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fd_Veronica_Mars_02x15 | fd_Veronica_Mars_02x15_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars... From the pilot, Veronica runs out to the Kane pool and is shocked to see Lilly lying dead. Cut to Veronica having watched the tapes of Aaron and Lilly in 122 "Leave It to Beaver." VERONICA: I know what happened. In Veronica's visualisation of the crime, Aaron hits Lilly across the head with a heavy ashtray. VERONICA: [offscreen] Dad, it's Aaron Echolls; he did it. At home, a concerned Keith listens to her on his cell. VERONICA: [offscreen] I have video of Lilly in his bed on the day she died. In 210 "One Angry Veronica," Keith attends Woody at the latter's office. WOODY: The Aaron Echolls-Lilly Kane s*x tapes have been stolen from the evidence room. Logan sobs as he destroys the tapes. KEITH: [offscreen] For a guy who says he hates his father... Keith arrives too late to stop him. KEITH:...you sure did him a huge favor. Logan stands on the edge of the railing on the Coronado Bridge in 122 "Leave It to Beaver." LOGAN: What do you think you can do to me? WEEVIL: I'll think of something. From 201 "Normal Is the Watchword," Logan beckons Weevil on, then kicks him in the face. The rest of the bikers drag him off the edge and pull him down to the ground. They start kicking. A little later, a man stands over Logan as he returns to consciousness. DRIVER: Why don't you do me a favor and drop that knife? Logan groggily notes the bloody knife in his hand and Felix's body lying nearby. Cut to Logan's bed in 203 "Cheatty, Cheatty, Bang, Bang." Naked Logan grabs his cell from naked Kendall, who is astride him, and throws it across the room. LOGAN: I can handle the spice department, thank you very much.
SUMMARY: | Veronica must find a missing bride-to-be who disappeared after her bachelorette party. Dr. Griffith agrees to drop his testimony after Logan stops seeing Hannah. Sheriff Lamb issues a warrant for Terrance's arrest, charging him with eight counts of murder. Kendall visits Aaron in prison, and she asks him to invest in Phoenix Land Trust. Aaron agrees to give her money if she can retrieve some of Duncan's hair. |
fd_Charmed_06x23 | fd_Charmed_06x23_0 | TEXT: [Scene: Manor. Foyer. Leo carries Phoebe in.] Leo: Put him in the playpen. I don't want him seeing this. (Paige walks in, holding Wyatt.) Paige: But Phoebe Leo: Just do it! (He puts Phoebe on the couch. Paige puts Wyatt in the playpen.) Paige: Okay, there you go. There you go. (Leo starts to heal Phoebe.) Leo: Don't let him out of your sight. Paige: What's wrong? What's taking so long? Leo: I don't know. Paige: Damn it, Leo, you should have just healed her outside. Leo: Right, and risk you getting shot, too? I don't think so. (Chris comes downstairs.) Chris: Okay, so I just sent our evil twins through the portal, although (He sees Leo healing Phoebe.) What happened? (Phoebe wakes up and gasps.) Paige: Thank god. (She goes to Phoebe.) Leo: Stay with Wyatt. Chris: I got him. (Phoebe slowly sits up.) Paige: You okay? Phoebe: Yeah. Just remind me to never park on Mrs. Noble's driveway again. Chris: Will someone please tell me what the hell is going on here? Paige: The neighborhood patrol shot her point blank and nobody so much as blinked an eye. Chris: What? Why? Leo: Because by getting us all to the evil world, Gideon screwed up the balance, messed up with the grand design. Paige: Well, if you ask me, the grand design is pretty messed up in the first place. Phoebe: Wait, so are you saying because of what he did, our world is bad now, too? Leo: No, on the contrary. It's good. Too good. Where every little infraction is a capital offense and everyone just accepts it. Paige: Oh, so we're starring in a little movie called "Pleas
SUMMARY: | As Piper goes into labor, Phoebe and Paige attempt to put things back in order and stop Gideon from turning Wyatt evil. However, Leo is less than thrilled when the other Elders tell him not to go after Gideon on his own, especially after Gideon decided to team up with Barbas to get the job done. Ultimately, Leo is able to team up with his evil parallel counterpart go against Gideon with explosive results. |
fd_Doctor_Who_1963_11x23 | fd_Doctor_Who_1963_11x23_0 | TEXT: PLANET OF THE SPIDERS BY: ROBERT SLOMAN PART THREE 5:40pm - 6:05pm [SCENE_BREAK] 1: EXT. RIVER (The DOCTOR has reached the river again but has cut out a considerably long stretch of the curve in its route by going overland. He skims back onto the surface of the water and finds that he is much closer behind LUPTON'S speedboat and getting nearer all the time. The DOCTOR finds himself buffeted by the churned-up waters from the speedboat and instead goes to one side of the wake of the craft, thereby being able to close up easier. LUPTON hears the drone of the hovercraft and looks back. The look of satisfaction disappears off his face.) LUPTON: He'll catch us! SPIDER: (OOV.) I'll get help from Metebelis. Concentrate! Concentrate! (The two craft are now neck and neck together with both men watching ahead and each others movements as they race through the water. The DOCTOR brings the hovercraft immediately next to the speedboat and lunges himself aboard LUPTON'S craft. LUPTON keeps at the controls as the DOCTOR clambers to his feet. But when he looks down at the driver's seat, it is empty. LUPTON has disappeared into nothingness before an astounded DOCTOR. The boat starts to drift to a halt.) [SCENE_BREAK] 2: INT. LAMASERY. PASSAGEWAY (TOMMY'S secret hideaway in the Lamasery is a cupboard under the stairs. The burly handyman comes out of this private place and immediately a troubled look appears on his face. Sensing something wrong, he peeps round the corner and his eyes widen as he sees LUPTON materialise from thin air, staggering slightly on his feet as he does so.) TOMMY: Clever Lupton! (TOMMY smiles in admiration. He watches as LUPTON reaches into the pocket of his checked sports jacket and brings out the blue crystal. Any feelings of confusion that
SUMMARY: | The Doctor and Sarah head to the meditation centre to try and get the crystal back while Lupton prepares to return it to Metebelis Three.But all their plans are disrupted when it is stolen by Tommy. |
fd_How_I_Met_Your_Mother_05x03 | fd_How_I_Met_Your_Mother_05x03_0 | TEXT: Ted (2030): Kids, your uncle Barney had been called a lot of names over the years. **SEVERAL FLASHBACK** Girl 1: (throwing her glass to his face) Jerk! [SCENE_BREAK] Girl 2: (throwing her glass to his face) b*st*rd! [SCENE_BREAK] Girl 3: Barack Obama Jr.?! Barney: Mm-hmm. And yes... we can. [SCENE_BREAK] Ted (2030): But there's one name none of us ever expected to hear him called. 2009 TED'S APARTMENT Robin: Boyfriend. Barney Stinson is my boyfriend. I've said it, like, a hundred times it still sounds weird to say. Ted: Well, anything sounds weird if you say it a hundred times. Bowl. Bowl. Bowl. Lily: But other than that, things are good? Ted: Bowl. Bowl. Robin: I don't know. I think Barney's been single for too long. Ted: Bowl. Robin: Like, the other night, I wake up at 4:00 a.m Ted: Bowl. **FLASHBACK** ROBIN'S BEDROOM Robin: Barney, are you awake? Barney? He tries to escape by the window. Robin: Barney. This is not a one-night stand. We're dating. Come back to bed. **END OF FLASHBACK** Ted: Bowl. Robin: That's happened three times. Ted: Bowl. Robin: And it's not just that, it's other things. **FLASHBACK** Barney enters into to apartment and see Robin crying. Barney: Hey. What's wrong? Robin: (crying) It was just one thing after another at work today, and then... (sniffling) I found out my aunt's in the hospital. I'm just, I'm feeling so overwhelmed and it's just... Barney: Shh, shh, shh. What you need to do is talk through this stuff. Robin: Oh, thanks. Barney: And then, once you're off the phone with Lily, I'll be down in the bar ready to
SUMMARY: | When Robin fears that Barney is cheating on her, she soon discovers that he is spending his evenings with Ted learning everything there is to know on how to date her. Marshall gives away a prized possession. |
fd_FRIENDS_05x23 | fd_FRIENDS_05x23_0 | TEXT: [Scene: Monica and Rachel's, Rachel is sitting in the living room and Phoebe is standing in the kitchen as the phone rings.] Rachel: Pheebs? Could you get that? Please? Phoebe: Why? Just 'cause you're too lazy to get up off your touchie? Rachel: No! No! It's just that all the people in the entire world that I want to talk to are right here. Phoebe: (smiles) Okay! (Goes to answer the phone.) Rachel: (under her breath) Sucker! Phoebe: (answering the phone) Hello? (Listens) Hey Joey! [Cut to Las Vegas, Joey is on the phone and wearing his gladiator costume.] Joey: Hey Pheebs! Listen, uh can you do me a favor? I forgot the pin number to my ATM card can, can you get it for me? Phoebe: Sure! Where is it? Joey: Uh, I scratched it on the ATM machine down on the corner. Phoebe: Ohh! So you're 5639?! Joey: That's it! Thanks Pheebs! [Cut to Monica and Rachel's] Chandler: (entering) Hey! Phoebe: (to Joey) Ooh, do you want to talk to Chandler? Chandler: (To Phoebe) Is that Joey?! (She nods yes) Let me talk to him! [Cut to Joey] Joey: No! (She nods no to Chandler) Because he didn't believe in my movie! Which is a big mistake because it is real! Real! A Casino Boss: Hey! Tribbiani! Get back to work! Break time's over! [Cut to Phoebe] Phoebe: Who was that? Joey: Uhh, my stunt double. Yeah, and y'know, he's getting a little too familiar for my tastes. Chandler: (To Phoebe) Y'know what? I have been trying to apologize to him all week! If he'
SUMMARY: | Monica has lunch with Richard but does not tell Chandler. The gang goes to Las Vegas to visit Joey. Monica, Chandler, and Phoebe find him working at Caesar's Palace while his movie is shut down. Ross sees Rachel naked through his apartment window, mistaking it as an invitation to "the physical act of love". On the plane to Vegas, Ross and Rachel needle each other; he draws a mustache on her with a marker pen while she is asleep. In Vegas, Ross and Rachel get drunk. Joey discovers his "identical hand twin" that he believes is a money-making opportunity to fund his movie. Phoebe feuds with a slots "lurker" and gets ejected from the casino, though she returns as "Regina Phalange". Chandler and Monica decide to get married. At the wedding chapel, Ross and Rachel drunkenly stumble out of the chapel ahead of them. |
fd_Doctor_Who_1963_01x23 | fd_Doctor_Who_1963_01x23_0 | TEXT: 5:30pm - 5:55pm [SCENE_BREAK] 1: EXT. JUNGLE SUSAN: (Screaming.) Go away. Go away! (BARBARA approaches her.) BARBARA: Susan! SUSAN: (Panicking.) Oh, go back! BARBARA: What is it? SUSAN: Oh, don't stay here! (IAN, SABETHA and ALTOS come running up to join them. SUSAN visibly relaxes.) SUSAN: It's stopped. BARBARA: Well what did you see? IAN: What's the matter? BARBARA: Susan, answer me. SUSAN: Well didn't you hear it? (The others look blank.) ALTOS: There could be animals in this jungle around us. SUSAN: No. No, it wasn't anything like that. IAN: Well now, take it easy, Susan, and try and tell us what it was you heard. SUSAN: Well it was... It... It was horrible! (She falls into BARBARA'S arms and begins sobbing.) BARBARA: She'll tell us in time. (IAN nods and moves off to join ALTOS and SABETHA who are exploring the jungle.) BARBARA: Look Susan, whatever it was, it's gone now. SUSAN: I did hear it, you know. BARBARA: Yes. (Behind them, ALTOS has found an old stone wall behind the dense foliage.) SABETHA: This is a dead place. IAN: Yes, it's a bit quiet, isn't it? SABETHA: That isn't quite what I meant. ALTOS: The key must be on the other side of this wall. IAN: Yes. (Points.) There's some sort of an archway. (They move over to look at it. It is almost completely blocked by vegetation.) IAN: Look at these creepers! ALTOS: Some of them almost as thick as small trees. (A few feet away, SUSAN and BARBARA are still talking.) SUSAN: A-a-and was
SUMMARY: | The TARDIS arrives on the planet Marinus on an island of glass surrounded by a sea of acid. The travellers are forced by the elderly Arbitan to retrieve four of the five operating keys to a machine called the Conscience of Marinus, of which he is the keeper. These have been hidden in different locations around the planet to prevent them falling into the hands of the evil Yartek and his Voord warriors, who plan to seize the machine and use its originally benevolent mind-influencing power for their own sinister purposes. |
fd_The_Vampire_Diaries_03x14 | fd_The_Vampire_Diaries_03x14_0 | TEXT: [Mystic Falls' Hospital] (Elena rejoins Matt] Matt: How's Mr. Saltzman? Elena: Resigned to spending the night in observation, so long as I promise to change the lock on the house. So I talked with Bonnie earlier. Her and her mom are fine (While they wlak, someone is watching them from behind a window) Elena: Have you talked to Caroline? Matt: Yeah. She's holding it together, considering how close she and her dad used to be. Any word on who was behind all these attacks? Elena: No. Sheriff Forbes said that there's no real suspects at all. (Elena and Matt are in the parking lot) Elena: How are you dealing with everything? I mean, you keep getting dragged into all this Matt: Honestly... I'm kind of lucky. The only thing that I have to worry about for tomorrow is showing up for my shift at the Grill Elena: Thank you for everything today. Really Matt: Get home safe Elena: Thanks (He goes to his car and leaves. Elena enters her car and drives but she hits something. She immediately goes out of the car to see what she just hit but there's nothing. When she turns herself she's face to face with Rebekah) Rebekah: What? Drive much? Elena: Rebekah... (Rebekah strangles her and pushes her against the car) Rebekah: Surprised? You drove a dagger through my back, Elena. It hurt (She's about to bite her but Elijah catches her and pushes her against the car, strangling her) Rebekah: Elijah Elijah: Leave (He realeases her. Rebekah looks at him) Elijah: Are you challenging me? Rebekah: You're pathetic (She looks at Elena) Rebekah: Both of you (She leaves. Elijah looks at Elena) Elijah: Well... I believe we have a little catching up to do [Gilbert's House] (Elena is in the kitchen with Stefan and Damon) Elena: It was their mother Esther who was sealed in that coffin Stefan: As in the original witch? Damon
SUMMARY: | Matt and Elena leave the hospital, where Rebekah tries to attack her before Elijah saves her. Elena is surprised to receive an invitation to a formal ball and a meeting with Esther. When Damon and Stefan hear the party is being hosted at Klaus's newly renovated mansion, they both insist on attending the event with her. Tyler calls Caroline and apologizes, saying he is still working on fixing himself. Caroline and Matt also receive invitations to the ball from Klaus and Rebekah, respectively. Despite telling Damon and Stefan she would not go to the ball, Elena shows up anyway. The ball commences with a dance, Elena with Damon, Caroline with Klaus, Matt with Rebekah. Elena then dances with Stefan and then convinces him to help her get to Esther. Elena learns that Esther intents to kill the originals by linking their lives together and then sacrificing Finn by his own will. Then she must decide who she can trust with her new information. Caroline discovers a more sensitive and romantic side of Klaus no one would have suspected. Elena gets all the Originals to drink and link themselves. Elena reaches out to Stefan but he says that if he feels again all he feels is pain. Finally, after an evening of violence and dashed hopes, Damon finds a new way to cope by sleeping with Rebekah. |
fd_One_Tree_Hill_03x19 | fd_One_Tree_Hill_03x19_0 | TEXT: [Générique] Voix-off : George Eliot once wrote, "There is no despair so absolute as that which comes with the first moments of our first great sorrow, when we have not yet known what it is to have suffered and healed, to have despaired and recovered hope." Nathan : Black jerseys for Keith. First game back. You ready for this? Lucas : I think so. Yeah. Nathan : The whole team's there for you, man. I got your back out there tonight. Lucas : I can't to play tonight. Whitey : Durstin! You're in! Nathan : Coach, we're in this together. It's what you taught us, right? Whitey : I'm afraid that's a forfeit, Ref. Arbitre : Ok, the Ravens forfeit. Mouth : Ladies and gentlemen, it looks like the Ravens are gonna forfeit the game. Ravens forfeit. Lucas : You guys didn't have to forfeit the game. You didn't have to do that for me. Nathan : Hey, I told you, got your back. Lucas : Thanks. Nathan : Look, here's the thing...All these guys, Luke, they'd walk through fire for you. Question is, are you really gonna make them do that? Look, remember when I didn't want to play in this crappy old gym? You remember what you said to me? Lucas : "It's not just about us." Nathan : Yeah, and you were right. I mean, these guys deserve a shot at State. And Whitey, it's his last year so... Look, I'm gonna do everything I can to help you get through this, but we can't forfeit the season, Luke. Lucas : I know. Mouth : Rachel, what's wrong? What? Who is? Rachel : Someone I used to know. Someone who's gone now. Like Jimmy Edwards. Brooke did this. Mouth : What are you doing to Rachel, Brooke? Brooke : You know what? After what happened in here tonight with Lucas, I think I have a little more on my mind than
SUMMARY: | Lucas attempts to play in the first game after Keith's death, but he cannot bring himself to do it. After seeing Lucas's pain, Nathan asks Whitey to forfeit the game. Lucas finally tells Whitey, Nathan, and Karen about his heart condition (HCM) after Deb convinces him to be there for Karen after Keith's death. Nathan and Haley prepare to renew their vows. Mouth tries to get closer to Rachel. Peyton gets an invitation to go to Chicago, from Pete. Brooke gets revenge on Rachael, by making posters of Rachael who got multiple surgeries to become attractive, because she was obese when she was 14. This episode is named after a song by Fall Out Boy . |
fd_Dawson_s_Creek_03x23 | fd_Dawson_s_Creek_03x23_0 | TEXT: [Scene: Mitch and Dawson are exiting a store when Gale and Joey come walking up to join them.] Mitch: Well, if it isn't my blushing bride to be and, uh, her maid of honor. Gale: Hi [They Kiss] Gale: We, just stopped by Sally's for a peek, and Debbie said the dresses will be ready in the tomorrow, but the cake is ready right now and I want you to come see it. Mitch: Let's Go. Gale: Bye honey. Thanks, Joey. [They leave] Joey: Bye. Dawson: They are a happy as I have ever seen them. If you can believe that. Joey: I can. So, How's the ring? Dawson: It's beautiful. And the dresses? Joey: Oh, your mother's is gorgeous. However I'm starting to believe everything I've heard about the unflattering nature of bride's maids dresses. Dawson: I'm sure that you'll look amazing. Joey, thanks for doing this, I really appreciate it. Joey: Dawson, it was an honor when you mother asked me, how could I refuse? Dawson: Yeah, I know, it means a lot to her, but it also means a lot to me too. I, I couldn't imagine you not being a part of this ceremony, and despite any awkwardness this might stir up, it Joey: You know, it's an important day for your parents and I'm not counting on it to change either of our lives. So, it's not going to stir anything up, unless we let it. Right? Dawson: My point exactly. Yeah. Joey: So, you know what. I have to go. I have something borrowed, but I don't have anything blue, yet. Dawson: It shouldn't be too hard. Seems to be a lot of that going around these days. [Scene: The docks by <unk>True Love<unk> Doug is talking to Pacey about the trip while Pacey is brining some supplies aboard.] Doug: Hey, Pacey, are you sure this trip is such a good idea?
SUMMARY: | Gail and Mitch prepare for their hasty wedding, while elsewhere in Capeside, Pacey finalizes plans to leave straight after the ceremony. As the day goes on, it becomes blindingly obvious that Joey must make a choice, and when a conversation takes place between her and Dawson, during which he accepts he must cease being selfish and allow Joey her freedom to make her own choices, she leaves to find Pacey, hoping to tell him how she really feels before he leaves Capeside. Meanwhile, Jen regrets ending things with Henry the way she did, and ends up chasing his camp bus to tell him how she feels. In another carpe diem moment, Jack pursues Ethan, the boy he took to the prom, although he is unhappy with the outcome. However, his heartache leads to a new connection with his father, and the two embrace for the first time in years. When Dawson returns to his house after crying for Joey at the side of the creek, he finds Jen, Jack and Andie sitting on his bed, waiting to support him after his rejection by Joey. Joey, meanwhile, manages to catch Pacey before he leaves, and instead of stopping him, confesses that she is in love with him, and leaves on the boat with him. |
fd_NCIS_04x18 | fd_NCIS_04x18_0 | TEXT: MUSIC IN: INT. AUTOPSY LAB - NIGHT (SFX: DOORS SLIDE OPEN) DUCKY: Corporal Liam Michael O'Neill. That's a good Irish name. I'm from Scotland myself. I hope you won't hold that against me. Twenty-four years old. Too young for us to be meeting on this chilly morning. United States Marine Corps. Found face down in a snow drift in Montrose Park. Well, how did you end up there, at six o'clock in the morning? Not stumbling home from a big night out, I trust. Now that would be a tragic waste of a young life. This is the place where death rejoices in teaching the living. Liam, what can you teach us? (LONG BEAT) Ooh. A wee bump. Oh, perhaps I spoke too soon. Perhaps you weren't the architect of your own destruction. (SFX: TEA KETTLE WHISTLES B.G.) (SFX: LIAM GASPS) DUCKY: Ah!! (MUSIC UP AND OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) MUSIC IN: INT. SQUAD ROOM - DAY TONY: There is nothing lucky about waking up during your own autopsy, Probie. MCGEE: Least you know you're not dead. TONY: Ducky's the one who's lucky. ZIVA: Why is Ducky lucky? TONY: Well, well. Look who's finally here. ZIVA: Oh, like you've never been late, left early, or gone mysteriously missing. TONY: Oh no, that's my point exactly. Tardiness is my middle name. In fact, it's expected of me. You, on the other hand, have become the poster girl for punctuality. (SFX: ZIVA LAUGHS) TONY: Late night? ZIVA: Early morning. Run. New route. Took longer than I expected. Will run faster tomorrow. Now why is Ducky lucky? TONY: We found
SUMMARY: | When the man on Ducky's table turns out to still be alive the unit must track the young Marine's actions prior to his arrival in the morgue. They discover that the Marine had been on leave and used his time off for a secret trip to Baghdad. The case takes a turn when Mike Franks - Gibbs' old boss shows up revealing that the young Marine is in fact his long-lost son. |
fd_The_O.C._01x12 | fd_The_O.C._01x12_0 | TEXT: Opening scene - It opens on a breathtaking view of the water and the coast, then the camera pans quickly along an aerial view lots of houses until finally we are in the Cohen house. Seth is dancing very energetically in his robe & PJ's in the hallway, he makes his way into the kitchen at which point he makes a face, and pretends that he's sick. Sandy & Ryan are both in there Seth: (groans, holds his stomach & touches his head) do I have a fever, I think I might have a fever and or the chills Ryan: (skeptical) since when Seth: since recently Sandy: so you're not feelin well? Seth: (sighs) no I feel fine (really badly fake coughs - lol) (Ryan looks at him) jus my heads a little bit achy and my stomachs kinda weird (holding his stomach) I'm ok Sandy: c'mere (touches Seth's head, Seth turns to face him and swallows really grossly, again Ryan just looks at him with a 'you gotta be kidding' look) huh you don't feel warm Seth: what about cold or clammy (Sandy shakes his head) Ryan: (with his head down) maybe you've got the Summer flu Seth: yeah it's November but it's possible Ryan: maybe you need some (looks at him) Anna-biotics (Ryan raises his eyebrows for emphasis) Sandy: do you not wanna go to school? Seth: (over enthusiastically) NO, no dad no I wanna go to school ok Sandy: ok Seth: (fake concern) I'm jus worried about infecting others Sandy: no you're right we can't take a chance we should just take you straight to the emergency room, just to be sure Seth: (sighs) ok...or I could stay home an-an try an sleep it off Ryan: or you could go to school face Summer an Anna (raises eyebrows) an apologise! (Sandy is smiling) Seth: first
SUMMARY: | Ryan's trust is put to the test when he and Luke spot Carson with another man. Seth struggles to reconcile with Anna and Summer. Caleb and Julie agree to separate for a while. Jimmy and Sandy go into business together. |
fd_The_Office_08x06 | fd_The_Office_08x06_0 | TEXT: Andy: [Flickering Lights] Hey everybody it's closing time. You don't got to go home but you can't stay here. [Plays radio and the song is Closing Time by Semisonic] Erin: [Laughs and shrieks] Andy: Closing time. [SCENE_BREAK] Andy: Every office needs an end of the day tradition. Something to tell you the day is over. Otherwise, you go home and the night just feels like more day. It's weird. [SCENE_BREAK] Andy: Closing time Jim: [On phone]...W R K. Andy: One last call for alcohol so finish your whiskey and beer. Jim: Uh no it's W R K, as in kitten. Oh my boss is singing Closing Time, maybe that's what you are hearing. Andy: Come on pam! Andy/Pam: [Singing, Pam mumbling lyrics] Closing time, time for you to go home to the places you will be from. [SCENE_BREAK] Pam: Let's see. Andy has been manager for a hundred and five days. Which means I've heard 'Closing Time' a hundred and five times. [nods and shakes head] Still don't know the words. Tah wa Ta way hm hm home and home and home. [SCENE_BREAK] Andy: I know who I want to take me home. I know who I want to take me home. [Pulls towel through legs] I know who I want to take me home. [Spins Meredith in chair] Take me hooo...hooome! You know what fine! I try to start fun traditions for you guys, but if you don't want to sing... no traditions! Stanley: [singing] Closing time every new beginning... [SCENE_BREAK] Stanley: I've never heard that song before. And once I heard it, I did not care for it, but that song means it's time to go home. Now...it's my favorite song. [SCENE_BREAK] Andy/Stanley: [singing] Every new beginning comes
SUMMARY: | In order to improve efficiency, Dwight installs a doomsday device that will send an email to California and suggest the closing of the branch. After the maximum number of mistakes is made on the first day, the email is sent but the office works to counteract it; Jim is sent to distract California, whereas Pam-among others-attempts to talk Dwight into dismantling his machine. Meanwhile, Gabe attempts to court the new warehouse worker, Val ( Ameenah Kaplan ), by trying to put Darryl down. |
fd_Frasier_07x09 | fd_Frasier_07x09_0 | TEXT: Act One. Scene One - Radio Station. Roz is organizing some carts with her baby daughter Alice in her arms. Alice is dressed in a cute turkey suit. Frasier enters her booth and greets them. Roz: Morning, Fras. Frasier: Hi, Roz. Roz, is baby Alice dressed as a little turkey or am I just very, very hungry? [laughs] Roz: We're flying home for Thanksgiving right after the show. I thought I'd make Alice look as cute as possible so if she cries on the plane, the other passengers can't get mad. Actually, what I like to do is keep her awake so she'll sleep on the plane. Frasier: You know, you should just do what I used to do. I used to tell the passengers that if Frederick cried, I'd buy them all a drink. Roz: And that worked? Frasier: Oh, yes. In fact, one time I awoke from a short nap, and the fellow sitting behind us was flicking the back of Frederick's little ear. Of course that was cheating, the man did not get his drink. They cross to Frasier's booth. Roz: So when is Frederick coming anyway? Frasier: Well, Lilith is dropping him off around noon and then she's off to visit a colleague for Thanksgiving in Vancouver. You know, come to think of it, do they even celebrate Thanksgiving in Canada? Roz: They will when she leaves! Frasier nods in agreement as they begin the show. [SCENE_BREAK] AS ALL OF VANCOUVER KNEELS TO GIVE THANKS... Scene Two - Frasier's Apartment. The doorbell sounds. Frasier answers it to reveal Lilith and Frederick. Freddie: Hi, Dad. [hugs him] Frasier: Frederick, hi. Lilith: Hello, Frasier. Frasier: Hello. Oh, gosh, you know, I was starting to get worried about you. You're an hour late. Freddie: We saw a big accident on the freeway. Mom saved this guy's life. Frasier: Really? Lilith: Well, that's going
SUMMARY: | Frederick is coming to celebrate Thanksgiving with his father, while Lilith spends the holiday with a colleague. At the last minute, this colleague cancels, and Lilith asks Frasier if she can join them. He concedes, acknowledging that the season should be a celebration of family, even though there is still some awkwardness between Lilith and Niles following their brief tryst. Lilith happens to be writing an article about raising a child after divorce , and Frederick suggests she collaborate with Frasier, and do so while she stays at the apartment. He then goes to some effort to bring his parents closer together, saying privately to each how much the other is missing them, setting up mood lighting and romantic music. They realise that they are being set up, and that Frederick does not wish for them to get back together but is attempting to manipulate them into giving him a more extravagant gift. |
fd_The_L_Word_03x01 | fd_The_L_Word_03x01_0 | TEXT: EXT. - SUBURBAN HOUSE - NIGHT [Title card: Palo Alto, California - 1973] [The exterior of a 60's-era California ranch-style house. An old station wagon drives past.] INT. - SUBURBAN HOUSE - LIVING ROOM - NIGHT [Music is playing - maybe Doris Day? Several women sit around the living room, on the couch and in chairs. Each woman has her legs parted slightly, and is holding a mirror between her legs, to see her vulva. Another woman, Teri, stands at the bar pouring drinks.] Woman #1: (shocked) Oh my god, where is it? Woman #2: Oh, no, it's horrible! Woman #3: Don't say it's horrible. It's beautiful. [Woman #4 is sitting in a chair, holding a mirror with one hand, and a cigarette in the other.] Woman #4: Well, it sure isn't beautiful. Doll, it looks like burnt curtains. [The other ladies chuckle.] Woman #4: But I'll be damned if I'm gonna be called frigid for the rest of my life just 'cause I don't understand what I got goin' on down there. [Woman #5 is quiet. She blinks a few times, staring at her mirror. Another woman passes a huge bowl of granola down the couch.] Woman #6: Careful with the granola! [The women chuckle.] Woman #7: Girls, if it wasn't for this group, I would still think that Valium was my only hope for survival. Woman #8: I would still believe in the myth of the vaginal orgasm. Thank you Sigmund Freud, you patronizing, sexist pig! Woo! Everyone: Woo! Yeah! Right on! [Woman #5 is quietly reading the book "Everything You Always Wanted To Know About s*x". Her eyes widen.] Woman #9: Can I just say... I know this is only our fifth meeting,
SUMMARY: | Six months later. Bette and Tina, now back together, try to deal with parenting their baby daughter, Angelica, while trying to handle a disagreeable social worker who disapproves of their unorthodox parenting methods. Alice, now hosting her own radio show 'The Chart' in Santa Monica, cannot get over her breakup with Dana; it turns out that Dana's talk with Lara resulted in them sleeping together and deciding to renew their relationship, which led to Dana leaving Alice. Helena decides to go into the movie business by purchasing a small and struggling studio. With Mark having moved out of the house, Carmen has moved in and her romantic relationship with Shane gets a little more serious when Carmen wants to take Shane to meet her parents and Shane agrees to act straight. Kit goes to her son, David, over a medical condition of hers. Jenny, recovering at her parents house in Illinois from her nervous breakdown, decides that she has had enough with Midwest life and ponders moving back to Los Angeles with her new butch girlfriend, Moira ( Daniela Sea ). |
fd_Doctor_Who_1963_20x07 | fd_Doctor_Who_1963_20x07_0 | TEXT: SNAKEDANCE BY: CHRISTOPHER BAILEY Part Three First Air Date: 25 January 1983 Running time: 24:29 [SCENE_BREAK] CHELA: I brought you some food. DOCTOR: How long am I to be locked up here? CHELA: Do you want it? DOCTOR: Well, come on, surely at least you can tell me that? CHELA: You're to be kept here until after the ceremony this afternoon. DOCTOR: That will be too late. Whatever is to happen will happen at the ceremony. [SCENE_BREAK] LON: What about him? TEGAN: He's not important. Only the Great Crystal is important. I need the Great Crystal. LON: Well, I'll have to see what I can do. TEGAN: You must not fail me. LON: No. No, I understand. [SCENE_BREAK] DOCTOR: Do you think I'm inventing all this? What would I have to gain? CHELA: I don't know. DOCTOR: But you're not sure it is all nonsense, are you. CHELA: Yes, of course I am. DOCTOR: Why did you tell me about the Crystal? CHELA: Because you're not the first. Dojjen, the Director before Ambril, he too was convinced that the Mara would return. DOCTOR: What happened to Dojjen? CHELA: It doesn't matter. The Great Crystal is safe. Ambril has charge of it. [SCENE_BREAK] TANHA: Lon, where have you been? LON: Out. TANHA: Come here. LON: Whatever for? TANHA: I want to look at you. TANHA: When I realised your room was empty, I very nearly raised the alarm, but I didn't want to embarrass you. LON: Embarrass me? TANHA: Yes, if you were out somewhere having fun. Were you? While your poor mother was stuck at the official dinner being bored into tiny pieces. I shall never forgive you. LON: No, mother, I wasn't. TAN
SUMMARY: | Possessed Tegan and Lon try to find the location of the Great Crystal. The Doctor finds himself in prison with only Nyssa to get him out while Chela tells the Doctor about Dojjen and gives him Dojjen's journal. |
fd_Once_Upon_A_Time_02x22 | fd_Once_Upon_A_Time_02x22_0 | TEXT: SCENE: Neverland. Past. On the Jolly Roger, Captain Hook is looking at a picture of Milah when one of his crew mates, William Smee, approaches. [SCENE_BREAK] Smee: Milah was quite beautiful, wasn't she? Don't worry, Captain. You'll avenge her. No matter what it takes, I know you'll find a way to kill Rumplestiltskin. Hook: Mr. Smee, what news of today's catch? The boy we yanked from the sea. Smee: He's still asleep. A bit waterlogged and smells of catfish, but he'll live. Hook: Where do you suppose he came from? There aren't many other ships in this area, and his clothes are certainly not of this land. Smee: What if the boy belongs to him? The ones he kidnaps from the other world. I'd bet my rations on it. Hook: Indeed. But could we be so lucky? Smee: Lucky? He'll be looking for us. He knows this land better than we do. Hook: Mr. Smee, are you not a connoisseur of rare and valuable objects? If we return the boy to him, it could be the very key to our survival in Neverland. (Scene shifts to another part of the ship, where Baelfire is.) Hook: Ahoy there. Aren't you lucky to be alive. Baelfire: Lucky? I'm a prisoner of pirates in a land cursed with magic. Hook: Well, most children think they've found paradise when they lay their eyes on Neverland's magic. Why else leave home in the first place? Baelfire: I came so a family I loved could live. Hook: Well, aren't you quite the hero? Baelfire: What would you know about that? Pirate. Hook: A pirate saved your scrawny bones from the curse of the mermaids. Baelfire: A pirate killed my mother and tore apart my family. Hook: What about your father? Baelfire: He left me.
