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fd_The_Office_03x14 | fd_The_Office_03x14_0 | TEXT: Dwight: I have left Dunder-Mifflin after many record-breaking years and am officially on the job market. And it's very exciting. [SCENE_BREAK] Dwight: For your convenience, I've broken it down into three parts: professional resume, athletic and special skills resume, and Dwight Schrute trivia. [SCENE_BREAK] Dwight: I am ready to face any challenges that might be foolish enough to face me. [SCENE_BREAK] Dwight: How would I describe myself? Three words. Hard-working, Alpha male, Jackhammer, Merciless, Insatiable. [SCENE_BREAK] Dwight: There is nothing on my horizon except everything. Everything is on my horizon. [SCENE_BREAK] Dwight: [in Staples uniform] I got this job to make some money while I continue my employment search. And uh, it's fine for the time being. Oops. Break's over. [SCENE_BREAK] Andy: [to Ryan] Big Turkey. [cellphone plays "Rockin' Robin"] Jim: Is that you singing? Andy: All four parts. Recorded it on my computer. It took me forever. Jim: Nice job. Andy: Thank you muchly. [cellphone continues playing] Jim: You gonna answer it? Andy: I called it myself. I just thought you'd get a kick out of the new ring. Jim: Yikes. Andy: Side note. I'd just like to say I'm thrilled to be working directly beneath you. Jim: Thank you. Andy: I feel I have a lot to learn from you, even though you're younger and have less experience. So here's to the future... Andy and the Tuna. [sings] Andy and the tuna... [SCENE_BREAK] Jim: I miss Dwight. Congratulations, universe. You win. [SCENE_BREAK] Michael: Yes, Dwight Schrute has left this company. More personnel turnover. Andy: The cost of doing business. Michael: Yes, well. It is a big loss. Dwight was the top salesman... Andy: Was the top salesman... Michael
SUMMARY: | Oscar's return from his vacation prompts Michael to host a Mexican-themed party. Meanwhile, Jim searches for someone to play a prank with, eventually turning to Pam; they steal Andy's phone, hide it in the ceiling and repeatedly call it, playing his homemade ring tone over and over. Andy becomes more angry each time the phone rings, and eventually punches a hole in the wall out of frustration. As a result of this outburst, Andy is sent to anger management training. Michael, increasingly distraught over Dwight's resignation in the previous episode, leaves and confronts him at Staples, inviting him back to Dunder Mifflin. After being confronted by Karen, Jim reveals to her that he still has feelings for Pam. |
fd_Once_Upon_A_Time_05x13 | fd_Once_Upon_A_Time_05x13_0 | TEXT: [PREVIOUSLY_ON] Mary Margaret: You're going to hell? Emma: The Underworld. I'm getting him back. Cora: My time in the Underworld is done. Yours can be, too. Just do what I say. Mary Margaret: Tell me your father's okay. Henry: He's in a better place now. Mary Margaret: That means everyone here... David: Can be saved. [SCENE_BREAK] [ Present. Underworld ] [SCENE_BREAK] (In Hades' underground prison, Hook is unconscious in a small space, before he suddenly gasps and wakes up. Screaming can be heard in the distance. Hook grimaces in pain as he manages to roll over and get onto one knee, clearly very injured) Hook: Is this a bloody trick?! (He manages to get to his feet, and goes to step off the small platform he is on, but is stopped by a female voice) Meg: Stop. That's exactly what it is... A trick. Don't move. He wants you to think you can escape, but... you can't. No one can. Hook: Aye. We'll see about that. (He takes one step off the platform) Meg: Don't! He'll hunt you down. Hook: Hades has already done his worst to me. Meg: I don't mean Hades. Hook: Who, then? Meg: No. Just don't. Hook: Look, this isn't my first cell. I don't just sit around and rot. Now, somebody's come down here to save me, and I need to make her job easier. Meg: How do you know she's here? Hook: She got me a message. Meg: How do you know that wasn't one of Hades' tricks? Hook: Because I know! When you love someone, you know. Now, what's keeping us in here? Meg: Something you don't want to face. Hook: Well, I'll be the judge of that. (He steps off the platform and grunts) Time to go. (He begins to limp towards her) Meg: Are you mad?
SUMMARY: | After a prisoner is sent by Hook to tell Emma that he is alive, a creature known as Cerberus begins pursuing the outsiders. This prompts Mary Margaret to turn to the only person who can defeat the creature, Hercules, as she learns that he has unfinished business and is therefore in the Underworld. Back in the Enchanted Forest, he was responsible for giving her the courage to fight back against the Evil Queen's bandits. When the outsiders learn that he has lost that confidence, Mary Margaret decides it's time for him to restore it as they square off against Cerberus and, with the help of the prisoner, kill the creature, giving Hercules and the prisoner, revealed to be Megara, their tickets out. In the process, Regina convinces Mary Margaret to again become Snow White, the woman who took risks before the original curse. A furious Hades vows to make the outsiders pay by forcing Hook to choose which living souls will stay behind as recompense for the souls they've redeemed. Meanwhile, Henry encounters Cruella, who wants him, in his role as The Author, to resurrect and return her to the world of the living, so that Emma's soul will no longer be branded a murderer's, but he keeps this offer to himself. |
fd_How_I_Met_Your_Mother_01x22 | fd_How_I_Met_Your_Mother_01x22_0 | TEXT: Ted from 2030: It was May of 2006 in New York City and life was good. But everything was about to change. At the Bar Ted: So... what do you think? Barney: Robin again? Ted, the universe clearly does not want you and Robin to be together. Don't piss off the universe. The universe will slap you. Ted: But don't you think the universe has more important things to worry about than my dating life? Marshall: Unless your dating life is the glue holding the entire universe together... Whoa. Chills. Anybody else get chills? Ted: Look, I realize we've been down this road before, but the fact is, whatever I do, it all keeps coming back to Robin, so... I gotta do this. (Barney slaps him) Ow! What the hell? Barney: That wasn't me. That was the universe. Ted from 2030: The funny thing was, at that very moment, the universe was working on something... a storm. At Metro News One Weather man: And so tropical storm Willy is going to be with us at least until Monday. It's gonna rain cats and dogs, folks. So don't step in a poodle. Sandy? Robin? Robin: Thanks, Lou. Boy, too bad. Our big Metro News One camping trip was going to be this weekend. Sandy: Yeah, but camping out in the rain? No fun. Muddy. Yuck. Robin: Guess we'll have to take a rain check. Sandy: And we'll check in with you tomorrow, New York. Robin: Have a great night. Man: And, we're clear. Sandy: Bummer. I was hoping to finally have s*x with you this weekend, Scherbotsky. Robin: Well, I'd give you the "I don't date coworkers" speech again, but, God, you must have that sum'bitch memorized by now. Sandy: Shame, though. It was a pretty hot show tonight. The rhythmic give and take of our improvised banter there at the end really got my freak juice flowing. At the Bar Marshall: Dude, he's right. How many times do you have to watch this crash and burn before
SUMMARY: | Ted ultimately decides that he wants to pursue Robin instead of the woman at the matchmaking service, and ultimately tries to win her heart by going to great lengths to romance her. Meanwhile, Marshall worries about his relationship with Lily when he learns of her acceptance to the art fellowship in San Francisco. As Ted tries to learn a rain dance in order to impress Robin, Marshall discovers that Lily left him for the fellowship. |
fd_Charmed_02x02 | fd_Charmed_02x02_0 | TEXT: [Scene: Halliwell manor. Kitchen. Piper brings in the groceries. She's holding her shoe. Prue and Phoebe smell something.] Phoebe: What did you buy? Piper: Doody. Prue: We weren't out of that. Piper: No, I stepped in it again. That man has turned our front walk into a puppy mine field. Phoebe: I can not believe that guy still let's his dog do his business right in front of our house. Prue: Yeah, well, we've left notes. Piper: And gotten no where. Phoebe: Yeah, well, I've had it. The next time I catch him in the act, I'm gonna give him a piece of my mind. (A dog barks.) Piper: That couldn't be. Phoebe: Oh, I hope it is. (They run to the window.) Piper: That's them. That's the guy and his dog. I can't believe it. Prue: That is so rude. He's just gonna walk away. Phoebe: Then don't let him. Use your magic. Well, if you can't teach the dog new tricks, how about the owner. Just think the money we'd save on carpet cleaning alone. Prue: Phoebe, we can't use our magic just to teach him or anybody else a lesson. Phoebe: Why not? It's for the greater good, I mean, I mean, that's our job, right? Think of it as community service. We'd be doing our whole block a favour. Come on. (She opens a window.) Okay, Piper. Piper: I hope he's not out of my range. (She freezes the guy.) Phoebe: Prue... (Prue flicks the poo on his shoe.) Nice shot. (He unfreezes.) An eye for an eye, a shoe for a shoe. (The guy sees the poo on his shoe and tries to wipe it off. He looks around.) Prue, Piper, Pho
SUMMARY: | Prue and Piper use their powers to stop a man from repeatedly allowing his dog to defecate on their entry walk, even though this counts as magic for personal gain. When Phoebe has a vision of herself being burnt to death, the sisters travel ten years into the future to February 26, 2009 to learn what happened and why. In the future, Prue finds herself as a blond with a ruthless business reputation, Phoebe is in prison facing an imminent execution appointment, and Piper discovers that Leo is her ex-husband, and they have a daughter named Melinda. The girls discover that Phoebe used her powers to kill a murderer, causing a local D.A. named Nathaniel Pratt to begin modern day witch trials as a platform for political office. Prue and Piper want to save Phoebe at any cost, but Leo feels that using their powers to save Phoebe will be a tipping point causing rhetoric to become legislation outlawing magic. |
fd_Doctor_Who_1963_15x02 | fd_Doctor_Who_1963_15x02_0 | TEXT: HORROR OF FANG ROCK BY: TERRANCE DICKS Part Two Running time: 24:10 [SCENE_BREAK] REUBEN: Too late, she's struck. LEELA: They will all die, then. REUBEN: If there's any survivors, we'll find them on the east crag. [SCENE_BREAK] REUBEN: Keep that siren going, mister. Hey, Vince! Bring that DOCTOR: (to Leela) Keep that siren going. [SCENE_BREAK] REUBEN: Bring that rope, mister. REUBEN (OOV.): Bring that rope! [SCENE_BREAK] REUBEN: Ahoy! VINCE: She's on again now. REUBEN: Damned electricity. Wouldn't happen with oil. Ahoy! DOCTOR: No, I don't suppose it would. It seems to need electricity. [SCENE_BREAK] PALMERDALE: Why did it take you so long? We were nearly killed on those rocks! VINCE: You'll be all right, sir. Come over to the stove and dry yourself out. REUBEN: We was going to throw. No cause for jumping like that. SKINSALE: Oh, his Lordship was anxious to get ashore. REUBEN: See to the young lady, Vince. PALMERDALE: Oh, get me a brandy. VINCE: Here, ma'am, let me help you. ADELAIDE: Thank you. REUBEN: Well, get her a blanket, boy. ADELAIDE: Oh no, I'm all right, really. PALMERDALE: Well I ain't. I'm soaked to the skin. SKINSALE: Ah, but sea water's healthy, Henry. PALMERDALE: I need a drink. Catch my death like this. Get me a brandy, young fella. VINCE: You don't need no brandy, sir. Hot soup's the ticket for you. PALMERDALE: Don't tell me what I need. Dammit, hasn
SUMMARY: | With inexplicable electrical problems keeping the lighthouse from maintaining a steady beam, a foolhardy ship crashes against the island rocks. Four shaken and discontent survivors join the people inside where the Doctor surmises they're all being carefully scrutinized, a prelude to an attack. |
fd_NCIS_02x04 | fd_NCIS_02x04_0 | TEXT: INT. TRUCK - MOVING WILKINS: (INTO PHONE) Been six months, three weeks, fourteen hours, eighteen minutes since I last saw Tina's cute little - what are you doing? (SFX: CAR BRAKES TO A STOP) JENNINGS: Gotta go. WILKINS: You can't hold it for twenty minutes?! JENNINGS: I'm not gonna tell Marci I've got to hit the head first! (JENNINGS RATTLES THE GATE) WILKINS: Come on, Tom! JENNINGS: I promise not to shake it more than once. (CAMERA ANGLE ON DEAD LIEUTENANT) (CUT TO BLACK) (THEME MUSIC UP OVER OPENING TITLE/ SCENES/ CREDITS AND OUT) [SCENE_BREAK] INT. SQUAD ROOM - DAY KATE: I'd have returned the money. TONY: A buck eighty five? KATE: It's the principle, not the amount. TONY: I didn't notice at the drive through. I dropped the change in the ashtray and left. KATE: You didn't notice because you were too busy leering at the blonde working the window. TONY: I wasn't leering. Drooling a little maybe. The point is I didn't notice her mistake until after we parked and I took the change out of the ashtray. KATE: The point is you did notice which makes not returning the money a conscious act. TONY: Well, I'd burn more than a buck eighty five in gas driving back there. KATE: It's going to come back to haunt you. TONY: What is? KATE: Karma. What goes around comes around. Like a boomerang. And when yours comes back around, you'd better duck really low. TONY: Well, you don't have to duck if you don't believe. MCGEE: Believe what? TONY: Kind of a private conversation, McGee. KATE: With all the bad
SUMMARY: | While on leave, two sailors discover the body of a young woman dressed in a Navy uniform and due to the fact that she has no ID on her is given the name, Lt. Jane Doe . However, the case becomes very personal for Ducky when he realizes that it bears a striking resemblance to a similar case that he investigated ten years ago. Concurrently, the petty officer who tended the new crime scene is a woman McGee knew in the recent past, but her seeming to help the team takes a twist when the new Jane Doe is identified by way of a surprise source. |
fd_Gilmore_Girls_06x02 | fd_Gilmore_Girls_06x02_0 | TEXT: [PREVIOUSLY_ON] (OPEN in front of the Twickham House, night. Lorelai & Sookie are standing there, looking up at it) LORELAI: It's big SOOKIE: That's what she said. LORELAI: Good one SOOKIE: Hey, I'm still twelve. LORELAI: I meant the house. It's very big. SOOKIE: Very sweet of Luke to have that dream of his. You two living in this house! LORELAI: What do you think there are? Twelve rooms? SOOKIE: At least! I mean you can really go to town in this place. You could have a dedicated sewing room. I mean, that's a no-brainer. LORELAI: Are you kidding? I could put a whole loom in one of those rooms. Indulge my long harboured desire to make tapestries SOOKIE: You've been long harbouring that one? LORELAI: I just thought of it, but yeah! SOOKIE: So it's all feeling good, huh? LORELAI: Well it's a little on the Versailles side. I mean I have to keep an eye out for peasants with pitchforks. SOOKIE: I meant the relationship. You're engaged for Gosh sakes! LORELAI: Yes! I'm aware! SOOKIE: And sticking? LORELAI: Yes, Sookie, it's sticking! SOOKIE: Good, good!... How 'bout now? LORELAI: I'm totally re-evaluating the whole thing. SOOKIE: Really? LORELAI: (exasperated) NO! SOOKIE: Well...You've got priors! LORELAI: Sookie! SOOKIE: You say one thing, but your heart says another. LORELAI: Please! Don't give me the whole litany. Especially one that sounds so much like a Kenny Chesney song. SOOKIE: I'm just being honest. LORELAI: (determined) I'm not going to bolt. I'm staying put.
SUMMARY: | Rory begins serving her 300 hours of community service and finds that life on a road crew is not pretty. Lorelai and Luke try to decide whether they will fix up Lorelai's house or buy the Twickham house. Luke's sister Liz begs him to hire her husband T.J. as a contractor. When Rory pays Luke a surprise visit at the diner to find out how Lorelai is, he feels obligated to tell her that he and Lorelai are engaged. Afterwards, Luke confronts Lorelai about her estrangement from Rory. Feeling lonely, Lorelai adopts a dog at the Stars Hollow pet fair. Finally, during a chance meeting, Lorelai and Rory have an angry confrontation about their mutual hurt feelings. |
fd_Doctor_Who_1963_05x02 | fd_Doctor_Who_1963_05x02_0 | TEXT: The Tomb of the Cybermen [b]Episode Two[/b] By Kit Pedler and Gerry Davis 5:50pm - 6:15pm [SCENE_BREAK] 1, INT: WEAPONS ROOM DOCTOR: Oh Jamie don't touch that control! JAMIE: Already have. What's the matter Doctor? DOCTOR: Which one was it? JAMIE: Which one what? (There is a fierce crackle of energy, and Haydon falls to the floor in a pall of oily smoke. Victoria screams.) DOCTOR: What exactly happened here Jamie, what did you do, what sequence did you use? JAMIE: Sequence, how do you mea..? Oh you mean these! Oh, well, I-I just pressed that button and pulled this lever a-a-and then that lever there. PARRY: Doctor, I... do you think you could spare us a moment? I... Haydon! What's happened? VINER: He's dead! Don't you see he's dead!? It's this damn building! It's alive, it's watching us! It'll get us all - we've got to leave! PARRY: Alright Viner! This is terrible. How did it happen? VINER: We've got to get out this building, it's deadly! They'll kill all of us if we don't get back to rocket! DOCTOR: They? VINER: The Cybermen! Didn't you see it?! PARRY: Cybermen? A live Cyberman? My dear Viner, they've been dead for the last five hundred years! VINER: I tell you it was a Cyberman in this very room, and it came out from over there! That that screen thing. JAMIE: Yeah he's right! VINER: Keep back, you'll bring it out again! DOCTOR: The question is, what killed him. VINER: But you saw the Cyberman, Doctor. DOCTOR: I saw something. Poor Haydon was looking at that screen in the direction we all were, right? VINER: Of course, must you state the obvious!
SUMMARY: | The archaeologists learn they are stranded on Telos and Klieg suggests they use the opportunity to explore the Cybermen's tombs. |
fd_FRIENDS_01x02 | fd_FRIENDS_01x02_0 | TEXT: Originally written by Marta Kauffman and David Crane. Transcribed by guineapig. PRE-INTRO SCENE: CENTRAL PERK (ALL PRESENT) MONICA: What you guys don't understand is, for us, kissing is as important as any part of it. JOEY: Yeah, right!.......Y'serious? PHOEBE: Oh, yeah! RACHEL: Everything you need to know is in that first kiss. MONICA: Absolutely. CHANDLER: Yeah, I think for us, kissing is pretty much like an opening act, y'know? I mean it's like the stand-up comedian you have to sit through before Pink Floyd comes out. ROSS: Yeah, and-and it's not that we don't like the comedian, it's that-that... that's not why we bought the ticket. CHANDLER: The problem is, though, after the concert's over, no matter how great the show was, you girls are always looking for the comedian again, y'know? I mean, we're in the car, we're fighting traffic... basically just trying to stay awake. RACHEL: Yeah, well, word of advice: Bring back the comedian. Otherwise next time you're gonna find yourself sitting at home, listening to that album alone. JOEY: (PAUSE)....Are we still talking about s*x? SCENE 1: MUSEUM OF PREHISTORIC HISTORY (ROSS AND MARSHA ARE SETTING UP AN EXHIBIT, WHICH INCLUDES SOME MANNEQUINS OF CAVE PEOPLE) ROSS: No, it's good, it is good, it's just that- mm- doesn't she seem a little angry? MARSHA: Well, she has issues. ROSS: Does she. MARSHA: He's out banging other women over the head with a club, while she sits at home trying to get the mastodon smell out of the carpet! ROSS: Marsha, these are cave people. Okay? They have issues like 'Gee, that glacier's getting kinda close
SUMMARY: | Carol tells Ross that she is pregnant with his child. When Ross attends the sonogram appointment, he is stunned to learn that Carol and her partner, Susan, want to give the baby their last names, but not his. When Rachel returns her engagement ring to Barry, she expects him to be heartbroken, but learns he went on their cancelled honeymoon with her maid-of-honor, Mindy. Monica stresses over her and Ross' parents coming for dinner, knowing her mother will fawn over Ross and criticize her. |
fd_Doctor_Who_1963_19x21 | fd_Doctor_Who_1963_19x21_0 | TEXT: EARTHSHOCK BY ERIC SAWARD Part Three Running time: 24:24 [SCENE_BREAK] DOCTOR: Then make sure you kill the right people. Look at them! RINGWAY: No tricks. DOCTOR: Look at the state they're in. [SCENE_BREAK] On the bridge. CAPT BRIGGS: Turn that thing off. What's the delay? Where's Ringway? The communicator rings. BERGER: Bridge. RINGWAY (v.o.): I've apprehended two stowaways. CAPT BRIGGS: Apprehended. Why can't he say 'caught'? So melodramatic. BERGER: Take them to the brig. CAPT BRIGGS: I'd rather have them up here. RINGWAY: Vance and Carson are dead, murdered by the stowaways. CAPT BRIGGS: Oh, that's all we need. RINGWAY: Their bodies are by silo 941. CAPT BRIGGS: Well get a stretcher party down there. You've done well, Mister, you'll get extra bonus. RINGWAY: I'd rather have Vance and Carson alive. The Cybermen are checking out the action. CYBERLIEUTENANT: Which one is the Doctor? CYBERLEADER: The tall one with the fair hair. Even under the threat of death he has the arrogance of a Time Lord. CYBERLIEUTENANT: Now that the Doctor is a prisoner, it is time to secure the freighter. CYBERLEADER: Indeed. But the Doctor must be taken alive. He must suffer for our past defeats. [SCENE_BREAK] In the TARDIS. LT SCOTT: I think I should go and look for him. NYSSA: No, wait. You might spoil things. TEGAN: The Doctor's quite capable. And Nyssa's right. A show of force might ruin everything. LT SCOTT: I hope you're right. The stretcher party carry the stretcher down the stairs past the ascending
SUMMARY: | Captain Briggs takes the Doctor prisoner, suspecting him of being behind the murders on board. Meanwhile the Cybermen start the process of taking over the ship with the help of a traitorous crew member. The Cybermen also start reviving other Cybermen who are hidden away as cargo. |
fd_True_Blood_01x04 | fd_True_Blood_01x04_0 | TEXT: Scene 1: Sookie is in Dawn's bedroom. Dawn's alarm clock is buzzing. Sookie (screaming): Help! Someone, please! (Sookie moves to Dawn's body, lying in bed.) Sookie: Sweetie. What did you get yourself into? (Sookie pulls the sheet over Dawn's face. Cut to a vase falling to the floor and shattering. Sookie turns around, and Jason enters the room and stares at Dawn's body.) Sookie: Oh my God, Jason. (Sookie moves toward Jason, and hugs him.) Sookie: Oh, my God. Jason: It's OK. Sookie (screaming, beating on Jason with her open hands): Like hell it is! Look at her! She is definitely not...okay! Jason: Bangin' on me ain't gonna change anything none. Miss Lefebvre (off-camera): Dawn? I heard yelling. (Dawn's neighbor, Miss Lefebvre, enters the room, looks at Sookie and Jason, and sees Dawn's body in bed.) Miss Lefebvre: Sweet Lord in heaven. No. (Miss Lefebvre makes the Sign of the Cross on herself, walks to Dawn's bed and looks at the body.) Miss Lefebvre (turning to Jason, angry): What did you do? Jason: Me? Sookie: I found her, Miss Lefebvre. He...just got here. Miss Lefebvre: I saw you last night, Jason Stackhouse. I heard y'all fightin', then she took a shot at you, and you ran off. And now she's dead. Sookie: Jason? Jason: Yeah. We had a fight. But I came here to apologize. (Jason holds up a small bouquet of flowers.) Sookie: She fired a gun at you, and you come back to apologize? Jason: Sook...I didn't do this! You gotta believe me. Miss Lefebvre: Well, I'm calling the police. (Miss Lefebvre leaves the room.)
