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[ { "id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb_76", "recording_id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb", "start": 0, "duration": 13.08, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "She went first to the kitchen garden, where the espalier pear trees drew complicated patterns on the walls, and pigeons were fluttering and preening about the silvery slated roof of their cot.", "SHE WENT FIRST TO THE KITCHEN GARDEN WHERE THE ESPALIARD PEAR TREES DREW COMPLICATED PATTERNS ON THE WALLS AND PIGEONS WERE FLUTTERING AND PREENING ABOUT THE SILVERY SLATED ROOF OF THEIR COT" ], "pre_texts": [ "air cleared as much as she did. It was as clear, thank Heaven! as the bright outer light that surprised her almost with a touch of summer when she issued from the house for her daily round of the gardens. She had left Boyne at his desk, indulging herself, as she passed the library door, by a last peep at his quiet face, where he bent, pipe in his mouth, above his papers, and now she had her own morning's task to perform. The task involved on such charmed winter days almost as much delighted loitering about the different quarters of her demesne as if spring were already at work on shrubs and borders. There were such inexhaustible possibilities still before her, such opportunities to bring out the latent graces of the old place, without a single irreverent touch of alteration, that the winter months were all too short to plan what spring and autumn executed. And her recovered sense of safety gave, on this particular morning, a peculiar zest to her progress through the sweet, still place.", "ST AS IF HE HAD BEEN AWARE OF HER DOUBTS AND HAD WANTED THE AIR CLEARED AS MUCH AS SHE DID IT WAS AS CLEAR THANK HEAVEN AS THE BRIGHT OUTER LIGHT THAT SURPRISED HER ALMOST WITH A TOUCH OF SUMMER WHEN SHE ISSUED FROM THE HOUSE FOR HER DAILY ROUND OF THE GARDENS SHE HAD LEFT BOYNE AT HIS DESK INDULGING HERSELF AS SHE PASSED THE LIBRARY DOOR BY A LAST PEEP AT HIS QUIET FACE WHERE HE BENT PIPE IN MOUTH ABOVE HIS PAPERS AND NOW SHE HAD HER OWN MORNING'S TASK TO PERFORM THE TASK INVOLVED ON SUCH CHARMED WINTER DAYS ALMOST AS MUCH HAPPY LOITERING ABOUT THE DIFFERENT QUARTERS OF HER DOMAIN AS IF SPRING WERE ALREADY AT WORK THERE THERE WERE SUCH ENDLESS POSSIBILITIES STILL BEFORE HER SUCH OPPORTUNITIES TO BRING OUT THE LATENT GRACES OF THE OLD PLACE WITHOUT A SINGLE IRREVERENT TOUCH OF ALTERATION THAT THE WINTER WAS ALL TOO SHORT TO PLAN WHAT SPRING AND AUTUMN EXECUTED AND HER RECOVERED SENSE OF SAFETY GAVE ON THIS PARTICULAR MORNING A PECULIAR ZEST TO HER PROGRESS THROUGH THE SWEET STILL PLACE" ], "begin_byte": 28971, "end_byte": 29163 } } ]

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[ { "id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb_80", "recording_id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb", "start": 0, "duration": 10.439, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "Boyne must have gone to the gardens to meet her, and since she had missed him, it was clear that he had taken the shorter way by the south door, instead of going round to the court.", "BOYNE MUST HAVE GONE TO THE GARDENS TO MEET HER AND SINCE SHE HAD MISSED HIM IT WAS CLEAR THAT HE HAD TAKEN THE SHORTER WAY BY THE SOUTH DOOR INSTEAD OF GOING ROUND TO THE COURT" ], "pre_texts": [ "cheon, and Mary, thus impelled, opened the door and went into the library. Boyne was not at his desk, and she peered about her, expecting to discover him at the book-shelves, somewhere down the length of the room; but her call brought no response, and gradually it became clear to her that he was not in the library. She turned back to the parlor-maid. \"Mr. Boyne must be up-stairs. Please tell him that luncheon is ready.\" The parlor-maid appeared to hesitate between the obvious duty of obeying orders and an equally obvious conviction of the foolishness of the injunction laid upon her. The struggle resulted in her saying doubtfully, \"If you please, Madam, Mr. Boyne's not up-stairs.\" \"Not in his room? Are you sure?\" \"I'm sure, Madam.\" Mary consulted the clock. \"Where is he, then?\" \"He's gone out,\" Trimmle announced, with the superior air of one who has respectfully waited for the question that a well-ordered mind would have first propounded. Mary's previous conjecture had been right, then.", "ASURE OF WORK AS SHE STOOD THERE BALANCING HER IMPULSES TRIMMLE RETURNED WITH THE ANNOUNCEMENT OF LUNCHEON AND MARY THUS IMPELLED OPENED THE LIBRARY DOOR BOYNE WAS NOT AT HIS DESK AND SHE PEERED ABOUT HER EXPECTING TO DISCOVER HIM BEFORE THE BOOKSHELVES SOMEWHERE DOWN THE LENGTH OF THE ROOM BUT HER CALL BROUGHT NO RESPONSE AND GRADUALLY IT BECAME CLEAR TO HER THAT HE WAS NOT THERE SHE TURNED BACK TO THE PARLOURMAID MISTER BOURNE MUST BE UPSTAIRS PLEASE TELL HIM THAT LUNCHEON IS READY TRIMMLE APPEARED TO HESITATE BETWEEN THE OBVIOUS DUTY OF OBEDIENCE AND AN EQUALLY OBVIOUS CONVICTION OF THE FOOLISHNESS OF THE INJUNCTION LAID ON HER THE STRUGGLE RESULTED IN HER SAYING IF YOU PLEASE MA'AM MISTER BOURNE'S NOT UP STAIRS NOT IN HIS ROOM ARE YOU SURE I'M SURE MA'AM MARY CONSULTED THE CLOCK WHERE IS HE THEN HE'S GONE OUT TRIMMLE ANNOUNCED WITH THE SUPERIOR AIR OF ONE WHO HAS RESPECTFULLY WAITED FOR THE QUESTION THAT A WELL ORDERED MIND WOULD HAVE PUT FIRST MARY'S CONJECTURE HAD BEEN RIGHT THEN" ], "begin_byte": 35997, "end_byte": 36178 } } ]

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[ { "id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb_83", "recording_id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb", "start": 0, "duration": 12.36, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "The first was her husband's, taken from a photograph made the year they had come to England. It was the picture of him that she liked best, the one that stood on the writing table up stairs in her bedroom.", "THE FIRST WAS HER HUSBAND'S TAKEN FROM A PHOTOGRAPH MADE THE YEAR THEY HAD COME TO ENGLAND IT WAS THE PICTURE OF HIM THAT SHE LIKED BEST THE ONE THAT STOOD ON THE WRITING TABLE UPSTAIRS IN HER BEDROOM" ], "pre_texts": [ "omething with the heart, I believe. But she had his bedridden mother to look after, and the children, and she broke down under it, and finally had to ask for help. That attracted attention to the case, and the papers took it up, and a subscription was started. Everybody out there liked Bob Elwell, and most of the prominent names in the place are down on the list, and people began to wonder why--\" Parvis broke off to fumble in an inner pocket. \"Here,\" he continued, \"here's an account of the whole thing from the 'Sentinel'--a little sensational, of course. But I guess you'd better look it over.\" He held out a newspaper to Mary, who unfolded it slowly, remembering, as she did so, the evening when, in that same room, the perusal of a clipping from the \"Sentinel\" had first shaken the depths of her security. As she opened the paper, her eyes, shrinking from the glaring head-lines, \"Widow of Boyne's Victim Forced to Appeal for Aid,\" ran down the column of text to two portraits inserted in it.", " TO WORK AND TAKING SEWING AT HOME WHEN SHE GOT TOO SICK SOMETHING WITH THE HEART I BELIEVE BUT SHE HAD HIS MOTHER TO LOOK AFTER AND THE CHILDREN AND SHE BROKE DOWN UNDER IT AND FINALLY HAD TO ASK FOR HELP THAT CALLED ATTENTION TO THE CASE AND THE PAPERS TOOK IT UP AND A SUBSCRIPTION WAS STARTED EVERYBODY OUT THERE LIKED BOB LWELL AND MOST OF THE PROMINENT NAMES IN THE PLACE ARE DOWN ON THE LIST AND PEOPLE BEGAN TO WONDER WHY PARBIS BROKE OFF TO FUMBLE IN AN INNER POCKET HERE HE CONTINUED HERE'S AN ACCOUNT OF THE WHOLE THING FROM THE SENTINEL A LITTLE SENSATIONAL OF COURSE BUT I GUESS YOU'D BETTER LOOK OVER IT HE HELD OUT A NEWSPAPER TO MARY WHO UNFOLDED IT SLOWLY REMEMBERING AS SHE DID SO THE EVENING WHEN IN THAT SAME ROOM THE PERUSAL OF A CLIPPING FROM THE SENTINEL HAD FIRST SHAKEN THE DEPTHS OF HER SECURITY AS SHE OPENED THE PAPER HER EYES SHRINKING FROM THE GLARING HEADLINES WIDOW OF BOYNE'S VICTIM FORCED TO APPEAL FOR AID RAN DOWN THE COLUMN OF TEXT TO TWO PORTRAITS INSERTED IN IT" ], "begin_byte": 59538, "end_byte": 59743 } } ]

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[ { "id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb_105", "recording_id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb", "start": 0, "duration": 11.56, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "Mary flashed out at her, her own mind, in the same instant, leaping back to an image left on it that morning, but temporarily lost under layers of subsequent impressions.", "MARY FLASHED OUT HER OWN MIND IN THE SAME INSTANT LEAPING BACK TO AN IMAGE LEFT ON IT THAT MORNING AND THEN LOST UNDER LAYERS OF SUBSEQUENT IMPRESSIONS" ], "pre_texts": [ "en together. \"But then, if you left them in the library, how do you know that they went out of the house?\" This question plunged the witness into momentary inarticulateness, from which she was rescued by Trimmle, who, by means of ingenious circumlocutions, elicited the statement that before she could cross the hall to the back passage she had heard the gentlemen behind her, and had seen them go out of the front door together. \"Then, if you saw the gentleman twice, you must be able to tell me what he looked like.\" But with this final challenge to her powers of expression it became clear that the limit of the kitchen-maid's endurance had been reached. The obligation of going to the front door to \"show in\" a visitor was in itself so subversive of the fundamental order of things that it had thrown her faculties into hopeless disarray, and she could only stammer out, after various panting efforts at evocation, \"His hat, mum, was different-like, as you might say--\" \"Different? How different?", "PPED OUT LEAVING THE TWO GENTLEMEN TOGETHER BUT THEN IF YOU LEFT THEM IN THE LIBRARY HOW DO YOU KNOW THAT THEY WENT OUT OF THE HOUSE THIS QUESTION PLUNGED THE WITNESS INTO A MOMENTARY INARTICULATENESS FROM WHICH SHE WAS RESCUED BY TRIMMEL WHO BY MEANS OF INGENIOUS CIRCUMLOCUTIONS ELICITED THE STATEMENT THAT BEFORE SHE COULD CROSS THE HALL TO THE BACK PASSAGE SHE HAD HEARD THE TWO GENTLEMEN BEHIND HER AND HAD SEEN THEM GO OUT OF THE FRONT DOOR TOGETHER THEN IF YOU SAW THE STRANGE GENTLEMAN TWICE YOU MUST BE ABLE TO TELL ME WHAT HE LOOKED LIKE BUT WITH THIS FINAL CHALLENGE TO HER POWERS OF EXPRESSION IT BECAME CLEAR THAT THE LIMIT OF THE PITCHEN MAID'S ENDURANCE HAD BEEN REACHED THE OBLIGATION OF GOING TO THE FRONT DOOR TO SHOW IN A VISITOR WAS IN ITSELF SO SUBVERSIVE OF THE FUNDAMENTAL ORDER OF THINGS THAT IT HAD THROWN HER FACULTIES INTO HOPELESS DISARRAY AND SHE COULD ONLY STAMMER OUT AFTER VARIOUS PANTING EFFORTS HIS HAT MUM WAS DIFFERENT LIKE IF YOU MIGHT SAY DIFFERENT HOW DIFFERENT" ], "begin_byte": 45604, "end_byte": 45775 } } ]

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[ { "id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb_128", "recording_id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb", "start": 0, "duration": 9.08, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "III One of the strangest things she was afterward to recall out of all the next day's incredible strangeness was the sudden and complete recovery of her sense of security.", "ONE OF THE STRANGEST THINGS SHE WAS TO AFTERWARD RECALL OUT OF ALL THE NEXT DAY'S STRANGENESS WAS THE SUDDEN AND COMPLETE RECOVERY OF HER SENSE OF SECURITY" ], "pre_texts": [ "rate herself from the inward charge of being too easily put off. \"Withdrawn because he saw he had no chance?\" \"Oh, he had no chance,\" Boyne answered. She was still struggling with a dimly felt perplexity at the back of her thoughts. \"How long ago was it withdrawn?\" He paused, as if with a slight return of his former uncertainty. \"I've just had the news now; but I've been expecting it.\" \"Just now -- in one of your letters?\" \"Yes; in one of my letters.\" She made no answer, and was aware only, after a short interval of waiting, that he had risen, and strolling across the room, had placed himself on the sofa at her side. She felt him, as he did so, pass an arm about her, she felt his hand seek hers and clasp it, and turning slowly, drawn by the warmth of his cheek, she met the smiling clearness of his eyes. \"It's all right -- it's all right?\" she questioned, through the flood of her dissolving doubts; and \"I give you my word it never was righter!\" he laughed back at her, holding her close.", " THIS IS A LIVER VOX RECORDING ALL LIVERPOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIVERVOX DOT ORG AFTERWARD BY EDITH WHARTON PART TWO READ BY CHARLES BLAKEMORE AFTERWARD CHAPTER THREE" ], "begin_byte": 26706, "end_byte": 26877 } } ]

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[ { "id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb_166", "recording_id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb", "start": 0, "duration": 10.76, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "\"I couldn't exactly say the hour, Madam, because I didn't let the gentleman in,\" she replied, with the air of magnanimously ignoring the irregularity of her mistress's course.", "I COULDN'T EXACTLY SAY THE HOUR MA'AM BECAUSE I DIDN'T LET THE GENTLEMAN IN SHE REPLIED WITH AN AIR OF DISCREETLY IGNORING THE IRREGULARITY OF HER MISTRESS'S COURSE" ], "pre_texts": [ "a matter of principle with Trimmle never to answer more than one question at a time. \"Up the drive? At this hour?\" Mary went to the door herself, and glanced across the court through the long tunnel of bare limes. But its perspective was as empty as when she had scanned it on entering the house. \"Did Mr. Boyne leave no message?\" she asked. Trimmle seemed to surrender herself to a last struggle with the forces of chaos. \"No, Madam. He just went out with the gentleman.\" \"The gentleman? What gentleman?\" Mary wheeled about, as if to front this new factor. \"The gentleman who called, Madam,\" said Trimmle, resignedly. \"When did a gentleman call? Do explain yourself, Trimmle!\" Only the fact that Mary was very hungry, and that she wanted to consult her husband about the greenhouses, would have caused her to lay so unusual an injunction on her attendant; and even now she was detached enough to note in Trimmle's eye the dawning defiance of the respectful subordinate who has been pressed too hard.", "D WHEN HE WENT OUT OF THE FRONT DOOR UP THE DRIVE MADAM IT WAS A MATTER OF PRINCIPLE WITH TRIMMEL NEVER TO ANSWER MORE THAN ONE QUESTION AT A TIME UP THE DRIVE AT THIS HOUR MARY WENT TO THE DOOR HERSELF AND GLANCED ACROSS THE COURT THROUGH THE TUNNEL OF BARE LIMES BUT ITS PERSPECTIVE WAS AS EMPTY AS WHEN SHE HAD SCANNED IT ON ENTERING DID MISTER BOYNE LEAVE NO MESSAGE TRIMMLE SEEMED TO SURRENDER HERSELF TO A LAST STRUGGLE WITH THE FORCES OF CHAOS NO MUM HE JUST WENT OUT WITH THE GENTLEMAN THE GENTLEMAN WHAT GENTLEMAN MARY WHEELED ABOUT AS IF TO FRONT THIS NEW FACTOR THE GENTLEMAN WHO CALLED MA'AM SAID TRIMMLE RESIGNEDLY WHEN DID A GENTLEMAN CALL DO EXPLAIN YOURSELF TRIMMLE ONLY THE FACT THAT MARY WAS VERY HUNGRY AND THAT SHE WANTED TO CONSULT HER HUSBAND ABOUT THE GREENHOUSES WOULD HAVE CAUSED HER TO LAY SO UNUSUAL AN INJUNCTION ON HER ATTENDANT AND EVEN NOW SHE WAS DETACHED ENOUGH TO NOTE IN TRIMMLE'S EYE THE DAWNING DEFIANCE OF THE RESPECTFUL SUBORDINATE WHO HAD BEEN PRESSED TOO HARD" ], "begin_byte": 37506, "end_byte": 37681 } } ]

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[ { "id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb_174", "recording_id": "large/1336/afterward_cb_librivox_64kb_mp3/afterward_2_wharton_cb_64kb", "start": 0, "duration": 19.719, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "The parlor maid appeared to hesitate between the obvious duty of obeying orders and an equally obvious conviction of the foolishness of the injunction laid upon her. The struggle resulted in her saying doubtfully, \"If you please, Madam, Mr. Boyne's not up stairs.\" \"Not in his room? Are you sure?\" \"I'm sure, Madam.\"", "TRIMMLE APPEARED TO HESITATE BETWEEN THE OBVIOUS DUTY OF OBEDIENCE AND AN EQUALLY OBVIOUS CONVICTION OF THE FOOLISHNESS OF THE INJUNCTION LAID ON HER THE STRUGGLE RESULTED IN HER SAYING IF YOU PLEASE MA'AM MISTER BOURNE'S NOT UP STAIRS NOT IN HIS ROOM ARE YOU SURE I'M SURE MA'AM" ], "pre_texts": [ "state secret, and Mary, intent upon her papers, merely murmured an absent-minded assent. She felt Trimmle wavering expressively on the threshold as if in rebuke of such offhand acquiescence; then her retreating steps sounded down the passage, and Mary, pushing away her papers, crossed the hall, and went to the library door. It was still closed, and she wavered in her turn, disliking to disturb her husband, yet anxious that he should not exceed his normal measure of work. As she stood there, balancing her impulses, the esoteric Trimmle returned with the announcement of luncheon, and Mary, thus impelled, opened the door and went into the library. Boyne was not at his desk, and she peered about her, expecting to discover him at the book-shelves, somewhere down the length of the room; but her call brought no response, and gradually it became clear to her that he was not in the library. She turned back to the parlor-maid. \"Mr. Boyne must be up-stairs. Please tell him that luncheon is ready.", "IR JOKES THAT TRIMMLE ANNOUNCED LUNCHEON AS IF SHE WERE DIVULGING A STATE SECRET AND MARY INTENT UPON HER PAPERS MERELY MURMURED AN ABSENT MINDED ASSENT SHE FELT TRIMMLE WAVERING DOUBTFULLY ON THE THRESHOLD AS IF IN REBUKE OF SUCH UNCONSIDERED ASSENT THEN HER RETREATING STEPS SOUNDED DOWN THE PASSAGE AND MARY PUSHING AWAY HER PAPERS CROSSED THE HALL AND WENT TO THE LIBRARY DOOR IT WAS STILL CLOSED AND SHE WAVERED IN HER TURN DISLIKING TO DISTURB HER HUSBAND YET ANXIOUS THAT HE SHOULD NOT EXCEED HIS USUAL MEASURE OF WORK AS SHE STOOD THERE BALANCING HER IMPULSES TRIMMLE RETURNED WITH THE ANNOUNCEMENT OF LUNCHEON AND MARY THUS IMPELLED OPENED THE LIBRARY DOOR BOYNE WAS NOT AT HIS DESK AND SHE PEERED ABOUT HER EXPECTING TO DISCOVER HIM BEFORE THE BOOKSHELVES SOMEWHERE DOWN THE LENGTH OF THE ROOM BUT HER CALL BROUGHT NO RESPONSE AND GRADUALLY IT BECAME CLEAR TO HER THAT HE WAS NOT THERE SHE TURNED BACK TO THE PARLOURMAID MISTER BOURNE MUST BE UPSTAIRS PLEASE TELL HIM THAT LUNCHEON IS READY" ], "begin_byte": 35419, "end_byte": 35736 } } ]

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[ { "id": "large/1336/anyhowstories_0711_librivox_64kb_mp3/anyhowstories_02_clifford_64kb_14", "recording_id": "large/1336/anyhowstories_0711_librivox_64kb_mp3/anyhowstories_02_clifford_64kb", "start": 0, "duration": 14.64, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "[STORY For one terrible moment all was still, but in it the children could almost hear her lift up her tail, and then, with a fearful blow, the little painted door was cracked and splintered.", "L FOR ONE TERRIBLE MOMENT ALL WAS STILL BUT IN IT THE CHILDREN COULD ALMOST HEAR HER LIFT UP HER TAIL AND THEN WITH A FEARFUL BLOW THE LITTLE PAINTED DOOR CRACKED AND SPLINTERED" ], "pre_texts": [ "ny arm carrying a black leather bag. From beneath the bonnet there flashed a strange bright light, and Turkey's heart sank and her cheeks turned pale, for she knew it was the flashing of two glass eyes. She crept up to Blue-Eyes. \" It is it is it is !\" she whispered, her voice shaking with fear, \"it is the new mother ! She has come, and brought her luggage in a black leather bag that is hanging on her arm !\" \" Oh, what shall we do ? \" wept Blue-Eyes ; and again there was the terrible knocking. \" Come and put your back against the door too, Turkey,\" cried Blue-Eyes ; \" I am afraid it will break.\" So together they stood with their two little backs against the door. There was a long pause. They thought perhaps the new mother had made up her mind that there was no one at home to let her in, and would go away, but presently the two children heard through the thin wooden door the new mother move a little, and then say to herself \" I must break open the door with my tail.\" 46 ANYHOW STORIES. ", "HARD CRIED BLUE EYES GO AND PUT YOUR BACK TO IT WHISPERED THE TURKEY AND I'LL PEEP OUT OF THE WINDOW AND TRY TO SEE IF IT REALLY IS THE NEW MOTHER SO IN FEAR AND TREMBLING BLUE EYES PUT HER BACK AGAINST THE DOOR AND THE TURKEY WENT TO THE WINDOW SHE COULD JUST SEE A BLACK SATIN POKE BONNET WITH A FRILL ROUND THE EDGE AND A LONG BONY ARM CARRYING A BLACK LEATHER BAG FROM BENEATH THE BONNET THERE FLASHED A STRANGE BRIGHT LIGHT AND TURKEY'S HEART SANK AND HER CHEEKS TURNED PALE FOR SHE KNEW IT WAS THE FLASHING OF TWO GLASS EYES SHE CREPT UP TO BLUE EYES IT IS IT IS IT IS SHE WHISPERED HER VOICE SHAKING WITH FEAR IT IS THE NEW MOTHER TOGETHER THEY STOOD WITH THE TWO LITTLE BACKS AGAINST THE DOOR THERE WAS A LONG PAUSE THEY THOUGHT PERHAPS THE NEW MOTHER HAD MADE UP HER MIND THAT THERE WAS NO ONE AT HOME TO LET HER IN AND WOULD GO AWAY BUT PRESENTLY THE TWO CHILDREN HEARD THROUGH THE THIN WOODEN DOOR THE NEW MOTHER MOVE A LITTLE AND THEN SAY TO HERSELF I MUST BREAK THE DOOR OPEN WITH MY TAI" ], "begin_byte": 57006, "end_byte": 57196 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_2", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 18.88, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "The odours of the wilderness—smells of wind and earth, of trees and water, clean, vigorous, and mighty—were the true odours of a virgin world unspoilt by men, more penetrating and more subtly intoxicating than any other perfume in the whole world.", "THE ODORS OF THE WILDERNESS SMELLS OF WIND AND EARTH OF TREES AND WATER CLEAN VIGOROUS AND MIGHTY WERE THE TRUE ODORS OF A VIRGIN WORLD UNSPOILT BY MEN MORE PENETRATING AND MORE SUBTLELY INTOXICATING THAN ANY OTHER PERFUME IN THE WHOLE WORLD" ], "pre_texts": [ "picked deep mattresses of balsam boughs for the women's beds, and had cleared little paths of brushwood from their tents to the central fireplace. All was prepared for bad weather. It was a cosy supper and a well-cooked one that we sat down to and ate under the stars, and, according to the clergyman, the only meal fit to eat we had seen since we left London a week before. The deep stillness, after that roar of steamers, trains, and tourists, held something that thrilled, for as we lay round the fire there was no sound but the faint sighing of the pines and the soft lapping of the waves along the shore and against the sides of the boat in the lagoon. The ghostly outline of her white sails was just visible through the trees, idly rocking to and fro in her calm anchorage, her sheets flapping gently against the mast. Beyond lay the dim blue shapes of other islands floating in the night, and from all the great spaces about us came the murmur of the sea and the soft breathing of great woods.", "ES SANGREE TOO HAD PICKED DEEP MATTRESSES OF BALSAM BOUGH FOR THE WOMEN'S BEDS AND HAD CLEARED LITTLE PATHS OF BRUSHWOOD FROM THEIR TENTS TO THE CENTRAL FIREPLACE ALL WAS PREPARED FOR BAD WEATHER IT WAS A COSY SUPPER AND A WELL COOKED ONE THAT WE SAT DOWN TO AND ATE UNDER THE STARS AND ACCORDING TO THE CLERGYMAN THE ONLY MEAL FIT TO EAT WE HAD SEEN SINCE WE LEFT LONDON A WEEK BEFORE THE DEEP STILLNESS AFTER THAT ROAR OF STEAMERS TRAINS AND TOURISTS HELD SOMETHING THAT THRILLED FOR AS WE LAY ROUND THE FIRE THERE WAS NO SOUND BUT THE FAINT SIGHING OF THE PINES AND THE SOFT LAPPING OF THE WAVES ALONG THE SHORE AND AGAINST THE SIDES OF THE BOAT IN THE LAGOON THE GHOSTLY OUTLINE OF HER WHITE SAILS WAS JUST VISIBLE THROUGH THE TREES IDLY ROCKING TO AND FRO IN HER CALM ANCHORAGE HER SHEETS FLAPPING GENTLY AGAINST THE MAST BEYOND LAY THE DIM BLUE SHAPES OF OTHER ISLANDS FLOATING IN THE NIGHT AND FROM ALL THE GREAT SPACES ABOUT US CAME THE MURMUR OF THE SEA AND THE SOFT BREATHING OF GREAT WOODS" ], "begin_byte": 89444, "end_byte": 89691 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_13", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 5.959, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "The girl made no reply, and when I took her hand I felt that it trembled a little and was cold.", "THE GIRL MADE NO REPLY AND WHEN I TOOK HER HAND I FELT THAT IT TREMBLED A LITTLE AND WAS COLD" ], "pre_texts": [ "h, I know what I'm saying. I feel all untied in a place like this; the rigidity of one's nature begins to melt and flow. Surely you must understand what I mean!\" \"Of course I understand,\" I replied, yet not wishing to encourage her in her present line of thought, \"and it's a grand experience—for a short time. But you're overtired to-night, Joan, like the rest of us. A few days in this air will set you above all fears of the kind you mention.\" Then, after a moment's silence, I added, feeling I should estrange her confidence altogether if I blundered any more and treated her like a child— \"I think, perhaps, the true explanation is that you pity him for loving you, and at the same time you feel the repulsion of the healthy, vigorous animal for what is weak and timid. If he came up boldly and took you by the throat and shouted that he would force you to love him—well, then you would feel no fear at all. You would know exactly how to deal with him. Isn't it, perhaps, something of that kind?", "E ARTIFICIAL LIFE AT HOME I KNOW OH I KNOW WHAT I'M SAYING I FEEL ALL UNTIED IN A PLACE LIKE THIS THE RIGIDITY OF ONE'S NATURE BEGINS TO MELT AND FLOW SURELY YOU MUST UNDERSTAND WHAT I MEAN OF COURSE I UNDERSTAND I REPLIED YET NOT WISHING TO ENCOURAGE HER IN HER PRESENT LINE OF THOUGHT AND IT'S A GRAND EXPERIENCE FOR A SHORT TIME BUT YOU'RE OVERTIRED TO NIGHT JOAN LIKE THE REST OF US A FEW DAYS IN THIS AIR WILL SET YOU ABOVE ALL FEARS OF THE KIND YOU MENTION THEN AFTER A MOMENT'S SILENCE I ADDED FEELING THAT I SHOULD ESTRANGE HER CONFIDENCE ALTOGETHER IF I BLUNDERED ANY MORE AND TREATED HER LIKE A CHILD I THINK PERHAPS THE TRUE EXPLANATION IS THAT YOU PITY HIM FOR LOVING YOU AND AT THE SAME TIME YOU FEEL THE REPULSION OF THE HEALTHY VIGOROUS ANIMAL FOR WHAT IS WEAK AND TIMID IF HE CAME UP BOLDLY AND TOOK YOU BY THE THROAT AND SHOUTED HE WOULD FORCE YOU TO LOVE HIM WELL THEN YOU WOULD FEEL NO FEAR AT ALL YOU WOULD KNOW EXACTLY HOW TO DEAL WITH HIM ISN'T IT PERHAPS SOMETHING OF THAT KIND" ], "begin_byte": 97716, "end_byte": 97812 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_28", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 16.16, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "In her quick way the girl understood and thanked me, and the last thing I heard as I moved off to the men's quarters was Mrs. Maloney crying that there were beetles in her tent, and Joan's laughter as she went to help her turn them out.", "IN HER QUICK WAY THE GIRL UNDERSTOOD AND THANKED ME AND THE LAST THING I HEARD AS I MOVED OFF TO THE MEN'S QUARTERS WAS MISSUS MALONEY CRYING THAT THERE WERE BEETLES IN HER TENT AND JOAN'S LAUGHTER AS SHE WENT TO HELP HER TURN THEM OUT" ], "pre_texts": [ " let my eyes wander round the group assembled about the dying fire. And it certainly seemed to me that Sangree's face underwent a sudden and visible alteration. He was staring at Joan, and as he stared the change ran over it like a shadow and was gone. I started in spite of myself, for something oddly concentrated, potent, collected, had come into the expression usually so scattered and feeble. But it was all swift as a passing meteor, and when I looked a second time his face was normal and he was looking among the trees. And Joan, luckily, had not observed him, her head being bowed and her eyes tightly closed while her father prayed. \"The girl has a vivid imagination indeed,\" I thought, half laughing, as I lit the lanterns, \"if her thoughts can put a glamour upon mine in this way\"; and yet somehow, when we said good-night, I took occasion to give her a few vigorous words of encouragement, and went to her tent to make sure I could find it quickly in the night in case anything happened.", " IT CHANCED THAT I LOOKED UP AND LET MY EYES WANDER ROUND THE GROUP ASSEMBLED ABOUT THE DYING FIRE AND IT CERTAINLY SEEMED TO ME THAT SANGREE'S FACE UNDERWENT A SUDDEN AND VISIBLE ALTERATION HE WAS STARING AT JOAN AND AS HE STARED THE CHANGE RAN OVER IT LIKE A SHADOW AND WAS GONE I STARTED IN SPITE OF MYSELF FOR SOMETHING ODDLY CONCENTRATED POTENT COLLECTED HAD COME INTO THE EXPRESSION USUALLY SO SCATTERED AND FEEBLE BUT IT WAS ALL SWIFT AS A PASSING METEOR AND WHEN I LOOKED A SECOND TIME HIS FACE WAS NORMAL AND HE WAS LOOKING AMONG THE TREES JOAN LUCKILY HAD NOT OBSERVED HIM HER HEAD BEING BOWED AND HER EYES TIGHTLY CLOSED WHILE HER FATHER PRAYED THE GIRL HAS A VIVID IMAGINATION INDEED I THOUGHT HALF LAUGHING AS I LIT THE LANTERNS IF HER THOUGHTS CAN PUT A GLAMOUR UPON MINE IN THIS WAY AND YET SOMEHOW WHEN WE SAID GOOD NIGHT I TOOK OCCASION TO GIVE HER A FEW VIGOROUS WORDS OF ENCOURAGEMENT AND WENT TO HER TENT TO MAKE SURE I COULD FIND IT QUICKLY IN THE NIGHT IN CASE ANYTHING HAPPENED" ], "begin_byte": 104787, "end_byte": 105023 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_46", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 6.959, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "Although the larger islands boasted farms and fishing stations, the majority were uninhabited.", "ALTHOUGH THE LARGER ISLANDS BOASTED FARMS AND FISHING STATIONS THE MAJORITY WERE UNINHABITED" ], "pre_texts": [ "handwriting— \"John Silence, London.\" CASE II: THE CAMP OF THE DOG I Islands of all shapes and sizes troop northward from Stockholm by the hundred, and the little steamer that threads their intricate mazes in summer leaves the traveller in a somewhat bewildered state as regards the points of the compass when it reaches the end of its journey at Waxholm. But it is only after Waxholm that the true islands begin, so to speak, to run wild, and start up the coast on their tangled course of a hundred miles of deserted loveliness, and it was in the very heart of this delightful confusion that we pitched our tents for a summer holiday. A veritable wilderness of islands lay about us: from the mere round button of a rock that bore a single fir, to the mountainous stretch of a square mile, densely wooded, and bounded by precipitous cliffs; so close together often that a strip of water ran between no wider than a country lane, or, again, so far that an expanse stretched like the open sea for miles.", " THE DOG BY ALGERNUM BLACKWOOD READ BY CHARLES BLAKEMORE THE CAMP OF THE DOG PART ONE ISLANDS OF ALL SHAPES AND SIZES TROOP NORTHWARD FROM STOCKHOLM BY THE HUNDRED AND THE LITTLE STEAMER THAT THREADS THEIR INTRICATE MAZES IN SUMMER LEAVES THE TRAVELLER IN A SOMEWHAT BEWILDERED STATE AS REGARDS THE POINTS OF THE COMPASS WHEN IT REACHES THE END OF ITS JOURNEY AT WAXHOLM BUT IT IS ONLY AFTER WAXHOLM THAT THE TRUE ISLANDS BEGIN SO TO SPEAK TO RUN WILD AND START UP THE COAST ON THEIR TANGLED COURSE OF A HUNDRED MILES OF DESERTED LOVELINESS AND IT WAS IN THE VERY HEART OF THIS DELIGHTFUL CONFUSION THAT WE PITCHED OUR TENTS FOR A SUMMER HOLIDAY A VERITABLE WILDERNESS OF ISLANDS LAY ABOUT US FROM THE MERE ROUND BUTTON OF ROCK THAT BORE A SINGLE FIR TO THE MOUNTAINOUS STRETCH OF A SQUARE MILE DENSELY WOODED AND BOUNDED BY PRECIPITOUS CLIFFS SO CLOSE TOGETHER OFTEN THAT A STRIP OF WATER RAN BETWEEN NO WIDER THAN A COUNTRY LANE OR AGAIN SO FAR THAT AN EXPANSE STRETCHED LIKE THE OPEN SEA FOR MILES" ], "begin_byte": 75675, "end_byte": 75769 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_49", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 11, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "\"Sangree only stays the month, you know. And, anyhow, you are such an odd creature yourself that you should feel generously towards other odd creatures,\" I ended lamely, with a forced laugh.", "SANGREE ONLY STAYS THE MONTH YOU KNOW AND ANYHOW YOU ARE SUCH AN ODD CREATURE YOURSELF THAT YOU SHOULD FEEL GENEROUSLY TOWARDS OTHER ODD CREATURES I ENDED LAMELY WITH A FORCED LAUGH" ], "pre_texts": [ "e said hurriedly, for at this moment we heard the dip of a paddle in the water, \"it's something in his very soul that terrifies me in a way I have never been terrified before,—yet fascinates me. In town I was hardly conscious of his presence. But the moment we got away from civilisation, it began to come. He seems so—so real up here. I dread being alone with him. It makes me feel that something must burst and tear its way out—that he would do something—or I should do something—I don't know exactly what I mean, probably,—but that I should let myself go and scream—\" \"Joan!