SUMMARY: | The inhabitants of Storybrooke brace themselves for the end when Greg and Tamara detonate the trigger Regina had placed within the curse, with the annihilation of the town and its residents imminent; and Mr. Gold mourns the loss of his son, Bae/Neal. Meanwhile, back in Neverland of the past, Hook discovers his connection to a young Bae after he rescues him from the sea and soon realizes that the Lost Boys are in hot pursuit of the boy. |
fd_CSI__Crime_Scene_Investigation_06x11 | fd_CSI__Crime_Scene_Investigation_06x11_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY (STOCK) - NIGHT] (It's raining. Thunder rumbles; lightning flashes.) Cue Sound: (PRE-LAP) RING TONE [PHONE BOOTH] (Through the smoky glass, we see the figure of someone inside the phone booth making a call.) Officer Mularz: (over phone) LVPD. Officer Mularz. Can I help you? (There's no response.) Officer Mularz: (over phone) Is anybody there? (Inside the phone booth, someone wearing a hooded jacket is on the phone. There's a prolonged pause before the person speaks.) Whisperer: (to phone) I'd like to report a murder. Officer Mularz: (over phone) Your name? (There's another pause.) Officer Mularz: (over phone) Hello? Is there somebody there? (The person in the phone booth puts their gloved hand on the glass.) Whisperer: (to phone) The body can be found at 1812 White Oak Road. Officer Mularz: (over phone) I'd like to help you. Please identify yourself. Whisperer: (to phone) Send someone to pick up the body. (The camera blurs on the figure inside the phone booth.) WHITE FLASH TO: [EXT. BRADFORD RESIDENCE -- NIGHT] (There's a full moon shining down on the scene. Officer cars are parked outside the residence.) (Warrick, Grissom and Sara walk down the front drive toward the house. Brass exits the house to meet up with them.) Brass: So an anonymous call came into metro about an hour ago. (He checks his watch.) Investigating officer found the dead body. The coroner's inside. (They turn and head toward the house.) Brass: The, uh... the door was open. Unlocked. [INT. BRADFORD RESIDENCE - HALLWAY - NIGHT - CONTINUOUS] (Brass leads them through the hallway. They note the
SUMMARY: | The team takes on a poignant case as they investigate the death of a man with a condition in which he grows excessive body hair . They soon discover the man had a twin sister who, along with their mother, is mysteriously missing. |
fd_Degrassi_Next_Generation_04x20 | fd_Degrassi_Next_Generation_04x20_0 | TEXT: In the gymnasium, the cheerleaders are performing their routine for Ms. Hatzilakos Paige: All right come on guys! Get to spots! (Paige screws up while they're performing.) Paige: Oopsie daisy! Ms. Hatzilakos: Wow! When everyone gets a load of that at the year end party we're gonna have to force them to take a summer vacation. Darcy: Manny's choreography's more fun than going to the beach. Paige: Okay as captain of the squad I'd like to say that I adore you guys and I want to thank all of you for your spectacular hard work! Ms. Hatzilakos: Well the school appreciates it Paige. Thank you so much! Manny: For being a big, fat useless pile of nothing. (The girls start laughing.) Paige: Did you want to say something Manny? Manny: Gosh no Paige. It's all you. At Manny's locker Manny: If I peed in the foyer Paige would claim she gave me the water. Emma: There wouldn't be much credit there. Toby: If you were my prom date, I wouldn't let her take any credit, not from me. Emma: There really wouldn't be! Toby: Shut up Emma. Manny: I've been knocking myself out. Paige comes to one practice in three months and acts like she owns it. Toby: Uh did you hear the part where I asked you to the prom? Manny: Toby you're a sweet, sweet guy, but- Marco: But Manny's going with me. Sorry, but as the newly single head of the dance committee, I had to scoop up the cutest date I could find! Toby: How come the gay guys always win?! Manny: Oh my god, thank you so much. Marco: You'll find something chic to wear? Manny: Of course. Who's all going?! Marco: Um us, Jimmy, Hazel and just so you know I think Paige is bringing Matt. In the hallway Manny: Marco is my dream date, well nearly, but Paige will eat me alive if I go with
SUMMARY: | The end of the school year has arrived, and the rivalry between Manny and Paige heats up as they go to extreme lengths to one-up each other. Caitlin interviews Kevin Smith, who tours Degrassi Community School as a possible location for his latest movie, Jay and Silent Bob Go Canadian, Eh! . |
fd_Heartland_08x01 | fd_Heartland_08x01_0 | TEXT: [PREVIOUSLY_ON] Ty: We'll be putting an offer on the ranch tomorrow. I just have to talk to my fiancee first. Jack: You look so beautiful. (Truck rumbles) Tim: (Laughs) I knew it! Ahmed offered me a job. Ty: Yeah, I know. No. Like on his actual team, travelling Europe for the World Equestrian Games. Minister: I now pronounce you husband and wife. Jack, you may kiss the bride. We'll talk every day. Ty: Absolutely. Amy: I'll be back before you know it. (Helicopter rotors beat) (Knock at the door) Wow. Thank you. (Low hum of chatter, camera shutters snap) Hi. Hi, it's nice to see you guys. (Camera shutter snaps) Ahmed: Amy. There you are. (Low hum of chatter) Amy: It was one of those moments where... This... this is too tough to make. This is... Why me?! (Laughs) I used to think that. (Camera shutters snap) (Exotic romantic music) (Loud snap) S08E01 <unk> And at the break of day you sank into your dream <unk> <unk> you dreamer oh, oh, oh... <unk> You dreamer... <unk> You dreamer (loud echoing click) (Horse neighs) Caleb: Keep up the pace, Georgie. I wanna check out some of these horses before the auction. Georgie: I found the clip! Look! Okay, watch. They were up against this really amazing team from Brazil, and the last jump on the course was a high oxer. The Brazilian horse completely refused to jump and the rider flew right off. Ty: Ooh, that must have hurt. Georgie: Yeah, and Amy's team was up next, and Ahmed totally aced that jump! It was perfect! So they won and the crowd went crazy. It was amazing. Caleb: How do you know all this stuff? Ty: Well, she's following these weird blogs. Georgie: They're not
SUMMARY: | Amy's return to Heartland goes wrong when she finds herself questioning her place at the ranch and her relationship with Ty. Jack and Lisa struggle to tell the family about their marriage. After following Amy's whereabouts on tour, Georgie becomes Amy's biggest fan until an online blog reveals a secret about Amy almost kissing Ahmed. Amy and Ty lose their dream ranch. |
fd_How_I_Met_Your_Mother_06x13 | fd_How_I_Met_Your_Mother_06x13_0 | TEXT: Ted from 2030: Kids, when Lily and Marshall started trying to have a baby, they went a little crazy. At the doctor Lily: We've been trying and trying, and still nothing's happened. I'm just worried we can't have children. Doctor: And how long have you been trying? Lily: Six days. Ted from 2030: But then, months went by, and still nothing happened. Lily: Something must be wrong. W... we're doing it a lot. Marshall: And everywhere... the kitchen, the bathroom, the living room, outside in your wait... the kitchen. Lily: Seriously, Doc, why isn't this happening? Doctor: Look, if you're really worried, here is a number for a reproductive endocrinologist... Dr. Stangel. He's the best in the city. The Bar Marshall: Dr. John Stangel? I don't know, baby, do we really need a specialist? Lily: Well, what's your plan, Marshall, just have unprotected s*x day after day after day in every position imaginable until...? Wait, it sounded worse in my head. Barney: Guys, we've got a problem. This is the application for the regional doubles laser tag tournament in Poughkeepsie. Problem is, only one of you can be my partner. So it looks like we've got a bake-off. You may now present your arguments. Marshall: I'm not playing laser tag. Ted: I'm absolutely not playing laser tag. Marshall: Damn it. Barney: And Marshall's the winner. Lily: Well, I'm gonna call Dr. Stangel. It can't hurt. Ted from 2030: So Aunt Lily went to see Dr. John Stangel, the man who knew more about human reproduction than anyone in New York City. Stangel: So I understand you want to get pregnant. [OPENING CREDITS] The Bar Barney: Yeah, and it cuts in and out. Lily: Ooh! How did you do it? Barney: Oh, God, you found one of the cameras. I swear that's the only one. Wait, which one did you find? Lily: What are
SUMMARY: | Marshall and Lily see a reproduction specialist out of fear she will never get pregnant while Marshall's parents pay him a surprise visit. Their quest results in both good and bad news. Robin is made a laughing stock at her new job. |
fd_Doctor_Who_1963_02x33 | fd_Doctor_Who_1963_02x33_0 | TEXT: 5:40pm - 6:05pm [SCENE_BREAK] 1: INT. TARDIS. CONSOLE ROOM IAN: Surely we've got our twelve minute lead still? DOCTOR: (Somberly.) I'm afraid not. It's down to eight. It will be reduced even further after our next landing. We must face the facts; the Daleks are closing in on us. [SCENE_BREAK] 2: VORTEX (The TARDIS journeys through vortex. Closer behind is the DALEK time machine.) [SCENE_BREAK] 3: INT. HOUSE. DOWNSTAIRS HALL (An eerie house. The fire in the main hall has two large closed eyes and a nose built into the stone above the mouth of the fireplace itself. The effect created is of an open mouthed hideous Gargoyle like creature. The sound of thunder crashes through the room. Next to the fireplace, near to a cobweb-covered candelabra, the TARDIS materialises. BARBARA steps out followed by IAN, VICKI and the DOCTOR. The main staircase of the house faces them. The ornate banisters begin and end with statues of figures holding up bowls on their heads from which emanates a strange mist.) BARBARA: I'm not wild about this place. IAN: I don't know...ideal place to fight Daleks, you know...good stout walls... (He walks over to the foot of the staircase.) an upper storey, stairs...Daleks don't like stairs. (IAN steps on the first stair that creaks underneath his foot. Suddenly the lights flicker and a bat flies out of the darkness and swoops towards the travellers as the thunder crashes again. BARBARA screams. The DOCTOR'S words of reassurance are drowned out by the thunder.) VICKI: (Covering her head.) Probably vampires, if you ask me. IAN: Oh, charming! DOCTOR: Oh, rubbish my child. Vampire bats are only to be
SUMMARY: | The travellers learn from the Time-Space Visualiser taken from theMoroks' museum that Daleks equipped with their own time machine are on their trail with orders to exterminate them. They flee in the TARDIS. The chase begins on the desert planet Aridius and takes in a number of stopping-off points, including a spooky haunted house which is actually a futuristic fun-fair attraction. Eventually both time machines arrive on the jungle planet Mechanus, where the Daleks try to infiltrate and kill the Doctor's party with a robotic double of him. The travellers are taken prisoner by the Mechonoids - robots sent some fifty years earlier to prepare landing sites for human colonists who never arrived - and meet Steven Taylor, a stranded astronaut who has been the Mechonoids' captive for the past two years. The Daleks and the Mechonoids engage in a fierce battle which ends in their mutual destruction. The Doctor's party seizes this opportunity to escape. The Doctor reluctantly helps Ian and Barbara to use the Daleks' time machine to return home. |
fd_Justified_04x13 | fd_Justified_04x13_0 | TEXT: [PREVIOUSLY_ON] Boyd: It's a down payment on a house, Ava... Anywhere you want it. Ava: You and me... We killed a man. We dumped his body down a mine shaft without ceremony. I sunk a man was shot right in front of me down a splinter shaft off Black Lick Road. Ava: You think telling this girl what you done, that cleans your slate? Cassie: You kill her, you got to kill me, too. You willing to have two murders on your head? Ava: You got no idea what I'm willing to do. Boyd: I understand, Ava, why you needed to do it the way that you did it. There's still one more move we can make. And we get rid of Delroy's body once and for all. This is my world. And my world has a high cost of living. How much do you want? Boyd: A hundred. Thousand? Boyd: Each. What has your God told you to do, Mr. Augustine? Kill Drew Thompson. Boyd: Well, if you want Drew Thompson, you'll need Raylan Givens. And if you want Raylan Givens, you'll need me. Raylan, old friend? Raylan: Hold your fire. Drew's not here. You want to come in, take a look... Boyd, want to send a message to you and the boys you're working for from Detroit. You lost. Give up. Go home. Was that the marshal in the hat? Boyd: It was. What was his name? Boyd: Raylan Givens. We got to go. Art: Congratulations. Nice work. And you're suspended. Art: So, Drew Thompson and Ellen May taken care of, huh? Raylan: Drew's on his way to the safe house. We're gonna put Ellen May up in a little no-tell motel till we figure out what to do with her. Art: Well, good. And what's this? Raylan: Paperwork's all done. All is right with the world. Art: You're sure? Raylan: I'm sure. Art: There's not just
SUMMARY: | Raylan visits Winona, who is being held hostage by three of Augustine's henchmen. The men want to use Winona as leverage so that Raylan will take them to Drew Thompson. Raylan and Winona manage to kill the three men. Afterwards, Art warns Raylan he will be fired if he goes after Augustine. Meanwhile, Ava, Jimmy, and Boyd prepare to exhume Delroy's body from the mine, only to find that law enforcement has already beaten them to it based on an anonymous tip. Boyd then decides to use his leverage with Lee Paxton, who owns the funeral home that Delroy's body is in. Boyd earlier had the Detroit mob kill two of Lee's acquaintances and Boyd suggested Lee was next if he didn't give him $100,000 and a Dairy Queen franchise. Boyd tells Lee to help him now, and his debt will be repaid. Lee suggests swapping the bodies before the autopsy report. Raylan then visits Augustine in his limo and offers him the deal of turning himself in and swearing not to harm his family. Augustine scoffs at the cop threat and vows to kill Raylan's family once he returns to Harlan after killing Sammy Tonin in Detroit. Raylan, however, has already called Sammy to Harlan. Sammy's henchman (and Picker, who has seen which horse to back) execute Augustine by shooting up his limo. Meanwhile, Ava is arrested while disposing of Delroy's body, Lee having engineered an elaborate scheme to incarcerate Boyd. Boyd vows to have Ava free in 24 hours by buying her the best lawyer money can afford. Boyd sees Cassie, the dead preacher's sister, in the distance observing the bust as she was the anonymous tipster. Duffy visits Boyd, telling him that he is now in charge of heroin distribution in Harlan. The last part of the episode shows Raylan plastering over the hole in the wall of Arlo's house (the house Raylan grew up in) before going outside to sit in a chair and drink while staring at the graves of Frances, Arlo, and the headstone for his own future grave-site. Boyd breaks into the house he wanted to buy with Ava and looks around stoically. Boyd takes one last look at the path he thought would lead him away from his roots, while Raylan returns to his. |
fd_Doctor_Who_09x07 | fd_Doctor_Who_09x07_0 | TEXT: Once upon a time... there were Three Doctors Two Osgoods [SCENE_BREAK] [ National Gallery lift ] [SCENE_BREAK] ( Snarling ) Osgood 1 (Chanting): The Doctor will save me. The Doctor will save me... Osgood 2: Excuse me, I'm going to need my inhaler. [SCENE_BREAK] One peace treaty [SCENE_BREAK] [ Black Archive ] [SCENE_BREAK] Tenth Doctor: Any second now, you're going to stop that countdown. Both of you. Together. Eleventh Doctor: And then you're going to negotiate the most perfect treaty of all time. Tenth Doctor: Safeguards all round, completely fair on both sides. Eleventh Doctor: And the key to perfect negotiation? Tenth Doctor: Not knowing what side you're on. Eleventh Doctor: So, for the next few hours, until we decide to let you out... Tenth Doctor: No-one in this room will be able to remember if they're human... Eleventh Doctor:.. or Zygon. Tenth Doctor: Whoops-a-daisy! BANG! Both: Cancel the detonation! [SCENE_BREAK] [ Office ] [SCENE_BREAK] Osgood 1: Hello. Osgood 2: Hello. Do you want to...? Osgood 1: No, you can, if you... Both: Shall we do it together? Osgood 1: Operation Double. Osgood 2: The Zygon peace treaty. Osgood 1: I'm Osgood. Osgood 2: I'm also Osgood. Osgood 1: Remember that. It'll be important later. Osgood 2: Operation Double is a covert operation, outside of normal UNIT strictures, to resettle and rehouse an alien race in secrecy on planet Earth. Osgood 1: With UNIT's help, 20 million Zygons have been allowed to take human form, been dispersed around the world, and are now living amongst us. Osgood 2:
SUMMARY: | A peace treaty has allowed 20 million Zygons to remain on Earth, peacefully living out as disguised humans. Two versions of the scientist Osgood, a human and a Zygon duplicate, kept the peace until one of them died and the other disappeared. The Doctor leaves the Osgoods the Osgood Box to be used as a last resort. In New Mexico, a Zygon splinter group kidnaps Osgood. In London, a splinter group member called Bonnie takes over Zygon High Command. At the block of flats where Clara lives, Clara is knocked unconscious and hidden in a pod underground. Bonnie takes Clara's place. Bonnie tricks UNIT troops into going to a series of underground tunnels, which many other lifts across the city are connected to. The troops are killed by the splinter group when they attempt to escape. Kate Stewart is attacked by a splinter group member disguised as a sheriff while investigating Osgood in New Mexico. The Doctor rescues Osgood from captivity in Turmezistan and the two set off back to London. A Zygon captured and taken on board the plane tells the Doctor the invasion has already taken place. Bonnie fires a missile at their plane. |
fd_The_Office_03x21 | fd_The_Office_03x21_0 | TEXT: Jim: [Dressed as Dwight] It's kind of blurry. [puts on his glasses] That's better. [exhales] Question. What kind of bear is best? Dwight: That's a ridiculous question. Jim: False. Black bear. Dwight: Well that's debatable. There are basically two schools of thought--- Jim: Fact. Bears eat beets. Bears. Beets. Battlestar Galactica. Dwight: Bears do not--- What is going on--- What are you doing?! [SCENE_BREAK] Jim: Last week, I was in a drug store and I saw these glasses. Uh, four dollars. And it only cost me seven dollars to recreate the rest of the ensemble. And that's a grand total of... [Jim calculates the total on his calculator-watch] eleven dollars. [SCENE_BREAK] Dwight: You know what? Imitation is the most sincere form of flattery, so I thank you. [Jim places a bobble-head on his desk] Identity theft is not a joke, Jim! Millions of families suffer every year! Jim:... MICHAEL! Dwight: Oh, that's funny. MICHAEL! [SCENE_BREAK] Pam: [on phone] Yes, I understand. Can I transfer you to customer relations? Jim: [on phone] Absolutely. I couldn't be more sorry about this. Phyllis: [on phone] I know, I know. We're all trying to get to the bottom of this. Stanley: [on phone] I am upset. Don't I sound upset? Michael: [on phone] It is disgusting. I totally agree. Well, we're going to recalling all of that paper. [SCENE_BREAK] Michael: We have a crisis. Apparently, a disgruntled employee at the paper mill decided that it would be funny to put an obscene watermark on our 24 pound cream butter stock. Five hundred boxes has gone out, with the image of a beloved cartoon duck, performing... unspeakable acts upon a certain cartoon mouse that a lot of people like. I
SUMMARY: | Paper from Dunder Mifflin Scranton with an obscene cartoon watermark left by a disgruntled paper-mill ex-employee are accidentally sent out, throwing the business into damage control. The accountants attempt to provide service for angry customers, while Michael contacts the media in a misguided attempt to avoid scandal. Meanwhile, Jim and Andy go to a local high school to apologize personally to the principal, and they bump into Andy's girlfriend, who turns out to be a student there. |
fd_The_Big_Bang_Theory_08x11 | fd_The_Big_Bang_Theory_08x11_0 | TEXT: [ The apartment ] Penny: Hey, how are things going with your parents? Raj: Not great. They hired divorce attorneys. Sheldon: You know, speaking of attorneys, if I ever needed a lawyer, I would not hire She-Hulk. Penny: You know what? That was almost on topic. I'm gonna say good job, Sheldon. Amy: Wait, She-Hulk's a lawyer? Howard: Yeah, she works at a law firm in New York. Sheldon: Yes, but she's the only monster at the firm. Between you, me and the wall, I think she's an affirmative action hire. Raj: Anyway, Dad's gonna be here in town, so I won't be able to do Christmas dinner this year. Amy: If you're not up to hosting Christmas dinner, I'm happy to do it. You can even bring your father. Raj: That would be nice. Amy: I've always wanted to do a traditional Victorian Christmas. Parlour games, goose and figgy pudding. Sheldon: Ugh. English pudding. You get yourself all excited for pudding, and here comes a cake with raisins in it. I'm not going. Amy: You're going. Sheldon: Why do you hate me? Amy: I don't hate you. I love you. Sheldon: Well, you call it love, but it has a lot of raisins in it. Raj: Amy, good luck getting these guys excited about a dinner with a theme. I gave up when no one cared about my Tom Hanks-giving. Bernadette: I think a Victorian Christmas sounds nice. Howard: I agree. Leonard: Why not? Penny: Me, too. Raj: You guys suck. [SCENE_BREAK] <unk> Our whole universe was in a hot, dense state <unk> [SCENE_BREAK] <unk> Then nearly 14 billion years ago expansion started... Wait! <unk> [SCENE_BREAK] <unk> The Earth began to cool <unk> [SCENE_BREAK] <unk> The autotrophs began to drool, Neanderthals developed tools <unk> [SCENE_BREAK]
SUMMARY: | Raj will be unable to host Christmas dinner as his father is coming to town and is depressed about his divorce. Amy hosts a Victorian era Christmas dinner instead. Her traditional party games bore everyone. Sheldon and Amy have agreed not to exchange gifts, but Sheldon decides to get her one anyway as revenge for the dinner and kissing him in public under the mistletoe. Bernadette takes him to the mall where he gets his picture taken with Santa and a frame which includes a personalized Christmas message to Amy. To his surprise she loves it and gives him a box of Christmas cookies made from his grandmother's recipe, making them both happy and makes Sheldon wonder about the spirit of giving presents at Christmas time. Meanwhile, Leonard and Howard are working together in a clean room when a pigeon flies in. They are unable to get the bird out even with Raj's help. Howard is devastated when he accidentally injures the pigeon with a blast from a fire extinguisher. Leonard tells him how to revive it; however, a crow flies in. Howard and Leonard agree to take the blame for ruining the lab together until Penny convinces them to erase their names off the sign-up sheet for the lab and leave. |
fd_CSI__Crime_Scene_Investigation_01x15 | fd_CSI__Crime_Scene_Investigation_01x15_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY (STOCK) -- NIGHT] [SCENE_BREAK] [INT. RICHMOND MANSION - NIGHT] (People with money mingle amongst themselves. PATRICK HAYNES mingles with his party guests, the cream of the Las Vegas society.) Patrick Haynes: Nice suit. (He makes his way around the floor with a champagne glass in his hand and smiles when he sees a familiar face.) Patrick Haynes: Welcome. Sheriff Brian Mobley: Congratulations, Patrick. Patrick Haynes: Well, thank you, Sheriff. Your presence here means a lot tonight. Mrs. Burton: Is that for me? Patrick Haynes: Are you talking about the glass or the bubbly? Mrs. Burton: I was talking about the smile on your face. (He laughs.) Patrick Haynes: Well, if I'm smiling, it's because we raised $1.6 million for Mrs. Richmond's Burn Center tonight. (Behind them, he sees AMANDA HAYNES step up on the side. He hands a glass to MRS. BURTON.) Patrick Haynes: That sort of generosity deserves a raise of the glass, huh? (He turns and raises his glass to the large portrait of PORTIA RICHMOND hanging on the wall.) Patrick Haynes: To Portia. Mrs. Burton: To Portia. Patrick: It's a shame she couldn't be here tonight. (AMANDA HAYNES makes her way toward PATRICK.) Patrick Haynes: Hey. We did it. Amanda Haynes: We sure did. (He turns and kisses her.) (Outside a woman screams.) (Cut to: Everyone ruses toward the glass windows to see what's happening.) (Cut to: In the pool, a woman floats head down. Dead. Everyone rushes outside to look.) (PATRICK and AMANDA HAYNES make their way toward the side of the pool to look.) Patrick Haynes: Excuse - excuse me. WHITE FLASH TO: [SCENE_BRE
SUMMARY: | During a fundraiser at the home of Portia Richmond - a legendary showgirl - a dead woman is found floating in the pool. When Portia later disappears, suspicion falls on a young couple who 'house-sat' for her. The Sheriff puts pressure on Grissom as well, as Portia's case affects his election. Warrick looks into a mob hit in a glass elevator. |