SUMMARY: | As Sookie screams for help, Jason shows up with a bouquet of flowers. Dawn's neighbor answers Sookie's calls and, upon seeing Dawn's body, accuses Jason of killing her and he storms off. Later, a large crowd of police and onlookers has gathered, including Arlene Fowler, another Merlotte's waitress, her boyfriend Rene Lenier and Hoyt Fortenberry, both of whom work on Jason's roadworks crew. Sam, who owns the block of houses, shows up to comfort Sookie just before Mike Spencer, the county coroner, and his assistant Neil bring Dawn's body out. Andy Bellefleur takes Jason in for questioning again and Jason, remembering that he has a vial of illegal vampire blood on him, swallows the whole thing. Halfway through his questioning, the overdose of "V-juice" gives Jason a severe case of priapism . He is rescued from the cops by Tara and, after she takes him home, Jason tries to rid himself of his erection, but nothing will work. Adele asks Sookie to read the townspeople's thoughts in order to find any evidence that will clear her brother's name. Desperate for relief, Jason goes to Merlotte's to see Lafayette, who cannot help him. After deducing Jason's use of V-juice, Tara insists on taking him to the hospital. In order to help in Sookie's investigation, Bill agrees to take her to a vampire bar in Shreveport named Fangtasia. Sam warns Sookie of the dangers of hanging around in such places, but she ignores them and goes anyway. When they arrive at Fangtasia, Bill and Sookie are admitted by an old vampire acquaintance of Bill's, Pam. Sookie describes the bar as being like an attraction at Disney World. At the hospital, Jason lies to the doctor about taking any drugs and, not wanting to risk a drug reaction, the doctor uses a large syringe to drain the blood out of Jason's penis without anesthesia. On the ride home, Jason sleeps and Tara reminisces about their childhood together, when Jason would protect her from her mother's drunken violence. It seems that Tara is in love with Jason. At Fangtasia, Bill and Sookie are summoned by Eric Northman, a thousand-year-old Viking vampire and owner of the bar. Sookie shows him pictures of Maudette and Dawn and Eric reveals that he slept with Dawn, but rejected Maudette. Sookie senses that a human is being fed on in the bathroom just before a police raid on Fangtasia, and she, Bill, Pam and Eric manage to escape just in time. On their way back to Bon Temps, Bill is pulled over by a police officer and the situation gets out of hand when Bill glamours the officer. Sookie is afraid Bill is going to kill him, but instead he simply drives off after warning the officer to be careful the next time he pulls someone over on suspicion of being a vampire. Sam lets himself into Dawn's old house and rolls around in her sheets, sniffing and writhing. |
fd_The_Walking_Dead_03x02 | fd_The_Walking_Dead_03x02_0 | TEXT: In the cafeteria The five prisoners are still standing behind the wall. Daryl, with his crossbow pointed in their direction, walks towards them. Daryl: Who the hell are you? One of the men: Who the hell are you? Rick: He's bleeding out, we gotta go back! (to Maggie) Come around here. Put pressure on the knee! Hard! Hard! Push, push! Daryl: (to the prisoners) Come on out of here. Slow and steady. The prisoners come out. Thomas (one of the prisoners) : (about Hershel) What happened to him? Daryl: He got bit. Thomas: Bit? Thomas takes his gun, T-Dog threatens him with his gun. Daryl: Whoa, whoa, whoa, easy now. Nobody needs to get hurt. Rick: (to Maggie) I need you to hold this. As hard as you can. Maggie:...Yes.. Glenn goes in the room where the prisoners were before. Glenn: You got medical supplies? Big Tiny (another prisoner) : Wow, where do you think you're going? The walkers are still trying to come in the room. Thomas: Who the hell are you people anyway? Axel (another one of the prisoners) : Don't look like no rescue team! Rick tries to carry Hershel, who's still unconscious. Rick: If a rescue team's what you're waiting for, don't! Glenn takes a table to carry Hershel. Rick: Come on, we gotta go! Now! Come on, I need a hand here! (Glenn and Rick put Hershel on the table) One, two, three, go! Axel: Holy Jesus! Rick: T, the door! Oscar (a prisoner) : Are you crazy? Don't open that! T-Dog: We got this. T-Dog opens the door, and kills a walker that comes in. The others get out of the room, carrying Hershel on the table. Rick: Daryl! Daryl! Thomas is still pointing his gun at them, and Daryl his crossbow. T-Dog: Let's go. They
SUMMARY: | Rick's group discuss what to do with the five prison survivors, and initially lock them in a separate but walker-free part of the prison. When the prisoners agree to help them clear walkers, Rick allows them to come, but finds their leader Tomas unstable and is forced to kill him, while abandoning another, Andrew, in a yard full of walkers. The others tend carefully to Hershel's health to make sure he does not turn. |
fd_The_Vampire_Diaries_05x08 | fd_The_Vampire_Diaries_05x08_0 | TEXT: [Whitmore College] (Dr. Maxfield is in his lab with Jesse, who's still being detained) Dr. Maxfield: Preliminary report subject 62547. Subject has transformed from human to vampire in approximately 14 days. Indicators predict a positive response to first bag of undiluted Augustine blood (He gives a blood bag to Jesse) Dr. Maxfield: Physical strength is an unforeseen side effect. Terminating transfusion. Activating emergency procedures (Bonnie is in the dorm, recording a video for her mom) Bonnie: Hi, mom! I know we haven't seen each other or talked in a while, so I wanted to make you a video update. Um, I finally finished my whirlwind summer tour, got a new do, and I'm in college at Whitmore, where grams taught. This is my dorm! It's huge, right? Look. It even has a fireplace! I mean, what dorm has a fireplace? (Elena and Caroline enter) Bonnie: Oh, here they are! Hey, guys! Say hi to my mom! Caroline/Elena: Hi! Bonnie: They're planning me a welcome party. Just... just something hokey. I miss you. Um, please come visit when... ha... When you get a chance. I'll, um, I'll talk to you soon. Mmm-wha. Bye (She stops filming) Elena: "And by the way, mom, I'm not a witch anymore because I died and then came back from the other side." Caroline: ''"Yeah. I'm the supernatural anchor that connects our two worlds together, so..." Elena: "Technically, I'm a ghost that people can still see and touch, so..." Bonnie: Ok. So I left out a detail... or two. I'll explain when she visits. How big is this party going to be? Elena: Well, let's see. Silas and Tessa are gone, and you finally aren't Caroline: Which equals massive cause for celebration! Elena: Which equals a massive party. Hopefully, since each of us have only made one friend
SUMMARY: | With Bonnie back, Elena and Caroline decide to throw a party, but Bonnie has problems by being the connection to the other side when supernatural creatures die and use her to move on. Jesse, who is a new vampire has problems and asks Caroline for help. Even after killing Silas, Stefan has some trouble remembering everything that happened the past summer. At the party, Elena sends Damon to take some questions from Wes about his vampire tests. Katherine uses Stefan and Nadia to find out Gregor's (in Matt's body) motives even when Silas is dead. Gregor reveals that his mission was to kill Silas and then go after Katherine and kill her. Katherine stabs Matt with a special knife and Gregor's spirit is forced to leave his body. Wes reveals to Damon that Jesse was created to feed only from other vampires. Damon is attacked by Jesse and Elena is forced to kill him in order to save Damon. Caroline is somewhat understanding, but nevertheless disappointed, believing Elena's relationship with Damon is affecting her judgement. A desperate Katherine decides to jump out of the clock tower and kill herself but is saved by Stefan. While Bonnie and Jeremy make out Jesse appears, having to go through Bonnie. Bonnie finally tells Jeremy what it means to be the Anchor to the Other Side. In the end, Bonnie says it's worth it and they have sex. Wes reveals to Damon more about the blood tests and an organization named 'Augustine' which Damon remembers from his past. Wes escapes his bonds and captures Damon. In the final scene, Damon is seen stuck in a cage with his initials carved on the walls. |
fd_One_Tree_Hill_05x05 | fd_One_Tree_Hill_05x05_0 | TEXT: LUCAS' BEDROOM Lucas is at his desk, Lindsay walks in LINDSAY : Hey... How's the writing going? LUCAS : Slow, sluggish, and plodding. Mostly just messing around with my online thesaurus. LINDSAY : Apparently. I was doing some organizing, and look what I found. (Lindsay shows a picture of Nathan basketball team with Lucas and Whitey as their coach) LUCAS : That was a long time ago. LINDSAY : You know what I love about it? That smile on your face. I don't think I've ever seen you look so happy. Makes me wonder if maybe you were happier then. Before the book was published. Before you moved back home. Before us. LUCAS : Lindsey......you make me so happy. LINDSAY : Really? You wouldn't change anything? LUCAS : Not a thing. (Lucas and Lindsay kiss, than Lucas looks at the picture...) FLASHBACK 3 YEARS AGO INTERIOR GYM WHITEY : Tomorrow night, you play for the Division II title. However, in my opinion, you can go up against any college squad in the nation. Now, for those of you who have won a championship, I don't have to remind you how good it makes you feel. The rest of you will just have to trust me. Now, I want you to go home and hit the sheets... preferably alone. LUCAS : Coach. WHITEY : Go home, Luke. LUCAS : Actually, I was thinking I was gonna watch a little bit more tape. WHITEY : Lucas, you've been a great assistant coach this year and someday you're gonna take over the team, but for now, you take orders from me. Go home and go to bed. LUCAS : All right. WHITEY : And no late-night cyber chats with long-distance blondie. LUCAS : All right. EXTERIOR GYM Nathan's coming outside of the gym to see Haley, who's holding the
SUMMARY: | In an episode set three years in the past, Lucas visits Peyton in Los Angeles with an offer that will change their relationship forever. Under pressure from Victoria, Brooke must make a difficult decision about the future of her clothing line. Whitey is concerned when Nathan's temper flares on the night of the college basketball championship. Haley struggles to balance the pressures of school and being a new mom. |
fd_The_Big_Bang_Theory_03x03 | fd_The_Big_Bang_Theory_03x03_0 | TEXT: Scene: The apartment kitchen. Penny is cooking breakfast while singing and dancing along to "Man I Feel Like A Woman" by Shenia Twain. Sheldon enters. Penny: Morning, Sheldon. Come dance with me. Sheldon: No. Penny: Why not? Sheldon: Penny, while I subscribe to the many worlds theory which posits the existence of an infinite number of Sheldons in an infinite number of universes, I assure you that in none of them am I dancing. Penny: Are you fun in any of them? Sheldon: The math would suggest that in a few I'm a clown made of candy. But I don't dance. Penny: All right, want some French toast? Sheldon: It's Oatmeal Day. Penny: Tell you what, next French Toast Day, I will make you oatmeal. Sheldon: Dear Lord, are you still going to be here on French Toast Day? Leonard: Morning. Sheldon: Look, Leonard, Penny made French toast. Leonard: Sorry. I haven't given her your schedule yet. Sheldon: It's an iCal download, she can put it right in her phone. And I thought we agreed that you'd have your conjugal visits in her apartment. Leonard: We did, but there were extenuating circumstances. Sheldon: I see. Did her abysmal housekeeping skills finally trump her perkiness? Leonard: No, her bed kind of... broke. Sheldon: That doesn't seem likely. Her bed's of sturdy construction. Even the addition of a second normal size human being wouldn't cause a structural failure, much less a homunculus such as yourself. Penny: A homunculus? Leonard: Perfectly formed miniature human being. Penny: Oh, you're my little homunculus. Leonard: Don't do that. Penny: Sorry. Okay, who wants syrup and who wants cinnamon sugar? Sheldon: I want oatmeal. Penny: Yes, well, I want a boyfriend whose roommate isn't a giant pain in the ass. Sheldon: I'm sure that will
SUMMARY: | Penny's bed in her apartment breaks, forcing her to sleep at Leonard and Sheldon's apartment for a few days. Sheldon tries to condition Penny, rewarding with chocolate what he considers to be "correct" behavior. Howard and Raj pretend to be goths to try to meet girls at a goth club, but chicken out when the girls persuade them to get tattoos. |
fd_Alias_01x13 | fd_Alias_01x13_0 | TEXT: (Sydney hears banging around in the vents. Thinking it's one of Cole's goons, she braces herself... until she sees Jack.) SYDNEY: Dad! What are you doing here? JACK: Just stay there. SYDNEY: No, Dad, don't! JACK: Hold your fire! I'm coming through! I'm coming out! (Jack gets out. Sydney hears him getting punched.) (In SD-6's main part, the goons hold their guns on the agents. Dixon looks over at Marshall, who has blood running down the side of his head.) DIXON: You okay? MARSHALL: Except for my head injury, yeah. (Cole and two goons bring Jack in, his hands behind his back.) COLE: Mr. Cool Customer here was caught crawling around the vents. Sit his butt down. (They put Jack in a chair next to Dixon. Cole talks to FGOON.) COLE: So, how long is it going to take to open the vault? FGOON: The sooner I get started, the sooner I'll know. (They kiss.) COLE: I need, like, awesome good news, baby. FGOON: I know. COLE: Endo, Chen, I'll be in the conversation room. (Jack looks up to the vents, knowing Sydney's somewhere up there.) (In their control room, Sydney comes out of the vents and sees a note left by Jack on top of the monitor.) JACK: (voice over) Follow this map to the three locations where the C-4 explosives are set. You must deactivate all three C-4 packages before the vault door opens. Good luck. (She takes the map and a flashlight and starts.) (FGOON runs in to the vault and sets up her laptop. She starts working on opening it.) (Dixon and Jack whisper to each other.) DIXON: I think I can get to the PDA and e-mail Langley. JACK: You know that's not an option. DIXON: Look, I understand the need for plausible deniability here. JACK: The C.I
SUMMARY: | Vaughn disobeys orders and attempts to help Sydney and Jack avert the destruction of SD-6 headquarters and all its occupants. Meanwhile, McKenas Cole continues his vendetta against Sloane searching for a mysterious device. The daughter of David McNeil, a convict condemned to life for an affair having to do with SD-6, convinces Will to continue his investigation and help her imprisoned father. Vaughn helps Sydney out of SD-6 and they recover what Cole was there to get, a mysterious vial of liquid with the inscription <O>, a recurring symbol found in Rambaldi's inventions and manuscripts. |
fd_Frasier_05x01 | fd_Frasier_05x01_0 | TEXT: [Act One] STRANGERS ON A PLANE [Scene One - Interior Of A Plane. Frasier is sat with the woman from "Odd Man Out", Joanne] Joanne: Well, I should warn you. If we hit turbulence, I may hold on to you for dear life. Frasier: I should warn you, I'm hoping for a bumpy ride! Joanne: Why are you going to Acapulco? Frasier: Actually, it's rather an amusing story. You see, I came down to the airport on sort of a blind date with a cello player. Of course, she didn't know it was a blind date, actually, it was all in my head. [laughs] But, er, so I bumped into you and you said you were going to Acapulco, I thought I might tag along. Joanne: So, the only reason you're on this plane is because of me? Frasier: Call it Kismet. Joanne: [to one of the cabin crew] Can I switch seats? Crew: You're lucky, normally this flight is jammed. [She goes to the back of the plane] Frasier: See, Kismet! [A woman sitting behind him, Felicity, peeks her head over and talks to Frasier] Felicity: I didn't mean to eavesdrop, but I have to say, I'd be flattered if someone got on a plane to be with me. Frasier: Really? Felicity: Yeah, I mean what can be more romantic than that? Frasier: You know, it's a little awkward trying to talk like this. Is that seat taken? Felicity: No, come sit here, please. [Frasier moves into the seat next to the woman] Frasier: At last. I'm Frasier Crane. Felicity: Felicity Stafford. Frasier: It's a pleasure. Felicity: And this is my husband, David. [Frasier looks over at the man in the seat next to him ominously. David looks displeased to say the least] Frasier: Oh, darn!
SUMMARY: | The story continues from the previous episode (" Odd Man Out "), after Frasier spontaneously decides to board a plane to Acapulco with Joanna. She soon switches seats after learning this. While reading a magazine, he realizes that the model in it is actually the woman sitting next to him on the plane, who introduces herself as Kelly Easterbrook ( Sela Ward ). She tells him she is a supermodel and a student of zoology . The pair begin dating, but Kelly asks him to not tell anyone about them, as she is currently breaking up with a football player and wants this kept out of the media. Niles, Daphne and Martin do not believe his claim to be dating a supermodel and believe that he is experiencing delusions. |
fd_The_O.C._01x27 | fd_The_O.C._01x27_0 | TEXT: Opening scene - we see a beautiful shot of the coast then we see sailing boats on the water, then we hear Seth's voice. - Seth and Ryan are outside somewhere, it turns out they are waiting for Theresa but we don't know that yet Seth: Thor it's a strong name, no ones gonna mess with Thor Ryan: thanks Seth: Seth's a good name for a boy too, although at camp Tokaho I was often referred to as as girl so I guess it works either way Ryan: can we not play the name game Seth: right, sorry its premature (shakes his head) she's probably not even pregnant...maybe you shoot blanks Ryan: I feel much better Seth: sorry, if you're in no mood ta kid I woul- kid there's an unfortunate choice of a word Ryan: we don't even know if this kid is mine Seth: we don't even know if there is a kid, how much faith can you put in a pee swab Ryan: s-Seth don't say swab (walks away) Seth: Ryan Atwood jus made a joke (follows) Ryan: yeah got a keep a sense'a humour no matter what right Seth: hey! stuffed in the locker, shoes full of the water polo teams urine, never funnier Ryan: (looks at him) good ta know Seth: yeah infact having you around ta defend me, i've kinda gotten soft not having anyone picking on me there's really ben no need for the uh Seth Cohen retaliatory zinger (Ryan half smiles then looks over to where Theresa is coming out, the door reads 'FAMILY PLANNING CLINIC'. Theresa turns around and walks over to them, Ryan raises his eyebrows) CUT TO: Cohen kitchen - Kirsten is on the phone and Sandy comes in Kirsten: my dad hates Cilantro, if you put Cilantro on anything I may be uninvited to the wedding Sandy: somebody get me
SUMMARY: | Summer is near and that means sun, surf and rejuvenation. Or to Ryan, Seth and Marissa, it may mean none of the above as each faces a critical crossroad. Just the same, Newport society rises to the occasion when Caleb and Julie do the "I do." |
fd_Grey_s_Anatomy_01x08 | fd_Grey_s_Anatomy_01x08_0 | TEXT: (Seattle Scenes) MVO: You know how when you were a kid and you believed in fairy tales? (Derek is at Meredith's, applying deodorant; she is just looking at him) MVO: That fantasy of what your life would be. White dress, Prince Charming, Who'd carry you away to a castle on a hill. You'd lie in bed at night and close your eyes, and you had complete and utter faith. (Izzie is in the kitchen, a sink full of dirty dishes, and cupcakes everywhere. George is there eating cupcakes.) Izzie: Eight hours, 16 ounces of chocolate, and 32 cupcakes, and they still don't taste right. George: (With mouthful) No, these are good. Martha Stewart would be proud. Izzie: Yeah, look where it got her. MVO: Santa Claus, the Tooth Fairy, Prince Charming, they were so close, you could taste them. Izzie: There's something missing, some specific ingredient. Why can't I remember? MVO: But eventually, you grow up. One day you open your eyes, and the fairy tale disappears. George: Look, just call her. Call your mother and ask. MVO: Most people turn to the things and people they can trust. Izzie: I don't want to call my mother. (Meredith and Derek still getting ready. Derek is brushing his teeth. ) Meredith: So let's go sleep at your house tonight. Derek: What? Meredith: I mean, why are we always sleeping at my house? Do you even have one? Derek: One what? Meredith: A house. With a closet. With your stuff in it. Your personal stuff. Do you even have one of those? Derek: Mmm. (Derek and Meredith enter the kitchen) Derek: Good morning. George: Hey. You guys want a cupcake? Derek: Oh, no. George: Izzie made them. Derek: You know, I like it here. You said so yourself, you liked having your things around, sleeping in your own bed. (Derek is getting cereal and a bowl out) George: You're like
SUMMARY: | Meredith grows increasingly dissatisfied with the unknown details of Derek's life. Meanwhile, Alex treats Devo, a patient whose religious beliefs jeopardize her chances for recovery; Izzie contemplates reconnecting with her estranged mother; Zoey, a pregnant woman in her 40s who's been diagnosed with cancer, disagrees with Cristina's medical advice; and the interns are mystified by Cable, a patient who's being treated for seizures and who thinks he's psychic. |
fd_CSI__Crime_Scene_Investigation_06x24 | fd_CSI__Crime_Scene_Investigation_06x24_0 | TEXT: [CU: WILLIE CUTLER'S EYES & SWEATY BROW] FADE TO [CU: GUN] (Willie Cutler raises the gun.) [SCENE_BREAK] [WILLIE CUTLER] (Willie Cutler fires twice.) (EXTREME SLOW MOTION. The two bullets whiz through the air and across the room.) (One of the bullets hits Brass in the chest, past the bullet-proof vest he's wearing. He grunts at the impact. His eyes grow wide.) (Brass falls back to the floor.) (Behind him, the door bursts open. SWAT runs into the room.) SWAT Leader: (distorted) Get the paramedics. [SCENE_BREAK] [BRASS' POV] (We hear the sounds of a heart-monitoring machine beating regularly.) (Warrick leans over him, hovering next to the SWAT LEADER attending to Brass. He looks worried.) (HOLD on Brass, his face filled with fear. The room breaks out into commotion, both on screen and off. SWAT Leader: Hang in there, Jim, hang in there. SWAT LEADER: Right here. Right here. Good job. (Warrick moves aside. Brass is surrounded by SWAT trying to help him. Someone presses a white towel to his wound.) [SCENE_BREAK] (The paramedics arrive and are working on Brass. He's still on the floor, blood smudged over his face, his eyes glassy and in shock.) Voice: Sir, sir, can you see me? VOICE: Sir, can you hear me? (Brass' hand reaches up wildly in the air.) (Brass is removed from the room.) [BRASS' POV] (The hallway ceiling moves as he is pulled through the corridor on the gurney.) (Blurry flashes of the paramedics pulling the gurney.) (Blurry flashes of the casino lobby's ceiling.) (Blurry flashes of the ambulance as Brass is put in the back.) (
SUMMARY: | The CSIs wait by the bedside of Brass, who is transported to the hospital, and is fighting for his life. Grissom faces a hard choice by having the power of attorney (rather than Brass' daughter Ellie), and decides to proceed with the risky operation to recover the bullet. Meanwhile, the rest of the team investigates the strange ways of life of two victims: a Civil War re-enactor found decapitated by a train, and a 40-year-old man found dead in a hotel. |
fd_Reign_01x13 | fd_Reign_01x13_0 | TEXT: ACT 1, SCENE 1 - THRONE ROOM: (In preparation for her beheading, Catherine runs through the motions with the executioner, but in typical Catherine fashion, she still carefully threads her corset, braids her hair and puts on expensive jewelry) Catherine: (to the executioner): Make the blows sure and quick... (The executioner runs his axe across a blade, making sure it's sharp) Catherine: (off-screen): Remember, I've paid you extra. I don't want my children to see you hacking at me. (He tugs at the necklace, moving it out of the way) Catherine: Don't break the clasp! I've promised this necklace to one of my ladies (Catherine's head lies on the block. The executioner looms above her, but before he removes her head from her neck, she receives a formal looking piece of paper) Catherine (rising): Prunes?! My oldest daughter can't eat them. (Catherine looks around the room in disgust, pointing out all of the flaws in the decorations) Catherine: The flowers! Full vases, cascading bouquets.. where are they? Servant: We were told by the King to save them until the actual day. Catherine: I need to see their placement. (The servant hands Catherine the sheet of paper and she scoffs at it) Catherine: What about the wine? 100 (indistinguishable), flowing freely. The nobles will expect it. Yes, let them drink and swim in my blood, thinking theirs is next once that b*st*rd Sebastian takes the throne. ACT 1, SCENE 2 - ELSEWHERE IN THE REALM: (In a small cottage elsewhere in France, Lola is preparing herself for the last leg of the journey back to French court) Lola (hearing a knock at the door): Come in, Please. I'm nearly ready. Francis: No rush. They're bringing the horses around. Lola: No rush? I feel awful we stopped at all. You swear you didn't do it for me, because I'm a terrible rider? Francis: We gained
SUMMARY: | Queen Mary's mother, Queen Marie de Guise (Amy Brenneman), arrives and advises her daughter against marrying Bash. Nostradamus tells Queen Catherine that he stopped having visions of Francis's death after Clarissa died, and had a new vision of Mary and Prince Francis's happy future together. When Prince Francis returns to the castle, Queen Catherine advises him to pursue Queen Mary and promises never to harm her again. King Francis and Bash fight over Queen Mary, and Prince Francis tells her of the change in Nostradamus's visions- News arrives that the Queen of England is dead, and King Henry pressures Mary to choose one of his sons. Queen Mary ultimately chooses Prince Francis and they are wed; King Henry pardons Queen Catherine for the occasion. Nostradamus discovers that Clarissa is still alive. Meanwhile, the castle, Queen Mary is angered to learn that her own mother had fabricated the news from England to push her into making a choice, and orders her to leave. Nostradamus has a deeper vision of Queen Mary and Prince Francis's future: They will indeed be happy but Prince Francis shall perish just one year into their marriage from a bleeding ear. King Henry makes Bash watch Queen Mary and Prince Francis's consummation before he is escorted from the castle. Believing the royal guards were ordered to kill him, Bash finishes them off first and escapes. |
fd_Once_Upon_A_Time_02x17 | fd_Once_Upon_A_Time_02x17_0 | TEXT: SCENE: Somewhere in Maine. Past. Kurt Flynn and Owen Flynn are camping. The father teaches his son how to correctly tie a lanyard keychain. [SCENE_BREAK] Kurt: Yeah, there you go. That's it. A little tighter. Now pull the loops, as tight as you can. Ah, look at that. I mean, it's not bad for your first one. Owen: Green and red, like Luke and Darth's lightsabers. Kurt: Hey. Here is one for your collection. Your.. grandpa taught me how to make these when I was your age. Owen: You're giving it to me? It's mine now? You weren't very good at this when you were my age, were you? Kurt: (laughs) All right, smart guy. Yeah, time to get dinner started. (A strong gust of wind begins) Owen: What is that? Kurt: Probably an electrical storm. Put the fire out. Get in the tent! Owen: Dad! Kurt: Owen. We'll be all right, kid. (Dark Curse blasts through the woods) [SCENE_BREAK] SCENE: Somewhere in Maine. Past. Kurt and Owen woke up and found trees knocked onto the ground, one tree even crushed their car. [SCENE_BREAK] Owen: Whoa. What kind of storm was that? Kurt: It's a big one. (They begin walking and searching for the nearest highway) Kurt: The highway should be just over that ridge, and then we'll get a ride to the nearest town. Owen: Dad? Kurt: That's what you get for camping in the boonies, I guess. Owen: (sees Storybrooke) Dad. Look. [SCENE_BREAK] SCENE: Storybrooke. Past. Kurt and Owen are walking down the street. [SCENE_BREAK] Kurt: This is impossible. We drove through here yesterday. There was nothing here. It's like someone dropped a town right on top of us. (Kurt and Owen are looking at Storybrooke Clock Tower. A sheriff's car stops behind
SUMMARY: | Emma, David and Mr. Gold must protect Mary Margaret against Regina, who is out for revenge and has made it her mission to kill Mary; and Henry, fed up with all of the feuding, devises a plan to put an end to magic. Meanwhile, Regina discovers that a father and son have somehow found their way into her allegedly undetectable town as she and the fairytale characters deal with the effects of the newly cast curse 28 years prior. |
fd_The_Office_04x10 | fd_The_Office_04x10_0 | TEXT: Rolando: [on phone] Dunder Mifflin, this is Rolando. Oh yes, she's been expecting your call. [knocks on door] Karen: Yeah. Rolando: Karen? He's on line one. Karen: Thanks Ro. Hey, we finally connected. How's Scranton? [SCENE_BREAK] Karen: I am the regional manager of Dunder-Mifflin Utica branch. Turns out it's a pretty easy gig when your boss isn't an idiot and your boyfriend's not in love with somebody else. [SCENE_BREAK] Karen: Look, All I'm saying is it would be a great opportunity, and we'd love to have you come aboard. So think about it, okay? Okay, bye. [SCENE_BREAK] Karen: Look, for the record, a certain Scranton salesman approached me, okay? [SCENE_BREAK] Michael: This is perfect. Dwight: He looks like your twin. Michael: This is a dummy, a la Ferris Bueller's Day Off. We have tied a string to the wrist, which goes to the door. When somebody opens the door, the hand goes down, hits the remote, turns on the tape recorder, which is me snoring. Now nobody knows whether I am here, or whether I am gone. Dwight: I will know. Michael: But, you will not tell anyone. Dwight: I won't need to because we'll be together playing hooky. Yeah. Michael: Well, sometimes. Most of the time I will be with Ryan, or Darryl. [knock on the door] Yes? Oh good, good Stanley! First victim, this is what I want you to do. Go out, come back in. We're going to hide. I want you to tell me if this looks like me, okay? Stanley: I don't understand why sleeping at your desk is better than you not being here. Michael: Just go out, and come back in. Stanley: I got an offer from Utica for more money, and I'm going to take it. Michael: What? [SCENE_BREAK] Michael: Hey everyone, can I have your attention
SUMMARY: | Karen, now Regional Manager of Dunder Mifflin Utica, attempts to lure Stanley away from Dunder Mifflin Scranton. Pranking Karen for her attempt, Michael and Dwight trick Jim into accompanying them on a "panty raid" to Utica. When they are discovered, Karen scolds them and is further angered when Jim informs her that he and Pam are now dating. Back at Scranton, Michael bids Stanley goodbye, who then tells Michael he's decided to stay, revealing that he only said he had left to try to get a raise. |
fd_Frasier_09x22 | fd_Frasier_09x22_0 | TEXT: ACT ONE Scene One - KACL Frasier is doing his show. Frasier: So just remember, when you're standing there, that what you're going through... Kenny enters Roz's booth in a hurry and taps her on the shoulder. Kenny: Why hasn't Frasier mentioned the Spokane thing yet? Roz: I don't know. I'm sure we'll get to it by the end of the show. Kenny: Well, he'd better, because I left him a memo and an email specifically asking him to promote the Spokane thing. Now ignoring an email is one thing, but a memo and an email? Well, I may have to bring the hammer down and leave a Post-It on his desk. Frasier: Which brings me to a bit of news. Starting Monday, there will be a new addition to the Frasier Crane radio family: the city of Spokane. [smiles at Kenny] Kenny: Oh, thank goodness. Man, that was like the Cuban Missile Crisis for a moment, wasn't it? He leaves the booth. Frasier: In fact, KQZY is not only going to be carrying the show, but they've invited Roz and me to conduct Monday's broadcast from their studios in Spokane. But fret not, Seattle. Although my body will be 300 miles away, my heart will be firmly lodged in your radios. [beat] You know, that sounded a lot better this morning in the shower. Anyway, good day and good mental health. He goes off the air. Roz comes in. Roz: I thought Friday was your bath day. Frasier: Ah, I woke up late. So, Roz, what time do you want me to pick up you and Roger on Sunday? Roz: Oh, there's been a change in plans. Roger is not coming to Spokane. Frasier: Really? Well, nothing wrong, I hope. Roz: We broke up. Frasier: Oh, Roz, I'm so sorry. Roz: We just talked about some problems we'd been having and decided
SUMMARY: | Frasier's show has been picked up by a station in Spokane , and he excitedly announces that he and Roz have been invited there by the station to do their first show from Spokane. Once off air, he also learns from Roz that she and Roger have broken up. Frasier wants to help, but Roz says she is OK about it. Once in Spokane, Frasier appears at a press conference to introduce himself and Roz to the local media. During this conference the reporters are obnoxious and condescending as they say that he will probably never be able to live up to local icon Neil Sullivan (affectionately known as Sully by the locals). When Sully arrives to make a final appearance and to wish Frasier luck the reporters give a dramatic final send-off. Things do not go too smoothly during Frasier's show either; every caller wants him to go back to Seattle , with some deciding to boycott the station until Sully comes back on the air. Frasier is determined to show the local audience his brand of therapy can help, and so convinces Roz to call in with a problem. Originally Roz improvises and says she is afraid of the dark. But Frasier delves deeper into the problem and this soon develops into him resolving Roz's feeling of loss and emptiness over the break-up with Roger. Meanwhile, Martin, Niles and Daphne work together to try to build a TV table. Earlier in the episode when Martin expresses his desire to build the TV table, Niles recalls his childhood hatred of building things with Martin as Martin was never any good. But in a turn of events Daphne is the real bossy one and not only upsets Niles but Martin also. |
fd_Doctor_Who_1963_12x06 | fd_Doctor_Who_1963_12x06_0 | TEXT: DOCTOR WHO THE ARK IN SPACE BY ROBERT HOLMES PART ONE 5:30pm - 5:55pm [SCENE_BREAK] DOCTOR: All the same, I think we'll just check a few of the beds while we're here. HARRY: What are we checking for, exactly? DOCTOR: Just to make sure that everything's in order. HARRY: Right-o. HARRY: Doctor? DOCTOR: What have you found? DOCTOR: Sarah! Oh, Sarah Jane! HARRY: We can't help her now. DOCTOR: No. She'll be like that for 3,000 years at least. Even if we had a resuscitation unit, it's doubtful if we could revive her now. HARRY: There must be something we can do! What would a resuscitation unit look like? DOCTOR (OOV.): Very like an oxygen cylinder. You'll recognize it if there is one. HARRY: Well, it's dead, anyway. DOCTOR: Very dead. Almost mummified. HARRY: What is it? DOCTOR: That's something we can leave till later. No sign of the resuscitation tank? HARRY: I hardly had a chance to look. DOCTOR: Emergency medical kit, wouldn't you say? HARRY: Bit beyond me, I'm afraid. DOCTOR: There must be something there that would help Sarah, but what? What? HARRY: Doctor, look! DOCTOR: Of course! They don't need a tank! The resuscitation phase is programmed in! (OOV.)Look, she's starting to breathe! HARRY (OOV.): Yes, I think she is! DOCTOR (OOV.): No doubt about it. HARRY: That means there's hope for Sarah. Yes, look - she's moving. (To the woman.) Something you want? Can't I do that for you? HARRY: Independent sort of bird, isn't she? DOCTOR: Leave her, Harry.