\" \"Don't be alarmed,\" she laughed shortly; \"I shan't do anything silly, but I wanted to tell you my feelings in case I needed your help. When I have intuitions as strong as this they are never wrong, only I don't know yet what it means exactly.\" \"You must hold out for the month, at any rate,\" I said in as matter-of-fact a voice as I could manage, for her manner had somehow changed my surprise to a subtle sense of alarm.", "HIS LOVE THAT I'M AFRAID OF SHE SAID HURRIEDLY FOR AT THIS MOMENT WE HEARD THE DIP OF A PADDLE IN THE WATER IT'S SOMETHING IN HIS VERY SOUL THAT TERRIFIES ME IN A WAY I HAVE NEVER BEEN TERRIFIED BEFORE IT FASCINATES ME IN TOWN I WAS HARDLY CONSCIOUS OF HIS PRESENCE BUT THE MOMENT WE GOT AWAY FROM CIVILIZATION IT BEGAN TO COME HE SEEMS SO SO REAL A PEER I DREAD BEING ALONE WITH HIM IT MAKES ME FEEL THAT SOMETHING MUST BURST AND TEAR ITS WAY OUT THAT HE WOULD DO SOMETHING OR THAT I SHOULD DO SOMETHING I DON'T KNOW EXACTLY WHAT I MEAN PROBABLY BUT THAT I SHOULD LET MYSELF GO AND SCREAM JOAN DON'T BE ALARMED SHE LAUGHED SHORTLY I SHA'N'T DO ANYTHING SILLY BUT I WANTED TO TELL YOU MY FEELINGS IN CASE I NEEDED YOUR HELP WHEN I HAVE INTUITIONS AS STRONG AS THIS THEY ARE NEVER WRONG ONLY I DON'T KNOW YET WHAT IT MEANS EXACTLY YOU MUST HOLD UP FOR THE MONTH AT ANY RATE I SAID IN A MATTER OF FACTIVE VOICE AS I COULD MANAGE FOR HER MANNER HAD SOMEHOW CHANGED MY SURPRISE TO A SUBTLE SENSE OF ALARM" ], "begin_byte": 98856, "end_byte": 99046 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_50", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 18.199, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "\"I didn't want to be left alone with him,\" the girl said presently in a low voice. \"I'm always afraid he's going to say or do something—\" She hesitated a moment, looking quickly over her shoulder towards the ridge where he had just disappeared—\"something that might lead to unpleasantness.\"", "I DIDN'T WANT TO BE LEFT ALONE WITH HIM THE GIRL SAID PRESENTLY IN A LOW VOICE I'M ALWAYS AFRAID HE'S GOING TO SAY SOMETHING OR DO SOMETHING SHE HESITATED A MOMENT LOOKING QUICKLY OVER HER SHOULDER TOWARDS THE RIDGE WHERE HE HAD JUST DISAPPEARED SOMETHING THAT MIGHT LEAD TO UNPLEASANTNESS" ], "pre_texts": [ "e out to the other islands.\" \"Of course,\" I said; \"wait here and I'll go across for it,\" and was turning to feel my way back through the darkness when she stopped me in a voice that meant what it said. \"No; Mr. Sangree will get it. We will wait here and cooee to guide him.\" The Canadian was off in a moment, for she had only to hint of her wishes and he obeyed. \"Keep out from shore in case of rocks,\" I cried out as he went, \"and turn to the right out of the lagoon. That's the shortest way round by the map.\" My voice travelled across the still waters and woke echoes in the distant islands that came back to us like people calling out of space. It was only thirty or forty yards over the ridge and down the other side to the lagoon where the boats lay, but it was a good mile to coast round the shore in the dark to where we stood and waited. We heard him stumbling away among the boulders, and then the sounds suddenly ceased as he topped the ridge and went down past the fire on the other side.", " REMARKED JONE WE COULD PADDLE OUT TO THE OTHER ISLANDS OF COURSE I SAID WAIT HERE AND I'LL GO ACROSS FOR IT AND WAS TURNING TO FEEL MY WAY BACK THROUGH THE DARKNESS WHEN SHE STOPPED ME IN A VOICE THAT MEANT WHAT IT SAID NO MISTER SANGREE WILL GET IT WE WILL WAIT HERE AND COOEY TO GUIDE HIM THE CANADIAN WAS OFF IN A MOMENT FOR SHE HAD ONLY TO HINT OF HER WISHES AND HE OBEYED KEEP OUT FROM THE SHORE IN CASE OF ROCKS I CRIED OUT AS HE WENT AND TURN TO THE RIGHT OUT OF THE LAGOON IT'S THE SHORTEST WAY ROUND BY MAP MY VOICE TRAVELLED ACROSS THE STILL WATERS AND WOKE ECHOES IN THE DISTANT ISLANDS THAT CAME BACK TO US LIKE PEOPLE CALLING OUT OF SPACE IT WAS ONLY THIRTY OR FORTY YARDS OVER THE RIDGE AND DOWN THE OTHER SIDE TO THE LAGOON WHERE THE BOATS LAY BUT IT WAS A GOOD MILE TO COAST ROUND THE SHORE IN THE DARK TO WHERE WE STOOD AND WAITED WE HEARD HIM STUMBLING AWAY AMONG THE BOULDERS AND THEN THE SOUNDS SUDDENLY CEASED AS HE TOPPED THE RIDGE AND WENT DOWN PAST THE FIRE ON THE OTHER SIDE" ], "begin_byte": 93900, "end_byte": 94190 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_57", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 7.88, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "And Joan, luckily, had not observed him, her head being bowed and her eyes tightly closed while her father prayed.", "JOAN LUCKILY HAD NOT OBSERVED HIM HER HEAD BEING BOWED AND HER EYES TIGHTLY CLOSED WHILE HER FATHER PRAYED" ], "pre_texts": [ "anking Heaven for our safe arrival, begging for good weather, no illness or accidents, plenty of fish, and strong sailing winds. And then, unexpectedly—no one knew why exactly—he ended up with an abrupt request that nothing from the kingdom of darkness should be allowed to afflict our peace, and no evil thing come near to disturb us in the night-time. And while he uttered these last surprising words, so strangely unlike his usual ending, it chanced that I looked up and let my eyes wander round the group assembled about the dying fire. And it certainly seemed to me that Sangree's face underwent a sudden and visible alteration. He was staring at Joan, and as he stared the change ran over it like a shadow and was gone. I started in spite of myself, for something oddly concentrated, potent, collected, had come into the expression usually so scattered and feeble. But it was all swift as a passing meteor, and when I looked a second time his face was normal and he was looking among the trees.", "BLE PRAYER THANKING HEAVEN FOR OUR SAFE OR SAFE ARRIVAL BEGGING FOR GOOD WEATHER NO ILLNESS OR ACCIDENTS PLENTY OF FISH AND STRONG SAILING WINDS AND THEN UNEXPECTEDLY NO ONE KNEW EXACTLY WHY HE ENDED UP WITH AN ABRUPT REQUEST THAT NOTHING FROM THE KINGDOM OF DARKNESS SHOULD BE ALLOWED TO AFFLICT OUR PEACE AND NO EVIL THING COME NEAR TO DISTURB US IN THE NIGHT TIME AND WHILE HE UTTERED THESE LAST SURPRISING WORDS SO STRANGELY UNLIKE HIS USUAL ENDING IT CHANCED THAT I LOOKED UP AND LET MY EYES WANDER ROUND THE GROUP ASSEMBLED ABOUT THE DYING FIRE AND IT CERTAINLY SEEMED TO ME THAT SANGREE'S FACE UNDERWENT A SUDDEN AND VISIBLE ALTERATION HE WAS STARING AT JOAN AND AS HE STARED THE CHANGE RAN OVER IT LIKE A SHADOW AND WAS GONE I STARTED IN SPITE OF MYSELF FOR SOMETHING ODDLY CONCENTRATED POTENT COLLECTED HAD COME INTO THE EXPRESSION USUALLY SO SCATTERED AND FEEBLE BUT IT WAS ALL SWIFT AS A PASSING METEOR AND WHEN I LOOKED A SECOND TIME HIS FACE WAS NORMAL AND HE WAS LOOKING AMONG THE TREES" ], "begin_byte": 104314, "end_byte": 104428 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_79", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 10.399, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "A complete change of setting often furnishes a startlingly new view of people hitherto held for well known; they present another facet of their personalities.", "A COMPLETE CHANGE OF SETTING OFTEN FURNISHES A STARTLING NEW VIEW OF PEOPLE HITHERTO HELD FOR WELL KNOWN THEY PRESENT ANOTHER FACET OF THEIR PERSONALITIES" ], "pre_texts": [ " In the lagoon, then, the wind failed us this July evening, as was only natural behind the shelter of the belt of woods, and we took to the oars, all breathless with the beauty of this first sight of our island home, yet all talking in somewhat hushed voices of the best place to land, the depth of water, the safest place to anchor, to put up the tents in, the most sheltered spot for the camp-fires, and a dozen things of importance that crop up when a home in the wilderness has actually to be made. And during this busy sunset hour of unloading before the dark, the souls of my companions adopted the trick of presenting themselves very vividly anew before my mind, and introducing themselves afresh. In reality, I suppose, our party was in no sense singular. In the conventional life at home they certainly seemed ordinary enough, but suddenly, as we passed through these gates of the wilderness, I saw them more sharply than before, with characters stripped of the atmosphere of men and cities.", "HE NATURE OF A PROPHECY IN THE LAGOON THEN THE WIND FAILED US THIS JULY EVENING AS WAS ONLY NATURAL BEHIND THE SHELTER OF THE BELT OF WOODS AND WE TOOK TO THE OARS ALL BREATHLESS WITH THE BEAUTY OF THIS FIRST SIGHT OF OUR ISLAND HOME YET ALL TALKING IN SOMEWHAT HUSHED VOICES OF THE BEST PLACE TO LAND THE DEPTH OF WATER THE SAFEST PLACE TO ANCHOR TO PUT UP THE TENTS IN THE MOST SHELTERED SPOT FOR THE CAMP FIRES AND A DOZEN THINGS OF IMPORTANCE THAT CROP UP WHEN A HOME IN THE WILDERNESS HAS ACTUALLY TO BE MADE AND DURING THIS BUSY SUNSET HOUR OF UNLOADING BEFORE THE DARK THE SOULS OF MY COMPANIONS ADOPTED THE TRICK OF PRESENTING THEMSELVES VERY VIVIDLY ANEW BEFORE MY MIND AND INTRODUCING THEMSELVES AFRESH IN REALITY I SUPPOSE OUR PARTY WAS IN NO SENSE SINGULAR IN THE CONVENTIONAL LIFE AT HOME THEY CERTAINLY SEEMED ORDINARY ENOUGH BUT SUDDENLY AS WE PASSED THROUGH THESE GATES OF THE WILDERNESS I SAW THEM MORE SHARPLY THAN BEFORE WITH CHARACTERS STRIPPED OF THE ATMOSPHERE OF MEN AND CITIES" ], "begin_byte": 80684, "end_byte": 80842 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_87", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 19.52, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "\"I know, but I can't help it,\" she whispered, lest her voice should carry in the stillness; \"there's something about him that—that makes me feel creepy and half afraid.\" \"But, poor man, it's not his fault if he is delicate and sometimes looks like death,\" I laughed gently, by way of defending what I felt to be a very innocent member of my sex.", "I KNOW BUT I CAN'T HELP IT SHE WHISPERED LEST HER VOICE CARRY IN THE STILLNESS THERE'S SOMETHING ABOUT HIM THAT IT MAKES ME FEEL CREEPY AND HALF AFRAID BUT POOR MAN IT'S NOT HIS FAULT IF HE'S DELICATE AND SOMETIMES LOOKS LIKE DEATH I LAUGHED GENTLY BY WAY OF DEFENDING WHAT I FELT TO BE A VERY INNOCENT MEMBER OF MY SEX" ], "pre_texts": [ "y, but it was a good mile to coast round the shore in the dark to where we stood and waited. We heard him stumbling away among the boulders, and then the sounds suddenly ceased as he topped the ridge and went down past the fire on the other side. \"I didn't want to be left alone with him,\" the girl said presently in a low voice. \"I'm always afraid he's going to say or do something—\" She hesitated a moment, looking quickly over her shoulder towards the ridge where he had just disappeared—\"something that might lead to unpleasantness.\" She stopped abruptly. \"You frightened, Joan!\" I exclaimed, with genuine surprise. \"This is a new light on your wicked character. I thought the human being who could frighten you did not exist.\" Then I suddenly realised she was talking seriously—looking to me for help of some kind—and at once I dropped the teasing attitude. \"He's very far gone, I think, Joan,\" I added gravely. \"You must be kind to him, whatever else you may feel. He's exceedingly fond of you.", "THE LAGOON WHERE THE BOATS LAY BUT IT WAS A GOOD MILE TO COAST ROUND THE SHORE IN THE DARK TO WHERE WE STOOD AND WAITED WE HEARD HIM STUMBLING AWAY AMONG THE BOULDERS AND THEN THE SOUNDS SUDDENLY CEASED AS HE TOPPED THE RIDGE AND WENT DOWN PAST THE FIRE ON THE OTHER SIDE I DIDN'T WANT TO BE LEFT ALONE WITH HIM THE GIRL SAID PRESENTLY IN A LOW VOICE I'M ALWAYS AFRAID HE'S GOING TO SAY SOMETHING OR DO SOMETHING SHE HESITATED A MOMENT LOOKING QUICKLY OVER HER SHOULDER TOWARDS THE RIDGE WHERE HE HAD JUST DISAPPEARED SOMETHING THAT MIGHT LEAD TO UNPLEASANTNESS SHE STOPPED ABRUPTLY YOU FRIGHTENED JOAN I EXCLAIMED WITH GENUINE SURPRISE THIS IS A NEW LIGHT ON YOUR WICKED CHARACTER I THOUGHT THE HUMAN BEING WHO CAN FRIGHTEN YOU DID NOT EXIST THEN I SUDDENLY REALISED SHE WAS TALKING SERIOUSLY LOOKING TO ME FOR HELP OF SOME KIND AND AT ONCE I DROPPED THE TEASING ATTITUDE HE'S VERY FAR GONE I THINK JOAN I ADDED GRAVELY YOU MUST BE KIND TO HIM WHATEVER ELSE YOU MAY FEEL HE'S EXCEEDINGLY FOND OF YOU" ], "begin_byte": 94654, "end_byte": 95000 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_98", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 28.64, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "This, then, was the party when we first settled down into our two months' camp on the island in the Baltic Sea. Other figures flitted from time to time across the scene, and sometimes one reading man, sometimes another, came to join us and spend his four hours a day in the clergyman's tent, but they came for short periods only, and they went without leaving much trace in my memory, and certainly they played no important part in what subsequently happened.", "THIS THEN WAS THE PARTY WHEN WE FIRST SETTLED DOWN INTO OUR TWO MONTHS CAMP ON THE ISLAND AND THE BALTIC SEA OTHER FIGURES FLITTED FROM TIME TO TIME ACROSS THE SCENE AND SOMETIMES ONE READING MAN SOMETIMES ANOTHER CAME TO JOIN US AND SPEND HIS FOUR HOURS A DAY IN THE CLERGYMAN'S TENT BUT THEY CAME FOR SHORT PERIODS ONLY AND THEY WENT WITHOUT LEAVING MUCH TRACE IN MY MEMORY AND CERTAINLY THEY PLAYED NO IMPORTANT PART IN WHAT SUBSEQUENTLY HAPPENED" ], "pre_texts": [ "or at his age the eyes are difficult to master, and the yearning, almost the devouring, expression often visible in them was probably there unknown even to himself. He, better than any one else, understood that he had fallen in love with something most hard of attainment, something that drew him to the very edge of life, and almost beyond it. It, no doubt, was a secret and terrible joy to him, this passionate worship from afar; only I think he suffered more than any one guessed, and that his want of vitality was due in large measure to the constant stream of unsatisfied yearning that poured for ever from his soul and body. Moreover, it seemed to me, who now saw them for the first time together, that there was an unnamable something—an elusive quality of some kind—that marked them as belonging to the same world, and that although the girl ignored him she was secretly, and perhaps unknown to herself, drawn by some attribute very deep in her own nature to some quality equally deep in his.", " ALL RESPECTS SAVE ONE FOR AT HIS AGE THE EYES ARE DIFFICULT TO MASTER AND THE YEARNING ALMOST THE DEVOURING EXPRESSION OFTEN VISIBLE IN THEM WAS PROBABLY THERE UNKNOWN EVEN TO HIMSELF HE BETTER THAN ANY ONE ELSE UNDERSTOOD THAT HE HAD FALLEN IN LOVE WITH SOMETHING MOST HARD OF ATTAINMENT SOMETHING THAT DREW HIM TO THE VERY EDGE OF LIFE AND ALMOST BEYOND IT IT NO DOUBT WAS A SECRET AND TERRIBLE JOY TO HIM THIS PASSIONATE WORSHIP FROM AFAR ONLY I THINK HE SUFFERED MORE THAN ANYONE GUESSED AND THAT HIS WANT OF VITALITY WAS DUE IN LARGE MEASURE TO THE CONSTANT STREAM OF UNSATISFIED YEARNING THAT POURED FOREVER FROM HIS SOUL AND BODY MOREOVER IT SEEMED TO ME WHO NOW SAW THEM FOR THE FIRST TIME TOGETHER THAT THERE WAS AN UNNAMABLE SOMETHING AN ELUSIVE QUALITY OF SOME KIND THAT MARKED THEM AS BELONGING TO THE SAME WORLD AND THAT ALTHOUGH THE GIRL IGNORED HIM SHE WAS SECRETLY AND PERHAPS UNKNOWN TO HERSELF DRAWN BY SOME ATTRIBUTE VERY DEEP IN HER OWN NATURE TO SOME QUALITY EQUALLY DEEP IN HIS" ], "begin_byte": 87752, "end_byte": 88211 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_105", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 28.199, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "Against the sky in the west, where still lingered the sunset gold, we saw the wild toss of the horizon, shaggy with forest and cliff, gripping the heart like the motive in a symphony, and sending the sense of beauty all a shiver through the mind—all these surrounding islands standing above the water like low clouds, and like them seeming to post along silently into the engulfing night.", "AGAINST THE SKY IN THE WEST WHERE STILL LINGERED THE SUNSET GOLD WE SAW THE WILD TOSS OF THE HORIZON SHAGGY WITH FOREST AND CLIFF GRIPPING THE HEART LIKE THE MOTIVE IN A SYMPHONY AND SENDING THE SENSE OF BEAUTY ALL A SHIVER THROUGH THE MIND ALL THESE SURROUNDING ISLANDS STANDING ABOVE THE WATER LIKE LOW CLOUDS AND LIKE THEM SEEMING TO POST ALONG SILENTLY INTO THE ENGULFING NIGHT" ], "pre_texts": [ " suffered a vigorous reaction of some kind from the strong, desolate scenery, and further, perhaps, that she had been treated to my own experience of seeing the members of the party in a new light—the Canadian, being partly a stranger, more vividly than the rest of us. But, at the same time, I felt it was quite possible that she had sensed some subtle link between his personality and her own, some quality that she had hitherto ignored and that the routine of town life had kept buried out of sight. The only thing that seemed difficult to explain was the fear she had spoken of, and this I hoped the wholesome effects of camp-life and exercise would sweep away naturally in the course of time. We made the tour of the island without speaking. It was all too beautiful for speech. The trees crowded down to the shore to hear us pass. We saw their fine dark heads, bowed low with splendid dignity to watch us, forgetting for a moment that the stars were caught in the needled network of their hair.", "F MANY DAYS TRAVEL HAD SUFFERED A VIGOROUS REACTION OF SOME KIND FROM THE STRONG DESOLATE SCENERY AND FURTHER PERHAPS THAT SHE HAD BEEN TREATED TO MY OWN EXPERIENCE OF SEEING THE MEMBERS OF THE PARTY IN A NEW LIGHT THE CANADIAN BEING PARTLY A STRANGER MORE VIVIDLY THAN THE REST OF US BUT AT THE SAME TIME I FELT IT WAS QUITE POSSIBLE THAT SHE HAD SENSED SOME SUBTLE LINK BETWEEN HIS PERSONALITY AND HER OWN SOME QUALITY THAT SHE HAD HITHERTO IGNORED AND THAT THE ROUTINE OF TOWN LIFE HAD KEPT BURIED OUT OF SIGHT THE ONLY THING THAT SEEMED DIFFICULT TO EXPLAIN WAS THE FEAR SHE HAD SPOKEN OF AND THIS I HOPED THE WHOLESOME EFFECTS OF CAMP LIFE AND EXERCISE WOULD SWEEP AWAY NATURALLY IN THE COURSE OF TIME WE MADE THE TOUR OF THE ISLAND WITHOUT SPEAKING WAS ALL TOO BEAUTIFUL FOR SPEECH THE TREES CROWDED DOWN TO THE SHORE TO HEAR US PASS WE SAW THEIR FINE DARK HEADS BOWED LOW WITH SPLENDID DIGNITY TO WATCH US FORGETTING FOR A MOMENT THAT THE STARS WERE CAUGHT IN THE NEEDLED NETWORK OF THEIR HAIR" ], "begin_byte": 100887, "end_byte": 101275 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_109", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 12.48, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "I seemed to see my own party almost as new people—people I had not known properly hitherto, people who would drop all disguises and henceforth reveal themselves as they really were.", "I SEEM TO SEE MY OWN POT PARTY ALMOST AS NEW PEOPLE I HAD NOT KNOWN PROPERLY HITHERTO PEOPLE WHO WOULD DROP ALL DISGUISES AND HENCEFORTH REVEAL THEMSELVES AS THEY REALLY WERE" ], "pre_texts": [ "s with the beauty of this first sight of our island home, yet all talking in somewhat hushed voices of the best place to land, the depth of water, the safest place to anchor, to put up the tents in, the most sheltered spot for the camp-fires, and a dozen things of importance that crop up when a home in the wilderness has actually to be made. And during this busy sunset hour of unloading before the dark, the souls of my companions adopted the trick of presenting themselves very vividly anew before my mind, and introducing themselves afresh. In reality, I suppose, our party was in no sense singular. In the conventional life at home they certainly seemed ordinary enough, but suddenly, as we passed through these gates of the wilderness, I saw them more sharply than before, with characters stripped of the atmosphere of men and cities. A complete change of setting often furnishes a startlingly new view of people hitherto held for well-known; they present another facet of their personalities.", "THE OARS ALL BREATHLESS WITH THE BEAUTY OF THIS FIRST SIGHT OF OUR ISLAND HOME YET ALL TALKING IN SOMEWHAT HUSHED VOICES OF THE BEST PLACE TO LAND THE DEPTH OF WATER THE SAFEST PLACE TO ANCHOR TO PUT UP THE TENTS IN THE MOST SHELTERED SPOT FOR THE CAMP FIRES AND A DOZEN THINGS OF IMPORTANCE THAT CROP UP WHEN A HOME IN THE WILDERNESS HAS ACTUALLY TO BE MADE AND DURING THIS BUSY SUNSET HOUR OF UNLOADING BEFORE THE DARK THE SOULS OF MY COMPANIONS ADOPTED THE TRICK OF PRESENTING THEMSELVES VERY VIVIDLY ANEW BEFORE MY MIND AND INTRODUCING THEMSELVES AFRESH IN REALITY I SUPPOSE OUR PARTY WAS IN NO SENSE SINGULAR IN THE CONVENTIONAL LIFE AT HOME THEY CERTAINLY SEEMED ORDINARY ENOUGH BUT SUDDENLY AS WE PASSED THROUGH THESE GATES OF THE WILDERNESS I SAW THEM MORE SHARPLY THAN BEFORE WITH CHARACTERS STRIPPED OF THE ATMOSPHERE OF MEN AND CITIES A COMPLETE CHANGE OF SETTING OFTEN FURNISHES A STARTLING NEW VIEW OF PEOPLE HITHERTO HELD FOR WELL KNOWN THEY PRESENT ANOTHER FACET OF THEIR PERSONALITIES" ], "begin_byte": 80843, "end_byte": 81024 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_113", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 13.599, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "\"Oh, but it's not that I mean,\" she answered quickly; \"it's something I feel about him, something in his soul, something he hardly knows himself, but that may come out if we are much together. It draws me, I feel, tremendously.", "OH BUT IT'S NOT WHAT I MEAN SHE ANSWERED QUICKLY IT'S SOMETHING I FEEL ABOUT HIM SOMETHING IN HIS SOUL SOMETHING HE HARDLY KNOWS HIMSELF BUT THAT MAY COME OUT IF WE ARE MUCH TOGETHER IT DRAWS ME I FEEL TREMENDOUSLY" ], "pre_texts": [ "d he's going to say or do something—\" She hesitated a moment, looking quickly over her shoulder towards the ridge where he had just disappeared—\"something that might lead to unpleasantness.\" She stopped abruptly. \"You frightened, Joan!\" I exclaimed, with genuine surprise. \"This is a new light on your wicked character. I thought the human being who could frighten you did not exist.\" Then I suddenly realised she was talking seriously—looking to me for help of some kind—and at once I dropped the teasing attitude. \"He's very far gone, I think, Joan,\" I added gravely. \"You must be kind to him, whatever else you may feel. He's exceedingly fond of you.\" \"I know, but I can't help it,\" she whispered, lest her voice should carry in the stillness; \"there's something about him that—that makes me feel creepy and half afraid.\" \"But, poor man, it's not his fault if he is delicate and sometimes looks like death,\" I laughed gently, by way of defending what I felt to be a very innocent member of my sex.", " SAID PRESENTLY IN A LOW VOICE I'M ALWAYS AFRAID HE'S GOING TO SAY SOMETHING OR DO SOMETHING SHE HESITATED A MOMENT LOOKING QUICKLY OVER HER SHOULDER TOWARDS THE RIDGE WHERE HE HAD JUST DISAPPEARED SOMETHING THAT MIGHT LEAD TO UNPLEASANTNESS SHE STOPPED ABRUPTLY YOU FRIGHTENED JOAN I EXCLAIMED WITH GENUINE SURPRISE THIS IS A NEW LIGHT ON YOUR WICKED CHARACTER I THOUGHT THE HUMAN BEING WHO CAN FRIGHTEN YOU DID NOT EXIST THEN I SUDDENLY REALISED SHE WAS TALKING SERIOUSLY LOOKING TO ME FOR HELP OF SOME KIND AND AT ONCE I DROPPED THE TEASING ATTITUDE HE'S VERY FAR GONE I THINK JOAN I ADDED GRAVELY YOU MUST BE KIND TO HIM WHATEVER ELSE YOU MAY FEEL HE'S EXCEEDINGLY FOND OF YOU I KNOW BUT I CAN'T HELP IT SHE WHISPERED LEST HER VOICE CARRY IN THE STILLNESS THERE'S SOMETHING ABOUT HIM THAT IT MAKES ME FEEL CREEPY AND HALF AFRAID BUT POOR MAN IT'S NOT HIS FAULT IF HE'S DELICATE AND SOMETIMES LOOKS LIKE DEATH I LAUGHED GENTLY BY WAY OF DEFENDING WHAT I FELT TO BE A VERY INNOCENT MEMBER OF MY SEX" ], "begin_byte": 95001, "end_byte": 95228 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb_126", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_1_blackwood_cb_64kb", "start": 0, "duration": 21.8, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "I explained it in some measure by the fact that the girl, tired out by the fatigue of many days' travel, had suffered a vigorous reaction of some kind from the strong, desolate scenery, and further, perhaps, that she had been treated to my own experience of seeing the members of the party in a new light—the Canadian, being partly a stranger, more vividly than the rest of us.", "I EXPLAINED IT IN SOME MEASURE BY THE FACT THAT THE GIRL TIRED OUT BY THE FATIGUE OF MANY DAYS TRAVEL HAD SUFFERED A VIGOROUS REACTION OF SOME KIND FROM THE STRONG DESOLATE SCENERY AND FURTHER PERHAPS THAT SHE HAD BEEN TREATED TO MY OWN EXPERIENCE OF SEEING THE MEMBERS OF THE PARTY IN A NEW LIGHT THE CANADIAN BEING PARTLY A STRANGER MORE VIVIDLY THAN THE REST OF US" ], "pre_texts": [ "ge, for her manner had somehow changed my surprise to a subtle sense of alarm. \"Sangree only stays the month, you know. And, anyhow, you are such an odd creature yourself that you should feel generously towards other odd creatures,\" I ended lamely, with a forced laugh. She gave my hand a sudden pressure. \"I'm glad I've told you at any rate,\" she said quickly under her breath, for the canoe was now gliding up silently like a ghost to our feet, \"and I'm glad you're here, too,\" she added as we moved down towards the water to meet it. I made Sangree change into the bows and got into the steering seat myself, putting the girl between us so that I could watch them both by keeping their outlines against the sea and stars. For the intuitions of certain folk—women and children usually, I confess—I have always felt a great respect that has more often than not been justified by experience; and now the curious emotion stirred in me by the girl's words remained somewhat vividly in my consciousness.", "OF FACTIVE VOICE AS I COULD MANAGE FOR HER MANNER HAD SOMEHOW CHANGED MY SURPRISE TO A SUBTLE SENSE OF ALARM SANGREE ONLY STAYS THE MONTH YOU KNOW AND ANYHOW YOU ARE SUCH AN ODD CREATURE YOURSELF THAT YOU SHOULD FEEL GENEROUSLY TOWARDS OTHER ODD CREATURES I ENDED LAMELY WITH A FORCED LAUGH SHE GAVE MY HAND A SUDDEN PRESSURE I'M GLAD I'VE TOLD YOU AT ANY RATE SHE SAID QUICKLY UNDER HER BREATH FOR THE CANOE WAS NOW GLIDING UP SILENTLY LIKE A GHOST TO OUR FEET AND I'M GLAD YOU'RE HERE TOO SHE ADDED AS WE MOVED DOWN TOWARDS THE WATER TO MEET IT I MADE SANGREE CHANGE INTO THE BOWS AND GOT INTO THE STEERING SEAT MYSELF PUTTING THE GIRL BETWEEN US SO I COULD WATCH THEM BOTH BY KEEPING THEIR OUTLINES AGAINST THE SEA AND STARS FOR THE INTUITIONS OF CERTAIN FOLK WOMEN AND CHILDREN USUALLY I CONFESS I HAVE ALWAYS FELT A GREAT RESPECT THAT HAS MORE OFTEN THAN NOT BEEN JUSTIFIED BY EXPERIENCE AND NOW THE CURIOUS EMOTION STIRRED IN ME BY THE GIRL'S WORDS REMAINED SOMEWHAT VIVIDLY IN MY CONSCIOUSNESS" ], "begin_byte": 99778, "end_byte": 100155 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb_15", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb", "start": 0, "duration": 11.719, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "Paths, too, outlined themselves from tent to tent, from the bathing places and the landing stage, and a fair division of the island was decided upon between the quarters of the men and the women.", "PATHS TOO OUTLINED THEMSELVES FROM TENT TO TENT FROM THE BATHING PLACES AND THE LANDING STAGE AND A FAIR DIVISION OF THE ISLAND WAS DECIDED UPON BETWEEN THE QUARTERS OF THE MEN AND THE WOMEN" ], "pre_texts": [ "hing in his face held my gaze for a second, something to do with its intensity. That so timid, so gentle a personality should conceal so virile a passion almost seemed to require explanation. But the impression was momentary, for that first breakfast in Camp permitted no divided attentions, and I dare swear that the porridge, the tea, the Swedish \"flatbread,\" and the fried fish flavoured with points of frizzled bacon, were better than any meal eaten elsewhere that day in the whole world. The first clear day in a new camp is always a furiously busy one, and we soon dropped into the routine upon which in large measure the real comfort of every one depends. About the cooking-fire, greatly improved with stones from the shore, we built a high stockade consisting of upright poles thickly twined with branches, the roof lined with moss and lichen and weighted with rocks, and round the interior we made low wooden seats so that we could lie round the fire even in rain and eat our meals in peace.", "D MY CURIOSITY SOMETHING IN HIS FACE HELD MY GAZE FOR A SECOND SOMETHING TO DO WITH ITS INTENSITY THAT SO TIMID SO GENTLE A PERSONALITY SHOULD CONCEAL SO VIRILE A PASSION ALMOST SEEMED TO REQUIRE EXPLANATION BUT THE IMPRESSION WAS MOMENTARY FOR THAT FIRST BREAKFAST IN CAMP PERMITTED NO DIVIDED ATTENTIONS AND I DARE SWEAR THAT THE PORRIDGE THE TEA THE SWEDISH FLAT BREAD AND THE FRIED FISH FLAVOURED WITH POINTS OF FRIZZLED BACON WERE BETTER THAN ANY MEAL EATEN ELSEWHERE THAT DAY IN THE WHOLE WORLD THE FIRST CLEAR DAY IN A NEW CAMP IS ALWAYS A FURIOUSLY BUSY ONE AND WE SOON DROPPED INTO THE ROUTINE UPON WHICH IN LARGE MEASURE THE REAL COMFORT OF EVERYONE DEPENDS ABOUT THE COOKING FIRE GREATLY IMPROVED WITH STONES FROM THE SHORE WE BUILT A HIGH STOCKADE CONSISTING OF UPRIGHT POLES THICKLY TWINED WITH BRANCHES THE ROOF LINED WITH MOSS AND LICHEN AND WEIGHTED WITH ROCKS AND ROUND THE INTERIOR WE MADE LOW WOODEN SEATS SO THAT WE COULD LIE ROUND THE FIRE EVEN IN RAIN AND EAT OUR MEALS IN PEACE" ], "begin_byte": 113474, "end_byte": 113669 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb_19", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb", "start": 0, "duration": 13.32, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "Some folk, of course, who talk glibly about the simple life when it is safely out of reach, betray themselves in camp by for ever peering about for the artificial excitements of civilisation which they miss.", "SOME FOLK OF COURSE WHO TALK GLIBLY ABOUT THE SIMPLE LIFE WHEN IT IS SAFELY OUT OF REACH BETRAY THEMSELVES IN CAMP BY FOR EVER PEERING ABOUT FOR THE ARTIFICIAL EXCITEMENTS OF CIVILIZATION WHICH THEY MISS" ], "pre_texts": [ "ne kind or another, and this was one of them. Mercifully for the happiness of all concerned, it had melted away before the spirit of busy, active life and deep content that reigned over the island. Every one was intensely alive, and peace was upon all. Meanwhile the effect of the camp-life began to tell. Always a searching test of character, its results, sooner or later, are infallible, for it acts upon the soul as swiftly and surely as the hypo bath upon the negative of a