well, actually I think I'm going to pass. Bulldog: Oh come on Doc, you gotta at least have a drink, give him a hug. Frasier: That is precisely what I'm trying to avoid. Since when did we become a society of huggers? We hug for everything nowadays. "Hello" - hug; "Congratulations" - hug; "Nice haircut" - hug. It's absurd. I mean, if we want to express real emotion for
SUMMARY: | Niles is in good spirits; his separation from Maris could soon be over, as he is suggesting marriage guidance counselling . However, a courier arrives with divorce papers. In a box of papers belonging to Martin, Frasier and Niles discover an old journal belonging to their late mother, which details with remarkable accuracy what appears to be the relationship between the brothers. Niles is shaken by his mother's assertion that he "constantly allows himself to be cowed and dominated, especially by females", and at this point reveals that he has not signed the divorce papers, but instead sent them back with a grovelling letter. The brothers break into her house and retrieve the letter before she reads it. Determined not to be pushed around any more, Niles signs the divorce papers. However, upon further reading of their mother's notes, they realise that the Frasier and Niles she was describing are laboratory rats. |
fd_Justified_02x01 | fd_Justified_02x01_0 | TEXT: Ava: Who are these people? Boyd: Raylan, who... who's out there? Raylan: Miami gun thugs, I suspect. Ava: What do they want? Raylan: Me. Boyd: Is my daddy moving? Raylan: No. Boyd: [ Groans ] Raylan: You didn't happen to bring your rocket launcher, did you? Boyd: I didn't think to pack one. All we want is Raylan Givens! Raylan: How about I come out unarmed and you come out unarmed and we talk? The second he clears, you shoot him in the gut. Maybe we can get him to Gio before he dies. Gotcha. Ava: Why don't we all just run? Raylan: Well, someone's got to keep them here for the other two to have a chance. Boyd: I'll stay, then. Raylan: Boyd, I'm asking you... Take Ava out of here. Come on. [ Bird cawing ] Raylan: My hands are empty. Me too. Raylan: Where's your friend? [ Grunts ] [ Gunfire, bullets ricochet ] [ Engine turns over, revs ] Boyd: [ Panting ] Raylan: Is he dead? Boyd: Yeah, I think so. Raylan: Where's Ava? Boyd: She's running through the woods. Where you going? Raylan: I'm going after the young lady with the automatic weapon. Boyd: I'll get her. Raylan: What are you gonna do after you get her? Boyd: I ain't quite figured that out yet. You gonna shoot to stop me? Raylan: Maybe. Boyd: I'm pretty sure you're empty. Raylan: You gonna bet your life on that? Boyd: No, Raylan, I'm gonna bet my life on you being the only friend I have left in this world. [SCENE_BREAK] Where's your boyfriend? Which one? [ Gun cocks ] Holy sh1t. Pilar: Where you headed? C-cincy. Pilar:
SUMMARY: | Picking up where the finale left off, Raylan tracks Boyd down, and seemingly puts his Miami problems to rest. However, the void left by the Crowder clan in Harlan is looking to be filled by the ruthless Bennett clan, headed by Mags Bennett ( Margo Martindale ), who has a contentious history with Raylan's family. |
fd_Frasier_08x01 | fd_Frasier_08x01_0 | TEXT: PROLOGUE Scenes from "Something Borrowed, Someone Blue": Niles announcing his elopement in Frasier's apartment. "PREVIOUSLY ON FRASIER" at the bottom of the screen. Niles: It occurred to me I think perhaps we should try to keep this quiet from Daphne. Daphne: Keep what quiet? Mel: We got married! Daphne talking to Frasier. Frasier: Daphne, are you saying you have feelings for Niles? Daphne: I think I do. Frasier and Martin at the bar at the Wayside Inn. Martin: You can't tell Niles all this, he says he's happy with Mel. Frasier: She says she's happy with Donny. But I'm not sure I believe either one of them. Martin: Just remember, Fras: there are two marriages on the line here. Niles and Daphne on the balcony. Niles: I will get a divorce and you can call off the wedding. Daphne: I can't! Donny is a dear and wonderful man, and I made a promise to him. Daphne: I'm sorry, my mind's made up. Daphne entering the Winnebago. Daphne: Hello. Daphne: I was wondering...if you might be free for a date? Niles: [rushing to embrace her] Oh, my God, yes! Daphne: [separating them] There's plenty of time for that later, let's get this bloody boat moving! Act 1 Scene 1 - The Winnebago Fade in. Niles is driving the Winnebago, Daphne in the passenger seat beside him. They are both giddy. Niles: I can't believe this! Daphne: Neither can I! Niles: What made you change your mind? Daphne: My little niece, Audrey, the flower girl. She looked up at me and said "You're the saddest bride I've ever seen." I figured who was I kidding if I couldn't fool a four-year-old with an eye patch? Niles: Remind me to give her
SUMMARY: | Niles and Daphne flee Daphne's wedding in Martin's Winnebago, but only reach the end of the road before turning back to confront the situation. In the aftermath, Donny sues Daphne for breach of contract, adding Frasier to the suit when he discovers Frasier's involvement in making Daphne and Niles aware of their feelings for each other. Mel agrees to grant Niles a divorce, but only if he appears to be a devoted husband in public for a period of time so as to minimise her embarrassment. This means that Niles and Daphne cannot be seen in public together. |
fd_Teen_Wolf_01x10 | fd_Teen_Wolf_01x10_0 | TEXT: 1x10 Co - Captain Scott: Stiles. Stiles! Has anyone seen Stiles? Stiles! Has anyone seen Stiles? Allison: Uh, you were - pretty awesome out there. Scott: Thanks. You too. I mean - that's not what I meant. Allison: No, no, I - did some pretty awesome cheering. You can thank me. Scott: You did? Allison: Totally. I went from, "go, team, go, to "defense, defense," without a - a breath. I brought my A game. Lacrosse player: State, state, state, state - Jackson: Oh, isn't that just heartbreaking? Gosh, I bet it causes a lot of sleepless nights. You know what, though, McCall? I actually sympathize, which is why I'm gonna make this mutually beneficial. You give me what I want - and, uh, I'll help you get her back. Scott: What? Jackson: Well, three days makes it just in time for the winter formal. Uh, think about you taking her instead of me. And also think about all the things you' have to do to get her out of some tight little dress by the end of the night. See how this could work out for everybody? Three days, McCall. Have fun. Danny: By the way, McCall - Apology accepted. Scott: I didn't apologize. Danny: Every time you got the ball tonight, you passed it to me. Scott: Every time I passed the ball to you, you scored. Danny: Apology accepted. Scott: Danny? What the hell - Thank God! Where the hell have you been? Do you have any idea what's been going on? Peter: I really don't get Lacrosse. Scott: It was you - Peter: When I was in high school, we played basketball. There's a real sport. Still, I read somewhere that Lacrosse comes from native Americans tribes and that they played it to resolve conflict. I have that right? Hm. I have l little conflict of my own to resolve, Scott. But I need your help to do it. Scott: I'm not helping you kill people. Peter
SUMMARY: | The Alpha finally reveals himself to Scott who happens to be Peter, Derek's uncle and gives him an idea of why he has killed certain people. Argent stages an encounter thinking that Jackson may be a werewolf. Meanwhile, Allison discovers a bit more about her family's secrets and confronts Lydia about her kissing Scott. |