SUMMARY: | The Doctor and Harry revive the Ark's medtech, Vira, to help Sarah.But when station commander Noah is revived, he becomes suspicious of the newcomers. |
fd_FRIENDS_08x18 | fd_FRIENDS_08x18_0 | TEXT: Teleplay by: Mark Kunerth Story by: Peter Tibbals With Help From: Eric Aasen [Scene: Central Perk, everyone is there.] Phoebe: Oh, Ross, Mon, is it okay if I bring someone to your parent's anniversary party? Monica: Yeah. Ross: Sure. Yeah. Joey: So, who's the guy? Phoebe: Well, his name is Parker and I met him at the drycleaners. Chandler: Oooh, did he put a little starch in your bloomers? (Sits up) Who said that? Phoebe: Yeah, he's really great though. He has this incredible zest for life, and he treats me like a queen, except at night when he treats me like the naughty girl I am. Monica: (To Ross) Oh, by the way. Would it be okay if I gave the toast to mom and dad this year? Ross: Uh, yeah, you sure you want to after what happened at their 20th? Monica: Yeah, I'd really like to. Ross: Okay, hopefully this time mom won't boo you. Monica: Yes! Every year Ross makes the toast, and it's always really moving, and always makes them cry. Well this year I'm going to make them cry. Chandler: And you wonder why Ross is their favorite? Monica: No! Really! Any time Ross makes a toast everyone cries, and hugs him, and pats him on the back and they all come up to me and say, "God, your brother." Know what they'll say this year? "God, you" Joey: Well I can promise you, at least one person will be crying. (Points to himself) I'm an actor, and any actor worth himself can cry on cue. (snaps fingers) Monica: Really you can do that? Joey: Are you kidding me? Watch! (Makes funny faces trying to cry) Well I can't do it with you guys watching me! Opening Credits [Scene: Chandler and Monica's, they're getting ready to leave for the party.] Chandler: What are you doing? Monica: Oh I'm working
SUMMARY: | Monica botches an attempt at giving a heartfelt speech for her parents' 35th anniversary party. Phoebe dates Parker ( Alec Baldwin ), who is overly-enthusiastic about everything which ultimately annoys the entire group, including herself. Ross and Rachel have to pretend they are married while at the Geller's anniversary party; Ross' "wedding toast" stirs feelings in Rachel. |
fd_Charmed_05x06 | fd_Charmed_05x06_0 | TEXT: [Scene: A fortune telling shop. Madame Theresa is there. Phoebe walks in.] Phoebe: Are you closing? Madame Theresa: Not anymore. Please, come in. I am Madame Teresa. Phoebe: I'm Phoebe. Madame Theresa: Yes, I know. Phoebe: Really? Did you read my mind? Madame Theresa: No, I read your column. Phoebe: Oh. (She laughs.) Madame Theresa: You are not sure if you are a believer, are you? Phoebe: Oh, no, I'm a believer. Believe me. That's why I'm here. I didn't know where else to turn. Madame Theresa: Sit. Let's see what your hands tell us. (They sit at a small round table.) Phoebe: Oh, they're probably gonna tell you that I need a manicure. (Phoebe holds out her hand and Madame Teresa looks at her palm. Madame Theresa's eyes widen.) Madame Theresa: You have the gift of foresight. Phoebe: What? Madame Theresa: But don't worry. Your secrets are safe here. (She gets a pen and starts drawing on Phoebe's palm.) You are creative, sensitive, straight smart, you have a strong family, close ties. I am wondering why you do not turn to them now. Phoebe: I don't want to worry them. You see I'm having trouble with my gift and that's why I'm here, I want to try figure out what's wrong. Madame Theresa: These lines on your index finger they are saying that you're over worked. Phoebe: Yeah, well, besides my column and my personal appearances, my boss has me giving advice on a radio show. And I-I love it, I do, it's just... Madame Theresa: Keeping that pace has blocked out other parts of yourself. Including your gift. Your gift must be honoured. But so must your work. Phoebe: So how do I find
SUMMARY: | With her power of premonition gone, Phoebe seeks the advice of a fortune teller and discovers in a premonition that a demon named Cree is going to kill every member in a family of Gypsies. Meanwhile, Piper wants to see a doctor about her baby, but Leo is concerned about the threat of exposure. Guest starring Tobin Bell . |
fd_Gilmore_Girls_01x06 | fd_Gilmore_Girls_01x06_0 | TEXT: (Lorelai, Rory, and Emily Gilmore are sitting around the dinner table.) LORELAI: So where'd you say Dad was? EMILY: Away on business. LORELAI: Location's top secret? EMILY: Oh, Germany. LORELAI: Germany. Is Dad's firm insuring Nazis now? EMILY: Your father doesn't know any Nazis. LORELAI: I know, Mom. I was just -- EMILY: What? RORY: Joking. She was joking. EMILY: Oh. Hard to tell. LORELAI: Yeah, well. EMILY: Oh, I'm afraid I have some bad news. Claudia died. LORELAI: Who? EMILY: Claudia. Your cousin Claudia. (Lorelai stares.) Claudia! LORELAI: I'm hearing the name, Mom. I have no idea who that is. EMILY: Claudia's your cousin, for all intents and purposes. LORELAI: Oh, now we're getting to it. EMILY: She was your father's grandmother's sister's girl. So to you, that would make her -- LORELAI: Nothing? EMILY: Regardless the funeral's on Thursday. I thought we'd all go together. LORELAI: Ooh, whoa. Two problems. Impossible to get away from the inn Thursday. Two, I've never met this woman. EMILY: You most certainly have. LORELAI: When? EMILY: Several times. LORELAI: I'll take one. EMILY: We went to her house in Groton to see the first moon landing. She'd just gotten a new Philco. LORELAI: I have no memory of this whatsoever. EMILY: Rory, correct me if I'm wrong, but men have walked on the moon regardless of whether your mother remembers it or not. RORY: That's the rumor. LORELAI: I know men have walked on the moon. I just don't know Claudia. EMILY: So you'
SUMMARY: | It's Rory's sixteenth birthday, so Emily and Lorelai each plan a party representative of their respective styles. Emily makes an effort to better understand Rory, much to Lorelai's delight. However, Emily invites all of Rory's Chilton classmates without consulting Rory. The resulting cold party atmosphere so upsets Rory that she argues with Emily. To make peace, Emily and Richard attend Lorelai's informal bash the next evening. They are caught off-guard by the colorful party guests. Emily tours the house, as she and Richard have never visited before, and learns Lorelai broke her leg three years ago and never told her parents. Emily sadly realizes she doesn't know her daughter at all. Dean gives Rory a birthday present. |
fd_Merlin_05x13 | fd_Merlin_05x13_0 | TEXT: Camlann The battle continues. [SCENE_BREAK] Forest Old Merlin riding as fast as he can to get to Camlann. [SCENE_BREAK] Camlann Mordred continues to cut down Camelot knights, as he continues his search for Arthur. Knights surround Mordred. Morgana throws them back with a flash of her eyes Mordred turns and looks up at her. She nods. He walks on. [SCENE_BREAK] Forest Old Merlin continues his rapid pace. [SCENE_BREAK] Camlann Aithusa screeches and flies overhead. Arthur looks up and sees her. She swoops down, everyone ducks and Aithusa blows fire over them. [SCENE_BREAK] Battlefield, Hospital tent Gaius tends to the wounded. Gwen enters. Gwen: Bandages. I need bandages. She goes to the table that has the bandages. A knight moves past. A Saxon bursts in, swinging an axe. A knight blocks his attack, misses one, gets knock in the stomach with the axe, pushed back and kicked down on a table. The Saxon raises the axe above his head for the kill. Gwen stabs him in the back, killing him. [SCENE_BREAK] Wetland Old Merlin continues on. [SCENE_BREAK] Camlann Beroun cuts through the knights. Arthur fights a Saxon, elbows him and knocks him to the ground. He dispatches another, turning into another Saxon and disposes of him as well. A group of Saxons charge at Arthur but before they can strike a blast of lightning knocks them down. Another group comes in from the other side, they get struck down as well. Arthur glances around and looks up at the top of the cliff. Arthur sees Old Merlin and they regard each other for a second. Old Merlin strikes another group of Saxons down. Morgana: Emrys! Old Merlin throws Morgana off her little cliff and she lands among the dead that are scattered. Old Merlin strikes more Saxons down. Arthur watches as they fall.
SUMMARY: | Emrys arrives at Camlann, and uses his magic to knock Morgana unconscious, order Aithusa to leave, and strike down many of Morgana's men. The battle culminates in Mordred dealing Arthur a fatal wound, only to receive one in return. While tending to Arthur, Merlin confesses that he is a sorcerer. Arthur's only chance of survival is the powers of the Sidhe (pronounced "Shee") of Avalon, so Merlin sets out to reach the lake. In Camelot, Morgana's spy is discovered by Guinevere, Gaius and Gwaine and she is hanged, leading Gwaine, along with Percival, to hunt down Morgana. However, she overpowers them and magically tortures Gwaine into confessing Arthur's whereabouts; Gwaine dies shortly afterwards in Percival's arms. Morgana catches up with Merlin and Arthur and drives their horses away, but she is killed by Merlin wielding Excalibur. Without horses, Merlin cannot get Arthur to the Isle in time, and the King of Camelot dies in Merlin's arms, after thanking his friend for everything he has done. Merlin beseeches the Great Dragon to carry Arthur's body to the Isle, and the Dragon does so. As Merlin desperately tries to drag Arthur's body to the lake, the Great Dragon tells Merlin he has succeeded, and that as the Once and Future King, Arthur will rise again in Albion's greatest hour of need. As the Dragon departs, Merlin flings Excalibur into the waters of Avalon and sends Arthur's body after it. Guinevere ascends the throne of Camelot. In the present day, it seems an immortal Merlin still waits for the Once and Future King to rise again. |
fd_FRIENDS_06x06 | fd_FRIENDS_06x06_0 | TEXT: [Scene: Chandler and Joey's, Joey is balancing a mini hockey stick on his hand as Chandler enters from his room carrying a bunch of bills.] Chandler: (watches Joey for a moment) Okay! (Joey quickly moves the hockey stick so that he's scratching his back with it.) Listen, I'm gonna be moving out so you will be in charge of paying the rent. Joey: Right! And when is that due? Chandler: First of the month. Joey: And that's every month? Chandler: No, just the months you actually want to live here. Joey: Ahhh. Chandler: Okay, here is the phone bill. (Hands it to Joey.) Joey: (looking at it) Oh my God!! Chandler: That's our phone number. Now look, I know I kinda sprung this whole me moving out on thing, so why don't I just-why don't I just cover you for a while? Joey: No-no! No way! Joey Tribbiani does not take charity...anymore. Chandler: It's not charity, Joe... Joey: No! Forget it! Okay-I mean thanks, but I'm done taking money from you. All right, I can take of myself. Now, what's next? Come on. Chandler: Okay uh, here's the electric bill. (Hands it to him.) Joey: This is how much we pay for electric?!!! Chandler: Uh, yeah. (Joey runs over and shuts off the lights.) Chandler: So, we'll do the rest of the bills later then? Opening Credits [Scene: Monica and Rachel's, Chandler is talking to Phoebe about trying to give Joey some money.] Phoebe: So is Joey going to have to give up the apartment? Chandler: No, I hope not! I tried to offer him some money, but he wouldn't take it. Phoebe: Well, how much do you think he needs? Chandler: I figure that $1,500 would cover him for a few months, y'know? But I have to
SUMMARY: | On the night before Chandler moves in with Monica, Chandler tries to give Joey money to make sure he has enough for his expenses. When Joey refuses, Chandler invents a game called "Cups" and 'loses' the money to Joey, only for Joey to later lose it all to Ross in the same game. Discovering Rachel has not packed, Monica and Phoebe offer to help. When the two girls get emotional, Phoebe suggests they think of the things they will not miss about each other, leading to a massive argument and Rachel refusing to leave. |
fd_Doctor_Who_1963_02x06 | fd_Doctor_Who_1963_02x06_0 | TEXT: THE DALEK INVASION OF EARTH 5:40pm - 6:05pm [SCENE_BREAK] 1: INT. DALEK SAUCER. MAIN AREA CARL TYLER: Try and free the prisoners before you use those bombs. [SCENE_BREAK] 2: INT. DALEK SAUCER. ROBOTISATION AREA (Screened off from the main area, the operation continues.) FIRST DALEK: (OOV: over tannoy.) We are under attack! Report to main ramp. General alert! report to main ramp! (The ROBOMAN steps forward to obey the order but the DALEK LEADER stops him.) DALEK LEADER: Disregard. Commence the operation. (A piston type device in the machinery above the DOCTOR moves up and down as the transfer begins...) [SCENE_BREAK] 3: INT. REBEL HIDEOUT. MAIN ROOM (DORTMUN plays pocket chess whilst awaiting news of the attack. Others of the rebel group also wait. Two women hugging each other in comfort as they wait for news.) [SCENE_BREAK] 4: INT. DALEK SAUCER. ROBOTISATION AREA (The machinery continues to operate as the transfer continues. The ROBOMAN still stands guard. BAKER, still disguised as a robomen walks in. The real ROBOMAN approaches him, sees the helmet and collar and turns his back, apparently satisfied. BAKER takes off his helmet and grabs the ROBOMAN round the throat. The ROBOMAN throws him over his shoulder, but before he can takes any further action, CARL TYLER runs in and knifes the ROBOMAN in the back. He falls to the ground with a cry. CARL TYLER: Get that man off there. (BAKER gets off the floor and runs to the DOCTOR.) BAKER: He's unconscious. CARL TYLER: (Keeping watch.) Well bring him round, hurry! DALEK: (OOV: over tannoy.) All Robomen reserve into action. Destroy invaders.
SUMMARY: | The TARDIS returns to London; however, it's the 22nd century. With bodies in the river, and quiet in the docklands, the city is a very different place. The Daleks have invaded and it's up to the Doctor to thwart them once again. |
fd_One_Tree_Hill_02x01 | fd_One_Tree_Hill_02x01_0 | TEXT: LUCAS: (v.o) Previously on One Tree Hill. [INT. WHITEY DURHAM FIELD HOUSE] (Whitey and Lucas walk in.) [SCENE_BREAK] [EXT. TREE HILL RIVERCOURT - EVENING] (Lucas and Nathan playing basketball with a large audience.) WITEY: (v.o) Look, I've got an opening in my line-up; varsity. What do you say? DAN: (v.o) So if this new kid is taking you position, he's no longer your team-mate is he? [SCENE_BREAK] [INT. SCOTT RESIDENCE - KITCHEN - MORNING] DAN: He's your opponent. [SCENE_BREAK] [EXT. RIVERCOURT - EVENING] (Camera shifts from Lucas to Peyton.) NATHAN: (v.o) I can describe Lucas in one word... [SCENE_BREAK] [INT. CLASSROOM - MORNING] (C.O. of Nathan) NATHAN: b*st*rd. (Lucas charges at Nathan and proceeds to punch him.) PEYTON: (v.o) So what if he wins, [SCENE_BREAK] [EXT. SCOTT RESIDENCE - DOORSTEP - EVENING] PEYTON: What does he get? NATHAN: He gets you. [SCENE_BREAK] [INT. SCOTT RESIDENCE - DAN AND DEB'S BEDROOM - EVENING] (Lucas and Peyton kissing.) BROOKE: Lucas. [SCENE_BREAK] [EXT. RIVERCOURT - DAY] (Lucas and Peyton kissing.) BROOKE: (v.o) I don't know what hurts worse; you and Lucas sneaking around behind my back or you [SCENE_BREAK] [INT. PEYTON'S BEDROOM - EVEN
SUMMARY: | In the second season premiere, after Lucas and Keith learn that Dan had a heart attack and is still in the hospital, they decide it is best for them to return to Tree Hill. When Deb learns about Haley and Nathan's marriage, she grows hostile. Meanwhile, angry that Lucas left Tree Hill without saying goodbye, Peyton and Brooke try to mend their friendship.[3] This episode is named after a song by PJ Harvey . |
fd_Doctor_Who_01x05 | fd_Doctor_Who_01x05_0 | TEXT: A recap of 1x04 "Aliens of London". INT. 10 DOWNING STREET, CONFERENCE ROOM With a huge effort, the Doctor manages to shake the electricity from his body. Sweating, he staggers to his feet with it held in his hand. THE DOCTOR: Deadly to humans, maybe. He plunges it into the chest of the Slitheen. Both Joseph and the Slitheen howl with pain. OPENING CREDITS INT. 10 DOWNING STREET, CABINET ROOM Margaret, also covered in the electricity, drops Indra's body from the wall. INT. TYLER'S FLAT, KITCHEN In the kitchen, the Slitheen who was attacking Jackie is also suffering. INT. 10 DOWNING STREET, CONFERENCE ROOM The Doctor dashes to the door, past the bodies. INT. 10 DOWNING STREET, CABINET ROOM Rose grabs Harriet's hand and they run from the room, Harriet whimpering slightly, Rose just looking terrified. INT. TYLER'S FLAT, KITCHEN Jackie is still crouched on the floor in horror, watching the alien screeching in pain. Mickey appears in the doorway. MICKEY: Jackie! He whacks the Slitheen over the head with a chair, grabs Jackie's arms and pulls her out of the kitchen. He pauses in the doorway to take his phone out of his pocket and snap a picture of the Slitheen. He grins, and then runs to join Jackie. INT. 10 DOWNING STREET, RECEPTION The Doctor finds security all gathered in reception. THE DOCTOR: Oi! You want aliens, you've got them. They're inside Downing Street. (Claps his hands). Come on! He leads them in the direction of the conference room, their guns at the ready. INT. 10 DOWNING STREET, CONFERENCE ROOM Joseph finally manages to deactivate the weapon, and the electricity disappears. He picks up the skin suit of General Asquith. S
SUMMARY: | The Doctor learns that the Slitheen are not invading Earth, but rather raiding it for commercial profit. The Slitheen claim there is a threat to national security and request that the United Nations release the nuclear activation code, so they can strike down a dangerous ship hovering over London. The Doctor speculates they will fire at other countries and start World War III , which the Slitheen respond in the affirmative, explaining that they will sell the irradiated remains of Earth as cheap spaceship fuel. Meanwhile, another Slitheen breaks into Mickey's flat where the acetic acid in vinegar is used to destroy it. The Doctor helps Mickey to fire a non-nuclear missile at 10 Downing Street to destroy the Slitheen gathered there. The Doctor, Rose, and MP Harriet Jones manage to hide in a reinforced room and survive. Meanwhile, the Doctor has earned Jackie's trust and she allows Rose to continue travelling with him. |
fd_Frasier_06x11 | fd_Frasier_06x11_0 | TEXT: Act 1 Scene 1 - Café Nervosa Fade in. Roz and Frasier are seated at a table near the counter. The café is very busy and all the waiters are engaged. Roz: So when's Freddie comin' in? Frasier: Oh, actually, he's arriving in a few hours, I'm picking him up at the airport. Gosh, you know, I'm so excited to see him. It was Lilith's turn to have him for his birthday this year, but apparently there was an accident at the lab. One of her monkeys bit her on the tongue. Roz: [disturbed] What exactly was she doing with the monkey? Frasier: She was teaching them sign language. I guess one of them made a disparaging remark about her new haircut, she stuck her tongue out. Roz: Wow! How bad does a haircut have to be for a monkey to hate it? Frasier: [rising] Well, I guess I'm just gonna have to get myself a cup of coffee. [He notices something.] Oh, somebody dropped a wallet. Roz: Hmmm. Is he cute? Frasier: It's hard to tell from a driver's license photo, but he is five foot six, weighs two hundred pounds and has corrective lenses. Roz: Leave it on the floor! Frasier: Well, thank God I don't share your "Good deeds for hunks only" policy. [to counterman] Excuse me, I just found this... A man comes in behind him. Man: Hey, hey, is that my wallet you got there? Frasier: Is it? I just found it on the floor over there, I was just about to leave it at the counter. Please, no reward. Man: What happened to my cash? Frasier: Well, I don't know. It was empty when I found it. Man: Yeah, right! I had seven bucks in here! Frasier: Well I'm sure some lucky thief is off enjoying a matinee and a small soda! Man: At least you left my credit card! Jer
SUMMARY: | After several acts of kindness backfire, Frasier starts to lose his faith in humanity. Driving home in the rain, he comes across a stranded woman and considers whether or not to give her a ride. Despite the events of the day, he decides to help her, only to discover that she is a prostitute (and also a transvestite), and that the police are watching everything. He is arrested and held at Martin's old precinct, where Martin and Niles must bail him out. Upon returning home and explaining the situation, his son Frederick asks; "So are you saying you shouldn't help people?" The scene returns to Frasier in the car contemplating whether or not to give the woman a ride (the preceding events having been what Frasier later describes as a 'bad daydream'). Despite knowing that this good deed, like all the others, may backfire he still decides to help her. |
fd_Alias_02x03 | fd_Alias_02x03_0 | TEXT: (Sydney jogs through the park one afternoon and, following the instructions given to her last week, drops a coin in a homeless Vietnam vet's cup.) HOMELESS VET: Freelancer requests covert entry. (Control room at the joint task force.) AGENT: That's a copy. We'll notify Agent Vaughn. (Sydney jogs along the street and glances up at the traffic camera. Back in the control room, the agent watches her and an alert reading "NO SURVEILLANCE DETECTED" flashes across the screen.) AGENT: No one's following her. Ident confirmed. Freelancer is approved quadrant four. Sig int reporting clear. No suspect signs. (At the ringing phone under the overpass, Sydney punches in the code and the door opens.) (Inside the task force building, Vaughn and Sydney talk to Kendall.) KENDALL: Agent Bristow, thank you for coming in. I know you weren't wild about talking with your mother last week but I hope we can agree that the information she gave us made it worth your discomfort. SYDNEY: I thought so. Until an hour ago. KENDALL: How is that? SYDNEY: I just came from a meeting with Sloane. The camera I took from Fordson's vault, the camera we tried to keep from SD-6, was an early prototype. The real camera is scheduled to be launched into orbit seventy-two hours from now. KENDALL: By whom? (Flashback: conference meeting with Sloane, Dixon, Sydney, Marshall, and Jack.) SLOANE: The Asiatic Space Agency. Founded after the fall of the iron curtain, the ASA consists mainly of displaced Russian scientists. Their latest client is an old friend of ours. (He clicks a button on the remote and a picture of Sark comes up on their screens.) SYDNEY: Sark. DIXON: What's his interest in launching a satellite? SLOANE: That's the question. MARSHALL: The satellite is equipped with a terahertz imaging camera
SUMMARY: | Sydney must outwit Sark in order to find a crucial piece of intel. Meanwhile, Jack faces Irina for the first time in almost 20 years. Will finally meets Vaughn and Sloane is haunted by his wife's death. Sloane, who drinks only water is seen drinking whiskey in his office. We are told that Emily's garden is dead but Sloane finds it in full bloom. |
fd_CSI__Crime_Scene_Investigation_07x09 | fd_CSI__Crime_Scene_Investigation_07x09_0 | TEXT: [CH 19 FOOTAGE] CAPTION: BREAKING NEWS MOB BOSS DISCOVERY (Open on various cuts of footage of the GOLDEN NUGGET GAMBLING HALL.) Tally Jeffers (reporter): (V.O.) It was the '70s, it was Las Vegas, it was the time of Mickey Dunn... (A rolls pulls up to the front of the casino. Mickey Dunn exits the car.) VARIOUS PHOTOS OF MICKEY DUNN Tally Jeffers (reporter): (V.O.)... the legendary organized crime figure who ran Vegas operations of extortion and racketeering by day... (Mickey Dunn is in the casino with a woman in each arm.) Mickey Dunn: I love America! (More footage of Mickey Dunn playing in the casino.) Tally Jeffers (reporter):... and partied on its disco dance floors by night. Until August 1976, when federal authorities linked Dunn to the murder of a low-level mob informant. (Photo of a dead man on the concrete.) Tally Jeffers (reporter): (V.O.) It was the case prosecutors were waiting for. The arrest warrant was issued, the party was over. But the legend had just begun. (Photo of Mickey Dunn in front of his Cadillac with the license plate, CHAINSAW.) Tally Jeffers (reporter): (V.O.) Mickey Dunn and his fabled gold Cadillac vanished that hot summer night, never to be seen again - (On the footage, "the" Cadillac turns the corner out of view.) (Cut to: TALLY JEFFERS reporting. The news caption reads: BREAKING NEWS, RECORDED EARLIER.) Tally Jeffers (reporter): (V.O.) -- until today. (She turns to speak with an old Spanish-speaking fisherman.) Fisherman: (in Spanish) (He holds up a gun.) Tally Jeffers (reporter): (from tv) So you went fishing,
SUMMARY: | The Cadillac of an infamous 1970's mob boss, Mickey Dunn, is found in a lake after he disappeared years ago. Shortly afterwards, a string of murders occur in which the killers almost eagerly leave evidence of their appearance for witnesses and the CSIs. Furthermore, an old picture of the victims standing next to Dunn outside the Desert Inn casino is planted on their bodies. The team must then find out what the connection is between the murders, Dunn and a missing policeman. Roger Daltrey of The Who guest stars as Mickey Dunn. |
fd_Grey_s_Anatomy_02x18 | fd_Grey_s_Anatomy_02x18_0 | TEXT: (Burke and Cristina's apartment) (Cristina is listening to music extremely loudly on her Ipod and dancing by herself in the apartment. She's also brushing her teeth and getting dressed at the same time) MVO: After careful consideration and many sleepless nights, here's what I've decided. (Cristina puts on her jacket) MVO: There's no such thing as a grown up. (Burke enters the apartment after his morning run all sweaty and stares at Cristina. Cristina instantly stops. Cristina starts dancing quite crazily up towards Burke) MVO: We move on, we move out, we move away from our families and form our own. Burke: Oh, no. I'm all wet. (Burke looks amused and Cristina laughs. She tries to get him to dance but he refuses. She moves up to him and removes his jacket trying to get him to dance. Burke tries to walk by her but she stops him and dances in front of him. He starts dancing with her and Cristina lets out a laugh. A mobile rings. Burke moves to answer it still dancing) Burke: Hello? No, Dr. Burke. (Cristina gargles and spits out her paste into the kitchen sink) Yes. (She wipes her mouth on the dishtowel...Burke looks confused on the phone) Yes I'll let her know. (Cristina continues on dancing. Burke dances in front of her half-heartedly) Burke: That was your landlord. (Cristina removes her earplugs from her Ipod and stops dancing) He wants you to know that there's a minor flood in your apartment. Your other apartment! (Cristina has an uh-oh look on her face and Burke looks less than impressed and walks off. Cristina looks after him with a very guilty expression) MVO: But the basic insecurities, the basic fears and all those old wounds just grow up with us. (Nursing home) (Ellis is sitting down on a chair. Meredith is helping herself to some coffee) Ellis: I'm exhausted. Meredith: Me, too. MVO: And just when