photograph. A readjustment of the personal forces takes place quickly; some parts of the personality go to sleep, others wake up: but the first sweeping change that the primitive life brings about is that the artificial portions of the character shed themselves one after another like dead skins. Attitudes and poses that seemed genuine in the city drop away. The mind, like the body, grows quickly hard, simple, uncomplex. And in a camp as primitive and close to nature as ours was, these effects became speedily visible.", "A PREY TO VIVID FANCIES OF ONE KIND OR ANOTHER AND THIS WAS ONE OF THEM MERCIFULLY FOR THE HAPPINESS OF ALL CONCERNED IT HAD MELTED AWAY BEFORE THE SPIRIT OF BUSY ACTIVE LIFE AND DEEP CONTENT THAT REIGNED OVER THE ISLAND EVERYONE WAS INTENSELY ALIVE AND PEACE WAS UPON ALL MEANWHILE THE EFFECT OF THE CAMP LIFE BEGAN TO TELL ALWAYS A SEARCHING TEST OF CHARACTER ITS RESULTS SOONER OR LATER ARE INFALLIBLE FOR IT ACTS UPON THE SOUL AS SWIFTLY AND SURELY AS THE HYPO BATH UPON THE NEGATIVE OF A PHOTOGRAPH A READJUSTMENT OF THE PERSONAL FORCES TAKES PLACE QUICKLY SOME PARTS OF THE PERSONALITY GO TO SLEEP OTHERS WAKE UP BUT THE FIRST SWEEPING CHANGE THAT THE PRIMITIVE LIFE BRINGS ABOUT IS THAT THE ARTIFICIAL PORTIONS OF THE CHARACTER SHED THEMSELVES ONE AFTER ANOTHER LIKE DEAD SKINS ATTITUDES AND POSES THAT SEEM GENUINE IN THE CITY DROP AWAY THE MIND LIKE THE BODY GROWS QUICKLY HARD SIMPLE UNCOMPLEX AND IN A CAMP AS PRIMITIVE AND CLOSE TO NATURE AS OURS WAS THESE EFFECTS BECAME SPEEDILY VISIBLE" ], "begin_byte": 118167, "end_byte": 118374 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb_30", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb", "start": 0, "duration": 16.4, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "But the inner shore, the shore of the lagoon, was low and regular, and so well protected by the wall of trees along the ridge that no storm could ever send more than a passing ripple along its sandy marges. Eternal shelter reigned there.", "BUT THE INNER SHORE THE SHORE OF THE LAGOON WAS LOW AND REGULAR AND SO WELL PROTECTED BY THE WALL OF TREES ALONG THE RIDGE THAT NO STORM COULD EVER SEND MORE THAN A PASSING RIPPLE ALONG ITS SANDY MARGES ETERNAL SHELTER REIGNED THERE" ], "pre_texts": [ "reference to our conversation of the night before. The new spirit had driven out the old. There was no room in her heart for fear or anxiety, and Nature had everything her own way. The island, we found, was some three-quarters of a mile from point to point, built in a circle, or wide horseshoe, with an opening of twenty feet at the mouth of the lagoon. Pine-trees grew thickly all over, but here and there were patches of silver birch, scrub oak, and considerable colonies of wild raspberry and gooseberry bushes. The two ends of the horseshoe formed bare slabs of smooth granite running into the sea and forming dangerous reefs just below the surface, but the rest of the island rose in a forty-foot ridge and sloped down steeply to the sea on either side, being nowhere more than a hundred yards wide. The outer shore-line was much indented with numberless coves and bays and sandy beaches, with here and there caves and precipitous little cliffs against which the sea broke in spray and thunder.", "ORRECT SHE MADE NO REFERENCE TO OUR CONVERSATION OF THE NIGHT BEFORE THE NEW SPIRIT HAD DRIVEN OUT THE OLD THERE WAS NO ROOM IN HER HEART FOR FEAR OR ANXIETY AND NATURE HAD EVERYTHING HER OWN WAY THE ISLAND WE FOUND WAS SOME THREE QUARTERS OF A MILE FROM POINT TO POINT BUILT IN A CIRCLE OR WIDE HORSESHOE WITH AN OPENING OF TWENTY FEET AT THE MOUTH OF THE LAGOON PINE TREES GREW THICKLY ALL OVER BUT HERE AND THERE WERE PATCHES OF SILVER BIRCH SCRUB OAK AND CONSIDERABLE COLONIES OF WILD RASPBERRY AND GOOSEBERRY BUSHES THE TWO ENDS OF THE HORSESHOE FORMED BARE SLABS OF SMOOTH GRANITE RUNNING INTO THE SEA AND FORMING DANGEROUS REEFS JUST BELOW THE SURFACE BUT THE REST OF THE ISLAND ROSE IN A FORTY FOOT RIDGE AND SLOPED DOWN STEEPLY TO THE SEA ON EITHER SIDE BEING NOWHERE MORE THAN A HUNDRED YARDS WIDE THE OUTER SHORE LINE WAS MUCH INDENTED WITH NUMBERLESS COVES AND BAYS AND SANDY BEACHES WITH HERE AND THERE CAVES AND PRECIPITOUS LITTLE CLIFFS AGAINST WHICH THE SEA BROKE IN SPRAY AND THUNDER" ], "begin_byte": 109844, "end_byte": 110081 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb_34", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb", "start": 0, "duration": 7.359, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "His voice, too, was deeper and his manner bespoke for the first time a greater measure of confidence in himself.", "HIS VOICE TOO WAS DEEPER AND HIS MANNER BESPOKE FOR THE FIRST TIME A GREATER MEASURE OF CONFIDENCE IN HIMSELF" ], "pre_texts": [ "ked, although this is the proper place, I think, to speak of them. For, having myself no other duty than to enjoy a well-earned holiday, I used to load my canoe with blankets and provisions and journey forth on exploration trips among the islands of several days together; and it was on my return from the first of these—when I rediscovered the party, so to speak—that these changes first presented themselves vividly to me, and in one particular instance produced a rather curious impression. In a word, then, while every one had grown wilder, naturally wilder, Sangree, it seemed to me, had grown much wilder, and what I can only call unnaturally wilder. He made me think of a savage. To begin with, he had changed immensely in mere physical appearance, and the full brown cheeks, the brighter eyes of absolute health, and the general air of vigour and robustness that had come to replace his customary lassitude and timidity, had worked such an improvement that I hardly knew him for the same man.", "T THESE CHANGES BECAME MARKED ALTHOUGH THIS IS THE PROPER PLACE I THINK TO SPEAK OF THEM FOR HAVING MYSELF NO OTHER DUTY THAN TO ENJOY A WELL EARNED HOLIDAY I USED TO LOAD MY CANOE WITH BLANKETS AND PROVISIONS AND JOURNEY FORTH ON EXPLORATION TRIPS AMONG THE ISLANDS OF SEVERAL DAYS TOGETHER AND IT WAS ON MY RETURN FROM THE FIRST OF THESE WHEN I REDISCOVERED THE PARTY SO TO SPEAK THAT THESE CHANGES FIRST PRESENTED THEMSELVES VIVIDLY TO ME AND IN ONE PARTICULAR INSTANCE PRODUCED A RATHER CURIOUS IMPRESSION IN A WORD THEN WHILE EVERYONE HAD GROWN WILDER NATURALLY WILDER SANGREE IT SEEMED TO ME HAD GROWN MUCH WILDER AND WHAT I CAN ONLY CALL UNNATURALLY WILDER HE MADE ME THINK OF A SAVAGE TO BEGIN WITH HE HAD CHANGED IMMENSELY IN MERE PHYSICAL APPEARANCE AND THE FULL BROWN CHEEKS THE BRIGHTER EYES OF ABSOLUTE HEALTH AND THE GENERAL AIR OF VIGOUR AND ROBUSTNESS THAT HAD COME TO REPLACE HIS CUSTOMARY LASSITUDE AND TIMIDITY HAD WORKED SUCH AN IMPROVEMENT THAT I HARDLY KNEW HIM FOR THE SAME MAN" ], "begin_byte": 119863, "end_byte": 119975 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb_42", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb", "start": 0, "duration": 9.639, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "It was barely four o'clock, and the sun came down a long vista of blue islands that led out to the open sea and Finland.", "IT WAS BARELY FOUR O'CLOCK AND THE SUN CAME DOWN A LONG VISTA OF BLUE ISLANDS THAT LED OUT TO THE OPEN SEA AND FINLAND" ], "pre_texts": [ "s, I again heard the voice of John Silence as the train moved out of Victoria Station; and by some subtle connection that met me on the very threshold of consciousness there rose in my mind simultaneously the memory of the girl's half-given confidence, and of her distress. As by some wizardry of approaching dreams they seemed in that instant to be related; but before I could analyse the why and the wherefore, both sank away out of sight again, and I was off beyond recall. \"Unless you should send for me sooner.\" II Whether Mrs. Maloney's tent door opened south or east I think she never discovered, for it is quite certain she always slept with the flap tightly fastened; I only know that my own little \"five by seven, all silk\" faced due east, because next morning the sun, pouring in as only the wilderness sun knows how to pour, woke me early, and a moment later, with a short run over soft moss and a flying dive from the granite ledge, I was swimming in the most sparkling water imaginable.", " THIS IS A LIBERVOX RECORDING ALL LIVERPOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBERVOX DOT OORG THE CAMP OF THE DOG BY ALGERNON BLACKWOOD PART TWO READ BY CHARLES BLAKEMORE WHETHER MISSUS MALONEY'S TENT DOOR OPENED SOUTH OR EAST I THINK SHE NEVER DISCOVERED FOR IT IS QUITE CERTAIN SHE ALWAYS SLEPT WITH THE FLAP TIGHTLY FASTENED I ONLY KNOW THAT MY OWN LITTLE FIVE BY SEVEN ALL SILK FACED DUE EAST BECAUSE NEXT MORNING THE SUN POURING IN AS ONLY THE WILDERNESS SUN KNOWS HOW TO POUR WOKE ME EARLY AND A MOMENT LATER WITH A SHORT RUN OVER SOFT MOSS AND A FLYING DIVE FROM THE GRANITE LEDGE I WAS SWIMMING IN THE MOST SPARKLING WATER IMAGINABLE" ], "begin_byte": 106769, "end_byte": 106889 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb_44", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb", "start": 0, "duration": 10.32, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "He now had some claims to be called nice looking, or at least to a certain air of virility that would not lessen his value in the eyes of the opposite sex.", "HE NOW HAD SOME CLAIMS TO BE CALLED NICE LOOKING OR AT LEAST TO A CERTAIN AIR OF VIRILITY THAT WOULD NOT LESSEN HIS VALUE IN THE EYES OF THE OPPOSITE SEX" ], "pre_texts": [ " a well-earned holiday, I used to load my canoe with blankets and provisions and journey forth on exploration trips among the islands of several days together; and it was on my return from the first of these—when I rediscovered the party, so to speak—that these changes first presented themselves vividly to me, and in one particular instance produced a rather curious impression. In a word, then, while every one had grown wilder, naturally wilder, Sangree, it seemed to me, had grown much wilder, and what I can only call unnaturally wilder. He made me think of a savage. To begin with, he had changed immensely in mere physical appearance, and the full brown cheeks, the brighter eyes of absolute health, and the general air of vigour and robustness that had come to replace his customary lassitude and timidity, had worked such an improvement that I hardly knew him for the same man. His voice, too, was deeper and his manner bespoke for the first time a greater measure of confidence in himself.", "OTHER DUTY THAN TO ENJOY A WELL EARNED HOLIDAY I USED TO LOAD MY CANOE WITH BLANKETS AND PROVISIONS AND JOURNEY FORTH ON EXPLORATION TRIPS AMONG THE ISLANDS OF SEVERAL DAYS TOGETHER AND IT WAS ON MY RETURN FROM THE FIRST OF THESE WHEN I REDISCOVERED THE PARTY SO TO SPEAK THAT THESE CHANGES FIRST PRESENTED THEMSELVES VIVIDLY TO ME AND IN ONE PARTICULAR INSTANCE PRODUCED A RATHER CURIOUS IMPRESSION IN A WORD THEN WHILE EVERYONE HAD GROWN WILDER NATURALLY WILDER SANGREE IT SEEMED TO ME HAD GROWN MUCH WILDER AND WHAT I CAN ONLY CALL UNNATURALLY WILDER HE MADE ME THINK OF A SAVAGE TO BEGIN WITH HE HAD CHANGED IMMENSELY IN MERE PHYSICAL APPEARANCE AND THE FULL BROWN CHEEKS THE BRIGHTER EYES OF ABSOLUTE HEALTH AND THE GENERAL AIR OF VIGOUR AND ROBUSTNESS THAT HAD COME TO REPLACE HIS CUSTOMARY LASSITUDE AND TIMIDITY HAD WORKED SUCH AN IMPROVEMENT THAT I HARDLY KNEW HIM FOR THE SAME MAN HIS VOICE TOO WAS DEEPER AND HIS MANNER BESPOKE FOR THE FIRST TIME A GREATER MEASURE OF CONFIDENCE IN HIMSELF" ], "begin_byte": 119976, "end_byte": 120131 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb_69", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb", "start": 0, "duration": 10.44, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "Thenceforward the personality of Sangree was never far from my thoughts, and I was for ever analysing and searching for the explanation that took so long in coming.", "THENCEFORWARD THE PERSONALITY OF SANGREE WAS NEVER FAR FROM MY THOUGHTS AND I WAS FOREVER ANALYZING AND SEARCHING FOR THE EXPLANATION THAT TOOK SO LONG IN COMING" ], "pre_texts": [ "ally less civilised, or that his character had undergone any definite alteration, but rather that something in him, hitherto dormant, had awakened to life. Some quality, latent till now—so far, at least, as we were concerned, who, after all, knew him but slightly—had stirred into activity and risen to the surface of his being. And while, for the moment, this seemed as far as I could get, it was but natural that my mind should continue the intuitive process and acknowledge that John Silence, owing to his peculiar faculties, and the girl, owing to her singularly receptive temperament, might each in a different way have divined this latent quality in his soul, and feared its manifestation later. On looking back to this painful adventure, too, it now seems equally natural that the same process, carried to its logical conclusion, should have wakened some deep instinct in me that, wholly without direction from my will, set itself sharply and persistently upon the watch from that very moment.", "IT WAS NOT THAT HE SEEMED REALLY LESS CIVILISED OR THAT HIS CHARACTER HAD UNDERGONE ANY DEFINITE ALTERATION BUT RATHER THAT SOMETHING IN HIM HITHERTO DORMANT HAD AWAKENED TO LIFE SOME QUALITY LATENT TILL NOW SO FAR AT LEAST AS WE WERE CONCERNED WHO AFTER ALL KNEW HIM BUT SLIGHTLY HAD STIRRED INTO ACTIVITY AND RISEN TO THE SURFACE OF HIS BEING AND WHILE FOR THE MOMENT THIS SEEMED AS FAR AS I COULD GET IT WAS BUT NATURAL THAT MY MIND SHOULD CONTINUE THE INTUITIVE PROCESS AND ACKNOWLEDGE THAT JOHN SILENCE OWING TO HIS PECULIAR FACULTIES AND THE GIRL OWING TO HER SINGULARLY RECEPTIVE TEMPERAMENT MIGHT EACH IN A DIFFERENT WAY HAVE DIVINED THIS LATENT QUALITY IN HIS SOUL AND FEARED ITS MANIFESTATION LATER ON LOOKING BACK TO THIS PAINFUL ADVENTURE TOO IT NOW SEEMS EQUALLY NATURAL THAT THE SAME PROCESS CARRIED TO ITS LOGICAL CONCLUSION SHOULD HAVE WAKENED SOME DEEP INSTINCT IN ME THAT WHOLLY WITHOUT DIRECTION FROM MY WILL SET ITSELF SHARPLY AND PERSISTENTLY UPON THE WATCH FROM THAT VERY MOMENT" ], "begin_byte": 122624, "end_byte": 122788 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb_72", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_2_blackwood_cb_64kb", "start": 0, "duration": 24.04, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "About the cooking fire, greatly improved with stones from the shore, we built a high stockade consisting of upright poles thickly twined with branches, the roof lined with moss and lichen and weighted with rocks, and round the interior we made low wooden seats so that we could lie round the fire even in rain and eat our meals in peace.", "ABOUT THE COOKING FIRE GREATLY IMPROVED WITH STONES FROM THE SHORE WE BUILT A HIGH STOCKADE CONSISTING OF UPRIGHT POLES THICKLY TWINED WITH BRANCHES THE ROOF LINED WITH MOSS AND LICHEN AND WEIGHTED WITH ROCKS AND ROUND THE INTERIOR WE MADE LOW WOODEN SEATS SO THAT WE COULD LIE ROUND THE FIRE EVEN IN RAIN AND EAT OUR MEALS IN PEACE" ], "pre_texts": [ "worship more than anything else. Perhaps he was thinking that he still had three weeks to come with that vision always before his eyes; perhaps he was thinking of his dreams in the night. I cannot say. But I noticed the curious mingling of yearning and happiness in his eyes, and the strength of the impression touched my curiosity. Something in his face held my gaze for a second, something to do with its intensity. That so timid, so gentle a personality should conceal so virile a passion almost seemed to require explanation. But the impression was momentary, for that first breakfast in Camp permitted no divided attentions, and I dare swear that the porridge, the tea, the Swedish \"flatbread,\" and the fried fish flavoured with points of frizzled bacon, were better than any meal eaten elsewhere that day in the whole world. The first clear day in a new camp is always a furiously busy one, and we soon dropped into the routine upon which in large measure the real comfort of every one depends.", "OF THE ECSTASY OF TRUE WORSHIP MORE THAN ANYTHING ELSE PERHAPS HE WAS THINKING THAT HE STILL HAD THREE WEEKS TO COME WITH THAT VISION ALWAYS BEFORE HIS EYES PERHAPS HE WAS THINKING OF HIS DREAMS IN THE NIGHT CANNOT SAY BUT I NOTICED THE CURIOUS MINGLING OF YEARNING AND HAPPINESS IN HIS EYES AND THE STRENGTH OF THE IMPRESSION TOUCHED MY CURIOSITY SOMETHING IN HIS FACE HELD MY GAZE FOR A SECOND SOMETHING TO DO WITH ITS INTENSITY THAT SO TIMID SO GENTLE A PERSONALITY SHOULD CONCEAL SO VIRILE A PASSION ALMOST SEEMED TO REQUIRE EXPLANATION BUT THE IMPRESSION WAS MOMENTARY FOR THAT FIRST BREAKFAST IN CAMP PERMITTED NO DIVIDED ATTENTIONS AND I DARE SWEAR THAT THE PORRIDGE THE TEA THE SWEDISH FLAT BREAD AND THE FRIED FISH FLAVOURED WITH POINTS OF FRIZZLED BACON WERE BETTER THAN ANY MEAL EATEN ELSEWHERE THAT DAY IN THE WHOLE WORLD THE FIRST CLEAR DAY IN A NEW CAMP IS ALWAYS A FURIOUSLY BUSY ONE AND WE SOON DROPPED INTO THE ROUTINE UPON WHICH IN LARGE MEASURE THE REAL COMFORT OF EVERYONE DEPENDS" ], "begin_byte": 113136, "end_byte": 113473 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_12", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 14.44, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "She was so in earnest that she forgot the canoe, and the wind caught it sideways and made us roll dangerously. \"I have tried hard not to ask this,\" she added, bringing the canoe round again, \"but I simply can't help myself.\"", "SHE WAS SO IN EARNEST THAT SHE FORGOT THE CANOE AND THE WIND CAUGHT IT SIDEWAYS AND MADE US ROLL DANGEROUSLY I'VE TRIED HARD NOT TO ASK THIS SHE ADDED BRINGING THE CANOE ROUND AGAIN BUT I SIMPLY CAN'T HELP MYSELF" ], "pre_texts": [ "visibly belied the calm of his easy language. \"You might take her out for a bit of fishing, Hubbard, like a good chap; she's hardly up to the long day in the cutter. Show her some of the other islands in your canoe, perhaps. Eh?\" And by lunch-time the cloud had passed away as suddenly, and as suspiciously, as it had come. But in the canoe, on our way home, having till then purposely ignored the subject uppermost in our minds, she suddenly spoke to me in a way that again touched the note of sinister alarm—the note that kept on sounding and sounding until finally John Silence came with his great vibrating presence and relieved it; yes, and even after he came, too, for a while. \"I'm ashamed to ask it,\" she said abruptly, as she steered me home, her sleeves rolled up, her hair blowing in the wind, \"and ashamed of my silly tears too, because I really can't make out what caused them; but, Mr. Hubbard, I want you to promise me not to go off for your long expeditions—just yet. I beg it of you.", "HE PRECIOUS WHEAT ON THE GROUND VISIBLY BELIED THE CALM OF HIS EASY LANGUAGE YOU MIGHT TAKE HER OUT FOR A BIT OF FISHING UPWARD LIKE A GOOD CHAP SHE'S HARDLY UP TO THE LONG DAY IN THE CUTTER SHORE ARE SOME OF THE OTHER ISLANDS IN YOUR CANOE PERHAPS EH AND BY LUNCH TIME THE CLOUD HAD PASSED AWAY AS SUDDENLY AND AS SUSPICIOUSLY AS IT HAD COME BUT IN THE CANOE ON OUR WAY HOME HAVING TILL THEN PURPOSELY IGNORED THE SUBJECT UPPERMOST IN OUR MINDS SHE SUDDENLY SPOKE TO ME IN A WAY THAT AGAIN TOUCHED THE NOTE OF SINISTER ALARM THE NOTE THAT KEPT ON SOUNDING AND SOUNDING UNTIL FINALLY JOHN SILENCE CAME WITH HIS GREAT VIBRATING PRESENCE AND RELIEVED IT YES AND EVEN AFTER HE CAME TOO FOR A WHILE I'M ASHAMED TO ASK IT SHE SAID ABRUPTLY AS SHE STEERED ME HOME HER SLEEVES ROLLED UP HER HAIR BLOWING IN THE WIND BUT ASHAMED OF MY SILLY TEARS TOO BECAUSE I REALLY CAN'T MAKE OUT WHAT CAUSED THEM BUT MISTER HUBBARD I WANT YOU TO PROMISE ME NOT TO GO OFF FOR YOUR LONG EXPEDITIONS JUST YET I BEG IT OF YOU" ], "begin_byte": 133515, "end_byte": 133740 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_15", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 6.959, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "And then I saw that it was not Sangree at all. It was an animal.", "AND THEN I SAW THAT IT WAS NOT SANGREE AT ALL IT WAS AN ANIMAL" ], "pre_texts": [ "come. \"Unless you should send for me sooner,\" he had said. I found myself suddenly wide awake. It is impossible to say what woke me, but it was no gradual process, seeing that I jumped from deep sleep to absolute alertness in a single instant. I had evidently slept for an hour and more, for the night had cleared, stars crowded the sky, and a pallid half-moon just sinking into the sea threw a spectral light between the trees. I went outside to sniff the air, and stood upright. A curious impression that something was astir in the Camp came over me, and when I glanced across at Sangree's tent, some twenty feet away, I saw that it was moving. He too, then, was awake and restless, for I saw the canvas sides bulge this way and that as he moved within. The flap pushed forward. He was coming out, like myself, to sniff the air; and I was not surprised, for its sweetness after the rain was intoxicating. And he came on all fours, just as I had done. I saw a head thrust round the edge of the tent.", "F IN READINESS TO COME UNLESS YOU SHOULD SEND FOR ME SOONER HE HAD SAID I FOUND MYSELF SUDDENLY WIDE AWAKE IT IS IMPOSSIBLE TO SAY WHAT WOKE ME BUT IT WAS NO GRADUAL PROCESS SEEING THAT I JUMPED FROM DEEP SLEEP TO ABSOLUTE ALERTNESS IN A SINGLE INSTANCE I HAD EVIDENTLY SLEPT FOR AN HOUR OR MORE WHEN FOR THE NIGHT HAD CLEARED THE STARS CROWDED THE SKY AND A PALLID HALF MOON JUST SINKING INTO THE SEA THREW A SPECTRAL LIGHT BETWEEN THE TREES I WENT OUTSIDE TO SNIFF THE AIR AND STOOD UPRIGHT A CURIOUS IMPRESSION THAT SOMETHING WAS ASTIR IN THE CAMP CAME OVER ME AND WHEN I GLANCED ACROSS AT SANGREE'S TENT SOME TWENTY FEET AWAY I SAW THAT IT WAS MOVING HE TOO THEN WAS AWAKE AND RESTLESS FOR I SAW THE CANVAS SIDES BULGE THIS WAY AND THAT AS HE MOVED WITHIN THE TENT FLAP PUSHED FORWARD HE WAS COMING OUT LIKE MYSELF TO SNIFF THE AIR AND I WAS NOT SURPRISED FOR ITS SWEETNESS AFTER THE RAIN WAS INTOXICATING AND HE CAME ON ALL FOURS JUST AS I HAD DONE I SAW A HEAD THRUST ROUND THE EDGE OF THE TENT" ], "begin_byte": 152147, "end_byte": 152211 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_56", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 20.32, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "And just as I came up I saw Mrs. Maloney, marvellously attired, fumbling with a lantern. Other voices became audible in the same moment behind me, and Timothy Maloney arrived, breathless, less than half dressed, and carrying another lantern that had gone out on the way from being banged against a tree.", "AND JUST AS I CAME UP I SAW MISSUS MALONEY MARVELOUSLY ATTIRED FUMBLING WITH A LANTERN OTHER VOICES BECAME AUDIBLE IN THE SAME MOMENT BEHIND ME AND TIMOTHY MALONEY ARRIVED BREATHLESS LESS THAN HALF DRESSED AND CARRYING ANOTHER LANTERN THAT HAD GONE OUT ON THE WAY FROM BEING BANGED AGAINST A TREE" ], "pre_texts": [ "ment I get up.\" \"That dismal howling, for instance,\" she went on, determined to get it out, \"far away at first and then getting closer, and stopping just outside the Camp?\" \"Certainly not.\" \"Because, sometimes I think I almost dreamed it.\" \"Most likely you did,\" was my unsympathetic response. \"And you don't think father has heard it either, then?\" \"No. He would have told me if he had.\" This seemed to relieve her mind a little. \"I know mother hasn't,\" she added, as if speaking to herself, \"for she hears nothing—ever.\" It was two nights after this conversation that I woke out of deep sleep and heard sounds of screaming. The voice was really horrible, breaking the peace and silence with its shrill clamour. In less than ten seconds I was half dressed and out of my tent. The screaming had stopped abruptly, but I knew the general direction, and ran as fast as the darkness would allow over to the women's quarters, and on getting close I heard sounds of suppressed weeping. It was Joan's voice.", " REPLIED SHORTLY FROM THE MOMENT I LIE DOWN TILL THE MOMENT I GET UP THAT DISMAL HOWLING FOR INSTANCE SHE WENT ON DETERMINED TO GET IT OUT FAR AWAY AT FIRST AND THEN GETTING CLOSER AND STOPPING JUST OUTSIDE THE CAMP CERTAINLY NOT BECAUSE SOMETIMES I THINK I ALMOST DREAMED IT MOST LIKELY YOU DID WAS MY UNSYMPATHETIC RESPONSE AND YOU DON'T THINK FATHER HAS HURT IT EITHER THEN NO HE WOULD HAVE TOLD ME IF HE HAD THIS SEEMED TO RELIEVE HER MIND A LITTLE NO MOTHER HASN'T SHE ADDED AS IF SPEAKING TO HERSELF FOR SHE HEARS NOTHING EVER IT WAS TWO NIGHTS AFTER THIS CONVERSATION THAT I WOKE OUT OF DEEP SLEEP AND HEARD SOUNDS OF SCREAMING THE VOICE WAS REALLY HORRIBLE BREAKING THE PIECE IN SILENCE WITH ITS SHRILL CLAMOUR IN LESS THAN TEN SECONDS I WAS HALF DRESSED AND OUT OF MY TENT THE SCREAMING HAD STOPPED ABRUPTLY BUT I KNEW THE GENERAL DIRECTION AND RAN AS FAST AS THE DARKNESS WOULD ALLOW OVER TO THE WOMEN'S QUARTERS AND ON GETTING CLOSE I HEARD SOUNDS OF SUPPRESSED WEEPING IT WAS JOAN'S VOICE" ], "begin_byte": 137088, "end_byte": 137391 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_69", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 18.92, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "There was a sense of wonder, of poignant distress, and of trepidation. Alarm stood waiting at our elbows. We shivered. Then, suddenly, as we looked into each other's faces, came the long, unwelcome pause in which this new arrival established itself in our hearts.", "THERE WAS A SENSE OF WONDER OF POIGNANT DISTRESS AND OF TREPIDATION ALARM STOOD WAITING AT OUR ELBOWS WE SHIVERED THEN SUDDENLY AS WE LOOKED INTO EACH OTHER'S FACES CAME THE LONG UNWELCOME PAUSE IN WHICH THIS NEW ARRIVAL ESTABLISHED ITSELF IN OUR HEARTS" ], "pre_texts": [ " and with exaggerated decision, obviously trying to say something plausible against heavy odds, striving to explain naturally that an animal might so easily conceal itself from us, or swim away before we had time to light upon its trail. For we all spoke of that \"trail\" as though it really existed, and we had more to go upon than the mere marks of paws about the tents of Joan and the Canadian. Indeed, but for these, and the torn tent, I think it would, of course, have been possible to ignore the existence of this beast intruder altogether. And it was here, under this angry dawn, as we stood in the shelter of the stockade from the pouring rain, weary yet so strangely excited—it was here, out of this confusion of voices and explanations, that—very stealthily—the ghost of something horrible slipped in and stood among us. It made all our explanations seem childish and untrue; the false relation was instantly exposed. Eyes exchanged quick, anxious glances, questioning, expressive of dismay.", "YONE TALKED AT ONCE LOUDLY AND WITH EXAGGERATED DECISION OBVIOUSLY TRYING TO SAY SOMETHING PLAUSIBLE AGAINST HEAVY ODDS STRIVING TO EXPLAIN NATURALLY THAT AN ANIMAL MIGHT SO EASILY CONCEAL ITSELF FROM US OR SWIM AWAY BEFORE WE HAD TIME TO LIGHT UPON ITS TRAIL FOR WE ALL SPOKE OF THAT TRAIL AS THOUGH IT REALLY EXISTED AND WE HAD MORE TO GO UPON THAN THE MERE MARKS OF PAWS ABOUT THE TENTS OF JOAN AND THE CANADIAN INDEED BUT FOR THESE AND THE TORN TENT I THINK IT WOULD OF COURSE HAVE BEEN POSSIBLE TO IGNORE THE EXISTENCE OF THIS BEAST INTRUDER ALTOGETHER AND IT WAS HERE UNDER THIS ANGRY DAWN AS WE STOOD IN THE SHELTER OF THE STOCKADE FROM THE POURING RAIN WEARY YET SO STRANGELY EXCITED IT WAS HERE OUT OF THIS CONFUSION OF VOICES AND EXPLANATIONS THAT VERY STEALTHILY THE GHOST OF SOMETHING HORRIBLE SLIPPED IN AND STOOD AMONG US IT MADE ALL OUR EXPLANATIONS SEEM CHILDISH AND UNTRUE THE FALSE RELATION WAS INSTANTLY EXPOSED EYES EXCHANGED QUICK ANXIOUS GLANCES QUESTIONING EXPRESSIVE OF DISMAY" ], "begin_byte": 146193, "end_byte": 146456 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_97", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 8.52, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "Indeed, but for these, and the torn tent, I think it would, of course, have been possible to ignore the existence of this beast intruder altogether.", "INDEED BUT FOR THESE AND THE TORN TENT I THINK IT WOULD OF COURSE HAVE BEEN POSSIBLE TO IGNORE THE EXISTENCE OF THIS BEAST INTRUDER ALTOGETHER" ], "pre_texts": [ "et it was only a dog! Really, it was most singular when one came to reflect soberly upon it all. Events, say the occultists, have souls, or at least that agglomerate life due to the emotions and thoughts of all concerned in them, so that cities, and even whole countries, have great astral shapes which may become visible to the eye of vision; and certainly here, the soul of this drive—this vain, blundering, futile drive—stood somewhere between ourselves and—laughed. All of us heard that laugh, and all of us tried hard to smother the sound, or at least to ignore it. Every one talked at once, loudly, and with exaggerated decision, obviously trying to say something plausible against heavy odds, striving to explain naturally that an animal might so easily conceal itself from us, or swim away before we had time to light upon its trail. For we all spoke of that \"trail\" as though it really existed, and we had more to go upon than the mere marks of paws about the tents of Joan and the Canadian.", " AND THE EXTINGUISHED LANTERNS YET IT WAS ONLY A DOG REALLY IT WAS MOST SINGULAR WHEN ONE CAME TO REFLECT SOBERLY UPON IT EVENTS SAY THE OCCULTISTS HAVE SOULS OR AT LEAST THAT AGGLOMERATE LIFE DUE TO THE EMOTIONS AND THOUGHTS OF ALL CONCERNED IN THEM SO THAT CITIES AND EVEN WHOLE COUNTRIES HAVE GREAT ASTRAL SHAPES WHICH MAY BECOME VISIBLE TO THE EYE OF VISION AND CERTAINLY HERE THE SOUL OF THIS DRIVE THIS VAIN BLUNDERING FUTILE DRIVE STOOD SOMEWHERE BETWEEN OURSELVES AND LAUGHED ALL OF US HEARD THAT LAUGH AND ALL OF US TRIED HARD TO SMOTHER THE SOUND OR AT LEAST TO IGNORE IT EVERYONE TALKED AT ONCE LOUDLY AND WITH EXAGGERATED DECISION OBVIOUSLY TRYING TO SAY SOMETHING PLAUSIBLE AGAINST HEAVY ODDS STRIVING TO EXPLAIN NATURALLY THAT AN ANIMAL MIGHT SO EASILY CONCEAL ITSELF FROM US OR SWIM AWAY BEFORE WE HAD TIME TO LIGHT UPON ITS TRAIL FOR WE ALL SPOKE OF THAT TRAIL AS THOUGH IT REALLY EXISTED AND WE HAD MORE TO GO UPON THAN THE MERE MARKS OF PAWS ABOUT THE TENTS OF JOAN AND THE CANADIAN" ], "begin_byte": 145589, "end_byte": 145737 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_107", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 3.2, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "Nothing came to disturb or perplex.", "NOTHING CAME TO DISTURB OR PERPLEX" ], "pre_texts": [ " but all proving—not the coarsening effect of leading the primitive life, but, let us say, the more direct and unvarnished methods that became prevalent. For all day long we were in the bath of the elements—wind, water, sun—and just as the body became insensible to cold and shed unnecessary clothing, the mind grew straightforward and shed many of the disguises required by the conventions of civilisation. And in each, according to temperament and character, there stirred the life-instincts that were natural, untamed, and, in a sense—savage. III So it came about that I stayed with our island party, putting off my second exploring trip from day to day, and I think that this far-fetched instinct to watch Sangree was really the cause of my postponement. For another ten days the life of the Camp pursued its even and delightful way, blessed by perfect summer weather, a good harvest of fish, fine winds for sailing, and calm, starry nights. Maloney's selfish prayer had been favourably received.", " THIS IS A LIBER VOX RECORDING