fd_Grey_s_Anatomy_02x16 | fd_Grey_s_Anatomy_02x16_0 | TEXT: 2x16: It's the End of the World (Part 1) (OR) (Large light overhead from an OR flashing on. A heart monitor is beeping in the background) MVO: It's a look patients get in their eyes. (Meredith is standing decked out in full scrubs gear in the OR which is dead silent aside from the heart monitor. She is breathing heavily and teary eyed) MVO: There is a scent. The smell of death. (Derek is standing opposite to her also in his scrub gear just looking at her. The OR is absolutely completely empty. No tables, no equipment, no other people, nada aside from them two. Meredith is holding out one of her hands to Derek) MVO: Some kind of sixth sense. (Meredith sheds a tear. The tear trails down her face to her chin, where it hangs) MVO: When the great beyond is headed for you, you feel it coming. (The heart-monitor flat lines and the tear falls from her chin) MVO: What's the one thing you've always dreamed of doing before you die? (The screen goes black) (Meredith's house, shower) (Izzie and Meredith appear to be naked showering together and scrubbing each other sensuously. Cristina is also in there helping them. They look like they're having a blast) MVO: Ok, hello? Clearly not my dream. (The shower screen door opens revealing George who also appears naked with a towel wrapped around his waist. The three girls turn their attention to them) Cristina (whispers): George. Izzie: You're the strongest most masculine man I have ever known. Cristina: You're smarter than me. And you've got really great hair. Meredith: I'm in love with you, George. I always have been and I always will be. (George enters the shower and shuts the door behind. He then re-opens it, tosses his towel on the ground. Scene switches abruptly to George falling from his bed in his bedroom in the house) MVO: See? I told you, not my dream. (He looks confused for
SUMMARY: | Meredith has a feeling and George and Izzie have to call in Cristina to get her out of bed. A paramedic brings in a man with live ammunition in his chest; the paramedic's hand is the only thing preventing an explosion. Bailey goes into labor and Derek and Cristina perform surgery on Bailey's husband who crashed the car on his way in. Izzie initiates things with Alex. When the anesthesiologist leaves the paramedic alone in the O.R., she panics and pulls her hand out of the patient - but Meredith takes her place. |
fd_CSI__Crime_Scene_Investigation_07x07 | fd_CSI__Crime_Scene_Investigation_07x07_0 | TEXT: [EXT. LAS VEGAS CITY LIGHTS (STOCK) - NIGHT] (Heavy black clouds cover the sky. Lightning flashes. Thunder rumbles as it prepares to rain. [CU: TURNTABLE] (Someone puts the needle on the LP.) Lyric: "Lollypop, lollypop. Oh, lolly, lolly, lolly. Lollypop, lollypop - " (An old woman dabs at her nose with a white handkerchief. She sniffles.) (Lightning flashes and thunder rumbles outside.) (She tucks the handkerchief into the right sweater sleeve.) TOP VIEW DOWN (The woman sits in a chair.) (She opens a cigarette case and removes a single cigarette. She puts the case down in the side-table tray. She picks up a heavy lighter and lights the cigarette between her lips. She breathes deeply.) (She exhales as she puts the heavy lighter aside. She coughs.) (The old woman takes out a bottle of CHERRY HERRING liqueur and uncaps it. She pours herself a glass.) (She sits back and enjoys her cigarette and glass of liqueur as she listens to the music.) (She finishes her glass.) (She picks up the paper and cuts coupons out. She cuts a coupon out and looks at it.) (Thunder rumbles outside.) (She gets up.) [EXT. VIEW] (Through the covered windows, we see the shadow of a figure moving about in the room. The figure's arms are moving about as the person moves to and fro, almost as if they're dancing. The figure's arms bump into the lamp stand, causing it to tilt, but not fall over.) (Finally, the shadow of the figure rushes across the room into the arms of a second shadowy figure that suddenly appears in the room. The two figures move close with each other and appear to sway to the music.) (We move in closer toward the large clear glass windows
SUMMARY: | When an elderly woman is murdered, the CSIs look to the neighbor and nephew as possible suspects. Mid-investigation, Grissom receives an exact miniature replica of the current crime scene, changing his thinking on the crime. Meanwhile, Greg faces an angry courtroom when he attends a hearing to ascertain his culpability in the death of a teenager he accidentally killed while defending himself against a mob. |
fd_The_Originals_01x02 | fd_The_Originals_01x02_0 | TEXT: House of the Rising Son - The Originals Klaus: My siblings and I are the first vampires in all of history, the original family. centuries ago, we helped build a town called New Orleans. Now a plot by witches has lured me back, hoping that I will defeat a tyrant, a vampire I created. My brother hopes I will find redemption through the power of family, a miracle child, part werewolf, part vampire, a hybrid. My sister is doubtful. She thinks I am beyond redemption. Despite my brother's best efforts, I have a plan of my own. I will take back my home and reclaim what was mine. I will be King. Marcel boasts to Klaus his methods for providing fresh blood for his vampires.) Marcel: (voiceover) The city of New Orleans... people of all stripes and flavors from all over the country come here to party on our streets. Some are just looking for fun... some are looking for something a little darker, more dangerous. So, we invite them into my home and we give it to them. (Diego, one of Marcel's vampires, shows a flyer to two tourists, a man and a woman. The flyer is headed by a large, monogrammed 'M', beneath which reads: ABATTOIR WHERE THE PARTY NEVER ENDS They enter the party and get their hands stamped with the same 'M' monogram as the flyer.) Marcel: (voiceover) Then, at the stroke of midnight, everything changes, and it's time to feed. (Marcel leads Klaus around a balcony overlooking the party. They watch as Marcel's vampires feed ravenously on the humans, who scream in terror.) Marcel: This is how I keep my guys happy: the occasional, all-you-can-eat buffet. My night-walkers love it. I've got 'em working hard, trying to earn one of these daylight rings. They deserve to blow off a little steam. My day-walkers, the trusted few - they just like the party. (Klaus notices a crest of some sort engraved on the stone wall below: it includes the 'M' mon
SUMMARY: | When Rebekah arrives in New Orleans at her brother Elijah's insistence, she meets Hayley, who gives her some unexpected news. Concerned that her brother Klaus is up to no good, Rebekah seeks help from a reluctant Sophie At her wits' end, Hayley takes matters into her own hands, but things quickly take a dangerous turn. Determined to uncover Marcel's secret weapon, Klaus stays one step ahead and executes his plan. Meanwhile, after a run-in with Marcel, Rebekah is reminded of all the anger and disappointment Klaus has caused her throughout the years. Finally, Marcel enlists Davina's help in his own dangerous plan. |
fd_One_Tree_Hill_08x05 | fd_One_Tree_Hill_08x05_0 | TEXT: CRISIS INTERVENTIONS Haley is at her job. HALEY(Voice-over): Dear Lucas, well, I've been volunteering at a crisis center for a couple of weeks now. I'm struck by the number of people who are struggling in this world. And as much as that saddens me, I'm also humbled by their strength and the courage they display in the face of their struggles. HALEY: Crisis intervention. How can I help? WOMAN: Hi. Is this Haley? HALEY: Y... uh, yes. It is. Hi. It's good to hear your voice. How are you? BRULIAN'S HOUSE Julian makes a report about Brooke. BROOKE: I've been better, that's for sure. In high school, my parents lost their fortune and it was difficult. I remember feeling so helpless and thinking, "I want to build something, own something, so this never happens to me." And here I am. JULIAN: Where is here? BROOKE: My company, Clothes Over Bros, declared bankruptcy which would have allowed me to keep the company but our investors would lose all of their money. So I've decided to pay them back... Every penny. But to do that, I have to sell the company... And deplete my personal fortune, as well. JULIAN: You're going to give away your money so that they don't lose theirs? BROOKE: Mm-hmm. JULIAN: And you have no obligation to do this? BROOKE: No. JULIAN: Then why do it? BROOKE: Because it's the right thing to do. JULIAN: I've been asking people this question. It's sort of the point of this documentary. It's a simple question, and I'd like to ask you. What comes next? BROOKE: I don't know. For me... I get to go and visit my mother in prison and tell her that I sold my company. Good times. NALEY'S HOUSE Quinn will remove its bandage. JAMIE: Did you do it yet? Did you do it yet?