fd_Grey_s_Anatomy_04x04 | fd_Grey_s_Anatomy_04x04_0 | TEXT: Provided by TVTDB.com (Seattle scenes) MVO: In life, only one thing is certain...apart from death and taxes...no matter how hard you try, no matter how good your intentions, you are going to make mistakes. (George and Callie are in their hotel room) George: Callie. MVO: You're going to hurt people. You're going to get hurt. And if you ever want to recover... George: You haven't said anything in...in...just say something. Please. Anything. MVO: There's really only one thing you can say. Callie: I forgive you. George: What? Callie: You made a mistake. But we took vows...till death do us part...so...I forgive you. (George is rushing through the hospital) George: Izzie, why aren't you picking up your phone? You need to pick up your phone. I just talked to Callie and... (George passes Meredith who is in the elevator) Meredith: George. George: I gotta find Izzie. Meredith: We have rounds in five minutes. George: Right after I find Izzie. (George rushes off and Derek enters the elevator) Derek: You wanna go away with me this weekend? Meredith: Why would I want to go away with you? Derek: Because of this. (He kisses her) Meredith: We didn't go away when we were a couple. Now we're not a couple, and not couples have no reason to go away together. Derek: Meredith, you're not paying attention. I'm talking about 48 uninterrupted hours of this. (He kisser her again) Meredith: Where would we go? Derek: Wine country. Meredith: Wine country sounds like a couples' place. Derek: Well, there's wine, there's country, and you wouldn't see any of it. We'd be in bed all weekend. Meredith: Oh, a weekend of s*x. Derek: Now you're paying attention. Meredith: Well, I would have to get someone to cover for me. Derek: Okay, so you're
SUMMARY: | Meredith agrees to go away with Derek for the weekend, but has to take Norman off of Alex. However, Derek realizes that he and Meredith want different things, and considers ending their relationship. Meredith gets annoyed at Norman after his error leads to them telling the wrong patient that she's dying. Callie forgives George for sleeping with Izzie. Lexie stands up to Cristina, and Derek criticizes her teaching style. George desperately tries to find Izzie before Callie can, while Izzie admits to Alex that she slept with George. Derek, Cristina and Lexie treat a college football player who faces paralysis, whose dad is still heavily critical of him. Bailey and Callie have to deal with a patient who wants to leave the hospital as quickly as possible so she can continue training to earn the approval of her boyfriend, and Callie takes her personal issues out on him when the patient dies. Webber's niece ends up back in the hospital, and Webber is disheartened when she admits that she doesn't want further cancer treatment. |
fd_Torchwood_2x12 | fd_Torchwood_2x12_0 | TEXT: JACK (voiceover) : Torchwood. Outside the Government, beyond the police. Fighting for the future on behalf of the human race. The 21st century is when everything changes... And Torchwood is ready. EXT DAY outside a building We get a long arty moment where only a particularly spiky bit of plant life is in focus, leading us to wonder if we're meant to draw anything symbolic for this or if the director just got tired of the SUV. Then the SUV pulls up, all black and wheely. Doors open, people get out, we get closeups of feet and then hands with guns. Team Torchwood, minus one, do the power walk, four of them in a line with Jack forward, Ianto, Jack, Owen, and Tosh. Ianto and Jack framed as a pair, Owen and Tosh likewise. Ianto has a cellphone. Tosh has her blue box of knowing things. Owen has a bandaged left hand. IANTO : Gwen, we've texted you the location, we're querying four or five signs of life, definitely non-human. Get here as soon as you can. OWEN : So, sure they're not Weevils? He's looking to Jack, but that's not who answers. TOSH : Don't think so, different energy patterns, can't make sense of it. Not a species we've encountered before. OWEN : Well Let's hope they're friendly then. JACK : Owen, Ianto, take the other side of the building, check the upper floors. (They jog off in front.) Toshiko with me. INT DAY inside a building Yes, watch me get real specific with the settings. Okay, watch Jack and Tosh explore the building, it's more fun. Actually, they're being tense and action-hero here. They aren't just wandering around. Jack has his gun out, Aimed... not quite right at the camera. Tosh, similarly armed, aiming off to the sides. There's pillars obscuring our view so we
SUMMARY: | A booby trapped building explodes and knocks the team unconscious. As their lives flash before their eyes, we learn how each of them was recruited to Torchwood - Captain Jack's initiation into a shocked Victorian Torchwood in 1899; Toshiko's daring mission to trade alien technology for her mother's life; how Ianto woo'd Jack with coffee and a flair for alien-catching and; the medical revelation that changed how Owen saw the world. |
fd_Buffy_the_Vampire_Slayer_04x18 | fd_Buffy_the_Vampire_Slayer_04x18_0 | TEXT: Shot of Anya dropping her dress. Xander looking surprised. Giles: Previously on Buffy the Vampire Slayer... Anya: Please remove your clothing now. Shot of Anya and Xander kissing. Anya: Relationship. What kind do we have, and what is it progressing toward? Tara: They don't even know I exist, right? Willow: I just like having something that's just, you know, mine. Shot of Tara putting something on Willow's forehead and lips. Tara Voiceover: I am, you know. Willow Voiceover: What? Tara: Yours. Shot of Buffy and Riley kissing, embracing. Shot of Buffy in bed looking up at Riley as he bends down to kiss her. (Buffy fighting a vampire. She kicks him, they exchange a few punches, she throws him across the graveyard. Riley joins in and kicks the vampire. They exchange punches as Buffy loads her crossbow. She brings it to her face and aims. Riley throws the vampire over his shoulder. Buffy lowers the crossbow to smile proudly. Riley lifts the vampire and holds him in position. Buffy fires, but a demon appears and shoves Riley out of the way, then helps the vampire up. Buffy drops her crossbow and joins the fight. She kicks the vampire and then the demon, then moves aside to regroup.) BUFFY: Okay, you get Fang, I'll get Horny. (Riley looks at her.) I mean... (The vampire attacks. He throws Riley over his shoulder. Riley rolls and comes up holding a stake.) (Buffy kicks the demon in the chest, then a circular kick to knock him over. She kicks his knee and punches him several times in the back. Riley knees the vampire in the back. Buffy has the demon by the neck and stabs him in the back. Riley stakes the vampire and he's dust.) (Buffy throws down her weapon and sighs. Riley puts his stake back in a thigh holster.) BUFFY: Whoo! Vampire-demon tag team
SUMMARY: | When Buffy and Riley rouse a supernatural force at the fraternity party house, they are held hostage by ghost children who were abused by a Christian fundamentalist ( Kathryn Joosten ) and now seek revenge. Willow, Tara, and Giles perform a spell to stop the spirits. |
fd_Salem_01x09 | fd_Salem_01x09_0 | TEXT: [PREVIOUSLY_ON] Mercy: Witch! Emily: No woman in Salem has ever had that kind of power. Dollie: Not even Mary Sibley. Tituba: The lady of the house is mine. Increase: We've uncovered a witch. Mary: How long may we enjoy your curative presence in town? Increase: Until every last Devil's whore of a witch in Salem is dead. Tituba: Petrus' physic will last but a day, and then Mr. Sibley will awake, lucid and eager. Mary: To tell Increase everything. [Rooster crows] [Thud] Henry: [Gasps] Increase: Choose one. Drink. Drink and... Enjoy. Only mere mortals are vulnerable to man-made spirits. As a man, you are an abomination, but you are no witch. Now begone with you and your... Pitiful weakness. Time to wake, my good madam. [Clanks] Let them no more say, "God must do all," and so encourage themselves to live in a careless neglect of God and of their own souls and salvation! The Devil has made a dreadful knot of witches in the country, and, by the help of witches, has dreadfully Increased that knot. Oh, children, children, be afraid and go not prayerless to your bed lest the Devil be your bedfellow. [Rope creaks] [All gasp] ["Cupid carries a gun" plays] <unk> Pound me the witch drums <unk> <unk> Witch drums <unk> <unk> Pound me the witch drums <unk> <unk> Pound me the witch drums <unk> <unk> The witch drums <unk> <unk> Better pray for hell <unk> <unk> Not hallelujah <unk> [Indistinct conversations] Mary: Good morning, Reverend. Increase: Ah. Mrs. Sibley. [Chuckles] Join me. Mary: There are no words to encompass my overwhelming gratitude at your reclamation of my husband. When I think what might have transpired had you not been there Increase: Indeed? Exactly what might have transpired
SUMMARY: | Mary must act quickly in order to prevent Increase from undoing the spell placed on her husband. Mercy and her followers prove themselves useful to the greater cause, and Cotton mourns over the banishment of Gloriana. |
fd_Childrens_Hospital_04x01 | fd_Childrens_Hospital_04x01_0 | TEXT: Glenn: Who am I? "Me Glenn." What? [ Groans ] Ow! [ Cries ] [ All screaming ] [ Indistinct shouting ] Valerie: Hey! You with the hat! Help us! Catch! Blake: No! Valerie: Hyah! [ Mid-tempo music plays ] Sy: Doctors, as you know, a new tattoo parlor has opened across the street. Glenn: Yeah, kids are getting tatted up like prisoners. Lola: Or top chefs, especially season 9. Sy: They're giving their first-time customers kiddie tattoo kits. Parents are outraged. We're gonna fight back. Laser tattoo removal. The more that these kids make wrong life choices, the more we help them right those wrongs-- well, for a small fee. So, it's really a lose/win/win. Carry on. Glenn: What's up? I asked for the name of my band, "Blackout," but they put the word "pancakes" instead. Lola: Well, I've never heard of blackout, and I love pancakes, so... [ coughs ] Lola: Uh, are you taking any medications? I...Don't know. Lola: Are you allergic to anything? I don't remember. Lola: Okay, come on, Preston. I don't have time for you to be a douche. Glenn: Wait a second. Isn't 11 years old too young to be douchey? I'd like to order a brain scan. And some pancakes. Blake: Hello, val. Or should I say, "Que pasa"? Valerie: No, I'm not. Blake: Damn it! Valerie: Blake, if I ever go out with you, please lock me up, because it means that I have lost my mind. Blake: I hope you do lose your mind someday, val. And I will be there, and I will not lock you up, unless that's what crazy val likes. Where you going? Glenn: Check this out. This is a normal brain scan. And this is Preston's. Green means good, red means bad. This scan
SUMMARY: | In this episode, which satirizes The Girl with the Dragon Tattoo, everyone at Childrens Hospital gets amnesia. After that, it looks as though the only way to get rid of the amnesia is to give the amnesia... amnesia. |
fd_One_Tree_Hill_09x13 | fd_One_Tree_Hill_09x13_0 | TEXT: RIVERCOURT Nathan watches his younger body plays basket. NATHAN(Voice-over): It's the oldest story in the world. One day you're 17 and planning for someday...and then, quietly, and without you ever really noticing...someday is today. And then someday is yesterday. And this is your life. SOUND STAGE, TREE HILL HIGH SCHOOL HALLWAY Brooke watches her younger body walk in the hall way. Julian shoot a scene. BROOKE(voice-over): If you had a friend you knew you'd never see again...what would you say? If you could do one last thing for someone you love...what would it be? Say it. Do it. Don't wait. Nothing lasts forever. JULIAN: And cut. That's great. Good work, everyone. Let's move on. KAREN'S CAFE Haley sees herself written her predictions for the future. NALEY'S HOUSE Haley reads her predictions to Nathan. HALEY: "Nathan and I will be together again. I will live in a big house with a beautiful son and daughter." NATHAN: Oh. HALEY: "I'll find bigfoot." There's still time for that. CHASE'S LOFT Chase sleeps. Chris scares him. CHASE: Dude. CHRIS: Chris Keller is on the lam. CLINN'S HOUSE Clay, Quinn and Logan sleep again, together. MOUTH'S APARTMENT Millicent and Mouth make sport together. MOUTH: Unh, come here. GYMNASIUM Jamie and Chuck play basket and Jamie sees Nathan's jersey. TRIC Blind Pilot performs "Half Moon". At the end, Haley talk to the mike. HALEY: Well, hello, everybody. ALL: Hi, Haley. HALEY: Love that. Hey, let's hear it one more time for Blind Pilot. As most of you know, tonight is a very special night for us... so I'd like to take a moment to thank you all for being here. The time that we've spent together over the years has meant
SUMMARY: | In the final chapter of One Tree Hill, the tenth anniversary of Tric brings old faces and new possibilities for the Tree Hill family; Quinn adopts Logan and marries Clay, Haley introduces Jamie to her predictions with Lucas and Julian buys Brooke her childhood home. In the time-jump, the Tree Hill gang are seen at Jamie's high-school basketball game, where his jersey is seen on the wall as the "all time top scorer". Bevin makes a guest appearance who is also seen back with Skills and Millie is pregnant. This episode is named after a song by U2 and the series title itself. |
fd_Doctor_Who_1963_09x14 | fd_Doctor_Who_1963_09x14_0 | TEXT: THE SEA DEVILS BY: MALCOLM HULKE 5:50pm - 6:15pm [SCENE_BREAK] 1: EXT. NAVAL BASE (The DOCTOR, JO and CAPTAIN HART exit the main block and start to walk across the forecourt. The DOCTOR has retrieved his cloak.) CAPTAIN HART: Doctor, do you think you're doing the right thing? DOCTOR: I'm doing the only thing possible, Captain Hart, if we're to avoid a major conflict. CAPTAIN HART: Suppose they won't listen to you? (JO looks to one side and suddenly cries out...) JO: Doctor! (The DOCTOR spins round. Two SEA DEVILS run round a corner and one of them aims its gun at the three people. The DOCTOR jumps forward, karate chops the weapon out of its hand and spins the creature round, pushing it against a wall. He then throws it to the ground and elbow jabs the second SEA DEVIL in its stomach before knocking it to the ground with a double-fisted punch.) DOCTOR: Alright, Captain Hart, get these two out of here. (He fails to see a third SEA DEVIL running up behind him.) JO: Doctor, look out! (Before he can react, the SEA DEVIL grips his neck in a paralysing nerve hold. The DOCTOR quickly succumbs and is thrown at the feet of JO and CAPTAIN HART. More SEA DEVIL'S run up, their weapons raised to fire, but the MASTER is with them and he forces his way through the group to prevent them shooting.) MASTER: No! Take them inside. (JO and CAPTAIN HART pick up the groggy but recovering DOCTOR and head back towards the main block, escorted by two of the SEA DEVILS. Left behind with the others, the MASTER watches them go.) MASTER: Dear, oh dear, Doctor - will you never learn? (The small group reaches the block.)
SUMMARY: | The Sea Devils take over the naval base and the Doctor is forced to help the Master find a way to revive their colony. |
fd_Roswell_03x14 | fd_Roswell_03x14_0 | TEXT: 57th Episode of Roswell Production Code: 3ADA14 Opens with Michael and Isabel running through a darkened corridor and an alarm going off. Isabel: Let's go! Michael comes up on a moniter. Michael: We got a fire in section fifty charlie. Isabel: That must be where they are. Michael: Let's go this way here. That's it! They use their powers to blast the door. Fire comes out of the door. Michael: I can't put it out. Isabel: Valenti, Max are you in there? Valenti jumps out the door. Isabel: Where's Max? Jim, where's my brother! Jim: He's dead. Isabel: What! No! No! Jim: Come on this whole place is going to go up. Isabel: No I'm not going without him. Jim: He's dead. I saw his body burn to ash. He's dead. (He grabs Isable and hauls her outside) Isabel: No! No! Jim: Michael go! Come on! Isabel: Michael, no! Jim: Let's go! (Michael stares at the flames and then runs) Outside. Jim: When he hit the floor, flames poured out from his body. It started the fire. Isabel: No. He can't be dead. He can't be dead. Jim: When I tried to get to him his body collapsed into dust. Michael: There they are. Clayton, his wife and the goons escaping into a black sedan. Jim: Yeah but they're armed. (They run) Wait damn it! Mrs. Wheeler: Take care of them. Michael and Isabel use their powers on the car. The goons shoot and miss Michael but Isabel Gets shot and Clayton gets away. Michael: Wha! Jim: It's bad. Give me your shirt. Isabel: I think I've been shot. Max. Max. Jim: You're gonna be alright. Just hang on. Suddenly Jesse runs up screaming. Jesse: Isabel! Isabel: Max. Jim: Just stay awake. Jesse: Isabel! Oh my gosh. Jim: She's been shot. I don't know how bad it is.
SUMMARY: | Michael, Jesse, and Valenti call on a discredited doctor to help the wounded Isabel. Also, Clayton Wheeler undergoes an amazing transformation and soon finds himself drawn to Liz. Jesse quizzes Michael about Isabel's alien roots. |
fd_Frasier_01x20 | fd_Frasier_01x20_0 | TEXT: Act One. Scene One: The Frasier Crane Show. Frasier is at his console. Frasier: [on-air] Hello, Rachel. I'm listening. Rachel: [v.o.] Oh, thanks for taking my call, Dr. Crane. Um, I'm involved in sort of a strange love triangle. Frasier: [off-air, to Roz] Oh goody, this is sweeps week! [on-air] Rachel: You see, I recently married a widower. Now, Phil's a real good man, he's a kind man. But there's just one little problem. He insists on keeping an urn with his late wife's ashes on the dresser in our bedroom. Frasier: That is a definite "Yikes." Rachel: See, I knew that wasn't normal. He says it is, but I knew it wasn't! Frasier: All right, Rachel, Rachel, now listen. Before you go off half-cocked, let's try to remember this is a very sensitive issue for your husband. Obviously those ashes mean a very great deal to him. And although I don't believe it's appropriate that he keep them in the bedroom, I suppose you could maybe move them to another room? Rachel: Well, I guess I could try that. Maybe I'll move them into the guest room. [sound of crockery breaking] Oops. Frasier: Rachel, what happened? Rachel: Oh... oh, nothing. I gotta run, Dr. Crane. I've got some vacuuming to do. The line goes dead. Frasier: Well, as Rachel helps Phil's wife off the floor, we have reached the end of our second hour. Now, we'll be right back after the news, so please join me again, Frasier Crane and my invaluable producer... ah... [ohmygod, what's her name? It's, it's...] Roz: ROZ! Frasier: Roz! KACL Talk radio, 780 AM. He goes off the air, and goes into Roz's area. Frasier: Roz,
SUMMARY: | Worrying about impending middle age, Frasier strikes up a tentative romance with a shop assistant several years his junior. |
fd_The_Big_Bang_Theory_07x22 | fd_The_Big_Bang_Theory_07x22_0 | TEXT: Scene: The apartment. Sheldon: Gentlemen, Star Wars Day is rapidly approaching. We should finalize our plans. Penny: What? That's a real thing? What is it, Star Wars Christmas? Howard: No. Don't be ridiculous. That's Wookiee Life Day. Penny: So, when is it? Leonard: Uh, well, it's not May the fifth, and it's not May the third. It's May the fourth. Sheldon: Get it? Raj: May the fourth be with you? Leonard: May the force be with you. Get it? Penny: Oh, no. This face wasn't because I didn't get it. Credits sequence. Scene: Sheldon's bedroom. There is a knock on the door. Sheldon: Come in. Leonard: Hey, you got a second? Sheldon: Yes. Actually, I'm glad you're here. I'm working on the Star Wars Day schedule. Now, I have a window built in after Phantom Menace for complaining, but I'm worried an hour won't be enough time. Leonard: Sheldon, I've got some bad news. Sheldon: What is it? Leonard: I just read online that Arthur Jeffries passed away. Sheldon: Professor Proton is dead? Leonard: Sorry, buddy. Sheldon: What are you doing? Leonard: Comforting you? Sheldon: Your heart might be in the right place, but your head, chest and arms certainly aren't. Leonard: Anyway, the, the funeral's on Sunday. Sheldon: But, that's Star Wars Day. Leonard: Yeah, um, of all the things about this that are sad, that might not be number one. You okay? I know he meant a lot to you. Sheldon: I'm fine. Leonard: Okay. Yet he cried when they changed the Raisin Bran box. Scene: Amy's apartment. Professor Proton (on youtube): This, uh, this is something interesting boys and girls. After an owl eats, he spits up part of his meal that he can't digest, in the form of a pellet
SUMMARY: | The guys prepare for Star Wars Day and plan to watch all six films. Leonard tells Sheldon that Arthur Jeffries (Professor Proton), their childhood hero, has died. Sheldon claims he is fine and prepares to start the film marathon with Raj and Howard. Penny and Leonard attend Jeffries' funeral on the same day and start discussing their regrets in life; he regrets not having accepted her marriage proposal. Leonard is more upset about her turning his two proposals down than him turning her down once. Penny proposes to make him feel better (and to even out the score). He chooses to tease her in hesitating to answer, frustrating her. While Sheldon is sleeping through the film marathon, Jeffries appears to him in a dream dressed as a Jedi Master. He knows neither why he is there nor what advice to give Sheldon, but once Sheldon confides that all his male idols in his family died, he tells him to cherish the people around him in the present. After Leonard returns home, Sheldon wakes up and hugs him, taking Arthur's advice. Bernadette and Amy make a Death Star cake for the guys while talking about why they became scientists. Finally, Sheldon has another dream where Arthur asks him if watching Star Wars is a useful way to spend his life and Sheldon sees nothing wrong in it. |
fd_Degrassi_Next_Generation_02x09 | fd_Degrassi_Next_Generation_02x09_0 | TEXT: Ms. Kwan's classroom. Liberty is on TV doing announcements. LIBERTY: Congratulations to Toby Isaacs and the rest of the computer programming team. Thanks to them, Degrassi placed third in the regionals. MS. KWAN: Nice work, Toby. (Claps and the students clap politely for a few seconds) TOBY: That's it? JT: Nascar's exciting. Britney in a hot tub, that's exciting. Third place in some geek contest... no. (Emma and Manny start laughing) LIBERTY: In sports, for all boys interested in the wrestling team, there's a meeting after school in the gym. Speaking of wrestling, last year's champion, Sean Cameron, has been named this month's overall sports MVP by the students. MS. KWAN: That's fantastic Sean. (Starts clapping. The students begin the clap and cheer) TOBY: Nice to be him. Forget it. Just forget it. JT and Toby in Ms. Hatzilakos' class. JT: What did you expect? (In a girly voice) Oh, Toby. I just love a man who can write binary code. MS HATZILAKOS: Boys, want to share with the class? TOBY: I was just wondering if everything about us was decided by DNA. MISS HATZILAKOS: Some things, like your eye color. But there are others things about us that we have the power to change. (Bell rings, students start to get up to leave) Remember to bring back these diagrams for tomorrow's class. TOBY: But no one notices me. JT: Sure they do. You're the loveable, if forgettable, computer expert. TOBY: That's it? JT: Yeah, well. (They head out into the hallway) No big deal. You could change your image... You could moon the cafe. TOBY: I could dye my hair green. JT: You could take up snow boarding. TOBY: (seriously) I could try out for wrestling. JT: (laughing a bit) Yeah, now that'
SUMMARY: | Tired of being known as "the computer geek," Toby decides to join the wrestling team when he sees how popular Sean is. Determined to be accepted, Toby develops dangerous habits in order to lose weight. Meanwhile, Terri attempts to hide her job as a plus-size model from her friends. |
fd_Torchwood_1x02 | fd_Torchwood_1x02_0 | TEXT: Opening shots and series recap. INT. BOWLING ALLEY Gwen and Rhys bowling, having a good night out. EXT. OUTSIDE CINEMA - CARDIFF - NIGHT Gwen and Rhys walk out of the cinema / bowling alley complex and onto the street. GWEN : Next time I'm choosing the film... RHYS : I was told it was... GWEN : I fell asleep Rhys... EXT. A RESTURANT Gwen and Rhys sit at an outside table eating a meal, chatting. RHYS : What does it mean? Special ops? GWEN : It's no big deal. Mainly filing. RHYS : Special archiving. GWEN : Can we talk about something else? RHYS : Oh come on, it's your first day tomorrow. I'm excited for ya. Big promotion. GWEN : (laughing quietly) secondment. RHYS : You'll be brilliant. GWEN : (kisses Rhys) Let's have an early night. RHYS : (eager) Cheque please! Gwen laughs. Rhys looks up and outside. He sees a ball of flame fly across the sky. RHYS : Bloody hell is that plane on fire? GWEN : It's not a plane. Gwen stands and begins to rush away. RHYS : We haven't paid! GWEN : Come on. Gwen takes Rhys' hand and they begin to run, to get a better view. The ball of fire crashes far across the city. RHYS : What was that? Gwen receives a text message which reads only 'Torchwood'. GWEN : I gotta go to work. OPENING CREDITS EXT. TORCHWOOD SUV People entering the SUV, focus on feet. CUT TO INT. TORCHWOOD SUV Owen driving, Jack in the front passenger seat. Toshiko and Gwen sit
SUMMARY: | It's Gwen's first day on the job, and it's not going very well. After accidentally releasing a mysterious gas from a comet that landed, a new type of alien is let loose on the streets - an alien that's addicted to sex. Torchwood must find the inhabited body, and prevent any more deaths from this violent form of sex. |