SUMMARY: | Dr. Mark Sloan arrives in Seattle to try to convince Addison to continue their relationship, and is greeted with a punch from Derek when Mark introduces himself to Meredith. Dr. Webber allows Sloan to assist Derek in a risky surgery to fix a teenage patient with facial tumors. Burke learns that Cristina still leases her apartment. Izzie treats a patient with spontaneous orgasms. Meredith treats a man who believes he is going to die so he has her record him saying hateful things to everyone he knows. Later, Meredith goes to see her father for the first time in twenty years and is left unsatisfied with his answers about the past. George finally tells Meredith how he feels about her. |
fd_Tyrant_01x01 | fd_Tyrant_01x01_0 | TEXT: (birds chirping) (sighs) (line ringing) This is Fauzi Nidal. Leave a message and I'll call you back. (beep) Fauzi, it's, uh... it's me again. Barry. Um... Bassam. Uh, I'm not sure if you're getting my messages, but, um, I'm coming for my nephew's wedding. Uh, arriving tomorrow. My US cell number should work, so, uh... so call me. It would be good to see you. (panting) (indistinct shouting) Jamal, fix your button. How do you expect people to respect you if you can't dress yourself? (indistinct shouting) Jamal. Bassam. Come on, Jamal. Come out. Khaled! Khaled! Khaled! Khaled! Khaled! Khaled! Khaled! Khaled! Khaled! Khaled: Wave, Jamal. Not like a girl. Wave. Jamal, go stand over there. Mr. President. Khaled: My son will cut the ribbon. It is a great honor... to be standing here with you, the good people of Ma'an. (cheering and applause) This ground, once stained with the blood and tears of conflict, has been cleansed by the sweat of your good work. (cheering) This bridge is more than just steel and concrete. It is a symbol that despite our differences... (gunfire) Get down, Bassam! (muffled gunfire, shouting) (phone ringing) (panting) Barry: Hello, Mrs. Shapiro. Mrs. Shapiro: I'm sorry to call so early, Doctor, but Danny's been coughing all night. Barry: Uh, well, uh, Dr. Chang is covering my patients this week, so let me give you his service number... Mrs. Shapiro: I'm sure he's fine, but I really trust you. Barry: I'm glad you trust me, but he's an excellent doctor and I'm about to leave town, s... Mrs. Shapiro: I get that you're busy, but what if
SUMMARY: | Bassam "Barry" Al Fayeed, who is married with two children and living in self-imposed exile in the United States, reluctantly returns to his home country to attend the wedding of his older brother's son. Back home he meets up with his father, the ruler and dictator of the country, and other family members. He soon experiences the brutality of the regime, especially that of his brother, who is the heir apparent. |
fd_Bones_01x10 | fd_Bones_01x10_0 | TEXT: "The Woman at the Airport" [SCENE_BREAK] [The scene opens on a skeleton displayed on top of a lab table in the room of body drawers. As Dr. Goodman begins to speak the camera pans away from the skeleton to reveal Dr. Goodman, Zack and Dr. Brennan.] Dr. Goodman: These remains, dating from the Iron Age, were found at the bottom of shaft three at the site. There were five sets of human remains found. This is the only one found whole. Zack: He's in good shape. Brennan: Fifteen hundred years old, he shouldn't look this good. Dr. Goodman: Which is why we're here. We're going to either authenticate the find as a set of human remains from the Iron Age ever found or dash the hopes of a thousand scholars. Let me know how it turns out. Brennan: Dr. Goodman, this is extremely prestigious. Aren't you going to be part of the team? Dr. Goodman: No, I have an institution to run. Zack: Didn't you use to be an Archeologist? Dr. Goodman: Yes, Mr. Addy. Thanks for reminding me. (Dr. Goodman leaves.) Brennan: (to Zack) x-rays, pictures, we're going to do this without touching the actual skeleton as much as possible. Zack: Kid gloves? Brennan: Latex should be all right. (Pauses) Zack, were you being metaphoric? Zack: I decided to give it a shot, which is also metaphoric. [Brennan walks into her office to find Booth sitting in her desk chair with a very cheerful smile gracing his face. Her face immediately shifts to annoyance as she walks toward him.] Brennan: (sighs) I need a receptionist. I can't just have anybody waltzing in here. Booth: Take a look at this. (Holds up sheets of papers) Brennan: (takes the papers from Booth) A bunch of red circles? Booth: Each circle shows were a body part was found. Brennan: What is this, an airport
SUMMARY: | Dr. Temperance Brennan and FBI Special Agent Seeley Booth travel to Los Angeles to determine the identity of a woman whose body parts were found near Los Angeles International Airport. With Booth at the wheel of their convertible rental car, they are assisted on the L.A. end of the case by young FBI Agent Tricia Finn, who is a little too eager to help. Agent Finn knows Brennan's books inside and out and mentions reading in an entertainment industry trade paper that the film rights to Brennan's latest book were bought by producer/director Penny Marshall. When Brennan and Marshall meet face to face on the set of "Entertainment Tonight," both Marshall and ET's Jann Carl are impressed and a little taken aback by Brennan's dedication to her latest case. Brennan's skills are put to the test when she realizes the victim's identity is hidden by previous extensive plastic surgery. |
fd_Veronica_Mars_02x20 | fd_Veronica_Mars_02x20_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars Veronica and Leo make out on the doorstep of the Mars' apartment in 118 "Weapons of Mass Destruction." Cut to Veronica at the sheriff's department in 119 "Hot Dogs." VERONICA: I can't date you anymore. LEO: Huh. Cut to Veronica and Keith watching the television in 212 "Rashard and Wallace Go to White Castle." NEWSCASTER: Balboa County Sheriff Don Lamb questions baseball legend Terrence Cook in connection with the Neptune High bus crash. Terrence questions Keith as he exits Mars Investigations in 213 "Ain't No Magic Mountain High Enough." TERRENCE: You'll take my case? Keith updates Woody in 217 "Plan B." KEITH: Terrence broke into his ex-girlfriend's family home, the journalism teacher who died in the bus crash. Logan interrupts them. LOGAN: There's something you gentlemen should probably see. Cut to the video sent to Woody's office. WOODY: [offscreen] That's inside my house. KEITH: I'll look into this as well. Cut to a peeved Mac at Mars Investigations in 219 "Nevermind the Buttocks." MAC: I'm not speaking to you. Butters asked if he should rent a room for prom night. Keith and Liam crash through the window of Kendall's secret house. Keith climbs into the LeBaron. Veronica shouts at Kendall, standing in front of the car. VERONICA: Move or you're a hood ornament! End previouslies INT - DOCTOR'S OFFICE - DAY. Veronica is just putting her shirt back on. VERONICA: [stunned] I've got what? DOCTOR: Chlamydia. It's a, uh, sexually-- VERONICA: I-I know what it is. But there must be a mistake. I don't have any symptoms, I don't feel anything... DOCTOR: Which is not
SUMMARY: | Gia asks Veronica to discover who is stalking her after she receives a video of her brother's soccer game, which is similar to the one received by Woody. The video turns out to be from Lucky, the janitor at Neptune High who used to be the batboy for the Neptune Sharks. Although he is arrested, his bail is paid by the Mannings. Woody enlists Keith to take to the hospital a semi-clad, young campaign worker who had gone to a motel with Woody the night before and was now unconscious. |
fd_Buffy_the_Vampire_Slayer_02x04 | fd_Buffy_the_Vampire_Slayer_02x04_0 | TEXT: Prologue: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer. Outside the museum. Buffy, Willow and Xander are walking past the rose gardens toward the building. Buffy: This is so unfair. Willow: I don't think it's that bad. Buffy: It's the Ueber-suck. Mom could've at least warned me. Xander: Well, a lot of parents are doing it this year. It's part of this whole cultural exchange magilla. The exhibit, the dance... Willow: I have the best costume for the dance! Buffy: A complete stranger in my house for two weeks. I'm gonna be insane! A danger to myself and others within three days, I swear. Xander: I think the exchange student program's cool. (gets a look from Buffy) I do! It's a beautiful melding of two cultures. Buffy: Have you ever done an exchange program? Xander: My dad tried to send me to some Armenians once. Does that count? They climb the steps to the building entrance and the cultural exchange exhibit. Cut inside. Cordelia and two other girls are looking over the pictures of the exchange students. Cordelia: Ooo! There's mine! Sven. Isn't he lunchable? Mine's definitely the best. She walks past Buffy. Buffy: What're you lookin' at? Cordelia: Pictures of our exchange students. Look. 100% Swedish, 100% gorgeous, 100% staying at my house! So, how's yours? Visually, I mean. Buffy: I don't know. Guy like? Xander: By guy-like we are talking big, beefy, guy-like girl, right? Buffy: I was just told 'guy'. Cordelia: You didn't look at him first? He could be dogly. You live on the edge. (walks off) Xander: Hold on a sec. So, this person who's living with you for two weeks is a man. With man parts. This is a terrible idea. Willow: What about the beautiful
SUMMARY: | After the seal of protection lying in her sarcophagus is broken, a mummified Incan girl in a museum exhibit is revivified when she sucks the life-force from a touring student. An unsuspecting Xander falls head over heels for the Latin beauty, Ampata, and must save Willow when his mistake threatens to cost her her life. |
fd_Teen_Wolf_03x23 | fd_Teen_Wolf_03x23_0 | TEXT: [PREVIOUSLY_ON] One of them is standing right behind me. That's Meredith. She's a little weird. KIRA: Where didthe Nogitsune come from? NOSHIKO: It was an internmentcamp during World War II. DARKSTILES: What happened to the woman who called out for chaos, strife and pain? I don't want that anymore. DARKSTILES: I do. (FLIES BUZZING) ALLISON: Issac! Try not to kill them. KIRA: I was just going to try to stay alive. Scott? Where are they? Lydia! Lydia! Lydia! PETER: Hold still. Don't fight it. Hold still. (GRUNTING) Almost there. (COUGHING) Isaac, you're next. I'm aware. All right? Don't fight it. Don't fight. Isaac, stay still. Got it. (COUGHING) Are they okay now? PETER: I hope so. The part that's worrisome, is that this was most likely just a distraction for what was happening to Stiles. There's really two of them now? How's that even possible? But how did the other one just take Lydia? We turned around and they were gone. So was her car. So no one notices him just kidnapping her right out of the house? Most of us were concentrated on the bizarre sight of a creature, materializing from out of the floor. Hold on. How are you so sure which Stiles is which? That's what they're trying to figure out now. Well... Medically, you seem okay. You're definitely a real person. STILES: Okay, so I'm real, but am I really me? STILES: Is she here? Yeah. Okay, let's do this. Guys, we have to do this. Do you recognize me, hmm? Stop. STILES: It's okay. I'm the one who asked her to come. You're the one who's going to get stabbed with swords. Mom, don't do this to him. It's already done. (GASPS
SUMMARY: | While searching for Lydia in the woods, Aiden and Ethan are shot at by an unknown shooter with wolfsbane bullets, and are saved by Derek. Kira's mother tries to teach her the board game that Stiles was playing with the Nogitsune. Later, Kira's father discovers that the Nogitsune and Kira's mother play the game the same way. Lydia is taken to the internment camp by the Nogitsune; the group arrive and find Kira's mother and the Oni, who plans to kill the Nogitsune. The Nogitsune takes possession over the Oni and has them face off against Kira, Allison, and Isaac, while Scott and Stiles find Lydia and are shocked when she asks why they came when she told them not to. Allison manages to kill one of the Oni and is stabbed by another. Allison professes her love to Scott and dies in his arms. |
fd_Queer_As_Folk_03x04 | fd_Queer_As_Folk_03x04_0 | TEXT: [A bizarre Show. All male actors in black suits are at the stage - together. A moderator calls their names - and they walk up in front.] Moderator: And our next contestant - Michael Novotny! [Audience cheers.] Moderator: And here comes Ted Schmidt! A new entry - Justin Taylor! The favourite Brian Kinney! A real crowd breezer Emmett Honeycut! And let's hear it for Ben Bruckner! [he opens the envelope] And the winner is... Brian Kinney! [All boys claps with their hands. Cut to Mel - she's scream. We're in Mel's bedroom.] Lindsay: What is it? Mel: Oh, I had that dream. Again. Lindsy: Mr.Sperm donor pageant? Who won this time? Mel: Guess! Lindsay: Maybe it's some kind of sign. Mel: I've already told you I want someone else. Lindsay: But we agreed it's important that our kids has the same parent. Mel: I didn't agree to the same asshole. Lindsay: I need my sleep. Mel: Look, I know how much it means to you - you always has, you always will - it doesn't seem the same to me. [Cut to Brian's office. Brian holds up a potato chip.] Vance: "To eat or not to eat". Brian: Try one. One's not wanna kill you. [He tastet some - soon he eats he screams for water.] Vance: Water! Jesus! You've said it wasn't gonna kill me what the hell are in those things? Brian: Chilly powder, tobasco, peppers, a touch of sulfuric acid for the extra little kick. Meet our news account. "Hot Potato" Vance: How we can make those sexy? [Brian show Vance his idea.] Vance: Hehe, "Hotter than your date, last saturday night." Cynthia: I'm sorry Brian, but she insisted. Claire: Brian, I need to talk to you. The school just called. Peter broke his arm in soccer practise. Brian:
SUMMARY: | Lindsay and Melanie ask Michael to father their second child. Brian's accused of molesting his nephew. Ted loves having Emmett in his heart - his condo's another story. |
fd_Once_Upon_A_Time_01x07 | fd_Once_Upon_A_Time_01x07_0 | TEXT: -[Real World]- (Graham is playing darts at Granny's diner. He throws two darts and hits the deer both times. Ruby is waiting tables and Sidney is sitting in one of the booths.) Sidney: Nice shot, chief. I bet you twenty bucks you can't do it again. (Graham throws another dart and hits the deer again.) Graham: Next round's on him. (Emma enters through another door.) Ruby: Emma! What can I get you? Emma: Nothing. (Emma walks towards the diner's exit. Graham throws a dart in her direction, which lands right next to her head.) Emma: What the hell? You could've hit me! Graham: I never miss. You've been avoiding me since last night, when you saw me- Emma: Leaving the Mayor? And yes, that is a euphemism. I'm not avoiding you, Graham, I just have no interest in having this conversation. It's your life - I really don't care. (Emma leaves the diner and Graham follows her outside.) Graham: If you don't care, then why are you so upset? Emma: I'm not upset. Graham: If that were true, you'd be at the bar with me, having a drink, and not running away. Emma: It's none of my business. Really. Graham: Look, can we please talk about this? I need you to understand. Emma: Why? Graham: I don't know. Maybe so I can understand? Emma: You need an analysis, go talk to Archie. Graham: I want to talk to you. Emma: Well, your bad judgment is your problem - not mine. Graham: You don't know what it's like with her. I don't feel anything! Can you understand that? Emma: Bad relationship? Yeah, I understand a bad relationship. I just don't want to talk about yours. Graham: Look, I know you and Regina have your own issues and... And I should have told you about that before you took the job. Emma: Yeah, why the secrecy? We're all
SUMMARY: | Graham calls his well-being into question as the lines separating fantasy from reality suddenly start to blur while a series of events are revealed in which the Evil Queen recruits a heartless assassin to execute Snow White and sparks a chain of events that threaten to come with consequences for everyone involved. |
fd_Charmed_06x16 | fd_Charmed_06x16_0 | TEXT: [Scene: Manor. Foyer. Piper, Leo and Wyatt are there. Parents and their kids are leaving the manor. Piper is handing goodie bags to them as they leave.] Piper: Here you go. Thanks for coming. Woman: Thanks for inviting us, it was a fun party. I still can't believe that Wyatt is one already. Piper: Oh, I know, you can't. Man: Nice to finally meet you, Leo. Leo: Yeah, you too. Woman: You know, Frank and some of the other dads get the kids together on Saturdays if you're interested. Leo: Uh, yeah. Thanks. Frank: Excellent. Woman: Bye. Frank: I'll call you. Leo: Okay, great. (They all leave.) Piper: Phew. (Piper closes the front door.) I am exhausted. Leo: (to Wyatt) Did you have fun? Did you like it? Piper: Yeah, he was a really good boy and only made mummy freeze the room once. Leo: He was excited. It's his birthday. Piper: He was excited to see you. He misses you. Leo: I know. I miss him too. (Paige walks in.) Paige: Hey, you guys want anymore champagne? Come on, we don't want it to go to waste. How about it, dad? Leo: Elders aren't allowed to drink. Paige: Oh, come on. When on earth you should do as earthlings do. Leo: Sorry. Piper: Not that I'm complaining or anything because you guys did such great work. But champagne? Chocolate covered strawberries? Oysters? Aren't the kids a little young for the aphrodisiacs? Paige: They're aphrodisiacs? Heh, who knew. Bubbly? Piper: Paige. Paige: What? Oh, come on, there were milk and cookies here too. You know, maybe if-if there were more kids living in this house, I would know what to get. Did you ever stop
SUMMARY: | A Darklighter named Damien sends both Leo and Piper into a trap on the ghostly plane where they are without powers and wounds Leo with his Darklighter crossbow, leaving Phoebe and Paige to fear that they are dead. Meanwhile, Chris is obsessing over the fact that he is out of time, for he must be conceived by Piper and Leo sometime in the next day before he disappears forever having never been conceived. An Angel of Death comes for Chris even as he begins fading but he manages to resist and make a communication bridge between Phoebe and Piper. The two consult with Gideon who is convinced Leo is doomed, provides a way to access the dimension to rescue Piper thinking Leo will be dead. At the end he convinces Leo to act as an Elder and sunder himself from his family, and Gideon is revealed to have plotted the cross dimensional attack to rid himself of Leo, and to have ill intentions towards Wyatt, his real target. By being trapped on the ghostly plane causes Piper and Leo to temporarily rekindle their relationship and sleep together, conceiving Chris. Piper learns at the end of the episode that Chris is her son and that she is pregnant from Phoebe and Paige who realize what happened as Chris returns to existence. |
fd_Doctor_Who_1963_11x16 | fd_Doctor_Who_1963_11x16_0 | TEXT: THE MONSTER OF PELADON BY: BRIAN HAYLES PART TWO 5:30pm - 5:55pm [SCENE_BREAK] 1: INT. MINE TUNNEL (ETTIS moves back down the mine tunnel to where another miner is connecting the explosives wire to a detonator.) ETTIS: One of the aliens has just entered the cave with the Queen's champion. We must sacrifice them both. (He joins him in fixing up the detonator.) [SCENE_BREAK] 2: INT. CAVE (The DOCTOR examines a piece of trisilicate.) DOCTOR: Yeah, very high grade too. And you say the light that killed Vega Nexos came from in here? (Blor nods and grunts.) DOCTOR: Then there should be some trace. (He starts to look round the cave.) [SCENE_BREAK] 3: INT. MINE TUNNEL (GEBEK walks up to ETTIS and the miner as they complete their preparations.) GEBEK: What are you doing? ETTIS: I'm restoring the holy mountain, to appease the spirit of Aggedor! (He turns the switch on the detonator and the cave mouth is racked by a huge explosion.) [SCENE_BREAK] 4: INT. CAVE (Within, the DOCTOR holds up his arms in protection as part of the roof starts to come down.) [SCENE_BREAK] 5: INT. MINE TUNNEL (Outside, the entire cave entrance collapses.) [SCENE_BREAK] 6: INT. CAVE (The DOCTOR lies on the floor of the cave with his hands covering his head for protection. He is covered by sand and soil. He gets to his feet as he hears Blor grunting.) DOCTOR: Blor, are you alright? (The Queen's champion lies on the floor nearby along the debris of the rocks. The DOCTOR helps him up.) DOCTOR: Come on. That's it. (Suddenly, the cave
SUMMARY: | The Doctor is rescued by Gebek, prompting him to try and help the miners, but his advice results in Ettis launching another attack on the armoury. |
fd_Gilmore_Girls_02x16 | fd_Gilmore_Girls_02x16_0 | TEXT: 2.16 - There's the Rub OPEN IN LUKE'S DINER [Luke's apartment is under construction. Luke delivers food to some customers, a chunk of the ceiling falls onto the table.] LUKE: Here you go. Geez, uh, sorry folks. Uh, here...there we go. Free coffee all around. You might wanna put your hand over that. There we go. [walks over to construction worker] Tom, what the hell is going on up there? TOM: We're redoing your apartment. What do you think is going on up there? LUKE: The ceiling's falling in. I've got customers eating drywall here. TOM: Oh, well, that can't be good. LUKE: You said minimal disruptions. TOM: Hey, this is minimal disruptions. Look, I need you to sign this change order. LUKE: What happened now? TOM: Well, we broke through this wall and we found some pipes that shouldn't be there. We gotta move them. LUKE: Move them where? TOM: Not sure. We gotta find out what they do first. LUKE: You're kidding? TOM: Oh yeah. There's nothing I like more than a good <unk>moving a pipe' joke. LUKE: Fine, one more week, that's it. TOM: Oh, sure, construction ultimatum. Ha, that's even funnier than my moving pipe joke. [Lorelai and Rory walk in] LORELAI: Hey. LUKE: Hey. LORELAI: Geez, look at this place. RORY: It's a mess. LORELAI: How long <unk>. LUKE: Nope <unk> can't sit here. LORELAI: Why not? LUKE: Three people got nailed in the head here earlier. LORELAI: But their food was okay, right? LUKE: Will you just move? [Lorelai's cell phone rings] Outside. LORELAI: You know, if I sit here one more second, I just might be outside. Order
SUMMARY: | When Emily and Lorelai go to a spa for a weekend of relaxation, Emily lets her hair down, kicks up her heels and ends up bonding with Lorelai in a way that only her daughter could inspire. Thrilled that she has the house all to herself, Rory hopes to spend a quiet night at home doing laundry and eating Indian food. Her plans are foiled -- first by Paris, then by Jess, and finally by Dean. In the process, she discovers that she has a surprising savior, a secret suitor, and a skeptical sweetheart. |
fd_Angel_03x08 | fd_Angel_03x08_0 | TEXT: [PREVIOUSLY_ON] Quick shots of Darla and Angel making out, and of Holtz' demon cocoon breaking. Wes: "The Nyazian Scrolls mentions the Tro-clan that brings about the ruination of mankind." Cordy: "Imagine what could have happened if you'd gone nuts and slept with Darla!" Angel: "You know I would never do that." Darla: "Hello, lover." Angel: "Darla?" Wes: "Darla." Cordy: "Darla?" Angel: "This is impossible." Darla: "Tell me about it - Daddy." Cordy: "You slept with her?" Angel: "Uh..." Cordy to Darla: "How are you feeling?" Darla bits Cordy. Angel: "Get away from her!" Angel: "You're gonna be all right! I'll kill her for this." Cordy: "You gonna have to find her first." Angel tackles Darla away from the boy. Angel holds Darla and raises the stake. Darla: "Come on! Do it! Do it! Do it!" Angel: "The child. It has a soul." Darla: "No it doesn't..." Angel: "It does. It does." Fred: "Whatever that thing is, it is arriving right about - one, two - now." Holtz: "Just tell me where he is." York, England - 1764 Holtz gallops through the countryside at night. Stops and then rides up to another man signaling with a torch. Man: "We found them." Holtz: "Go." They ride off. Inside of a house, dimly lit by a candle. A knock on the door. A young girl opens the door. Angelus: "Ah, is your mother home there, young lady? (Girl nods) Will you take us to her?" Sarah: "Father said not to let strangers in while he's away." Angelus and Darla look at each other. Angelus: "But we're not strangers. You're Sarah, aren't you? We know all about you. You're the apple
SUMMARY: | Team Angel continues to try and deal with Darla's pregnancy. When Wolfram and Hart finds out about the baby, the law firm decides to steal it for themselves. Meanwhile, Holtz is determined to kill Angel and arrives at the Hyperion looking for revenge. |
fd_Dawson_s_Creek_03x16 | fd_Dawson_s_Creek_03x16_0 | TEXT: [Scene: The PTA Meeting. They are discussing the Matt Caufield expulsion. Joey, Dawson and Pacey are there in the seats as this is going on. The crowd is upset over the expulsion.] Dawson: This isn't going well, is it? Pacey: Well, it depends on who you ask. Joey: Yeah. If you're an enraged parent with a misguided agenda, It's going great. Board Member: Correct me if I'm wrong, superintendent, but I don't recall the board of education passing any rules, that allows a lunatic to start handing out death sentences, just because one of our kids acted like a kid! Parent2: Yeah! Superintendent: Please, please, please. As I've mentioned, I've strongly urged Principal Green to reconsider his decision, but as much as I wish it weren't so, Principal Green has final say in all Capeside High disciplinary matters! Mr. Caufield: Dr. Fielding, Dr. Fielding, may I? Superintendent: Oh, yes, please. Please, Mr. Caufield. Mr. Caufield: Do you consider yourself a member of this community? Superintendent: Yes. Mr. Caufield: Are you going to let the personal prejudices of an outsider ruin my son's future? Joey: I can't take this anymore. I have to say something. This is ridiculous. This whole thing has been blown out of proportion. Superintendent: This is a PTA meeting, young lady, not a pep rally. Now, you'll have your seat, please. Joey: Well, isn't anyone going to defend Principal Green for everything that he's done? Mr. Caufield: Miss Potter, my son tells me that you are the one who's mural was destroyed. Joey: This has nothing to do with me, ok? Mr. Caufield: You're exactly right. What it has to do with is the scare tactics of a man whose extremism and notions of justice, are better suited for an urban war zone than our civilized community. Joey: You did not just say what I think you said. Mr. Caufield: What I'm saying is that this