SUMMARY: | Victoria disowns Brooke after learning she is selling the company. Meanwhile, Clay leaves the hospital and returns to living at the beach house with Quinn. Nathan offers to help Clay with his business until he can get better and continue to help his clients. Julian begins a new movie project, a documentary inspired by Nathan and his career decisions. This episode is named after a song by The Henry Clay People . Opening theme song performed by Matthew Ryan . |
fd_Charmed_03x21 | fd_Charmed_03x21_0 | TEXT: [Scene: Manor. Living room. Phoebe is sitting on the couch with the Book of Shadows. She is gluing pictures of Cole in the Book of Shadows. She writes <unk>Cole's human form<unk> on the page. Prue walks in the manor.] Phoebe: Why didn't you invite him in? Prue: Who? Phoebe: Your date. The guy you've been smooching on the porch for the last ten minutes. Prue: Eavesdropping were you? Phoebe: Well, I'm single again, so I have no choice but to live vicariously through your love life. (Prue walks in the living room.) Prue: Wow, I'd forget about my love life if I were you, lately mine's been rated PG for pretty grim. Phoebe: That's because no one ever makes it through the threshold, Prue. And don't get me wrong, I'm glad that you're out there looking, but you can't keep saving yourself for Mr. Right. I need more vicarious thrills than that. Prue: I am not saving myself for Mr. Right. I mean, Mr Interesting would do, or Mr. Personality, or even Mr. Take-My-Breath-Away. I don't care. Phoebe: Ooh, be careful with the last one. They tend to surprise you in all the wrong ways. (Prue reads the page Phoebe's making.) Prue: <unk>Cole likes walks in the park, jazz and fine wine.<unk> Phoebe, what are you doing? Phoebe: Well, Cole's a demon. We write about demons in the Book of Shadows, don't we? Prue: Right, but this kind of stuff? Do you really think that's necessary? Phoebe: Yeah, if it prepares future witches in case he attacks. Absolutely. I mean, the more that they know about Cole, the better chance they have of hurting him before he hurts them. Prue: Do you wanna talk about
SUMMARY: | Phoebe has a premonition of a young woman being killed by a demon in a phone booth whilst adding on to the Belthazor section of the Book of Shadows, thus causing her to think Cole is responsible. However, the sisters realize that this murder does not follow Cole's pattern. Piper learns that it is actually the demon on the reverse page that's responsible; a Banshee . The sisters then cast a spell to track down the banshee which turns Prue into a dog, but Prue gets hit by a car. The driver takes her home to care for her, thus taking her out of the action. When the banshee attacks the Halliwell manor she surprises Phoebe in the attic and, sensing her immense pain, which is what the banshee feeds on, over Cole's betrayal, screams at her. It is later discovered that although this scream would kill mortals, it has a very different effect on witches: it turns them into a banshee too. Piper blows the Banshee up but it is too late, Phoebe has already turned into a banshee. Leo warns Piper that if Phoebe kills, she will stay a banshee forever. |
fd_Gossip_Girl_1x08 | fd_Gossip_Girl_1x08_0 | TEXT: Gossip Girl : According To The Catholic Church, Mortal Sin Can Only Be Absolved Through The Sacred Act Of Confession, But It Looks Like A Certain W.A.S.P. Princess Has Recently Found Herself Desperately In Need Of A Little Unburdening. And Who Is The Man Upstairs To Discriminate? [IN THE CHURCH] Blair : Forgive Me, Father, For I Have Sinned. It's Been... A While Since My Last Confession. For Exactly 20 Minutes, I... Succumbed To Inebriation, The Priest : What Troubles You, My Child? Blair : After Being Broken Up With My Boyfriend For Exactly 20 Minutes, I... Succumbed To Inebriation, Performed At A Speakeasy And Surrendered My Virtue To A Self-Absorbed Ass. The Only Good News Is That He's A Total Pig Who Will Act Like It Never Happened. Thank God. Ahem. The Priest : Hum Hum. Blair : Sorry. Truthfully, I'm Not Even Catholic. The Priest : You Don't Say. Blair : But Losing My Virginity To Chuck Bass? None Of My Friends Will Ever Understand. I'm Ready For My Punishment. Whatever You And God Think Is Fair- Flogging, Fasting, Putting That Thing With The Teeth Around My Thigh, Like Silas. The Priest : How About Some Food For Thought Instead? Don't Drink. Keep Your Clothes On. Try Avoiding Those Who Might Cause You To Stray. Blair : Oh, I Plan To. Thank You, Father. It Was Very Good Advice. You Don't Grant Birthday Wishes, Do You? The Priest : I'm A Priest, Not A Genie. Blair : Well, The Next Time You Talk To Him, Would You Ask Him To Send My Boyfriend Back To Me? [RESTAURANT] Serena : Mm. I Gotta Say... Dan : No Need To Say Anything. Waitress : God, I Hate People In Love. Vanessa : Wow! Awkward. Dan :
SUMMARY: | Devastated by the current state of her relationship with Nate and still dealing with the guilt from her recent indiscretion, Blair puts on a happy face for her 17th birthday party and attempts to hide the truth from her friends. Hoping to ease the tension between Serena and Vanessa, Dan takes Vanessa to Blair's party so the girls can have some bonding time, but this only ends up making Serena more uncomfortable. Jenny brings her mother (Susan Misner) home for a surprise visit, but Rufus may not be ready to forgive and forget. Nate's parents (Sam Robards and Francie Swift) ask him to make a huge sacrifice in an effort to salvage his father's business as he faces charges of embezzlement and fraud. |
fd_The_Vampire_Diaries_06x16 | fd_The_Vampire_Diaries_06x16_0 | TEXT: [PREVIOUSLY_ON] Woman: Who are you? Bonnie: Who are you? Damon: Ha ha ha! Oh, you made it! Bonnie: There. Stop. Damon: Oh, my God. That's my mother. Kai: This merge happened with my brother Luke, and I won, so when I absorbed Luke's magic, I must have gotten some of his qualities like empathy. Caroline: I think we both know I never really hated you. I kissed Stefan. I want to talk to him about it, but if it's bad, I feel like he won't be honest. Stefan: We'll talk when all of this is over. Pastor: We are here today to pay our respect to sheriff Elizabeth Forbes. Elena: You're talking about flipping the humanity switch. Caroline: I just need the pain to be gone. Elena: If Stefan had said the right thing earlier, would that have changed your mind? Caroline: My mom is dead, Elena. Elena: I'm not gonna let you do this. (Caroline breaks Elena's neck) Caroline: (emotionless) That's not your choice to make. [SCENE_BREAK] [ SCULL BAR ] (Music playing. Caroline is sitting at the bar stretches out her hand while holding a empty glass; she is trying to get the bartenders attention) Caroline: Hello! I'm empty. Fill, please. Bartender: I think you've had enough. (Caroline puts her glass down) Caroline: Look at my face. This is me straining to care less about what you think. (She stares intently into the bartenders eyes) Caroline: Nope. I can't. Bartender: Ok. I'm gonna call you a cab. (The bartender turns to leave; Caroline grabs his wrist) Caroline: Here's the thing. My mom just died as in I just put her dead, cancer-riddled body into the ground 4 hours and 32 minutes ago. Bartender: I'm so sorry for your loss. Caroline: Oh, no, no, no. I don't care about that. I'm just saying that my feet have been crammed in the world