fd_How_I_Met_Your_Mother_02x07 | fd_How_I_Met_Your_Mother_02x07_0 | TEXT: Ted from 2030: Kids, when you reach your late twenty, you might be surpise to discover you still don't have life quite figured out. Like with aunt Lily. Even though she was back from San Francisco, she was still on a quest to find herself. Robin's apartment. Lily: It's just that all I've ever done is teach kindergarten. I want to get out there and change the world. I want to find my passion. Ted from 2030: And she did find it. Lily (coming in Robin's): I'm going to be a life coach. Ted from 2030: In fact, she found it again and again. Lily: I'm going to be a marine biologist... Slam poet... Beekeeper! Not a beekeeper. Robin (on the phone): Her newest lifelong dream? Singing in a punk rock band. Ted: What is she doing for money through all this? Robin: Oh, she's been waiting tables at Big Wave Luau. Ted: Wait, you mean that hawaiian place where they wear those embarrassing outfits? Robin: No. Big Wave Luau. Marshall: Here she comes. Here she comes. Lily: Welcome to big Wave Luau. Can I tiki your drink order? Aw, crap. Robin: I'm sorry. Barney: Oh, hi, Lily. We were just in the neighborhood, thought we'd get some lunch. We didn't even know you'd be here. (Marshall takes a photo of her). Lily: What do you want? Ted: I don't think that's how you're supposed to greet a customer at Big Wave Luau. Lily: Aloha, island visitors. The big wave brought you to our humble luau. For that, we thank you. Or in my native tongue, mahalo. Barney: I didn't catch your name. Did you guys catch her name? Ted: No. Lily: My name is Anuhea. It means cool and fragrant,much like any of our 12 specialty drinks. Ted: Robin, nothing to add? Robin: No. Lily is my friend and I'm not going to make fun of her for trying to follow her
SUMMARY: | Barney is mistakenly called Swarley at a coffee shop and his friends call him Swarley all day. Marshall starts dating a woman and they really hit it off, but Barney and Ted tell him he has to dump her because she has "crazy eyes". |
fd_Doctor_Who_1963_06x27 | fd_Doctor_Who_1963_06x27_0 | TEXT: The Seeds of Death By Brian Hayles and Terrance Dicks 5:15pm - 5:40pm [SCENE_BREAK] 1, INT: MOON-CONTROL (Zoe starts to creep back along the dais as the Ice-Warrior turns.) PHIPPS: Look out Zoe! (The warrior's gun flashes and Phipps dies in a distorted haze of treacly air. Zoe is cornered, standing on the dais before the pulsing screen of lights there is nowhere she can run in time to escape from a second deadly blast. She looks desperately at Fewsham as a rabbit caught in the headlights of a speeding car.) ZOE: Well help me can't you?! Help me! (Fewsham nervously shakes his head at Zoe as the Ice-Warrior, with a deliberate laggard grace borne of pure sadism, aims it's weapon. Fewsham rushes up to the warrior and attempts to pull its arm, and gets swatted out of the way like an annoying bug. He gets up and tries again, and the warrior turns and knocks Fewsham about a bit, but before it can aim at Zoe again it puts it's two clamp-like hands to it's head and falls to the ground overcome by the efficient heating system of the base just in time. Zoe jumps down from the dais and skids across the floor to where Fewsham is groggily lying.) ZOE: Are you alright? FEWSHAM: Yes I-I am. Who are you, what are you doing here? ZOE: Oh well nevermind that, I thought you were on their side! FEWSHAM: Is that what they all think? ZOE: Oh well you have been helping them haven't you. FEWSHAM: I had no alternative, they'd have killed me! ZOE: Well look, where are the other Ice-Warriors? FEWSHAM: I think they've gone to their ship, but they'll be coming back, we must get out of here. ZOE: Oh but how? FEWS
SUMMARY: | The Doctor and his allies manage to return to Earth via T-mat only to find the Ice Warrior has attacked the weather control station. |
fd_One_Tree_Hill_06x20 | fd_One_Tree_Hill_06x20_0 | TEXT: [PREVIOUSLY_ON] Bobby : This league is their NBA, and they know it's not yours. Lucas : If continuing this pregnancy means I lose you, then we end it. Peyton : I'm having this baby. Lucas : We're having this baby. Mouth : I'm here because I can't live without you, Millicent Huxtable. Deb : I think we should end this. You deserve more than this. Brooke : I'm calling the lawyers tomorrow, and I'm divesting my interest in clothes over bros. Now you have a company and no daughter. Jack : Sam. Julian : Maybe it's time we write our own epic love story. This time tomorrow, we could be walking on a beach in Malibu. Brooke : But what about Sam? Sam : He loves you. He's a great guy. He wants us all to try it out together. God, you have to go. You have to. Julian : You're not coming. Brooke : I have a life here, and... Julian : Goodbye, Brooke Davis. AT BROOKE'S HOUSE Brooke : Sam, cut it out! Victoria : Well, well. Brooke : Oh, my eyes! Victoria : It's called sunlight. And it's not that bright. Brooke : It is not the sun. It's your face. Wha... what the hell are you doing here? Last time we talked was the last time I wanted us to talk ever! Victoria : We need to discuss the business. Brooke : I'm not part of the business anymore, which is exactly what you wanted. You got a company. You lost a daughter. Now get out! Victoria : Whatever. You pull yourself together. I'll be back. Brooke : Why?! Oh, no, Sam. Hey. Are you okay? Sam : She frightens me. Brooke : Yeah. Me too. AT THE GYMNASIUM Players : Let's go. Let's go, baby. Let's go. Look out. Look out. Look out. Come on, block that. Bobby
SUMMARY: | When Peyton's pregnancy is threatened, Lucas struggles to pick up the pieces. Victoria returns to lure Brooke back to Clothes Over Bros. Haley and Nathan clash over the decision to pull Jamie from his school. Mouth tries to mend fences with Millicent. Sam's friend Jack leaves to a foster home, which leads Victoria to comfort her. This episode is named after a song by Janes Addiction . |
fd_The_Vampire_Diaries_04x10 | fd_The_Vampire_Diaries_04x10_0 | TEXT: [Mystic Falls High School] (All the students are gathered in the gym, holding candles. Liz is paying tribute to Carol) Sheriff Forbes: Carol Lockwood always said that togetherness, in times of tragedy, leads to healing. That one community is stronger than a thousand of its members. But how does a community stay strong after losing its leader? And Carol was so much more than just a mayor. She was... An open-minded friend... And a concerned mother, taken from us too soon by a terrible accident (Tyler gets up) Tyler: Screw this (He leaves. Elena and Bonnie look at Caroline) Sheriff Forbes: Please join me in observing a minute of silence in her memory (Elena turns her head and sees Rebekah. She's surprised and when she looks again, she's gone) Bonnie: Are you okay? Elena: I'll be right back (She leaves) Sheriff Forbes: Thank you very much. In the wake of this tragedy, the town has selected an interim mayor. Many of you already know him. Please welcome Mr. Rudy Hopkins (The students applaud and Rudy Hopkins rejoins Liz) Rudy: Thank you, sheriff. Carol Lockwood put this town first, and that's why I'm here to talk to you guys. You folks... (Elena is alone in the hallway. She hears a noise and hears someone crying. She follows it and finds April at her locker) Elena: April? What's wrong? April: Nothing. I'm fine Elena: But you're crying April: It's just the whole mayor thing. You know, it's bringing up stuff with my dad. And I know you're a vampire Elena: Wait. What? (Rebekah arrives from behind and breaks her neck) April: Was that necessary? Rebekah: No, but it was fun (Caroline is outside on the phone with Stefan. He's at the Mystic Grill, drinking) Caroline: Hey, you just missed the mandatory all-school assembly Stefan: Well, that's because I'm at a mandatory all-alone drinking party Caroline: Seriously? You decided to go on a ripper bender now? Stefan: My brother slept with Elena. Kind of puts a
SUMMARY: | Following Carol's death, Bonnie's father steps in as the new mayor and shows concern about Bonnie. Meanwhile, Rebekah and April work together to get Elena to speak to Rebekah, trapping Elena in the library. Stefan is called to rescue Elena, and he calls Caroline for back up. Both are tricked and locked into the library with Elena, although Rebekah allows April to leave. Meanwhile Matt and Damon continue training Jeremy to expand the hunters mark. Klaus gets impatient and Damon shoots him several times for killing Carol. Regardless, Klaus offers to provide vampires for Jeremy to kill starting with a pizza delivery woman; who attacks them, forcing Jeremy to kill her. Bonnie talks to Shane, who gives her an amulet made from human bone. Kol soon shows up and abducts Shane, taking him to the school's library. Rebekah talks to them about the cure and, more personally, to Elena about her break up with Stefan and her feelings for Damon, in an effort to torment Stefan. Tyler gets a call from Rebekah to rescue his friends. Kol brings in Shane and torture him about the location of the cure, who tells him and Rebekah about Silas, and how he intends to release him, and how Silas will resurrect those who died on his behalf. Rebekah refuses to listen and Kol attempts to drown Shane, then impales him, but Bonnie manages to put a protection spell on Shane. April suffers from the spell due to a link between her and Shane. Tyler arrives and Rebekah orders him to turn. As Tyler begins to transform, he tells his friends to run for it. As they do, Stefan finds an unconscious April with Bonnie and manages to revive her, telling Bonnie to get her out. Rebekah walks up to Elena and Stefan and offers to erase Stefan's memories of Elena, but when he accepts, Rebekah goes back on her word; saying that Stefan's pain is her own revenge. At the end of the episode, April talks to the sheriff and the mayor, revealing that she knows about the supernatural and everyone's lies. Damon and Elena talk on the phone and Elena says that sire bond or not, she loves him. Damon being happy tells Elena to come to him. Rebekah comes to Stefan after he calls her and admits that she still wants the cure so she can use it on Klaus, they agree to work together. Klaus calls Jeremy, Matt, and Damon to a bar, full of people transforming into vampires. |
fd_NCIS_01x21 | fd_NCIS_01x21_0 | TEXT: MUSIC IN: EXT. CLEARING - DAY (MUSIC PLAYS B.G.) CHUCK: (ON VIDEO) All right, dudes. This is it. This is going to be epoch. HAT: If we pull this off, Johnny Knoxville will be asking us for a job. SCOTT: The only job anyone's asking you for-- CHUCK: Guys, shut up and concentrate. You let me go before I find that line and things are going to get ugly. SCOTT: Are you sure that line's where you need to be? CHUCK: I did the math, bro. All right, Zack, you ready? All right, guys, (ON VIDEO) I'm Chuck Mannis and this is the Human Sling Shot! (ON CAMERA) Okay guys on three... one, two, three! (MUSIC OVER ACTION/CHUCK FLIES THROUGH THE AIR) (CHUCK SHOUTS/LANDS ON THE GROUND) SCOTT: Ho! FRIEND: Chuck! SCOTT: Chuck! (ALL RUN TO THE CLEARING) HAT: Chuck! Hey! Chuck, man, are you all right? Dude, are you hurt? Dude... CHUCK: That... was... awesome! (LAUGHTER) (CAMERA ANGLE ON THE CORPSE) (CUT TO BLACK) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) [SCENE_BREAK] INT. CLEARING - DAY DUCKY: Odd coincidence how nature and circumstance have conspired to place you in this position, my friend. Though I imagine the irony isn't of much interest to you now. GIBBS: What do you see, Duck? DUCKY: Well, some blood and tissue residue on the stump, though not nearly enough for this to be the impaling instrument of his demise. KATE: He had that hole in him before he landed there? DUCKY: Precisely, yes. TONY: Plain old ring-toss doesn't cut
SUMMARY: | As Ducky meets his new assistant, Jimmy Palmer who is replacing the injured Gerald Jackson, Gibbs and the team handle the case of a marine found impaled on a tree stump after being shot with a SMAW . The investigation uncovers the sale of decommissioned military weapons on the black market. Tony goes undercover and meets the buyer, only to stumble into an undercover ATF operation. Working with ATF Special Agent Stone ( Bellamy Young ), Gibbs poses as a weapons supplier to complete the deal, and must double-cross everyone in order to find the corrupt person at the center of the investigation, and the one responsible for the marine's death. |
fd_The_Mentalist_01x10 | fd_The_Mentalist_01x10_0 | TEXT: Mentalist: noun. Someone who uses mental acuity, hypnosis and/or suggestion. A master manipulator of thoughts and behavior. Leyland University, CA STUTZER INSTITUTE Stern: The human mind is a vast universe, an inner cosmos that we are only now beginning to explore. Our next speaker is one of the nation's leading cosmonauts, a rising star in the field of neuroscience, and a prized member of the Leyland faculty. I give you Alex Nelson. Alex: No, no, no. Thank you. No. Stop. CBI Rigsby [phone]: CBI. Rigsby. Jane, phone for you. Someone called Sophie Miller. Jane: T-uh, t-t-tell her I'm not here. Rigsby: Okay. I'm sorry, ma'am. He's not available right now. Jane: No, no, no, no. Wait. Wait Rigsby: I'll, uh, put you through. Jane: Dr. Miller? Yeah, this is Patrick. Hey. Uh, if someone is murdered on the campus of a state university, it's ours, isn't it? Lisbon: It can be if we muscle out the locals. Why'd you ask Jane: I need a favor. Police department Policeman: Sophie, Alex Nelson's water bottle contained a 10% solution of hydrogen cyanide. What do you know about that? Sophie: I know that hydrogen cyanide is a lethal poison beyond that, nothing at all. Please, call me "Miss Miller" or "Dr. Miller" or "Ma'am." Not Sophie, if you don't mind. Policeman: You're not setting the boundaries here. You were seen by several witnesses arguing with the victim shortly before his death. You fled the scene immediately after his death. Sophie: A cunning plan, eh? Policeman: Since your divorce from the victim two years ago, you've been arrested for assaulting him twice and made several death threats against him. He obtained a restraining order against you. Sophie: And I obtained one against him also. Policeman: Well, that's all
SUMMARY: | When a leading scientific researcher at Leyland University, Alex Nelson, drops dead from poisoning, Jane takes a personal interest in the case after learning the lead suspect and victim's ex-wife, Sophie Miller, is Jane's former psychiatrist. Sophie helped Jane through a bad patch following the murder of his wife and daughter and now Jane wants to return the favor. While the evidence starts to stack up against Sophie, Jane focuses on the multi-million dollar behavioral research project Sophie and Alex were working on, and ultimately discovers their research was a sham. With reputations and millions at stake, Jane and the team must find who was willing to kill to keep the fraud covered up. |
fd_The_Big_Bang_Theory_07x23 | fd_The_Big_Bang_Theory_07x23_0 | TEXT: Scene: The upstairs landing of Mrs Wolowitz's house. Bernadette: Almost there. You're doing great. Howard: Thanks for lifting my spirits. Next time, try lifting the box. Raj: Please hurry. Mrs Wolowitz (off): I don't need a treadmill. Howard: The doctor says you need to get exercise. Mrs Wolowitz (off): I get plenty of exercise. Howard: Crushing my will to live isn't exercise. Raj: If she isn't gonna use it, then why are we doing this? Howard: She'll use it. All I need is to rig it with a fishing pole and a HoneyBaked Ham. Raj: All right. Now what? Bernadette: We set it up in Howie's old room. Raj: Do you know how to set it up? Howard: Please, I'm an MIT-trained engineer. I think I can handle... Ma, look out. Mrs Wolowitz (off): Aaaaah! I told you this thing would kill me. Credits sequence. Scene: The apartment. Raj: So she's gonna be laid up for at least six weeks. Leonard: Poor Mrs. Wolowitz. Amy: Should we do something for her? Sheldon: I know. Let's go see the new Spider-Man movie. Amy: Sheldon, we're talking about your friend's mother. She got hurt. Sheldon: I thought that subject had run its course, so I changed it. It's called reading the room, Amy. Penny: Hi. Leonard: Hey, how were things on the set? Penny: Uh, pretty good, actually. Raj: So the movie's not as bad as you thought? Penny: Oh, no, it is, but I decided instead of complaining about it, I'm just gonna go in every day and give it my all. Amy: Good for you. Penny: Thanks. There's no reason why I shouldn't be the best bisexual go-go dancer slowly transforming into a killer gorilla anyone's ever seen. Leonard: I don't know. The bisexual gorilla go-go dancer in Schindler's List
SUMMARY: | Howard, Bernadette, and Raj move a treadmill up to Howard's old room at his mother's house as her doctor says she needs more exercise. The treadmill slides back down the stairs, breaking Howard's mother's leg. The couple later struggle to care for her, as if for a newborn baby, but finally hire a live-in nurse. Leonard visits the movie set of "Serial Ape-ist 2: Monkey See, Monkey Kill" where Penny contradicts the director on repeating a take. He insults Penny and fires her. Wil takes her side and gets fired too. They and Leonard commiserate at a bar until Wil is called to audition for Sharknado 2. At home, Penny tells Leonard she must make better life decisions and suggests they marry. He wants assuring this isn't just because she was fired and feels sorry for herself. Penny says that getting fired from the movie is the best thing that happened to her and she realized in order to be happy she needs only Leonard, not fame. Taking out a ring from his wallet, he formally proposes and she happily accepts. At the movies, Sheldon and Raj run into Emily dating another man. Raj and Sheldon later discuss why women don't like Raj. Sheldon suggests Raj has to overcome his fear of being alone. Emily later explains to Raj that the other guy did her last tattoo and asked her out for months; she gave in to get the date over with. She invites Raj to inspect her three tattoos "on my shoulder; not on my shoulder; definitely not on my shoulder" and spends the night with him. |
fd_Doctor_Who_1963_24x12 | fd_Doctor_Who_1963_24x12_0 | TEXT: DRAGONFIRE PART ONE Run time: 24:01 [SCENE_BREAK] Refrigeration room [SCENE_BREAK] Belazs: Halt! Kracauer: Oh, you lucky, lucky people. You are the chosen ones, the elite, specially selected to join our force of mercenaries and create fear and terror wherever you go. Zed: We were tricked. Kracauer: Kane has paid seventeen crowns for each of you, and he insists on value for money. Zed: Seventeen crowns? You couldn't even buy a dog for seventeen crowns. Kracauer: Precisely. I wouldn't have paid seventeen crowns for the lot of you, let alone each. Kracauer: Only frostburn. Zed: Frostburn? Kracauer: Liquid nitrogen. Minus two hundred Celsius. Just be thankful your arm didn't go inside the vat, otherwise it would never have come out again. Right, freeze them. Zed: Wait! You mean we're going to be frozen? Kracauer: Until Kane needs your services, yes. What's the matter, getting cold feet? Kracauer: Kill him! Kracauer: Leave him. He's in the restricted zone. He's a dead man. [SCENE_BREAK] Restricted zone [SCENE_BREAK] Kane: Pay no attention to the intruder. You may continue with your work. [SCENE_BREAK] TARDIS [SCENE_BREAK] Mel: Where is it? The Doctor: Iceworld. A space trading colony on the dark side of the planet Svartos. Space travellers stop there for supplies. I've been picking up a faint tracking signal for some time. I think there's something interesting going on there, Mel. [SCENE_BREAK] Shopping mall [SCENE_BREAK] Announcer (O.C.): Don't miss our special offer in the nurturing spares department. Photon refrigeration units for only twenty four ninety five. Thank you. Mel: A freezer centre? How boring. The Doctor: Oh, trust not appearances, Mel. You never know what might be lurking in the
SUMMARY: | On Iceworld, the Doctor and Mel meet Ace, who has found herself there after a timestorm. While Ace nearly joins Kane's mercenaries, the Doctor and Glitz explore the ice caverns. |
fd_Frasier_11x21 | fd_Frasier_11x21_0 | TEXT: Skyline: A crane is seen on the horizon lifting a load. ACT I Scene 1 - Café Nervosa Frasier enters happily. Frasier: Can I get my usual, please? He sits at a table with Roz. Roz: Well, you're in a good mood. What's up? Frasier: Well, actually... no, I'd better not. Don't want to jinx it. Roz: No problem. Frasier: Besides, the mark of a-a true gentleman is discretion. Roz: [not as interested as Frasier wants her to be] Okay. Listen, about your dad's bachelor party... Frasier: Charlotte and I spent the night together. Roz: I thought she was seeing that super-hottie Frank. Frasier: Dumped him, thank you. Roz: For you? [then] I mean, wow, way to go! Frasier: Yes, I know. It's funny I should end up with my own matchmaker, isn't it? Roz: Yeah, I mean that Frank was the whole package. Those eyes, that chin, that bod that wouldn't quit... Frasier: Yes, well, it didn't have to quit, it was fired. Frasier's coffee arrives. Frasier: Thank you very much. [to Roz] Now, you were saying something about my dad's bachelor party? Roz: Yeah. Weren't you having a problem deciding on the entertainment? Frasier: Oh, yes. Roz: Well, there's this girl in my spin class, and she does it all - strips, lap dances, movies. Frasier: Really? Would I be familiar with her work? Roz: I don't know, have you seen "Grinding Nemo"? Anyway, I invited her over here so you could check her out. She's going to be here any second. Her name is Amber Licious. Frasier: Really, well, I'm afraid I can't do it right now. I'm meeting Charlotte for coffee, uh- Roz: Well, you can tell her yourself.
SUMMARY: | Having spent the night with Charlotte, Frasier is very pleased with himself. However, his good mood disappears when, while driving her to the station to catch a train to Portland, she tells him that in three weeks she will be moving back home to Chicago . Neither wants a long-distance relationship , so they are compelled to consider breaking up before things get more serious. In the midst of this conversation, they miss the train, so Frasier drives to the next station. Owing to his over-careful driving, they miss it again, and then the car breaks down on the way to the next station, leaving them stranded in the middle of nowhere. Fortunately, they find the house of an experienced car mechanic and his family, but they turn out to be rather eccentric. Meanwhile, in Frasier's absence, Niles is left to organize the entertainment for Martin's bachelor party , and Roz has found him a stripper . For Niles that she is coming round to be interviewed on the same day as Daphne's new nanny , while the stripper is mistaken for Martin's new physiotherapist . |
fd_CSI__Crime_Scene_Investigation_02x04 | fd_CSI__Crime_Scene_Investigation_02x04_0 | TEXT: [EXT. LAS VEGAS (STOCK) - LATE AFTERNOON] [EXT. LAS VEGAS (STOCK) - EARLY EVENING] [EXT. LAS VEGAS FOOTBALL STADIUM (STOCK) - EVENING] [SCENE_BREAK] [INT. HIGH SCHOOL - HALLWAY -- NIGHT] (BARRY SCHICKLE and three other boys come out into the hallway. One of the boys is carrying a basketball. A school bell rings in the background.) Barry Schickle: I'm telling you, man. Friend: See ya, bro. Barry Schickle: Later, losers. (The three boys walk down one hallway and BARRY SCHICKLE walks down another hallway. BARRY SCHICKLE looks behind him to make sure that no one's there, reaches into his backpack with one fluid motion and pulls out a spray can. He stops in front of the long row of student lockers and with a final look to make sure that he is truly alone, he confidently sprays "STICK" in orange on a particular locker. He shows no hesitation. It's as if he's done this a million times before.) [SCENE_BREAK] [INT. HIGH SCHOOL - BATHROOM - NIGHT -- CONTINUOUS] (Close up of door handle as BARRY SCHICKLE enters the men's bathroom. He positions himself in front of the urinal and faces the mirror. Something distracts him and he turns around. He ducks as the first gunshot hits the corner of the mirror, shattering it. The next three shots hit Barry in the back. He falls to the floor.) FLASH OF WHITE TO: [SCENE_BREAK] [INT. HIGH SCHOOL - BATHROOM - NIGHT -- CONTINUOUS] Brass: Barry Schickel. Wallet's still with him. With cash. "A" student. Recently voted class clown. (BRASS and GRISSOM are standing over the dead body. An officer stands just on the inside of
SUMMARY: | When the class clown at the local high school is found murdered, the CSI team is called to investigate the student, who is also the top jock on campus, is found shot in the back in the school bathroom. The CSI team quickly discovers that the victim was also the class bully, and Grissom is convinced that he is looking for a classmate who was finally pushed to end the abuse once and for all. The team uses sophisticated new equipment to track the scent the killer left behind. Meanwhile, Sara and Nick investigate a case involving a severely decomposed body of an Army veteran found in a bag. |
fd_Degrassi_Next_Generation_02x08 | fd_Degrassi_Next_Generation_02x08_0 | TEXT: Girls washroom. The light is blue-ish. Paige enters wearing her cheerleading uniform and washes her face. She lifts her hand and sees in the mirror that Dean has appeared behind her DEAN: Hey Spirit. PAIGE: Dean, what are you doing in the girls washroom? DEAN: Thought I'd say hi. (Walks towards her) PAIGE: Ok. DEAN: Relax, we had a good time at that party, didn't we? PAIGE: Dean you... DEAN: I what? I didn't do anything. We just had a good time. PAIGE: (raising voice) You raped me. DEAN: You wanted it and don't you dare tell anyone any different. PAIGE: (Pushing him away) Get off me. Stop. (Picture begins to get wavy) Please. Stop it. Paige's bedroom. She's asleep. Her alarm goes up and she awakes with a gasp. She sighs and turns off the alarm. Outside on the sidewalk. Terri runs up to Paige. TERRI: Paige. Wait. (Has a piece of paper in her hands) Read it. (Holds out paper, so Paige can read) PAIGE: (reading) Pro-voice song writing contest. Celebrating what women have to say. Does your band have what it takes to make a splash on the music scene? TERRI: This is our chance. PAIGE: Terr, we don't have a band. PMS broke up, remember? TERRI: It's too perfect. PAIGE: (reads the sheet again) (excited) Winning band gets a demo CD and a trip to LA. TERRI: I told you. PAIGE: (still reading) To perform live for record executives. (Stops reading) This is a serious prize. It's not like winning a beach towel or movie pass. Terri, we could move to LA. (They do an excited girl giggle) Mr. Simpson's class. See computer screen where Paige is signing up PMS for the contest. PAIGE: PMS could totally win this.