ALL LIBERVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBERVOX DOT ORG THE CAMP OF THE DOG BY ALGERN BLACKWOOD PART THREE READ BY CHARLES BLAKEMORE SO IT CAME ABOUT THAT I STAYED WITH OUR ISLAND PARTY PUTTING OFF MY SECOND EXPLORING TRIP FROM DAY TO DAY AND I THINK THAT THIS FAR FETCHED INSTINCT TO WATCH SANGREE WAS REALLY THE CAUSE OF MY POSTPONEMENT FOR ANOTHER TEN DAYS THE LIFE OF THE CAMP PURSUED ITS EVEN AND DELIGHTFUL WAY BLESSED BY PERFECT SUMMER WEATHER A GOOD HARVEST OF FISH FINE WINDS FOR SAILING AND CALM STARRY NIGHTS MALONEY'S SELFISH PRAYER HAD BEEN FAVORABLY RECEIVED" ], "begin_byte": 124788, "end_byte": 124823 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_110", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 19.2, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "And it was here, under this angry dawn, as we stood in the shelter of the stockade from the pouring rain, weary yet so strangely excited—it was here, out of this confusion of voices and explanations, that—very stealthily—the ghost of something horrible slipped in and stood among us.", "AND IT WAS HERE UNDER THIS ANGRY DAWN AS WE STOOD IN THE SHELTER OF THE STOCKADE FROM THE POURING RAIN WEARY YET SO STRANGELY EXCITED IT WAS HERE OUT OF THIS CONFUSION OF VOICES AND EXPLANATIONS THAT VERY STEALTHILY THE GHOST OF SOMETHING HORRIBLE SLIPPED IN AND STOOD AMONG US" ], "pre_texts": [ "that agglomerate life due to the emotions and thoughts of all concerned in them, so that cities, and even whole countries, have great astral shapes which may become visible to the eye of vision; and certainly here, the soul of this drive—this vain, blundering, futile drive—stood somewhere between ourselves and—laughed. All of us heard that laugh, and all of us tried hard to smother the sound, or at least to ignore it. Every one talked at once, loudly, and with exaggerated decision, obviously trying to say something plausible against heavy odds, striving to explain naturally that an animal might so easily conceal itself from us, or swim away before we had time to light upon its trail. For we all spoke of that \"trail\" as though it really existed, and we had more to go upon than the mere marks of paws about the tents of Joan and the Canadian. Indeed, but for these, and the torn tent, I think it would, of course, have been possible to ignore the existence of this beast intruder altogether.", "ISTS HAVE SOULS OR AT LEAST THAT AGGLOMERATE LIFE DUE TO THE EMOTIONS AND THOUGHTS OF ALL CONCERNED IN THEM SO THAT CITIES AND EVEN WHOLE COUNTRIES HAVE GREAT ASTRAL SHAPES WHICH MAY BECOME VISIBLE TO THE EYE OF VISION AND CERTAINLY HERE THE SOUL OF THIS DRIVE THIS VAIN BLUNDERING FUTILE DRIVE STOOD SOMEWHERE BETWEEN OURSELVES AND LAUGHED ALL OF US HEARD THAT LAUGH AND ALL OF US TRIED HARD TO SMOTHER THE SOUND OR AT LEAST TO IGNORE IT EVERYONE TALKED AT ONCE LOUDLY AND WITH EXAGGERATED DECISION OBVIOUSLY TRYING TO SAY SOMETHING PLAUSIBLE AGAINST HEAVY ODDS STRIVING TO EXPLAIN NATURALLY THAT AN ANIMAL MIGHT SO EASILY CONCEAL ITSELF FROM US OR SWIM AWAY BEFORE WE HAD TIME TO LIGHT UPON ITS TRAIL FOR WE ALL SPOKE OF THAT TRAIL AS THOUGH IT REALLY EXISTED AND WE HAD MORE TO GO UPON THAN THE MERE MARKS OF PAWS ABOUT THE TENTS OF JOAN AND THE CANADIAN INDEED BUT FOR THESE AND THE TORN TENT I THINK IT WOULD OF COURSE HAVE BEEN POSSIBLE TO IGNORE THE EXISTENCE OF THIS BEAST INTRUDER ALTOGETHER" ], "begin_byte": 145738, "end_byte": 146021 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_113", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 20, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "The creature seemed somehow to melt away into him, almost as though it belonged to him and were a part of himself, but in the same instant—that instant of extraordinary confusion and terror in my mind—it seemed to pass over and behind him, and, in some utterly unaccountable fashion, it was gone.", "THE CREATURE SEEMED SOMEHOW TO MELT AWAY INTO HIM ALMOST AS THOUGH IT BELONGED TO HIM AND WERE A PART OF HIM BUT IN THE SAME INSTANT THAT INSTANT OF EXTRAORDINARY CONFUSION AND TERROR IN MY MIND IT SEEMED TO PASS OVER AND BEHIND HIM AND IN SOME UTTERLY UNACCOUNTABLE FASHION IT WAS GONE" ], "pre_texts": [ "rming. On his face there was an expression of effort, almost of painful effort, so far as the uncertain light permitted me to see, and his sleep seemed to be very profound. He looked, I thought, so stiff, so unnaturally stiff, and in some indefinable way, too, he looked smaller—shrunken. I called to him to wake, but called many times in vain. Then I decided to shake him, and had already moved forward to do so vigorously when there came a sound of footsteps padding softly behind me, and I felt a stream of hot breath burn my neck as I stooped. I turned sharply. The tent door was darkened and something silently swept in. I felt a rough and shaggy body push past me, and knew that the animal had returned. It seemed to leap forward between me and Sangree—in fact, to leap upon Sangree, for its dark body hid him momentarily from view, and in that moment my soul turned sick and coward with a horror that rose from the very dregs and depths of life, and gripped my existence at its central source.", "AL RIGIDITY THAT WAS ALARMING ON HIS FACE THERE WAS AN EXPRESSION OF EFFORT ALMOST OF PAINFUL EFFORT AS FAR AS THE UNCERTAIN LIGHT PERMITTED ME TO SEE AND HIS SLEEP SEEMED TO BE VERY PROFOUND HE LOOKED I THOUGHT SO STIFF SO UNNATURALLY STIFF AND IN SOME INDEFINABLE WAY TOO HE LOOKED SMALLER SHRUNKEN I CALLED TO HIM TO WAKE BUT CALLED MANY TIMES IN VAIN THEN I DECIDED TO SHAKE HIM AND HAD ALREADY MOVED FORWARD TO DO SO VIGOROUSLY WHEN THERE CAME A SOUND OF FOOTSTEPS PADDING SOFTLY BEHIND ME AND I FELT A STREAM OF HOT BREATH BURN MY NECK AS I STOOPED I TURNED SHARPLY THE TENT DOOR WAS DARKENED AND SOMETHING SILENTLY SWEPT IN I FELT A ROUGH AND SHAGGY BODY PUSH PAST ME AND I KNEW THAT THE ANIMAL HAD RETURNED IT SEEMED TO LEAP FORWARD BETWEEN ME AND SANGREE IN FACT TO LEAP UPON SANGREE FOR ITS DARK BODY HID HIM MOMENTARILY FROM VIEW AND IN THAT MOMENT MY SOUL TURNED SICK AND COWARD WITH A HORROR THAT ROSE FROM THE VERY DREGS AND DEPTHS OF LIFE AND GRIPPED MY EXISTENCE AT ITS CENTRAL SOURCE" ], "begin_byte": 155368, "end_byte": 155664 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_129", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 18.199, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "He was extraordinarily excited, I thought. Anything affecting Joan, of course, stirred him prodigiously. \"Get your guns and we'll start the drive at once,\" he cried. He lit another lantern and handed one each to his wife and Joan, and while I ran to fetch my gun I heard him singing to himself with the excitement of it all.", "HE WAS EXTRAORDINARILY EXCITED I THOUGHT ANYTHING AFFECTING JOAN OF COURSE STIRRED HIM PRODIGIOUSLY GET YOUR GUNS AND WE'LL START THE DRIVE AT ONCE HE CRIED HE LIT ANOTHER LANTERN AND HANDED ONE EACH TO HIS WIFE AND JOAN AND WHILE I RAN TO FETCH MY GUN I HEARD HIM SINGING TO HIMSELF WITH THE EXCITEMENT OF IT ALL" ], "pre_texts": [ "to see, but that little was unmistakable. Some animal had scratched up the ground at the head of the tent, and with a great blow of a powerful paw—a paw clearly provided with good claws—had struck the silk and torn it open. There was a hole large enough to pass a fist and arm through. \"It can't be far away,\" Maloney said excitedly. \"We'll organise a hunt at once; this very minute.\" We hurried back to the fire, Maloney talking boisterously about his proposed hunt. \"There's nothing like prompt action to dispel alarm,\" he whispered in my ear; and then turned to the rest of us. \"We'll hunt the island from end to end at once,\" he said, with excitement; \"that's what we'll do. The beast can't be far away. And the Bo'sun's Mate and Joan must come too, because they can't be left alone. Hubbard, you take the right shore, and you, Sangree, the left, and I'll go in the middle with the women. In this way we can stretch clean across the ridge, and nothing bigger than a rabbit can possibly escape us.", "MINE THE TENT THERE WAS LITTLE ENOUGH TO SEE BUT THAT LITTLE WAS UNMISTAKABLE SOME ANIMAL HAD SCRATCHED UP THE GROUND AT THE HEAD OF THE TENT AND WITH A GREAT BLOW OF A POWERFUL PAW A PAW CLEARLY PROVIDED WITH GOOD CLAWS HAD STRUCK THE SILK AND TORN IT OPEN THERE WAS A HOLE LARGE ENOUGH TO PASS A FIST AND ARM THROUGH IT CAN'T BE FAR AWAY MALONEY SAID EXCITEDLY WE'LL ORGANIZE A HUNT AT ONCE THIS VERY MINUTE WE HURRIED BACK TO THE FIRE MALONEY TALKING BOISTEROUSLY ABOUT HIS PROPOSED HUNT THERE'S NOTHING LIKE PROMPT ACTION TO DISPEL ALARM HE WHISPERED IN MY EAR AND THEN TURNED TO THE REST OF US WE'LL HUNT THE ISLAND FROM END TO END AT ONCE HE SAID WITH EXCITEMENT THAT'S WHAT WE'LL DO THE BEAST CAN'T BE FAR AWAY AND THE BO'SUN'S MATE AND JOAN MUST COME TOO BECAUSE THEY CAN'T BE LEFT ALONE HUBBARD YOU TAKE THE RIGHT SHORE AND YOU SANGREE THE LEFT AND I'LL GO IN THE MIDDLE WITH THE WOMEN IN THIS WAY WE CAN STRETCH CLEAN ACROSS THE RIDGE AND NOTHING BIGGER THAN A RABBIT CAN POSSIBLY ESCAPE US" ], "begin_byte": 141848, "end_byte": 142173 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_131", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 16.199, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "During the day, a day of heavy and ceaseless rain, we kept more or less to our tents, and though there were signs of mysterious conferences between the three members of the Maloney family, I think that most of us slept a good deal and stayed alone with his thoughts.", "DURING THE DAY A DAY OF HEAVY AND CEASELESS RAIN WE KEPT MORE OR LESS TO OUR TENTS AND THOUGH THERE WERE SIGNS OF MYSTERIOUS CONFERENCES BETWEEN THE THREE MEMBERS OF THE MALONEY FAMILY I THINK THAT MOST OF US SLEPT A GOOD DEAL AND STAYED ALONE WITH HIS THOUGHTS" ], "pre_texts": [ "f wonder, of poignant distress, and of trepidation. Alarm stood waiting at our elbows. We shivered. Then, suddenly, as we looked into each other's faces, came the long, unwelcome pause in which this new arrival established itself in our hearts. And, without further speech, or attempt at explanation, Maloney moved off abruptly to mix the porridge for an early breakfast; Sangree to clean the fish; myself to chop wood and tend the fire; Joan and her mother to change their wet garments; and, most significant of all, to prepare her mother's tent for its future complement of two. Each went to his duty, but hurriedly, awkwardly, silently; and this new arrival, this shape of terror and distress stalked, viewless, by the side of each. \"If only I could have traced that dog,\" I think was the thought in the minds of all. But in Camp, where every one realises how important the individual contribution is to the comfort and well-being of all, the mind speedily recovers tone and pulls itself together.", "ESSIVE OF DISMAY THERE WAS A SENSE OF WONDER OF POIGNANT DISTRESS AND OF TREPIDATION ALARM STOOD WAITING AT OUR ELBOWS WE SHIVERED THEN SUDDENLY AS WE LOOKED INTO EACH OTHER'S FACES CAME THE LONG UNWELCOME PAUSE IN WHICH THIS NEW ARRIVAL ESTABLISHED ITSELF IN OUR HEARTS AND WITHOUT FURTHER SPEECH OR ATTEMPT AT EXPLANATION MALONEY MOVED OFF ABRUPTLY TO MIX THE PORRIDGE FOR AN EARLY BREAKFAST SANGREE TO CLEAN THE FISH MYSELF TO CHOP WOOD AND TEND THE FIRE JOAN AND HER MOTHER TO CHANGE THEIR WET GARMENTS AND MOST SIGNIFICANT OF ALL TO PREPARE HER MOTHER'S TENT FOR ITS FUTURE COMPLIMENT OF TWO EACH WENT TO HIS DUTY BUT HURRIEDLY AWKWARDLY SILENTLY AND THIS NEW ARRIVAL THIS SHAPE OF TERROR AND DISTRESS STALKED VIEWLESS BY THE SIDE OF EACH IF ONLY I COULD HAVE TRACED THAT DOG I THINK WAS THE THOUGHT IN THE MINDS OF ALL BUT IN CAMP WHERE EVERYONE REALIZES HOW IMPORTANT THE INDIVIDUAL CONTRIBUTION IS TO THE COMFORT AND WELL BEING OF ALL THE MIND SPEEDILY RECOVERS TONE AND PULLS ITSELF TOGETHER" ], "begin_byte": 147213, "end_byte": 147479 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_146", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 10.799, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "On his face there was an expression of effort, almost of painful effort, so far as the uncertain light permitted me to see, and his sleep seemed to be very profound.", "ON HIS FACE THERE WAS AN EXPRESSION OF EFFORT ALMOST OF PAINFUL EFFORT AS FAR AS THE UNCERTAIN LIGHT PERMITTED ME TO SEE AND HIS SLEEP SEEMED TO BE VERY PROFOUND" ], "pre_texts": [ " the quality that had impressed me first as being malefic was really only its singular and original strangeness. Foolish as it may sound, and impossible as it is for me to adduce proof, I can only say that the animal seemed to me then to be—not real. But all this passed through my mind in a flash, almost subconsciously, and before I had time to check my impressions, or even properly verify them, I made an involuntary movement, catching the tight rope in my hand so that it twanged like a banjo string, and in that instant the creature turned the corner of Sangree's tent and was gone into the darkness. Then, of course, my senses in some measure returned to me, and I realised only one thing: it had been inside his tent! I dashed out, reached the door in half a dozen strides, and looked in. The Canadian, thank God! lay upon his bed of branches. His arm was stretched outside, across the blankets, the fist tightly clenched, and the body had an appearance of unusual rigidity that was alarming.", " I HAD EVER SEEN ALSO THAT THE QUALITY THAT HAD IMPRESSED ME FIRST AS BEING MALIFIC WAS REALLY ONLY ITS SINGULAR AND ORIGINAL STRANGENESS FOOLISH AS IT MAY SOUND AND IMPOSSIBLE AS IT IS FOR ME TO ADDUCE PROOF I CAN ONLY SAY THAT THE ANIMAL SEEMED TO ME THEN TO BE NOT REAL BUT ALL THIS PASSED THROUGH MY MIND IN A FLASH ALMOST SUBCONSCIOUSLY AND BEFORE I HAD TIME TO CHECK MY IMPRESSIONS OR EVEN PROPERLY VERIFY THEM I MADE AN INVOLUNTARY MOVEMENT CATCHING THE TIGHT ROPE IN MY HAND SO THAT IT TWANGED LIKE A BANJO STRING AND IN THAT INSTANT THE CREATURE TURNED THE CORNER OF SANGREE'S TENT AND WAS GONE INTO THE DARKNESS THEN OF COURSE MY SENSES IN SOME MEASURE RETURNED TO ME AND I REALIZED ONLY ONE THING IT HAD BEEN INSIDE HIS TENT I DASHED OUT REACHED THE DOOR IN HALF A DOZEN STRIDES AND LOOKED IN THE CANADIAN THANK GOD LAY UPON HIS BED OF BRANCHES HIS ARM WAS STRETCHED OUTSIDE ACROSS THE BLANKETS THE FIST TIGHTLY CLENCHED AND THE BODY HAD AN APPEARANCE OF UNUSUAL RIGIDITY THAT WAS ALARMING" ], "begin_byte": 154374, "end_byte": 154539 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_158", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 7.2, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "\"We'll hunt the island from end to end at once,\" he said, with excitement; \"that's what we'll do. The beast can't be far away.", "WE'LL HUNT THE ISLAND FROM END TO END AT ONCE HE SAID WITH EXCITEMENT THAT'S WHAT WE'LL DO THE BEAST CAN'T BE FAR AWAY" ], "pre_texts": [ "pered; \"what in the world do you think it is? It surely can't be only a dog!\" \"We'll find that out later,\" I said, as the others came up to the grateful warmth; \"the first thing is to make as big a fire as we can.\" Joan was calmer now, and her mother had put on some warmer, and less miraculous, garments. And while they stood talking in low voices Maloney and I slipped off to examine the tent. There was little enough to see, but that little was unmistakable. Some animal had scratched up the ground at the head of the tent, and with a great blow of a powerful paw—a paw clearly provided with good claws—had struck the silk and torn it open. There was a hole large enough to pass a fist and arm through. \"It can't be far away,\" Maloney said excitedly. \"We'll organise a hunt at once; this very minute.\" We hurried back to the fire, Maloney talking boisterously about his proposed hunt. \"There's nothing like prompt action to dispel alarm,\" he whispered in my ear; and then turned to the rest of us.", "WENTY YARDS I HEARD NOTHING HE WHISPERED WHAT IN THE WORLD DO YOU THINK IT IS IT SURELY CAN'T BE ONLY A DOG WE'LL FIND THAT OUT LATER I SAID AS THE OTHERS CAME UP TO THE GRATEFUL WARMTH THE FIRST THING IS TO MAKE UP AS BIG A FIRE AS WE CAN JOAN WAS CALMER NOW AND HER MOTHER HAD PUT ON SOME WARMER AND LESS MIRACULOUS GARMENTS AND WHILE THEY STOOD TALKING IN LOW VOICES MALONEY AND I SLIPPED OFF TO EXAMINE THE TENT THERE WAS LITTLE ENOUGH TO SEE BUT THAT LITTLE WAS UNMISTAKABLE SOME ANIMAL HAD SCRATCHED UP THE GROUND AT THE HEAD OF THE TENT AND WITH A GREAT BLOW OF A POWERFUL PAW A PAW CLEARLY PROVIDED WITH GOOD CLAWS HAD STRUCK THE SILK AND TORN IT OPEN THERE WAS A HOLE LARGE ENOUGH TO PASS A FIST AND ARM THROUGH IT CAN'T BE FAR AWAY MALONEY SAID EXCITEDLY WE'LL ORGANIZE A HUNT AT ONCE THIS VERY MINUTE WE HURRIED BACK TO THE FIRE MALONEY TALKING BOISTEROUSLY ABOUT HIS PROPOSED HUNT THERE'S NOTHING LIKE PROMPT ACTION TO DISPEL ALARM HE WHISPERED IN MY EAR AND THEN TURNED TO THE REST OF US" ], "begin_byte": 141428, "end_byte": 141554 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_159", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 7.04, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "Briefly—Joan's silk tent had been torn, and the girl was in a state bordering upon hysterics.", "BRIEFLY JOAN'S SILK TENT HAD BEEN TORN AND THE GIRL WAS IN A STATE OF BORDERING UPON HYSTERICS" ], "pre_texts": [ "ion that I woke out of deep sleep and heard sounds of screaming. The voice was really horrible, breaking the peace and silence with its shrill clamour. In less than ten seconds I was half dressed and out of my tent. The screaming had stopped abruptly, but I knew the general direction, and ran as fast as the darkness would allow over to the women's quarters, and on getting close I heard sounds of suppressed weeping. It was Joan's voice. And just as I came up I saw Mrs. Maloney, marvellously attired, fumbling with a lantern. Other voices became audible in the same moment behind me, and Timothy Maloney arrived, breathless, less than half dressed, and carrying another lantern that had gone out on the way from being banged against a tree. Dawn was just breaking, and a chill wind blew in from the sea. Heavy black clouds drove low overhead. The scene of confusion may be better imagined than described. Questions in frightened voices filled the air against this background of suppressed weeping.", " AFTER THIS CONVERSATION THAT I WOKE OUT OF DEEP SLEEP AND HEARD SOUNDS OF SCREAMING THE VOICE WAS REALLY HORRIBLE BREAKING THE PIECE IN SILENCE WITH ITS SHRILL CLAMOUR IN LESS THAN TEN SECONDS I WAS HALF DRESSED AND OUT OF MY TENT THE SCREAMING HAD STOPPED ABRUPTLY BUT I KNEW THE GENERAL DIRECTION AND RAN AS FAST AS THE DARKNESS WOULD ALLOW OVER TO THE WOMEN'S QUARTERS AND ON GETTING CLOSE I HEARD SOUNDS OF SUPPRESSED WEEPING IT WAS JOAN'S VOICE AND JUST AS I CAME UP I SAW MISSUS MALONEY MARVELOUSLY ATTIRED FUMBLING WITH A LANTERN OTHER VOICES BECAME AUDIBLE IN THE SAME MOMENT BEHIND ME AND TIMOTHY MALONEY ARRIVED BREATHLESS LESS THAN HALF DRESSED AND CARRYING ANOTHER LANTERN THAT HAD GONE OUT ON THE WAY FROM BEING BANGED AGAINST A TREE DAWN WAS JUST BREAKING AND A CHILL WIND BLEW IN FROM THE SEA HEAVY BLACK CLOUDS DROVE LOW OVERHEAD THE SCENE OF CONFUSION MAY BE BETTER IMAGINED THAN DESCRIBED QUESTIONS AND FRIGHTENED VOICES FILLED THE AIR AGAINST THIS BACKGROUND OF SUPPRESSED WEEPING" ], "begin_byte": 137649, "end_byte": 137742 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb_172", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_3_blackwood_cb_64kb", "start": 0, "duration": 4.559, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "But on this island there was not even a squirrel or a mouse.", "BUT ON THIS ISLAND THERE WAS NOT EVEN A SQUIRREL OR A MOUSE" ], "pre_texts": [ "s required by the conventions of civilisation. And in each, according to temperament and character, there stirred the life-instincts that were natural, untamed, and, in a sense—savage. III So it came about that I stayed with our island party, putting off my second exploring trip from day to day, and I think that this far-fetched instinct to watch Sangree was really the cause of my postponement. For another ten days the life of the Camp pursued its even and delightful way, blessed by perfect summer weather, a good harvest of fish, fine winds for sailing, and calm, starry nights. Maloney's selfish prayer had been favourably received. Nothing came to disturb or perplex. There was not even the prowling of night animals to vex the rest of Mrs. Maloney; for in previous camps it had often been her peculiar affliction that she heard the porcupines scratching against the canvas, or the squirrels dropping fir-cones in the early morning with a sound of miniature thunder upon the roof of her tent.", " RECORDING ALL LIBERVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBERVOX DOT ORG THE CAMP OF THE DOG BY ALGERN BLACKWOOD PART THREE READ BY CHARLES BLAKEMORE SO IT CAME ABOUT THAT I STAYED WITH OUR ISLAND PARTY PUTTING OFF MY SECOND EXPLORING TRIP FROM DAY TO DAY AND I THINK THAT THIS FAR FETCHED INSTINCT TO WATCH SANGREE WAS REALLY THE CAUSE OF MY POSTPONEMENT FOR ANOTHER TEN DAYS THE LIFE OF THE CAMP PURSUED ITS EVEN AND DELIGHTFUL WAY BLESSED BY PERFECT SUMMER WEATHER A GOOD HARVEST OF FISH FINE WINDS FOR SAILING AND CALM STARRY NIGHTS MALONEY'S SELFISH PRAYER HAD BEEN FAVORABLY RECEIVED NOTHING CAME TO DISTURB OR PERPLEX THERE WAS NOT EVEN THE PROWLING OF NIGHT ANIMALS TO VEX THE REST OF MISSUS MALONEY FOR IN PREVIOUS CAMPS IT HAD OFTEN BEEN HER PECULIAR AFFLICTION THAT SHE HEARD THE PORCUPINES SCRATCHING AGAINST THE CANVAS OR THE SQUIRRELS DROPPING FIR CONES IN THE EARLY MORNING WITH A SOUND OF MINIATURE THUNDER ON THE ROOF OF HER TENT" ], "begin_byte": 125149, "end_byte": 125209 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_4_blackwood_cb_64kb_5", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_4_blackwood_cb_64kb", "start": 0, "duration": 31, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "I looked at him with many questions in my eyes, and a precautionary cry to Sangree to stay in the fore part of the boat, out of earshot. \"First of all there would come callousness to pain, and indifference to the rights of others. Then the soul would turn savage, not from passionate human causes, or with enthusiasm, but by deadening down into a kind of cold, primitive, emotionless savagery—by turning, like the landscape, soulless.\"", "I LOOKED AT HIM WITH MANY QUESTIONS IN MY EYES AND A PRECAUTIONARY CRY TO SANGREE TO STAY IN THE FORE PART OF THE BOAT OUT OF EARSHOT FIRST OF ALL THERE WOULD COME CALLOUSNESS TO PAIN AND INDIFFERENCE TO THE RIGHTS OF OTHERS THEN THE SOUL WOULD TURN SAVAGE NOT FROM PASSIONATE HUMAN CAUSES OR WITH ENTHUSIASM BUT BY DEADENING DOWN INTO A KIND OF COLD PRIMITIVE EMOTIONLESS SAVAGERY BY TURNING LIKE THE LANDSCAPE SOULLESS" ], "pre_texts": [ "things might happen.\" \"Let her out a bit,\" I shouted to Sangree, who was coming aft. \"The wind's gusty and we've got hardly any ballast.\" He went back to the bows, and Dr. Silence continued— \"Here, I mean, a long sojourn would lead to deterioration, to degeneration. The place is utterly unsoftened by human influences, by any humanising associations of history, good or bad. This landscape has never awakened into life; it's still dreaming in its primitive sleep.\" \"In time,\" I put in, \"you mean a man living here might become brutal?\" \"The passions would run wild, selfishness become supreme, the instincts coarsen and turn savage probably.\" \"But—\" \"In other places just as wild, parts of Italy for instance, where there are other moderating influences, it could not happen. The character might grow wild, savage too in a sense, but with a human wildness one could understand and deal with. But here, in a hard place like this, it might be otherwise.\" He spoke slowly, weighing his words carefully.", " WHO CAME HERE AND LIVED CLOSE TO NATURE STRANGE THINGS MIGHT HAPPEN LET HER OUT A BIT I SHOUTED TO SANGREE WHO WAS COMING AFT THE WIND'S GUSTY AND WE'VE GOT HARDLY ANY BALLAST HE WENT BACK TO THE BOWS AND DOCTOR SILENCE CONTINUED HERE I MEAN A LONG SOJOURN WOULD LEAD TO DETERIORATION TO DEGENERATION THE PLACE IS UTTERLY UNSOFTENED BY HUMAN INFLUENCES BY ANY HUMANISING ASSOCIATIONS OF HISTORY GOOD OR BAD THIS LANDSCAPE HAS NEVER AWAKENED INTO LIFE IT'S STILL DREAMING IN ITS PRIMITIVE SLEEP IN TIME I PUT IN YOU MEAN A MAN LIVING HERE MIGHT BECOME BRUTAL THE PASSIONS WOULD RUN WILD SELFISHNESS BECOME SUPREME THE INSTINCTS COARSEN AND TURN SAVAGE PROBABLY BUT IN OTHER PLACES JUST AS WILD PARTS OF ITALY FOR INSTANCE WHERE THERE ARE OTHER MODERATING INFLUENCES IT COULD NOT HAPPEN THE CHARACTER MIGHT GROW WILD SAVAGE TOO IN A SENSE BUT WITH A HUMAN WILDNESS ONE COULD UNDERSTAND AND DEAL WITH BUT HERE IN A HARD PLACE LIKE THIS IT MIGHT BE OTHERWISE HE SPOKE SLOWLY WEIGHING HIS WORDS CAREFULLY" ], "begin_byte": 167127, "end_byte": 167562 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_4_blackwood_cb_64kb_14", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_4_blackwood_cb_64kb", "start": 0, "duration": 28.639, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "\"Good heavens, no!\" cried the Canadian, throwing down his dishcloths and coming forward into the circle of firelight. \"Surely there can be no question of this poor starved beast injuring anybody, can there?\" His hair straggled untidily over his forehead, and there was a gleam in his eyes that was not all reflection from the fire. His words made me turn sharply. We all laughed a little short, forced laugh.", "GOOD HEAVENS NO CRIED THE CANADIAN THROWING DOWN HIS DISHCLOTHS AND COMING FORWARD INTO THE CIRCLE OF FIRELIGHT SURELY THERE CAN BE NO QUESTION OF THIS POOR STARVED BEAST INJURING ANYBODY CAN THERE HIS HAIR STRAGGLED UNTIDILY OVER HIS FOREHEAD AND THERE WAS A GLEAM IN HIS EYES THAT WAS NOT ALL REFLECTION FROM THE FIRE HIS WORDS MADE ME TURNED SHARPLY WE ALL LAUGHED A LITTLE SHORT FORCED LAUGH" ], "pre_texts": [ "g to something he had expected to hear, even if he had not actually anticipated all the details. \"You did well to send for me,\" he said very low, with a significant glance at me when I finished; \"very well,\"—and for one swift second his eye took in Sangree,—\"for what we have to deal with here is nothing more than a werewolf—rare enough, I am glad to say, but often very sad, and sometimes very terrible.\" I jumped as though I had been shot, but the next second was heartily ashamed of my want of control; for this brief remark, confirming as it did my own worst suspicions, did more to convince me of the gravity of the adventure than any number of questions or explanations. It seemed to draw close the circle about us, shutting a door somewhere that locked us in with the animal and the horror, and turning the key. Whatever it was had now to be faced and dealt with. \"No one has been actually injured so far?\" he asked aloud, but in a matter-of-fact tone that lent reality to grim possibilities.", "LL THAT THE DOCTOR WAS LISTENING TO SOMETHING HE HAD EXPECTED TO HEAR EVEN IF HE HAD NOT ACTUALLY ANTICIPATED ALL THE DETAILS YOU DID WELL TO SEND FOR ME HE SAID VERY LOW WITH A SIGNIFICANT GLANCE AT ME WHEN I FINISHED VERY WELL AND FOR ONE SWIFT SECOND HIS EYE TOOK IN SANGREE FOR WHAT WE HAVE TO DEAL WITH HERE IS NOTHING MORE THAN A WEREWOLF RARE ENOUGH I AM GLAD TO SAY BUT OFTEN VERY SAD AND SOMETIMES VERY TERRIBLE I JUMPED AS THOUGH I HAD BEEN SHOT BUT THE NEXT SECOND WAS HEARTILY ASHAMED OF MY WANT OF CONTROL FOR THIS BRIEF REMARK CONFIRMING AS IT DID MY OWN WORST SUSPICIONS DID MORE TO CONVINCE ME OF THE GRAVITY OF THE ADVENTURE THAN ANY NUMBER OF QUESTIONS OR EXPLANATIONS IT SEEMED TO DRAW CLOSE THE CIRCLE ABOUT US SHUTTING A DOOR SOMEWHERE THAT LOCKED US IN WITH THE ANIMAL AND THE HORROR AND TURNING THE KEY WHATEVER IT WAS HAD NOW TO BE FACED AND DEALT WITH NO ONE HAS BEEN ACTUALLY INJURED SO FAR HE ASKED ALOUD BUT IN A MATTER OF FACT TONE THAT LENT REALITY TO GRIM POSSIBILITIES" ], "begin_byte": 161872, "end_byte": 162280 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_4_blackwood_cb_64kb_22", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_4_blackwood_cb_64kb", "start": 0, "duration": 20.96, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "For his admission that he knew it was in pain and starved was in reality nothing more or less than a revelation of his deeper self. It was in the nature of a confession. He was speaking of something that he knew positively, something that was beyond question or argument, something that had to do directly with himself.", "FOR HIS ADMISSION THAT HE KNEW IT WAS IN PAIN AND STARVED WAS IN REALITY NOTHING MORE OR LESS THAN A REVELATION OF HIS DEEPER SELF IT WAS IN THE NATURE OF A CONFESSION HE WAS SPEAKING OF SOMETHING THAT HE KNEW POSITIVELY SOMETHING THAT WAS BEYOND QUESTION OR ARGUMENT SOMETHING THAT HAD TO DO DIRECTLY WITH HIMSELF" ], "pre_texts": [ " cluster of islands with our crescent-shaped home among them and the safe anchorage of the lagoon. An hour with this wind would get us there comfortably, and while Dr. Silence and Sangree fell into conversation, I sat and pondered over the strange suggestions that had just been put into my mind concerning the \"Double,\" and the possible form it might assume when dissociated temporarily from the physical body. The whole way home these two chatted, and John Silence was as gentle and sympathetic as a woman. I did not hear much of their talk, for the wind grew occasionally to the force of a hurricane and the sails and tiller absorbed my attention; but I could see that Sangree was pleased and happy, and was pouring out intimate revelations to his companion in the way that most people did—when John Silence wished them to do so. But it was quite suddenly, while I sat all intent upon wind and sails, that the true meaning of Sangree's remark about the animal flared up in me with its full import.", "AY A BLUE CLUSTER OF ISLANDS WITH OUR CRESCENT SHAPED HOME AMONG THEM AND THE SAFE ANCHORAGE OF THE LAGOON AN HOUR WITH THIS WIND WOULD GET US THERE COMFORTABLY AND WHILE DOCTOR SILENCE AND SANGREE FELL INTO CONVERSATION I SAT AND PONDERED OVER THE STRANGE SUGGESTIONS THAT HAD JUST BEEN PUT INTO MY MIND CONCERNING THE DOUBLE AND THE POSSIBLE FORM IT MIGHT ASSUME WHEN DISSOCIATED TEMPORARILY FROM THE PHYSICAL BODY THE WHOLE WAY HOME THESE TWO CHATTED AND JOHN SILENCE WAS AS GENTLE AND SYMPATHETIC AS A WOMAN I DID NOT HEAR MUCH OF THEIR TALK FOR THE WIND GREW OCCASIONALLY TO THE FORCE OF A HURRICANE AND THE SAILS AND TILLER ABSORBED MY ATTENTION BUT I COULD SEE THAT SANGREE WAS PLEASED AND HAPPY AND WAS POURING OUT INTIMATE REVELATIONS TO HIS COMPANION IN THE WAY THAT MOST PEOPLE DID WHEN JOHN SILENCE WISHED THEM TO DO SO BUT IT WAS QUITE SUDDENLY WHILE I SAT ALL INTENT UPON THE WIND AND SAILS THAT THE TRUE MEANING OF SANGREE'S REMARK ABOUT THE ANIMAL FLARED UP IN ME WITH HIS FULL IMPORT" ], "begin_byte": 169872, "end_byte": 170191 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_6", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 32.359, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "The best and quickest cure of all,\" he went on, speaking very gently and with a hand upon the clergyman's arm, \"is to lead it towards its object, provided that object is not unalterably hostile—to let it find rest where—\" He stopped abruptly, and the eyes of the two men met in a single glance of comprehension. \"Joan?\" Maloney exclaimed, under his breath. \"Joan!