SUMMARY: | After switching off her humanity, Caroline makes out with Liam outside of a bar and feeds off of him. She tells Bonnie and Elena that she will avoid killing anyone if they give her a year to live freely without her pain, and they initially agree. Kai refuses to give Damon information about his mother unless he helps Kai apologize to Bonnie in order to alleviate Kai's guilt. Caroline invites Liam and Enzo to a rave, and Elena, Bonnie, and Stefan come to confront Caroline. Damon calls Bonnie, but after she refuses to talk to Kai, Damon and Kai show up and Kai attempts to apologize to her. Bonnie is coping with traumatic memories from her time in the prison world and is furious with Damon for forcing her to see Kai, who she believes is lying. After using her magic to punish Damon by forcing him to endure the wounds that Kai inflicted on her, she realizes that her experiences have changed her and finally calls Jeremy, telling him that she needs time to work things out. Stefan admits his feelings to Caroline and begs her to switch on her humanity; for a moment Caroline wavers and he knows that there is a chance to bring back the old Caroline. Kai reveals that Damon's mother is a vampire and was imprisoned by the Gemini coven after she faked her own death and went on a worldwide killing spree. In retaliation for Stefan's attempt to break through to her, Caroline kidnaps Sarah Salvatore and compels Liam to perform 'surgery' on her in the form of removing her organs. She tells Stefan that she will spare Sarah's life if Stefan turns off his humanity. Elena manages to stop Liam from cutting out Sarah's heart just as Stefan agrees to Caroline's demands and shuts off his humanity. |
fd_Merlin_01x09 | fd_Merlin_01x09_0 | TEXT: INT. CAMELOT (BURIAL VAULTS) - NIGHT 1. FR. 1 A dark shadowy vault containing a number of ancient tombs,graced with ornately carved sculptures of their noble occupants. A shadow falls across a black tomb - carved with the outline of a mighty Knight in full armour, a sword lain across his body like a cross. Suddenly, in the darkness we see a woman, it's NIMUEH... She stands over the tomb and runs her hands over it,whispering a terrifying spell. NIMUEH: Gehyre me, wan cniht, awac! As she utters the words her eyes burn into the stone casing. Suddenly, a crack rips across the lid. NIMUEH: Beo strangra ond steacra, forbrec tha wanne... The crack grows bigger in the tomb... NIMUEH: Uparis; awrec Uther Pendragon! CRASH! A hand clad in a black gauntlet smashes through the top of the tomb and reaches out towards the witch... A dark smile crosses her face... INT. KING'S PALACE (GREAT HALL) - NIGHT 1. FR. 2 ARTHUR is knelt on an elaborately decorated woolsack before UTHER. The Prince is dressed in ceremonial robes, MERLIN stands proudly to one side. A STEWARD holds a cushion carrying a coronet and a gold rod. It's the Prince's investiture. All around there are DIGNITARIES present,including GAIUS and MORGANA. UTHER speaks quietly but formally to his son as he takes the rod and places it in ARTHUR's hand... UTHER: Do you solemnly promise and swear to govern the people of this Kingdom and it's dominions according to the statutes, customs and laws laid down by your noble forebears? ARTHUR: I do, Sire. UTHER: Do you promise to exercise mercy and justice in
SUMMARY: | The Black Knight arrives to interrupt Arthur's coming-of-age celebrations and throws down the gauntlet to any knight who will fight him. He kills them all one by one. Gaius discovers that he is Uther's dead brother-in-law, summoned from the grave by the witch Nimueh. He is seeking revenge for the death of his sister, who died giving birth to Arthur by way of magic from Nimueh. Merlin learns from the Great Dragon that only a special sword (Excalibur), burnished with the Dragon's fiery breath, can kill the knight. The Dragon warns Merlin that only Arthur can wield it. Arthur is next to fight the Black Knight, but Uther takes Excalibur and faces the knight himself, slaying him in the end. Now that the sword has been wielded by someone other than Arthur, it is capable of being used for evil; to prevent that, the Great Dragon instructs Merlin to hide Excalibur far from the reach of mortal men. |
fd_Dawson_s_Creek_06x21 | fd_Dawson_s_Creek_06x21_0 | TEXT: [Scene: Outside Dawson's House. We pick up where the last episode left off. Pacey is outside the house, trying to figure out how to tell Dawson that he had lost all of Dawson's Money. Pacey is looking up at Dawson's window, when the back porch door opens and Dawson sticks his head out, startling Pacey.] Dawson: Pacey? I thought that was you out here. Were you ever going to come in? Pacey: I forgot you guys don't lock your doors. Dawson: Yeah, well, actually we're going to have to start now that I got all this film equipment in here. Come on inside. There's something I want to show you. You ok? Pacey: Yeah. Yeah. I--I went out after work with a couple of guys. We got a little caveman. Dawson: Ah. Pacey: But I'd love to see what you got going. [Scene: Inside Dawson's Bedroom. We find out that the room he was painting last week was his own room, and now it is the original color it was in the pilot, and the entire room, it made up to look almost exactly like it did in the very first episode.] Pacey: Wow. Dawson: It's pretty crazy, huh? Took me forever. I want to make sure everything is perfect. What do you think? You're the first person who's seen it. Pacey: Well, I would say that this officially makes you the king of procrastination. Dawson: No, no, no. We're going to shoot in here. I know it's tight, but I figured out a way to make the camera fit. And by saving money on locations, we can afford to go all out on everything else. Pacey: Really? Dawson: Yeah. I got 3 credit cards in the mail last week, maxed them out in, like, a day. Got lights, cameras, this awesome sound equipment. I'm going completely overboard, but I don't care. I'm talking a mile a minute. I haven't even asked you what brought you to Capeside. Pacey: [Pace
SUMMARY: | Joey returns to Capeside to find Dawson's script on her doorstep and is overwhelmed that he has written a story about three friends, but Dawson's movie-making dreams are shattered when Pacey arrives comes clean about losing Dawson's money. The ensuing verbal fight opens old wounds and leaves the three friends believing their friendship will never be the same. Also, with classes at Worthington over, Joey says goodbye to Audrey who has to stay behind to attend summer classes. And Jen invites her mother, Helen, over to Grams' house where she wants her to tell Helen about her cancer. |