SUMMARY: | Paige struggles to come to terms with her recent sexual assault after Ashley writes a song about rape for PMS to perform on stage for a contest. Meanwhile, Liberty acts out in an attempt to show J.T. she isn't as boring as he thinks she is. |
fd_Torchwood_1x03 | fd_Torchwood_1x03_0 | TEXT: Opening shots and series recap. JACK : (VO) Torchwood : outside the government, beyond the police. Tracking down alien life on Earth and arming the human race against the future. The 21st century is when everything changes, and you've gotta be ready. EXT. AN ALLEY - DAY Gwen and Owen run out of a narrow street and into a wider road. Toshiko speaks to them through their earpieces, directing them towards an alien artifact which has been identified. TOSHIKO : (over com) Owen, Gwen. Left into the alley, right, 30 meters. GWEN : What is it? What can you see? INTERCUT WITH : Toshiko in the hub, a map on the computer screen in front of her showing the positions of Gwen and Owen and Jack relative to the alien object. INTERCUT WITH : Overview of the Torchwood SUV. TOSHIKO : Jack. Sharp right, 20 meters. JACK : (over com) Can you identify the target? TOSHIKO : No, still trying to get a visual. 20 seconds contact. INTERCUT WITH : Gwen and Owen run through crowded streets in Cardiff, CCTV footage. TOSHIKO : 15 seconds. JACK : (Over com) No heroics! We got no idea what we're dealing with. TOSHIKO : 10 seconds. EXT. A STREET - CONCURRENT The SUV squeals to an abrupt halt and Jack exit's the vehicle. TOSHIKO : Got it! Got a visual; suspect's male, wearing a hoodie. INT. A SHOPPING ARCADE - CONCURRENT The suspect runs through the shopping arcade followed by Gwen and Owen. TOSHIKO : Go Gwen! SECURITY : Oi! The suspect runs under a closing shutter, Gwen just manages to roll under before it shuts in front of Owen and Jack. Jack turns to the security guard operating the shutter. JACK : Come on,
SUMMARY: | While chasing a man, Gwen retrieves an unusual machine that allows the user to see back into the past. When she inadvertently uses the machine, she is haunted by a vision of a lonely young boy during World War II Britain. Considering the machine dangerous, no members of Torchwood are permitted to use it. But Owen has other plans, and witnesses a violent murder that took place over forty years ago. Using the information he gathered, Owen starts to track down the still-living murderer. |
fd_One_Tree_Hill_06x21 | fd_One_Tree_Hill_06x21_0 | TEXT: AT LUCAS'S HOUSE Lucas : Uh, are these the pages from my book? Peyton : The "comet," not "ravens," And I cannot be held accountable, 'cause baby and me have gone completely bed-Rest stir crazy... What? Oh. Great. I've got permanent bed head, and you're laugh at me. Lucas : Look, I'm... I'm sorry. I know how hard it is being cooped up in the house. Peyton : "Hard"? I have read this month's issue of B. Davis magazine Cover to cover five times. Lucas : Woo! Peyton : Just stay and tell me stories about life on the outside. Lucas : I can't. I'm working on something. Peyton : Why have you been so weird lately? Lucas : You're, like, off in the garage, and you... Peyton : You're making me a present. Are you making the baby a present? Is it a present for me and the baby? Lucas : All right. Uh, You... You know what? You're right. Peyton : Well, yeah, I'm right, so just stay and let me guess. Lucas : No, no. I mean, you're right. You're going completely crazy. Peyton : Crazy people should not be left alone. AT CLOTHES OVER BROS Brooke : Funny. I thought vampires didn't photograph. Oh. Sam, remind me to buy you a garlic necklace. Victoria : Good morning, Brooke. Being dramatic, as usual. Brooke : I'm not being dramatic. I'm being a mom. And that means keeping Sam out of harm's way. Victoria : Ah, so I guess I'm "harm." Brooke : No. You're "harm's" older, decrepit sister, "Emotional damage." Sam : Okay. We bought you caffeine, so play nice. Brooke : Thank you. What are you up to? Victoria : Nothing. I like Samantha. She's plucky and dark. She's going through Brooke :
SUMMARY: | Brooke discovers something that could change Sam's life. Nathan questions his dreams of playing in the NBA while Haley receives an unexpected offer from Nick Lachey. Jamie and Skills mend their broken hearts at Jamie's first school dance. Meanwhile, Lucas and Peyton have a road trip to remember. This episode is named after a song by Louis Armstrong . |
fd_The_Vampire_Diaries_04x11 | fd_The_Vampire_Diaries_04x11_0 | TEXT: [The Woods] (Matt is running through the woods. A vampire is chasing him. He hides behind a tree but the vampire finds him and bites him but Jeremy kills him and rushes toward Matt) [A bar] (Jeremy, Matt and Damon are still with Klaus and the vampires are still there) Jeremy: No way. I'm not doing it Klaus: What makes you think you have a choice? You have to kill vampires to complete the hunter's mark. Mark equals cure Damon: You're in a bar full of almost vampires, so get your hunt on Jeremy: Screw you. You said I wouldn't have to kill any innocent people Damon: Jeremy, they're not people Klaus: Enough! Have at it, or else Jeremy: I don't take orders from you, dick. Hunters can't be compelled Klaus: You're right. I can't compel you, but if your conscience is getting in the way, then allow me to make this easy for you because I can compel them. I'm gonna give you a two-minute head start. Then I'm gonna send every vampire in here after you. You kill them, or they kill your friend... Matt Matt: Wait a second Damon: No, no. You turn them, he kills them. That was the deal, Klaus Klaus: I'm taking artistic license Damon: You know he can't take them all on at the same time Klaus: With you as his coach, he'll be fine. It's Matt I'm worried about Damon: Jeremy, go get the weapons out of the car. I'll be right behind you. Both of you (Matt and Jeremy leave) Klaus: If I hear an engine start, I'll kill Matt myself! [The woods] (Jeremy is checking up on Matt) Jeremy: Are you okay? Matt: Yeah. I just need a second Jeremy: We don't have a second. They can smell your blood. We need to go (They hear a noise. Jeremy turns himself, raising his crossbow but it's Damon) Damon: Don't hesitate
SUMMARY: | The episode begins at the bar, where Jeremy refuses to kill the new vampires. Klaus threatens to compel them to attack Matt in order to force Jeremy to kill them. Matt is injured and he and Jeremy run for it. They are attacked by the vampires before Elena's intervention. They make it back to the lake house. The next day Elena scolds Damon for using innocent people. They realize the vampires will return and Damon says Jeremy finishing the job will be necessary. Rebekah visits Stefan, telling him she has a plan; to steal Silas' headstone, forcing Shane to join forces with them. Sheriff Forbes arrives and arrests Shane. Damon and Jeremy head back to the bar and find the vampires have already been killed by Kol. Kol tells them that long ago he killed a cult that worshipped Silas, and how he can't allow Silas to awaken. Kol attempts to rip Jeremy's arm off but gets into a fight with Damon. Bonnie and her father talk to each other, and he tells her that Shane is the type of person who manipulates the weak minded. Shane talks to Bonnie in the interrogation room and he confesses to the mass murder that occurred over the season's course. Elena goes to Klaus, asking him to call off Kol's attack. She reminds him that they both want the cure, and Klaus calmly calls Kol off, warning him to stay away from Jeremy. Regardless, Kol tortures Damon and compels him into hunting Jeremy. In Shane's study, Rebekah and Stefan look for the headstone, and talk about their old relationship. Rebekah says they had fun, but they didn't care; so Rebekah tells him to stop caring. A man walks into Shane's study room but is cornered by Rebekah. Meanwhile, Bonnie calls Shane out for the mass murder, but Shane tells her that Silas will resurrect the murder victims. Bonnie refuses to listen before Shane reminds her of her grandmother, and that she can see her again. Afterwards, Shane tells Bonnie's father that she could be the most powerful witch on earth, or a time bomb. Soon, Damon goes to the bar where Matt works and Jeremy is there. Jeremy runs into an isolated room and Damon tells Elena Kol ordered him to kill Jeremy. Jeremy finds a hidden cave, Damon follows him, warning that he is out to get him and tells him to run away. In Shane's study, Rebekah tortures the man, only for him to spit out his tongue and kill himself. Elena calls Stefan, asking for his help, but he doesn't seem to listen. Damon corners Jeremy, who shoots him in the head, giving Jeremy a head start. Kol heads back into town and meets with Rebekah, who tries to dagger him, but Kol has the white ash dagger and is stopped by Klaus. Back at the chase, which is now in a forest, Elena tries to use her feelings to get Damon to ignore the compulsion. It doesn't work, but he stops when Stefan subdues him. He takes Damon back to the Salvatore house, where he locks Damon up. He says once Elena is cured and Damon is un-compelled, then they can do what they want. Elena shows up and Stefan says she can't see Damon. Elena tells him he's hurt, that's why he's acting out, but Stefan tells her that he just isn't in love with her any more. Bonnie has dinner with her father, who says he's getting her help. Stefan goes to see Rebekah asking about the headstone but she changes the subject; asking if he's over Elena. He says yes and has sex with Rebekah. Klaus shows up at the Gilbert house, saying he intends to take Jeremy with him, insisting only he can protect Jeremy from Kol. They refuse, and Elena works on a plan to kill Kol. |
fd_NCIS_01x20 | fd_NCIS_01x20_0 | TEXT: INT. COUNTRY BAR - NIGHT (MUSIC PLAYS B.G.) VANESSA: I hate happy hour. Make a hole, people! CAROL: So at least two of your Marine buddies have disappeared and you think you could be next? Why? ATLAS: Do you have to write down everything I say? CAROL: I'm a reporter. It's what I do. ATLAS: I thought this was supposed to be a date. Look, if it turns out to be true, and if I'm next, you could end up dead, too. CAROL: And if my husband finds out about us, I'll be dead anyway. ATLAS: I didn't order a drink. CAROL: Is your name Atlas? ATLAS: Yeah. CAROL: Then I guess you've got a secret admirer. Enjoy. ATLAS: We should have gone to a hotel. CAROL: It's probably somebody you know. ATLAS: That's what I'm afraid of. I'll call you. [SCENE_BREAK] EXT. PARKING LOT - NIGHT (SFX: MUSIC B.G.) ATLAS: (WEAKLY) I should have told... (ATLAS FALLS TO THE GROUND) [SCENE_BREAK] INT. SEWER FLOOR - NIGHT (SFX: WATER DRIPS B.G.) (ATLAS SITS UP AND LOOKS AROUND) (SFX: CHAIN CLATTERS) (ATLAS SCREAMS) (MUSIC OUT) (THEME MUSIC UP OVER OPENING TITLE/ SCENES/ CREDITS AND OUT) MUSIC IN: INT. SQUAD ROOM - DAY "MISSING"(SFX: KEYBOARDING B.G.) KATE: I thought you couldn't type. TONY: I've decided to improve myself. KATE: Well, in that case, you might want to lose that shirt. It went out of style three years ago. TONY: This from a girl who keeps a pu
SUMMARY: | The disappearance of a marine from a bar draws NCIS in to investigate, and it is discovered that several marines from the same unit have also vanished under similar circumstances. When skeletal remains of one of the missing men is found chained to a pipe in a small sewer room, Gibbs begins to suspect the unit CO (the only team member not dead or missing) as a serial killer. However, when Tony vanishes while tailing the CO from the unit, the investigation takes on a more frantic pace and McGee is called back in from Norfolk to help as Gibbs and Kate work against the clock to find Tony before it is too late. |
fd_Justified_04x12 | fd_Justified_04x12_0 | TEXT: [PREVIOUSLY_ON] Colton: Where's Ellen May? Tim: Let her go. Right now! Let her go! [ Screaming ] Li... Limehouse! Whenever she'd get in trouble, she... she'd threaten to go to Limehouse! Ava: [ Gasps ] See, Ava? I been hiding this whole time! And I ain't said nothing! Ava: Did shelby drop you off? Shelby ain't left. Ava: $150,000. Boyd: For both of them? Ava: Each. Ellstin, we had a deal. We did. And now I'm changing it. Boyd: Well, if you want Raylan Givens, you'll need me. And if you want me... I'm still gonna need $500,000. How many tweaker dick heads did you have to suck off before you got to this wonderful place in your life? Raylan: We don't give a sh1t about Boyd. That's not why we're here. The man we're after... Drew Thompson. You can help us with that. Boyd: The marshals got to Drew before Nicky could. Ava: How is that possible? I guess this is where I'm supposed to surrender. Art: You can tell us everything now or let it be a big surprise later. You get me out of here, I'll give you whatever you want. Raylan: Talking about sending me to Washington to meet the director. Most of the talk's all hearsay at this point, but looking good. Winona: Hey, did you, uh... did you sign that paperwork? Raylan: That what? Winona: The forms I-I e-mailed you last week. Raylan: Uh, no. I haven't. Winona: Okay, well, you know they're to protect the baby in case something happens to either one of us, so I'm just... I'm gonna need your signature. Raylan: Okay, I will. Winona: It's kind of important that you get it done before she's born. Raylan: Yes. Listen, it is
SUMMARY: | Drew Thompson tells the Marshals he will refuse his deal for WITSEC unless he knows that Ellen May is safe. Meanwhile, Augustine tells Johnny that Theo Tonin, the Detroit mob boss, has heard from his informants that Drew won't enter protective custody to testify against Tonin unless Ellen May is safe. The Detroit mobsters figure they can use Ellen May to deter Drew from testifying. Augustine gets Johnny to help retrieve Ellen May. Johnny calls Limehouse, but Limehouse refuses to cooperate. Augustine then offers to give Boyd $300,000 to buy back Ellen May since Johnny can't get it done. In exchange for Ellen May, Augustine will hand over Johnny, who betrayed Boyd. Raylan, Rachel, and Tim head to Limehouse's holler where Limehouse denies Ellen May is on the property, but dares them to search. Ava, who snuck in through a back entrance, offers the $300,000 to Limehouse, but he tells Ava he released Ellen May. Instead of taking money for Ellen May, Limehouse determines it is in his best interest to let Ellen May go (instead of taking money) to avoid extra heat from the Marshals, maintain his reputation as a protector of women in trouble, and also to avoid potential armed confrontation with Boyd and the Detroit mobsters. Ava and Colt head to the church from separate origination points, while Boyd, Augustine, and Picker head to Nicky Cush's house to find Ellen May. Cush confesses Ellen May is at the church after Boyd shoots him in the foot and presses against the wound. At the church, Ava gets there first and overhears Ellen May confessing Delroy's murder to Cassie, as well as her participation in the disposal of his body. Ava finds herself unable to kill Ellen May, so Boyd instead instructs Colt to do the deed. Tim arrives at the church just as Colt prepares to kill Ellen May. The two have a stand off and Tim guns Colt down in self-defense after Colt raises his gun. Raylan arrives and takes Ellen May into custody, where she is reunited with Drew at the Marshals' office. Boyd and Ava decide their last play is to move and hide Delroy's body to avoid incrimination now that Ellen May is in custody. Later, a delivery man sets up a rocking chair for Winona, Raylan's wife. The last shot of the episode is of the delivery man, who turns out to be Picker, one of Augustine's henchmen. |
fd_Doctor_Who_09x06 | fd_Doctor_Who_09x06_0 | TEXT: [ EXT. Forrest - Night ] [SCENE_BREAK] ( Horse rears and whinnies ) Coachman: Whoa! Highwayman: Stand and deliver! Coachman: Do as he says. I've heard of this brigand. He's known as the Knightmare! Faster than Sam Swift the Quick, deadlier than Deadly Dupont. Highwayman: Dabbling lowpads the pair of 'em, with terrible pseudonyms to boot. Cash bags, jewels, the lot. Mr Fanshawe: I will not be robbed by some lone, ranting cavalier! Highwayman: Who says I am alone? Lucy Fanshawe: ( gasps ) ( Growling ) Lucy Fanshawe: ( screams ) The Doctor: Right. ( Beeping ) The Doctor: Warm. ( Beeping intensifies ) The Doctor: Warmer. Coachman: We are cursed. The Knightmare is in league with the devil. Highwayman: Aye, Satan's sidekick, me. Where's the rest? Lucy Fanshawe: What else would you take from me, sir? Highwayman: You know what I want. Hand over the amulet. The Doctor: Hello. Mr Fanshawe: Wah! The Doctor: Oh, don't mind me, don't mind me. I'm only going to be a minute. Don't worry. Oh, very warm. Highwayman: What are you doing? The Doctor: Oh, just ignore me, I'm just passing through, like fish in the night. Highwayman: This is a robbery! The Doctor: It's not fish in the night, it's something else. Highwayman: This is my robbery. The Doctor: No, ships in the night. Yeah, something like that. Highwayman: Step aside or I shall blow your brains out. The Doctor: Sorry, were you talking to me there? Try again, I promise I'll listen this time. Highwayman: You have interrupted my robbery, sir, and you will step away, if you wish to take another breath. Coachman: You
SUMMARY: | The Doctor is alone and on the trail of an alien artefact in 1651 England. He interrupts Ashildr, now calling herself "Me", attempting to rob Lucie Fanshawe. Throughout her immortal life, she has lost many memories, and now isolates herself as to not lose loved ones. Me and the Doctor steal the artefact from Lucie's house. The Doctor meets Me's ally Leandro, a leonine alien stranded on Earth who uses the artefact to open portals into space. In return for Me tricking the Doctor into helping him, Leandro has agreed to let her come with him to travel the galaxy. However, in order for the portal to be activated, the artefact requires another person's death. Me kills the outlaw Sam Swift, opening the portal. Leandro reveals that his intent is to assist his people in invading Earth. When Me rediscovers her humanity after seeing spaceships attack the crowd, she uses the medical chip to save Swift, closing the portal. Leandro's people kill him for his failure. Afterwards, Me says that she will look after those that the Doctor leaves behind. |
fd_The_Big_Bang_Theory_08x10 | fd_The_Big_Bang_Theory_08x10_0 | TEXT: [ The apartment ] Sheldon: Hello. I'm Doctor Sheldon Cooper, and welcome to Sheldon Cooper presents Fun with Flags, the final episode flagtacular. (gasps) I knew it was coming. Still scary. Now, I'm sure you're thinking, the final episode? Who will stand between us and flag ignorance? Amy: I know I was thinking that. Is this a show on flags or mind reading? Sheldon: But the truth is I can no longer balance a full-time career, a popular Internet show, and a girlfriend. Amy: And he really does have one, you jerks on the comment board. Sheldon: So as they say, all good things must come to an end. Amy: After only 232 episodes. Sheldon: 233 if we include the one somebody forgot to press record on. Amy: You said you weren't gonna bring that up. Sheldon: And you said you pressed record. Anyway, please sit back, relax, and join us as we take our final lap, as indicated by the waving of this racing flag. And, of course, white flags can also represent surrender, the Stewards of Gondor, and the Japanese Minamoto clan, but I'm sure you remember that from episode sixty-two, White Flags, Who's Wavin' 'Em and Why? Amy: That was a good one. Sheldon: It was so good. [SCENE_BREAK] <unk> Our whole universe was in a hot, dense state <unk> [SCENE_BREAK] <unk> Then nearly 14 billion years ago expansion started... Wait! <unk> [SCENE_BREAK] <unk> The Earth began to cool <unk> [SCENE_BREAK] <unk> The autotrophs began to drool, Neanderthals developed tools <unk> [SCENE_BREAK] <unk> We built the Wall <unk> [SCENE_BREAK] We built the pyramids [SCENE_BREAK] <unk> Math, Science, History, unraveling the mystery <unk> [SCENE_BREAK] <unk> That all started with a big bang <unk> [SCENE_BREAK] Bang! [SC
SUMMARY: | Leonard, Raj and Howard clean out deceased Professor Roger Abbot's office and find champagne to be opened after his first great scientific discovery. Abbot's coworker Professor Sharpe reveals that a journal full of numbers is just Abbot's food calorie diary: he believed he could live forever by controlling his calorie intake. The men realize not every scientist can make great discoveries, and resolve to drink the champagne in Roger's honor if one of them ever discovers something. Sheldon prepares his final episode of "Fun with Flags" and reviews highlights of the series including Amy as a kangaroo, Sheldon dressed as Betsy Ross, and playing "Fwag, Not a Fwag" with Barry Kripke. Sheldon's final guest is LeVar Burton. The first viewer to comment on the episode posts that he will miss the series, leading Sheldon to plan its revival and uncork Roger's champagne in front of Leonard. Penny and Bernadette attend a banquet for their pharmaceutical company. After Penny makes Bernadette realize she has been verbally bullying others, she apologizes to their boss Dan, who is afraid of her, and starts crying on hearing how she has offended her coworkers. Dan feels bad and resumes fulfilling Bernadette's wishes. |
fd_Torchwood_2x13 | fd_Torchwood_2x13_0 | TEXT: Opening credits JACK (voiceover) : Torchwood. Outside the Government, beyond the police. Fighting for the future on behalf of the human race. The 21st century is when everything changes... And Torchwood is ready. INT DAY Building gone boom Flashback to last week, blue tinted. JACK : The explosive devices... OWEN : Snap! Boom. GWEN : Jack, who's done this? JOHN : Captain John Hart. GWEN : Jack, what does he want? JOHN : Say hi to the family. JACK : No, it can't be. JOHN : Been a while since you've seen your brother, eh, Jack? JACK : Gray?! EXT DAY Outside the building Actually they went outside in the flashback, but we pick up where we left off, outside the exploded building. The team, plus Rhys, are heading for building 3 and Rhys' car. Tosh is supported by Owen. Tosh and Ianto are looking at the blue bleepy boxes of info. OWEN : b*st*rd John's taken our SUV. IANTO : Looks like He's driven it back to Torchwood. TOSH : I'm getting readings of rift activity all over the city. Major rift flares at St Helen's Hospital, the Police Headquarters and the Central IT Server Station. Phone rings. Gwen gets her mobile out and checks name before answering. GWEN : Hey, Andy? ANDY (walking down stairs in the police station, blood on the walls behind him) : Gwen, you've gotta get here right now! I'm serious, we need you. GWEN : Ok, I'm on my way, all right? This is him, isn't it? This Captain John, or whatever he likes to call himself. JACK : Rhys, drop Owen at the hospital. Tosh, Ianto cover the central server building. Gwen, the police station. Then take me to Torchwood. RHYS
SUMMARY: | Captain John returns to have his revenge. Taking Captain Jack prisoner, he sends him back in time for a long overdue reunion. Meanwhile, Cardiff is flooded with Weevils. Who is Captain John really working for? |
fd_CSI__Crime_Scene_Investigation_01x14 | fd_CSI__Crime_Scene_Investigation_01x14_0 | TEXT: [EXT. LAS VEGAS CITY (STOCK) - DAY] [EXT. LAS VEGAS COMMUNITY (STOCK) - DAY] [EXT. LAS VEGAS DESERT (STOCK) - DAY] [SCENE_BREAK] [EXT. MT. CHARLESTON - DAY] (A stick is thrown high in the air and SKY jumps up to catch it in her mouth. She makes her way back to her owners.) Matthew: Come on, Sky! Come on Sky. Sky, come on. (MATTHEW picks up the stick that SKY drops in front of him. He throws it as far as he can. SKY runs off to get it.) Matthew: Go get it, girl! (SKY barks as she runs to get it. SKY tops and picks it up, then heads back to MATTHEW.) Matthew: Come on, Sky. Come on, girl. Bring it back. (SKY drops the stick at MATTHEW'S feet and barks. MATTHEW bends over to pat SKY on her head and pick up the stick.) Matthew: Good girl. (MATTHEW gets a good look at the stick.) Matthew: That's not sky's stick. (MATTHEW gives the stick to ROBB.) Robb: What do you got there, Sky? Come here, girl. What did you get here? Matthew: Dad, what is it? Robb: Nothing... it's just... uh, just an old bone probably from a dead animal or something. (ROBB looks around as SKY barks.) [SCENE_BREAK] [EXT. MT. CHARLESTON - NIGHT] (By the light of the flashlight, GRISSOM looks at the bone. CATHERINE looks around the desert.) Grissom: It's a tibia... or most of a tibia. Catherine: How long you think it's been out here? Grissom: Well, long enough for the animals to
SUMMARY: | When a single human bone is discovered in the desert, Grissom and Catherine must cover miles of territory to find the rest of the skeleton. And Warrick and Sara trace the death of a male stripper to members of a wedding party who may have celebrated a little too hard the night before the nuptials. |
fd_Grey_s_Anatomy_04x05 | fd_Grey_s_Anatomy_04x05_0 | TEXT: Provided by TVTDB.com (Meredith sees herself dead in the hospital hallways) (Meredith is talking to Derek) Meredith: Pick me. Choose me. Love me. (Meredith is drowning in the bathtub) Derek: You're the love of my life, I can't leave you. But you're constantly leaving me. (Derek pulls a dead Meredith out of the water) (Meredith is with her mom) Ellis: Imagine my surprise when I wake up after five years and discover you're no more than ordinary[/i]) (Meredith is in the morgue) MVO: There's a reason surgeons learn to wield scalpels. We like to pretend we're hard, cold scientists. We like to pretend we're fearless. (She opens the door to a freezer and sees herself) Dead Meredith: Pick me, choose me, love me. (Meredith wakes up to realize she was dreaming) MVO: But the truth is, we become surgeons because somewhere, deep down, we think we can cut away that which haunts us... (Meredith enters the dining room to find Alex and Izzie. Alex is carving a pumpkin and Izzie is baking) Meredith: What are you guys doing up? Izzie and Alex: Couldn't sleep. MVO: Weakness, frailty...death. (Meredith dumps her moms ashes into a Ziploc bag) Izzie: What is that? Meredith: My mother. Alex: Happy freaking' Halloween. (Cristina is at the bulletin, Richard is nearby) Richard: Yang...you're moving out of Burke's place, huh? Cristina: Yes, sir. Richard: My wife has filed for divorce. Cristina: I'm very sorry, sir. Richard: At any rate, I need a place to live. And Burke's place...I...I was there once. I suppose actually it's your place now, right? Cristina: No, it's still Burke's place. Now it's yours. (Meredith is in the locker
SUMMARY: | A nightmare brings Meredith to remove her mother's ashes from her closet. She ends up putting her mother at rest in an operating theatre sink. Meredith also forms an alliance with a little boy to grant him the ears he needs via pro-bono surgery. Alex ignores Norman feeling unwell, which culminates with Norman suffering a stroke. A busy day in the ER results in a man who is convinced that his foot doesn't belong to him trying to remove it with a chainsaw from a jack-o-lantern competition. A heart transplant patient has to face a difficult decision when his daughter is in an accident and rendered brain dead, meaning that her heart has become available to him. Rebecca seeks out Alex. Erica Hahn is invited to perform a heart transplant, and clashes with Cristina. Callie reveals George's affair with Izzie to the hospital. Callie and Cristina bond over their failed relationships, prompting Cristina to invite Callie to move in. |
fd_The_Office_09x24-25 | fd_The_Office_09x24-25_0 | TEXT: Dwight: The documentary series finished airing ages ago. Why is PBS sending another crew? Camera Man: We're getting bonus footage for the DVD. Dwight: pff, Nobody buys DVDs anymore. Camera Man: It'll be a pledge gift. Dwight: PBS. The propaganda wing of Bill and Melinda Gates and viewers like you. [SCENE_BREAK] Dwight: In the past year, I have consolidated the entire Scranton paper market. We regained the white pages, the school district, Lackawanna county. We supply them all. I'm getting married tomorrow afternoon, and in the morning, there's a mini-reunion. A kind of a "where are they now" panel at a local theatre. It'll be nice to see everyone again. [laughs] I haven't seen Kevin since we let him go. [SCENE_BREAK] Dwight: [mimicking trumpet] Today marks several important milestones. Stanley, as you know, is retiring. Kevin: Yes! Whoo, whoo, whoo! Stanley: Ah, I've been looking forward to this day since I was 18 years old. Meredith: Speech! Dwight: No! And our next and most thickly frosted cake is...for...Kevin. Kevin: Yes! Wait, why? Dwight: Go ahead and just read the frosting. Kevin: "Get out." Dwight: Uh-huh. Kevin: What does that mean? Dwight: It's a colloquial way of saying "you're fired," Kevin, which you are. Pam: What? Dwight, you can't do that. Dwight: The cake has spoken Pam. Sorry. All: What?! Dwight: Well if anyone here can make a case for Kevin staying. All: Dwight...[overlapping objections] Dwight: Based...on his merit. Oscar: Ooh. Jim: Umm.... Kevin: I'm...good. Pam: Well, Toby will stop it. Anytime anyone's ever been fired, Toby's blocked it, so... Toby: Yeah. Yeah, I
SUMMARY: | One year after the airing of the documentary, past and present employees of Dunder Mifflin gather for Dwight and Angela's wedding. Dwight initially chooses Jim to be his best man, but Michael Scott ( Steve Carell ) shows up and takes his place. Finally, everyone comes together for a final round of interviews, during which Erin reunites with her biological parents and everyone is brought to tears. The episode guest stars Steve Carell, Rachael Harris , Dakota Johnson , Joan Cusack , Sendhil Ramamurthy , Ed Begley, Jr. , Malcolm Barrett , Matt L. Jones , Bill Hader , Seth Meyers , and Nancy Carell . |
fd_Doctor_Who_1963_09x15 | fd_Doctor_Who_1963_09x15_0 | TEXT: THE MUTANTS BY: BOB BAKER AND DAVE MARTIN 5:50pm - 6:15pm [SCENE_BREAK] 1: EXT. SOLOS (The surface of Solos is a cold desolate wasteland. Bare stunted bushes and shrubs litter the ground and the air is permanently filled with a floating mist. Gasping for breath, an old man comes running into view through the decayed flora. He has long straggly white hair and beard and his clothes are little more than rags. His face looks terrified. He stops to gain his bearings and to try and look through the murk. Suddenly he hears a harsh voice calling out from nearby...) MARSHAL: (OOV.) Over here! Move in!..., he's heading for the...! This way! (The mists seem to clear slightly and the old man sees an empty path ahead. He starts to run down it. His back is revealed to be a series of ridges which seem to be sprouting from underneath the material of his ragged top.) MARSHAL: (OOV.) Over here! (The owner of the voice comes through the mist. He is a large portly man, dressed in a uniform of black with silver braiding. He wears a similarly coloured helmet on his head with a visor and a small compact gas-mask over his mouth. In one hand he carries a futuristic gun and in the other a small detector which gives out a series of static bleeps. The man moves with a determined speed, despite his bulk. He suddenly stops, rips of his mask and screams viciously into the mist...) MARSHAL: Mutt! Mutt! (He turns and shouts behind him into the mists.) MARSHAL: Hurry, you men - hurry! (He turns and gives another yell at his quarry...) MARSHAL: Mutt! (...and seeing him slightly ahead, gives a yell of rage as he starts to run faster after the old man. Such is his hast
SUMMARY: | The Doctor and Jo arrive on the planet Solos, on a assignment by the Time Lords. Where the Doctor and Jo learn that the native Solonians are mutating into ant-like mutant creatures and they uncover a conspiracy, where the evil Marshal of the Earth Empire plots to rule Solos for himself and plans to convert Solos atmosphere, since the planet's atmosphere is poisonous, so the planet can be colonized by the humans and he plans to wipe out all the mutated Solonians, who are evolving into a advanced super race. |
fd_Salem_01x08 | fd_Salem_01x08_0 | TEXT: [PREVIOUSLY_ON] George: Fornicator! Isaac: [Screams] Mr. Hale: He searches. Captain: So where is the witch? Increase: Right here. Captain: Aaah! Mr. Hale: If he cannot be stopped, well, then it's an entirely new game, isn't it? Mrs. Hale: Everything your father does, he does for you. Anne: [Gasps] Cotton: I no longer want to be your customer. True love cannot be bought or sold. John: Let's just live. Rose: You still love John Alden. The grand rite ferments best in a loveless heart. Mary: He serves at my behest. He won't come out for you. Cotton: Father. Mary: My dear Increase. How long may we enjoy your presence in town? Increase: Until every last Devil's whore of a witch in Salem is dead. [Dog barking] Depravity. Can there be a more apt word to describe the current state of your fair city? Drink, perversity, abominations of each and every variety offered and received. And even as we cater to our inner demons, we have allowed actual demons to flourish! Witches! Mr. Hale: He was not supposed to be here. Increase: Living vessels of godlessness. Mr. Hale: So why is he? Increase: The serpent from eden... Mary: He came to see what his son had accomplished. Increase: You have listened and... Mr. Hale: And why is he staying? Mary: He saw what his son had accomplished. Increase: There are witches hidden amongst us, and you people of Salem, seduced by drink and by flesh, are happily blinded to it. Standing before you, with the certainty of the rising sun, I assure you this will change. Mrs. Sibley. Mary: Reverend, your words are inspiration. England's loss is our gain. Increase: I trust your husband's condition is improving. Mary: Sadly, no. Increase: Well, please tell George I shall visit him again at once. Perhaps my presence may be of some comfort to him. Mary: Oh