\" replied John Silence.", "THE BEST AND QUICKEST CURE OF ALL HE WENT ON SPEAKING VERY GENTLY AND WITH A HAND UPON THE CLERGYMAN'S ARM IS TO LEAD IT TOWARDS ITS OBJECT PROVIDED THAT OBJECT IS NOT UNALTERABLY HOSTILE TO LET IT FIND REST WHERE HE STOPPED ABRUPTLY AND THE EYES OF THE TWO MEN MET IN A SINGLE GLANCE OF COMPREHENSION JOAN MALONEY EXCLAIMED UNDER HIS BREATH JOAN REPLIED JOHN SILENCE" ], "pre_texts": [ "oked like a wild man. Then he stood up in the canoe to make a cast with the rod, and he looked for all the world like an Indian. I recalled the expression of his face as I had seen it once or twice, notably on that occasion of the evening prayer, and an involuntary shudder ran down my spine. At that very instant he turned and saw us where we lay, and his face broke into a smile, so that his teeth showed white in the sun. He looked in his element, and exceedingly attractive. He called out something about his fish, and soon after passed out of sight into the lagoon. For a time none of us said a word. \"And the cure?\" ventured Maloney at length. \"Is not to quench this savage force,\" replied Dr. Silence, \"but to steer it better, and to provide other outlets. This is the solution of all these problems of accumulated force, for this force is the raw material of usefulness, and should be increased and cherished, not by separating it from the body by death, but by raising it to higher channels.", "FACE OF SOME ONE ELSE HE LOOKED LIKE A WILD MAN THEN HE STOOD UP IN THE CANOE TO MAKE A CAST WITH THE ROD AND HE LOOKED FOR ALL THE WORLD LIKE AN INDIAN I RECALLED THE EXPRESSION OF HIS FACE AS I HAD SEEN IT ONCE OR TWICE NOTABLY ON THAT OCCASION OF THE EVENING PRAYER AND AN INVOLUNTARY SHUDDER RAN DOWN MY SPINE AT THAT VERY INSTANT HE TURNED AND SAW US WHERE HE LAY AND HIS FACE BROKE INTO A SMILE SO THAT HIS TEETH SHOWED WHITE IN THE SUN HE LOOKED IN HIS ELEMENT AND EXCEEDINGLY ATTRACTIVE HE CALLED OUT SOMETHING ABOUT HIS FISH AND SOON AFTER PASSED OUT OF SIGHT INTO THE LAGOON FOR A TIME NONE OF US SAID A WORD AND THE CURE VENTURED MALONEY AT LENGTH IS NOT TO QUENCH THIS SAVAGE FORCE REPLIED DOCTOR SILENCE BUT TO STEER IT BETTER AND TO PROVIDE OTHER OUTLETS THIS IS THE SOLUTION OF ALL THESE PROBLEMS OF ACCUMULATED FORCE FOR THIS FORCE IS THE RAW MATERIAL OF USEFULNESS AND SHOULD BE INCREASED AND CHERISHED NOT BY SEPARATING IT FROM THE BODY BY DEATH BUT BY RAISING IT TO HIGHER CHANNELS" ], "begin_byte": 193279, "end_byte": 193665 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_18", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 14.119, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "We moved back a dozen yards or so. It was like a scene in some impossible play, or in some ghastly and oppressive nightmare from which I should presently awake to find the blankets all heaped up upon my chest.", "WE MOVED BACK A DOZEN YARDS OR SO IT WAS LIKE A SCENE IN SOME IMPOSSIBLE PLAY OR IN SOME GHASTLY AND OPPRESSIVE NIGHTMARE FROM WHICH I SHOULD PRESENTLY AWAKE TO FIND THE BLANKETS ALL HEAPED UP UPON MY CHEST" ], "pre_texts": [ "ut the distress I felt went far deeper than the mere sense of personal safety, or the fact of watching something so incredibly active and real. I became keenly aware of the dreadful psychic calamity it involved. The realisation that Sangree lay confined in that narrow space with this species of monstrous projection of himself—that he was wrapped there in the cataleptic sleep, all unconscious that this thing was masquerading with his own life and energies—added a distressing touch of horror to the scene. In all the cases of John Silence—and they were many and often terrible—no other psychic affliction has ever, before or since, impressed me so convincingly with the pathetic impermanence of the human personality, with its fluid nature, and with the alarming possibilities of its transformations. \"Come,\" he whispered, after we had watched for some minutes the frantic efforts to escape from the circle of thought and will that held it prisoner, \"come a little farther away while I release it.", "S OF MY PRESENCE BUT THE DISTRESS I FELT WENT FAR DEEPER THAN THE MERE SENSE OF PERSONAL SAFETY OR THE FACT OF WATCHING SOMETHING SO INCREDIBLY ACTIVE AND REAL I BECAME KEENLY AWARE OF THE DREADFUL PSYCHIC CALAMITY IT INVOLED THE REALIZATION THAT SANGREE LAY CONFINED IN THAT NARROW SPACE WITH THIS SPECIES OF MONSTROUS PROJECTION OF HIMSELF THAT HE WAS WRAPPED THERE IN THE CATALEPTIC SLEEP ALL UNCONSCIOUS THAT THIS THING WAS MASQUERADING WITH HIS OWN LIFE AND ENERGIES ADDED A DISTRESSING TOUCH OF HORROR TO THE SCENE IN ALL THE CASES OF JOHN SILENCE AND THEY WERE MANY AND OFTEN TERRIBLE NO OTHER PSYCHIC AFFLICTION HAS EVER BEFORE OR SINCE IMPRESSED ME SO CONVINCINGLY WITH THE PATHETIC IMPERMANENCE OF THE HUMAN PERSONALITY WITH ITS FLUID NATURE AND WITH THE ALARMING POSSIBILITIES OF ITS TRANSFORMATIONS COME HE WHISPERED AFTER WE HAD WATCHED FOR SOME MINUTES THE FRANTIC EFFORTS TO ESCAPE FROM THE CIRCLE OF THOUGHT AND WILL THAT HELD IT PRISONER COME A LITTLE FARTHER AWAY WHILE I RELEASE IT" ], "begin_byte": 208375, "end_byte": 208585 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_21", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 18.159, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "For the first time since its appearance the creature moved. Its ears twitched and it shifted the weight of its body on to the hind legs. Then, lifting its head and muzzle to the sky, it opened its long jaws and gave vent to a dismal and prolonged howling.", "FOR THE FIRST TIME SINCE ITS APPEARANCE THE CREATURE MOVED ITS EARS TWITCHED AND IT SHIFTED THE WEIGHT OF ITS BODY ON TO THE HIND LEGS THEN LIFTING ITS HEAD AND MUZZLE TO THE SKY IT OPENED ITS LONG JAWS AND GAVE VENT TO A DISMAL AND PROLONGED HOWLING" ], "pre_texts": [ "e with a wolf to some kind of similar delusion of the senses. I was mad, deluded, dreaming! The excitement of the day, and this dim light of stars and bewildering mist combined to trick me. I had been amazingly imposed upon by some false wizardry of the senses. It was all absurd and fantastic; it would pass. And then, sounding across this sea of mental confusion like a bell through a fog, came the voice of John Silence bringing me back to a consciousness of the reality of it all— \"Sangree—in his Double!\" And when I looked again more calmly, I plainly saw that it was indeed the face of the Canadian, but his face turned animal, yet mingled with the brute expression a curiously pathetic look like the soul seen sometimes in the yearning eyes of a dog,—the face of an animal shot with vivid streaks of the human. The doctor called to him softly under his breath— \"Sangree! Sangree, you poor afflicted creature! Do you know me? Can you understand what it is you're doing in your 'Body of Desire'?", "S MINGLING OF SANGREE'S FACE WITH A WOLF TO SOME KIND OF SIMILAR DELUSION OF THE SENSES I WAS MAD DELUDED DREAMING THE EXCITEMENT OF THE DAY AND THE DIM LIGHT OF STARS AND BEWILDERING MIST COMBINED TO TRICK ME I HAD BEEN AMAZINGLY IMPOSED UPON BY SOME FALSE WIZARDRY OF THE SENSES IT WAS ALL ABSURD AND FANTASTIC IT WOULD PASS AND THEN SOUNDING ACROSS THIS SEA OF MENTAL CONFUSION LIKE A BELL THROUGH THE FOG CAME THE VOICE OF JOHN SILENCE BRINGING ME BACK TO A CONSCIOUSNESS OF THE REALITY OF IT ALL SANGREE IN HIS DOUBLE AND WHEN I LOOKED AGAIN MORE CALMLY I PLAINLY SAW THAT IT WAS INDEED THE FACE OF THE CANADIAN BUT HIS FACE TURNED ANIMAL YET MINGLED WITH THE BRUTE EXPRESSION OF A CURIOUSLY PATHETIC LOOK LIKE THE SOUL SEEN SOMETIMES IN THE YEARNING EYES OF A DOG THE FACE OF AN ANIMAL SHOT WITH VIVID STREAKS OF THE HUMAN THE DOCTOR CALLED TO HIM SOFTLY UNDER HIS BREATH SANGREE SANGREE YOU POOR AFFLICTED CREATURE DO YOU KNOW ME CAN YOU UNDERSTAND WHAT IT IS YOUR DOING IN YOUR BODY OF DESIRE" ], "begin_byte": 212089, "end_byte": 212345 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_56", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 9.36, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "And an answering cry sounded across the lagoon—thin, wailing, piteous. It came from Sangree's tent.", "AND AN ANSWERING CRY SOUNDED ACROSS THE LAGOON THIN WAILING PITEOUS IT CAME FROM SANGREE'S TENT" ], "pre_texts": [ "unobserved round the inner shore of the lagoon, emerged from the shadows and defined itself upon the water with a figure at the middle thwart. It was Maloney. It was only afterwards I realised that we were invisible to him where we stood against the dark background of trees; the figures of Joan and the animal he saw plainly, but not Dr. Silence and myself standing just beyond them. He stood up in the canoe and pointed with his right arm. I saw something gleam in his hand. \"Stand aside, Joan girl, or you'll get hit,\" he shouted, his voice ringing horribly through the deep stillness, and the same instant a pistol-shot cracked out with a burst of flame and smoke, and the figure of the animal, with one tremendous leap into the air, fell back in the shadows and disappeared like a shape of night and fog. Instantly, then, Joan opened her eyes, looked in a dazed fashion about her, and pressing both hands against her heart, fell with a sharp cry into my arms that were just in time to catch her.", " BEEN CREEPING SILENTLY AND UNOBSERVED ROUND THE INNER SHORE OF THE LAGOON EMERGED FROM THE SHADOWS AND DEFINED ITSELF UPON THE WATER WITH A FIGURE AT THE MIDDLE THWART IT WAS MALONEY IT WAS ONLY AFTERWARDS I REALIZED THAT WE WERE INVISIBLE TO HIM AS WE STOOD AGAINST THE DARK BACKGROUND OF TREES THE FIGURES OF JOAN AND THE ANIMAL HE SAW PLAINLY BUT NOT DOCTOR SILENCE AND MYSELF STANDING JUST BEYOND THEM HE STOOD UP IN THE CANOE AND POINTED WITH HIS RIGHT ARM I SAW SOMETHING GLEAM IN HIS HAND STAND ASIDE JOAN GIRL YOU'LL GET HIT HE SHOUTED HIS VOICE RINGING HORRIBLY THROUGH THE DEEP STILLNESS AND THE SAME INSTANT A PISTOL SHOT CRACKED OUT WITH A BURST OF FLAME AND SMOKE AND THE FIGURE OF THE ANIMAL WITH ONE TREMENDOUS LEAP INTO THE AIR FELL BACK IN THE SHADOWS AND DISAPPEARED LIKE A SHAPE OF NIGHT AND FOG INSTANTLY THEN JOAN OPENED HER EYES LOOKED IN A DAZED FASHION ABOUT HER AND PRESSING BOTH HANDS AGAINST HER HEART FELL WITH A SHARP CRY INTO MY ARMS THAT WERE JUST IN TIME TO CATCH HER" ], "begin_byte": 218860, "end_byte": 218959 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_57", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 17.719, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "John Silence, however, was before us both, and his figure slipped past and blocked the doorway of the tent. And there was some quality in his voice next minute when he began to speak that brought our minds instantly to a state of calm obedience.", "JOHN SILENCE HOWEVER WAS BEFORE US BOTH AND HIS FIGURE SLIPPED PAST AND BLOCKED THE DOORWAY OF THE TENT AND THERE WAS SOME QUALITY IN HIS VOICE NEXT MINUTE WHEN HE BEGAN TO SPEAK THAT BROUGHT OUR MINDS INSTANTLY TO A STATE OF CALM OBEDIENCE" ], "pre_texts": [ "e true relation, and I realised the next second that it was only a few feet away. \"Sangree's tent,\" he exclaimed in a loud and startled whisper. I craned my head round the corner, but at first the effect of the fog was so confusing that every patch of white driving about before the wind looked like a moving tent and it was some seconds before I discovered the one patch that held steady. Then I saw that it was shaking all over, and the sides, flapping as much as the tightness of the ropes allowed, were the cause of the booming sound we had heard. Something alive was tearing frantically about inside, banging against the stretched canvas in a way that made me think of a great moth dashing against the walls and ceiling of a room. The tent bulged and rocked. \"It's trying to get out, by Jupiter!\" muttered the clergyman, rising to his feet and turning to the side where the unloaded rifle lay. I sprang up too, hardly knowing what purpose was in my mind, but anxious to be prepared for anything.", "ND LEANING FORWARD SOMEHOW BROUGHT THE TRUE RELATION AND I REALIZED THE NEXT SECOND THAT IT WAS ONLY A FEW FEET AWAY SANGREE'S TENT HE EXCLAIMED IN A LOUD AND STARTLED WHISPER I CRANED MY HEAD ROUND THE CORNER BUT AT FIRST THE EFFECT OF THE FOG WAS SO CONFUSING THAT EVERY PATCH OF WHITE DRIVING ABOUT BEFORE THE WIND LOOKED LIKE A MOVING TENT AND IT WAS SOME SECONDS BEFORE I DISCOVERED THE ONE PATCH THAT HELD STEADY THEN I SAW IT WAS SHAKING ALL OVER AND THE SIDES FLAPPING AS MUCH AS THE TIGHTNESS OF THE ROPES ALLOWED WERE THE CAUSE OF THE BOOMING SOUND WE HEARD SOMETHING ALIVE WAS TEARING FRANTICALLY ABOUT INSIDE BANGING AGAINST THE STRETCHED CANVAS IN A WAY THAT MADE ME THINK OF A GREAT MOTH DASHING AGAINST THE WALLS AND CEILING OF A ROOM THE TENT BULGED AND ROCKED IT'S TRYING TO GET OUT BY JUPITER MUTTERED THE CLERGYMAN RISING TO HIS FEET AND TURNING TO THE SIDE WHERE UNLOADED RIFLE LAY I SPRANG UP TOO HARDLY KNOWING WHAT PURPOSE WAS IN MY MIND BUT ANXIOUS TO BE PREPARED FOR ANYTHING" ], "begin_byte": 203321, "end_byte": 203566 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_78", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 15.04, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "Relieved of the dominating presence, the clergyman thrust his face close into mine. \"I don't much care for this waiting game,\" he whispered, \"but Silence wouldn't hear of my sitting up with the others; he said it would prevent anything happening if I did.\"", "RELIEVED OF THE DOMINATING PRESENCE THE CLERGYMAN THRUST HIS FACE CLOSE INTO MINE I DON'T MUCH CARE FOR THIS WAITING GAME HE WHISPERED BUT SILENCE WOULDN'T HEAR MY SITTING UP WITH THE OTHERS HE SAID IT WOULD PREVENT ANYTHING HAPPENING IF I DID" ], "pre_texts": [ "irst wave washed its way softly along the shores. \"It's got round to the north,\" he added, and following his voice came a long-drawn whisper that rose from the whole island as the trees sent forth a sighing response. \"The fog'll move a bit now. I can make out a lane across the sea already.\" \"Hush!\" said Dr. Silence, for Maloney's voice had risen above a whisper, and we settled down again to another long period of watching and waiting, broken only by the occasional rubbing of shoulders against the canvas as we shifted our positions, and the increasing noise of waves on the outer coast-line of the island. And over all whirred the murmur of wind sweeping the tops of the trees like a great harp, and the faint tapping on the tent as drops fell from the branches with a sharp pinging sound. We had sat for something over an hour in this way, and Maloney and I were finding it increasingly hard to keep awake, when suddenly Dr. Silence rose to his feet and peered out. The next minute he was gone.", "UND OF THE SEA AS THE FIRST WAVE WASHED ITS WAY SOFTLY ANG THE SHORES IT'S GOT ROUND TO THE NORTH HE ADDED AND FOLLOWING HIS VOICE CAME A LONG DRAWN WHISPER THAT ROSE FROM THE WHOLE ISLAND AS THE TREES SENT FORTH A SIGHING RESPONSE THE FOG'LL MOVE A BIT NOW I CAN MAKE OUT A LANE ACROSS THE SEA ALREADY HUSH SAID DOCTOR SILENCE FOR MALONEY'S VOICE HAD RISEN ABOVE A WHISPER AND WE SETTLED DOWN AGAIN TO ANOTHER LONG PERIOD OF WATCHING AND WAITING BROKEN ONLY BY THE OCCASIONAL RUBBING OF SHOULDERS AGAINST THE CANVAS AS WE SHIFTED OUR POSITIONS AND THE INCREASING NOISE OF WAVES ON THE OUTER COAST LINE OF THE ISLAND AND OVER ALL WERE THE MURMUR OF WIND SWEEPING THE TOPS OF THE TREES LIKE A GREAT HARP AND THE FAINT TAPPING ON THE TENT AS DROPS FELL FROM THE BRANCHES WITH A SHARP PINGING SOUND WE HAD SAT FOR SOMETHING OVER AN HOUR IN THIS WAY AND MALONEY AND I WERE FINDING IT INCREASINGLY HARD TO KEEP AWAKE WHEN SUDDENLY DOCTOR SILENCE ROSE TO HIS FEET AND PEERED OUT THE NEXT MINUTE HE WAS GONE" ], "begin_byte": 199519, "end_byte": 199775 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_116", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 30.32, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "\"The Indian blood!\" whispered John Silence, when I caught his arm for support; \"the ancestral cry.\" And that poignant, beseeching cry, that broken human voice, mingling with the savage howl of the brute beast, pierced straight to my very heart and touched there something that no music, no voice, passionate or tender, of man, woman or child has ever stirred before or since for one second into life.", "THE INDIAN BLOOD WHISPERED JOHN SILENCE WHEN I CAUGHT HIS ARM FOR SUPPORT THE ANCESTRAL CRY AND THAT POIGNANT BESEECHING CRY THAT BROKEN HUMAN VOICE MINGLING WITH THE SAVAGE HOWL OF THE BRUTE BEAST PIERCED STRAIGHT TO MY VERY HEART AND TOUCHED THERE SOMETHING THAT NO MUSIC NO VOICE PASSIONATE OR TENDER OF MAN WOMAN OR CHILD HAS EVER STIRRED BEFORE OR SINCE FOR ONE SECOND INTO LIFE" ], "pre_texts": [ "th the brute expression a curiously pathetic look like the soul seen sometimes in the yearning eyes of a dog,—the face of an animal shot with vivid streaks of the human. The doctor called to him softly under his breath— \"Sangree! Sangree, you poor afflicted creature! Do you know me? Can you understand what it is you're doing in your 'Body of Desire'?\" For the first time since its appearance the creature moved. Its ears twitched and it shifted the weight of its body on to the hind legs. Then, lifting its head and muzzle to the sky, it opened its long jaws and gave vent to a dismal and prolonged howling. But, when I heard that howling rise to heaven, the breath caught and strangled in my throat and it seemed that my heart missed a beat; for, though the sound was entirely animal, it was at the same time entirely human. But, more than that, it was the cry I had so often heard in the Western States of America where the Indians still fight and hunt and struggle—it was the cry of the Redskin!", "NED ANIMAL YET MINGLED WITH THE BRUTE EXPRESSION OF A CURIOUSLY PATHETIC LOOK LIKE THE SOUL SEEN SOMETIMES IN THE YEARNING EYES OF A DOG THE FACE OF AN ANIMAL SHOT WITH VIVID STREAKS OF THE HUMAN THE DOCTOR CALLED TO HIM SOFTLY UNDER HIS BREATH SANGREE SANGREE YOU POOR AFFLICTED CREATURE DO YOU KNOW ME CAN YOU UNDERSTAND WHAT IT IS YOUR DOING IN YOUR BODY OF DESIRE FOR THE FIRST TIME SINCE ITS APPEARANCE THE CREATURE MOVED ITS EARS TWITCHED AND IT SHIFTED THE WEIGHT OF ITS BODY ON TO THE HIND LEGS THEN LIFTING ITS HEAD AND MUZZLE TO THE SKY IT OPENED ITS LONG JAWS AND GAVE VENT TO A DISMAL AND PROLONGED HOWLING BUT WHEN I HEARD THAT HOWLING RISE TO HEAVEN THE BREATH CAUGHT AND STRANGLED IN MY THROAT AND IT SEEMED THAT MY HEART MISSED A BEAT FOR THOUGH THE SOUND WAS ENTIRELY ANIMAL IT WAS AT THE SAME TIME ENTIRELY HUMAN AND MORE THAN THAT IT WAS THE CRY I HAD SO OFTEN HEARD IN THE WESTERN STATES OF AMERICA WHERE THE INDIANS STILL FIGHT AND HUNT AND STRUGGLE IT WAS THE CRY OF THE REDSKIN" ], "begin_byte": 212737, "end_byte": 213137 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_126", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 9.8, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "I can now read into his behaviour a good deal that puzzled me at the time, for though I had dimly guessed the solution, I had no idea how he would deal with it.", "I CAN NOW READ INTO HIS BEHAVIOUR A GOOD DEAL THAT PUZZLED ME AT THE TIME FOR THOUGH I HAD DIMLY GUESSED THE SOLUTION I HAD NO IDEA HOW HE WOULD DEAL WITH IT" ], "pre_texts": [ "are of the change, for my whole being shifted, as it were, a degree higher, becoming keyed up and alert. The figures from the background of the stage moved forward a little into the light—nearer to the inevitable action. In a word this man's arrival intensified the whole affair. And, looking back down the years to the time when all this happened, it is clear to me that he had a pretty sharp idea of the meaning of it from the very beginning. How much he knew beforehand by his strange divining powers, it is impossible to say, but from the moment he came upon the scene and caught within himself the note of what was going on amongst us, he undoubtedly held the true solution of the puzzle and had no need to ask questions. And this certitude it was that set him in such an atmosphere of power and made us all look to him instinctively; for he took no tentative steps, made no false moves, and while the rest of us floundered he moved straight to the climax. He was indeed a true diviner of souls.", " AT LEAST WAS KEENLY AWARE OF THE CHANGE FOR MY WHOLE BEING SHIFTED AS IT WERE A DEGREE HIGHER BECOMING KEYED UP AND ALERT FIGURES FROM THE BACKGROUND OF THE STAGE MOVED FORWARD A LITTLE INTO THE LIGHT NEARER TO THE INEVITABLE ACTION IN A WORD THIS MAN'S ARRIVAL INTENSIFIED THE WHOLE AFFAIR AND LOOKING BACK DOWN THE YEARS TO THE TIME WHEN ALL THIS HAPPENED IT IS CLEAR TO ME THAT HE HAD A PRETTY SHARP IDEA OF THE MEANING OF IT FROM THE VERY BEGINNING HOW MUCH HE KNEW BEFOREHAND BY HIS STRANGE DIVINING POWERS IT IS IMPOSSIBLE TO SAY BUT FROM THE MOMENT HE CAME UPON THE SCENE AND CAUGHT WITHIN HIMSELF THE NOTE OF WHAT WAS GOING ON AMONGST US HE UNDOUBTEDLY HELD THE TRUE SOLUTION OF THE PUZZLE AND HAD NO NEED TO ASK QUESTIONS AND THIS CERTITUDE IT WAS THAT SET HIM IN SUCH AN ATMOSPHERE OF POWER AND MADE US ALL LOOK TO HIM INSTINCTIVELY FOR HE TOOK NO TENTATIVE STEPS MADE NO FALSE MOVES AND WHILE THE REST OF US FLOUNDERED HE MOVED STRAIGHT TO THE CLIMAX HE WAS INDEED A TRUE DIVINER OF SOULS" ], "begin_byte": 172331, "end_byte": 172491 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_130", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 7.479, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "He shoved a pocket Bible under my nose. At one time in his life it had been his inseparable companion.", "HE SHOVED A POCKET BIBLE UNDER MY NOSE AT ONE TIME IN HIS LIFE IT HAD BEEN HIS INSEPARABLE COMPANION" ], "pre_texts": [ "e increasing noise of waves on the outer coast-line of the island. And over all whirred the murmur of wind sweeping the tops of the trees like a great harp, and the faint tapping on the tent as drops fell from the branches with a sharp pinging sound. We had sat for something over an hour in this way, and Maloney and I were finding it increasingly hard to keep awake, when suddenly Dr. Silence rose to his feet and peered out. The next minute he was gone. Relieved of the dominating presence, the clergyman thrust his face close into mine. \"I don't much care for this waiting game,\" he whispered, \"but Silence wouldn't hear of my sitting up with the others; he said it would prevent anything happening if I did.\" \"He knows,\" I answered shortly. \"No doubt in the world about that,\" he whispered back; \"it's this 'Double' business, as he calls it, or else it's obsession as the Bible describes it. But it's bad, whichever it is, and I've got my Winchester outside ready cocked, and I brought this too.", "VAS AS WE SHIFTED OUR POSITIONS AND THE INCREASING NOISE OF WAVES ON THE OUTER COAST LINE OF THE ISLAND AND OVER ALL WERE THE MURMUR OF WIND SWEEPING THE TOPS OF THE TREES LIKE A GREAT HARP AND THE FAINT TAPPING ON THE TENT AS DROPS FELL FROM THE BRANCHES WITH A SHARP PINGING SOUND WE HAD SAT FOR SOMETHING OVER AN HOUR IN THIS WAY AND MALONEY AND I WERE FINDING IT INCREASINGLY HARD TO KEEP AWAKE WHEN SUDDENLY DOCTOR SILENCE ROSE TO HIS FEET AND PEERED OUT THE NEXT MINUTE HE WAS GONE RELIEVED OF THE DOMINATING PRESENCE THE CLERGYMAN THRUST HIS FACE CLOSE INTO MINE I DON'T MUCH CARE FOR THIS WAITING GAME HE WHISPERED BUT SILENCE WOULDN'T HEAR MY SITTING UP WITH THE OTHERS HE SAID IT WOULD PREVENT ANYTHING HAPPENING IF I DID HE KNOWS I ANSWERED SHORTLY NO DOUBT IN THE WORLD ABOUT THAT HE WHISPERED BACK IT'S THIS DOUBLE BUSINESS AS HE CALLS IT OR ELSE IT'S OBSESSION AS THE BIBLE DESCRIBES IT BUT IT'S BAD WHICHEVER IT IS AND I'VE GOT MY WINCHESTER OUTSIDE READY COCKED AND I BROUGHT THIS TOO" ], "begin_byte": 200063, "end_byte": 200166 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_136", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 6.36, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "There was no more question of undressing and going to bed than there was of undressing and going to bathe.", "THERE WAS NO MORE QUESTION OF UNDRESSING AND GOING TO BED THAN THERE WAS OF UNDRESSING AND GOING TO BATHE" ], "pre_texts": [ "otionless by some huge weight in the air; and the flames from our fire—the largest we had ever made—rose upwards, straight as a church steeple. As I followed the rest of our party tent-wards, having kicked the embers of the fire into safety, the advance guard of the fog was creeping slowly among the trees, like white arms feeling their way. Mingled with the smoke was the odour of moss and soil and bark, and the peculiar flavour of the Baltic, half salt, half brackish, like the smell of an estuary at low water. It is difficult to say why it seemed to me that this deep stillness masked an intense activity; perhaps in every mood lies the suggestion of its opposite, so that I became aware of the contrast of furious energy, for it was like moving through the deep pause before a thunderstorm, and I trod gently lest by breaking a twig or moving a stone I might set the whole scene into some sort of tumultuous movement. Actually, no doubt, it was nothing more than a result of overstrung nerves.", " LAY AS THOUGH HELD MOTIONLESS BY SOME HUGE WEIGHT IN THE AIR AND THE FLAMES FROM OUR FIRE THE LARGEST WE HAD EVER MADE ROSE UPWARDS STRAIGHT AS A CHURCH STEEPLE AS I FOLLOWED THE REST OF OUR PARTY TENT WORDS HAVING KICKED THE EMBERS OF THE FIRE INTO SAFETY THE ADVANCE GUARD OF THE FOG WAS CREEPING SLOWLY AMONG THE TREES LIKE WHITE ARMS FEELING THEIR WAY MINGLED WITH THE SMOKE WAS THE ODOUR OF MOSS AND SOIL AND BARK AND THE PECULIAR FLAVOUR OF THE BALTIC HALF SALT HALF BRACKISH LIKE THE SMELL OF AN ESTUARY AT LOW WATER IT IS DIFFICULT TO SAY WHY IT SEEMED TO ME THAT THIS DEEP STILLNESS MASKED AN INTENSE ACTIVITY PERHAPS IN EVERY MOOD LIES THE SUGGESTION OF ITS OPPOSITE SO THAT I BECAME AWARE OF THE CONTRAST OF FURIOUS ENERGY FOR IT WAS LIKE MOVING THROUGH THE DEEP PAWS BEFORE A THUNDERSTORM AND I TROD GENTLY LEST BY BREAKING A TWIG OR MOVING A STONE I MIGHT SET THE WHOLE SCENE INTO SOME SORT OF TUMULTUOUS MOVEMENT ACTUALLY NO DOUBT IT WAS NOTHING MORE THAN A RESULT OF OVERSTRUNG NERVES" ], "begin_byte": 195296, "end_byte": 195402 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_145", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 17.28, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "And some part of myself—something that was far more than the mere act of intense listening—went out with it, and for several minutes I lost consciousness of my surroundings and felt utterly absorbed in the pain of another stricken fellow creature.", "AND SOME PART OF MYSELF SOMETHING THAT WAS FAR MORE THAN THE MERE ACT OF INTENSE LISTENING WENT OUT WITH IT AND FOR SEVERAL MINUTES I LOST CONSCIOUSNESS OF MY SURROUNDINGS AND FELT UTTERLY ABSORBED IN THE PAIN OF ANOTHER STRICKEN FELLOW CREATURE" ], "pre_texts": [ ", lifting its head and muzzle to the sky, it opened its long jaws and gave vent to a dismal and prolonged howling. But, when I heard that howling rise to heaven, the breath caught and strangled in my throat and it seemed that my heart missed a beat; for, though the sound was entirely animal, it was at the same time entirely human. But, more than that, it was the cry I had so often heard in the Western States of America where the Indians still fight and hunt and struggle—it was the cry of the Redskin! \"The Indian blood!\" whispered John Silence, when I caught his arm for support; \"the ancestral cry.\" And that poignant, beseeching cry, that broken human voice, mingling with the savage howl of the brute beast, pierced straight to my very heart and touched there something that no music, no voice, passionate or tender, of man, woman or child has ever stirred before or since for one second into life. It echoed away among the fog and the trees and lost itself somewhere out over the hidden sea.", " ITS BODY ON TO THE HIND LEGS THEN LIFTING ITS HEAD AND MUZZLE TO THE SKY IT OPENED ITS LONG JAWS AND GAVE VENT TO A DISMAL AND PROLONGED HOWLING BUT WHEN I HEARD THAT HOWLING RISE TO HEAVEN THE BREATH CAUGHT AND STRANGLED IN MY THROAT AND IT SEEMED THAT MY HEART MISSED A BEAT FOR THOUGH THE SOUND WAS ENTIRELY ANIMAL IT WAS AT THE SAME TIME ENTIRELY HUMAN AND MORE THAN THAT IT WAS THE CRY I HAD SO OFTEN HEARD IN THE WESTERN STATES OF AMERICA WHERE THE INDIANS STILL FIGHT AND HUNT AND STRUGGLE IT WAS THE CRY OF THE REDSKIN THE INDIAN BLOOD WHISPERED JOHN SILENCE WHEN I CAUGHT HIS ARM FOR SUPPORT THE ANCESTRAL CRY AND THAT POIGNANT BESEECHING CRY THAT BROKEN HUMAN VOICE MINGLING WITH THE SAVAGE HOWL OF THE BRUTE BEAST PIERCED STRAIGHT TO MY VERY HEART AND TOUCHED THERE SOMETHING THAT NO MUSIC NO VOICE PASSIONATE OR TENDER OF MAN WOMAN OR CHILD HAS EVER STIRRED BEFORE OR SINCE FOR ONE SECOND INTO LIFE IT ECHOED AWAY AMONG THE FOG AND TREES AND LOST ITSELF SOMEWHERE OUT OVER THE HIDDEN SEA" ], "begin_byte": 213232, "end_byte": 213479 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_154", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 28.319, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "\"In the last resort it might kill,\" repeated Dr. Silence. Then, after another pause, during which he was clearly debating how much or how little it was wise to give to his audience, he continued: \"And if the Double does not succeed in getting back to its physical body, that physical body would wake an imbecile—an idiot—or perhaps never wake at all.\"", "IN THE LAST RESORT IT MIGHT KILL REPEATED DOCTOR SILENCE THEN AFTER ANOTHER PAUSE DURING WHICH HE WAS CLEARLY DEBATING HOW MUCH OR HOW LITTLE IT WAS WISE TO GIVE TO HIS AUDIENCE HE CONTINUED AND IF THE DOUBLE DOES NOT SUCCEED IN GETTING BACK TO ITS PHYSICAL BODY THAT PHYSICAL BODY MIGHT WAKE AN IMBECILE AN IDIOT OR PERHAPS NEVER WAKE AT ALL" ], "pre_texts": [ "y conventional thought and knowledge; \"for the desire to possess, remember, may easily become importunate, and, embodied in this animal form of the Subtle Body which acts as its vehicle, may go forth to tear in pieces all that obstructs, to reach to the very heart of the loved object and seize it. Au fond, it is nothing more than the aspiration for union, as I said—the splendid and perfectly clean desire to absorb utterly into itself—\" He paused a moment and looked into Maloney's eyes. \"To bathe in the very heart's blood of the one desired,\" he added with grave emphasis. The fire spurted and crackled and made me start, but Maloney found relief in a genuine shudder, and I saw him turn his head and look about him from the sea to the trees. The wind dropped just at that moment and the doctor's words rang sharply through the stillness. \"Then it might even kill?