SUMMARY: | Joey enlists the help of her friends to rally the school in protest after Principal Green is pressured to resign over the student he expelled. Dawson talks Gail into making a news report on the situation, which leads to her being offered another job in television which she happily turns down in favour of starting her restaurant. Pacey's feelings for Joey are becoming more and more obvious, and he turns to Jen to talk about things. In an effort to encourage Joey's creativity, Pacey rents her a public wall to paint as she chooses. |
fd_The_Vampire_Diaries_03x21 | fd_The_Vampire_Diaries_03x21_0 | TEXT: [Mystic Falls High School] (Alaric sits at the desk in his classroom with the white oak stake in his hand. He hears Caroline entering the school. Caroline walks through the hallway. She talks to Tyler on her cell phone.) Caroline: What do you mean you're ditching my clean up committee? Tyler: Klaus called. He's leaving town and wants me to pack up his house. Caroline: Well, since when does sire bond equal mover slave? Tyler: Since he realized you're not gonna dump me for him. Caroline: Ugh, he's being petty. Tyler: And he still thinks I'm sired to him. It's fine. I'll keep up the act and it will all be over soon. I'm late, I gotta go. I love you. Caroline: I love you, too. (Caroline hangs up. She hears a noise. Alaric rushes past without her noticing.) Caroline: Hello? (Caroline walks into the cafeteria where Rebekah cleans up the mess from the dance.) Caroline: Where's Matt? Rebekah: He bailed. Got called into work at the last minute. Caroline: Are you kidding me? So, it's just us? Rebekah: Yes, and you're late. Clean-up committee started at 8 o' clock. Caroline: It's like 8:02. Rebekah: Exactly. I managed to turn up on time and I didn't even get to attend the dance that I organized. Caroline: I'm sorry about your Mom. I mean, I know you like hated her and everything, but still I'm sorry. Rebekah: I'm sorry about your teacher. He seemed like a nice guy. Caroline: Yeah, he was. Rebekah: I'm gonna get started on the gym. (Rebekah walks out into the hallway. Alaric comes around the corner.) Rebekah: You're supposed to be dead. Alaric: I am. (Alaric pushes Rebekah against the locker and tries to stake her. Suddenly, Caroline appears, frees Rebe
SUMMARY: | Klaus acts on his intentions to leave town with Elena, but finds resistance from a surprising new enemy, Alaric the new Original vampire hunter. Bonnie calls on Abby to help her with a difficult spell that will stop Alaric's heart, the same desiccation spell Abby used on Mikael. Abby warns Bonnie that this will make her subject to temptation she might not be able to resist. Alaric forces Elena to come to the school after he captures and tortures Caroline and tries to persuade her to kill Caroline, as Elena had previously expressed her interest in killing vampires. When Elena tries unsuccessfully to save Caroline and is held captive by Alaric, the Salvatore brothers and Klaus rush to save her. Klaus reveals that it is his bloodline to which the Salvatore brothers and Caroline are linked. As Caroline is escaping, Klaus grabs her and makes sure that Caroline gets home safely. A stunned Caroline agrees to let Klaus, Damon and Stefan save Elena, thanks Klaus, and leaves. Klaus goes to save Elena, taking on Alaric, but Alaric quickly turns the tables and is ready to stake him, but just as Alaric is ready to kill Klaus, Elena correctly assumes that she is Alaric's lifeline and that if she dies, so does he. Klaus escapes with Elena, intending to bleed her dry before he leaves town because he wants to kill Alaric. Tyler, Stefan, and Damon use the desiccation spell on Klaus, "killing" him without killing Tyler. Damon and Stefan have a surprisingly candid conversation about the future: if Elena chooses one brother, the other leaves town. Alaric outs both the Sheriff and the Mayor in front of the Council for failing to protect the town from vampires as both their children are vampires. Elena collapses at the end of the episode. |
fd_One_Tree_Hill_01x11 | fd_One_Tree_Hill_01x11_0 | TEXT: [Therapist Office] (Therapist, Dan, Deb and Nathan in the room) DOCTOR: Truth is hard. But Hostility stays outside. Who would like to start) DAN: Well you're the one with all the answers Doc why don't you tell us) DOCTOR: Hostility stays outside Dan) DEB: Things have just gotten out of hand, so, we thought we could use some... DAN: No, YOU thought DEB:...objectivity) DOCTOR: Define "gotten out of hand". Nathan) NATHAN: Pass DEB: We reached the breaking point two weeks ago when my son... DAN: You hear that? "My son" DOCTOR: Deb is speaking now Dan DEB: When our son collapsed on the basketball court after taking drugs to boost his performance. DAN: The kid made a mistake he knows that) DEB: His father has been bullying him about the sport since he was old enough to hold a ball) DOCTOR: Is that true Nathan) DAN: His mother is so quick to put the blame on me, but up until recently, job always came first. DEB: Yes but I changed my behavior Dan, and you haven't. You cant seem to loose this unhealthy obsession you have with basketball, and how Nathan plays it) DAN: (interrupts) She blames me for her shortcomings as a mother) DOCTOR: Ok, I think we got some things out in the open. Nathan, do you think that basketball is part of your families problem) NATHAN: Part of) DOCTOR: But you still like playing) NATHAN: I don't know anymore. DAN: Great, Nice break through Nate. Thanks Doc. (Gets up to leave) DEB: Dan DAN: Hustle up! No way this is helping) [outside the office at the cars) DEB: You're right Dan, we don't need a shrink to identify this families problem, you just made it obvious) DAN: I'm not his only parent Deb. Hey why don't you ride with your old man, Nathan. DEB: Stop it Dan. Come on Nathan lets go) DAN: Let the kid make up his
SUMMARY: | After quitting the basketball team, Nathan takes advantage of his extra free time to see more of Haley. The couple spend an afternoon at his beach house, where the liquor flows. The Scotts see a therapist to try to fix their family problems, but the distance between Deb and Dan continues to grow. Meanwhile, Brooke grows jealous of Peyton's growing bond with Lucas. This episode is named after a song by Mike + The Mechanics . |
fd_Heartland_07x07 | fd_Heartland_07x07_0 | TEXT: Lou: Previously on "Heartland": Amy: So, you like this horse? Caleb: Sure do, Amy. I might buy him. I don't know, maybe raising stock could be a new career for me. Nicole: So great you bought this place, Lou! My grandmother actually had a cafe just like this. Maybe this is a chance for me to start over. Are you serious? Joe: Ty? Joe. What are you doin' here? About five years. Come on! [Horse snorts, hooves thump] Amy: That's good! Keep him movin'! Joe: She was pregnant when I got arrested. She had a boy. I have a son. <unk> Tell me what I want <unk> <unk> Give me what I need <unk> <unk> I found love <unk> <unk> then I let it leave <unk> [truck rumbles] <unk> Took my time and waited <unk> <unk> I waited every day <unk> <unk> I found love <unk> <unk> then I went away <unk> [car revs] [Car thunders by] [Car revs] [Car tires screech, engine revs] [Car revs] [Tires squeal] Hey! [Tires squeal] [Engine roars] [Tires squeal] Just pass me, buddy! [Car and truck rumble] <unk> Sleeping's but a waste, <unk> <unk> here I'm gonna stay <unk> What's your problem, buddy?! [Car revs] [Car tires squeal] [Car tires screech, gravel clatters] [Truck and car screech to a halt] Man in car: [Laughs hysterically] Ty: Are you crazy?! Man in car: [Laughs hysterically] You drive like an old lady. Joe! <unk> And at the break of day <unk> <unk> You sank into your dream <unk> <unk> You dreamer <unk> <unk> Oh, oh, oh... <unk> <unk> You dreamer <unk> <unk> You dreamer <unk> Lou: Okay, Nicole,
SUMMARY: | When an old friend turns to him for help, Ty is torn between his ties to the past and his loyalties to his family at Heartland. Caleb returns and so does Nicole, Lou's friend. Ty asks Caleb to be his best man. |
fd_Doctor_Who_1963_01x16 | fd_Doctor_Who_1963_01x16_0 | TEXT: 1. THE OASIS (TEGANA rides towards the oasis, and thirstily drinks the water. He fills a water gourd and triumphantly holds it to the sky.) TEGANA: Here's water Marco Polo. (Tegana pours the water into the sand.) TEGANA: Come for it... [SCENE_BREAK] 2. MARCO POLO'S JOURNAL POLO: (Writing in journal.) What has happened to Tegana? Is he lost? Perhaps he never found the oasis. But in the hope he did, I inched our caravan forward through the night. What misery. A bitterly cold wind swept down from the north and set us shivering as we stumbled on. I fear the end is not far off. [SCENE_BREAK] 3. CAMP, GOBI DESERT (Barbara and Ian are resting with Polo and Ping-Cho. All lie slumped in the shade of the wagon.) POLO: (Looking out into the desert.) No sign of Tegana. IAN: Nothing but sand... POLO: Tegana is our only hope now. BARBARA: Surely, he should be back by now. POLO: He would not start back from the oasis in the dark, for fear of missing us. PING-CHO: Then we must get going. POLO: Yes... (But Polo is too tired to move. IAN continues to stare hopefully into the surrounding desert.) IAN: Hot again soon Marco. Hadn't we better get started? POLO: We would not get very far, Ian. No, we must wait here. BARBARA: The Doctor and Susan are still in the TARDIS. IAN: Oh, let them sleep Barbara. [SCENE_BREAK] 4. INTERIOR - THE TARDIS (In the TARDIS, the Doctor is sleeping. He is gradually woken by droplets of water splashing on his face.) DOCTOR: Oh... water... water... water!... (Realising there is condensation covering the TARDIS walls, the DOCTOR quickly jumps out of his bunk. He rushes over to the other
SUMMARY: | Missing episode Arriving in Central Asia in 1289, the Doctor and his companions join the caravan of the famous Venetian explorer Marco Polo as it makes its way from the snowy heights of the Pamir Plateau, across the treacherous Gobi Desert and through the heart of imperial Cathay. Having witnessed many incredible sights and survived a variety of dangers, they arrive at the mighty Kublai Khan's Summer Palace in Shang-tu, where the Doctor strikes up an extraordinary friendship with the now-aged ruler. They move on at last to the even more sumptuous Imperial Palace in Peking, where the travellers save the Khan from an assassination attempt by the Mongol warlord Tegana - supposedly on a peace mission - before departing once more in the TARDIS. |
fd_Charmed_08x08 | fd_Charmed_08x08_0 | TEXT: [EXT. HALLIWELL MANOR (STOCK) -- DAY] PIPER: (v.o.) Yeah, no. I-I-I realize we haven't had a band in a couple of months,... [INT. MANOR - KITCHEN -- DAY] (Piper is on the phone in the kitchen while Leo takes practice swings with the golf club.) PIPER: (to phone)... but haven't you read the papers? I've been helping Homeland... (The line disconnects. There's a dial tone. Piper pulls the phone away from her ear.) PIPER:... Security. (She hangs up.) (mutters) It even sounds ridiculous to me. (Piper puts the phone down and turns around. Leo continues to take practice swings with the golf club.) PIPER: I don't get it. It's, you know, two lousy months, and suddenly I'm ice cold. LEO: Bands will be back. P-3's still the hottest club in town. PIPER: Oh, yeah? When? (Piper ducks as Leo swings.) PIPER: Hey. Watch it. LEO: Sorry. Listen, do you want me to talk to Smitty? I'm playing golf with him this afternoon. PIPER: No. I don't like that guy. He's slimy. LEO: Yeah, but he's got connections. He got you The Donnas. PIPER: Fine. Let him win. (Smiling, Leo leans forward and kisses Piper. He turns and heads out of the kitchen. Off screen, he passes Paige on her way in.) LEO: (o.s.) G'morning. PAIGE: (o.s.) Hi. (Paige enters the kitchen.) PAIGE: I didn't know Leo golfed. PIPER: Yeah, he does, but not very well. Don't tell him. Why are you so dressed up? (Paige takes a cup out of
SUMMARY: | While helping Agent Brody by reading through some cold cases that Homeland Security has on hand, Billie inadvertently puts on a belt she found and is granted superhero powers that can turn the sexes against one another. As a result, she comes under the power of a power hungry female demon who plans to use Billie's new powers to gain female domination the world over. As Piper tries to book a headlining musical act to perform at P3, Paige gets a new charge that causes her to cross paths with a new love interest. |
fd_Schitt_s_Creek_01x12 | fd_Schitt_s_Creek_01x12_0 | TEXT: David: Nope. Nope. Alexis: Huh? David: N... Nope. Nope. (Knock at the door) David: No. No. No. Johnny: Kids, just came in to remind you to keep Saturday open. What's Saturday? What's Saturday? It's your mother's birthday. Alexis: No... her birthday is the second weekend in May. That's mother's day, honey. Alexis: I don't think so. David: I just don't think that this is the year to be doing something big. Oh, why? Because we're here, in this town? All the more reason to do something. Alexis: Um... I actually agree with David. Um... plus, I'm gonna be in Chicago this weekend. Johnny: You're what? Alexis: Ted's taking me. We've been planning this for a super long time, so. David: Well, can I come? Alexis: No. Johnny: Okay, here's a newsflash for both of you. You're not going anywhere and we're planning a surprise party for your mother. David: (Laughs) No. That's not... That's not a good idea. That's not a good idea? Where would you even throw a party like that in this town? I don't know. I haven't thought that through yet. Maybe Roland's house. Listen to the words coming out of your mouth. Then you plan it. David: What? No! Alexis: Oh, snap, David! Johnny: Talk to the hand, son, because the ears are no longer working. Oh my God. 'Kay, that's not at all how that works, so... Cancel your trip, Alexis, because the travel agent is out of the office. Alexis: It's so uncomfortable when he does stuff like that. David: No. Absolutely not. Alexis: I feel so weird about it. (Birds chirp) And on Saturday, we have the afternoon off, so I booked us... a Chicago's best deep dish pizza tour. Alexis: Oh my God. Well, that's probably gonna have to change, but what else
SUMMARY: | Johnny wants to throw Moira a surprise birthday party, but complications develop when Moira takes over the planning, thinking the party is really a fundraiser. |
fd_Doctor_Who_1963_04x03 | fd_Doctor_Who_1963_04x03_0 | TEXT: The Smugglers 5:50pm - 6:15pm [SCENE_BREAK] 1. THE CHURCH CRYPT (The series theme music ends. The serial title appears on the screen over the image of SQUIRE'S hand, which is holding a pistol pointed at BEN.) THE SMUGGLERS (The serial title fades out. The writer credit appears.) by BRIAN HAYLES (The writer credit fades out. The episode title appears.) (The episode title fades out. The scene changes to a full view of the crypt.) (As BEN was about to leave the bound BLAKE behind in the crypt to go look for POLLY and the DOCTOR, he is stopped by the arrival of the SQUIRE, PIKE, CHERUB and POLLY, who is still bound as well. The SQUIRE holds out a pistol pointed at BEN.) SQUIRE: Recaptured again, eh lad? We'll have no tricks this time. BEN: He's the bloke that kidnapped the Doctor. PIKE: Wrong, lad. Don't deface the character of my dear friend. BEN: Look, Squire, why can't you believe this... SQUIRE: Hold your tongue! You're vagabonds, both of you, not to be trusted. Bind them, eh? CHERUB: Ah. (begins to tie up BEN and POLLY together to one of the crypt's pillars) BEN: What about this one? He's a right villain. SQUIRE: Hmm? These gentlemen are honest merchants. BLAKE: (Calling from below in the crypt.) Squire! Squire! (The SQUIRE walks down the stairs and looks for the source of the voice.) BLAKE: Here! SQUIRE: Blake! (Shocked.) What the blazes are you doing here? BLAKE: I'd be obliged if you'd release me, sir, before asking questions of me. SQUIRE: (Flustered.) Aye,
SUMMARY: | Polly and Ben are placed in the custody of Blake, who reveals he also has his suspicions about the Squire, while the Doctor and Kewper are forced to team up to escape from Pike's ship. |
fd_One_Tree_Hill_04x04 | fd_One_Tree_Hill_04x04_0 | TEXT: LUCAS: (v.o) Previously on One Tree Hill [GATINA Residence-Backyard-Night] (LUCAS is standing in front of BROOKE who is with a crowd of guys) LUCAS: I'm not the guy for you, Brooke Davis (BROOKE stares at LUCAS' coldly) [NATHAN and HALEY's Apartment-Living room] (NATHAN at chair by TV, LUCAS on couch) NATHAN: What if I saw someone... [Molina Bridge-River (underwater)- Day] (NATHAN in Limo tries to take COOPER's seatbelt off but looks at him and suddenly gets scared) NATHAN: (v.o)... in the car? [NATHAN and HALEY's Apartment-Living room] (NATHAN at chair by TV, LUCAS on couch) LUCAS: Who? NATHAN: Keith [Tree Hill High-Library] (Day of school shooting, PEYTON and LUCAS leaning on a bookshelf) (PEYTON leans over, her and LUCAS kiss) PEYTON: (v.o) I think I still have feelings for Lucas BROOKE: (v.o) As far as I'm concerned... [PEYTON's Bedroom] (BROOKE and PEYTON by her wall of records, PEYTON's eye's red) BROOKE:... this friend ship is over [KAREN's Café] (DEB looks away, for a moment, from KAREN finding it amusing) KAREN: (upset) I will not have a gun-toting junkie destroy a 17-year-old business [Tree Hill Memorial Hospital-Emergency Room] (DAN grabs DEB by the neck and pushes her up agents the wall in anger) DEB: (v.o) I need the gun (DEB screams) for protection, Karen [Tree Hill Memorial Hospital-COOPER's Recovery Room] (RACHEL leans in to kiss NATHAN on the cheek] RACHEL:
SUMMARY: | Peyton introduces hip-hop sensation Lupe Fiasco at Tric, while rumors that Brooke is pregnant run rampant. Still dealing with their car accident, Nathan buys a motorcycle despite Haley's reservations, and Rachel poses for Maxim magazine. Meanwhile, Lucas clashes with Derek, and Deb double-crosses Karen. This episode is named after a song by Bryan Adams . |
fd_The_Vampire_Diaries_04x09 | fd_The_Vampire_Diaries_04x09_0 | TEXT: [Salvatore's House] (Elena wakes up in Damon's bed. She looks at Damon) Damon: This would be so much more fun if we were naked Elena: That was your call, not mine Damon: I was being a gentleman. You shouldn't have stayed Elena: I know Damon: I should have made you leave, sent you packing. I promised Stefan Elena: I know Damon: You're sired to me, Elena, which means everything that you think you feel might not even be real Elena: I know, Damon, but... It feels real. And I'm not ready to let go of that Damon: I could make you. Invoke the sire bond Elena: So do it Damon: I told him I would set you free. Right after I didn't tell him that we slept together Elena: So, what do you want to do? Damon: I want to throw you back in my bed and never let you leave Elena: So do it (Elena's phone rings) Damon: Saved by the cell phone Elena: I have to meet Bonnie. She's teaching Jeremy how not to kill me. Want to come? [Klaus's Mansion] (Stefan enters and sees Klaus painting) Stefan: Looks like a giant snowflake Klaus: I prefer to think of it as an expression of post-modernism. It's my donation to the winter wonderland charity event (Adrian enters) Adrian: You said it was urgent? Klaus: Yes. Take this to the mystic grill immediately Adrian: You want me to be a delivery guy? Klaus: What I want is for you to do whatever I say, without the attitude. Be careful with that. It's still wet (Adrian leaves) Stefan: Abraham Lincoln freed the slaves, you know Klaus: What is the point of my hybrids being sired to me if I can't maximize on the benefits of free labor? What are you doing here? Stefan: Elena is sired to Damon Klaus: I intuited as much Stefan: Which means I need to find the cure now more than ever, and here you are making post-modern snowflakes Klaus: I've delivered.
SUMMARY: | A winter-themed party takes place in Mystic Falls, but amongst the celebration Caroline and Stefan argue with Tyler over what to do with Klaus and his hybrids. Stefan breaks into Klaus's house and attempts to steal Alexander the hunter's sword while Caroline once again plays "the distraction" to Klaus at the winter party. She comments on the piece of art Klaus donated for display, telling him honestly that it feels "lonely" to her. Meanwhile, Elena and Damon go to the Gilbert Lake House to help Jeremy face some dangerous inner demons with the help of Bonnie and Professor Shane, who shares that he knows where to find the cure to vampirism. When Hayley snaps Caroline's neck, to save her and Professor Shane's plan, April finds Caroline "Dead." April finds out about the supernatural things happening in Mystic Falls and that Rebekah is daggered in the Lockwood cellar. Finally, Klaus discovers Tyler's plan which leads to all 12 of the hybrids being killed and Klaus drowning Tyler's mother. |
fd_Dawson_s_Creek_06x03 | fd_Dawson_s_Creek_06x03_0 | TEXT: [Scene: Joey's Dorm room. Joey is sitting in front of her laptop computer, trying to type an email to Dawson, and all she has managed to type so far is <unk>Dear Dawson<unk> and the title of the email <unk>The Incident<unk>. And from there she does not even know how to continue. She spends a long time trying to figure out how to start the email, but just can't figure out how to start. Audrey is just getting back to the room.] Joey: [Sighs] [Door opens] Audrey: Oh, my god! You're still there, like a vegetable. Joey: Writing a good e-mail is hard. Audrey: Yes, especially when it is a huge mistake. Joey: Shut up. Audrey: Joey, I am serious. E-mail expression is the scourge of the modern age. The internet has made it way too easy to express oneself. Ok, you have some fleeting thought. You send it. It lands with a thud in some unsuspecting person's mailbox. Said person then reads it, gets irked because you've recapped a conversation that you presumably already had. They fail to respond. You feel slighted. But if you must be one of these pathetic passive/aggressive e-mail types, far be it from me to stop you. What do you have so far? Joey: Well... I had "Dear Dawson," and then I erased it. Audrey: Why? I think that's a nice start. Joey: I seemed cold. Audrey: True. I mean, you did just nude-up with the guy. Oh, I'm sorry, or did you guys do it through a hole in a sheet because that's very Dawson and Joey to me. Joey: Again, shut up. Audrey: Sorry. Ok, so what do you want to say? Joey: I don't know. I mean, I don't like the way things ended, and I want him to know that I care, but I also want to hold on to my righteous indignation. Audrey: Obviously. Well, why don't
SUMMARY: | Joey's worst nightmare comes true when she accidentally sends a very personal e-mail she wrote for Dawson to the entire student body. The next morning, Joey's e-mail is the topic of virtually all campus discussions when Professor Hetson decides to debate it with his students. Meanwhile, Jack makes an attempt to get to know a little better his cultural professor, Mark Freeman, who pays no attention to Jack. Pacey, while struggling to survive the first days on his new job, closes a very important deal for the firm, which his wheeling-dealing mentor Rich Rinaldi takes full credit for. Eddie, a student in Joey's reading class, who also works as the bartender at Hell's Kitchen, persuades Joey to confront any challenge that Hetson throws and not show any weakness since Hetson thrives on it. James Van Der Beek only appears in the last scene of the episode, and doesn't have any lines. |
fd_NCIS_03x05 | fd_NCIS_03x05_0 | TEXT: MUSIC IN: INT. CAR - MOVING WENDY: (V.O./FILTERED) Well, what do you want? JERRY: (INTO PHONE) Honey, I don't care. Whatever you want. WENDY: (V.O./FILTERED) You don't care? JERRY: (INTO PHONE) I didn't mean I don't care like that. I'm just not that picky. WENDY: (V.O./FILTERED) How come I always come up with the ideas? JERRY: (INTO PHONE) Why don't you make that thing you made the first night I came over? WENDY: (V.O./FILTERED) What was that thing I made? JERRY: (INTO PHONE) It had a green sauce, right? WENDY: (V.O./FILTERED) You don't even know, do you? JERRY: (INTO PHONE) Honey, do we have to do this now? WENDY: (V.O./FILTERED) You never remember anything we've done. JERRY: (INTO PHONE) It's our anniversary! WENDY: (V.O./FILTERED) You never listen to me! In fact, Jerry... (SFX: GUNFIRE) WENDY: (V.O./FILTERED) Jerry! Jerry! (MUSIC OVER ACTION/CAR CRASHES OVER THE EMBANKMENT) (MUSIC OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) [SCENE_BREAK] INT. SQUAD ROOM - DAY TONY: Hey, finish that database yet, Probie? MCGEE: Yesterday. TONY: Well then it should have been on my desk yesterday, shouldn't it? MCGEE: I didn't realize a compilation of nudie bars was that urgent. TONY: Well, it is. MCGEE: Why? TONY
SUMMARY: | The team is called to investigate the murder of a Petty Officer who was gunned down while driving on a freeway. While visiting the sailor's commander to inform him of the death, the team discovers that another man claims to be the Petty Officer and that his identity may have been stolen. Secrets in both men's lives are revealed, but it is Abby's shrewd observations that end up solving the case. Also, McGee discovers his credit card has been stolen and was used to buy porn videos amongst other items while Ziva must quickly learn to adjust to Gibbs' leadership style. |
fd_Gilmore_Girls_07x03 | fd_Gilmore_Girls_07x03_0 | TEXT: GILMORE MANSION [Lorelai and Rory have just arrived in the jeep, it's night time.] LORELAI: Hey, punch me in the stomach. RORY: What? LORELAI: Real quick -- jab, jab. Not too hard. Just enough to cause internal bleeding. RORY: That sounds pretty hard. LORELAI: Yeah, true, plus, internal bleeding is internal, which means it can't be proven. And unless my mother sees blood, there's no way she's gonna let you take me to the hospital. You're right you're gonna have to punch me in the face. Real quick -- jab, jab. RORY: I am not going to punch you in the fAce. LORELAI: Why? I'll heal. I'd much rather spend the night in the emergency room getting 8 to 10 stitches than go in there for dinner. Plus, it'll give me a groovy scar. I've always wanted a groovy scar. RORY: Mom. LORELAI: It'd be such a great conversation piece. "Where did you get that groovy scar?" "Oh, my daughter dropkicked me for no apparent reason." She's totally psycho. RORY: Oh, so now I'm dropkicking you? LORELAI: Give me and few options you didn't like the whole jab, jab thing. RORY: We haven't had dinner with them in three weeks. Suck it up. We're going in. LORELAI: Hey you didn't make it through the last dinner, which means technically you've had four weeks, which means you owe me one. RORY: I stayed for cocktail hour. LORELAI: That's the best part. RORY: I can't help that it's at the beginning. LORELAI: Okay, fine, then you stay through dessert, and I'll leave early to go spend time with Logan. RORY: Oh, I miss Logan. LORELAI: Yeah, me too. Let's talk about him for four or five hours. RORY: We