fd_Roswell_02x02 | fd_Roswell_02x02_0 | TEXT: "Ask Not" 24th Episode of Roswell Production Code: 2ADA02 [SCENE_BREAK] (Episode starts inside the Crashdown. Isabel, Maria, Tess, and Liz are dressed in dancing clothes and are getting into a dancing groove. Isabel sets up the music by using her powers on some CDs. The scene flashes back and forth from the party at the Crashdown to Max, who is running to the Crashdown as fast as he can to inform everyone of what happened to Nasedo) Maria: He's watching, isn't he? (Liz looks at Michael, who is stealing glances at Maria. She nods to Maria) Maria: I knew he couldn't resist. Come on. Liz: No. Maria: Come on. Liz: Maria, no. Maria: You know you want to. So, what's up with you and Max? Liz: Nothing. Maria: Oh, I saw the way you looked at him. Did you have a flash? (Liz laughs) Maria: I knew it. (We see Max continue to run wildly through the streets. He avoids running into a man moving chairs and crashes into a table, but gets right back up and keeps running towards the Crashdown. Once he enters, he slumps to the ground, breathing heavily) Tess: Max! Max: Nasedo's dead. Michael: What? Max: He came to me, injured. Said...said it was another alien and that we're all in danger. He died...in my arms. He...he died in my arms. Isabel: Oh, my God. Michael: We have to get Nasedo to the pod chamber...use the healing stones to revive him. Max, where is he? Where's Nasedo? Max: In my room. Isabel: In your room? Michael: Where's the jeep? Isabel: Out back. I'll get the keys. Liz: Oh, Max, you're hurt. (Liz watches as Tess removes the bruise from Max's face) Alex: What should we do? Michael: Nothing. Just go home. Maria: Wait. What about this other alien? Shouldn't
SUMMARY: | When Max assumes leadership after enemy aliens kill Nasedo, he commands all to return to normal routines, but several suspicious newcomers arrive. |
fd_The_Big_Bang_Theory_07x19 | fd_The_Big_Bang_Theory_07x19_0 | TEXT: Scene: The apartment. Sheldon: Boy, do I have to urinate. Leonard: If only there were a solution to that. Sheldon: Seriously. I feel like I've got a fish tank in my pelvis. Leonard: So go to the bathroom. Sheldon: I can't. Leonard: Why not? Sheldon: Because I'm trying to decide between getting an Xbox One or a PS4. Oh, pee, why'd I say that? Leonard: Forgive me for asking a stupid question, but why are you being stupid? Sheldon: I'm not being stupid. I'm employing the work of Dutch researcher, Mirjam Tuk, who found that people with full bladders make better decisions. Leonard: Why did I pee before I decided to move in here? Penny: Hi. Leonard: Hey. Oh, how'd the audition go? Penny: I killed it. I was even able to cry real tears right on the spot. Leonard: Oh, that's great. Penny: I know. Next time I get pulled over for a speeding ticket, here come the waterworks. Sheldon: Here come the waterworks. Leonard: Aren't you gonna ask? Penny: What is this, my first day? Credits sequence. Scene: Penny's apartment. Bernadette: Can I get your opinion on something that happened at work today? Penny: Yeah, sure. Amy: Of course. Bernadette: Okay, well, I did something that will either make me look like a lovable goof or a horrible monster damned to spend eternity in hell. Amy: I'm sure it's lovable. Penny: I'm gonna go with monster. What do you got? Bernadette: Well, there's this lady in our office who's retiring, and they were passing around one of those big cards for us to sign. Amy: Okay. Bernadette: But no one told me she was in a horrible car accident over the weekend and what I was signing was not a retirement card but was actually a get well card. Penny: I'm liking my odds here. Bernadette: So on the card, in
SUMMARY: | Decision time: Raj must decide if to date both Emily and Lucy, Penny must decide whether to accept a role in a horrible horror movie, Serial Apeist 2, and Sheldon is torn between buying a PlayStation 4 or an Xbox One. Sheldon's decision ramblings annoy Amy during their dinner date where she fakes exaggerated interest, then pondering his choices for hours at Best Buy. Leonard and Penny talk to Wil Wheaton to ask for career advise. Wil instead remembers his career rejections and hardships in the acting industry and ends up being depressed. After accepting the job, Penny discovers Wil is the bikini-clad orang-utan she must wrestle in the film. Emily tells Raj she doesn't mind him dating someone else, so he keeps on seeing her. Meanwhile, after signing a card for a co-worker she thought was retiring, Bernadette discovers her message is highly inappropriate as the card is actually a "get well" card for the woman, who has been in a terrible accident. |
fd_The_Big_Bang_Theory_05x24 | fd_The_Big_Bang_Theory_05x24_0 | TEXT: Following a "Previously on The Big Bang Theory" section Scene: A Soyuz Spaceship capsule. Mission Control (in Russian): Launch step twelve reading okay. Cosmonaut (in Russian): Launch step twelve acknowledged. Howard: Hey Mike? Mike Massimino: Yeah. Howard: I changed my mind. I don't want to do this. Mike: Good one. Howard: Yeah, I'm a funny guy. I also have a hysterical bit planned for later where I pretend to cry through the whole launch. Scene: The apartment. Leonard: Sheldon, what channel is NASA TV? Sheldon: 289, right between the Game Show Network at 288 and the East coast feed of the Disney Channel on 290. Amy: I love his eidetic memory, it's so sexy. Sheldon, what are the ingredients in Pringles? Sheldon: Dried potatoes, vegetable oil, corn flower, wheat starch, maltodextrin, salt, and my favourite ingredient of all, uniformity. Amy: The uterus quivers, does it not? Leonard: There's Howard's rocket, live from Kazakhstan. Bernadette: Oh, God, I'm so nervous. I don't think I can watch. Raj: You're nervous? I've been stress-eating for four days. Look at me. I'm wearing my fat pants. Sheldon: Remarkable. In just under a half hour, 200 metric tons of fuel will ignite in a controlled explosion right beneath Howard's keister. And all from a country whose entire contribution to the global economy, has been Tetris and mail-order brides. Bernadette: Give me those damn Pringles. Scene: Soyuz capsule. Cosmonaut (in Russian): Are all of the systems of the ship ready? Mission Control: Da. Mike: Okay, we're in the final countdown. How you doing over there? Howard: Good! Good! Oh, quick question, I missed it in the briefing. How much urine do these suits hold? Credits sequence. Scene: Soyuz capsule. Mike: Hey, Froot Loops, want to hit your fan switch? Howard: Check