\" stammered the clergyman presently in a hushed voice, and with a little forced laugh by way of protest that sounded quite ghastly.", "F CLEAR TO A MIND BOUNDED BY CONVENTIONAL THOUGHT AND KNOWLEDGE FOR THE DESIRE TO POSSESS REMEMBER MAY EASILY BECOME IMPORTUNATE AND EMBODIED IN THIS ANIMAL FORM OF THE SUBTLE BODY WHICH ACTS AS ITS VEHICLE MAY GO FORTH TO TEAR IN PIECES ALL IT OBSTRUCTS TO REACH TO THE VERY HEART OF THE LOVED OBJECT AND TO SEIZE IT O FOND IT IS NOTHING MORE THAN THE ASPIRATION FOR UNION AS I SAID THE SPLENDID AND PERFECTLY CLEAN DESIRE TO ABSORB UTTERLY INTO ITSELF HE PAUSED A MOMENT AND LOOKED INTO MALONEY'S EYES TO BATHE IN THE VERY HEART'S BLOOD OF THE ONE DESIRED HE ADDED WITH GRAVE EMPHASIS THE FIRE SPURTED AND CRACKLED AND MADE ME START BUT MALONEY FOUND RELIEF IN A GENUINE SHUDDER AND I SAW HIM TURN HIS HEAD AND LOOK ABOUT HIM FROM THE SEA TO THE TREES THE WIND DROPPED JUST AT THAT MOMENT AND THE DOCTOR'S WORDS RANG SHARPLY THROUGH THE STILLNESS THEN IT MIGHT EVEN KILL STAMMERED THE CLERGYMAN PRESENTLY IN A HUSHED VOICE AND WITH A LITTLE FORCED LAUGH BY WAY OF PROTEST THAT SOUNDED QUITE GHASTLY" ], "begin_byte": 189265, "end_byte": 189616 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_156", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 14.879, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "The deeper knowledge had leaped across and transferred itself to her ordinary consciousness, and in that shock the collision of the personalities had shaken them to the depths and shown her the truth beyond all possibility of doubt.", "THE DEEPER KNOWLEDGE HAD LEAPED ACROSS AND TRANSFERRED ITSELF TO HER ORDINARY CONSCIOUSNESS AND IN THAT SHOCK THE COLLISION OF THE PERSONALITIES HAD SHAKEN THEM TO THE DEPTHS AND SHOWN HER THE TRUTH BEYOND ALL POSSIBILITY OF DOUBT" ], "pre_texts": [ "ributed so vividly to the feeling that I had been a spectator of some kind of visionary drama as the dramatic nature of the change in the girl's attitude. Yet, as a matter of fact, the change had not been so sudden and revolutionary as appeared. Underneath, in those remoter regions of consciousness where the emotions, unknown to their owners, do secretly mature, and owe thence their abrupt revelation to some abrupt psychological climax, there can be no doubt that Joan's love for the Canadian had been growing steadily and irresistibly all the time. It had now rushed to the surface so that she recognised it; that was all. And it has always seemed to me that the presence of John Silence, so potent, so quietly efficacious, produced an effect, if one may say so, of a psychic forcing-house, and hastened incalculably the bringing together of these two \"wild\" lovers. In that sudden awakening had occurred the very psychological climax required to reveal the passionate emotion accumulated below.", "ONCEALED IT AND NOTHING CONTRIBUTED SO VIVIDLY TO THE FEELING THAT I HAD BEEN A SPECTATOR OF SOME KIND OF VISIONARY DRAMA AS THE DRAMATIC NATURE OF THE CHANGE IN THE GIRL'S ATTITUDE YET AS A MATTER OF FACT THE CHANGE HAD NOT BEEN SO SUDDEN AND REVOLUTIONARY AS APPEARED UNDERNEATH IN THOSE REMOTER REGIONS OF CONSCIOUSNESS WHERE THE EMOTIONS UNKNOWN TO THEIR OWNERS DO SECRETLY MATURE AND OWE THENCE THEIR ABRUPT REVELATION TO SOME ABRUPT PSYCHOLOGICAL CLIMAX THERE CAN BE NO DOUBT THAT JOAN'S LOVE FOR THE CANADIAN HAD BEEN GROWING STEADILY AND IRRESISTIBLY ALL THE TIME IT NOW RUSHED TO THE SURFACE SO THAT SHE RECOGNIZED IT THAT WAS ALL AND IT HAS ALWAYS SEEMED TO ME THAT THE PRESENCE OF JOHN SILENCE SO POTENT SO QUIETLY EFFICACIOUS PRODUCED AN EFFECT IF ONE MAY SAY SO OF A PSYCHIC FORCING HOUSE AND HASTENED INCALCULLY THE BRINGING TOGETHER OF THESE TWO WILD LOVERS IN THAT SUDDEN AWAKENING HAD OCCURRED THE VERY PSYCHOLOGICAL CLIMAX REQUIRED TO REVEAL THE PASSIONATE EMOTION ACCUMULATED BELOW" ], "begin_byte": 223393, "end_byte": 223625 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_159", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 10.08, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "\"Walking in her sleep, you mean?\" He nodded. \"She's on her way to meet him. From the very beginning he must have drawn her—irresistibly.\"", "WALKING IN HER SLEEP YOU MEAN HE NODDED SHE'S ON HER WAY TO MEET HIM FROM THE VERY BEGINNING HE MUST HAVE DRAWN HER IRRESISTIBLY" ], "pre_texts": [ "cky point where the granite slabs ran bare into the sea. It was like passing into the clearness of open day. And there, sharply defined against sea and sky, stood the figure of a human being. It was Joan. I at once saw that there was something about her appearance that was singular and unusual, but it was only when we had moved quite close that I recognised what caused it. For while the lips wore a smile that lit the whole face with a happiness I had never seen there before, the eyes themselves were fixed in a steady, sightless stare as though they were lifeless and made of glass. I made an impulsive forward movement, but Dr. Silence instantly dragged me back. \"No,\" he cried, \"don't wake her!\" \"What do you mean?\" I replied aloud, struggling in his grasp. \"She's asleep. It's somnambulistic. The shock might injure her permanently.\" I turned and peered closely into his face. He was absolutely calm. I began to understand a little more, catching, I suppose, something of his strong thinking.", "ED HOT AND BREATHLESS UPON THE ROCKY POINT WHERE THE GRANITE SLABS RAN BARE INTO THE SEA IT WAS LIKE PASSING INTO THE CLEARNESS OF OPEN DAY AND THERE SHARPLY DEFINED AGAINST SEA AND SKY STOOD THE FIGURE OF A HUMAN BEING IT WAS JOAN I AT ONCE SAW THAT THERE WAS SOMETHING ABOUT HER APPEARANCE THAT WAS SINGULAR AND UNUSUAL BUT IT WAS ONLY WHEN WE HAD MOVED QUITE CLOSE THAT I RECOGNIZED WHAT CAUSED IT FOR WHILE THE LIPS WORE A SMILE THAT LIT THE WHOLE FACE WITH A HAPPINESS I HAD NEVER SEEN THERE BEFORE THE EYES THEMSELVES WERE FIXED IN A STEADY SIGHTLESS STARE AS THOUGH THEY WERE LIFELESS AND MADE OF GLASS I MADE AN IMPULSIVE FORWARD MOVEMENT BUT DOCTOR SILENCE INSTANTLY DRAGGED ME BACK NO HE CRIED DON'T WAKE HER WHAT DO YOU MEAN I REPLIED ALOUD STRUGGLING IN HIS GRASP SHE'S ASLEEP IT'S SOMNAMBULISTIC THE SHOCK MIGHT INJURE HER PERMANENTLY I TURNED AND PEERED CLOSELY INTO HIS FACE HE WAS ABSOLUTELY CALM I BEGAN TO UNDERSTAND A LITTLE MORE CATCHING I SUPPOSE SOMETHING OF HIS STRONG THINKING" ], "begin_byte": 216602, "end_byte": 216739 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_161", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 18.52, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "There, in broad daylight, I saw Maloney deliberately creep closer to the fire and heap the wood on. We gathered in to the heat, and to each other, and listened to Dr. Silence's voice as it mingled with the swish and whirr of the wind about us, and the falling of the little waves.", "THERE IN BROAD DAYLIGHT I SAW MALONEY DELIBERATELY CREEP CLOSER TO THE FIRE AND HEAPED THE WOOD ON WE GATHERED INTO THE HEAT AND TO EACH OTHER AND LISTENED TO DOCTOR SILENCE'S VOICE AS IT MINGLED WITH THE SWISH AND WHIR OF THE WIND ABOUT US AND THE FALLING OF THE LITTLE WAVES" ], "pre_texts": [ "ominating thought and wish of the owner. For this Double, or astral body as you call it, is really the seat of the passions, emotions and desires in the psychical economy. It is the Passion Body; and, in projecting itself, it can often assume a form that gives expression to the overmastering desire that moulds it; for it is composed of such tenuous matter that it lends itself readily to the moulding by thought and wish.\" \"I follow you perfectly,\" said Maloney, looking as if he would much rather be chopping firewood elsewhere and singing. \"And there are some persons so constituted,\" the doctor went on with increasing seriousness, \"that the fluid body in them is but loosely associated with the physical, persons of poor health as a rule, yet often of strong desires and passions; and in these persons it is easy for the Double to dissociate itself during deep sleep from their system, and, driven forth by some consuming desire, to assume an animal form and seek the fulfilment of that desire.", " FORMS MAY BE DETERMINED BY THE DOMINATING THOUGHT AND WISH OF THE OWNER FOR THIS DOUBLE OR ASTRAL BODY AS YOU CALL IT IS REALLY THE SEAT OF THE PASSIONS EMOTIONS AND DESIRES IN THE PHYSICAL ECONOMY IT IS THE PASSION BODY AND IN PROJECTING ITSELF IT CAN OFTEN ASSUME A FORM THAT GIVES EXPRESSION TO THE OVERMASTERING DESIRE THAT MOULDS IT FOR IT IS COMPOSED OF SUCH TENUOUS MATTER THAT IT TENDS ITSELF READILY TO THE MOULDING BY THOUGHT AND WISH I FOLLOW YOU PERFECTLY SAID MALONEY LOOKING AS IF HE WOULD MUCH RATHER BE CHOPPING FIREWOOD ELSEWHERE AND SINGING THERE ARE SOME PERSONS SO CONSTITUTED THE DOCTOR WENT ON WITH INCREASING SERIOUSNESS THAT THE FLUID BODY IN THEM IS BUT LOOSELY ASSOCIATED WITH THE PHYSICAL PERSONS OF POOR HEALTH AS A RULE YET OFTEN OF STRONG DESIRES AND PASSIONS AND IN THESE PERSONS IT IS EASY FOR THE DOUBLE TO DISSOCIATE ITSELF DURING DEEP SLEEP FROM THEIR SYSTEM AND DRIVEN FORTH BY SOME CONSUMING DESIRE TO ASSUME AN ANIMAL FORM AND SEEK THE FULFILMENT OF THAT DESIRE" ], "begin_byte": 184475, "end_byte": 184756 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_194", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 19.799, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "In the abyss of her heart, too deep at first for recognition, the girl loved him, and had loved him from the very beginning. Once her normal waking consciousness recognised the fact they would leap together like twin flames, and his affliction would be at an end; his intense desire would be satisfied; he would be cured.", "IN THE ABYSS OF HER HEART TOO DEEP AT FIRST FOR RECOGNITION THE GIRL LOVED HIM AND HAD LOVED HIM FROM THE VERY BEGINNING ONCE HER NORMAL WAKING CONSCIOUSNESS RECOGNISED THE FACT THEY WOULD LEAP TOGETHER LIKE TWIN FLAMES AND HIS AFFLICTION WOULD BE AT AN END HIS INTENSE DESIRE WOULD BE SATISFIED HE WOULD BE CURED" ], "pre_texts": [ "ll dazed and bewildered, and still imagined herself with the companion of her trance. The strange lucidity of the somnambulist still hung over her brain and mind, though outwardly she appeared troubled and confused. \"Where has he gone to? He disappeared so suddenly, crying that he was hurt,\" she asked, looking at her father as though she did not recognise him. \"And if they've done anything to him—they have done it to me too—for he is more to me than—\" Her words grew vaguer and vaguer as she returned slowly to her normal waking state, and now she stopped altogether, as though suddenly aware that she had been surprised into telling secrets. But all the way back, as we carried her carefully through the trees, the girl smiled and murmured Sangree's name and asked if he was injured, until it finally became clear to me that the wild soul of the one had called to the wild soul of the other and in the secret depths of their beings the call had been heard and understood. John Silence was right.", "RED AT HIM SHE WAS STILL DAZED AND BEWILDERED AND STILL IMAGINED HERSELF WITH THE COMPANION OF HER TRANCE THE STRANGE LUCIDITY OF THE SOMNAMBULIST STILL HUNG OVER HER BRAIN AND MIND THOUGH OUTWARDLY SHE APPEARED TROUBLED AND CONFUSED WHERE HAS HE GONE TO HE DISAPPEARED SO SUDDENLY CRYING THAT HE WAS HURT SHE ASKED LOOKING AT HER FATHER AS THOUGH SHE DID NOT RECOGNIZE HIM AND IF THEY'VE DONE ANYTHING TO HIM THEY HAVE DONE IT TO ME TOO FOR HE IS MORE TO ME THAN HER WORDS GREW VAGUER AND VAGUER AS SHE RETURNED SLOWLY TO HER NORMAL WAKING STATE AND NOW SHE STOPPED ALTOGETHER AS THOUGH SUDDENLY AWARE THAT SHE HAD BEEN SURPRISED INTO TELLING SECRETS BUT ALL THE WAY BACK AS WE CARRIED HER CAREFULLY THROUGH THE TREES THE GIRL SMILED AND MURMURED SANGREE'S NAME AND ASKED IF HE WAS INJURED UNTIL IT FINALLY BECAME CLEAR TO ME THAT THE WILD SOUL OF THE ONE HAD CALLED TO THE WILD SOUL OF THE OTHER AND IN THE SECRET DEPTHS OF THEIR BEINGS THE CALL HAD BEEN HEARD AND UNDERSTOOD JOHN SILENCE WAS RIGHT" ], "begin_byte": 220619, "end_byte": 220940 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_205", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 29.92, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "The words had hardly left his lips when there was a sound of rustling branches on our left, and the very next instant the dense brushwood parted where it was darkest and out rushed the swift form of an animal at full gallop. The noise of feet was scarcely audible, but in that utter stillness I heard the heavy panting breath and caught the swish of the low bushes against its sides. It went straight towards Joan—and as it went the girl lifted her head and turned to meet it.", "THE WORDS HAD HARDLY LEFT HIS LIPS WHEN THERE WAS A SOUND OF RUSTLING BRANCHES ON OUR LEFT AND THE VERY NEXT INSTANT THE DENSE BRUSHWOOD PARTED WHERE IT WAS DARKEST AND OUT RUSHED THE SWIFT FORM OF AN ANIMAL AT FULL GALLOP THE NOISE OF FEET WAS SCARCELY AUDIBLE BUT IN THAT UTTER STILLNESS I HEARD THE HEAVY PANTING BREATH AND CAUGHT THE SWISH OF THE LOW BRUSHES AGAINST ITS SIDES IT WENT STRAIGHT TOWARDS JOAN AND AS IT WENT THE GIRL LIFTED HER HEAD AND TURNED TO MEET IT" ], "pre_texts": [ "u mean?\" I replied aloud, struggling in his grasp. \"She's asleep. It's somnambulistic. The shock might injure her permanently.\" I turned and peered closely into his face. He was absolutely calm. I began to understand a little more, catching, I suppose, something of his strong thinking. \"Walking in her sleep, you mean?\" He nodded. \"She's on her way to meet him. From the very beginning he must have drawn her—irresistibly.\" \"But the torn tent and the wounded flesh?\" \"When she did not sleep deep enough to enter the somnambulistic trance he missed her—he went instinctively and in all innocence to seek her out—with the result, of course, that she woke and was terrified—\" \"Then in their heart of hearts they love?\" I asked finally. John Silence smiled his inscrutable smile. \"Profoundly,\" he answered, \"and as simply as only primitive souls can love. If only they both come to realise it in their normal waking states his Double will cease these nocturnal excursions. He will be cured, and at rest.", " ME BACK NO HE CRIED DON'T WAKE HER WHAT DO YOU MEAN I REPLIED ALOUD STRUGGLING IN HIS GRASP SHE'S ASLEEP IT'S SOMNAMBULISTIC THE SHOCK MIGHT INJURE HER PERMANENTLY I TURNED AND PEERED CLOSELY INTO HIS FACE HE WAS ABSOLUTELY CALM I BEGAN TO UNDERSTAND A LITTLE MORE CATCHING I SUPPOSE SOMETHING OF HIS STRONG THINKING WALKING IN HER SLEEP YOU MEAN HE NODDED SHE'S ON HER WAY TO MEET HIM FROM THE VERY BEGINNING HE MUST HAVE DRAWN HER IRRESISTIBLY BUT THE TORN TENT AND THE WOUNDED FLESH WHEN SHE DID NOT SLEEP DEEP ENOUGH TO ENTER THE SOMNAMBULISTIC TRANCE HE MISSED HER HE WENT INSTINCTIVELY AND IN ALL INNOCENCE TO SEEK HER OUT WITH THE RESULT OF COURSE THAT SHE WOKE AND WAS TERRIFIED THEN IN THEIR HEART OF HEARTS THEY LOVE I ASKED FINALLY JOHN SILENCE SMILED HIS INSCRUTABLE SMILE PROFOUNDLY HE ANSWERED AND AS SIMPLY AS ONLY PRIMITIVE SOULS CAN LOVE IF ONLY THEY BOTH COME TO REALIZE IT IN THEIR NORMAL WAKING STATES HIS DOUBLE WILL CEASE THESE NOCTURNAL EXCURSIONS HE WILL BE CURED AND AT REST" ], "begin_byte": 217316, "end_byte": 217793 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_211", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 10.32, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "It was the head and face of an animal, and yet it was the face of Sangree: the face of a wild dog, a wolf, and yet his face.", "IT WAS THE HEAD AND FACE OF AN ANIMAL AND YET IT WAS THE FACE OF SANGREE THE FACE OF A WILD DOG A WOLF AND YET HIS FACE" ], "pre_texts": [ "astly and unnatural as the effect of stage limelight, dropped down in a momentary gleam upon the door of Sangree's tent, and I perceived that something had moved forward from the interior darkness and stood clearly defined upon the threshold. And, at the same moment, the tent ceased its shuddering and held still. There, in the doorway, stood an animal, with neck and muzzle thrust forward, its head poking into the night, its whole body poised in that attitude of intense rigidity that precedes the spring into freedom, the running leap of attack. It seemed to be about the size of a calf, leaner than a mastiff, yet more squat than a wolf, and I can swear that I saw the fur ridged sharply upon its back. Then its upper lip slowly lifted, and I saw the whiteness of its teeth. Surely no human being ever stared as hard as I did in those next few minutes. Yet, the harder I stared the clearer appeared the amazing and monstrous apparition. For, after all, it was Sangree—and yet it was not Sangree.", "O THE SKY AND THE MOON GHASTLY AND UNNATURAL AS THE EFFECT OF STAGE LIMELIGHT DROPPED DOWN IN A MOMENTARY GLEAM UPON THE DOOR OF SANGREE'S TENT AND I PERCEIVED THAT SOMETHING HAD MOVED FORWARD FROM THE INTERIOR DARKNESS AND STOOD CLEARLY DEFINED UPON THE THRESHOLD AND AT THE SAME MOMENT THE TENT CEASED ITS SHUDDERING AND HELD STILL THERE IN THE DOORWAY STOOD AN ANIMAL WITH NECK AND MUZZLE THRUST FORWARD ITS HEAD POKING INTO THE NIGHT ITS WHOLE BODY POISED IN THAT ATTITUDE OF INTENSE RIGIDITY THAT PRECEDES THE SPRING INTO FREEDOM THE RUNNING LEAP OF ATTACK IT SEEMED TO BE ABOUT THE SIZE OF A CALF LEANER THAN A MASTIFF YET MORE SQUAT THAN A WOLF AND I CAN SWEAR THAT I SAW THE FUR RIDGED SHARPLY UPON ITS BACK THEN ITS UPPER LIP SLOWLY LIFTED AND I SAW THE WHITENESS OF ITS TEETH SURELY NO HUMAN BEING EVER STARED SO HARD AS I DID IN THOSE NEXT FEW MINUTES YET THE HARDER I STARED THE CLEARER APPEARED THE AMAZING AND MONSTROUS APPARITION FOR AFTER ALL IT WAS SANGREE AND YET IT WAS NOT SANGREE" ], "begin_byte": 209929, "end_byte": 210053 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_225", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 28.759, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "John Silence held up a restraining hand. \"A werewolf,\" he said, \"is a true psychical fact of profound significance, however absurdly it may have been exaggerated by the imaginations of a superstitious peasantry in the days of unenlightenment, for a werewolf is nothing but the savage, and possibly sanguinary, instincts of a passionate man scouring the world in his fluidic body, his passion body, his body of desire.", "JOHN SILENCE HELD UP A RESTRAINING HAND A WAREWULF HE SAID IS A TRUE PSYCHICAL FACT OF PROFOUND SIGNIFICANCE HOWEVER ABSURDLY IT MAY HAVE BEEN EXAGGERATED BY THE IMAGINATIONS OF A SUPERSTITIOUS PEASANTRY IN THE DAYS OF UNENLIGHTENMENT FOR A WAREW WOLF IS NOTHING BUT THE SAVAGE AND POSSIBLY SANGUINARY INSTINCTS OF A PASSIONATE MAN SCOURING THE WORLD IN HIS FLUIDIC BODY HIS PASSION BODY HIS BODY OF DESIRE" ], "pre_texts": [ " each other, and listened to Dr. Silence's voice as it mingled with the swish and whirr of the wind about us, and the falling of the little waves. \"For instance, to take a concrete example,\" he resumed; \"suppose some young man, with the delicate constitution I have spoken of, forms an overpowering attachment to a young woman, yet perceives that it is not welcomed, and is man enough to repress its outward manifestations. In such a case, supposing his Double be easily projected, the very repression of his love in the daytime would add to the intense force of his desire when released in deep sleep from the control of his will, and his fluidic body might issue forth in monstrous or animal shape and become actually visible to others. And, if his devotion were dog-like in its fidelity, yet concealing the fires of a fierce passion beneath, it might well assume the form of a creature that seemed to be half dog, half wolf—\" \"A werewolf, you mean?\" cried Maloney, pale to the lips as he listened.", "THERED INTO THE HEAT AND TO EACH OTHER AND LISTENED TO DOCTOR SILENCE'S VOICE AS IT MINGLED WITH THE SWISH AND WHIR OF THE WIND ABOUT US AND THE FALLING OF THE LITTLE WAVES FOR INSTANCE TO TAKE A CONCRETE EXAMPLE HE RESUMED SUPPOSE SOME YOUNG MAN WITH THE DELICATE CONSTITUTION I HAVE SPOKEN OF FORMS AN OVERPOWERING ATTACHMENT TO A YOUNG WOMAN YET PERCEIVES THAT IT IS NOT WELCOMED AND IS MAN ENOUGH TO REPRESS ITS OUTWARD MANIFESTATIONS IN SUCH A CASE SUPPOSING HIS DOUBLE BE EASILY PROJECTED THE VERY REPRESSION OF HIS LOVE IN THE DAYTIME WOULD ADD TO THE INTENSE FORCE OF HIS DESIRE WHEN RELEASED IN DEEP SLEEP FROM THE CONTROL OF HIS WILL AND HIS FLUIDIC BODY MIGHT ISSUE FORTH IN MONSTROUS OR ANIMAL SHAPE AND BECOME ACTUALLY VISIBLE TO OTHERS AND IF HIS DEVOTION WERE DOGLIKE IN ITS FIDELITY YET CONCEALING THE FIRES OF A FIERCE PASSION BENEATH IT MIGHT WELL ASSUME THE FORM OF A CREATURE THAT SEEMED TO BE HALF DOG HALF WOLF A WAREW WOLF YOU MEAN CRIED MALONEY PALE TO THE LIPS AS HE LISTENED" ], "begin_byte": 185611, "end_byte": 186028 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_237", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 9.439, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "\"It's across the lagoon,\" Dr. Silence cried, but this time in full tones that paid no tribute to caution. \"It's Joan! She's answering him!\"", "IT'S ACROSS THE LAGOON DOCTOR SILENCE CRIED BUT THIS TIME IN FULL TONES THAT PAID NO TRIBUTE TO CAUTION IT'S JOAN SHE'S ANSWERING HIM" ], "pre_texts": [ "man voice, mingling with the savage howl of the brute beast, pierced straight to my very heart and touched there something that no music, no voice, passionate or tender, of man, woman or child has ever stirred before or since for one second into life. It echoed away among the fog and the trees and lost itself somewhere out over the hidden sea. And some part of myself—something that was far more than the mere act of intense listening—went out with it, and for several minutes I lost consciousness of my surroundings and felt utterly absorbed in the pain of another stricken fellow-creature. Again the voice of John Silence recalled me to myself. \"Hark!\" he said aloud. \"Hark!\" His tone galvanised me afresh. We stood listening side by side. Far across the island, faintly sounding through the trees and brushwood, came a similar, answering cry. Shrill, yet wonderfully musical, shaking the heart with a singular wild sweetness that defies description, we heard it rise and fall upon the night air.", "NT BESEECHING CRY THAT BROKEN HUMAN VOICE MINGLING WITH THE SAVAGE HOWL OF THE BRUTE BEAST PIERCED STRAIGHT TO MY VERY HEART AND TOUCHED THERE SOMETHING THAT NO MUSIC NO VOICE PASSIONATE OR TENDER OF MAN WOMAN OR CHILD HAS EVER STIRRED BEFORE OR SINCE FOR ONE SECOND INTO LIFE IT ECHOED AWAY AMONG THE FOG AND TREES AND LOST ITSELF SOMEWHERE OUT OVER THE HIDDEN SEA AND SOME PART OF MYSELF SOMETHING THAT WAS FAR MORE THAN THE MERE ACT OF INTENSE LISTENING WENT OUT WITH IT AND FOR SEVERAL MINUTES I LOST CONSCIOUSNESS OF MY SURROUNDINGS AND FELT UTTERLY ABSORBED IN THE PAIN OF ANOTHER STRICKEN FELLOW CREATURE AGAIN THE VOICE OF JOHN SILENCE RECALLED ME TO MYSELF HARK HE SAID ALOUD HARK HIS TONE GALVANIZED ME AFRESH WE STOOD LISTENING SIDE BY SIDE FAR ACROSS THE ISLAND FAINTLY SOUNDING THROUGH THE TREES AND BRUSHWOOD CAME A SIMILAR ANSWERING CRY SHRILL YET WONDERFULLY MUSICAL SHAKING THE HEART WITH A SINGULAR WILD SWEETNESS THAT DEFIED DESCRIPTION WE HEARD IT RISE AND FALL UPON THE NIGHT AIR" ], "begin_byte": 213887, "end_byte": 214026 } } ]

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[ { "id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb_247", "recording_id": "large/1336/the_camp_of_the_dog_librivox_64kb_mp3/camp_of_the_dog_5_blackwood_cb_64kb", "start": 0, "duration": 16.52, "channel": 0, "language": "English", "speaker": "1336", "custom": { "texts": [ "But I've taken steps to imprison it in the tent, and it can't get out till I permit it. Be on the watch for signs of movement.\" Then he looked hard at Maloney. \"But no violence, or shooting, remember, Mr. Maloney, unless you want a murder on your hands.", "BUT I'VE TAKEN STEPS TO IMPRISON IT IN THE TENT AND IT CAN'T GET OUT TILL I PERMIT IT BE ON THE WATCH FOR SIGNS OF MOVEMENT THEN HE LOOKED HARD AT MALONEY BUT NO VIOLENCE OR SHOOTING REMEMBER MISTER MALONEY UNLESS YOU WANT A MURDER ON YOUR HANDS" ], "pre_texts": [ "on. \"One's useless and the other's dangerous,\" I replied under my breath, conscious of a keen desire to laugh, and leaving him to choose. \"Safety lies in following our leader—\" \"I'm not thinking of myself,\" he interrupted sharply; \"only, if anything happens to Joan to-night I'm going to shoot first—and pray afterwards!\" Maloney put the book back into his hip-pocket, and peered out of the doorway. \"What is he up to now, in the devil's name, I wonder!\" he added; \"going round Sangree's tent and making gestures. How weird he looks disappearing in and out of the fog.\" \"Just trust him and wait,\" I said quickly, for the doctor was already on his way back. \"Remember, he has the knowledge, and knows what he's about. I've been with him through worse cases than this.\" Maloney moved back as Dr. Silence darkened the doorway and stooped to enter. \"His sleep is very deep,\" he whispered, seating himself by the door again. \"He's in a cataleptic condition, and the Double may be released any minute now. ", "IN HIS LIFE IT HAD BEEN HIS INSEPARABLE COMPANION ONE'S USELESS AND THE OTHER'S DANGEROUS I REPLIED UNDER MY BREATH CONSCIOUS OF A KEEN DESIRE TO LAUGH AND LEAVING HIM TO CHOOSE SAFETY LIES IN FOLLOWING OUR LEADER I'M NOT THINKING OF MYSELF HE INTERRUPTED SHARPLY ONLY IF ANYTHING HAPPENS TO JOAN TO NIGHT I'M GOING TO SHOOT FIRST AND PRAY AFTERWARDS MALONEY PUT THE BOOK BACK INTO HIS HIP POCKET AND PEERED OUT OF THE DOORWAY WHAT IS HE UP TO NOW IN THE DEVIL'S NAME I WONDER HE ADDED GOING ROUND SANGREE'S TENT AND MAKING GESTURES HOW WEIRD HE LOOKS DISAPPEARING IN AND OUT OF THE FOG JUST TRUST HIM AND WAIT I SAID QUICKLY FOR THE DOCTOR WAS ALREADY ON HIS WAY BACK REMEMBER HE HAS THE KNOWLEDGE AND KNOWS WHAT HE'S ABOUT I'VE BEEN WITH HIM THROUGH WORSE CASES THAN THIS MALONEY MOVED BACK AS DOCTOR SILENCE DARKENED THE DOORWAY AND STOOPED TO ENTER HIS SLEEP IS VERY DEEP HE WHISPERED SEATING HIMSELF BY THE DOOR AGAIN HE'S IN A CATALEPTIC CONDITION AND THE DOUBLE MAY BE RELEASED ANY MINUTE NOW " ], "begin_byte": 201164, "end_byte": 201416 } } ]

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[ { "id": "large/1472/primaryreader_1605_librivox_64kb_mp3/primaryreader_00_smythe_64kb_4", "recording_id": "large/1472/primaryreader_1605_librivox_64kb_mp3/primaryreader_00_smythe_64kb", "start": 0, "duration": 18.679, "channel": 0, "language": "English", "speaker": "1472", "custom": { "texts": [ "It has been my endeavor to follow Dr. G. Stanley Hall's suggestions in his monograph, \"How to Teach Reading,\" where he asks for \"true child editions, made by testing many children with the work piece meal and cutting and adapting the material till it really and closely fitted the minds and hearts of the children.\"", "IT HAS BEEN MY ENDEAVOUR TO FOLLOW DOCTOR G STANLEY HULL'S SUGGESTIONS IN HIS MONOGRAPH HOW TO TEACH READING WHERE HE ASKS FOR TRUE CHILD EDITIONS MADE BY TESTING MANY CHILDREN WITH THE WORK PIECEMEAL AND CUTTING AND ADAPTING THE MATERIAL TILL IT REALLY AND CLOSELY FITTED THE MINDS AND HEARTS OF THE CHILDREN" ], "pre_texts": [ "uters, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: A Primary Reader Old-time Stories, Fairy Tales and Myths Retold by Children Author: E. Louise Smythe Release Date: April, 2005 [EBook #7841] [Yes, we are more than one year ahead of schedule] [This file was first posted on May 21, 2003] Edition: 10 Language: English *** START OF THE PROJECT GUTENBERG EBOOK A PRIMARY READER *** Produced by Juliet Sutherland, Tonya Allen and the Online Distributed Proofreading Team A PRIMARY READER Old-time Stories, Fairy Tales and Myths Retold by Children By E. LOUISE SMYTHE PREFACE. This book originated in a series of little reading lessons prepared for the first grade pupils in the Santa Rosa public schools. The object of the lessons was three-fold: to provide reading matter for the little ones who had only a small vocabulary of sight-words; to acquaint them early with the heroes who have come down to us in song and story; and to create a desire for literature.", " PREFACE OF A PRIMARY READER THIS IS A LIBERVOX RECORDING ALL LIBERVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBERVOX DOT ORG RECORDING BY SARAH JENNINGS A PRIMARY READER OLD TIME STORIES FAIRY TALES AND MYTHS RETOLD BY CHILDREN BY E LOUISE SMITH PREFACE THIS BOOK ORIGINATED IN A SERIES OF LITTLE READING LESSONS PREPARED FOR THE FIRST GRADE PUPILS IN THE SANTA ROSA PUBLIC SCHOOLS THE OBJECT OF THE LESSONS WAS THREEFOLD TO PROVIDE READING MATTER FOR THE LITTLE ONES WHO HAD ONLY A SMALL VOCABULARY OF SIDE WORDS TO ACQUAINT THEM EARLY WITH THE HEROES WHO HAVE COME DOWN TO US IN SONG AND STORY AND TO CREATE A DESIRE FOR LITERATURE" ], "begin_byte": 1859, "end_byte": 2174 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_2", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 12.519, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "XLI. For \"IS\" and \"IS NOT\" though with Rule and Line, And, \"UP AND DOWN\" without, I could define, I yet in all I only cared to know, Was never deep in anything but Wine.", "FOR IS AND IS NOT THOUGH WITH RULE AND LINE AND UP AND DOWN WITHOUT I COULD DEFINE I YET IN ALL I ONLY CARED TO KNOW WAS NEVER DEEP IN ANYTHING BUT WINE" ], "pre_texts": [ "with fugitive Articulation answer'd, once did live, And merry-make; and the cold Lip I kiss'd How many Kisses might it take--and give. XXXVI. For in the Market-place, one Dusk of Day, I watch'd the Potter thumping his wet Clay: And with its all obliterated Tongue It murmur'd--\"Gently, Brother, gently, pray!\" XXXVII. Ah, fill the Cup:--what boots it to repeat How Time is slipping underneath our Feet: Unborn TO-MORROW and dead YESTERDAY, Why fret about them if TO-DAY be sweet! XXXVIII. One Moment in Annihilation's Waste, One moment, of the Well of Life to taste-- The Stars are setting, and the Caravan Starts for the dawn of Nothing--Oh, make haste! XXXIX. How long, how long, in infinite Pursuit Of This and That endeavour and dispute? Better be merry with the fruitful Grape Than sadden after none, or bitter, Fruit. XL. You know, my Friends, how long since in my House For a new Marriage I did make Carouse: Divorced old barren Reason from my Bed, And took the Daughter of the Vine to Spouse.", "OU LIVE DRINK FOR ONCE DEAD YOU NEVER SHALL RETURN I THINK THE VESSEL THAT WITH FUGITIVE ARTICULATION ANSWERED ONCE DID LIVE AND MARY MAKE AND THE COLD LIP I KISS'D HOW MANY KISSES MIGHT IT TAKE AND GIVE FOR IN THE MARKET PLACE ONE DUSK OF DAY I WATCHED THE POTTER THUMPING HIS WET CLAY AND WITH ITS ALL OBLITERATED TONGUE IT MURMURED GENTLY BROTHER GENTLY PRAY AH FILL THE CUP WHAT BROODS IT TO REPEAT HOW TIME IS SLIPPING UNDERNEATH OUR FEET UNBORN TO MORROW AND DEAD YESTERDAY WHY FRET ABOUT THEM IF TO DAY BE SWEET ONE MOMENT AN ANNIHILATION'S WASTE ONE MOMENT OF THE WELL OF LIFE TO TASTE THE STARS ARE SETTING AND THE CARAVAN STARTS FOR THE DAWWN OF NOTHING OH MAKE HASTE HOW LONG HOW LONG AN INFINITE PURSUIT OF THIS AND THAT ENDEAVOUR IN DISPUTE BETTER BE MERRY WITH THE FRUITFUL GRAPE THAN SADDIN AFTER NONE OR BITTER FRUIT YOU KNOW MY FRIENDS HOW LONG SINCE IN MY HOUSE FOR A NEW MARRIAGE I DID MAKE CAROUSE DIVORCED OLD BARREN REASON FROM MY BED AND TOOK THE DAUGHTER OF THE VINE TO SPOUSE" ], "begin_byte": 32064, "end_byte": 32234 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_3", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 13.199, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "KUZA NAMA. (\"Book of Pots\") LIX. Listen again. One Evening at the Close Of Ramazan, ere the better Moon arose, In that old Potter's Shop I stood alone With the clay Population round in Rows.", "KUSONOMA BOOK OF PARTS LISTEN AGAIN ONE EVENING AT THE CLOSE OF RAMAZON AND THE BETTER MOON AROSE IN THAT OLD POTTER'S SHOP I STOOD ALONE WITH THE CLAY POPULATION ROUND IN ROWS" ], "pre_texts": [ "knead, And then of the Last Harvest sow'd the Seed: Yea, the first Morning of Creation wrote What the Last Dawn of Reckoning shall read. LIV. I tell Thee this--When, starting from the Goal, Over the shoulders of the flaming Foal Of Heav'n Parwin and Mushtari they flung, In my predestin'd Plot of Dust and Soul LV. The Vine had struck a Fibre; which about It clings my Being--let the Sufi flout; Of my Base Metal may be filed a Key, That shall unlock the Door he howls without. LVI. And this I know: whether the one True Light, Kindle to Love, or Wrath consume me quite, One Glimpse of It within the Tavern caught Better than in the Temple lost outright. LVII. Oh Thou who didst with Pitfall and with Gin Beset the Road I was to wander in, Thou wilt not with Predestination round Enmesh me, and impute my Fall to Sin? LVIII. Oh Thou, who Man of baser Earth didst make, And who with Eden didst devise the Snake; For all the Sin wherewith the Face of Man Is blacken'd, Man's Forgiveness give--and take!", "ENTLY ON AS THOU OR I WITH EARTH'S FIRST CLAY THEY DID THE LAST MAN'S NEED AND THEN OF THE LAST HARVEST SOWED THE SEED YEA THE FIRST MORNING CREATION WROTE WHAT THE LAST DAWN OF RECKONING SHALL READ I TELL THEE THIS WHEN STARTING FROM THE GOAL OVER THE SHOULDER OF THIS FLAMING FOLD OF HEAVEN PARWIN AND NOSTRO THEY FLUNG IN MY PREDESTINED PLOT OF DUST AND SOUL THINE HAD STRUCK A FIBRE WHICH ABOUT IT CLINGS MY BEING LET THE SOUFIE FLOUT OF MY BASE METAL MAY BE FILED A KEY THAT SHALL UNLOCK THE DOOR HE HELS WITHOUT AND THIS I KNOW WHETHER THE ONE TRUE LIGHT KINDLED TO LOVE OR WRATH CONSUME ME QUITE ONE GLIMPSE OF IT WITHIN THE TAVERN CUT BETTER THAN IN THE TEMPLE LOST OUTRIGHT O THOU DIDST WITH PITFALL AND WITH GIN BESET THE ROAD I WAS TO WANDER IN THOU WILT NOT WITH PREDESTINATION ROUND ENMESH ME AND IMPUTE MY FALL TO SIN O THOU WHO MAN OF BASER EARTH DIDST MAKE AND WHO WITH EDEN DIDST DEVISE THE SNAKE FOR ALL THE SIN WHEREWITH THE FACE OF MAN IS BLACKENED MAN'S FORGIVENESS GIVE AND TAKE" ], "begin_byte": 35212, "end_byte": 35403 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_17", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 12.079, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "XXXIII. Then to the rolling Heav'n itself I cried, Asking, \"What Lamp had Destiny to guide Her little Children stumbling in the Dark?