SUMMARY: | Upon his arrival, feared witch hunter Increase Mather wastes no time taking control of the witch hunt and Salem. Mary fears that Increase will discover her husband has been spelled, and enlists the help of Isaac to deter him from uncovering the truth. |
fd_One_Tree_Hill_09x12 | fd_One_Tree_Hill_09x12_0 | TEXT: BRULIAN'S HOUSE Julian trains for his speech in front of the network people. JULIAN: I think the story needs to breathe... the small moments, the evolving relationships. I think it works even better if "an unkindness of ravens" is serialized. You know, make it a TV show instead of a movie. BROOKE: Isn't that a lot like "the creek"? JULIAN: Ah, to some degree, sure, but it'll have its own voice, find its own audience. Besides, all you people do is remake everything now, anyway. Okay, maybe I won't say that last part. BROOKE: Good. What about vampires? We were hoping for more of them in the pilot. We like vampires. And werewolves. We like werewolves. JULIAN: There's not gonna be any vampires or werewolves in this show. I might consider zombies. BROOKE: Hmm, and Nathan's meeting in act 4, where does that take place? JULIAN: They're not gonna ask me that. BROOKE: But if they do, where does it happen? JULIAN: A conference room. BROOKE: Hmm. You might want to go with something a little sexier. Like a hot tub. JULIAN: Wow. This has been a really great meeting. BROOKE: Mm-hmm. Can you tell me more about the stunning, some might say brilliant, character of Brooke Davis? MEETING Julian tells his speech. JULIAN: She's pivotal. Brooke's heart is so vulnerable, and that's why she's so central. That's why the audience will root for her. They'll identify with her... her mistakes, her victory, her heartache. MAN: That's our feeling, as well. WOMAN: And Nathan's meeting in act 4... where does that take place? JULIAN: Uh, a conference room. Or I was thinking it might be cool if it was in a hot tub. MAN: Nice. BURNING BOAT FESTIVAL Brooke comes with her mum to put some
SUMMARY: | As Haley prepares to present the annual Tree Hill Burning Boat Festival, Brooke uses the opportunity to process her father's betrayal, while Julian tries to breathe new life into a past idea. Mouth and Millie make a change to their morning show, and Clay and Quinn get ready for Logan's first night at the beach house. Clay proposes to Quinn and Chase is offered to buy the bar. This episode is named after a song by Dionne Warwick and later Cilla Black. |
fd_How_I_Met_Your_Mother_01x16 | fd_How_I_Met_Your_Mother_01x16_0 | TEXT: Ted's kitchen Ted from 2030: Kids, when it comes to love, the best relationships are the ones that just come naturally. Ted: My first solo batch. Victoria: Um, I think those need to stay in the oven a while longer. Here's a professional tip. If it's still runny, it's not a cupcake. It's a beverage. Ted from 2030: Yeah, well, things with Victoria were fun, and easy, and uncomplicated. It was pretty great. (Barney arrives, while Marshall is coloring his butt) Barney: Um, are you coloring in your butt? Marshall: I have a big interview coming up, and my suit has holes in it. I can't sew, I don't own Navy boxers, so, yeah, I'm coloring in my butt. Barney: So wear another one. Marshall: I don't have another one. I'm flat broke. My only other suit options are track or birthday. Barney: Dude, you show up to an interview in that, even the hippie lawyers from Granola Mountain Earth Pals will hackey sack you straight out the door. Marshall: Okay, it's the National Resource Defense Council, and it's my dream job. Except it's only an internship, and I won't be getting paid. Mostly getting people coffee. But the people I'm getting coffee for... their bosses are going to save the world. Barney: Okay, tomorrow... oh, and I should mention this is going to rock your world-- tomorrow I'm taking you to my personal tailor. Marshall: A tailor? Barney, I make negative $300 a week, and I need every negative penny of that for my wedding. Barney: Relax, my guy does everything for one third the cost. And there is no way you're getting married in that sarcastic-quotation-marks "suit." Tomorrow, noon, my tailor. Marshall: No thanks, dude. (Barney grabs Marshall's pants and tears them apart) Noon? Barney: Noon. See you then. The Bar Victoria: Hey, girls. Robin and Lily: Hey. Victoria: Hey. I'm on my way to meet Ted. It'
SUMMARY: | Just as things are going well between Ted and Victoria, the latter is offered a surprising but incredible opportunity to be a fellow at a culinary institute in Germany. As the couple discuss the viability of long-distance relationships, Marshall and Lily reminisce about the time when Lily was studying art in Paris, but in telling their story, they discover that neither knew the whole truth. |
fd_Doctor_Who_1963_05x36 | fd_Doctor_Who_1963_05x36_0 | TEXT: THE WHEEL IN SPACE by DAVID WHITAKER from a story by KIT PEDLER first broadcast - 4th May 1968 running time - 23mins 50secs [SCENE_BREAK] 1. OPERATIONS ROOM (Everybody is running about as the crew awaits the order to destroy the Silver Carrier. We can hear the crew making checks before the laser is fired.) ENRICO: On Red band emergency frequency come in please. Come in please. Station Three to Silver Carrier, Station Three to Silver Carrier, On Red band emergency frequency come in please. JARVIS: All ready Leo? LEO: Yes sir, it's locked on now! JARVIS: That's good. You don't get much fun, better get used to it. LEO: Make a change from blasting meteorites would it? GEMMA: (From across the room.) Jarvis? JARVIS: Hold on a minute. Tanya, can we take a visual recording of it? TANYA: Yes sir, can do. LEO: Still no movement or radio signals sir. JARVIS: Put up the anti-magnetic shield Leo when I give you the word. LEO: Right. ENRICO: Still going to plan, sir. JARVIS: Good, I do an announcement of our operations. GEMMA: Before you do that Jarvis, can I have a word, it's important. (JARVIS and GEMMA move out of the room to go to JARVIS' office.) ENRICO: More bogeys! LEO: (To crew.) All systems on green stand-by! (He moves to have a quiet word with TANYA. TANYA notices the big grin that LEO is showing on his face.) TANYA: I don't know what you are grinning about. LEO: Neither do I. TANYA: It isn't funny Leo. The Controller's like a kid with a new toy. LEO: Oh, don't tell me you are going to be a old stick in the mud too? TANYA: If you are referring to Dr
SUMMARY: | The Doctor and Jamie are brought aboard the Wheel where Jamie is horrified to learn the crew plan to destroy the Silver Carrier with the TARDIS on board. |
fd_The_Vampire_Diaries_07x01 | fd_The_Vampire_Diaries_07x01_0 | TEXT: [PREVIOUSLY_ON] Reverend: Welcome to the wedding of Alaric Saltzman and Josette Laughlin. Unh! Kai: Miss me? (Guests screaming) Damon: Stefan! She won't wake up. Kai: So, Bonster, I linked Elena's life to yours. As long as you're alive, Elena will remain asleep. Pastor: We are here today to pay our respect to sheriff Elizabeth Forbes. Caroline: You and I, I can't do this right now. I'm sorry. Stefan: I understand if you need time to heal, and if I have to wait for you, I will. Caroline: Who's that? That's my mother. Jo: Before the 1900s, Lily fell in with a group of witches that were cast out of the Gemini coven. Heretics are ruthless... Vampires with witch power. Lily: Lorenzo, it's our family. Damon: It's time for me to say good-bye. [SCENE_BREAK] [Panting] [Coughs] Stefan: Damon... wake up. I need you. Wake up. Stefan: Damon... Wake the hell up! [Gasps] [SCENE_BREAK] Caroline (V.O.): "Dear Elena... A few weeks ago, you said good-bye and told us to write everything down so you'd feel like you didn't miss anything when you woke up. Bad news first. Damon said the best way to keep his mind off you was to help Alaric grieve, so in Damon fashion, he kidnapped Ric and flew him to Europe for a guy get-away. I'm sure you can imagine how that's going." [Chanting, "Drinken!"] Yeah! Ha ha ha! Whoo! Caroline (V.O.): "Obviously, we didn't send them there without a chaperone." Bonnie: Drinken now. Caroline (V.O.): "So Damon's watching out for Alaric, Bonnie's watching out for Damon, and I don't know exactly who's watching out
SUMMARY: | Damon, Bonnie and Alaric have been spending the summer in Europe to get over their grief while Stefan, Caroline and Matt make a deal with Lily and her Heretics when they failed to defeat them. Caroline and Bonnie miss Elena deeply and each day are writing in a diary of everything that occurs so that when Elena wakes up it'll be like she never missed anything. Stefan and Caroline evacuate the whole town to protect them from the Heretics but agree that anyone who passes the border will be Heretics' blood meal. Alaric consults psychics about his dead wife. Damon rescues Bonnie from a car accident but only at the last minute. When the trio get back in town, they discover about the deal with the Heretics. Damon and Bonnie make their own plan and kill a Heretic. When Lily learns about the death, she attains revenge by kidnapping Caroline with the help of Enzo. Flashforward: Three years into the future, Stefan is seen in a storage unit opening a casket containing a desiccated Damon. After reviving Damon against his wishes, Stefan proceeds to tell him that his scar opened up which means that "she's back" when they are attacked by an old (yet unknown) foe. |
fd_Roswell_03x15 | fd_Roswell_03x15_0 | TEXT: Title: "Who Died and Made You King?" 58th Episode of Roswell Production Code: 3ADA15 [PREVIOUSLY_ON] Liz: Max is dead. Mariss: Clayton can you hear me? Max/Clayton: That's not me. This can't be me. Max: You have to kill this body. You have to stop Clayton. Liz: No. Max: Liz you have to. He'll kill you if you don't. Liz: I love you. They fall out of the window. Max: nooo! Max uses his powers to save Liz. She checks him for a pulse. There is none so she kisses him and it miraculously brings him back. Flashes back to when Isabel gets shot. Jesse: Have you called an amulance? Michael: No. Jesse: What the hell is wrong with you. Michael: Hey you can't take her to a hospital. You can't! Jesse: Why, Tell me why! Michael: Because you're wife isn't human. She's alien. We both are. At Valenti's house. Jesse: I married Isabel Evans, and there is no Isabel Evans. Isabel: Where do we go from here? Jesse: I have no idea. Jesse sitting and talking to his therapist. Jesse: They're looking at me differently. Therapist: It's understandable. They're curious to see how you'll react to this new information. Jesse: But I-I don't think they trust me. I think they think I'm a threat. Therapist: You think they're worried that you'll tell the truth about them. Jesse: Yeah maybe. I don't know. Look if they found out I was talking to you Therapist: Let me assure you that you can talk freely. As long as you don't tell me that anyone's In trouble. What we discuss in this session stays between you and me. Jesse: It's ju.. It's just I-I, I'm scared Dr. Weiss. You knowhere is all of this going to take me? I just wanted a normal life. Dr. Weiss: Your anxieties are completely normal. Jesse:
SUMMARY: | When the gang attempts to return to their normal lives, they soon find that their lives have gotten a lot more complicated, which includes Jesse attempting to come to terms with his newfound knowledge. Matters are complicated when he finds himself under FBI scrutiny, and Max's "death" creates a unique situation within the alien authority structure, resulting in a new king -- Michael. |
fd_The_Mentalist_02x01 | fd_The_Mentalist_02x01_0 | TEXT: Lisbon: Morning, captain. Agent Lisbon. Jane, consultant. What do we have here? Captain: Thanks for stepping in. Homicide unit owes you one. Jane. You're that psychic fella. Jane: Right. Captain: Me? I don't buy into that E. S.P. Crap. No offense. Jane: None taken. Captain: Here we have Ivor Rassmussen, age 34, address river park no sign of the murder weapon. Store security was on the scene pretty fast. We were able to detain everybody who was in the section at the time. We're holding them over in the furniture department. So, Carnac, what does Ivor say? He tell you who done it? Jane: Leather pants, musky cologne, phallic jewelry. A ladies' man. Went after high-end cougars with moderate success. Casual cocaine user. Plays guitar-not well. Works in the noncreative end of a creative business. Advertising, maybe. Nothing worth killing anyone over anyway. So he died from romantic reasons. Where are those suspects you mentioned? Captain: The witnesses? Jane: Whatever. Lisbon: Take it down a notch. Take it down three notches. Jane: Okay. Under control we'll get this done quick and be on our way. Hello. We're from the CBI. May well be that one of you is the murderer. If that's so, I'm gonna find out who. These two are innocent. They can go. Lisbon: Uh, stick around. We're gonna need a statement. Jane: Neil. What's the worst mistake you've ever made? Quick. Neil: Uh, first marriage. Jane: Good answer. Why so nervous? Neil: I'm not. I just-i... (mouths word) Jane: You. Your name? Candice: Candice. Jane: Candice. That name. Here. Thank you. It's okay. I'm a consultant. Candice, take my advice. Forgive your mother. Maybe the headaches will stop Candice: I love my mother. Jane: Oh, I'm wrong. Ignore my advice. You. Your name. Reed: Reed. Woman: Exc
SUMMARY: | Minelli decides to assign the Red John case to Agent Sam Bosco , believing that Teresa Lisbon and Patrick Jane are too close to the case. Jane therefore decides to solve "one more case", then leave the CBI. They investigate the murder of a woman who is found suffocated after being accused of stealing a million dollars from her employer. But the team's suspicions are aroused because she was living in poverty, and estranged from her family including a son who has recovered after receiving expensive cancer treatment for free, and a daughter who mysteriously started to pay household bills in cash. Jane agrees to stay on with the CBI. |
fd_The_Office_08x07 | fd_The_Office_08x07_0 | TEXT: Andy: Erin. Erin: Yeah. Andy: In two minutes I want you to come into this meeting and tell me I have a really important phone call. I'm not going to take it because I want him to know how important the meeting is to me. Erin: Who's calling? Andy: Nobody. Just say that I'm- Just make it up that I have a phone call. And then I'm going to refuse to take it. Erin: You're not going to take it? Andy: Just make up a phone call. It's not a real call. Make it up. Erin: Ohohohoh. Andy: And come and tell me. Doesn't matter what it is. Erin: You're not going to get it though? Andy: I'm not going to take it. And then he's going to be like "whoa this is a really important meeting". Erin: Copy that. Andy: Okay. [SCENE_BREAK] Andy: Ok, so tell me exactly what kind of deal you are getting now and I'll tell you how we can beat it. Client: Uh well we've been going with... Erin: Andy. Andy: Yeah. Erin: You have a very important call. Andy: I'm sorry - I'm with a very important client. It'll have to wait. Erin: Are you sure? It's really, really important. Andy: There is nothing more important to me right now than this meeting. Erin: Really? Because your mother is dead. Client: Oh my God. Andy: I don't think she's dead. Erin: She's dead. She was hit by a bus. Andy: She's not dead. This is exactly the kind of thing my mom pulls. Erin: This isn't one of those times. It's the police. They said it's the worst they've ever seen. Dwight: Andy I'm really sorry about your mother. My deepest condolences. Client: Oh you must take this call. It's... Andy: Yeah. Um line 1? Erin: Line 2. Andy: Hi. Darryl:[on phone]It's Dar
SUMMARY: | Pam trains a temporary worker, Cathy Simms ( Lindsey Broad ), to take her place while she is on maternity leave, and enlists Dwight's support when she tries to show that Jim finds her replacement attractive. Meanwhile, Robert surprises Andy, Kevin, and Darryl when he asks to join their band. However, he soon brings in several professional musicians and kicks the original three members out, forcing them to happily play outside by the dumpster. Pam makes a discovery about Jim's health amidst the execution of her plans with Dwight. |
fd_The_O.C._01x13 | fd_The_O.C._01x13_0 | TEXT: Scene opens to Seth staring at Ryan intently, holding up a candy cane and a menorah. Seth: So, what's it going to be, huh? You want your menorah or a candy cane, hmm? Christmas or Hanukkah? Ryan: Um... I'm not- Seth: Ah! Don't worry about it buddy, because in this house, you don't have to choose. Allow me to introduce to you a little something that I like to call... Chrismukkah. Ryan: Chrismukkah? Seth: That's right. It's the new holiday, Ryan, and it's sweeping the nation. Sandy and Kirsten walk in, carrying a Christmas tree. Sandy: Hey fellows. We go the tree. Seth: Or atleast the living room. Sandy: Guys, a little help? Ryan walks over to help Sandy. Seth: I saved a spot for you right there. Put your muscle into it. Excellent. To the right a little. To the right, don't hurt it. Those needles are brittle. That's perfect. (Starts clapping) You guys... you guys... "A+". "A+". I love the holidays. I love them all. Kirsten: We didn't really know how to raise Seth. Seth: Yeah, so I raised myself, and in doing so, I created the greatest super holiday known to mankind, drawing on the best that Christianity and Judaism have to offer. Ryan: And you call it Chrismukkah. Seth: (He gasps) Just hearing you say it makes me feel all festive. Allow me to elaborate. He walks over to Sandy. Seth: You see, for my father here, a poor struggling Jew growing up in the Bronx, well, Christmas meant Chinese food and a movie. He now walks over to Kirsten. Seth: And for my mom over here - WASPy McWASP - well, it meant a tree, it meant stockings and all the trimmings. Isn't that right? Sandy: We're very proud. Kirsten: I'm not a W
SUMMARY: | Kirsten learns something about her father that'll help Sandy's case, but will put her job in jeopardy. Ryan's Christmas does not go as planned. Marissa meets someone in therapy. Meanwhile, Seth struggles choosing between Anna and Summer. |
fd_The_Office_06x19 | fd_The_Office_06x19_0 | TEXT: Michael: Hello hello. Top of the morning to you! Ooh ooh! Green M&Ms! Nature's Viagra! [Grabs and pours Kevin-esque scoop of M&Ms into his coat pocket] Two of my favorite joke areas combined. It'll be a good day. [SCENE_BREAK] Kelly: I don't want to bring my friends, why can't it just be the two of us? Ryan: Because it's St. Patrick's Day, people go out in groups. Kelly: Well why don't you invite your friends? Ryan: Why are you being so weird about this? Meredith: Stop fighting. Just on St Patrick's Day, okay? Just one perfect day a year. No hassles, no problems, no kids. Ryan: Why no kids? Kelly: Yeah, where are your kids? Meredith: Nope. Nuh -uh. Not today! [SCENE_BREAK] Michael: It is St. Patrick's Day, and here in Scranton that is a huge deal. It is the closest that the Irish will ever get to Christmas. [SCENE_BREAK] Erin: Welcome back, "Dad!" Jim: Oh, thank you! Phyllis: Hey! Stanley: Hey! Andy: Welcome back Tuna! Jim: Hey... [reveal Dwight's Mega-Desk] Dwight: Very good. Okay. Will get back to you right away on that, thanks. Jim: What do we got here? Dwight: Mega-Desk. Jim: Of course. Dwight: Command central. Jim: Hm hm. Dwight: Surveillance, gaming- and business. Jim: Okay. [Pulls desks apart] Just gotta... Dwight: Okay. Come on! Jim! [SCENE_BREAK] Dwight: Dweedle Dee and Dweedle Dumb-ass have been away on maternity leave. Now Dweedle Dumb-ass is back, and we have a problem. Yes, getting hooked on Mega-Desk was my own damn fault. But... I don't care about assigning blame. All I
SUMMARY: | Michael thinks he has impressed Jo, only to discover that someone else in the office has caught her eye. Dwight makes trouble for Jim on his first day back from paternity leave. Andy and Erin go on their first date, with interesting results. |
fd_Frasier_09x16 | fd_Frasier_09x16_0 | TEXT: ACT ONE Scene One - KACL Frasier is finishing his show. Frasier: Our topic today has been honesty--the courage to face each other with the plain truth. I've certainly enjoyed myself these last few hours, I hope you have too. This is Dr. Frasier Crane, wishing you good mental health. He goes off the air, Roz comes into his booth. Frasier: Well, that was a dog of a show. Roz: They all blend. [picks up a message slip on Frasier's console] Oh, you got a message. A Blaine Sternin called-- Frasier starts and recoils from the slip like it's a rattlesnake. Frasier: Blaine Sternin! [gives her back the slip] Call him back, tell him I'd dead! Roz: [rereads the slip] Sternin? Is he related to Lilith? Frasier: Yes, he's Lilith's half-brother, the curse of the family! What does it say when Lilith is the good one? Roz: He sounded charming on the phone. Frasier: Well, of course he sounded charming. Charm is the viscous grease with which he oils his flim-flam machine! The man will say anything to get what he wants! Roz: I can't believe I haven't dated this guy. Frasier: The only reason he'd be contacting me is to separate me from my money. The man is always coming with some sucker's sob story, while he's busy living the high life in Laughlin, Nevada! You know, he once stole from me a very precious antique: my 18th Century English salt server. Roz: Well, if you don't mind Elvis, you can have mine. [gives him back the slip] Frasier: [looks at it] Oh, dear God. Roz: What? Frasier: This number he left... it's local. The beast walks among us. [SCENE_BREAK] Scene Two - Apartment Martin, Niles, and Daphne are
SUMMARY: | Lilith 's half-brother, Blaine Sternin (played by Michael Keaton ), has come to Seattle . Frasier remembers him as an expert con-man , who sold him futures in kelp and stole a valuable salt server from him years ago. He is now resolutely determined not to fall for any more scams. Blaine turns up at his door in a wheelchair, announcing that he had a car accident which left him paralysed from the waist down. He claims to have had a deep religious conversion and seen the error of his ways, and to be working now as a preacher . He returns the salt server and asks Frasier for forgiveness. Niles, Martin and Daphne are all convinced, but not Frasier, and he refuses to rest until everyone else realises what a charlatan this man is. After he embarrasses himself trying to prove Blaine is a fake, Frasier concedes and forgives him, only to find out later that his instincts were right and that Blaine was faking the whole time when he finds a empty wheelchair outside his apartment. |
fd_Doctor_Who_1963_20x06 | fd_Doctor_Who_1963_20x06_0 | TEXT: SNAKEDANCE BY: CHRISTOPHER BAILEY Part Two First Air Date: 19 January 1983 Running time: 24:35 [SCENE_BREAK] DOCTOR: We don't know nearly enough. Without more information we are simply blundering around in the dark. NYSSA: The TARDIS databanks? DOCTOR: No, no, no. This is the Mara's homeworld. The answers we need are out there. I'll try the Director of the Research Institute, and you look for Tegan in the market. We'll meet back here. NYSSA: Right. [SCENE_BREAK] NYSSA: Well, thank you anyway. NYSSA: Tegan! TEGAN: Come to see the fun? NYSSA: The fun? TEGAN: Yes, she's still in there. She screamed and screamed. NYSSA: Are you all right? Where've you been? TEGAN: I'm fine. Why shouldn't I be? NYSSA: You're not wearing the anti-dreaming device. TEGAN: I took it off. It wasn't necessary. NYSSA: Tegan, what about the Mara? TEGAN: Stop fussing. What Mara? Look, here she is. Quick, she mustn't see me. TEGAN: You should have seen her face. It was so funny. When she screamed, you could see right down her throat. NYSSA: Tegan, what's the matter with you? What's been going on? Tegan, look at me. TEGAN: Nyssa, help me. Help me. I made it appear. NYSSA: What? TEGAN: You fool. Leave me alone. Just leave me alone. NYSSA: Tegan! [SCENE_BREAK] CHELA: Er. AMBRIL: Yes, Chela, what is it? CHELA: It could be the man you were talking about. AMBRIL: What man? CHELA: The man from the cave. AMBRIL: Oh, that man. No, can't possibly. Tell him to go away. DOCTOR: Er, hello. AMBRIL: I
SUMMARY: | The Doctor finds out about the legend of the Mara's return. Tegan goes into the cave and see's a Mara skull in one of the mirrors. Tegan summons Lon to her. |
fd_Degrassi_Next_Generation_04x21 | fd_Degrassi_Next_Generation_04x21_0 | TEXT: On the movie set, principal's office Alanis: (In character) First there was the episode with Mr. Wallfish's toque in the east trough and we mustn't forget the visiting left tenant you deked out and accosted on the tarmac. Jay: (In character) You understand a word this hoser's saying, Silent Bob? How the hell did she get to be principal when she don't even speak gooder English like us Americans?! Alanis: (In character) You boys are too bloody stupid to make the grade down in the states and your last hope is the school system of the Great White North eh. You want to get oot of grade 12?! (Silent Bob nods.) Alanis: (In character) You better start learning what the metric systems all aboot! Jay: (In character) I've got three words for you! Go to... (Alanis smacks him in the jaw with a hockey stick and he falls back.) Alanis: (In character) There will be no more cuss words out of you, you potty mouth mall rat. You're gonna learn the dual languages of my home and native land and you're gonna savor my poutine! Cause you're in Canada now eh?! Kevin: And that'd be a cut! Very nice. Ooh very nice. Alanis: Really? It wasn't too subtle for you? Kevin: Subtle no, but I do think the PM's gonna revoke your citizenship. Alanis: Well where am I gonna hide out from 4 more years of Bush in the states. That's why I'm here. Kevin: That's why I'm here. Isn't that why you're here Mewesy? Jay: Oh no sir. That's why I'm here. (He looks at Ashley) Hey how you doing? Kevin: Craig do not this fool mack on your broad just cause he's been in a few movies kid. Alanis: A few bad movies. Kevin: Exact... Alanis: So sorry Kevin. That was out loud wasn't it? I'm so sorry
SUMMARY: | Degrassi goes into chaos as Kevin Smith prepares to film the new Jay and Silent Bob movie there: Craig grows upset when Ashley prepares to go to London for the summer, and Caitlin begins spending a lot of time with Kevin and doubting her relationship with Joey. |
fd_Veronica_Mars_01x04 | fd_Veronica_Mars_01x04_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars... Flashback scene of Veronica's Lilly driving (from 102 "Credit Where Credit's Due"). VERONICA: Why does she hate me? LILLY: She'd hate anyone she thought that Cut to present-day scene of Celeste and Duncan in the Kitchen Kane (from 103 "Meet John Smith"). LILLY: [Offscreen] Friendly advice. Watch her. Cut back to them in the car. LILLY: She'll break the two of you up if she can. Various shots of Duncan (from 101 "The Pilot"). VERONICA VOICEOVER: Ducan Kane. He used to be my boyfriend. Cut to Veronica racing to the murder scene (from 101 "The Pilot"). VERONICA VOICEOVER: It's been a year since my best friend Lilly Kane was murdered. LOGAN: [Offscreen] That's my girlfriend. Cut to Logan (from 101 "The Pilot"). LOGAN: Your friend. Cut back to Lilly's body. LOGAN: [Offscreen] Duncan's sister. Cut to Kane Dining Table (from 103 "Meet John Smith"). CELESTE: I think we could be a little more patient, Jake. JAKE: We all lost Lilly and we all miss her. But that does not mean we stop living our lives. Cut to hallucinated Lilly and a shocked Duncan (from 103 "Meet John Smith"). LILLY: The truth is gonna come out. It does not add up. You know that deep down inside. Cut to school car park (from 102 "Credit Where Credit" VERONICA: Just as God made me TROY: [Looped in] Do you need some help? [From original scene] I'm Troy. VERONICA: I'm Veronica. End previously. Open on Veronica and Troy kissing outside the door to the Mars' apartment. TROY: [Softly] OK. I'm uh, I'm really leaving now. VERONICA: OK. She leans up and kisse
SUMMARY: | Veronica helps Wallace's new girlfriend, Georgia, after she is cheated out of $6,000 by a couple of college students running a Nigerian scam . Veronica and her friends defeat the students' technology-heavy security system and hold their data hostage to force the return of Georgia's money. Logan assembles what is supposed to be a serious video memorial of Lilly, but includes some wilder footage Veronica provided. Logan's compilation is well received by the students at the dedication of Lilly's fountain on the Neptune High grounds. |
fd_Grey_s_Anatomy_03x01 | fd_Grey_s_Anatomy_03x01_0 | TEXT: MEREDITH: In the OR, time loses all meaning. In the midst of sutures and saving lives, the clock ceases to matter. 15 minutes. 15 hours. Inside the OR, the best surgeons make time fly. Outside the OR however, time takes pleasure in kicking our asses. For even the strongest of us, it seems to play tricks. Slowing down, hovering...until it freezes, leaving us stuck in a moment, unable to move in one direction or the other. ALEX (through the door of the bathroom, to Izzie lying on the floor, unresponsive): Izzie. Izzie come on! GEORGE: Okay, she's been in there all night. We have to do something. ALEX: Yeah. MEREDITH: Yeah. CHRISTINA: Yeah. MEREDITH: Why are you all looking at me? CHRISTINA: Well this is familiar territory to you. MEREDITH: There is nothing familiar about this. Unfamiliar. Denny died. The man she loves died. CHRISTINA: Yeah, but you're all dark and twisty inside. MEREDITH: "Dark and twisty?" CHRISTINA: The mother with the Altzheimers thing, and the father that you don't talk to. ALEX: The tequila thing, and the inappropriate men thing... GEORGE: You are dark and twisty inside Meredith, and now Izzie is dark and twisty inside. MEREDITH: So now all the sudden I'm the president of people with crappy lives? GEORGE: Seriously we have to do something. Someone has to go in there. (We see Izzie, still unresponsive and staring into space, still lying on the floor in her prom dress.) Richard (voice over): The seven years you spend here as a surgical resident will be the best and worst of your life. Look around you. Say hello to your competition. (Izzie sits up and stares at the slowly opening door.) (Flashback to the mixer.) IZZIE (introducing herself to Alex): Hi. Izzie Stephens. Washington. ALEX:
SUMMARY: | The interns of Seattle Grace Hospital help Izzie cope with the loss of her fiancé, Denny Duquette as well as her decision to quit the internship program. Meredith is uncertain what the future holds after she has sex with Derek and whether he is willing to leave Addison after a marriage of eleven years. Addison finds Meredith's panties in Derek's tux pocket, and realizes that he slept with Meredith. After spending the night in his office, Webber is confronted by his wife, Adele ( Loretta Devine ). She gives him an ultimatum, forcing him to decide between his career and his marriage. Addison and Alex treat a newborn baby who was found abandoned in a trash can, and they are faced with four minors who could be the mother. George seeks relationship advice from Derek after they are forced to stay under quarantine in the locker room, when Derek confesses his feeling towards Meredith. Bailey gets attached to a patient in isolation whose wife dies, and relives the moments when her husband's life was threatened. |
fd_CSI__Crime_Scene_Investigation_06x10 | fd_CSI__Crime_Scene_Investigation_06x10_0 | TEXT: [EXT. LAS VEGAS COMMUNITY (STOCK) - DAY] [EXT. COMMUNITY (STOCK) - DAY] [EXT. MESA VALLEY PARK - DAY] (The park is bustling with children playing. In the center of the green grass near the pathways, Karen Matthews pulls out items from the large wicker picnic basket open near her. She's packing up, covering a juice bottle and tucking it into the picnic basket.) (She turns and looks over at the jungle gym set, a small smile on her face. Her smile disappears when she can't locate her son, Jesse.) (She quickly stands up and takes several steps, looking around the area for her son, Jesse.) Karen Matthews: Jesse? Jesse? (She doesn't see him. She looks around the area, her voice getting louder.) Karen Matthews: Jesse... Jesse, can you hear me? Jesse, please! (She looks around.) Karen Matthews: (shouts) Jesse!! FADE TO WHITE: [SCENE_BREAK] [EXT. MESA VALLEY PARK - DAY] (Grissom and Warrick walk with Brass, who fills them in as they head toward the park. Brass holds out a small photo of a small dark-haired little boy.) Brass: Jesse Matthews, six years old. (Grissom grabs the photo from Brass and looks at it.) Grissom: Is this an old photo? Brass: Yeah, it's the only one the mom had. She said one minute, he's on the swing, the next minute he's gone. Grissom: Abduction. Brass: Well, the search radius is over a mile -- no sign of the boy. Warrick: What about the father? Brass: The father is, um... Army Sergeant, uh... (He looks at his notes.)... Dwight Matthews. Killed in Afghanistan four years ago. Grissom: Any other family members? Grandparents? Boyfriends?