SUMMARY: | Howard and his two fellow astronauts Dimitri Rezinov and Mike Massimino are in the Soyuz capsule, awaiting lift-off to the International Space Station from Kazakhstan. Nervous and not looking forward to the launch, Howard begins to reflect on the last couple of days, revealing that he married Bernadette before he left. When Bernadette receives a necklace from Howard with a star pendant on it which he plans to take with him to space, she tells him that they need to get married before he goes to space. They decide to get married in City Hall that very afternoon with only their friends as guests. Amy is devastated that her position as Maid of Honor has been reduced to nothing, but is allowed to wear the dress she bought to City Hall. Unfortunately, they do not get married that day as there are too many other couples in front of them. Raj then suggests that they get married on the roof of Leonard, Sheldon and Penny's apartment building on Sunday morning, which will coincide with the Google satellite taking new photographs of Pasadena, with himself, Leonard, Sheldon, Penny and Amy as ministers. The wedding takes place successfully. While Howard and Bernadette exchange their vows, the camera pulls back from the apartment roof - showing a glimpse of Mrs. Wolowitz - and then pulls back further to a view of the planet Earth. The episode ends with Howard being launched into space. Everyone nervously watches the space launch from Leonard and Sheldon's apartment. Bernadette takes Raj's hand, Penny takes Leonard's hand, and a very surprised Amy has her hand taken by Sheldon who wishes Howard well with the words "Boldly go, Howard Wolowitz". |
fd_Doctor_Who_08x11 | fd_Doctor_Who_08x11_0 | TEXT: [ Park ] (phone rings) Danny: Clara! Clara (O.C.): Shut up. Danny: Is that how we communicate now? [SCENE_BREAK] [ Clara's place ] Clara: Shut up, shut up, shut up. I need to talk to you. [SCENE_BREAK] [ Park ] Danny: All right. Well, I'll be there in a couple of minutes, so... [SCENE_BREAK] [ Clara's place ] Clara: No, no, Not while you're in the room. [SCENE_BREAK] [ Park ] Danny: Oh, stupid me. The very idea. [SCENE_BREAK] [ Clara's place ] Clara: Shut up! Danny (O.C.): OK. Clara: Stay shut up. [SCENE_BREAK] [ Park ] Danny: OK. Clara (O.C.): Things to say. [SCENE_BREAK] [ Clara's place ] Clara: Not all of them good. Danny (O.C.): Oh, wouldn't it be better... [SCENE_BREAK] [ Park ] Danny:...if I was actually there? Clara (O.C.): Oh, Danny, everything is... [SCENE_BREAK] [ Clara's place ] Clara:...better when you're here, but maybe... Maybe not this. OK. Um... OK, before all of that. Before all of the stuff... [SCENE_BREAK] [ Park ] Clara (O.C.):...that I did wrong. [SCENE_BREAK] [ Clara's place ] Clara: I love you. [SCENE_BREAK] [ Road ] Danny: I love you. Clara: No, not like that. Not like it's automatic. [SCENE_BREAK] [ Clara's place ] Clara: Not like it's how you end the phone call, the sign off, the pat on the back. [SCENE_BREAK] [ Park ] Danny: Clara... [SCENE_BREAK] [ Clara
SUMMARY: | While Clara attempts to gain the courage to tell Danny about her life with the Doctor, Danny is killed. Clara attempts to blackmail the Doctor into saving Danny. The Doctor removes her from the dream state he placed on her and uses the TARDIS' telepathic interface to find Danny. The Doctor and Clara are brought to the 3W Institute, in which skeletons are contained in a blue liquid called "dark water" that hides the exoskeletons that support the skeletons. In an apparent afterlife called the Nethersphere, Danny is being consoled by Seb for his death. Missy greets the Doctor and Clara. The scientist Doctor Chang explains that the dead are conscious. Meanwhile, Missy awakens the skeletons and the tanks begin to drain. Clara talks with Danny, but Danny refuses to let her be with him in death. The skeletons are revealed to be Cybermen . Missy tells the Doctor that dying minds are uploaded the Nethersphere-a Time Lord "hard drive"-where emotions are deleted and the mind is downloaded into Cyberman bodies. The Doctor and Missy exit and find themselves on the steps of St Paul's Cathedral . Missy reveals that she is the Master . |
fd_Torchwood_3x04 | fd_Torchwood_3x04_0 | TEXT: Previously... EXT. SCHOOLYARD CHILDREN : We are coming. We are coming. INT. LONDON CAFÉ Shot of Lois through the spy contacts. LOIS : Where's the camera? Close-up on Gwen. GWEN : In my eyes. When you wear these, they'll transmit a picture back to us and we'll see what's going on. More than that, we've got lip-reading software. LOIS : If anybody finds out what I'm doing, it's treason. INT. ALICE'S HOUSE STEVEN : Grandma always said there'd be trouble. Alice pulls out a massive butcher knife from a knife block. INT. AGENT JOHNSON'S HQ Johnson is on the phone, speaker to Frobisher. JOHNSON : Do you know he's got a daughter? INT. FROBISHER'S OFFICE JOHNSON : And now, Alice Carter's got a child of her own. His grandson. FROBISHER : Bring her in. EXT. ALICE'S HOUSE Soldiers rush towards Alice and Steven, she knocks one of them out with a cutting board. EXT. LONDON STREET Clem stands frozen, pointing at the column of fire descending from the sky. INT. THAMES HOUSE Frobisher and Mr. Dekker shield their eyes as the fiery column descends through the ceiling and into the glass tank. INT. RHIANNON'S HOUSE A group of children pointing together in one direction, speaking in unison. CHILDREN : We are here. INT. THAMES HOUSE FROBISHER : But what do you want? 456 : We want ten percent of the children of this world. INT. Warehouse Hub 2 CLEM : They want to take them, like they did before, like the man did. EXT. SCOTLAND, 1965 The orphans walk into the light, Jack visible behind them in his greatcoat
SUMMARY: | Torchwood finally learns the truth about the events of 1965. Britain is in danger of becoming a rogue state, and everything now pivots around John Frobisher, as the ambassador of the 456 destroys its old allegiances and reveals its true intent. |
fd_The_Originals_02x12 | fd_The_Originals_02x12_0 | TEXT: Finn: My brothers went to great lengths to hide something from me. Now, I may not be able to get it out of them, but I'm willing to bet I can rip it out of you. Klaus: Marcel and all his vampires have inexplicably disappeared. Hayley: We have premarital rituals, which are what, exactly? Mary: You speak the truth, he speaks the truth, secrets are cleansed. Klaus: I'm going to have a little chat with the bride-to-be, remind her that some secrets need to stay buried. Cassie: You're the sister... Rebekah. Rebekah: You must be that harvest girl. Cassie, is it? (Cassie nods) How exactly does one go about breaking out of this joint? Cassie: There's no leaving. They say this place is haunted. Rebekah: There was someone in my room. There was a girl, a girl in black. [SCENE_BREAK] [ FAULINE WITCH ASYLUM ] (Rebekah, still in her new vessel's body, is sleeping fitfully in her bedroom. The lettered tiles on the floor still spell out "FREYA" next to her bed. The scene flashes to the locked door upstairs, where the glass-topped coffin that held what is presumed to be Freya's body. Suddenly, the door to the locked room opens, and Freya (not just a spirit, but flesh and blood) appears in the doorway of Rebekah's bedroom. As Rebekah tosses and turns, she gets visions in her dreams of young Freya being taken from the pregnant Esther and young Finn by their aunt Dahlia. Freya walks into Rebekah's room and stands at Rebekah's bedside, where stares at her as she sleeps) Mama! Aah! Mama! Freya: Mother! Mother! [SCENE_BREAK] [ THE BAYOU ] (Many of the werewolves who aren't under Finn's control and their children have returned to the Bayou, where they live in the encampments.