SUMMARY: | When Richard and Emily have no real reaction to the news of her break up, Lorelai suddenly realizes that most of her emotional life has been based on doing and feeling the opposite of whatever her parents want. Later, when Michel forces Lorelai to attend Emily's cotillion dance, Lorelai discovers that some things her parents wanted for her weren't really that terrible. Meanwhile, Rory has a tough time making her long-distance relationship work. |
fd_The_Mentalist_01x09 | fd_The_Mentalist_01x09_0 | TEXT: Mentalist: Someone who uses mental acuity, hypnosis and/or suggestion. A master manipulator of thoughts and behavior. CBI Jane: Are you ready? Feeling awake, mentally alert? Lisbon: Yes. Jane: Fantastic. Okay. I want you to imagine a screen between you and I On that screen I want you to project a basic shape like a square, but not a square. Got it? Lisbon: Okay. Jane: Lock it in. Now I want you to project another shape and put that shape around the shape you already have. Lisbon: Okay. Jane: Excellent. Here's the fun part. Now concentrate and project that onto the back of my mind. Look right here. Open up your mind and send it to me. Okay, now I'm starting to feel it. It's a triangle inside a circle. Lisbon: No. Jane: It's not? Lisbon: No. I was thinking of an octagon inside a rectangle. Jane: Liar. Lisbon: All right. All right, you got me. Van Pelt: Hmm, pretty good, huh? He got me and Rigsby the same way. Lisbon: How did you do that? Jane: Oh, that's nothing. That's just a calibration key to real mind reading. Now I have access to all your innermost thoughts. Lisbon: Yeah, right. Jane: I'm serious. Lisbon: Okay. So what am I thinking right now? Jane: You're thinking, "I'm so glad Jane is joking around and he can't actually read my mind." Lisbon: No. Well- well, actually, yes, but-but not for the reason you think. Jane: What reason do I think? Lisbon: Never you mind. Rigsby: You're blushing. Jane: You are blushing. Cho: Hey, we're up. Suspected arson/murder on a farm in Marquesa. The county d.A.'s asking if we'll check it out. Lisbon: Let's go. Cho: All right. Marquesa Lisbon: Chief Piller, why the fire truck? Shouldn't they be gone by now? Chief Piller: Well, took forever to put the fire out
SUMMARY: | Jane and the team head to a small farming town to investigate the murder of a National Guard veteran, Rich Garcia, who was killed in an arson fire. After learning Rich's fellow veteran buddy, Dave Martin, was killed in a house fire a few years back, the team goes to question the town's police chief, also a veteran from Rich's unit, only to find his house ablaze. With three out of four members from the unit killed by fire, the CBI digs deeper and learns Dave discovered something more valuable than gold to the drought-stricken farming community - a limitless water supply on land purchased for him by his fellow soldiers. When Dave would not cut them in on the potential profits, his "buddies" set his house on fire. Evidence points to the only surviving soldier, Ben Machado, but when someone tries to set him on fire, the team realizes the killer they're after is not motivated by greed but is instead out to avenge Dave's murder. |
fd_Roswell_02x20 | fd_Roswell_02x20_0 | TEXT: "Off the Menu" 42nd Episode of Roswell Production Code: 2ADA20 [SCENE_BREAK] Chalkboard Narrative: Maria: Brody: self-made millionaire and owner of the UFO center. Larek: an alien living on a faraway planet and also a good buddy of our friend Max. Brody/Larek -- notice any similarities? See, when Larek -- who lives all the way up here -- wants to talk to his good buddy Max -- who lives all the way down here -- he finds the commute a little inconvenient, so he takes over Brody's body, like possessing him or something, and, uh, uses him as a human cell phone. If you think about it, why couldn't they invent like an alien cell phone, I mean, they're aliens? No? Basically, the aliens are ready to go back to their home planet. Michael, Liz and I have found Alex's killer, or did we? Something happened a few weeks ago -- before Max started to remember Tess and Liz started to get closer to Sean and before... Alex died -- before any of this. I just, I didn't think it was important to tell you at the time, but if you watch closely, it contains the key to everything... [Scene opens in the UFO center: Max is strolling through, whistling, on his way to Brody's office door.] Max: Brody? [He knocks.] Brody, you in there? Brody: Max, Hi! Max: Hey. You wanted me to reorganize your crop circle files tonight? Brody: I did? Oh, right, uh--well forget about that. You go off home. Max: Home? I still have three hours left on the clock. Brody: Oh, work, work, work. Don't you have a life? O.K., I'll tell you what, uh, why don't you fix the weather balloon? Max: OK [He leaves and Brody goes back into his office and puts a Virtual Reality thing back on.] Brody: Computer, run abduction simulation 1.5. All right, I was home, minding my own
SUMMARY: | Brody Davis, his mind frazzled from an electric shock, holds several members of the gang hostage, when he begins to remember what happened when he was abducted, such as the New York City interstellar summit and the fact that Max is an alien. Max must use his healing abilities to fix Brody's mind so that he doesn't remember the alien mind that inhabits him. Tess must mindwarp Amy DeLuca into not remembering that Brody held them hostage. |
fd_The_Originals_01x20 | fd_The_Originals_01x20_0 | TEXT: ST. ANN'S CHURCH (Dream Sequence) [The citizens of the French Quarter all prepare themselves for Father Kieran's funeral service. A long line of community members and family, including Cami, Francesca, Genevieve, and Marcel, make their way to Father Kieran's open casket to pay their respects. Klaus arrives late, and by the time he reaches the casket, everyone else at the service is already seated in the pews. He greets Cami and gives her a kiss on the cheek before going to give his respects to Father Kieran. However, when he opens the casket, Father Kieran is gone, and in his place is a baby. The baby coos at him, and he smiles] KLAUS: Hi. [Klaus reaches down to pick the baby up, but before he can, a squishing noise is heard, and blood pours from Klaus' mouth. He's been staked from behind with the indestructible white oak stake. When Klaus turns around, Mikael is standing there, grinning. He grabs Klaus in a chokehold] MIKAEL: [sneers] Greetings, boy. [Klaus awakens with a start in his bedroom in the Abattoir compound. After gasping for a few moments, he lies back down in bed] OPENING CREDITS & TITLE CARD PARK [Genevieve, Monique, Davina, and Abigail walk through a park as Genevieve continues to lecture the girls on magic and the supernatural] GENEVIEVE: New Orleans is full of ghosts. Our dead are always here, hovering. When supernatural creatures die, they're doomed to spend eternity alone, watching the world go on without them. Of course, that's not the case with the ancestral witches. We linger in a different way: consecrated in the earth, replenishing its power. DAVINA:...What about humans? GENEVIEVE: [hesitates] Some find peace. Some...don't. [beat] I have to make an appearance at the priest'
SUMMARY: | Hayley confronts a surprising enemy as she and her unborn baby fall into peril during a celebratory wake to honor a fallen member of the community. In order to save Hayley, Klaus and Elijah enlist the help of Genevieve who struggles to maintain control over Davina and the other young witches. Cami tells Marcel that Francesca is determined to find a mysterious key that may unlock a family secret. Meanwhile, as Klaus suffers from nightmares of his father Mikael, he is forced to examine his troubled relationship with his own adoptive son, Marcel. |
fd_Doctor_Who_1963_14x03 | fd_Doctor_Who_1963_14x03_0 | TEXT: THE MASQUE OF MANDRAGORA BY: LOUIS MARKS Part Three Running time: 24:34 [SCENE_BREAK] SARAH: Doctor! Doctor! [SCENE_BREAK] GIULIANO: Go on, for you'll need an army to do your work. FEDERICO: Oh, you craven-gutted curs. He's but one man. DOCTOR: You can't count, Count. FEDERICO: Take the sorcerer too. A gold piece to the first that splits him. FEDERICO: Brethren. ROSSINI: They're coming out of the ground like rats, sire. FEDERICO: Back! Back to the palace! [SCENE_BREAK] DOCTOR: That was lucky. The Brethren ran right past. Where's Sarah? GIULIANO: She came down here. You mean you've not seen her? DOCTOR: What? You mean she's wandering around in these catacombs? Let's have a look at this shoulder. GIULIANO: You've not spent all your life at books, Doctor. You just saved my life. DOCTOR: This should staunch the blood. You know, the finest swordsman I ever saw was a captain in Cleopatra's bodyguard. He showed me a few points. That's it. I don't know that Florence Nightingale would approve this little lash-up. GIULIANO: Did you find the temple, Doctor? DOCTOR: Oh, yes. Helix energy is still there, all right. Played some very nasty tricks. [SCENE_BREAK] PRIEST: It is an omen. The mighty Demnos has returned his victim to us. She who is the chosen sacrifice. HIERONYMOUS: This one assists the foreign sorcerer. She may yet assist him to his death before her hour of glory. PRIEST: Master, the great blade of our god thirsts for blood. HIERONYMOUS: Patience. Before this night ends, Priest, there will be blood in plenty. That I promise. PRI
SUMMARY: | The Doctor saves Giuliano from Federico's men, then they try to find Sarah, unaware Hieronymous has hypnotised her to kill the Doctor. |
fd_FRIENDS_10x03 | fd_FRIENDS_10x03_0 | TEXT: Produced by: Robert Carlock and Wendy Knoller [Scene: Joey and Rachel's apartment] Chandler: So, you and Rachel tonight, uh? Joey: Yeah. It's actually our first official date Chandler: Wow! So tonight may be the night! You're nervous? Joey: Naa, no. This is the part I'm actually good at. Chandler: What must it be like not to be crippled by fear and self-loathing. Joey: (pause) It's OK! Chandler: How can you be so confident? Joey: Well, I... I know exactly what I'm gonna do! Chandler: Really? Like you have a routine? Joey: No, no no no no. See. Each woman is different.You have to appreciate their uniqueness. Chandler: Really? Joey: No, I do six things! First, I look deep in her eyes. Then, I kiss her. Next I take my hand and I softly graze her thigh. Chandler: You mean like this? (he starts touching his thigh in a funny and awkard way) Joey: NO! Not like that, no no. No, like this. (He starts lightly grazing Chandler's thigh) Chandler: Oh, I see what you mean, that's quite nice. (They look at each other, both embarassed) Joey: More foosball? Chandler:...and beer!! OPENING CREDITS [Scene:Central Perk. Ross and Chandler are on the couch] Monica: (entering) Hey! Ross and Chandler: Hey! Monica: (to Chandler) Hey sweetie! (they kiss) Ross: (looking at Monica's legs) WOW! Chandler: Hey! Stop staring at my wife's legs! No no! Stop staring at your sister's legs! Ross: I'm sorry, it's just... how did you get so tan? Chandler: She went on one of those spray-on tan places. Ross: Eh, you got a spray-on tan? Monica: Chandler gets pedicures! Ross: (laughing) Why, why you do,
SUMMARY: | After Ross sees Monica's tan, he decides to get a spray-on tan. After hearing seemingly straightforward instructions, he gets confused and accidentally gets a double dose on the front of his body and nothing on his back. Through a series of mishaps he gets more spray tan on his front until he is incredibly dark. Rachel and Joey attempt to take their relationship to the next level but Rachel keeps accidentally slapping Joey, while Joey can't get Rachel out of her clothes. Joey and Rachel ultimately decide to stay friends. Monica and Phoebe try to "cut out" an obnoxious old friend from the building when she visits from England ( Jennifer Coolidge ). This brings up memories of the time when Phoebe tried to "cut out" Monica many years before. |
fd_Doctor_Who_1963_08x20 | fd_Doctor_Who_1963_08x20_0 | TEXT: COLONY IN SPACE BY: MALCOLM HULKE 6:10pm - 6:35pm [SCENE_BREAK] 1: EXT. PRIMITIVE CITY ENTRANCE (The MASTER'S device starts to emit a signal.) DOCTOR: What's that beeping noise? (The MASTER flips open the lid observes the screen.) MASTER: Someone's trying to rescue Miss Grant. (He closes the lid and raises his finger above the button.) DOCTOR: You can't! MASTER: (Harshly.) I warned you, Doctor! DOCTOR: No! (With a cry, the DOCTOR swiftly kicks the device out of the MASTER'S hand. He then kicks the MASTER in the stomach and the renegade falls back to the ground before he can fire his laser gun. As this tussle takes place, the entrance to the Primitive City creaks out and one of the PRIESTS stands in the doorway. At the same time, several Primitives appear from each side with their spears pointed at the DOCTOR and the MASTER. The Time Lords stop their fight and stand prisoner. One of the Primitives picks up the MASTER'S gun and they are then pushed forward towards the entrance and into the city.) [SCENE_BREAK] 2: INT. MASTER'S TARDIS. CONSOLE ROOM (JO continues to shout from within he cubicle but the door effectively covers her shouts. Whilst MORGAN impassively watches, CALDWELL tries various controls on the console in an effort to free the girl.) CALDWELL: Ah, it's no use, I can't see... (He activates another control and the cubicle door buzzes.) CALDWELL: Just a minute! (He rushes to the cubicle, pulls open the door and helps a gasping and coughing JO out. She stumbles across the floor straight into MORGAN'S grasp.) MORGAN: Where is the Adjudicator? JO: He's not the Adjudicator
SUMMARY: | The Doctor and the Master are taken into the Primitive city, where the Master hopes to find the doomsday weapon, while Dent forces the colonists to leave the planet even though their ship is likely to explode. |
fd_Charmed_03x03 | fd_Charmed_03x03_0 | TEXT: [Scene: P3. The club is full of people. Piper is at the bar. Leo walks up to her. She smiles.] Piper: I knew you'd come back. Leo: Piper... Piper: Phoebe was worried, Prue was a wreck, but I knew you'd find a way. Leo: We need to talk. Piper: Leo, you haven't kissed me in over a week. Don't you think maybe that takes priority? (She walks around the bar and kisses Leo.) Leo: I came to say goodbye. Piper: What? Leo: They told us to break up. They caught us trying to get married. Piper: So we won't get married, we'll wait. Leo: (his voice echoing) It's too late, we broke the rules and now they won't let us see each other again. Piper: Wait a minute, they won't what? Leo: I don't care what they do to me but I couldn't bare anything happening to you. I shouldn't even be here right now. (He starts backing away.) Piper: Wait a minute, Leo, I can't here you. What are you saying? Leo: You have to forget about me. Piper: No. (Leo mouths "I love you" to her. He orbs out and everyone dancing stops and looks at Piper.) Leo. Leo! (Prue runs over to Piper and shakes her.) Prue: Piper. Piper, wake up. Piper. [Cut to Piper's bedroom. Prue's there trying to wake Piper up. Piper sits up.) Piper: Leo's not coming back. Prue: Honey, it was just a bad dream. (Piper starts crying.) Piper: No, it wasn't, it was real. I don't understand why they are doing this to us? It's like destroying lives is how they amuse themselves. Prue: Piper, watch what you say. Piper: Why? What are they gonna do to me? They couldn
SUMMARY: | After having a bad dream about Leo, Piper realizes that The Powers That Be have ordered Leo to stay away from her forever. As a result, she goes on a strike from helping Prue and Phoebe save innocents. Meanwhile, Phoebe and Prue try to save a young girl named Kate after trolls start attacking her because she's keeping a fairy safe that they want to harm. Cole continues his quest to get inside the Manor and gain access to the Book of Shadows. |
fd_Once_Upon_A_Time_04x12 | fd_Once_Upon_A_Time_04x12_0 | TEXT: [ Storybrooke ] [SCENE_BREAK] (Before the ice-wall.) Anna: Wow, that is a lot of ice. Elsa: And it's time for it to come down. Anna: Okay. Now can we go back home? Emma: Stop! Don't take another step! That's the town line. Anna: Right. But I want to leave the town. Didn't I just say that? Emma: The wall may be down, but I sense that some of Ingrid's magic remains. Yeah, leaving this town has never been simple. And Ingrid? She didn't change things. She wanted to be here alone with you and me. She wanted to make Storybrooke her ice castle, and clearly she wanted to protect it. Anna: So how do we get back home? Elsa: Walking wouldn't get us there anyway. We're in a different realm. Emma: We need to find a portal. Or magic beans or something. Kristoff: Okay, now I'm lost. Anna: Well, then let's get one of those things. We have to hurry. Elsa: No, we don't need to rush. We need to be careful. Arendelle will still be there while we figure this out. Anna: It might not. Did we forget to tell her? Kristoff: A lot of stuff was going on. Elsa: Tell me what? Anna: Arendelle's been conquered... By Hans and his 12 brothers. Elsa: Emma, we need to find a way back... Now. Emma: We'll do our best. [SCENE_BREAK] (At Mr Gold's shop.) Hook: They didn't leave. The Snow Queen mucked up the border. Once you cross, there's no c... Coming back. Mr Gold: If only the Snow Queen had succeeded... Everything would be much simpler. Hook: Yes. Perfect cover for your exit. But everybody survived. Sorry for the inconvenience. Mr Gold: What about our friends from Arendelle? Hook: Well, they're still searching for a portal back. Mr Gold: Well, that is a problem. Can't have that Anna running around town. Hook: She
SUMMARY: | In New York City, Mr. Gold & Ursula go to Cruella De Vil's place in Great Neck, Long Island where her criminal husband is arrested by the FBI. As the Storybrooke residents attempt to move on from Gold; Emma, Regina, Belle, and Hook help free the fairies from the hat, along with the demon Chernabog, who threatens to destroy the town. Meanwhile, Gold enlists Ursula and Cruella De Vil to re-enter Storybrooke by convincing that they have renounced their evil ways to Regina and Emma. Later, David and Mary Margaret warn Ursula and Cruella to not reveal a past meeting to anyone, especially Emma, or Mary Margret would kill them herself. Elsewhere, Gold reveals that he was the person who translated the scroll for Belle and that the Chernabog was hunting the heart with the greatest potential for darkness, Emma. Back in the Enchanted Forest, Rumplestiltskin gathers Maleficent, Cruella, and Ursula in a plot to find their happy endings through the retrieval of the Dark Curse. |
fd_The_Office_02x15 | fd_The_Office_02x15_0 | TEXT: Jan: So, I'm happy to be here. It's very nice to see all of you. You're all looking well. [SCENE_BREAK] Pam: Today's a 'women in the workplace' thing. Jan's coming in from Corporate to talk to all the women about... um... I don't really know what. But Michael's not allowed in. She said that about five times. [SCENE_BREAK] Jan: Women today, though we have the same options as men, we often face a very different set of obstacles in getting there. So... Michael: [knocks] Hey, what's going on? Jan: Michael... I thought we agreed you wouldn't be here. Michael: Yeah... I... You know what... I... I... I just thought about it. I just have a few things I want to say. Jan: What are you doing? Michael: Hold... Just hear me out. What is more important than Quality? E-Quality. Now studies show that today's woman, the Ally McBeal woman, as I call her, is at a crossroads... Jan: Michael. Michael: No, just uh... you have come a long way, baby. But I just... just want to keep it within reason. Jan: Michael. Michael: They did this up in Albany... Jan: You are not allowed in this session. Michael: And they ended up turning the break room into a lactation room which is disgusting so... Jan: Now you're really not allowed in this session. Michael: Well, I'm their boss, so I feel like... Jan: I'm your boss. Michael: [stands up] Anybody want any coffee or... Jan: We're fine, Michael. We just need you to leave, please. [SCENE_BREAK] Michael: Women in the workplace... yeah, translation "I have been banned from my own conference room so that Jan can talk in secret to all the girls." Oh! Sorry. 'Women of the workplace.' About what? I don't know. Clothes. Me. Eeegkh! [SCENE_BREAK] Jan: Ladies, I am so, so sorry. Can we start again? We were on
SUMMARY: | Jan comes to Scranton to lead a seminar for the women in the office. Michael becomes upset when he is left out, and decides to host his own seminar for the men. When he tries to rally the staff to unionize, Jan's threat of a lawsuit ends the attempt. Later, after Jan recommends to Pam that she should enter a graphic design course, Roy persuades her not to go through with it. |
fd_Degrassi_Next_Generation_02x10 | fd_Degrassi_Next_Generation_02x10_0 | TEXT: Manny is in Ms. Kwan's classroom MS. KWAN: But for many writers, romance isn't so simple. Is is often a confusing experience. (Manny picks up her book. There is a knock at the door.) CRAIG: (Coming in) Excuse me, Ms. Kwan. I'm sorry to interrupt. (Manny lowers her book and looks at him. The lighting becomes purplish, piano music starts playing, and suddenly Craig is in a tuxedo) But I've come to collect my one and only true love. (Starts walking to Manny, who's now in an evening gown. He begins to sing) Won't you be my Cinderella? Could I kiss you, Manuela? (He extends his hand and she accepts it, standing up) MANNY: (singing) You can tease me however. (Craig pulls her close to him) You must love me CRAIG AND MANNY: (Singing) Forever. MANNY: (singing) Forever. Back to reality CRAIG: I need to get that. MANNY: Pardon me? CRAIG: The AV cart behind you. Mr. Simpson sent me to get it and, um, you're on the cord. MANNY: Oh. (Moves her chair) CRAIG: Yeah, you could just move it. (Collects cord) Mr. Simpson's room. Emma looks out the door EMMA: He's coming. (Mr. Simpson walks in) TOBY: Mr. Simpson, something terrible has happened to your computer. MR. SIMPSON: (sits at his computer, with half the class looking over his shoulder) JT, did you e-mail me naked baboon pictures again? EMMA: It's serious. I think your computer has a virus. (On the computer, there's animation of Mr. Simpson and Emma's Mom on a weeding cake with hearts. The wedding march is playing.) MR. SIMPSON: (smiling) You had me going? Who did this? EMMA: (e
SUMMARY: | After crushing on him for months, Manny finally decides to ask Craig out; the next day, each remembers the evening differently while recapping it for their friends. Ellie writes anonymous love notes to Marco, but he thinks they came from Hazel. |
fd_Bones_04x05 | fd_Bones_04x05_0 | TEXT: "The Perfect Pieces in the Purple Pond" [SCENE_BREAK] TEASER. (Interior of an abandoned warehouse.) TODD: That was great. You were great. So maybe we can do it again? KAREN: The others are coming, right? TODD: (hopping up and down a bit) We still got time. KAREN: What is the matter with you? TODD: I gotta take a leak. KAREN: Go! TODD: It's not my fault they made the GargantuGulps so gargantuous. (He begins to exit). KAREN: It doesn't seem to bother me any. Microbladder. TODD: (jogs out of the warehouse. TODD steps up to an evaporation pool and unzips his jeans. He urinates into the pool. We see the water turning purple.) KAREN! KAREN: WHAT? TODD: (yelling) Are you sure I'm the only guy you've ever had s*x with? KAREN: Why? (We look at the water again. A human hand reaches up out of the purple water.) TODD: Oh my god. (Two more body parts appear. TODD runs back and we see a torso and numerous other parts have surfaced.) TODD: KAREN! KAREN! [SCENE_BREAK] (Cut to: Int. McKinley Psychiatric Hospital.) ZACK: As I've told you many times before Doctor Sweets, I do feel remorse. SWEETS: But not for stabbing a man in the heart. ZACK: No, for succumbing to the faulty logic that persuaded me that his death was desirable. SWEETS: You know a sane person would regret murdering someone more than being taken in by a line of crap. ZACK: Define 'crap'. SWEETS: Drivel, blarney, nonsense, uh, balderdash, twaddle, bull, bunkum, hooey. Like that. ZACK: Now
SUMMARY: | The pieces of a dismembered body are found lying in a purple pool of water, except the head is missing. The team finds that the body belongs to Jared Addison, a science fiction writer who had several mental problems. With Sweets's help, several suspects are hunted down, however the team has trouble finding enough evidence with the victim's head still missing... that is until they turn to Zack for help. |
fd_Frasier_03x04 | fd_Frasier_03x04_0 | TEXT: ACT ONE Scene One - Radio Station. Frasier is sat in his booth reading some papers as Niles taps at his window. Frasier signals for him to enter. Frasier: Hello, Niles. Niles: Frasier, quick, give me your museum membership card. Frasier: What for? Niles: I just heard tickets go on sale today for the exhibit of fourteenth century Japanese netsuki figurines. Frasier: Oh, then the rumours were true? Niles: Hurry, hurry, I want to get there before the line forms. Frasier is about to hand it over when Roz enters. Roz: Five seconds. [exits] Frasier: Oh, just give me a minute, Niles. Just sit tight, huh? [on air, reading copy:] And we're back. Before we take our last call, I'd like to remind you that Mercy Hospital will be conducting free blood pressure testing this Saturday on Whidbey Island. Niles takes a peppermint out of his pocket and begins to unwrap it. The cellophane causes a crinkling noise which the microphone picks up. Frasier: Hypertension leads to strokes, heart disease and other maladies, so we should all be on the lookout for symptoms like shortness of breath, [motions at Niles to stop] quickening of pulse, irritability- [presses cough button] Oh, will you just shove the damn thing into your mouth! [Niles puts the mint and wrapper into his mouth; lets go] - So let's all join together to help defeat this silent killer. Niles now tries to pull the sweet wrapper out of his mouth, causing more noise. Frasier gestures him angrily into Roz's booth. Frasier: Roz, who is on the line? Roz: On line four we have Mac, who's recently moved here from Australia and he's having a problem with a co-worker. As Frasier takes the call, she points a warning finger at Niles. Frasier: Hello, Mac, welcome to Seattle, I'm listening. Mac: [v.