\" And \"A blind understanding!\" Heav'n replied.", "THEN TO THE ROLLING HEAVEN ITSELF I CRIED ASKING WHAT LAMP HAD DESTINY TO GUIDE HER LITTLE CHILDREN STUMBLING IN THE DARK AND A BLIND UNDERSTANDING HEAVEN REPLIED" ], "pre_texts": [ "did eagerly frequent Doctor and Saint, and heard great Argument About it and about: but evermore Came out by the same Door as in I went. XXVIII. With them the Seed of Wisdom did I sow, And with my own hand labour'd it to grow: And this was all the Harvest that I reap'd-- \"I came like Water, and like Wind I go.\" XXIX. Into this Universe, and why not knowing, Nor whence, like Water willy-nilly flowing: And out of it, as Wind along the Waste, I know not whither, willy-nilly blowing. XXX. What, without asking, hither hurried whence? And, without asking, whither hurried hence! Another and another Cup to drown The Memory of this Impertinence! XXXI. Up from Earth's Centre through the seventh Gate I rose, and on the Throne of Saturn sate, And many Knots unravel'd by the Road; But not the Knot of Human Death and Fate. XXXII. There was a Door to which I found no Key: There was a Veil past which I could not see: Some little Talk awhile of ME and THEE There seemed--and then no more of THEE and ME.", " LIES THE FLOWER THAT ONCE HAS BLOWN FOR EVER DIES MYSELF WHEN YOUNG DID EAGERLY FREQUENT DOCTOR AND SAINT AND HEARD GREAT ARGUMENT ABOUT IT AND ABOUT BUT EVERMORE CAME OUT BY THE SAME DOOR AS IN I WENT WITH THEM THE SEED OF WISDOM DID I SOW AND WITH MY OWN HAND LABOUR'D IT TO GROW AND THIS WAS ALL THE HARVEST THAT I REAPED I CAME LIKE WATER AND LIKE WIND I GO INTO THIS UNIVERSE IN WHY NOT KNOWING NOR WHENCE LIKE WATER WILLY NILLY FLOWING AND OUT OF IT AS WIND ALONG THE WASTE I KNOW NOT WHITHER WILLY NILLY BLOWING WHAT WITHOUT ASKING HITHER HURRIED WHENCE AND WITHOUT ASKING WHITHER HURRIED HENCE ANOTHER AND ANOTHER CUT TO DROWN THE MEMORY OF THIS IMPERTINENCE UP FROM EARTH CENTRE THROUGH THE SEVENTH GATE I ROSE AND ON THE THRONE OF SATURN SATE AND MANY KNOTS UNRAVELED BY THE ROAD BUT NOT THE KNOT OF HUMAN DEATH AND FATE THERE WAS A DOOR TO WHICH I FOUND NO KEY THERE WAS A VALE PAST WHICH I COULD NOT SEE SOME LITTLE TALK AWHILE OF ME AND THEE THERE SEEMED AND THEN NO MORE OF THEE AND ME" ], "begin_byte": 30671, "end_byte": 30851 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_26", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 10.88, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "II. Dreaming when Dawn's Left Hand was in the Sky I heard a Voice within the Tavern cry, \"Awake, my Little ones, and fill the Cup Before Life's Liquor in its Cup be dry.\"", "DREAMING WHEN DAWN'S LEFT HAND WAS IN THE SKY I HEARD A VOICE WITHIN THE TAVERN CRY AWAKE MY LITTLE ONES AND FILL THE CUP BEFORE LIFE'S LIQUOR IN ITS CUP BE DRY" ], "pre_texts": [ " the other.] [Footnote 8: A note to Quatrain 234 admits that, however clear the mystical meaning of such Images must be to Europeans, they are not quoted without \"rougissant\" even by laymen in Persia--\"Quant aux termes de tendresse qui commencent ce quatrain, comme tant d'autres dans ce recueil, nos lecteurs, habitues maintenant a 1'etrangete des expressions si souvent employees par Kheyam pour rendre ses pensees sur l'amour divin, et a la singularite des images trop orientales, d'une sensualite quelquefois revoltante, n'auront pas de peine a se persuader qu'il s'agit de la Divinite, bien que cette conviction soit vivement discutee par les moullahs musulmans, et meme par beaucoup de laiques, qui rougissent veritablement d'une pareille licence de leur compatriote a 1'egard des choses spirituelles.\"] First Edition I. Awake! for Morning in the Bowl of Night Has flung the Stone that puts the Stars to Flight: And Lo! the Hunter of the East has caught The Sultan's Turret in a Noose of Light.", " O THE RUBAIAT OF OMAR KHAYENNE BY OMAR KHAYEM TRANSLATED BY EDWARD FITZGERALD THIS IS A LIBER BOX RECORDING ALL LIBERVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBER BOX DOT ORG THE RUBAIAT OF OMAR KHAYAM BY OMAR KHAYAM TRANSLATED BY EDWARD FITZGERALD AWAKE FOR MORNING AND THE BOWL OF NIGHT HAS FLUNG THE STONE THAT PUTS THE STARS TO FLIGHT AND LO THE HUNTER OF THE EAST HAS CAUGHT THE SULTAN'S TURRET IN A NOOSE OF LIGHT" ], "begin_byte": 25259, "end_byte": 25429 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_28", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 10.88, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "LI. The Moving Finger writes; and, having writ, Moves on: nor all thy Piety nor Wit Shall lure it back to cancel half a Line, Nor all thy Tears wash out a Word of it.", "THE MOVING FINGER WRITES AND HAVING WRIT MOVES ON NOR ALL THY PIETY NOR WIT SHALL LURE IT BACK TO CANCEL HALF A LINE NOR ALL THY TEARS WASH OUT A WORD OF IT" ], "pre_texts": [ "se let be: And, in some corner of the Hubbub coucht, Make Game of that which makes as much of Thee. XLVI. For in and out, above, about, below, 'Tis nothing but a Magic Shadow-show, Play'd in a Box whose Candle is the Sun, Round which we Phantom Figures come and go. XLVII. And if the Wine you drink, the Lip you press, End in the Nothing all Things end in--Yes- Then fancy while Thou art, Thou art but what Thou shalt be--Nothing--Thou shalt not be less. XLVIII. While the Rose blows along the River Brink, With old Khayyam the Ruby Vintage drink: And when the Angel with his darker Draught Draws up to thee--take that, and do not shrink. XLVIX. 'Tis all a Chequer-board of Nights and Days Where Destiny with Men for Pieces plays: Hither and thither moves, and mates, and slays, And one by one back in the Closet lays. L. The Ball no Question makes of Ayes and Noes, But Right or Left as strikes the Player goes; And He that toss'd Thee down into the Field, He knows about it all--HE knows--HE knows!", "SWORD BUT LEAVE THE WISE TO WRANGLE AND WITH ME THE QUARREL OF THE UNIVERSE LET BE AND IN SOME CORNER OF THE HUBBUB COUCHED MAKE GAME OF THAT WHICH MAKES AS MUCH OF THEE FOR IN AND OUT ABOVE ABOUT BELOW TIS NOTHING BUT A MAGIC SHADOW SHOW PLAYED IN A BOX WHOSE CANDLE IS THE SUN ROUND WHICH WE PHANTOM FIGURES COME AND GO AND IF THE WINE YOU DRINK THE LIP YOU PRESS END IN NOTHING ALL THINGS END IN YES THEN FANCY WHILE THOU ART THOU ART BUT WHAT THOU SHALT BE NOTHING THOU SHALT NOT BE LESS WHILE THE ROSE BLOWS ALONG THE RIVER BRINK WITH OLD CYME THE RUBY VINTAGE DRINK AND WHEN THE ANGEL WITH HIS DARKER DROUGHT DRAWS UP TO THEE TAKE THAT AND DO NOT SHRINK TIS ALL A CHECKER BOARD OF NIGHTS AND DAYS WHERE DESTINY WITH MEN FOR PIECES PLAYS HITHER AND THITHER MOVES IN MATES AND SLEIGHS AND ONE BY ONE BACK IN THE CLOSET LAYS THE BALL NO QUESTION MAKES OF EYES AND NOSE BUT RIGHT OR LEFT AS STRIKES THE PLAYER GOES AND HE THAT TOSSED THEE DOWN INTO THE FIELD HE KNOWS ABOUT IT ALL HE KNOWS HE KNOWS" ], "begin_byte": 33825, "end_byte": 33991 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_29", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 10.119, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "XXXV. I think the Vessel, that with fugitive Articulation answer'd, once did live, And merry make; and the cold Lip I kiss'd How many Kisses might it take and give.", "I THINK THE VESSEL THAT WITH FUGITIVE ARTICULATION ANSWERED ONCE DID LIVE AND MARY MAKE AND THE COLD LIP I KISS'D HOW MANY KISSES MIGHT IT TAKE AND GIVE" ], "pre_texts": [ "Nor whence, like Water willy-nilly flowing: And out of it, as Wind along the Waste, I know not whither, willy-nilly blowing. XXX. What, without asking, hither hurried whence? And, without asking, whither hurried hence! Another and another Cup to drown The Memory of this Impertinence! XXXI. Up from Earth's Centre through the seventh Gate I rose, and on the Throne of Saturn sate, And many Knots unravel'd by the Road; But not the Knot of Human Death and Fate. XXXII. There was a Door to which I found no Key: There was a Veil past which I could not see: Some little Talk awhile of ME and THEE There seemed--and then no more of THEE and ME. XXXIII. Then to the rolling Heav'n itself I cried, Asking, \"What Lamp had Destiny to guide Her little Children stumbling in the Dark?\" And--\"A blind understanding!\" Heav'n replied. XXXIV. Then to this earthen Bowl did I adjourn My Lip the secret Well of Life to learn: And Lip to Lip it murmur'd--\"While you live, Drink!--for once dead you never shall return.", "CAME LIKE WATER AND LIKE WIND I GO INTO THIS UNIVERSE IN WHY NOT KNOWING NOR WHENCE LIKE WATER WILLY NILLY FLOWING AND OUT OF IT AS WIND ALONG THE WASTE I KNOW NOT WHITHER WILLY NILLY BLOWING WHAT WITHOUT ASKING HITHER HURRIED WHENCE AND WITHOUT ASKING WHITHER HURRIED HENCE ANOTHER AND ANOTHER CUT TO DROWN THE MEMORY OF THIS IMPERTINENCE UP FROM EARTH CENTRE THROUGH THE SEVENTH GATE I ROSE AND ON THE THRONE OF SATURN SATE AND MANY KNOTS UNRAVELED BY THE ROAD BUT NOT THE KNOT OF HUMAN DEATH AND FATE THERE WAS A DOOR TO WHICH I FOUND NO KEY THERE WAS A VALE PAST WHICH I COULD NOT SEE SOME LITTLE TALK AWHILE OF ME AND THEE THERE SEEMED AND THEN NO MORE OF THEE AND ME THEN TO THE ROLLING HEAVEN ITSELF I CRIED ASKING WHAT LAMP HAD DESTINY TO GUIDE HER LITTLE CHILDREN STUMBLING IN THE DARK AND A BLIND UNDERSTANDING HEAVEN REPLIED THEN TO THIS EARTHEN BOWL DID I ADJOURN MY LIP THE SECRET WELL OF LIFE TO LEARN AND LIP TO LIP IT MURMURED WHILE YOU LIVE DRINK FOR ONCE DEAD YOU NEVER SHALL RETURN" ], "begin_byte": 31031, "end_byte": 31197 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_50", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 18.559, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "LXII. Another said \"Why, ne'er a peevish Boy Would break the Bowl from which he drank in Joy; Shall He that made the Vessel in pure Love And Fansy, in an after Rage destroy!\" LXIII. None answer'd this; but after Silence spake A Vessel of a more ungainly Make: \"They sneer at me for leaning all awry; What?", "ANOTHER SAID WHY NE'ER A PEEVISH BOY WOULD BREAK THE BOWL FROM WHICH HE DRANK IN JOY SHALL HE THAT MADE THE VESSEL IN PURE LOVE AND FANCY IN AN AFTER RAGE DESTROY NONE ANSWERED THIS BUT AFTER SILENCE SPAKE A VESSEL THAT THEY MORE UNGAINLY MAKE THEY SNEER AT ME FOR LEANING ALL AWRY WHAT" ], "pre_texts": [ "ve, or Wrath consume me quite, One Glimpse of It within the Tavern caught Better than in the Temple lost outright. LVII. Oh Thou who didst with Pitfall and with Gin Beset the Road I was to wander in, Thou wilt not with Predestination round Enmesh me, and impute my Fall to Sin? LVIII. Oh Thou, who Man of baser Earth didst make, And who with Eden didst devise the Snake; For all the Sin wherewith the Face of Man Is blacken'd, Man's Forgiveness give--and take! KUZA--NAMA. (\"Book of Pots\") LIX. Listen again. One Evening at the Close Of Ramazan, ere the better Moon arose, In that old Potter's Shop I stood alone With the clay Population round in Rows. LX. And strange to tell, among that Earthen Lot Some could articulate, while others not: And suddenly one more impatient cried-- \"Who is the Potter, pray, and who the Pot?\" LXI. Then said another--\"Surely not in vain My substance from the common Earth was ta'en, That He who subtly wrought me into Shape Should stamp me back to common Earth again.", "S WITHOUT AND THIS I KNOW WHETHER THE ONE TRUE LIGHT KINDLED TO LOVE OR WRATH CONSUME ME QUITE ONE GLIMPSE OF IT WITHIN THE TAVERN CUT BETTER THAN IN THE TEMPLE LOST OUTRIGHT O THOU DIDST WITH PITFALL AND WITH GIN BESET THE ROAD I WAS TO WANDER IN THOU WILT NOT WITH PREDESTINATION ROUND ENMESH ME AND IMPUTE MY FALL TO SIN O THOU WHO MAN OF BASER EARTH DIDST MAKE AND WHO WITH EDEN DIDST DEVISE THE SNAKE FOR ALL THE SIN WHEREWITH THE FACE OF MAN IS BLACKENED MAN'S FORGIVENESS GIVE AND TAKE KUSONOMA BOOK OF PARTS LISTEN AGAIN ONE EVENING AT THE CLOSE OF RAMAZON AND THE BETTER MOON AROSE IN THAT OLD POTTER'S SHOP I STOOD ALONE WITH THE CLAY POPULATION ROUND IN ROWS AND STRANGE TO TELL AMONG THE EARTHEN LOT SOME COULD ARTICULATE WHILE OTHERS KNOCKED AND SUDDENLY ONE MORE IMPATIENT CRIED WHO IS THE POTTER PRAY AND WHO THE POT THEN SAID ANOTHER SURELY NOT IN VAIN MY SUBSTANCE FROM THE COMMON EARTH WAS TAME THAT HE WHO SUBTLY WROUGHT ME INTO SHAPE SHOULD STAMP ME BACK TO THE COMMON EARTH AGAIN" ], "begin_byte": 35752, "end_byte": 36059 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_51", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 9.839, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "LXI. Then said another \"Surely not in vain My substance from the common Earth was ta'en, That He who subtly wrought me into Shape Should stamp me back to common Earth again.\"", "THEN SAID ANOTHER SURELY NOT IN VAIN MY SUBSTANCE FROM THE COMMON EARTH WAS TAME THAT HE WHO SUBTLY WROUGHT ME INTO SHAPE SHOULD STAMP ME BACK TO THE COMMON EARTH AGAIN" ], "pre_texts": [ "s my Being--let the Sufi flout; Of my Base Metal may be filed a Key, That shall unlock the Door he howls without. LVI. And this I know: whether the one True Light, Kindle to Love, or Wrath consume me quite, One Glimpse of It within the Tavern caught Better than in the Temple lost outright. LVII. Oh Thou who didst with Pitfall and with Gin Beset the Road I was to wander in, Thou wilt not with Predestination round Enmesh me, and impute my Fall to Sin? LVIII. Oh Thou, who Man of baser Earth didst make, And who with Eden didst devise the Snake; For all the Sin wherewith the Face of Man Is blacken'd, Man's Forgiveness give--and take! KUZA--NAMA. (\"Book of Pots\") LIX. Listen again. One Evening at the Close Of Ramazan, ere the better Moon arose, In that old Potter's Shop I stood alone With the clay Population round in Rows. LX. And strange to tell, among that Earthen Lot Some could articulate, while others not: And suddenly one more impatient cried-- \"Who is the Potter, pray, and who the Pot?", " PLOT OF DUST AND SOUL THINE HAD STRUCK A FIBRE WHICH ABOUT IT CLINGS MY BEING LET THE SOUFIE FLOUT OF MY BASE METAL MAY BE FILED A KEY THAT SHALL UNLOCK THE DOOR HE HELS WITHOUT AND THIS I KNOW WHETHER THE ONE TRUE LIGHT KINDLED TO LOVE OR WRATH CONSUME ME QUITE ONE GLIMPSE OF IT WITHIN THE TAVERN CUT BETTER THAN IN THE TEMPLE LOST OUTRIGHT O THOU DIDST WITH PITFALL AND WITH GIN BESET THE ROAD I WAS TO WANDER IN THOU WILT NOT WITH PREDESTINATION ROUND ENMESH ME AND IMPUTE MY FALL TO SIN O THOU WHO MAN OF BASER EARTH DIDST MAKE AND WHO WITH EDEN DIDST DEVISE THE SNAKE FOR ALL THE SIN WHEREWITH THE FACE OF MAN IS BLACKENED MAN'S FORGIVENESS GIVE AND TAKE KUSONOMA BOOK OF PARTS LISTEN AGAIN ONE EVENING AT THE CLOSE OF RAMAZON AND THE BETTER MOON AROSE IN THAT OLD POTTER'S SHOP I STOOD ALONE WITH THE CLAY POPULATION ROUND IN ROWS AND STRANGE TO TELL AMONG THE EARTHEN LOT SOME COULD ARTICULATE WHILE OTHERS KNOCKED AND SUDDENLY ONE MORE IMPATIENT CRIED WHO IS THE POTTER PRAY AND WHO THE POT" ], "begin_byte": 35576, "end_byte": 35752 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_55", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 13.08, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "VI. And David's Lips are lock't; but in divine High piping Pelevi, with \"Wine! Wine! Wine! Red Wine!\" the Nightingale cries to the Rose That yellow Cheek of hers to'incarnadine.", "AND DAVID'S LIPS ARE LOCK'D BUT IN DIVINE HIGH PIPING PALEVEI WITH WINE WINE WINE RED WINE THE NIGHTINGALE CRIES TO THE ROSE THAT YELLOW CHEEK OF HERS TA INCARNODINE" ], "pre_texts": [ "ues, qui rougissent veritablement d'une pareille licence de leur compatriote a 1'egard des choses spirituelles.\"] First Edition I. Awake! for Morning in the Bowl of Night Has flung the Stone that puts the Stars to Flight: And Lo! the Hunter of the East has caught The Sultan's Turret in a Noose of Light. II. Dreaming when Dawn's Left Hand was in the Sky I heard a Voice within the Tavern cry, \"Awake, my Little ones, and fill the Cup Before Life's Liquor in its Cup be dry.\" III. And, as the Cock crew, those who stood before The Tavern shouted--\"Open then the Door. You know how little while we have to stay, And, once departed, may return no more.\" IV. Now the New Year reviving old Desires, The thoughtful Soul to Solitude retires, Where the WHITE HAND OF MOSES on the Bough Puts out, and Jesus from the Ground suspires. V. Iram indeed is gone with all its Rose, And Jamshyd's Sev'n-ring'd Cup where no one knows; But still the Vine her ancient Ruby yields, And still a Garden by the Water blows.", "DINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBER BOX DOT ORG THE RUBAIAT OF OMAR KHAYAM BY OMAR KHAYAM TRANSLATED BY EDWARD FITZGERALD AWAKE FOR MORNING AND THE BOWL OF NIGHT HAS FLUNG THE STONE THAT PUTS THE STARS TO FLIGHT AND LO THE HUNTER OF THE EAST HAS CAUGHT THE SULTAN'S TURRET IN A NOOSE OF LIGHT DREAMING WHEN DAWN'S LEFT HAND WAS IN THE SKY I HEARD A VOICE WITHIN THE TAVERN CRY AWAKE MY LITTLE ONES AND FILL THE CUP BEFORE LIFE'S LIQUOR IN ITS CUP BE DRY AND AS THE COCK CREW THOSE WHO STOOD BEFORE THE TAVERN SHOUTED OPEN THEN THE DOOR YOU KNOW HOW LITTLE WHILE WE HAVE TO STAY AND ONCE DEPARTED MAY RETURN NO MORE NOW THE NEW YEAR REVIVING OLD DESIRES THE THOUGHTFUL SOUL TO SOLITUDE RETIRES WHERE THE WHITE HAND OF MOSES ON THE BOUGH PUTS OUT AND JESUS FROM THE GROUNDS ASPIRES IRAM INDEED IS GONE WITH ALL ITS ROSE AND JAMESHOD'S SEVEN RINGED CUP WHERE NO ONE KNOWS BUT STILL THE VINE HER ANCIENT RUBY YIELDS AND STILL A GARDEN BY THE WATER BLOWS" ], "begin_byte": 25955, "end_byte": 26133 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_65", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 20.2, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "XLIII. The Grape that can with Logic absolute The Two and Seventy jarring Sects confute: The subtle Alchemist that in a Trice Life's leaden Metal into Gold transmute. XLIV. The mighty Mahmud, the victorious Lord, That all the misbelieving and black Horde Of Fears and Sorrows that infest the Soul Scatters and slays with his enchanted Sword.", "THE GRAPE THAT CAN WITH LOGIC ABSOLUTE THE TWO AND SEVENTY JARRING SECTS CONFUTE THE SUBTLE ALCHEMIST THAT IN A TRICE LIFE'S LEADEN METAL INTO GOLD TRANSMUTE THE MIGHTY MACHMUD THE VICTORIOUS LORD THAT ALL THE MISBELIEVING AND BLACK HORDE OF FEARS AND SORROWS THAT INFEST THE SOUL SCATTERS AND SLAYS WITH ITS ENCHANTED SWORD" ], "pre_texts": [ "ts it to repeat How Time is slipping underneath our Feet: Unborn TO-MORROW and dead YESTERDAY, Why fret about them if TO-DAY be sweet! XXXVIII. One Moment in Annihilation's Waste, One moment, of the Well of Life to taste-- The Stars are setting, and the Caravan Starts for the dawn of Nothing--Oh, make haste! XXXIX. How long, how long, in infinite Pursuit Of This and That endeavour and dispute? Better be merry with the fruitful Grape Than sadden after none, or bitter, Fruit. XL. You know, my Friends, how long since in my House For a new Marriage I did make Carouse: Divorced old barren Reason from my Bed, And took the Daughter of the Vine to Spouse. XLI. For \"IS\" and \"IS-NOT\" though with Rule and Line, And, \"UP-AND-DOWN\" without, I could define, I yet in all I only cared to know, Was never deep in anything but--Wine. XLII. And lately, by the Tavern Door agape, Came stealing through the Dusk an Angel Shape, Bearing a vessel on his Shoulder; and He bid me taste of it; and 'twas--the Grape!", "D TONGUE IT MURMURED GENTLY BROTHER GENTLY PRAY AH FILL THE CUP WHAT BROODS IT TO REPEAT HOW TIME IS SLIPPING UNDERNEATH OUR FEET UNBORN TO MORROW AND DEAD YESTERDAY WHY FRET ABOUT THEM IF TO DAY BE SWEET ONE MOMENT AN ANNIHILATION'S WASTE ONE MOMENT OF THE WELL OF LIFE TO TASTE THE STARS ARE SETTING AND THE CARAVAN STARTS FOR THE DAWWN OF NOTHING OH MAKE HASTE HOW LONG HOW LONG AN INFINITE PURSUIT OF THIS AND THAT ENDEAVOUR IN DISPUTE BETTER BE MERRY WITH THE FRUITFUL GRAPE THAN SADDIN AFTER NONE OR BITTER FRUIT YOU KNOW MY FRIENDS HOW LONG SINCE IN MY HOUSE FOR A NEW MARRIAGE I DID MAKE CAROUSE DIVORCED OLD BARREN REASON FROM MY BED AND TOOK THE DAUGHTER OF THE VINE TO SPOUSE FOR IS AND IS NOT THOUGH WITH RULE AND LINE AND UP AND DOWN WITHOUT I COULD DEFINE I YET IN ALL I ONLY CARED TO KNOW WAS NEVER DEEP IN ANYTHING BUT WINE AND LATELY BY THE TAVERN DOOR A GAPE CAME STEALING THROUGH THE DUSK AN ANGEL SHAPE BEARING A VESSEL ON HIS SHOULDER AND HE DID ME TASTE OF IT AND TWAS THE GRAPE" ], "begin_byte": 32409, "end_byte": 32750 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_71", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 11.399, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "XLVIX. 'Tis all a Chequer board of Nights and Days Where Destiny with Men for Pieces plays: Hither and thither moves, and mates, and slays, And one by one back in the Closet lays.", "TIS ALL A CHECKER BOARD OF NIGHTS AND DAYS WHERE DESTINY WITH MEN FOR PIECES PLAYS HITHER AND THITHER MOVES IN MATES AND SLEIGHS AND ONE BY ONE BACK IN THE CLOSET LAYS" ], "pre_texts": [ "-and-Seventy jarring Sects confute: The subtle Alchemist that in a Trice Life's leaden Metal into Gold transmute. XLIV. The mighty Mahmud, the victorious Lord, That all the misbelieving and black Horde Of Fears and Sorrows that infest the Soul Scatters and slays with his enchanted Sword. XLV. But leave the Wise to wrangle, and with me The Quarrel of the Universe let be: And, in some corner of the Hubbub coucht, Make Game of that which makes as much of Thee. XLVI. For in and out, above, about, below, 'Tis nothing but a Magic Shadow-show, Play'd in a Box whose Candle is the Sun, Round which we Phantom Figures come and go. XLVII. And if the Wine you drink, the Lip you press, End in the Nothing all Things end in--Yes- Then fancy while Thou art, Thou art but what Thou shalt be--Nothing--Thou shalt not be less. XLVIII. While the Rose blows along the River Brink, With old Khayyam the Ruby Vintage drink: And when the Angel with his darker Draught Draws up to thee--take that, and do not shrink.", "IT AND TWAS THE GRAPE THE GRAPE THAT CAN WITH LOGIC ABSOLUTE THE TWO AND SEVENTY JARRING SECTS CONFUTE THE SUBTLE ALCHEMIST THAT IN A TRICE LIFE'S LEADEN METAL INTO GOLD TRANSMUTE THE MIGHTY MACHMUD THE VICTORIOUS LORD THAT ALL THE MISBELIEVING AND BLACK HORDE OF FEARS AND SORROWS THAT INFEST THE SOUL SCATTERS AND SLAYS WITH ITS ENCHANTED SWORD BUT LEAVE THE WISE TO WRANGLE AND WITH ME THE QUARREL OF THE UNIVERSE LET BE AND IN SOME CORNER OF THE HUBBUB COUCHED MAKE GAME OF THAT WHICH MAKES AS MUCH OF THEE FOR IN AND OUT ABOVE ABOUT BELOW TIS NOTHING BUT A MAGIC SHADOW SHOW PLAYED IN A BOX WHOSE CANDLE IS THE SUN ROUND WHICH WE PHANTOM FIGURES COME AND GO AND IF THE WINE YOU DRINK THE LIP YOU PRESS END IN NOTHING ALL THINGS END IN YES THEN FANCY WHILE THOU ART THOU ART BUT WHAT THOU SHALT BE NOTHING THOU SHALT NOT BE LESS WHILE THE ROSE BLOWS ALONG THE RIVER BRINK WITH OLD CYME THE RUBY VINTAGE DRINK AND WHEN THE ANGEL WITH HIS DARKER DROUGHT DRAWS UP TO THEE TAKE THAT AND DO NOT SHRINK" ], "begin_byte": 33463, "end_byte": 33642 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_73", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 9.079, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "LXVIII. That ev'n my buried Ashes such a Snare Of Perfume shall fling up into the Air, As not a True Believer passing by But shall be overtaken unaware.", "THAT E'EN MY BURIED ASHES SUCH A SNARE OF PERFUME SHALL FLING UP INTO THE AIR AS NOT A TRUER PASSING BY BUT SHALL BE OVERTAKEN UNAWARE" ], "pre_texts": [ "h he drank in Joy; Shall He that made the Vessel in pure Love And Fansy, in an after Rage destroy!\" LXIII. None answer'd this; but after Silence spake A Vessel of a more ungainly Make: \"They sneer at me for leaning all awry; What? did the Hand then of the Potter shake?\" LXIV. Said one--\"Folks of a surly Tapster tell, And daub his Visage with the Smoke of Hell; They talk of some strict Testing of us--Pish! He's a Good Fellow, and 'twill all be well.\" LXV. Then said another with a long-drawn Sigh, \"My Clay with long oblivion is gone dry: But, fill me with the old familiar Juice, Methinks I might recover by-and-bye!\" LXVI. So, while the Vessels one by one were speaking, One spied the little Crescent all were seeking: And then they jogg'd each other, \"Brother! Brother! Hark to the Porter's Shoulder-knot a-creaking!\" ***** LXVII. Ah, with the Grape my fading Life provide, And wash my Body whence the life has died, And in a Windingsheet of Vineleaf wrapt, So bury me by some sweet Gardenside.", "AIN ANOTHER SAID WHY NE'ER A PEEVISH BOY WOULD BREAK THE BOWL FROM WHICH HE DRANK IN JOY SHALL HE THAT MADE THE VESSEL IN PURE LOVE AND FANCY IN AN AFTER RAGE DESTROY NONE ANSWERED THIS BUT AFTER SILENCE SPAKE A VESSEL THAT THEY MORE UNGAINLY MAKE THEY SNEER AT ME FOR LEANING ALL AWRY WHAT DID THE HAND THEN OF THE POTTER SHAKE SAID ONE FOLKS OF A SURLY TAP TO TELL AND DAUB HIS VISAGE WITH THE SMOKE OF HELL THEY TALK OF SOME STRICT TESTING OF US PISH HE'S A GOOD FELLOW AND TWILL ALL BE WELL THEN SAID ANOTHER WITH A LONG DRAWN SIGH MY CLAY WITH LONG OBLIVION IS GONE DRY BUT FILL ME WITH THE OLD FAMILIAR JUICE METHINKS I MIGHT RECOVER BY AND BY SO ALL THE VESSELS ONE BY ONE WERE SPEAKING ONE SPIED THE LITTLE CRESCENT ALL WERE SEEKING AND THEN THEY JOGGED EACH OTHER BROTHER BROTHER HEART TO THE POTTER'S SHOULDER NOT TO CREAKING AH WOULD THE GREAT MY FADING LIFE PROVIDE AND WASH MY BODY WHENCE THE LIFE HAS DIED AND IN A WINDING SHEET OF VINE LEAF WRAPPED SO BURY ME BY SOME SWEET GARDEN SIDE" ], "begin_byte": 36830, "end_byte": 36982 } } ]