SUMMARY: | After a series of strange encounters, Rebekah becomes intrigued by a mysterious girl who has recently arrived to the insane asylum. At the bayou, Hayley struggles with coming clean to Jackson about the secrets she's keeping and is surprised when he shares his own secret involving Hayley's parents. Meanwhile, after learning the details of a particular marriage ritual that Hayley and Jackson must complete, Klaus heads to the bayou to put an end to it, but not before running into Jackson's grandmother Mary. Elsewhere, Vincent remains determined to uncover the secret he knows Klaus is hiding and sets his eyes on Marcel for answers. Lastly, when Davina discovers that Josh and Marcel are in danger, she enlists the help of Kaleb and Aiden to rescue them. |
fd_The_Vampire_Diaries_05x06 | fd_The_Vampire_Diaries_05x06_0 | TEXT: [A Restaurant] (The waitress comes to serve Katherine) Waitress: Sure a little thing like you can eat all that? Katherine: I'm celebrating. I thought I was gonna die. I didn't. So now I'm free to be whatever I want to be. Heh. It's a good day Waitress: Love the hair, by the way. Bold choice (She leaves and Katherine looks at her hair and finds a strand of grey hair) [Salvatore's House] (Elena and Damon are cuddling on the couch) Elena: This is nice Damon: It is nice Elena: Quiet, still, peaceful. I like our life when it's like this Damon: But it is our life, which probably means that somebody's gonna walk through that door and shatter it Elena: Oh, don't say that Damon: In 10, 9... Elena: Just let me enjoy the moment Damon: 6, 5... Elena: Damon, today is the day that we're gonna bring Bonnie back. It's a good day Damon: 3...2... Elena: Damon, it's a good day (Silas enters) Silas: Greetings Damon: One Silas: Good morning, frenemies. Ah. You know, I'm only a few hours into my old life as a witch, but somehow, the sun feels warmer. Probably because I'm not cursed with having to outlive it any more Damon: What's with the home invasion, Silas? Silas: Well, Damon, after 2,000 years of a miserable existence, I finally get to die [A Cabin] (Stefan wakes up. Tessa is here) Tessa: Morning, sleepyhead. Sleep well? Stefan: Oh. Tessa. Hi Tessa: You're confused. Is that the amnesia or the Tequila? Stefan: Um, I think both. I'm still trying to piece together last night Tessa: We bonded over our misery. There were body shots. The misery lifted. Here. Berries (She gives him berries) Stefan:
SUMMARY: | Katherine, who needs desperate help, goes after Caroline and asks for help. The two collide and go after professor Wes, of whom Caroline is suspicious, and try to find out his motives against vampires. Elena who thinks Stefan is in danger goes to save him from Qetsiyah but ends up trapped as well. Damon and Jeremy help Silas find the anchor of the other side. Qetsiyah reveals to Damon that the anchor is not an object, in fact it's Silas' lost love - Amara. Silas is able to free Amara but she attacks him and takes the cure. Damon and Jeremy decide to take Amara to use her as leverage against Silas. Katherine replaces Elena and goes at a secret community where vampires are not allowed, the same community that professor Wes is being part of. When they are done with Wes, Caroline compels him to think that Elena and her are not vampires. Qetsiyah brings Stefan's memories back when he frees Elena from the trap. Meanwhile, Katherine starts suffering from the life as her hair starts becoming grey. |
fd_Roswell_01x12 | fd_Roswell_01x12_0 | TEXT: "The Convention" AKA "The UFO Convention" 13th Episode of Roswell Production Code: 1ADA12 [SCENE_BREAK] (Episode begins outside the UFO Center. There is a UFO convention going on. There is someone dressed in a green alien costume, handing out flyers to people. The alien stares across the street at Liz at the Crashdown) (A deputy is telling Sheriff Valenti about all the commotion the sighting has caused) Deputy: 14 calls this morning, Sheriff, all about the sighting last week. Sheriff: Dry lightning, deputy. Deputy: I keep telling them that, but they keep calling. Sheriff: I don't have time to talk to anybody about unfounded or unsubstantiated rumors, and it is your job to explain that to them. Deputy: Yes, sir. Sheriff: Thank you, deputy. (Valenti opens the door to his office to find a man sitting in his chair) Hubble: Been a while, junior. Sheriff: How'd you get past the front desk? Hubble: Better beef up security. Heard you had a boy. Bachelor myself, no kids for me. Sheriff: You're not welcome here, Hub. Hubble: Oh, junior, I expect more from you than dumb-ass small-town threats. Well, just wanted to stop by. Regards to your dad. From what I hear, you're starting to come around to his way of thinking. See ya, junior. Deputy: Who was that? Sheriff: That, deputy, was a bona fide alien hunter. (Opening credits) (There is a UFO convention at the UFO center. Michael is talking to an "alien expert", asking his opinion on aliens) Alien Expert: I've concluded, Mr. Guerin, that yes, these aliens do exist. Yes, they're among us today. And yes, they're brutal, dangerous killers and must be stopped at any cost. (Isabel walks by and pulls Michael away) Michael: Hey, I wasn't finished talking to him. Isabel: I want to get the hell out of here. This place is psychologically damaging. Michael: Hey, I've got no
SUMMARY: | A new UFO sighting sends suspicion and fear through the town and leads Max and Isabel to investigate the incident during a school camping trip. |
fd_The_Big_Bang_Theory_04x09 | fd_The_Big_Bang_Theory_04x09_0 | TEXT: Scene: The apartment. Raj: You know who's got to be the bravest person in the Marvel Universe? Whoever has to give She-Hulk a bikini wax. Howard: You want to talk brave, how about Captain America's undocumented Mexican gardener? Leonard: He's not braver than whoever uses the bathroom after The Thing? Sheldon: As usual, you're all wrong. The bravest person in the Marvel Universe is the doctor who gives Wolverine his prostate exam. Howard: How about the guy who gets a prostate exam from Wolverine? Sheldon: Now you just being silly. Wolverine's never displayed the slightest interest in helping others prevent prostate cancer. (Answering phone) Hello. Yes, the elevator's out of order you'll have to use the stairs. Of course you can. Pizza dates back to the 16th century, while the first elevator was not installed until 1852. That means that for over 300 years, people carried pizzas up stairs. Be part of that proud tradition. Leonard: I'll go get Penny while that guy spits on our food. Raj: Do you think they gave Wolverine an Adamantium prostate? Howard: That's a stupid question. Raj: We're having a conversation about probing the heinies of superheroes. There are no stupid questions. Scene: Penny's door. Man: Yes? Leonard: Oh, um, is Penny here? Man: You're Leonard, right? Leonard: Yeah. Man: Damn, it's good to finally meet you, son. Leonard: Okay, I think a bit of context here might help. Penny: Oh, hey, Leonard. I see you met my dad. Leonard: Oh, good. Context. Penny's Dad: Come on in, buddy. Take a load off. Penny: Oh, gee, dad, Leonard can't stay. He just dropped by to say hello. Thanks for stopping by, sweetie. I'll see you later. (Kisses him passionately) Bye. Leonard: That was odd. Credits sequence. Scene: The apartment. Sheldon: Are you sure you have