SUMMARY: | The CSI team is called to help when Karen Mathews reports her son, Jesse, missing from a playground where he was playing on the swings. Witnesses report seeing a man with a blue baseball cap near the swings. Clues in the park bathroom include blood and the boy's underpants. The boy is eventually found in a store, accompanied by a woman with a man fitting the earlier description. But the couple with the boy claim that he is their son Adam, while Karen insists he is her missing son Jesse. |
fd_How_I_Met_Your_Mother_06x12 | fd_How_I_Met_Your_Mother_06x12_0 | TEXT: Ted from 2030: In December of 2010, my friends and I decided to go see It's a Wonderful Life on the big screen. It seemed like something we all needed. After all, it had been a crazy couple of days. It all started... Marshall's and Lily's appartment Ted from 2030: With a pregnancy test. Marshall: This is taking forever. Are you sure you did it right? Lily: Is there a wrong way to pee on a stick? Marshall: Hey, can I ask you a question that's plagued me for years? Can girls aim? Lily: Um, can boys aim? 'Cause it seems to me like I'm taking a mop to that bathroom floor every two days. Marshall: Okay, you're the one who put the Far Side calendar up over the toilet. You know I laugh with my whole body. Lily: It's been two minutes. (Both exhale) Marshall & Lily: One, two, three. Lily: It's positive. Marshall: It's positive? It's positive. Ted's appartment Lily: I'm pregnant. Robin: What?! Barney: I've never seen that woman before in my life! Sorry. Force of habit. Congratulations! The Bar Robin: To Lily and Marshall. Marshall: Well, thank you. I mean, we've never been happier. Can't imagine anything bringing me down right now. At the gynecologist Doctor: You're not pregnant. Marshall: Well, that did it. [OPENING CREDITS] Ted from 2030: Kids, this is the story of the 36 hours we all thought Lily was pregnant, and how it caused each of us to reexamine our own lives. Because while this was happening... Marshall: Are you sure you did it right? Ted from 2030:...I was on the phone with Punchy, my best friend from high school, who had recently asked me to be his best man. Ted: Hey, Punchy, I've given this some serious thought. I think I know how we can crush these floral arrangements. Punchy: Ah, here it comes. Hit me up, Schmos! Ted: Peonies, lavender blossoms with a
SUMMARY: | When Marshall and Lily receive shocking news, it has a profound effect on the gang and forces them to reexamine their own lives. Meanwhile, Robin gets a new job, Barney discovers the joy of giving on Christmas and Ted begins his duties as Best Man for his old friend Punchy's wedding. |
fd_Doctor_Who_1963_02x32 | fd_Doctor_Who_1963_02x32_0 | TEXT: 5:40pm - 6:05pm [SCENE_BREAK] 1: EXT. ARIDIUS (NIGHT) (The DALEKS fire on the ship as it dematerialises.) FOURTH DALEK: Cease firing. They have escaped. THIRD DALEK: Final termination is inevitable. FOURTH DALEK: Eradicate! THIRD DALEK: Obliterate! FOURTH DALEK: Annihilate! SECOND DALEK: We will embark in our time machine at once. The Dalek supreme has ordered they are to be pursued through all eternity! [SCENE_BREAK] 2: INT. TARDIS. CONSOLE ROOM (VICKI runs up to BARBARA and dances round with her excitedly.) VICKI: We did it! We did it! (They laugh. The DOCTOR crosses over to the console from the fault locator wall.) DOCTOR: Yes young lady, a very good thing we did. We might not you know. BARBARA: Oh, come on, Doctor. You weren't exactly bursting with confidence when the Aridians held us prisoner. DOCTOR: A momentary qualm, a momentary qualm. Nothing more, nothing more. (IAN walks up with a cloth to his still sore head.) IAN: Yes, I had a qualm or two myself. DOCTOR: (Sitting down.) Yes, quite so, oh.. IAN: Hey, I wonder how those Mire Beasts are enjoying that Dalek, eh? Bit gritty. DOCTOR: Oh, I don't know, I should think a little, er, Pate de Dalek a la Mire Beast might be rather palatable! (IAN laughs.) VICKI: Oh Doctor! DOCTOR: Well, we can always drop you off to find out, hmm? IAN: Thank you very much! VICKI: We've just escaped from those things. We don't want to be sent back there. DOCTOR: Ah and I don't think we shall run into them
SUMMARY: | The travellers learn from the Time-Space Visualiser taken from theMoroks' museum that Daleks equipped with their own time machine are on their trail with orders to exterminate them. They flee in the TARDIS. The chase begins on the desert planet Aridius and takes in a number of stopping-off points, including a spooky haunted house which is actually a futuristic fun-fair attraction. Eventually both time machines arrive on the jungle planet Mechanus, where the Daleks try to infiltrate and kill the Doctor's party with a robotic double of him. The travellers are taken prisoner by the Mechonoids - robots sent some fifty years earlier to prepare landing sites for human colonists who never arrived - and meet Steven Taylor, a stranded astronaut who has been the Mechonoids' captive for the past two years. The Daleks and the Mechonoids engage in a fierce battle which ends in their mutual destruction. The Doctor's party seizes this opportunity to escape. The Doctor reluctantly helps Ian and Barbara to use the Daleks' time machine to return home. |
fd_Downton_Abbey_01x01 | fd_Downton_Abbey_01x01_0 | TEXT: [OPENING CREDITS] [A hand taps out Morse code. A train whistle blows. Mr Bates sits in one of the cars. A woman takes down the telegram message.] Woman: Oh, my God. Man: That's impossible. I'll take it up there now. Woman: Don't be stupid. None of them will be up for hours and what difference will it make? [She hands him the telegram.] Woman: Jimmy'll do it when he comes in. [SCENE_BREAK] April 1912 [SCENE_BREAK] [DOWNTON ABBEY, SERVANTS' CORRIDOR - MORNING] [SCENE_BREAK] [Daisy knocks on the housemaids' bedroom door.] Daisy: Six o'clock! [HOUSEMAIDS' BEDROOM - MORNING] [Gwen sits up in bed.] Gwen: Thank you, Daisy. Anna. [Anna stirs in her bed.] Anna: For once in my life I'd like to sleep until I woke up natural. [SCENE_BREAK] [KITCHENS - MORNING] Mrs Patmore: Is your fire still in? Daisy: Yes, Mrs Patmore. Mrs Patmore: Oh, my, my, will wonders never cease? Have you laid the servants' hall breakfast? Daisy: Yes, Mrs Patmore. Mrs Patmore: And finished blacking that stove? Daisy: Yes, Mrs Patmore. Mrs Patmore: What about the bedroom fires? Daisy: All lit, Mrs Patmore. Mrs Patmore: Right, well, take your things and get started on the fires on the ground floor. [Daisy carries a bucket of firewood through the servants' hall and up through the main rooms into the library.] Housemaid 2 (to Daisy): Now hurry up. [Daisy hurries through the library. A footman, Thomas, enters with a silver tray with two drinks. He collects two more in another room.] Thomas: Any sign of William? Housemaid 2: No. [Thomas enters the breakfast room where William is laying the tablecloth
SUMMARY: | April 1912. News arrives that threatens the future of Downton Abbey. Lord Grantham's cousin James Crawley, heir presumptive to the earldom , and his son Patrick have died in the RMS Titanic disaster. Meanwhile, Lord Grantham hires his former batman , John Bates as his valet. In September the family receives the visit of the young Duke of Crowborough. The family thought he was interested in marrying Mary. It is revealed that the Duke once had a romantic relationship with Thomas, the footman. Matthew Crawley, a distant third cousin, learns of his good fortune as the new heir. |
fd_Angel_02x11 | fd_Angel_02x11_0 | TEXT: [PREVIOUSLY_ON] Host: "How about gracing us with a number?" Wesley: "The Host, he helps people. Reads their souls, senses their futures." Cordy: "But he can only do it when they sing Karaoke." Angel: "They brought her back. Now I need to know why. Why like this? Why human?" Angel holds Darla at the end of "The Trial", Lindsey burst in and Dru vamps Darla. Dru and Darla at the wine cellar ("Reunion"). Darla: "I believe you said something about - a massacre." Lilah to Angel: "For God's sake. Help us." Holland: "People are going to die." Angel, closing the doors: "I just can't seem to care." Darla bits Holland. Angel locks the doors. Wesley: "What you did..." Cordy: "...was wrong." Gunn: "You went too far." Wesley: "Right now the three of us are all that's standing between you and real darkness." Angel: "You're all fired." Cordy and Wesley, each carrying a box, and Gunn with his hands in his pockets walk out the door of the Hyperion. Cordy: "What just happened? (Turns around to face the other two) Can someone explain to me - what just happened here?" Wesley: "I believe we were fired." Gunn: "Canned." Wesley: "Let go." Gunn: "Axed." Wesley: "Shown the door." Gunn: "Booted." Cordy: "Alright! I get it! - But - wh-what just *happened*? - Fired? Angel *fired* us?" Wesley: "Looks that way." Cordy sets her box down: "Uh. I can't believe this." Wesley: "Let's keep a level head, shall we? - Angel's not been himself lately. Perhaps he'll change his mind." Gunn: "He locked twenty lawyers into a room with a couple of psychotic vampires. I'
SUMMARY: | After firing his friends, Angel sets off on a mission to stop Dru and Darla. Wes, Cordy and Gunn are feeling lost and hurt. They end up at Caritas and eventually discover that they just might be able to make it on their own. Meanwhile, Lila and Lindsey deal with the aftermath of being the only two survivors of the wine cellar massacre. |
fd_The_O.C._02x03 | fd_The_O.C._02x03_0 | TEXT: Opening scene - The pool house - Ryan is reading the paper, and there is a photo of Caleb on the front page. the headline reads 'NEWPORT'S MAN OF THE YEAR BEHIND BARS' underneath that is 'Millionaire Developer Embrolled in Scandal'. Seth is in there with Ryan Seth: (points to his hair) do you think I did the right thing, cutting my hair Ryan: I can't believe this about your grandfather, he's in big trouble Seth: yeah I know, the creek an the no paddle (looks in the mirror) damn Oregonian(?) barbers man makin my head to small for my body, how do you work with this mirror Ryan: (looks at Seth) grandpa - front page - jail Seth: yeah no I know (points) I was in that photo I got cut out though probably cause'a my hair do Ryan: (sarcasm) sorry ta see you're so upset Seth: (sits on the step) (sighs) ill survive it'll grow out Ryan: i'm talkin about Caleb (stands) looks like Summer was way off base (Seth looks at him) accusing you of making everything about you Seth: (thinks) my god she is right Ryan: I was jus kidding man Seth: no dude here I am going on an on about my hair cut, my grandfathers in the cooler...i'm like a monster dude i'm all I think about an not in a good way Ryan: there's a good way? Seth: (stands) hey dude talk to me about anything other then me go give me anything Ryan: uh here it is (holds up calculator?) first day of AP physics today, actually kinda nervous Seth: Ryan could you quit fretting over your nerd gear for like five seconds we have a real crisis on our hands unless Summers wrong an i'm not completely insufferable (Ryan looks at him) why didn't you jus tell me then! Ryan: it was kinda hard gettin a word in I
SUMMARY: | Seth gets some help from Alex to prove that his friends don't know him as well as they think. Meanwhile, Summer gives some thought to how she really feels about Seth after she learns new information about Zach. Marissa is happy to share an evening with Ryan. But at school, Ryan finds himself embarrassed and frustrated after a run-in with new classmate Lindsay. Caleb's legal problems threaten to leave both Sandy and Kirsten unemployed as Julie makes sure she stays on top even if Caleb goes down. |
fd_Frasier_04x18 | fd_Frasier_04x18_0 | TEXT: Act One. Scene One - Café Nervosa. Frasier orders "a tall skinny to go" before briefly sitting with Martin and Niles. Frasier: You know I've only got a moment, you know I've started a very exciting project. Niles: Oh really? Frasier: Yes, you know this is KACL's fiftieth anniversary. I did a little research and found out they used to specialise in live radio dramas. So, I'm putting one on. Dad, surely you must remember those? Martin: Oh sure. Frasier: Yes, people of dad's generation would sit around at night, listening to the radio absolutely mesmerised. Martin: We were simple people. Frasier: All right, dad. Anyway, I've spoken to the station manager. He's given me thirty minutes, to re-create the very first mystery KACL ever aired; "Nightmare Inn." Martin: Oh don't tell me, I know: A bunch of people get caught in a storm, and everyone's wondering who's going to be the first one murdered. Frasier: Exactly, and I'm going to direct. Niles: So, we can stop wondering. Martin: What, don't you think your brother knows how to direct? Niles: No, the trouble is he doesn't know how to stop directing. During our prep school production of "Richard III" he drove the entire cast crazy with his constant critiquing. I seem to recall a delay on the opening night while our Richard chased Frasier around the dressing room, beating him with his hump. Frasier: Oh, that was just a little backstage horseplay to relieve tension. Niles: You'll have an Orson Welles complex. By the end of this week, you'll not only be directing, you'll have re-written the script and be playing the lead. Frasier: I have no intention of performing in it myself. The only re- writing I've done is simply cutting to get it down to thirty minutes. Martin: [reading script title:] "Frasier Crane's Nightmare
SUMMARY: | To help celebrate KACL's 50th anniversary, Frasier decides to stage a radio murder mystery and enlists several of his coworkers to act in it. However, his constant criticism and over-directing cause one cast member to storm out, forcing him to bring in Niles - who has to read several parts, all in different accents, without benefit of rehearsal. The actual performance degenerates into chaos due to a string of mishaps and the script changes that Frasier makes on the fly to avoid overrunning. Niles finally gets fed up and kills off the remaining characters out of spite, causing the performance to end nine minutes early. |
fd_The_Office_05x09 | fd_The_Office_05x09_0 | TEXT: Angela: Are you swallowing them whole? You're eating them so fast, are they even touching your tongue? Kevin: [with mouth full] Yes. Dwight: Brownies is it? Hm. Pastry cubes made of sugar and fat? No thank you, I'll stick with my jerkie. Jim: So why did you come in here? Dwight: To socialize. And inform. Michael: Oh brownies! I'm taking two so I can parcel them up and eat them at my leisure later on, much healthier. Ryan: You're taking two? Kelly: Yeah, um, but one of them is for Toby. Michael: Yeah why don't you send that to him in Costa Rica? Kelly: Um, I'm just gonna hand it to him right now. Michael: Heh, okay, weirdo. Jim: Why is that, why is that weird? Michael: She said she was going to give it to him right now. [starts laughing] Jim: [laughing] She's probably going to, cause they sit next to each other. Michael: Yeah, they used to. Jim: Toby works here again. Michael: Oh, can you imagine? Jim: Oh no. Michael: Uhhgh. Jim: You don't know. Michael: I don't know. What? Jim: You should probably just meander back there; take a look. See if he's, see if he's back. Michael: Hmmm, dare I? [laughs] You know what? I'm going to, for old time's sake. [walks to the annex, standing in Toby's cubicle] Great practical joke Jim, you got me to go to the annex. [turns around and sees Toby] Toby: Hi, Micha- Michael: NOOOO! GOD! No, God, please no! No! No! NOOO! [SCENE_BREAK] Michael: [watching Toby at Phyllis' desk through his office blinds] Look at him. With his stupid face. Stupid... tan. No. Dwight: He looks great. Michael: No. Dwight: Well rested
SUMMARY: | HR Rep Toby returns from Costa Rica , driving Michael insane. He and Dwight attempt to get Toby fired for cause by planting "drugs" (actually caprese salad ) in Toby's desk. Pam is upset that someone in the office has made a mess in the microwave and will not clean it up. Jim surprises Pam by buying his parents' old house; despite its '70s decor, Pam loves it. Ryan breaks up with Kelly to travel to Thailand . |
fd_Veronica_Mars_02x14 | fd_Veronica_Mars_02x14_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars... At his desk, Keith takes the picture Veronica passes to him in 212 "Rashard and Wallace Go to White Castle." KEITH: That's Terrence Cook and, uh... VERONICA: Miss Dumas, the journalism teacher. KEITH: Who died in the bus crash. VERONICA: He also has some gambling issues. Dr. Griffith approaches Lamb on election night in 206 "Rat Saw God." GRIFFITH: I have information about that Mexican kid who got killed. Veronica brings Logan up to speed in 207 "Nobody Puts Baby in a Corner." VERONICA: Your 9-1-1 caller, a.k.a. Tom Griffith, is Dr. Tom Griffith. Veronica continues her briefing at her locker in 208 "Ahoy, Mateys!" VERONICA: Our favorite plastic surgeon... Cut to Logan kissing Hannah in 213 "Ain't No Magic Mountain High Enough." VERONICA: [offscreen]...seems to be owned by the Fighting Fitzpatricks. Hannah pulls away from Logan and climbs into the waiting car. HANNAH: Hey, Daddy. Veronica questions Ryan in 208 "Ahoy, Mateys!" VERONICA: So you guys were, like, a couple, or...? RYAN: I was madly in love and a hundred percent gay. Dick backs away from the transvestite, pointing at the beauty's crotch. DICK: What is that! MILF: What do you call yours? End previously. EXT - NEPTUNE STREET - NIGHT. Music: "On the 54" by the Dandelions. LYRICS: Yeah,yeah, check it out now Check it out now, come on, check it out, yeah Check it out now, check it out now, Come on, check it out, yeah Check it out now, check it out now, Come on, check it out, yeah Check it out now, check it out now, Come on, check it out, yeah A battered car pulls up three
SUMMARY: | Veronica is hired to capture two criminals; a person stealing from pizza boys and another who blackmails gay students at Neptune High. Logan uses his relationship with Hannah to put pressure on her father to drop his testimony against Logan. Keith finds out that Terrence was at a casino at the time of the bus crash, and could not have used his cell phone. Keith uses this information as an alibi and Terrence is released, but Lamb refuses to drop the charges. Veronica finds explosives and detonators in the garage where Terrence keeps his cars. |
fd_FRIENDS_09x01 | fd_FRIENDS_09x01_0 | TEXT: [Scene: Rachel's Room, Joey moves Ross's coat to get the tissues Rachel wants and the engagement ring box Mrs. Geller gave him falls out of the pocket it was inside. Joey goes to one knee, picks up the box, opens it, and sees that it's an engagement ring.] Rachel: Joey. (He turns to face Rachel on one knee with the box open.) Rachel: (seeing the ring) Oh my God. (Pause) Okay. (Joey is stunned.) [Cut to Ross getting of an elevator carrying a bouquet of flowers and walking down the hall to Rachel's room.] [Cut back into Rachel's room.] Rachel: So uh...I guess we should...make it official huh? Joey: Uh... Look Rach...(Ross enters.) Hey Ross is here! Hey look! It's my good friend Ross. Hey Ross. Ross: Hey Joey. (To Rachel) Hey you. Rachel: Hey you. Joey: Hey and look he brought flowers. Thanks Ross, but I'm really more of a candy guy. (Laughs.) Ross: You're weird today. (He turns to Rachel and Joey puts the ring back.) (To Rachel) Listen I uh, wanted to talk to you about something. Rachel: Uh yeah, actually I kinda need to talk to you too. Ross: Uh Joey, can you give us just a minute? Joey: No. Ross: What? Joey: Oh, I'm sorry. I meant no. Monica: (entering with everyone else including Mr. Geller) Hi! Hey look who's here! Mr. Geller: Where's my granddaughter? I've been practicing my magic tricks. Chandler: He pulled a quarter out of my ear! Ross: Hey, where's uh, where's mom? Mr. Geller: She went to pick up Aunt Liddy. Monica: Oh, Aunt Liddy's coming? That means we get five dollars each! Mr. Geller: So when do I get to meet Emma and show her this? (Pulls a bouquet of flowers out of his s
SUMMARY: | After Rachel mistakenly thinks Joey proposed, he tries to explain that it was a misunderstanding, but has difficulty finding an opportune moment. Meanwhile, Monica and Chandler continue trying for a baby, while Ross, unaware that Joey has proposed to Rachel, plans to ask her if she wants to resume their relationship. |
fd_The_Vampire_Diaries_03x15 | fd_The_Vampire_Diaries_03x15_0 | TEXT: [Gilbert's House] (Elena wakes up. She gets up and takes her phone to call Stefan) [Salvatore's House] (Stefan is writing in his diary. He looks at his phone and ignore Elena's call. He looks at his phone but finally turn it to not look at it) [Gilbert's House] (Elena leaves a voicemail to Stefan) Elena: Stefan, hey. Um... It's me. I really have to talk to you. Please call me back (Then she calls someone else) [Salvatore's House] (Damon takes his phone. It's Elena) Damon: What? Elena: Hey. I called you 10 times last night. We need to talk Damon: Sorry. I've been busy Elena: If you're mad at me, Damon, you need to get over it Damon: Oh, I'm over it (He hangs up and lays down. Rebekah is asleep next to him) (Rebekah and Damon are up. She's wearing her dress from the ball) Rebekah: So let's not make a big deal out of this Damon: My thoughts exactly Rebekah: Besides, I expect you'll come calling soon enough Damon: Let's not hold our breath (He opens the door. Elena's here. She's surprised. Rebekah smiles and leaves. Elena enters) Elena: Did you stop taking your vervain? Damon: You think Rebekah had to compel me? Elena: What's wrong with you? She tried to kill me less than 48 hours ago Damon: Can't we just move past that, Elena? Elena: So is that how it's gonna be now? I hurt your feelings, and this is how you lash out at me? Damon: Well, maye, for once, something I did had nothing to do with you Elena: You should know... that Esther's planning on killing her entire family. She's linked them all together with a spell. Whatever happens to one happens to all of them Damon: That's great. Klaus'll finally be dead. We win. Why do you
SUMMARY: | After Elena finds out about Damon's latest indiscretion, she second guesses helping to kill the Originals and is frustrated with her friends for not agreeing with her. Elijah confronts her and reveals he knows she lied. He then leaves Elena in a cave. Meanwhile, Bonnie and her mother, Abby, find themselves playing a part in a ritual to appease the spirits of nature (by killing all the Original vampires with a spell requiring 2 generations of Bennett witches). Rebekah keeps Elena in the cave as Elijah goes to Stefan and Damon. Elijah tells them they can either stop Esther from completing the ritual by killing either Bonnie or Abby or Rebekah kills Elena. This they turn to Meredith and Alaric for help in killing Kol which ends up dagger the others linked to him. Elena escapes from Rebekah's watch and hides in the cave where no vampires can enter. Klaus finds out about the ritual as well. Rebekah tries to set Elena on fire but Elena reasons with her before she can. Klaus, Elijah, and Kol find Esther and Finn about to complete the ritual. Damon and Stefan find Bonnie and Abby and decide the only solution is for Damon to turn Abby, thus preventing her to be a witch anymore. Stefan reveals he has not had human blood since he almost drove Elena off the bridge. Elijah writes Elena a letter of apology and realizes they are not as good as they think they are. Kol flees, Elijah says he is leaving, and Esther and Finn have fled their family. Rebekah realizes the White Oak tree is still out there. Alaric wakes to find weapons and case files and Meredith shoots him. |
fd_One_Tree_Hill_03x18 | fd_One_Tree_Hill_03x18_0 | TEXT: -Lucas : (v.o) Previously on One Tree Hill. [In a room-Night] -Karen: Marry me. [SCENE_BREAK] [Lucas' house-Day] -Keith: We're engaged. Me and your mom talked it over. I'd like to adopt you. [SCENE_BREAK] [Scott's house-Bedroom-Day] -Nathan: I wanna be your husband again, Haley. Haley kisses Nathan. [SCENE_BREAK] [Int. Tree Hill High-Class-Day] -Withey: In 1955, students at Tree Hill High School created a time capsule that was to be opened in 50 years. [SCENE_BREAK] [Ext. Tree Hill High-Day] -Principal: You wanna know what things were like 50 years ago? [SCENE_BREAK] [Int. Tree Hill High-Day] You can see Jimmy in the TV. -Jimmy: There's not a single person in this place worth remembering. Everyone here is loser. Brooke and Peyton saw Jimmy pointed a gun, and fire. [SCENE_BREAK] [Int. Tree Hill High-Library-Day] Peyton and Lucas are sitting on the floor. -Lucas: Now I may have to get you out of here but nothing will happen to you, I promise. [SCENE_BREAK] [Ext. Tree Hill High-Day] -Keith (to Dan): You got to let me try to talk to him. [SCENE_BREAK] [Int. Tree Hill High-Day] Lucas has Peyton in his arms. -Keith: Luke, I love you. Now go. -Jimmy: I wanted them to like me. -Keith: Jimmy, please. -Jimmy: I'm sorry. Jimmy point the gun to him and fire. -Keith: No! Dan take the gun... -Keith: He's gone, Danny....and fire to Keith. At the party, in Tree Hill High.