SUMMARY: | Bulldog targets a series of pranks at Frasier (which culminates in Frasier singing "Three Little Maids" from The Mikado in a falsetto voice live on air). Frasier decides to get back at Bulldog by releasing a lizard in the studio, after discovering that Bulldog has a phobia of them, only to watch in horror as Kate becomes his unintended victim. |
fd_Greek_02x06 | fd_Greek_02x06_0 | TEXT: CRU - Max's room Max : Verdammt! Casey : What did the Germans do now? Max : I'm sorry. Part of my RA job is to plan the resident's annual Galileo party. It's this weekend, I've been trying to find a place for weeks. The Deutsche Hause was my last hope. Casey : I didn't know engineers had theme parties too. Max : Yeah... just this one. But, who cares, it's not important, other things are important. I'll figure something out. Casey : Of course you will, that's why you're a genius. If you can understand that book, you can plan a party. Wait. Party planner. I'm gonna put that on my career shortlist. Max : But you're an English major. Casey : I am, but unlike your major, it doesn't come with a built-in career path. Everyone speaks English, which is why, I was thinking, this might serve as a stepping stone to something else. Max : Like... Publishing? Casey : No! A job at Nationals. I have to go to this convention. So I thought if I have to be dragged away from spending the weekend with you, which is all I really wanna do, the least I could do is make the best of it. Use this weekend for a little networking. I have to do something after graduation. Max : You could do anything... because you're amazing. KT HOUSE - Living room Rusty : Once the candy hits the soda, everybody needs to stand back. Capppie : Waiting will make it all the sweeter. Ah, good afternoon. Refreshing mint... officer? Sergeant at arms? Commandant? Man : Fire marshal. Just doing the rounds to make sure all the houses are up to code. Capppie : We might as well keep moving because when it comes to codes, the Kappa Taus have them covered. From Morse to Da Vinci. Man : There's your first violation, right there. There's your second. Credits KT HOUSE - Hallway Capppie : Good
SUMMARY: | Casey, Frannie, and Ashleigh attend the annual, ZBZ conference , and Frannie takes it upon herself to introduce a proposal that, if passed, will allow her to seek the ZBZ presidency again. Kappa Tau faces closure due to housing violations until they agree to host the honor engineering program's annual Galileo party. |
fd_The_Big_Bang_Theory_05x06 | fd_The_Big_Bang_Theory_05x06_0 | TEXT: Scene: The apartment. Sheldon's mother is visiting. Leonard: So what kind of cruise is this you're going on? Mrs Cooper: It's called the Born Again Boat Ride. Christian Quarterly gave it their highest rating, five thorny crowns. I do wish you'd come with me, Sheldon. Sheldon: Well, Mom, if I did, it would be conclusive proof that your God can work miracles. Mrs Cooper: You're missing out. It's gonna be wall-to-wall fun. It's all themed. There's Jonah and the Whale Watching, all-you-can-eat Last Supper Buffet, and my personal favourite, Gunning with God. Leonard: What's Gunning with God? I'm afraid to ask. Mrs Cooper: Oh, it is a hoot and a half. You write your sins on a clay pigeon, they fire 'em up in the air, and you pulverize them with a 12-gauge shotgun full of our Lord's forgiveness. Sheldon: Frankly, Mom, I'm encouraged to see how advanced your group has become, willing to sail out into the ocean without fear of falling off the edge. Mrs Cooper: For example, if Shelly was aboard, he'd write "smart mouth" on his pigeon, and then bam! Sheldon: The Lord giveth and the Lord bloweth away. Well, Mom, according to my itinerary for our weekend together, the fun begins with fried chicken. Mrs Cooper: Sounds delicious. Sheldon: Good, 'cause I got you everything you need to make it. You are in for a treat. My mother's fried chicken is why we had to buy my dad the extra large coffin. Leonard: Sheldon, she just got off the plane. She doesn't want to cook. Sheldon: Of course she does. Making me food is her way of saying I love you. Making me food when she's too tired to cook is her way of saying I really love you. Mrs Cooper: Actually, I wouldn't mind going out for a bite, Sheldon. Sheldon: Won't
SUMMARY: | Sheldon's mother comes to Pasadena for a weekend visit while waiting to board a Christian cruise called the "Born Again Boat Ride". However she decides to spend her time eating out and going sightseeing around Los Angeles with Leonard, Penny, Howard and Raj instead of cooking and watching Sheldon embarrass a Nobel laureate. This upsets him, creating a standoff between himself and his mother. When he talks about his mother's behavior to Amy, she counsels him that while he is a genius, his emotional reactions to his mother ignoring him are no different from that of any other human being, and that the less intelligent might be able to handle their emotions better by not over thinking them. While returning home that evening, he gets caught in the rain and comes down with a fever, prompting his mother to nurse him back to health. |
fd_One_Tree_Hill_07x14 | fd_One_Tree_Hill_07x14_0 | TEXT: [PREVIOUSLY_ON] Judge : You are heading down a dangerous pass. You don't have a job. Victoria : Your honor... She does have a job. She works for me. Alex : How did we get the funding for the movie? Julian : My father and I put up the money, because I believe in you. Brooke : All day long I've been trying to figure out how to get past the you-and-Alex thing. Julian : Maybe right now, you need to work on you, and I need to work on me. Goodbye, Brooke. Haley : Hey, Tay. You remember Quinn's ex boyfriend. Taylor : I prefer to call him my new boyfriend. AT SCOTT'S HOUSE Nathan : Haley, stop! Haley : Sorry. Just trying to wake Taylor and David. Nathan : I'm sure you did, along with the rest of the neighborhood. How long have you been up? Haley : Since I dreamt that my sister was screwing my other sister's husband. Ex-husband. Nathan : Did you dream that too that's so weird? Did I kill them in yours? Haley : No, actually, you played it cool. Nathan : Well, then you really were dreaming, because there's no way to play this cool. This is the most uncool thing Taylor's ever done. Taylor : Morning, kids. Haley : Good morning, slut. You can get your things and go now. Taylor : What's wrong? Are you still mad about me and David? That's so last night. Haley : You like that outfit enough to get buried in, or you want to go put something on? Taylor : Why? It's nothing he hasn't seen before. But if you insist. Haley : Come... are you gonna say something? Nathan : "I love you"? Jamie : Good morning! Nathan : Oh, hey, I almost forgot. We're late for the video-game shoot. Better get going. Have a good day, Hales. Love you. Jamie : Bye, mom. AT LUCAS'S HO
SUMMARY: | Nathan tries to keep Haley calm after Taylor shows up at their house with Quinn's ex-husband in town. Julian sticks up for Alex on the set of their movie, and Brooke leans on Alexander to ease her heartache. Meanwhile, Clay gets a chance to prove his commitment to Quinn by helping her through a dinner with her sister and David. This episode is named after a song by Sly and the Family Stone . |
fd_FRIENDS_03x13 | fd_FRIENDS_03x13_0 | TEXT: [Scene: A Video Store, Monica is running in to return a video.] Monica: (to clerk) Hi. (The clerk enters the video into the computer.) Clerk: Six dollars, please. Monica: Six? I just had it for one night. It's three. Clerk: Eight o'clock is the cut-off and, (looks at his watch) aww, it's 8:02. Monica: Y'know in a weird way, you have too much power. Look, you're gonna have to help me out here, 'cause I only have three. Richard: (standing behind her, without his moustache) I can help with that. Monica: Oh my God. Richard? (turns around) Hi! Richard: Hi! Monica: Wow! Your lip went bald. (Richard pays the clerk) Hey, thanks. Richard: So, you look great. Monica: Right. Richard: No you do. You... just... Monica: What? Richard: You've got panties stuck to your leg. Monica: (removes them) That's because I-I was just grabbing some things out of the dryer, and it's static cling. Or maybe it's just that God knew I'd be running into you and saw an opportunity. Richard: It's good to see you. Monica: It's good to see you too. (They hug, and Richard notices a stocking stuck to Monica's back, which he removes for her.) Opening Credits [Scene: continued from earlier.] Monica: You see that guy? He's in classics now, but y'know as soon as we leave he's going straight to the p0rn. Richard: He's gonna go up to the counter with Citizen Kane, Vertigo, and Clockwork Orgy. (they both laugh) This is nice. Monica: Yeah. Richard: I missed this. Monica: Me too. Richard: So, you wanna get a hamburger or something? Monica: Oh, um, I don't know if that's a good idea. Richard: Oh. Look, just friends, I won't grope
SUMMARY: | Monica's willpower is tested after running into Richard at the video store. The two decide to just be 'friends', but soon are more than that. Joey agrees to read Little Women while Rachel reads The Shining . Phoebe's athletic new boyfriend accidentally keeps exposing himself through his loose-fitting shorts. |
fd_Doctor_Who_1963_07x13 | fd_Doctor_Who_1963_07x13_0 | TEXT: The Ambassadors of Death 5:15pm - 5:40pm [SCENE_BREAK] The Ambassadors of Death 1: INT. SPACE CONTROL. CORRIDOR (The DOCTOR and LIZ round a corner in the corridor. The DOCTOR carries a computer tape.) DOCTOR: Let's see what he's got to say for himself this time. (They go through a door marked "COMPUTER ROOM".) [SCENE_BREAK] 2: INT. SPACE CONTROL. COMPUTER ROOM (They fail to see TALTALIAN stood behind the door. They walk into the body of the room and TALTALIAN slams the door shut. They spin round as the scientist pulls out a pistol and aims it at them...) [SCENE_BREAK] 3: INT. SPACE CONTROL. COMPUTER ROOM TALTALIAN: I want that tape. (The DOCTOR doesn't answer immediately but walks a couple of paces, staring intently at TALTALIAN.) DOCTOR: Do you realise the importance of it? TALTALIAN: Rather more than you, Doctor. DOCTOR: So, you understood the message? TALTALIAN: Hand it over. DOCTOR: What are you going to do with it? TALTALIAN: Doctor! Give me that tape! (The DOCTOR looks at LIZ, then.) DOCTOR: Since you insist... (He holds out the tape. TALTALIAN reaches out for it but before he can take it from the DOCTOR'S hand, it vanishes into thin air.) TALTALIAN: This is no time for conjuring tricks. (Shouts.) Put up your hands - up! (The DOCTOR does so and TALTALIAN goes over and searches through his pockets but with no success.) TALTALIAN: Where is that tape? LIZ: P...perhaps he sent it into the future? TALTALIAN: Doctor, are you trying to force me to shoot you? (The door to the room suddenly opens and the BRIGADIER walks in.) BRIGADIER L
SUMMARY: | UNIT retrieve the returned Recovery 7 but then Carrington hijacks it while the Doctor and Liz try to decode the signal he sent. |
fd_The_Mentalist_02x19 | fd_The_Mentalist_02x19_0 | TEXT: Old Town, Sacramento, California. (Van Pelt, a man with a hood on his head) In a very dark alley, Van Pelt comes out of a restaurant, someone observes a parked car. Man calls Van Pelt. Hooded Man: Hey! Van Pelt: Are you Mr. Black? Mr. Black: Yeah. Van Pelt: You scared me. Mr. Black: Hum hum. Yeah. Van Pelt: So... I just... (hands him an envelope, which he refuses to take) Mr. Black: Tell me why I'm here. Van Pelt: I have something I need done. Mr. Black: So do most women. You're gonna have to be more specific. Van Pelt: Right. Yes. Sorry. Van Pelt: Um, what I need... I don't know quite how to put it. Mr. Black: Well, you're just gonna have to open your mouth. And say it out loud in full detail. Like you're talking to your priest. You show me yours. I'll show you mine. That's how it works. Van Pelt: Okay. Here. (She shows him a picture of Rigsby) I want you to kill him. How much do you charge? Credits (black screen) "Thirty-six Hours Earlier" Ext. Night. in a city street (Lisbon arrive by car, Rigsby is expecting, many police cars) Rigsby: We think she was killed about an hour ago. Neighbor heard screaming, called 911. Lisbon: Anybody see anything? Rigsby: We've got sac P.D.canvassing, but so far nothing. Just an average night. Jane: Average night, average neighborhood, average murder. Why are we here? (they enter a house, the police are already on site) Lisbon: Because the victim is Assistant District Attorney Kelly Flower. Jane: You worked with her. Rigsby: Yeah, we all did. Kelly was good people. Van Pelt: Forensics found a casing. Said it was 9-mil. Rigsby: Almost point-blank, judging from the
SUMMARY: | Van Pelt (in a flashforward ) orders a hit on Rigsby. Before, the CBI team arrives on the scene of the murder of ADA Kelly Flower. Jane quickly discovers and identifies her killer as Cale Sylvan, the building contractor at the Flowers' house, whom the CBI team learns is a psychopathic hitman/serial killer-for-hire, but they can find no proof of his double identity. Meanwhile Cho and Van Pelt confront docker Hank Draber whom ADA Kelly Flower was about to get convicted and sentenced to 20 years, in a case that would have made Flower's career and probably the next DA. The CBI believes Hank Draber ordered Sylvan to murder Flowers, although Draber seems more concerned about upsetting his wheelchair-bound invalid mother. The team sets up an undercover operation where Van Pelt orders the hit and exposes Sylvan - Sylvan took trophy film footage of Flowers begging for mercy and his killing her. In court, it is discovered that Jane had broken into the suspect's home in preparation for the sting and Judge Hildred informs ADA Odenthal and his prosecution team that the film footage is inadmissable and all charges are dismissed because they are " fruit of the poisonous tree ". ADA Odenthal, who ambitiously expects to be DA eventually, is furious with Jane. Hightower suspends Lisbon for five days for her lack of control over Jane. The CBI team must now apprehend Sylvan on different evidence. Jane engineers a way to pick Sylvan's pocket and a logo on his gym bag indicates the location of Sylvan's secret murder house; the team arrest Sylvan just before he murders someone else. A mysterious skilful long-distance sniper shot kills Sylvan. Jane, assisted by Lisbon, reveals that Hank Draber's invalid mother is faking disability and is the real brains of the Draber illegal operations but the Drabers are not murderers. Back in court, Jane (deliberately) acts in contempt of court and tweaks ADA Odenthal's nose, causing him to be tried before Judge Hildred for battery. Jane elects to defend himself. Kelly Flowers' widower is surprised to have been called to watch the hearing. Through his questioning, Jane admits battery but reveals to the court that Odenthal had hired Sylvan to kill Kelly Flowers and then shot Sylvan after overhearing Judge Hildred issue a warrant for Sylvan - Kelly Flowers had been promoted to the ADA job instead of Odenthal, a job he expected as his right. Hightower is pleased at the outcome and says she will get Lisbon reinstated. |
fd_Gilmore_Girls_04x13 | fd_Gilmore_Girls_04x13_0 | TEXT: OPEN AT LORELAI'S HOUSE [Lorelai is coming down the stairs into the living room. She is zipping up the extra cardigan she's wearing on top of her pajamas] LORELAI: Cold, cold, cold, cold! Icy feet, stupid frozen-tundra house! Oh. [She picks up a shawl and wraps herself in it. She sees someone sleeping on the couch, bundled in blankets.] LORELAI: Honey, why are you sleeping in here? Your room is way warmer. [She turns up the thermostat and goes into the kitchen.] Okay, here's the question for today, kids. What the hell are the Eskimos thinking? I mean, yes, the hoods are cute, but it's always cold. Always! Plus you have to eat fish for breakfast and you have to eat whales and then polar bears and penguins and Santa Claus... [Comes back from the kitchen, towards the couch and sits on the sleeping figure] Okay, coffee's on, Pop-Tarts are pop-tarting! If you're just going to lie there, I'm going to have to sit here. I'm going to make myself very comfortable on a nice, warm Rory! [Rory comes out of her room] RORY: Why is it so cold in here? LORELAI: Ahh! RORY: Ahh! [Rory ties the belt of her cardigan and comes near the couch] LORELAI: I thought I was sitting on you! RORY: Oh, really? Good trick... LORELAI: Well, if you are there, then who is this? RORY: I don't know. LORELAI: We've got a stranger in our house. RORY: Robert Downey, Jr? LORELAI: Or a murderer. RORY:... who needed to take a nap before committing his crimes? [Lorelai lifts the blankets to see Lane sleeping on the couch.] LORELAI: I think this belongs to you. RORY: She must have followed me home from Yale. I told her she could
SUMMARY: | Jess' attempts to keep a low profile until Gypsy completes the repairs on his car are put to the test as he keeps bumping into Rory all over town. Taylor puts Kirk in charge of the annual Firelight Festival, and his managerial skills, or lack thereof, place a strain on the preparations. Lane follows Rory back to Stars Hollow and a place on the Gilmore couch for the weekend, but isn't quite ready to face her mother. Emily is in a dither about filling a table at a benefit and enlists the help of Lorelai and Jason, whom she encourages to pretend that they're a couple. Luke is less than impressed by Liz's latest business venture and newly-arrived boyfriend, which prompts Jess to give his uncle an earful about minding his own business. After Lorelai and Liz finally meet, Lorelai gets a renewed perspective on Luke. Liz's high school classmates descend upon her brother and reveal long-held crushes on him. Richard is suspicious when Jason's father greets his son at the benefit and doesn't inquire about the business. Lorelai fixes Luke's broken heart after his confrontation with Jess while Luke fixes Lorelai's broken window. Liz and T.J. end their visit to Stars Hollow, but not before T.J. has a few choice words for Luke. Jess makes a startling confession to Rory before he leaves town. |
fd_Dawson_s_Creek_05x13 | fd_Dawson_s_Creek_05x13_0 | TEXT: [The Potter B&B. Joey is sitting on the couch watching TV when Bessie walks into the room going through some mail.] Host: Katy Mangus, come on down! [Applause and music] Joey: Is that the mail? Bessie: No, Joey. Your grades haven't come yet. Joey: Believe me, grades are the furthest thing from my mind right now. Bessie: You can stop with the nonchalant attitude. I know it's driving you crazy. Joey: Actually, something else is driving me crazy. Bessie: Do you want to talk about it? Joey: Bess, stop bugging me. Bessie: I was talking about Dawson and Jen. Joey: Thank you so much for the reminder, Bess. Now if you don't mind, I would like to get back to enjoying my vacation. Bessie: You should enjoy your vacation, so why don't you get off the sofa and go do something fun? Joey: Just because I'm not in Daytona, participating in some wet t-shirt contest, doesn't mean I'm not having any fun. Bessie: Come on, Joey. When's the last time you did something wild? Joey: I'm wild quite frequently. Bessie: Letting your hair air-dry doesn't count. Joey: I'll run with the scissors later, ok? Bessie: Isn't there someone you can call? Joey: Maybe I'll call Dawson and Jen. Maybe not. [Knock on door] Bessie: hey. Pacey: Hey. I love this place. The Potter B&B. It seems like just yesterday I was dancing in the kitchen with Frederick Fricke. Joey: Aren't you supposed to be dancing in the kitchen with Danny Brecher? Pacey: No, I had to come into town and pick something up. How's the vacation going? Bessie: Behold the human vegetable. Joey: Actually, I'm having a wonderful time. I'm reading, relaxing, watching TV, and totally and completely enjoying myself. Pacey: Well, that's good to
SUMMARY: | Dawson's first day in his new film school arrives. Oliver (an acquaintance from the Hooksett festival) starts showing him around and wastes no time in asking Dawson to direct a movie he wrote. Reluctant to direct someone else's work, Dawson starts giving notes to Oliver on the script, and ends up accepting the job, thanks to Jen's incentive. Jen has problems of her own. Her current state of happiness from her relationship with Dawson is reflecting in her on-air performance. Now she has to go back to the sharp-tongued, edgy advice she used to give instead of the romantic, love-themed offerings. Elsewhere, Jack is on academic probation. Irritated, he goes out and has a few too many drinks, which results in a fight with his fraternity brothers. |
fd_Salem_01x10 | fd_Salem_01x10_0 | TEXT: [PREVIOUSLY_ON] Anne: Father? [Gasps] Increase: Take her to the cage. Gloriana: Cotton! Cotton! Emily: Hello, father. Man: You'll be sold still, if the whores will have you. Emily: I'm not going anywhere. Cotton: I'm sorry. Gloriana: [Crying] Increase: Take her as far as your steeds will travel. Cotton: Tell us, Mercy. Tell us what you saw. Mercy: She held a spider to her neck. She seemed to feed it. Increase: You. I hereby arrest you... On the charge of witchcraft. Guards. [Indistinct conversations] [Horse whinnies] [Gasps] [Groaning] Your wrath burns like fire. You look upon me as worthy of nothing. You are of purer eyes than to bear to have me in your sight. [Groans] I am 10,000 times more abominable in your eyes than the most hateful, venomous serpent is in mine. [Groans] My wickedness makes me as heavy as lead, and if you should let me go, Lord, I will plunge into the bottomless pit, and all my righteousness would have no more influence to uphold me and keep me out of hell than a spider's web would have to stop a falling rock. [Groaning] [Wheels creaking] Dollie: Any last words for your father? Emily: May the Devil be as kind and considerate to you as you were to me. [Grunting] I miss Mercy. Dollie: Our Mercy is always with us. Perhaps that's one of her servants now, watching over us and weaving its web of destiny. Mary: Mercy... Mercy... You cannot hide from me in my own house. Mercy: [Sobbing] Mary: Why did you do it? How could you? Come out from there at once. Mercy: I did it for you. Mary: For me? Mercy: He was coming for me. If I hadn't done anything, it would be you in the house of pain. You should thank me. Mary: Perhaps. But it was not up
SUMMARY: | While Mary deals with Mercy's betrayal, Tituba must endure the torture inflicted upon her by Increase in his newly founded "House of Pain". Meanwhile, Anne stumbles upon one of her fathers artifacts and suddenly finds herself far from home. |
fd_Frasier_10x14 | fd_Frasier_10x14_0 | TEXT: Act 1 Scene 1 - Frasier's Apartment DINNER AT THE CRANES' ALREADY IN PROGRESS [Fade in. Frasier is standing with a woman. Niles is putting out a small fire back by the bookcase. Guests are leaving and the woman slaps Frasier.] Frasier: Mimsy, wait! Please, I can explain! Mimsy: Oh, don't bother! And I bet you don't even have Tourette's Syndrome! [She leaves.] Frasier: Poop! Hell, damn! Oh... [She throws a bouquet at him. He closes the door and tosses the flowers on the table. A chef comes up to him and hands him two lobsters.] Etienne: Lose my number! [He storms out.] Frasier: Chef Etienne! Oh, dear God. Niles: I hope you're happy. Frasier: Me?! You're the one who suggested that flaming kabobs might lend a festive air. [Niles picks up the hairpiece he's been stamping out.] Niles: I didn't know Ben Corbett's toupee would go up like that. [He tosses it in the punch bowl and goes to sit on the couch.] Daphne: [rising] Oh, quiet. Both of you. It's done. [She heads for the kitchen as Martin comes in from the bedrooms wearing a sash.] Martin: Bongiarno! Niles: Party's over, Dad. Martin: What, you mean I'm not the Count anymore? Niles: 'Fraid not. [Frasier sits down with Niles.] Frasier: Why is it that we can't seem to pull off a simple dinner party? Martin: Because you always go overboard. Frasier: Yes, but this one was bare bones. Simplicity itself. [Daphne comes back in.] Daphne: One of your goats just threw up in the kitchen. Frasier: Ohh.... [He gets up and heads for the kitchen where a goat
SUMMARY: | The Crane brothers have a history of holding disastrous dinner parties, and the episode opens with one such occasion, just as all the guests and caterers are walking out. Niles is donating a painting by artist Mike Shaw to a museum, and plans to hold a farewell dinner party for it, with some fellow art collectors in attendance. When Daphne learns of this, she persuades him to co-host the party with her, not his brother. Frasier is upset, but offers his services in case they are needed. Consequently, when Daphne's cooking starts to go wrong at the last minute, and the painting suffers after an encounter with Alice and her crayons , Frasier agrees to help, as long as Niles is unaware of his presence. The situation becomes more complicated by the minute as the guests arrive, particularly when the artist turns up unexpectedly (and Martin is misidentified as him) and Daphne's mother takes a shine to him. |
fd_Buffy_the_Vampire_Slayer_04x01 | fd_Buffy_the_Vampire_Slayer_04x01_0 | TEXT: This transcript should be considered as copylefted... that is, you can do anything with this transcript you want as long as it doesn't interfere with others right's to do anything with it that they might want, also. You can modify it, but if you want to use any part of this transcript, your modifications should be copylefted also. Explicit license is hereby given for anyone to archive this transcript whenever and wherever they may wish. [SCENE_BREAK] It's night in the cemetery and Buffy is pacing back and forth. Willow is seated cross-legged reading papers. Buffy: [sighing] Anything? Willow: Ah! 'Introduction to the Modern Novel.' "A survey study of twentieth century novelists." Open to freshmen, you might like that. Buffy: 'Introduction to the Modern Novel?' I'm guessing I'd probably have to read the modern novel. Willow: Maybe more than one. Buffy: I like books. I just don't want to take on too much. Do they have an introduction to the modern blurb? Willow: Oh! Short story. Buffy: Well, that's good. Willow: Oh, no. It conflicts with Psych. Buffy: Maybe I shouldn't take Psych. Willow: You gotta. I-It's fun, a-and you can use it as your science requirement. Anyway, Professor Walsh is supposed to be great. She's like, world-renowned. Buffy: How do you get to be renowned? I mean, like, do you have to be 'nowned' first? Willow: Yes, first there's the painful 'nowning' process. Wait! 'Images of Pop Culture.' This is good. T-They watch movies, T-TV shows, even commercials. Buffy: For credit? Willow: Heh. Isn't college cool? Buffy: How'd I miss that one? Buffy walks over and sits beside her. Willow: Well, you did sort of wait till the last minute with your course selection. Buffy: Sorry, 'Miss I-chose-my-major-in-playgroup.' Willow: That
SUMMARY: | While Willow blossoms in the college environment, Buffy has a difficult time adjusting - getting lost, getting kicked out of a class for talking, meeting her Cher-loving roommate Kathy ( Dagney Kerr ) - and her Slaying suffers because of it. |
fd_The_Big_Bang_Theory_06x16 | fd_The_Big_Bang_Theory_06x16_0 | TEXT: Scene: Penny's apartment. Penny: You'll never believe what happened to me at work today. Leonard: Hmm? Penny: This old guy was choking on his food, and I saved his life. Leonard: You're kidding. Did you Heimlich him? Penny: No. I said, oh, my God, I think that old guy's choking, and then one of the busboys Heimlich'ed him. Leonard: You're a hero. Penny: Yeah, that was the point of the story. Leonard: Oh, yeah, speaking of work, do you know if you have Thursday night off? Penny: Um, I think so. Why? Leonard: What do you mean, why? It's Valentine's Day. Penny: Oh, right. Yeah, we can do something. Leonard: You could be a little more into it. Penny: No, I'm into it, I'm into it. Just, there's so much pressure to make the night special, and it never works out. Leonard: Okay, well, this time it's going to be different. Because I am like a romance ninja. You don't see it coming, and then bam, romance, watch out, hearts, kisses, love, ooh-ya! Penny: You know, sometimes I think I've made you so much cooler than you used to be, and then you go and do that. Scene: The stairwell. Sheldon: So, in conclusion, I believe the painful sensation felt after passing a meal of spicy chillies is proof that the rectum does possess the sense of taste. Amy: I concur, but you changed the subject. What are we doing for Valentine's Day? Sheldon: Oh, you caught that, did you? Credits sequence. Scene: The comic book store. Howard (on phone): Okay. Okay. Okay. Okay. Okay! Okay. Raj: Everything okay? Howard: Bernie's a little cranky since she's been working, like, 17 hours a day. And I've got a lot on my plate, too, because I've been busting my tail playing Assassin's Creed.
SUMMARY: | On Valentine's Day, Leonard & Penny share a dinner date with Howard & Bernadette, who are in a foul mood as she hid his Xbox when he played Assassin's Creed instead of doing the laundry. Leonard & Penny are happy until she sees an ex-boyfriend propose to a girlfriend, triggering an argument with Leonard who later confronts her for ruining their date: she tells Leonard that she's really happy with their relationship and fears he will one day propose before she is ready. He says he will not propose again and suggests that she propose to him when she is ready. Penny accepts this and they reconcile. Meanwhile, Sheldon has Alex buy a Valentine gift for Amy. Alex buys three: a harp-shaped music box with Amy's favorites; a map of The Canterbury Tales journeys; a signed print of a brain cell drawing by Santiago Ramon y Cajal. He picks the print but keeps it. Amy suggests celebrating as he'd wish: no romance or gifts; a pizza; a Star Trek or Star Wars DVD. Touched, he makes her his emergency contact. Her delight turns to annoyance at frequent work interruptions to tend his hypochondria. Elsewhere, Raj and Stuart, both without dates that day, throw a store party for fellow singles, where Raj orates that singles are not truly alone, having one other - but when guest Lucy praises his speech, he asks her out for coffee, derides singles, and leaves with her. |
fd_Alias_04x06 | fd_Alias_04x06_0 | TEXT: Scene opens to a large metal gate. A woman opens the gate to pass through it as the subtitle "Universitat Van Amsterdam" appears onscreen. The woman is wearing a small pack on her back and is seen jogging through a couple of halls until she skids to a stop and enters a classroom and sits down in an already full classroom. A female teacher who appears to be in her mid to late 30's, pretty, attractive, dressed conservatively stands at the head of the class. Teacher: Okay, settle. Notebooks out. We're going to start with three sentences; at least one noun and one verb in each one...in English. Uh, Martina...why don't you go first: three things you saw on your way to class today. Martina: Uh, I saw a man...pedd...peddling his bicycle? Teacher: Peddling...good, good. Martina: And then I saw...my friend Klaus kiss Katrina Walt. And then I saw Katrina slap Klaus' face...(class laughs) It's true! Katrina hates Klaus. A cell phone starts to ring. The teacher looks around the room, but the ringing continues and no one seems to be answering it. She notices the girl who was running to class's backpack on the floor by her desk. Teacher: Anna, please. Turn your phone off. Anna gives the teacher a funny look, as does a couple of other kids in the class. Teacher (more sternly): Your phone; turn it off. Anna reaches into her backpack and pulls out the cellphone. Anna: It...wasn't ringing. The teacher looks suddenly frightened as her eyes dart back and forth. Her breathing becomes quick gasps. Grabbing her pack-like purse she says as she hurries down the aisle out of the classroom: Teacher: Martina...take over class. Martina and other students turn to stare after their teacher as she hurries out. Cut to her in the hallway. She turns a corner hurriedly only to come face to face with a tall ugly man talking into a cellphone. He looks menacingly at her. More panicked now, the teacher starts
SUMMARY: | Sydney comes in contact with an infectious drug and suffers deadly hallucinations. Dixon tells Arvin Sloane he suspects him of having a treacherous endgame and threatens to kill him when the time comes. |
fd_The_Vampire_Diaries_02x20 | fd_The_Vampire_Diaries_02x20_0 | TEXT: [Salvatore's house] (Damon in in his bed and hears Elijah's conversation with Elena and Stefan. He gets p to rejoins them) Elijah: Tonight is the full moon. We should assume that Klaus is prepared to break the curse Stefan: Elena said that the Sun and the Moon curse is fake? That it's actually just a curse placed on Klaus Elijah: Klaus is a vampire born of a werewolf bloodline. The curse has kept his werewolf aspect from manifesting. But if he breaks it... He'll be a true hybrid (Damon rejoins them) Damon: Then why are we letting him break the curse? We can kill him today. With Bonnie Stefan: Damon... Elena: No. Bonnie can't use that much power without dying Damon: I'll write her a great eulogy Elena: It's not an option, Damon Stefan: All right, how do we break this curse? Elijah: Well, the ritual itself is relatively straightforward. The ingredients, so to speak, you already know Stefan: The moonstone Elijah: A witch will channel the power of the full moon to release the spell that's bound within the stone. After that, Klaus, being both werewolf and vampire, will sacrifice one of each Elena: And where do I fit into it? Elijah: The final part of the ritual (Elijah takes a wooden box from the shelf) Elijah: Klaus must drink the blood of the doppelganger... To the point of your death (Damon looks at Elena. Stefan takes Elena's hand. She looks at him. He opens the box and takes a jar from it) Elena: And that's where you come in Elijah: This is an elixir that I acquired some 500 years ago for Katerina. It possesses mystical properties of resuscitation Elena: So I'll be dead? Elijah: And then you won't Damon: That's your plan? A magical witch potion with no expiration date? (He looks at Elena) Damon: You want to come back to life, what about John's ring? Elijah: Those rings only
SUMMARY: | Elijah tells Elena that the way to break the curse involves sacrificing a vampire and a werewolf. Maddox injures Carol Lockwood to make Tyler return to town, after which he and Greta kidnap Caroline and Tyler. Damon forces Elena to drink his blood so she will "survive" the sacrifice. Alaric returns as himself and gives the message from Klaus that the ritual will happen that night. Jenna forgives him. Damon realizes that if Klaus doesn't have a werewolf, he will be unable to complete the ritual, and Elena will have another month. He rescues Caroline and Tyler from the tomb and kills Maddox. Klaus takes Elena from the boarding house to begin the ritual. Damon informs Klaus that he has rescued the vampire and werewolf he needs for the ritual, but Klaus says he has backups. At the site of the ritual, Elena realizes that Klaus has turned Jenna and is using her as the vampire. Katherine makes Damon aware of a wolf bite he got from Tyler during his transformation. |
fd_Gilmore_Girls_03x17 | fd_Gilmore_Girls_03x17_0 | TEXT: 3.17 - A Tale of Poes and Fire OPEN IN LUKE'S DINER [Lorelai and Rory are sitting at a table with papers and books spread out in front of them.] LORELAI: Okay, let's see. Looks like Harvard definitely has the smallest class sizes. RORY: Okay, we've got our first entry here. It's a pro for Harvard. LORELAI: Oh, whoa, whoa, those are not the final official pro/con lists. RORY: Why? What's wrong with them? LORELAI: Well, the lines are crooked, the printing's all sloppy. Harvard, Princeton and Yale cannot see them looking like that. RORY: They're not going to see our pro/con lists. LORELAI: What if they subpoena them? RORY: Then I'll roll them up in a ball and eat them. LORELAI: Oh, a big pro for Yale <unk> they have 1100 members of the maintenance staff. Clean, clean, clean. RORY: All three of these places probably have the same number. LORELAI: But Yale must be crowing about it for some reason. Princeton might only have two. RORY: Two? LORELAI: Yeah. RORY: You think there're a total of two guys cleaning all of Princeton? LORELAI: Write "Princeton's stinking filthy" in big letters. RORY: Yeah, I'm pretending to write it as we speak. [Kirk walks over carrying a box of T-shirts] KIRK: Good morning, ladies. May I interest you in a shirt? LORELAI: Oh, Kirk. You're not selling your laundry again, are ya? KIRK: No, these are part of my latest money-making endeavor. I'm going to print daily T-shirts featuring a humorous topical headline of something I witness around town. RORY: Neat. KIRK: I got the idea when I read about something a man was doing in Portland. LORELAI: What was he doing? KIRK: He was printing
SUMMARY: | A fire at the Independence Inn forces Lorelai to relocate its guests to her own house and those of her friends, and leaves her spending the night at Luke's, where she reveals her dream of being married to him and pregnant with their twins; Sookie invades Luke's with staff in tow to prepare breakfast for the Inn's guests, and gets into a culinary groove with Luke after a rocky start; questions arise about Jess' attendance at school when he receives the Employee of the Month award from Wal-Mart and Luke discovers that he's working there more than full time; Lorelai and Rory start picking up on weird and somewhat unfriendly vibes coming from Nicole and Lindsay; Rory visits Paris, who's missed five days of school to take to her bed and hide from the world, and prompts her to stop watching soaps, call Jamie, tell her parents about Harvard, get a life plan, and rejoin the land of the living; after making extensive pro-con lists in an effort to decide whether to attend Harvard, Yale, or Princeton, Rory has a heart-to-heart with Lorelai and chooses Yale. |
fd_Dawson_s_Creek_02x17 | fd_Dawson_s_Creek_02x17_0 | TEXT: "Psychic Friends" CAST Dawson: James Van Der Beek Joey: Katie Holmes Pacey: Joshua Jackson Jen: Michelle Williams Andie: Meredith Monroe ALSO STARRING Gail: Mary-Margaret Humes Mitch: John Wesely Shipp Grams: Mary Beth Piel Bessie: Nina Repeta Abby: Monica Kenna *Dawson's room. On the television, Devon (Rachel Leigh Cook) playing Sammy rows her boat down the creek. Cut to Joey laying on her stomach on Dawson's bed with tears in her eyes. The movie ends.* Dawson: Well... Joey: Well, (sighs deeply), I don't think I can find the words. Dawson: I mean, keep in mind that it's a rough cut and everything. Just tell me. Be honest. Joey: In my entire life I have never been this unequivically moved by words and moving images onscreen. I mean this is the type of movie going experience that not only enlightens and inspires but it could change the way people look at their lives, their world, their universe! Dawson: God, Joey, you have no idea how much that means, especially coming from you. Joey: No, there's no doubt about it. Jack McPhee will be one of the great filmmakers of our generation. I mean, think about it, Dawson. We knew him when! *Joey gets up off the bed* Dawson: (confused) Wait a minute, Joey, I directed this movie. Joey: Spielberg, Corsazi, Seleni, Burdenen, McPhee! Dawson: Joey, what are you talking about? You were there! I directed it! Look! (takes film out of the VCR) Creek Daze, a film by (confused) Jack McPhee?! *Jack enters through the window* Joey: (to Jack) Honey, there's only one word to describe you. Brilliant. *Jack laughs.* Joey: No, genius! Jack: Honey, you will not believe what happened. I ran into Steven Spielberg in the cafeteria. He offered me a job!