SUMMARY: | Penny's father, Wyatt, has come to visit. Since he feels that Leonard is the best man that Penny ever dated, she asks Leonard to pretend that they are still together. Leonard happily plays along until Penny confesses to Wyatt. Wyatt is angry that Penny does not trust him, and pleads with Leonard not to give up on her. Sheldon stays up all night amending the roommate agreement to address her personal habits, and becomes angry to learn that he needn't have bothered. Meanwhile, Howard and Bernadette stay with Raj in his telescope control room. He becomes drunk and complains that he will never kiss a woman. When Bernadette expresses sympathy, he leans in to kiss her, but ends up kissing Howard. |
fd_The_O.C._04x10 | fd_The_O.C._04x10_0 | TEXT: At Ryan's workplace Taylor: It is.It's too much. Ryan: No,no,no,no.Not... What is it? Taylor: New bookstore opened. It looks like a good bookstore. Ryan: All right,well,look,I should get back to work. Taylor: Oh,yeah,okay. Ryan: But thank you.This was really great. Taylor: Good,I'm glad you liked it.Bye. I'll call you later. Ryan: Ok. At the bookstore Taylor: a season for peaches - henri-micheal de momourant. Oh,no.No,this cannot be happening. Excuse me,uh... what is this book? Man: A Season For Peaches. It's the bestseller from France.English translation came in today. Taylor: Okay,what's it about? Man: Kind of like,Bridges of Madison County meets The Notebook meets...p0rn. Taylor: Oh,my God.Plot,please. Man: Uh,this Frenchman seduces this young American girl and then they get married. I can't remember where. Taylor: His family's chapel in Burgundy. Man: Oh,so you read it. Taylor: No. I lived it. I'm Peaches. Generic At Cohen's Ryan: Here you go. Seth: Oh,trusty neck pillow. What did Ryan do to you? Ryan: So you're really going to Seattle? Seth: You don't want to marry a girl,you've got to ask her father's permission,Ryan. It's the polite thing to do. Ryan: Yeah,except you don't want to get married,which you could still tell her,you know. Seth: Not a chance. Ryan: So you guys are really gonna walk down the aisle because neither of you is willing to back down. Seth: This is where Dr.Roberts comes in. He rejects me,this whole game of chicken ends and I don't have to be the bad guy. Ryan: But are you positive that he's gonna say "no"? I mean,I thought you guys bonded before he
SUMMARY: | Henri-Michel tells Ryan about Taylor's life in France, forcing him to question their relationship. Seth seeks Dr. Roberts' permission to marry Summer. Kaitlin realizes she likes Will. Summer reconnects with Holly and worries about her future. Meanwhile, Kirsten makes a shocking discovery at NewMatch. |
fd_The_L_Word_06x03 | fd_The_L_Word_06x03_0 | TEXT: At Tina's work. Receptionist: Shaolin Studio, how can I help you, please? Tina receives a sms. Aaron wants to see her. Aaron: You really wanna see this film going down in flames, don't you?! Tina: What are you talking about? I love this film. Aaron: Oh, bullshit, Tina! Bullshit! Last week you said you would burn down the lab before you let "The Girls" be released with, may I say, a brillant ending tested through the roof, and now... Tina: And now, and now what? What? What's going on? Aaron: Don't stand here and pretend you don't know what the f*ck I'm talking about! Tina: I have no idea what you're talking about, Aaron. I would never do anything to sabotage this film, okay? I put my whole life into this film. Please, stop yelling at me and just talk to me. Tell me what's going on. Aaron: Look, I don't actually think that you were the one who stole the negative, Tina because you are not a complete and total raving lunatic like for example Jennyfer Schecter! Tina: Whoa, whoa, wait. Back up. The negative? What negative? Aaron: The negative was stolen from the f*cking lab, Tina! We have no more film! Tina: And you think Jenny did this? Aaron: I cannot in my wildest dream imagine anyone else on the face of the planet being that devious or insane. But Jenny Schecter? Piece of cake. And since she's your friend, Tina, I am holding you personally responsible for it. So do whatever you have to do, but get Schecter to return that goddamn negative! Tina: f*cking, Jenny. I'm gonna f*cking kill you. Crédits. At Jenny's home. Shane: sh1t! I don't know what to say. Jenny: I'm happy we f*cked. Shane: Are you sure? Jenny: Yep. Oh God! Who the f*ck is that? Shane: Who? Jenny
SUMMARY: | Alice walks in on Jenny and Shane after their night of passion, and naturally does not hesitate to gossip about it to everyone she knows before they have a chance to explain. Meanwhile, Tina gets into trouble when the film negatives for the movie The Girls (which the producers changed from "Lez Girls"), have been stolen from the studio and Tina gets blamed by her boss, Aaron, because she expressed frustration over the movie's ending, which was changed after being deemed too homophobic by the studio bosses. Tina thinks Jenny stole the negatives, but she denies it. But the unseen culprit soon frames Tina for the theft by sending a ransom note e-mail from Tina's office computer. Elsewhere, Joyce and Phyllis give the news about their impending marriage. Bette continues to have problems at work when Jodi continues harassing her. But when Phyllis turns down Bette's request to fire Jodi for insubordination, Bette concedes defeat and decides to quit her job. Also, Alice makes a choice to change her media career after she disobeys her employer's orders and reads a heartfelt letter on-air about a gay bashing incident, and Dylan attempts reuniting with Helena. |