SUMMARY: | Rachel invites the gang for a weekend getaway at her family's cabin. Craziness will ensue, including a game of "I Never" which will cause people to do things they normally wouldn't. A nasty little issue Mouth has been harboring toward Rachel will surface. Meanwhile, Karen confronts Dan about Keith's death. This episode is named after a song by Saves the Day . |
fd_FRIENDS_05x22 | fd_FRIENDS_05x22_0 | TEXT: Teleplay by: Wil Calhoun Story by: Shana Goldberg-Meehan [Scene: Central Perk, everyone but Phoebe are there reading. Rachel is sitting on the couch flanked by Ross and Monica. She suddenly stops reading and starts blinking her left eye as if it's bothering her. The problem is that Joey is on her left and thinks she's winking at him and winks back. Ross is watching this and isn't quite sure of what to make of it.] Ross: What's going on? Rachel: Well, my eye is a little itchy. (Ross turns to look at Joey.) Joey: Uhhh, mine too! Yeah. Monica: (To Rachel) Wow! It's really red! You should go see my eye doctor. Rachel: Richard? I'm not gonna go see your ex-boyfriend! Chandler: Oh, Richard. That's all I ever hear, Richard, Richard, Richard! Monica: Since we've been going out, I think I've mentioned his name twice! Chandler: Okay, so Richard, Richard! Monica: It's not Richard! Okay? It's this new guy and he's really good. Rachel: Well, I'm sorry I'm not going to an eye doctor! Ross: Oh God, here we go! Chandler: What? Ross: Anytime anything comes close to touching her eye or anyone else's she like freaks out. Watch! Watch! (He takes his finger and moves it towards his eye.) Rachel: (flinches) Ross! Come on! That's all right! Fine--Okay, I have a weird thing about my eye. Can we not talk about it please? All: All right, fine. Monica: Hey Rach, remember that great song, Me, Myself, and I? (And on the "I" part she mimics poking her eye.) Rachel: (flinches again) Monica! Come on! Ross: Hey, does anybody want to get some lunch? All those in favor say I? (Pokes his eye) Rachel: (freaks) Ross! Stop it! Come on! Chandler: How much did I love The King and I
SUMMARY: | Joey lands a role in an independent movie, then borrows Phoebe's taxicab to drive to the Las Vegas location. Chandler rides along, but learns that Joey will not get paid unless the movie is successful. He remarks that he does not think the movie will be Joey's big break. Furious, Joey kicks Chandler out, stranding him on the bridge . Chandler later phones Joey and apologizes, though Joey does not tell Chandler that he was right. Production has been shut down due to lack of funds forcing Joey to get a job at Caesars Palace as a gladiator. Meanwhile, Rachel has an eye infection but resists using the prescribed eye drops; Phoebe is angry at Ross and refuses to make up, leaving it to Ross to figure out what he did, only to discover Phoebe dreamed it. |
fd_Doctor_Who_1963_01x22 | fd_Doctor_Who_1963_01x22_0 | TEXT: 5:30pm - 5:55pm [SCENE_BREAK] 1: INT. PASSAGEWAY (The DOCTOR, SUSAN and IAN stand in front of the latticed wall, IAN holding BARBARA'S travel dial.) IAN: This is Barbara's travel dial. DOCTOR: Mmm. IAN: Look! There's blood on it! DOCTOR: Yes, I can't imagine why Barbara left of her own free will. SUSAN: No, surely she'd wait for us. IAN: (Insistent.) Of course she would! DOCTOR: Well it seems there's only one conclusion. Whatever it is lives behind that door (He points at the latticed wall behind them.) must've taken her by force. IAN: Well let's get inside! (He rushes up to the doors.) DOCTOR: No no no no, Don't let us be precipitous. IAN: Doctor, there's blood on this strap. That means she's hurt, maybe badly. We can't argue now, we must get inside! DOCTOR: Yes, very well, very well, but I say... (IAN manages to force the doors open.) DOCTOR: (Protesting.)...I'm sure it's a mistake! (They stumble through and immediately a blinding white light and screeching noise fills the air. They clutch at their heads in agony.) [SCENE_BREAK] 2: INT. CHAMBER (When the light and noise die down they find themselves in a short avenue of statues and the room can be seen beyond. It is full of vases with exotic plants, statues, drapes and luxurious furniture. A huge carving of a bearded face dominates the rear wall. They look around in wonder.) IAN: (Astonished.) I don't believe it! (BARBARA is lying on a sofa dressed in Grecian type robes being waited on by two similarly robed female attendants. When she sees the others she sits up.) BARBARA: Ian! Susan! I'm glad you're here
SUMMARY: | The TARDIS arrives on the planet Marinus on an island of glass surrounded by a sea of acid. The travellers are forced by the elderly Arbitan to retrieve four of the five operating keys to a machine called the Conscience of Marinus, of which he is the keeper. These have been hidden in different locations around the planet to prevent them falling into the hands of the evil Yartek and his Voord warriors, who plan to seize the machine and use its originally benevolent mind-influencing power for their own sinister purposes. |
fd_Gilmore_Girls_02x22 | fd_Gilmore_Girls_02x22_0 | TEXT: 2.22 - I Can't Get Started OPEN AT INDEPENDENCE INN [Lorelai, Rory, Michel, and Sookie are sitting at a table in the dining room listening to music] SOOKIE: Huh? LORELAI: Sookie, you've gotta be kidding. SOOKIE: What? LORELAI: You cannot walk down the aisle to that. SOOKIE: Why? LORELAI: It's depressing. SOOKIE: It's Ella. LORELAI: It's morbid. SOOKIE: It's a classic song. LORELAI: A classic song with lyrics about a woman who can't make her relationship work, whose life is filled with emptiness and regret and pain. SOOKIE: Oh, who listens to the lyrics? LORELAI: Anybody not hanging out with Annie Sullivan by the water pump. RORY: What are these? SOOKIE: Oh, those are some alternative songs, but I really like this one the best. LORELAI: Alternative songs, good. Let's see. Hey Jude. SOOKIE: Paul wrote it for Julian to cheer him up. LORELAI: Seasons in the Sun? SOOKIE: Oh, a sentimental favorite. LORELAI: Cat's in the Cradle? SOOKIE: Oh, it makes you re-examine your priorities. LORELAI: Don't Cry Out Loud? Sookie, do you even like Jackson? MICHEL: Okay, I have a wonderful suggestion. LORELAI: Great, let's hear it. MICHEL: Okay, here we go. How about I leave? LORELAI: And then do what? MICHEL: That's it. I leave and I don't have to listen to this insanity anymore. What do you think, huh? Because I love it. LORELAI: Michel, I am in the wedding, which means you have to run the wedding all by yourself, something you've never done before. MICHEL: Oh, please. RORY: I'll tell you what, Sookie. How about Lane and I come
SUMMARY: | Sookie's wedding draws near, while Lorelai finally relents and goes into the diner, where she apologizes profusely to Luke. Christopher comes to town for the removal of Rory's cast and decides to stay for Sookie's wedding. While Lorelai and Chris seem to be getting along, Sherry drops a bomb. Paris is running for student body president, and employs Rory as vice-president. Jess returns to Stars Hollow and asks Luke if he can stay. |
fd_Angel_01x01 | fd_Angel_01x01_0 | TEXT: Voice over: "Los Angeles. You see it at night and it shines. Like a beacon. People are drawn to it. People and other things. They come for all sorts of reasons. My reason? No surprise there. It started with a girl." Angel sits at a bar, playing with a glass sitting in front of him. He appears to be slightly drunk. Angel: "She was a really, really pretty girl. No she, she was a hottie girl. She, she had - I mean - her hair was... You know? - -You kind of remind me of her. Because, because - you know - the hair. I mean - the hair." He looks over at the guy sitting beside him. It is a burly black guy with a clean-shaven head. Angel turns his head and glances over his shoulder at a group of three guys and two girls playing pool behind him. One of the guys comes and leans on the bar next to Angel and says to bartender: "We want to cash out." Angel looks up at him with a drunken grin: "Girls are nice." Laughs. The guy gives him a disgusted look. Bartender: "Here you go." Guy to the others: "Okay, guys, let's go. Let's go find some real fun." The five pool players leave and Angel straightens up in his chair. After a beat he gets up no longer laughing and follows them out. Cut to Alleyway beside the bar: Blond girl: "You guys really know the doorman? I mean you can get us into the Lido?" 1.Guy: "I don't want to go clubbing anymore. I want to party, right here." Grabs the girl. 1.Girl: "Hey back off!" (pushes him away) 2.vamp grabs 2.girl. 1.vamp grabs 1.girl by the throat: "Shut up and die!" (vamps out) Angel walks up apparently drunk: "Excuse me.'scuse me. I'm sorry. But has anybody seen my car? It's big, and it's shiny." 1.v
SUMMARY: | Newly arrived in Los Angeles, Angel is befriended by a half-demon named Doyle whose visions lead him to a woman, Tina, who is being stalked. Tina is killed by a powerful vampire, Russell. His next intended victim is former Sunnydale resident Cordelia Chase. Angel rescues Cordelia and then he deals with Russell by kicking him out of the window into sunlight, killing him. This is Angel's introduction to law firm Wolfram & Hart. |
fd_NCIS_04x19 | fd_NCIS_04x19_0 | TEXT: MUSIC IN: EXT. PARK BENCH - DAY NELSON: How do you eat that crap? HALL: Easy. Like this. (SFX: NELSON LAUGHS) HALL: An anonymous caller was supposed to meet us here three hours ago, Boss. I say we call it. CASSIDY: (V.O./FILTERED) I would love to, but... [SCENE_BREAK] INT. CAR - PARKED CASSIDY: (INTO RADIO)... he claims he has information on a terrorist attack, so here we sit. HALL: (V.O./FILTERED) Guy last Saturday... [SCENE_BREAK] EXT. PARK BENCH - DAY HALL:.... claimed his dog was a Taliban sympathizer. NELSON: Why are we pulling this crap duty two weekends in a row anyway, Boss? [SCENE_BREAK] INT. CAR - PARKED CASSIDY: (INTO RADIO) You know, I'm wondering the same thing, Jim. I-- (SFX: CELL PHONE RINGS) CASSIDY: (INTO RADIO) Hold on. Hold on. Stand by. This is him. (INTO PHONE) We're here. Where are you? CALLER: (V.O./FILTERED) Close. Meet me at four zero eight Millstone Avenue. I will explain all inside. CASSIDY: (INTO PHONE) I prefer the meeting on the street. CALLER: (V.O./FILTERED) I do not. I'm a dead man if they see me talking to you! CASSIDY: (INTO PHONE) Who? CALLER: (V.O./FILTERED) The people no one can see. They are everywhere. [SCENE_BREAK] EXT. PARK BENCH HALL: Invisible folks. This should be fun. CASSIDY: (V.O./FILTERED) Find them, guys.
SUMMARY: | An NCIS team, led by Paula Cassidy, discovers a tip about terrorist activity but it turns out to be a trap, resulting in the death of two agents and Cassidy, grief-stricken, begins blaming herself for what happened. Gibbs and his team are sent to investigate the deaths with Cassidy joining them during the investigation. But the team are shocked when Ducky reveals that the man who was the suicide bomber that killed Cassidy's team was dead at least a day before his bomb went off. |
fd_Dawson_s_Creek_03x22 | fd_Dawson_s_Creek_03x22_0 | TEXT: [Scene: Outside Dawson's House. Joey and Dawson are walking up to the porch talking about the upcoming finals.] Joey: Oh, I hate finals. What kind of a sadist bases 1/3 of a semester's grade on whether or not you can recite the opening to the Canterbury tales in perfect middle English? Dawson: Joey, we've been over this a thousand times. Your pronunciation is flawless. Joey: Maybe so, but I'm still gonna continue torturing myself until test time. I just have to. Dawson: Of course you will. I'm well aware of the potter neuroses. Joey: I prefer to think of them as quirks. Dawson: Do you? Joey: Yeah. Dawson: Well, whatever works for you. Joey: I could get into the leery neuroses. Dawson: Uh, we don't have to do that. Besides, I'm, uh, nervous enough on my own right now. Joey: Why? Dawson: Uh, well, there's A... There's an event looming on the horizon, and, uh... I seem to recall a certain pact made by 2 high-school freshmen regarding said event. Joey: Junior prom. We both agreed if we didn't have dates, we'd go together. Dawson: So you do remember. Joey: Are you asking me to prom? Dawson: I don't want to go with some random person and have it mean nothing. You know, I want to go with my oldest friend. That'll be something I'll always remember. Joey: Or we can both agree that it's a meaningless event and not go at all. Dawson: But it does mean something. There are a million reasons why proms are ridiculous and stupid, but we made that pact because it obviously mattered to us. It's a rite of passage. And I can't think of any better way to move forward than to fulfill a pact made by 2 old friends and just have a good time. Joey: Ok. Ok. But I have 2 rules-- no cheesy corsage for me and no blue ruffley
SUMMARY: | Dawson, Joey and Andie organise their own unique prom when they learn that Jack has been the victim of homophobic discrimination over his choice of prom date. Dawson asks Joey to be his date to the group's anti-prom, but misleads Joey into believing that the night is about their renewed friendship, hiding the fact that he wants to win her back. Pacey attends the prom with Andie on his arm, who has plans to make things happen between the two of them. Dawson and Andie are both upset when they see the chemistry between Joey and Pacey who share an intimate moment on the dance floor. Joey goes to visit Dawson the next day, and tells him she isn't ready to make decisions. Jen breaks up with Henry after he selfishly makes plans for an entire summer at football camp without considering her feelings. Gail responds to Mitch's doubts about her commitment to their relationship by proposing to him. He accepts, witnessed by Dawson and Joey from the doorway. |
fd_Grey_s_Anatomy_03x17 | fd_Grey_s_Anatomy_03x17_0 | TEXT: (ER, people are all injured in the aftermath from the ferry accident) MVO: There are medical miracles. Being worshippers at the alters of science we don't like to believe miracles exist, but they do. (Meredith's room) MVO: Things happen...we can't explain them, we can't control them, but they do happen. (Meredith is still dead) Bailey: Chief, I know the hypothermia is protective to her vital organs but how much longer do you think we can go on like this? Richard: I've seen people last as long as four hours. Bailey: Yeah, but... Richard: No, this is not...this is Ellis Grey's little girl. This is my... Burke: We're all on the same side here, Chief. Bailey: Sir. Richard: Her body temp is at 86 degrees. She's not dead until she's warm and dead. We need to warm her up to 98.6 and start her heart. Bailey: Yes, sir. Richard: Let's do a gastric lavage with warm fluids. (Addison gets paged) Bailey: Addison. Addison: I have to go it's, uh, my Jane Doe. Bailey: Just...they're waiting for you so...whatever you choose to say will... MVO: Miracles do happen in medicine. They happen every day just not always when we need them to happen. (Meredith's afterlife, she is on a gurney staring at Denny and Dylan) Denny: Meredith. She's freaking out. Dylan: She's not freaking out. Denny: People tend to freak out. Dylan: Trust me, she's fine. Denny: Ok, mister, I've been dead longer, I know everything. Dylan: You know what, that's why I don't like to be here with you. Because you don't assess the situation, you just dive right in. Denny: Oh, I'm not the one who got himself all blown up. Dylan: All right, you wanna do this now or you wanna do this later? Denny: Oh, I wanna do this now. Dylan:
SUMMARY: | Webber struggles to keep Meredith alive, whose body does not seem to respond to treatment, much to Derek's devastation. Meanwhile, a metaphor shows Meredith in what she believes is limbo, displaying her interacting with deceased acquaintances whose decision would influence her chances of survival. Cristina remedies her grief for Meredith by leaving the hospital and going shopping, while Alex continues to bond with the pregnant Jane Doe who remains unclaimed, due to her inability to remember anything. Derek is aware that Meredith is a good swimmer and blames Ellis Grey for her daughter's depression. Ellis goes into cardiac arrest and meets Meredith in the alternate universe, and declares her love and respect for her, telling her to wake up. She does so, and sees everyone who loves her by her side. Cristina lets her know about her engagement to Burke. Addison tells Mark that if he wants to reunite with her, he must go celibate for 60 days. |
fd_CSI__Crime_Scene_Investigation_06x06 | fd_CSI__Crime_Scene_Investigation_06x06_0 | TEXT: [EXT. LAS VEGAS CITY (STOCK) - NIGHT] INTERCUT WITH: [EXTREME CLOSE UP: SPERM (STOCK)] (Sperm zooms past the camera and toward the egg.) [EXT. LAS VEGAS CITY (STOCK) - NIGHT] [CU: EGG (STOCK)] (The sperm swarm around the egg. Camera zooms past the sperm toward one that enters the egg.) [EXT. LAS VEGAS CITY (STOCK) - NIGHT] [CU: EGG (STOCK)] (The fertilized egg starts to divide.) [EXT. LAS VEGAS CITY (STOCK) - NIGHT] [CU: The fetus (STOCK)] [EXT. LAS VEGAS CITY (STOCK) - DAWN] [CU: The fetus (STOCK) (Close-up of the feet and toes. We hear the fetus' heart beating.) [EXT. LAS VEGAS CITY (STOCK) - MORNING] [CU: The fetus (STOCK)] [CU: The baby] (A baby is awake in his crib. The doorbell rings.) (The camera sweeps around the room to show there's no one there. There's no answer.) (The doorbell rings again.) (On the floor, a woman is dead in front of the baby's crib.) [EXT. ADALIAN FRONT PORCH - MORNING] (Lana Adalian knocks on the front door to her sister's house. A dog barks in the background. After a moment, she peers into the house through the side window.) (Inside the house, the baby cries.) (Lana Adalian peers into the window and sees the baby in the crib and the body on the floor.) FLASH TO: [EXT. ADALIAN RESIDENCE -
SUMMARY: | When a young mother is found dead in what appears to be a suicide, the CSIs find evidence to the contrary, thus opening up a homicide investigation. Meanwhile, Grissom, under pressure from the Sheriff and Ecklie, must disprove the evidence presented by a corrupt entomologist in court. |
fd_Veronica_Mars_01x12 | fd_Veronica_Mars_01x12_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars... Lilly cleans a car at the pep squad car wash (from 101 Pilot). VERONICA: God, Lilly, I see the Prozac's working. LILLY: I've got a secret. A good one. Cut to Lilly's body and a shocked Veronica in Keith' s arms from the same episode. REBECCA: [Offscreen] Socially, it seems to be a bit... Cut to Rebecca James' office (from 103 "Meet John Smith"). REBECCA:... isolated. KEITH: I'd say Veronica's doing pretty well, given the circumstances. REBECCA: I know how close she was with Lilly Kane. Cut to dead Lilly appearing to Duncan from the same episode. LILLY: The truth is gonna come out. It does not add up. DUNCAN: Lilly? LILLY: What? You forgot about me already? Duncan jerks himself awake. Cut to Logan, pulling down Weevil's wifebeater to expose her Lilly tattoo and get aggressive (from 107 "The Girl Next Door"). WEEVIL: What are you doing? LOGAN: Why do you have Lilly's name on your arm? WEEVIL: You really wanna know? LOGAN: Yeah, I really wanna know! Cut to Aaron signing autographs outside the gates to his house (from 106 "Return of the Kane"). LYNN: [Offscreen] My husband gets a lot of disturbing... Cut to Lynn in Keith's Office (from 110 "An Echolls Family Christmas"). LYNN:... letters from fans. Cut to Aaron's spotted lover facing his at the Christmas party from the same episode. AARON: I swear, I do not know you. She stabs him, Lynn screams, Logan worriedly paces, Lynn rushes to the fallen Aaron, Veronica watches in disbelief. End previously. Veronica, sitting in a chair, waiting impatiently. Next to her, another student, wearing an MIT sweatshirt, bide his
SUMMARY: | When Veronica is arrested for selling fake IDs , she tries to find out who framed her, suspecting members of a secret society at Neptune High. Aaron hires Keith to find out who is causing him bad publicity. Weevil confesses during a grief counseling session that he had secretly dated Lilly, but she had gone back to Logan. Aaron threatens Lynn with a divorce, and her car is later shown abandoned on the Coronado Bridge. |
fd_The_Big_Bang_Theory_03x21 | fd_The_Big_Bang_Theory_03x21_0 | TEXT: Scene: The university cafeteria. Sheldon: Hold. Raj: What? Sheldon: Explain your sneeze. Raj: I'm sorry? Sheldon: Do you have allergies? Raj: No. Sheldon: Is there too much pepper on your salad? Raj: I don't put pepper on salads. Sheldon: I've heard enough. Sit over there. Raj: Oh, come on. I don't want to sit by myself. Sheldon: That's what Typhoid Mary said, and clearly, her friends buckled. Raj: Guys, help me. Howard: Sheldon, come on. Leonard: Yeah, it's just one sneeze. (Raj sneezes) You're on your own. Howard: See you, buddy. Sheldon: Oh, Leonard, I have something for you. Per our roommate agreement, this is your 24-hour notice that I will be having a non-related female spending two nights in our apartment. Leonard: When you say non-related female, you still mean human, right? Sheldon: Of course. Pets are banned under the roommate agreement, with the exception of service animals, such as seeing eye dogs and, one day, cybernetically-enhanced helper monkeys. Howard: Are you planning on kidnapping a woman? Sheldon: Sarcasm? Howard: Yes, but mixed with genuine concern. Sheldon: For your information, I'll be playing host to Dr. Elizabeth Plimpton. Raj: The cosmological physicist from Princeton? Sheldon: Yes. And until you acquire a surgical mask, please address your comments to me through a napkin. We've been corresponding for years about our mutual interest in gravitational wave signatures of inflatons in the early universe. And now she's under consideration for a position at our university. Leonard: Why didn't you tell me you knew Elizabeth Plimpton? I am a huge fan of hers! Sheldon: I didn't realize I was obligated to share my connection with things you're a fan of, but very well. You enjoy Canadian bacon. I've been
SUMMARY: | Dr. Elizabeth Plimpton, a cosmological physicist from Princeton University, accepts Sheldon's invitation to stay over at the apartment during her visit to Caltech. However, she instead takes an immediate interest in Leonard, and the two end up sleeping together, inciting jealousy from Penny. However, it quickly becomes clear that Leonard and Elizabeth both have very different ideas about the nature of their relationship, when she sleeps with Raj and tries to convince Leonard and Howard (who has just broken up with Bernadette) to engage in a foursome with them. |
fd_The_O.C._01x05 | fd_The_O.C._01x05_0 | TEXT: Scenes from last episode TEASER At the beachside promenade. Ryan's on his bike. Seth is on his skateboard. They pull up to the Crab Shack and Ryan locks his bike up in the front. Next, they are both kneeling in front of a tank with lobsters inside. Ryan: So, what are we doing in front of this tank? Seth: Ryan, we're like two samurai, really. And we need to have respect for each other before meeting in battle. And eating lobster is a battle, as you will soon learn. (turns to glance at Ryan, then turns back to the tank ) Is that a new shirt? They both stand up. Ryan: (looking down at his shirt) Yeah. Your mom bought me some new clothes. Which she didn't have to do. Seth: (sarcastically) Right. Because we all know you get a lot of mileage out of a tank top. Hey, (turns to Ryan) speaking of which, do you think I could pull of the wife beater? You know, switch up my look? Ryan averts his eyes. Seth gets a clue. Seth: Gotcha. You got your style I got mine. Ryan: Yep. They start walking away. Seth: (making a 'you're dead' gesture with his index finger at the tank, whispering) You're dead. Cut to lobster shells on plates. Ryan: That was amazing. A lot of work, but amazing. Ryan and Seth are sitting at a table with plates full of empty lobster shells. They look satisfied and full. Seth: So, what's going on with you and Marissa? Did you talk to her? Ryan: (sighing) I don't think she wants to talk. Everything with her and her dad is - Seth: Ryan, you know what your problem is? And I speak from experience with *great* authority here - is that you really need to be aggressive, okay? Her and Luke - they're broken up - which means that you need to go after her. Tell her how you feel. It's very easy. Ryan: What do we do? Where do we go? I have no car. No
SUMMARY: | Ryan gets a job and meets Donnie, a Newport teen from Corona. Seth decides to invite Donnie to Holly's beach party, but his attendance ends with Luke getting shot. Julie tells Jimmy she wants a divorce. |
fd_The_Office_08x11 | fd_The_Office_08x11_0 | TEXT: [No one is talking in the office, Jim holds up sign that reads "We're on the longest silent streak in office history! Nobody has said anything in... 14 min!", Dwight hangs up on a phone call rather than speak, Andy sees a raccoon eating a hamburger and tries to describe it using charades, Kevin opens a candy bar and takes a bite] Kevin: Oh yeah! All: Aw! Dwight: Knew it! I knew it! Soon as I heard that wrapper. Oscar: You really have to say "oh yeah" every time you eat a candy bar? Kevin: I can't help it, Oscar. It's just really good. [takes another bite] Oh yeah! Jim: All right, not bad at all. I think we can beat 20 minutes though so let's try again. Get it all out now if you have to. Andy: It was a raccoon! Eating a hamburger like a person! Dwight: You need to stop banging your pen on your desk or it's going to drive me insane. Jim: Okay, done. Erin: [shows bloody hand] Does anyone have a first aid kit? Darryl: Check out this song I wrote: I'ma love you downstairs tonight... [overlapping chatter] Jim: All right, here we go! Everybody get read in three, two, good luck, one- [SCENE_BREAK] Andy: [writing on board] Love letters, yes! I love it. What else can be done with paper? Jim: You can write a book about chairs. Andy: Books! Excellent, Jim. Oscar: Andy, please! Please, just stop. You can do infinite things with paper- Andy: [gasps] Shh! Did you hear that? Infinity! There is an infinity of things that you can do with paper! Now, who wants to buy some paper? [scattered applause] Jim: Very nice. Very nice sales pitch for our clients that don't know what paper is. Andy: I'm talking about you guys! Who in this room, right now, wants to buy some paper? Let's get high on our own supply! Angela: Andy
SUMMARY: | When Oscar Martinez ( Oscar Nunez ) joins a trivia contest, Andy gets the entire office involved. Eventually, the team made up of Kevin, Erin, Kelly, and Meredith wins. Meanwhile, Dwight goes to Sabre headquarters to petition California to give him a job as a regional manager. California tries to get out of meeting with him, but eventually declines Dwight's request. |