SUMMARY: | Dawson's confidence as a filmmaker is shaken when Miss Kennedy, the new film teacher, turns out to be a movie studio executive on sabbatical in Capeside, who gives his amateur movie a scathing review. The future is unsure for Joey as well, when a psychic advises her to be open to every new opportunity that crosses her path. Andie also visits the psychic and is told less than positive things about her future. |
fd_Heartland_08x18 | fd_Heartland_08x18_0 | TEXT: Amy: Previously on "Heartland"... Officer: You Ty Borden? Ty: Yeah. Officer: You're under arrest for the assault of Jesse Stanton. (Handcuffs rasp) When I was a little girl, I always used to imagine what my wedding would be like. I even told my mom that I was gonna ride Sugarfoot down the aisle. Peter: Georgie, we know that you saw us kissing. Lou: But just because those feelings are there doesn't necessarily mean that we're getting back together. Georgie: (Sighs sadly) What is your problem?! So what if you were abandoned?! Who cares?! Get over it! Jesse's dropping the charges. Amy: Let's get married! Ty: What? This is our moment. I don't wanna wait another minute! Lou: They're eloping. Minister: All right then, let's begin. (River flows) (Birds chirp) (Footsteps crunch in snow) Hey! Look who's finally awake! I haven't slept like that in weeks. Both: (Chuckle) Amy: Thanks for making tea. Ty: No problem. There's bacon and eggs keeping warm in the oven if you want some. Can I expect this every morning? (Kiss) (Amy chuckles softly, Ty sighs contentedly) Ty: It's so quiet here. I know. I wish we could just stay here forever. (Sighs) We should probably call Lou. Ty: Yeah. Amy: It was the right decision, right? Ty: It was the right decision. (Kiss) (Amy chuckles) Lou: This is so completely selfish and-and unfair of them to leave me hanging like this. Well, it's not totally about you. Lou: Wha-really, Peter? You know what? It-it kinda is. Because I'm the one who's gonna have to cancel the arena, and the flowers, and the food. Oh! And, let's not forget, call each of the guests personally. I should've seen this coming. I think, you know what? Actually
SUMMARY: | To give Amy and Ty the wedding they really want, Lou struggles to deal with a slew of hurdles. Ty and Amy get married at Heartland. Val gives Caleb money for his debt with Jesse. Georgie is able to get through to a troubled horse following in Amy's footsteps with Spartan. |
fd_Doctor_Who_1963_10x17 | fd_Doctor_Who_1963_10x17_0 | TEXT: PLANET OF THE DALEKS BY: TERRY NATION 5:50pm - 6:15pm [SCENE_BREAK] 1: EXT. JUNGLE REBEC: Somewhere on this planet there are ten thousand Daleks! (TARON looks stunned. REBEC breaks into another fit of coughing.) TARON: Are you fit to move? (REBEC nods.) TARON: We must find the others quickly. They're bound to send a patrol to investigate the crash. REBEC: With any luck, they might think there were no survivors. (TARON hears the sound of several people coughing nearby and looks as VABER returns through the smoke with two more beige spacesuit-fitted, young Thal men. VABER helps one of the - LATEP - along with his arm slung across his shoulder while MARAT can walk unaided.) TARON: Maret! Latep! Are you alright? LATEP: Just shaken. We came down with a bang. MARAT: I'm alright. TARON: Good. We must move, it's not fit to stay here. REBEC: Do you have a plan? TARON: Yes, yes, I think so. VABER: (Impatiently.) We'd better get a move on, we haven't got much time! (TARON leads the way off...) [SCENE_BREAK] 2: EXT. DALEK CITY ENTRANCE (JO, accompanied by an invisible WESTER who is carrying a branch for protection, hides in the bushes near to the entrance to the DALEK city. It has been built into solid rock and its entrance is all that can be seen. This appears to be some primitive Spiridon work like a former temple. On either side of the tall entrance are carvings of alien shapes, rather like two totem poles. In front of these stand two DALEK guards. Figures covered entirely in purple fur robes wheel large tubs of the green vegetation into the city and through the high open double doors. JO whispers to WESTER...) JO: Is this the only way into the
SUMMARY: | The Doctor and Codal escape from their cell and meet up with the Thal commandos who are trying to get into the Dalek base. |
fd_Charmed_07x17 | fd_Charmed_07x17_0 | TEXT: [Scene: Manor. Attic. Piper and Leo walk in. Leo has his hand covering Piper's eyes.] Leo: Ready? Surprise! (He takes away his hand and Piper looks around the room. It is all neat and tidy.) Piper: Wow. Leo: Isn't it great? Piper: It's... it's something. Leo: You hate it. Piper: No, no. I don't hate anything. It's just... The dining room and then the living room and, you know, when you rearranged the kitchen... I did kinda hate that. Leo: Piper, you're always complaining about what a mess it is. Piper: Yeah, I know, but it's an attic, and it's supposed to be messy. Sweetie, it's not that I don't appreciate you helping around the house, because I do. It's just... it's just a little much. Leo: Well, you know, I just shuffled some things around. Piper: Shuffled? You call this shuffling? Honey, you built things. You hung things. You bagged things. (She picks up a small bag off the shelf.) I mean, what is this? Leo: Those are corks. You know, for the potion bottles. You leave 'em out and they get brittle. Piper: And that doesn't seem like overkill to you? (She goes to put the bag down and Leo clears his throat. She puts the bag back on the shelf.) Leo: I'm just trying to help. Piper: I know, honey, and that's very sweet. But, you know, I kinda liked the attic messy. At least I knew where everything was. (She sees a dollhouse that looks exactly like the manor.) Where did you find that? Leo: Under some blankets. Why? Piper: I just... I haven't seen it in years. Is it wet? Leo: Well, it needed some touch-ups. Piper: Have you gone crazy again? Leo: Look, this is
SUMMARY: | When Zankou attempts to ambush Piper, Phoebe, and Paige in order to obtain the power of the Nexus and use it to his own advantage, little Wyatt takes matters into his own hands by shrinking Leo and Piper and hiding them in a doll house for protection while Phoebe and Paige have to deal with the demon and his henchmen. After stopping Zankou for the moment, the sisters talk Leo into becoming the new Headmaster of Magic School, hoping that he'll get used to no longer having his powers. |
fd_Queer_As_Folk_02x05 | fd_Queer_As_Folk_02x05_0 | TEXT: [Drag King night at Woody's.Three women dressed like Elvis croon his classic tune"Follow that Dream." Mel and Linds are wearingmen's shirts and hats, and Melanie's in Lindsay's lap.] Follow that dream, I gotta follow that dream Keep a-movin, move along, keep a moving I've got to follow that dream wherever that dream maylead I've got to follow that dream to find the love I need When your heart gets restless, time to move along...# Brian: Since when did Woody's become a cunt-ry club? Mel: Since you're here? Justin: Have another round? Brian: No. That's the last for you. You've got schooltomorrow. Linds: You're first day! I'm so proud of you! Brian: One minute he's in a coma, and the next, he'sgoing to college. Linds: Well, with the word of the King, 'You gotta followthat dream!' Em: Mmmh, now there is a dream. [A beauty goes by.] Linds: I have the same dream since I was little - to fallin love, get married, and have a baby. Michael: About two out of three isn't bad. Linds: Three out of three is even better. Justin: You've get married? Michael: When did you decide? Em: Why didn't you tell us? Mel: Yes. A few weeks ago we just did. Brian: Here is a toast to the happy couple. May you cometo your senses before it's too late. Em: Oh, it's so exciting that everyone's dreams arecoming true! Hey, what's you're dream, sweety? Michael: My dream is to one day know what my dream is. Brian: Dreaming is for people who are asleep. I'd ratherbe awake. And f*cking. Michael: I'm gonna call Ted and tell him to get his assdown here. Brian: And I was having such a good time. Mel: Could you just f*ck way off them. Teddy is reallydepressed.
SUMMARY: | Having lost hand control from his bashing, Justin quits art school (he's lost the fine motor skills needed to hold a brush.) Michael decides to quit the Big Q and risks all to buy a comic book store. Ted ditches his new accounting job to start his own porno website. |
fd_The_Office_06x01 | fd_The_Office_06x01_0 | TEXT: Michael: [enters office, somersaults onto couch, kicks over painting and lamp] Parkour! Dwight & Andy: [rush into office, Andy climbs on reception desk, Dwight holds video camera] Andy: Parkour! Dwight: [walking on Pam's desk, then Jim's desk] Extreme! Parkour! Jim: This... is Parkour. [turns laptop to camera, shows Parkour instructional video] Internet sensation of 2004. And it was in one of the Bond films. It's pretty impressive. [Michael is shown climbing/walking on various objects in office] The goal is to get from point A to point B as creatively as possible, so technically they are doing Parkour, as long as point A is delusion and point B is the hospital. Dwight: [stands on his hands kicking open bathroom doors as Andy films, Meredith is seen applying deodorant in women's bathroom] Dwight & Andy: [approaching elevator, as Michael films] Parkour! Parkour! Dwight: Andy! Leapfrog! [Andy leapfrogs Dwight] Andy: Do me! Do me! Dwight: Yeah! [Dwight jumps on Andy's back, riding him like a horse] Parkour! Parkour! Andy: Ow! Get off! Get off! Dwight: Okay. Andy & Michael: [walking across cars in parking lot, Dwight filming] Parkour! Parkour! Dwight: [crouching beside car] Jump over the camera! Jump over the camera! [Michael feebly attempts to jump off car, gives double thumbs up to camera] Michael: [standing on tractor trailer with Dwight and Andy, looking down] Okay, we all go together or we go one at a time. Andy: Here it is, here it is... truck, to refrigerators, to dumpster, [camera pans to refrigerator boxes, then dumpster] 360 onto the pallets, backflip gainer to the trash can. Michael & Dwight: [in unison] Yeah! Gainer! Woohoo! Andy: [to Michael's camera] Hardcore
SUMMARY: | As the summer interns prepare to depart, the office gossips about them and Michael feels left out. Michael discovers that Stanley is having an affair, and tells everyone. When Michael realizes the damage he's caused, he fabricates numerous other rumors to discredit himself, including that Andy is gay (confusing Andy) and that Pam is pregnant (unbeknownst to him that she is actually pregnant). As Michael tries to clear the air, Jim and Pam admit their rumor is true in an attempt to save Stanley from embarrassment. Michael accidentally confirms the suspicions of Stanley's wife Terry about his affair, which gets Stanley extremely angry. |
fd_CSI__Crime_Scene_Investigation_06x08 | fd_CSI__Crime_Scene_Investigation_06x08_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY (STOCK) - DAY] Reporter (woman): (V.O.) This is Channel 8 news... [EXT. LAS VEGAS CITY (STOCK) - DAY] (A news helicopter flies overhead.) Reporter (woman): (V.O.)... reporting with an update to yesterday's wild police pursuit and shootout where three suspects and one police officer were killed by gunfire at Third and Jefferson... [EXT. MOTEL - PARKING LOT - DAY] (Camera close-up of the long, thin line of blood on the asphalt. Camera follows the blood trail straight to Jose Fausto, dead on the ground.) Reporter (woman): (V.O.)... Shortly after being taken into custody, Jose Fausto, the last suspect, was gunned down by an unknown... [EARLIER] [Scene from 6X07: A Bullet Runs Through It (1)] (A gunshot rings out. A woman screams. Warrick is spattered with blood from Jose Fausto.) Cavaliere: Down! Everybody down! Down! (Officers scramble, their guns raised and looking around for the shooter.) (Camera lingers on Jose Fausto, dead on the parking lot ground.) [EXT. MOTEL - PARKING LOT - DAY -- PRESENT] (Officers tape up the parking lot crime scene. Warrick and Cavaliere kneel down next to the body.) Cavaliere: Somebody shot this guy in front of all these cops? They did not want him talking to us. Warrick: This was not some doped up drive-by. The shooter had skill. Just one shot went through the ten ring. Cavaliere: How'd they know Fausto was here? Warrick: I don't know. Cavaliere: I bet you he tried to reach out for help, you know? Maybe money or a ticket out of here. Warrick: I'll check the phone records and see
SUMMARY: | The CSI's continue to sift through the overwhelming evidence from the shootout in order to determine who is responsible for the death of a police officer killed during the incident. The team also looks into what started the shootout to begin with. They must also prove that the young boy found injured near the shootout was not shot by police, but by the fleeing suspect. |
fd_Buffy_the_Vampire_Slayer_03x05 | fd_Buffy_the_Vampire_Slayer_03x05_0 | TEXT: Prologue: The Bronze. Buffy, Willow and Oz are sitting at a bar, nursing sodas and snacks. Buffy seems preoccupied as she idly plays with a cookie. Cordelia and Xander walk behind them and take a place at the end of the bar. Cordelia: I think we should get a limo. Xander: A limo? Cordelia: Yeah! Xander: A big, expensive limo? Willow: That sounds like fun! And it is our last Homecoming Dance, so maybe we should make a big deal of it. Xander: You wanna talk fun? Public bus. You meet the funnest people. Cordelia gives the others a disbelieving look. Xander: Back me up here, Oz. Oz: Well, if it's a dollar issue, we could all take my van. Cordelia: Van? The Homecoming Queen doesn't go to the dance in a van. Use your head. Willow rolls her eyes. Xander: (to Cordelia) Well, technically, you haven't been elected yet... (gets a look from her) Although you certainly and without a doubt will be. (to the others) Who else likes a limo? Willow: (smiles) A private limo! It, it is pretty... (nudges up to Oz) cuddlesome. (looks toward Buffy) And if we all split the cost... Buffy: (comes out of her reverie) Um... maybe. You know, if I go and all. Willow: Why wouldn't you go? You already have your tickets. (Scott approaches) I mean, unless you don't have a da... (notices Scott)...ay o-or two to think about it. We should all think about it. She hopes she hasn't messed anything up for Buffy with Scott standing right there. Oz gives a little smirk behind her. Cordelia: (confused) What's going on here? Did Scott not ask her to the Homecoming Dance yet? Buffy: (embarrassed) Thanks, Cordelia. Humiliation's really good
SUMMARY: | Buffy and Cordelia compete for Homecoming Queen while Mr. Trick organizes SlayerFest '98. Willow and Xander kiss, although each is seeing someone else. Unknown to SlayerFest personnel, Cordelia changes places with Faith. Buffy and Cordy reconcile while trying to defeat Mr. Trick's contestants. |
fd_Degrassi_Next_Generation_06x04 | fd_Degrassi_Next_Generation_06x04_0 | TEXT: Outside Degrassi, Ashley puts her hands over Jimmy's eyes Ashley: Guess who? Jimmy: Uh Heather Sinclaire. Ashley: Very funny. Close your eyes. I have a surprise. Now open your mouth. Jimmy: Oh man here we go. (Ashley puts a whistle in his mouth.) Ashley: Now blow. Jimmy: That's very cool. You got me a new one. Thank you. Ashley: Well coach can't keep the junior girls basketball team in line with a broken whistle. Jimmy: That's true. (Ashley sees what Jimmy is drawing.) Ashley: That's the logo on your shirt. Jimmy: Yeah. Yeah Marco saw it and thought it would be a good design, so... Ashley: And an old picture of Hazel. How cute. Jimmy: Just a class assignment. Ashley: So um where's the sketch of your current girlfriend? Jimmy: It's all up here baby girl. I just gotta capture it on paper. Believe me Ash, when I draw you, it will be my masterpiece. Ashley: So um when can I schedule a sit-in with my master painter? Jimmy: Well good things come to those who wait. Ashley: It's just that your model's starting to wonder if maybe she's doing something wrong. Jimmy: Ash when the time is right, my canvas will be ready. Ashley: Okay, but um just so you know- Jimmy: Mm hmm? Ashley: The model is ready and willing. (She teases him by almost kissing him and then pulling away.) In the gym Spinner: So Darce and I are at the movies last night. Jimmy: Clown Academy 4 out already? Spinner: Dude how would I know? Darce and I rocked the back row, if you catch my flow. Jimmy: You and Darcy, for real? Spinner: No. No um only in my dreams, which is why I'm just a little bit jealous of you and Ash. Jimmy: Jealous? Spinner: Come on dude I don't see an abstinence ring on your finger. Jimmy: Me and you, are friends, but we're also guys. Ergo we do not talk about our s*x
SUMMARY: | Jimmy starts coaching the girls' basketball team and wants to take his relationship with Ashley to the next level but, since his paralysis, he has not been able to get an erection. Meanwhile, Darcy, as the new Spirit Squad captain, clashes with choreographer Manny over new girl Mia. |
fd_Alias_03x02 | fd_Alias_03x02_0 | TEXT: (Black screen BERLIN. Push through the R. Berlin skyline at night. A janitor in a hallway is mopping the floor. He is wearing headphones, as if listening to a Walkman. Two men walk up from behind him, speaking to each other in German. Texttype across the screen identifies the building as the LEIZIG AEROSPACE HEADQUARTERS. One of them men says "Good nacht," to the janitor as they pass him. The janitor replies, "Izt morgen," as they get into the elevator. The two men get into the elevator, still speaking to each other in German. The doors to the elevator slide closed. The janitor turns on a comm in his ear.) Janitor (in Russian): They're in the elevator. Head of Op (in Russian): The clamp is set. (pushes a button on a device he's sitting next to) Activating the charge. Voice over Comm (in Russian): Acknowledged. ETA one minute. (We see the elevator box descending through the shaft, then a view of the digital readout inside the car, clicking down 29, 28, 27. Cut to the two men, still speaking to each other in German. Cut to the device about ready to detonate. it explodes. We see the elevator begin plummeting down the shaft. Cut to reaction of the men in the car and then back to the car descending in the shaft. Cut back to the digital readout as the numbers whiz by 21, 20, 19, 18... The two men in the car are screaming. Suddenly, as the car reaches the 13th floor, it stops. we see a cable attached to one of the broken ones stretching taut. Then suddenly, the car starts rocketing upward. the younger of the two men in the car is screaming again. We see the car as it rockets up the shaft and then right out of the roof, where it is being carried, attached to a heliocopter and flying away into the night. ) (Black Screen. LOS ANGELES. Push through the G. We look through a fence in what appears to be the warehouse. Two figures sit
SUMMARY: | Sydney's search for her past leads to a jailed Sark, but their Q&A is cut short when he becomes the ransom for a pair of abducted CIA scientists, whose kidnappers may be tied to the murder of his father. Jack contacts an old friend of sorts for info on Sloane's new world-peace project, and Vaughn makes a decision about his future as an operative. The episode shows a CIA plaque with names of "agents killed in action" which includes below "Bristow Sydney A." the name of production designer Scott Chambliss. |
fd_Frasier_07x10 | fd_Frasier_07x10_0 | TEXT: Act One. Scene One - Frasier's Bedroom. It's just after seven in the morning and Frasier is fast asleep. Eddie runs in and jumps on the bed. Eddie has an electric voice box attached to his collar. Martin is obviously offstage with a microphone, as his voice comes through the box. It is done to sound like a dog. Martin: [v.o. as Eddie] Rrrr'appy Rrrr'irthday, Rrrr'aiser! Frasier: [wakes up, sarcastically] Eddie! You can talk! Martin: [v.o. as Eddie] I've always been able to talk. I just save it for special occasions like somebody's rrr'irthday. Frasier: Yes, Eddie, thank you very much. But listen, I'd like to talk about Dad. I think his mind may be slipping. Martin enters with his microphone. Martin: Hey, don't say things like that. He's a dog, he might not know you're joking. Frasier: Why, Dad, I didn't even know you were here! [smirks] Martin: Well, just give me a couple more minutes and I'll have your birthday breakfast all ready. Come on, Eddie! Martin exits as Eddie follows him. Martin: [v.o. as Eddie] Rrright behind you! Frasier gives a glance out of the door as he begins to get up. CUT TO: Living Room Martin is pouring some coffee as Frasier enters in his dressing gown. Frasier: Oh, well, that's very nice, Dad. Martin: Oh, and look what I got. A newspaper from the day you were born. [hands it to him] Frasier: I keep telling you to clean out that closet of yours! [sits down and reads it] Martin: I ordered it! Frasier: Yes well, let's just see what other wonders occurred on that day. [laughs and reads] "SUSPECTED PINKO OUTED FROM CROSSING GUARD POST" What a jolly world I was
SUMMARY: | Frasier pulls a muscle in his back and is confined to home. He has been irritable with Daphne recently, and while thinking out load in the presence of Eddie, he realises that this is because she will soon leave the household and he will miss her. Daphne emerges, unnoticed, to hear Frasier confess that he loves her. She does not realize that his feelings are platonic , and is horrified and embarrassed. When she tell Martin that Dr. Crane has confessed his feelings for her, he assumes she is referring to Niles and confirms it. Frasier soon realizes that, as Niles has not been present to confess anything, Daphne has misinterpreted. He takes the opportunity to assure her of this. Daphne is relieved, and gives Frasier a massage as his strong medication begins to work. In his drowsy state, his speech is unguarded, and when she revisits what Martin said, he reveals that it is Niles that has feelings for her. |
fd_The_Big_Bang_Theory_01x12 | fd_The_Big_Bang_Theory_01x12_0 | TEXT: Scene: The University cafeteria. Sheldon: Here's the problem with teleportation. Leonard: Lay it on me. Sheldon: Assuming the device could be invented which would identify the quantum state of matter of an individual in one location, and transmit that pattern to a distant location for reassembly, you would not have actually transported the individual. You would have destroyed him in one location, and recreated him in another. Leonard: How about that. Sheldon: Personally, I would never use a transporter. Because the original Sheldon would have to be disintegrated in order to create a new Sheldon. Leonard: Would the new Sheldon be in any way an improvement on the old Sheldon? Sheldon: No, he would be exactly the same. Leonard: That is a problem. Sheldon: So, you see it too. Dr Gablehouser (arriving): Dr Hofstadter, Dr Cooper. Together: Dr Gablehouser. Gablehouser: Gentlemen, I'd like you to meet Dennis Kim. Dennis is a highly sought after Doctorial candidate and we're hoping to have him do his graduate work here. Leonard: Graduate work, very impressive. Gablehouser: And he's only fifteen years old. Sheldon: Not bad, I myself started graduate school at fourteen. Dennis: Well, I lost a year while my family was tunnelling out of North Korea. Leonard: Advantage Kim. Gablehouser: I thought maybe you boys could show Dennis around, let him see why we're the best physics research facility in the country. Dennis: I already know you're not. You don't have an open science grid computer, or a free electron laser, and the string theory research being done here is nothing but a dead end. Sheldon: Excuse me, that is my research, and it is by no means a dead end. Dennis: Well, obviously you don't see it yet, but trust me, you will. Gablehouser: Dennis, we discussed this, we're in the process of updating our equipment, and we welcome your input on our research goals, and we've agreed to look the other way if you want to use up to 20%
SUMMARY: | Sheldon becomes envious when he meets 15-year-old child prodigy Dennis Kim, who was accepted for doctoral studies at the university, and soon realizes that not only is Kim similar to himself (an obnoxious and arrogant child prodigy), but is even smarter than he. Sheldon loses faith in his own research and annoys his friends by criticizing their work more than ever and forcing his own contributions on them. Finding his physics work useless, he aims for the Nobel Peace Prize by attempting to solve all Middle East conflicts, but he annoys everyone, including a Jewish professor, with his proposal that an exact duplicate of Jerusalem be built in the Mexican desert. The others, tired of Sheldon's behavior, decide to distract Kim with girls of the same age. Their plan unexpectedly works at Kim's welcome party, and Kim leaves with a blonde 15-year-old. Sheldon resumes his research while the others are perplexed at how easily Kim was able to get a girl. In a park, the guys spot him drinking heavily and making out. They feel sorry at his demise, but the victorious Sheldon mocks him. |