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[ { "id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_92", "recording_id": "large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb", "start": 0, "duration": 25.279, "channel": 0, "language": "English", "speaker": "1708", "custom": { "texts": [ "Why, all the Saints and Sages who discuss'd Of the Two Worlds so learnedly, are thrust Like foolish Prophets forth; their Words to Scorn Are scatter'd, and their Mouths are stopt with Dust. XXVI. Oh, come with old Khayyam, and leave the Wise To talk; one thing is certain, that Life flies; One thing is certain, and the Rest is Lies; The Flower that once has blown for ever dies. XXVII.", "THE SAINTS AND SAGES WHO DISGUST OF THE TWO WORLDS SO LEARNEDLY ARE THRUST LIKE FOOLISH PROPHETS FORTH THEIR WORDS TO SCORN ARE SCATTERED AND THEIR MOUTHS ARE STOPPED WITH DUST OH COME WITH OLD CRIME AND LEAVE THE WISE TO TALK ONE THING IS CERTAIN THAT LIFE FLIES ONE THING IS CERTAIN AND THE REST IS LIES THE FLOWER THAT ONCE HAS BLOWN FOR EVER DIES" ], "pre_texts": [ "r's Lip on which we lean-- Ah, lean upon it lightly! for who knows From what once lovely Lip it springs unseen! XX. Ah! my Beloved, fill the Cup that clears TO-DAY of past Regrets and future Fears- To-morrow?--Why, To-morrow I may be Myself with Yesterday's Sev'n Thousand Years. XXI. Lo! some we loved, the loveliest and the best That Time and Fate of all their Vintage prest, Have drunk their Cup a Round or two before, And one by one crept silently to Rest. XXII. And we, that now make merry in the Room They left, and Summer dresses in new Bloom, Ourselves must we beneath the Couch of Earth Descend, ourselves to make a Couch--for whom? XXIII. Ah, make the most of what we yet may spend, Before we too into the Dust Descend; Dust into Dust, and under Dust, to lie, Sans Wine, sans Song, sans Singer and--sans End! XXIV. Alike for those who for TO-DAY prepare, And those that after a TO-MORROW stare, A Muezzin from the Tower of Darkness cries \"Fools! your Reward is neither Here nor There.\" XXV.", "E LOVELY HEAD AND THIS DELIGHTFUL HERB WHOSE TENDER GREEN FLEDGES THE RIVER'S LIP ON WHICH WE LEAN AH LEAN UPON IT LIGHTLY FOR WHO KNOWS FROM WHAT ONCE LOVELY LIP IT SPRINGS UNSEEN AH MY BELOVED FILL THE CUP THAT CLEARS TO DAY OF PAST REGRET AND FUTURE FEARS TO MORROW WHY TO MORROW I MAY BE MYSELF WITH YESTERDAY'S SEVEN THOUSAND YEARS LO SOME WE LOVED THE LOVELIEST AND THE BEST THAT TIME AND FATE OF ALL THEIR VINTAGE PREST HAVE DRUNK THEIR CUP A ROUND OR TWO BEFORE AND ONE BY ONE CREPT SILENTLY TO REST AND WE THAT NOW MAKE MERRY IN THE ROOM THEY LEFT AND SUMMER DRESSES IN NEW BLOOM OURSELVES MUST WE BENEATH THE COUCH OF EARTH DESCEND OURSELVES TO MAKE A COUCH FOR WHOM AH MAKE THE MOST OF WHAT WE YET MAY SPEND BEFORE WE TOO INTO THE DUST DESCEND DUST INTO DUST AND UNDER DUST TO LIE SANS WINE SANS SONG SANS SINGER AND SANS END ALIKE FOR THOSE WHO FOR TO DAY PREPARE AND THOSE THAT AFTER A TO MORROW STARE A MOISON FROM THE TOWER OF DARKNESS CRIES FOOLS YOUR REWARD IS NEITHER HERE NOR THERE" ], "begin_byte": 29265, "end_byte": 29651 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb_14", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb", "start": 0, "duration": 14.88, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "Moral speeches are undoubtedly his leading article, and of these, it must be owned, he has an inexhaustible stock. He is as chock full of noble sentiments as a bladder is of wind.", "MORAL SPEECHES ARE UNDOUBTEDLY HIS LEADING ARTICLE AND OF THESE IT MUST BE OWNED HE HAS AN INEXHAUSTIBLE STOCK HE IS AS CHOCK FULL OF NOBLE SENTIMENTS AS A BLADDER IS A WIND" ], "pre_texts": [ "lly starves. He can make long speeches, he can tell you all his troubles, he can stand in the lime-light and strike attitudes, he can knock the villain down, and he can defy the police, but these requirements are not much in demand in the labor market, and as they are all he can do or cares to do, he finds earning his living a much more difficult affair than he fancied. There is a deal too much hard work about it for him. He soon gives up trying it at all, and prefers to eke out an uncertain existence by sponging upon good-natured old Irish women and generous but weak-minded young artisans who have left their native village to follow him and enjoy the advantage of his company and conversation. And so he drags out his life during the middle of the piece, raving at fortune, raging at humanity, and whining about his miseries until the last act. Then he gets back those \"estates\" of his into his possession once again, and can go back to the village and make more moral speeches and be happy.", " UPON HIS OWN RESOURCES HE NATURALLY STARVES HE CAN MAKE LONG SPEECHES HE CAN TELL YOU ALL HIS TROUBLES HE CAN STAND IN THE LIMELIGHT AND STRIKE ATTITUDES HE CAN KNOCK THE VILLAIN DOWN AND DEFY THE POLICE BUT THESE REQUIREMENTS ARE NOT MUCH IN DEMAND IN THE LABOUR MARKET AND AS THEY ARE ALL HE CAN DO OR CARE TO DO HE FINDS EARNING HIS LIVING A MUCH MORE DIFFICULT AFFAIR THAN HE FANCIES IT THERE IS A DEAL TOO MUCH HARD WORK ABOUT IT FOR HIM HE SOON GIVES UP TRYING AND PREFERS TO DECK OUT AN UNCERTAIN EXISTENCE SPONGING UPON THE GOOD NATURED OLD IRISHWOMEN AND GENERALLY BUT WEAK MINDED YOUNG ARTISANS WHO HAVE LEFT THEIR NATIVE VILLAGE TO FOLLOW HIM AND ENJOY THE ADVANTAGE OF HIS COMPANY AND CONVERSATION AND SO HE DRAGS OUT HIS LIFE DURING THE MIDDLE OF THE PEACE RAVING AT FORTUNE RAGING AT HUMANITY AND WHINING ABOUT HIS MISERIES UNTIL THE LAST ACT THEN HE GETS BACK THOSE ESTATES OF HIS INTO HIS POSSESSION ONCE AGAIN AND CAN GO BACK TO THE VILLAGE AND MAKE MORE MORAL SPEECHES AND BE HAPPY" ], "begin_byte": 7080, "end_byte": 7259 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb_20", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb", "start": 0, "duration": 6.519, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "The early Christian martyrs were sinful and worldly compared with an Adelphi gallery.", "THE EARLY CHRISTIAN MARTYRS WERE SINFUL AND WORLDLY COMPARED WITH AN ADELPHI GALLERY" ], "pre_texts": [ " are weak and watery sentiments of the sixpenny tea-meeting order. We have a dim notion that we have heard them before. The sound of them always conjures up to our mind the vision of a dull long room, full of oppressive silence, broken only by the scratching of steel pens and an occasional whispered \"Give us a suck, Bill. You know I always liked you;\" or a louder \"Please, sir, speak to Jimmy Boggles. He's a-jogging my elbow.\" The stage hero, however, evidently regards these meanderings as gems of brilliant thought, fresh from the philosophic mine. The gallery greets them with enthusiastic approval. They are a warm-hearted people, galleryites, and they like to give a hearty welcome to old friends. And then, too, the sentiments are so good and a British gallery is so moral. We doubt if there could be discovered on this earth any body of human beings half so moral--so fond of goodness, even when it is slow and stupid--so hateful of meanness in word or deed--as a modern theatrical gallery.", "AS A BLADDER IS A WIND THEY ARE WEAK AND WATERY SENTIMENTS OF THE SIXPENNY TEA MEETING ORDER WE HAVE A DIM NOTION THAT WE HAVE HEARD THEM BEFORE THE SOUND OF THEM ALWAYS CONJURES UP TO OUR MIND THE VILLAIN OF A DULL LONG ROOM FULL OF OPPRESSIVE SILENCE BROKEN ONLY IN THE SCRATCHING OF STEEL PENS AND OF THE OCCASIONAL WHISPERED GIVE US A SUCK BILL YOU KNOW I ALWAYS LIKED YOU OR ALLOWED A PLEASE SIR SPEAK TO JIMMY BOGGLES HE'S A JOGGLING MY ELBOW THE STAGE HERO HOWEVER EVIDENTLY REGARDS THESE MEANTS AS GEMS OF BRILLIANT THOUGHT FRESH FROM THE PHILOSOPHIC MINE THE GALLERY GREETS THEM WITH ENTHUSIASTIC APPROVAL THEY ARE A WARM HEARTED PEOPLE GALLIETS AND THEY LIKE TO GIVE A HEARTY WELCOME TO OUR FRIENDS AND THEN TOO THE SENTIMENTS ARE SO GOOD AND A BRITISH GALLERY IS SO MORAL WE DOUBT IF THERE COULD BE DISCOVERED ON THIS EARTH ANY BODY OF HUMAN BEINGS HALF SO MORAL SO FOND OF GOODNESS EVEN WHEN IT IS SLOW AND STUPID SO HATEFUL OF MEANNESS IN THE WORLD OR DEED AS A MODERN THEATRICAL GALLERY" ], "begin_byte": 8265, "end_byte": 8350 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb_25", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb", "start": 0, "duration": 16.52, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "or the police attempt to run him in. Then two villains, three extra hired ruffians and four detectives are about his fighting weight. If he knocks down less than three men with one blow, he fears that he must be ill, and wonders \"Why this strange weakness?\"", "OR THE POLICE ATTEMPT TO RUN HIM IN THEN TWO VILLAINS THREE EXTRA HIRED RUFFIANS AND FOUR DETECTIVES ARE ABOUT HIS FIGHTING WEIGHT IF HE KNOCKS DOWN LESS THAN THREE MEN WITH ONE BLOW HE FEARS HE MUST BE ILL AND WONDERS WHY THIS STRANGE WEAKNESS" ], "pre_texts": [ ", broken only by the scratching of steel pens and an occasional whispered \"Give us a suck, Bill. You know I always liked you;\" or a louder \"Please, sir, speak to Jimmy Boggles. He's a-jogging my elbow.\" The stage hero, however, evidently regards these meanderings as gems of brilliant thought, fresh from the philosophic mine. The gallery greets them with enthusiastic approval. They are a warm-hearted people, galleryites, and they like to give a hearty welcome to old friends. And then, too, the sentiments are so good and a British gallery is so moral. We doubt if there could be discovered on this earth any body of human beings half so moral--so fond of goodness, even when it is slow and stupid--so hateful of meanness in word or deed--as a modern theatrical gallery. The early Christian martyrs were sinful and worldly compared with an Adelphi gallery. The stage hero is a very powerful man. You wouldn't think it to look at him, but you wait till the heroine cries \"Help! Oh, George, save me!", "L LONG ROOM FULL OF OPPRESSIVE SILENCE BROKEN ONLY IN THE SCRATCHING OF STEEL PENS AND OF THE OCCASIONAL WHISPERED GIVE US A SUCK BILL YOU KNOW I ALWAYS LIKED YOU OR ALLOWED A PLEASE SIR SPEAK TO JIMMY BOGGLES HE'S A JOGGLING MY ELBOW THE STAGE HERO HOWEVER EVIDENTLY REGARDS THESE MEANTS AS GEMS OF BRILLIANT THOUGHT FRESH FROM THE PHILOSOPHIC MINE THE GALLERY GREETS THEM WITH ENTHUSIASTIC APPROVAL THEY ARE A WARM HEARTED PEOPLE GALLIETS AND THEY LIKE TO GIVE A HEARTY WELCOME TO OUR FRIENDS AND THEN TOO THE SENTIMENTS ARE SO GOOD AND A BRITISH GALLERY IS SO MORAL WE DOUBT IF THERE COULD BE DISCOVERED ON THIS EARTH ANY BODY OF HUMAN BEINGS HALF SO MORAL SO FOND OF GOODNESS EVEN WHEN IT IS SLOW AND STUPID SO HATEFUL OF MEANNESS IN THE WORLD OR DEED AS A MODERN THEATRICAL GALLERY THE EARLY CHRISTIAN MARTYRS WERE SINFUL AND WORLDLY COMPARED WITH AN ADELPHI GALLERY THE STAGE HERO IS A POWERFUL MAN YOU WOULDN'T THINK IT TO LOOK AT HIM BUT YOU WAIT UNTIL THE HEROINE CRIES HELP O GEORGE SAVE ME" ], "begin_byte": 8492, "end_byte": 8750 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb_37", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb", "start": 0, "duration": 17.04, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "He soon gives up trying it at all, and prefers to eke out an uncertain existence by sponging upon good natured old Irish women and generous but weak minded young artisans who have left their native village to follow him and enjoy the advantage of his company and conversation.", "HE SOON GIVES UP TRYING AND PREFERS TO DECK OUT AN UNCERTAIN EXISTENCE SPONGING UPON THE GOOD NATURED OLD IRISHWOMEN AND GENERALLY BUT WEAK MINDED YOUNG ARTISANS WHO HAVE LEFT THEIR NATIVE VILLAGE TO FOLLOW HIM AND ENJOY THE ADVANTAGE OF HIS COMPANY AND CONVERSATION" ], "pre_texts": [ "comprehend the subject. To return to our hero, the state of the law, as above sketched, naturally confuses him, and the villain, who is the only human being who does seem to understand stage legal questions, is easily able to fleece and ruin him. The simple-minded hero signs mortgages, bills of sale, deeds of gift, and such like things, under the impression that he is playing some sort of a round game; and then when he cannot pay the interest they take his wife and children away from him and turn him adrift into the world. Being thrown upon his own resources, he naturally starves. He can make long speeches, he can tell you all his troubles, he can stand in the lime-light and strike attitudes, he can knock the villain down, and he can defy the police, but these requirements are not much in demand in the labor market, and as they are all he can do or cares to do, he finds earning his living a much more difficult affair than he fancied. There is a deal too much hard work about it for him.", " OF EVER BEING ABLE TO GET TO REALLY COMPREHEND THE SUBJECT TO RETURN TO OUR HERO THE STATE OF THE LAW AS ABOVE SKETCHED NATURALLY CONFUSES HIM AND THE VILLAIN WHO IS THE ONLY HUMAN BEING WHO DOES SEEM TO UNDERSTAND STAGE LEGAL QUESTIONS IS EASILY ABLE TO FLEECE AND RUIN HIM THE SIMPLE MINDED HERO SIGNS MORTGAGES BILLS OF SALE DEEDS OF GIFT AND SUCH THINGS UNDER THE IMPRESSION THAT HE IS PLAYING SOME SORT OF ROUND GAME AND THEN HE CANNOT PLAY THE INTEREST AND THEY TAKE HIS WIFE AND CHILDREN AWAY FROM HIM AND TURN HIM ADRIFT INTO THE WORLD BEING THROWN UPON HIS OWN RESOURCES HE NATURALLY STARVES HE CAN MAKE LONG SPEECHES HE CAN TELL YOU ALL HIS TROUBLES HE CAN STAND IN THE LIMELIGHT AND STRIKE ATTITUDES HE CAN KNOCK THE VILLAIN DOWN AND DEFY THE POLICE BUT THESE REQUIREMENTS ARE NOT MUCH IN DEMAND IN THE LABOUR MARKET AND AS THEY ARE ALL HE CAN DO OR CARE TO DO HE FINDS EARNING HIS LIVING A MUCH MORE DIFFICULT AFFAIR THAN HE FANCIES IT THERE IS A DEAL TOO MUCH HARD WORK ABOUT IT FOR HIM" ], "begin_byte": 6505, "end_byte": 6781 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb_50", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb", "start": 0, "duration": 27.959, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "We thought we would not be beaten, and we determined to get to the bottom of stage law and to understand it; but after some six months' effort our brain (a singularly fine one) began to soften, and we abandoned the study, believing it would come cheaper in the end to offer a suitable reward, of about 50,000 pounds or 60,000 pounds, say, to any one who would explain it to us. The reward has remained unclaimed to the present day and is still open.", "WE THOUGHT WE WOULD NOT BE BEATEN AND WE DETERMINED TO GET TO THE BOTTOM OF THE STAGE LAW AND UNDERSTAND IT BUT AFTER SOME MONTHS EFFORT OUR BRAIN A SINGULARLY FINE ONE BEGAN TO SOFTEN AND WE ABANDONED THE STUDY BELIEVING IT WOULD COME CHEAPER IN THE END TO OFFER A SUITABLE REWARD OF ABOUT FIFTY THOUSAND POUNDS OR SIXTY THOUSAND POUNDS A TO ANY ONE WHO WOULD EXPLAIN IT TO US THE REWARD HAS REMAINED UNCLAIMED TO THE PRESENT DAY AND IS STILL OPEN" ], "pre_texts": [ "y opposite. This is handy. These \"estates\" are a great anxiety to the stage hero. He is not what you would call a business man, as far as we can judge, and his attempts to manage his own property invariably land him in ruin and distraction. His \"estates,\" however, always get taken away from him by the villain before the first act is over, and this saves him all further trouble with regard to them until the end of the play, when he gets saddled with them once more. Not but what it must be confessed that there is much excuse for the poor fellow's general bewilderment concerning his affairs and for his legal errors and confusions generally. Stage \"law\" may not be quite the most fearful and wonderful mystery in the whole universe, but it's near it--very near it. We were under the impression at one time that we ourselves knew something--just a little--about statutory and common law, but after paying attention to the legal points of one or two plays we found that we were mere children at it.", " A PUBLIC HOUSE IMMEDIATELY OPPOSITE THIS IS HANDING THESE ESTATES ARE A GREAT ANXIETY TO THE STAGE HERO HE IS NOT WHAT YOU WOULD CALL A BUSINESS MAN AS FAR AS WE CAN JUDGE AND HIS ATTEMPTS TO MANAGE HIS OWN PROPERTY INVARIABLY LAND HIM IN RUIN AND DISTRACTION HIS ESTATES HOWEVER ALWAYS GET TAKEN AWAY FROM HIM BY THE VILLAIN BEFORE THE FIRST ACT IS OVER AND THIS SAVES ALL THE FURTHER TROUBLE WITH REGARD TO THEM UNTIL THE END OF THE PLAY WHEN HE GETS SADDLED WITH THEM ONCE MORE NOT BUT WHAT IT MUST BE CONFESSED THAT THERE IS MUCH EXCUSE FOR THE POOR FELLOW'S GENERAL BEWILDERMENT CONCERNING HIS AFFAIRS AND FOR HIS LEGAL ERRORS AND CONFUSIONS GENERALLY STAGE LAW MAY NOT BE QUITE THE MOST FEARFUL AND WONDERFUL MYSTERY IN THE WHOLE UNIVERSE BUT IT'S NEAR IT VERY NEAR IT WE WERE UNDER THE IMPRESSION AT ONE TIME THAT WE OURSELVES KNEW SOMETHING JUST A LITTLE ABOUT STATUTRY AND COMMON LAW BUT AFTER PAYING ATTENTION TO THE LEGAL POINTS OF ONE OR TWO PLAYS WE FIND THAT WE ARE MERE CHILDREN AT IT" ], "begin_byte": 3307, "end_byte": 3756 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb_2", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb", "start": 0, "duration": 15, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "Then he gets suddenly let in, generally by the comic man. It always happens so. Yet the villain is always intensely surprised each time. He never seems to learn anything from experience.", "THEN HE GETS SUDDENLY LET IN GENERALLY BY THE COMING MAN IT ALWAYS HAPPENS SO YET THE VILLAIN IS ALWAYS INTENSELY SURPRISED EACH TIME HE NEVER SEEMS TO LEARN ANYTHING FROM EXPERIENCE" ], "pre_texts": [ "; that is how we know he is a villain. In real life it is often difficult to tell a villain from an honest man, and this gives rise to mistakes; but on the stage, as we have said villains wear clean collars and smoke cigarettes, and thus all fear of blunder is avoided. It is well that the rule does not hold off the stage, or good men might be misjudged. We ourselves, for instance, wear a clean collar--sometimes. It might be very awkward for our family, especially on Sundays. He has no power of repartee, has the stage villain. All the good people in the play say rude and insulting things to him, and smack at him, and score off him all through the act, but he can never answer them back--can never think of anything clever to say in return. \"Ha! ha! wait till Monday week,\" is the most brilliant retort that he can make, and he has to get into a corner by himself to think of even that. The stage villain's career is always very easy and prosperous up to within a minute of the end of each act.", "COLLAR AND SMOKES A CIGARETTE THAT IS HOW WE KNOW HE IS A VILLAIN IN REAL LIFE IT IS OFTEN DIFFICULT TO TELL A VILLAIN FROM AN HONEST MAN AND THIS GIVES RISE TO MISTAKES BUT ON THE STAGE AS WE HAVE SAID VILLAINS WEAR CLEAN COLLARS AND SMOKE CIGARETTES AND THUS ALL FEAR OF BLUNDER IS AVOIDED IT IS WELL THAT THE RULE DOES NOT HOLD OFF THE STAGE OR GOOD MEN MIGHT BE MISJUDGED WE OURSELVES FOR INSTANCE WEAR A CLEAN COLLAR SOMETIM IT MIGHT BE VERY AWKWARD FOR OUR FAMILY ESPECIALLY ON SUNDAYS HE HAS NO POWER OF REPARTEE AS THE STAGE VILLAIN ALL THE GOOD PEOPLE IN THE PLACE SAY RUDE AND INSULTING THINGS TO HIM AND SMACK AT HIM AND SCORE OFF HIM ALL THROUGH THE ACT BUT HE CAN NEVER ANSWER THEM BACK CAN EVER THINK OF ANYTHING CLEVER TO SAY IN RETURN HA HA WAIT TILL MONDAY WEEK IS THE MOST BRILLIANT RETORT THAT HE CAN EVER MAKE AND HE HAS TO GET INTO A CORNER ALL BY HIMSELF TO THINK OF THAT THE STAGE VILLAIN'S CAREER IS ALWAYS VERY EASY AND PROSPEROUS UP TO WITHIN A MINUTE OF THE END OF EACH ACT" ], "begin_byte": 12174, "end_byte": 12360 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb_9", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb", "start": 0, "duration": 17.359, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "In nine cases out of ten you would get off scot free but for this idiotic custom of yours. Do keep away from the place. Go abroad or to the sea side when the last act begins and stop there till it is over. You will be safe then.", "IN NINE CASES OUT OF TEN YOU WOULD HAVE GOT OFF SCOT FREE BUT FOR THIS IDIOTIC CUSTOM OF YOURS KEEP AWAY FROM THE PLACE GO ABROAD OR TO THE SEA SIDE WHEN THE LAST ACT BEGINS AND STOP THERE TILL IT'S OVER YOU WILL BE SAFE THEN" ], "pre_texts": [ "m, don't keep sneering at them and bullying them. A word from them can hang you, and yet you do all you can to rile them. Treat them civilly and let them have their fair share of the swag. Beware of the comic man. When you are committing a murder or robbing a safe you never look to see where the comic man is. You are so careless in that way. On the whole, it might be as well if you murdered the comic man early in the play. Don't make love to the hero's wife. She doesn't like you; how can you expect her to? Besides, it isn't proper. Why don't you get a girl of your own? Lastly, don't go down to the scenes of your crimes in the last act. You always will do this. We suppose it is some extra cheap excursion down there that attracts you. But take our advice and don't go. That is always where you get nabbed. The police know your habits from experience. They do not trouble to look for you. They go down in the last act to the old hall or the ruined mill where you did the deed and wait for you.", "AND IF YOU HAVE GOT THEM DON'T KEEP SNEERING AT THEM AND BULLYING THEM A WORD FROM THEM CAN HANG YOU AND YET YOU DO ALL YOU CAN TO RILE THEM TREAT THEM CIVILLY AND LET THEM HAVE THEIR FAIR SHARE OF THE SWAG BEWARE OF THE COMIC MAN WHEN YOU ARE COMMITTING A MURDER OR ROBBING A SAFE YOU NEVER LOOK TO SEE WHETHER COMIC MAN IS YOU ARE SO CARELESS IN THAT WAY ON THE WHOLE IT MIGHT BE AS WELL IF YOU MURDERED THE COMIC MAN EARLY IN THE PLAY DON'T MAKE LOVE TO THE HERO'S WIFE SHE DOESN'T LIKE YOU HOW CAN YOU EXPECT HER TO BESIDES IT ISN'T PROPER WHY DON'T YOU GET A GIRL OF YOUR OWN LASTLY DON'T GO DOWN TO THE SCENES OF YOUR CRIMES IN THE LAST ACT YOU ALWAYS WILL DO THIS WE SUPPOSE IT IS SOME CHEAP EXCURSION DOWN THERE THAT ATTRACTS YOU BUT TAKE OUR ADVICE AND DON'T GO THAT IS ALWAYS WHERE YOU WILL GET NABBED THE POLICE KNOW YOUR HABITS FROM EXPERIENCE THEY DO NOT TROUBLE TO LOOK FOR YOU THEY WILL GO DOWN IN THE LAST ACT OF THE OLD HALL OR THE RUINED MILL WHERE YOU DID THE DEED AND WAIT FOR YOU" ], "begin_byte": 20651, "end_byte": 20879 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb_10", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb", "start": 0, "duration": 8.76, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "The maid or friend does not waste time in simile or in metaphor. She calls him a black hearted scoundrel and clumps him over the head.", "THE MAID OR FRIEND DOES NOT WASTE TIME IN SIMILE OR METAPHOR SHE CALLS HIM A BLACK HEARTED SCOUNDREL AND CLUMPS HIM OVER THE HEAD" ], "pre_texts": [ "er. You see, it is having met her in early life that is the cause of all the trouble. He first saw her when she was a child, and he loved her, \"ay, even then.\" Ah, and he would have worked--slaved for her, and have made her rich and happy. He might perhaps even have been a good man. She tries to soothe him. She says she loathed him with an unspeakable horror from the first moment that her eyes met his revolting form. She says she saw a hideous toad once in a nasty pond, and she says that rather would she take that noisome reptile and clasp its slimy bosom to her own than tolerate one instant's touch from his (the villain's) arms. This sweet prattle of hers, however, only charms him all the more. He says he will win her yet. Nor does the villain seem much happier in his less serious love episodes. After he has indulged in a little badinage of the above character with his real lady-love, the heroine, he will occasionally try a little light flirtation passage with her maid or lady friend.", "NAL BUT FOR HIS DEEP DEVOTION TO HER YOU SEE IT IS HAVING MET HER IN EARLY LIFE THAT IS THE CAUSE OF ALL THE TROUBLE HE FIRST SAW HER WHEN SHE WAS A CHILD AND LOVED HER AY EVEN THEN AH AND HE WOULD HAVE WORKED SLAVE FOR HER AND MADE HER RICH AND HAPPY HE MIGHT PERHAPS EVEN HAVE BEEN A GOOD MAN SHE TRIES TO SOOTHE HIM SHE SAYS SHE'S LOATHED HIM WITH AN UNSPEAKABLE HORROR FROM THE FIRST MOMENT THAT HER EYES MET HIS REVOLTING FORM SHE SAYS SHE SAW A HIDEOUS TOAD ONCE IN A NASTY POND AND SHE SAYS THAT SHE WOULD RATHER TAKE THAT NOISOME REPTILE AND CLASP ITS SLIMY BOSOM TO HER OWN THAN TOLERATE ONE INSTANT'S TOUCH FROM HIM THE VILLAIN'S ARMS THIS SWEET PRATTLE OF HERS HOWEVER CAN ONLY CHARM HIM ALL THE MORE HE SAYS HE WILL WIN HER YET NOR DOES THE VILLAIN SEEM MUCH HAPPIER IN HIS LESS SERIOUS LOVE EPISODES AFTER HE HAS INDULGED IN A LITTLE BADANAGE OF THE ABOVE CHARACTER WITH HIS REAL LADY LOVE THE HEROINE HE WILL OCCASIONALLY TRY LITTLE LIGHT FLIRTATION PASSAGE WITH HER MAID OR LADY FRIEND" ], "begin_byte": 15926, "end_byte": 16060 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb_34", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb", "start": 0, "duration": 17.279, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "If there were any other crimes he could commit to win her affection, he would, for her sweet sake, commit them cheerfully. But he doesn't know any others at all events, he is not well up in any others and she still does not care for him, and what is he to do?", "IF THERE WERE ANY OTHER CRIMES HE COULD COMMIT TO WIN HER AFFECTION HE WOULD FOR HER SWEET SAKE COMMIT THEM CHEERFULLY BUT HE DOESN'T KNOW ANY OTHERS AT ALL EVENTS HE IS NOT WELL UP IN ANY OTHERS AS SHE STILL DOES NOT CARE FOR HIM AND WHAT IS HE TO DO" ], "pre_texts": [ "ection. She hates him and insults him to an extent that is really unladylike. Every time he tries to explain his devotion to her, the hero comes in and knocks him down in the middle of it, or the comic man catches him during one or the other of his harassing love-scenes with her, and goes off and tells the \"villagers\" or the \"guests,\" and they come round and nag him (we should think that the villain must grow to positively dislike the comic man before the piece is over). Notwithstanding all this he still hankers after her and swears she shall be his. He is not a bad-looking fellow, and from what we know of the market, we should say there are plenty of other girls who would jump at him; yet for the sake of settling down with this dismal young female as his wife, he is prepared to go through a laborious and exhaustive course of crime and to be bullied and insulted by every one he meets. His love sustains him under it all. He robs and forges, and cheats, and lies, and murders, and arsons.", " NOTHING CAN ALTER HIS AFFECTION SHE HATES HIM AND INSULTS HIM TO AN EXTENT THAT IS REALLY UNLADYLIKE EVERY TIME HE TRIES TO EXPLAIN HIS DEVOTION TO HER THE HERO COMES IN AND KNOCKS HIM DOWN IN THE MIDDLE OF IT OR THE COMIC MAN CATCHES HIM DURING ONE OR THE OTHER OF HIS HARASSING LOVE SCENES WITH HER AND GOES OFF AND TELLS THE VILLAGERS OR THE GUESTS AND THEY COME ROUND TO NAG HIM WE SHOULD THINK THAT THE VILLAIN MUST GROW TO POSITIVELY DISLIKE THE COMIC MAN BEFORE THE PIECE IS OVER NOTWITHSTANDING ALL THIS HE STILL HANKERS AFTER HER AND SWEARS SHE SHALL BE HIS HE IS NOT A BAD LOOKING FELLOW AND FROM WHAT WE KNOW OF THE MARKET WE SHOULD SAY THERE ARE PLENTY OF OTHER GIRLS WHO WOULD JUMP AT HIM YET FOR THE SAKE OF SETTLING DOWN WITH THIS DISMAL YOUNG FEMALE AS HIS WIFE HE IS PREPARED TO GO THROUGH A LABORIOUS AND EXHAUSTIVE COURSE OF CRIME AND TO BE BULLIED AND INSULTED BY EVERY ONE HE MEETS HIS LOVE SUSTAINS HIM UNDER IT ALL HE ROBS AND FORGES AND CHEATS AND LIES AND MURDERS AND ARSONS" ], "begin_byte": 14403, "end_byte": 14664 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_03_jerome_64kb_17", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_03_jerome_64kb", "start": 0, "duration": 14.839, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "It is quite a fine night before she comes on the scene: the moment she appears it begins to snow. It snows heavily all the while she remains about, and the instant she goes it clears up again and keeps dry for the rest of the evening.", "IT IS QUITE A FINE NIGHT BEFORE SHE COMES ON THE SCENE THE MOMENT SHE APPEARS IT BEGINS TO SNOW IT SNOWS HEAVILY ALL THE WHILE SHE REMAINS ABOUT AND THE INSTANT SHE GOES IT CLEARS UP AGAIN AND KEEPS DRY FOR THE REST OF THE EVENING" ], "pre_texts": [ "ll upon us. Our only consolation while watching her is that there are not many good women off the stage. Life is bad enough as it is; if there were many women in real life as good as the stage heroine, it would be unbearable. The stage heroine's only pleasure in life is to go out in a snow-storm without an umbrella and with no bonnet on. She has a bonnet, we know (rather a tasteful little thing); we have seen it hanging up behind the door of her room; but when she comes out for a night stroll during a heavy snow-storm (accompanied by thunder), she is most careful to leave it at home. Maybe she fears the snow will spoil it, and she is a careful girl. She always brings her child out with her on these occasions. She seems to think that it will freshen it up. The child does not appreciate the snow as much as she does. He says it's cold. One thing that must irritate the stage heroine very much on these occasions is the way in which the snow seems to lie in wait for her and follow her about.", " SOMEHOW TO PALL ON US OUR ONLY CONSOLATION WHILE WATCHING HER IS THAT THERE ARE NOT MANY GOOD WOMEN OFF THE STAGE LIFE IS BAD AS IT IS IF THERE WERE MANY WOMEN IN REAL LIFE AS GOOD AS THE STAGE HEROINE HE WOULD BE UNBEARABLE THE STAGE HEROINE'S ONLY PLEASURE IN LIFE IS TO GO OUT IN A SNOW STORM WITHOUT AN UMBRELLA AND WITH NO BONNET ON SHE HAS A BONNET WE KNOW RATHER A TASTEFUL LITTLE THING WE HAVE SEEN IT HANGING UP BEHIND THE DOOR OF HER ROOM BUT WHEN SHE COMES OUT OF THE NIGHT'S STROLL DURING THE HEAVY SNOW STORM ACCOMPANIED BY THUNDER SHE IS MOST CAREFUL TO LEAVE IT AT HOME MAYBE SHE FEARS THAT THE SNOW WILL SPOIL IT AND SHE IS A RATHER CAREFUL GIRL SHE ALWAYS BRINGS HER CHILD OUT WITH HER ON THESE OCCASIONS SHE SEEMS TO THINK THAT HE WILL FRESHEN IT UP THE CHILD DOES NOT APPRECIATE THE SNOW AS MUCH AS SHE DOES HE SAYS IT'S COLD ONE THING THAT MUST IRRITATE THE STAGE HEROINE VERY MUCH ON THESE OCCASIONS IS THE WAY IN WHICH THE SNOW SEEMS TO LIE IN WAIT FOR HER AND FOLLOW HER ABOUT" ], "begin_byte": 23335, "end_byte": 23569 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_03_jerome_64kb_27", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_03_jerome_64kb", "start": 0, "duration": 12.96, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "No, our advice to the stage heroine is to get rid of the hero as soon as possible, marry the villain, and go and live abroad somewhere where the comic man won't come fooling around. She will be much happier.", "NOW OUR ADVICE TO THE STAGE HEROINE IS TO GET RID OF THE HERO AS SOON AS POSSIBLE MARRY THE VILLAIN GO AND LIVE ABROAD SOMEWHERE WHERE THE COMIC MAN WON'T COME FOOLING AROUND SHE'D BE MUCH HAPPIER" ], "pre_texts": [ "the possibility of his being anything but unfortunate to the end of his career. True, he has at last got his \"rights\" (which he would never have lost had he had a head instead of a sentimental bladder on his shoulders), the Villain is handcuffed, and he and the heroine have settled down comfortably next door to the comic man. But this heavenly existence will never last. The stage hero was built for trouble, and he will be in it again in another month, you bet. They'll get up another mortgage for him on the \"estates;\" and he won't know, bless you, whether he really did sign it or whether he didn't, and out he will go. And he'll slop his name about to documents without ever looking to see what he's doing, and be let in for Lord knows what; and another wife will turn up for him that he had married when a boy and forgotten all about. And the next corpse that comes to the village he'll get mixed up with--sure to--and have it laid to his door, and there'll be all the old business over again.", " WE ARE INCLINED TO DOUBT THE POSSIBILITY OF HIS BEING ANYTHING BUT UNFORTUNATE TO THE END OF HIS CAREER TRUE HE HAS AT LAST GOT HIS RIGHTS WHICH HE WOULD NEVER HAVE LOST HAD HE HAD A HEAD INSTEAD OF A SENTIMENTAL BLADDER ON HIS SHOULDERS THE VILLAIN HAS HANDCUFFED AND HE AND THE HEROINE HAVE SETTLED DOWN COMFORTABLY NEXT DOOR TO THE COMIC MAN BUT THIS HEAVENLY EXISTENCE WILL NEVER LAST THE STAGE HERO WAS BUILT FOR TROUBLE AND HE WILL BE IN IT AGAIN IN ANOTHER MONTH YOU BET THEY'LL GET UP ANOTHER MORTGAGE FOR HIM ON THE ESTATES AND HE WON'T KNOW BLESS YOU WHETHER HE REALLY DID SIGN IT OR WHETHER HE DIDN'T AND OUT HE WILL GO AND HE'LL SLOP HIS NAME ABOUT TO DOCUMENTS WITHOUT EVER LOOKING TO SEE WHAT HE'S DOING AND BE LET IN FOR THE LORD KNOWS WHAT AND ANOTHER WIFE WILL TURN UP FOR HIM THAT HE HAD MARRIED WHEN A BOY AND FORGOTTEN ALL ABOUT AND THE NEXT CORPSE THAT COMES TO THE VILLAGE HE'LL GET MIXED UP WITH SURE TO AND HAVE IT LAID TO HIS DOOR AND THERE'LL BE ALL OLD BUSINESS OVER AGAIN" ], "begin_byte": 28110, "end_byte": 28317 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb_9", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb", "start": 0, "duration": 16.799, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "Middle class people and others on the stage who are short of purses have to content themselves with throwing about rolls of bank notes and tipping servants with five pound checks. Very stingy people on the stage have been known to be so cussed mean as to give away mere sovereigns.", "MIDDLE CLASS PEOPLE AND OTHERS ON THE STAGE WHO ARE SHORT OF PURSES HAVE TO CONTENT THEMSELVES WITH THROWING ABOUT ROLLS OF BANKNOTES AND TIPPING SERVANTS WITH FIVE POUND CHEQUES VERY STINGY PEOPLE ON THE STAGE HAVE BEEN KNOWN TO BE SO CURSED AND MEAN AS TO GIVE AWAY MERE SOVEREIGNS" ], "pre_texts": [ "o the roadside and there starve. The comic man has awful work with him, but wins at last and persuades the noble fellow to stop on and give the place another trial. When, a morning or so after witnessing one of these beautiful scenes, our own landlady knocks at our door and creates a disturbance over a paltry matter of three or four weeks' rent, and says she'll have her money or out we go that very day, and drifts slowly away down toward the kitchen, abusing us in a rising voice as she descends, then we think of these things and grow sad. It is the example of the people round him that makes the comic man so generous. Everybody is generous on the stage. They are giving away their purses all day long; that is the regulation \"tip\" on the stage--one's purse. The moment you hear a tale of woe, you grab it out of your pocket, slap it in to the woe-er's palm, grip his hand, dash away a tear, and exit; you don't even leave yourself a 'bus fare home. You walk back quickly and get another purse.", "ONEST FOLK BUT WILL GO FORTH ON TO THE ROADSIDE AND THEIR STAFF THE COMING MAN HAS AWFUL WORK WITH HIM BUT WINS AT LAST AND PERSUADES THE NOBLE FELLOW TO STOP AND GIVE THE PLACE ANOTHER TRIAL WHEN A MORNING OR SO AFTER WITNESSING ONE OF THESE BEAUTIFUL SCENES OUR OWN YOUNG LADY KNOCKS AT OUR DOOR AND CREATES A DISTURBANCE OVER A PALTRY MATTER OF THREE OR FOUR WEEKS RENT AND SAYS SHE'LL HAVE HER MONEY OR OUT WE GO THAT VERY DAY AND DRIFTS SLOWLY AWAY DOWN TOWARD THE KITCHEN ABUSING US IN A RISING VOICE AS SHE DESCENDS THEN WE THINK OF THESE THINGS AND GROW SAD IT IS THE EXAMPLE OF PEOPLE AROUND HIM THAT MAKES THE COMIC MAN SO GENEROUS EVERYBODY IS GENEROUS ON THE STAGE THEY ARE GIVING AWAY THEIR PURSES ALL DAY LONG THAT IS THE REGULATION TIP ON THE STAGE ONE'S PURSE THE MOMENT YOU HEAR A TAILOR WOE YOU GRAB IT OUT OF YOUR POCKET SLAP IT ON THE WOE WAS PALM GRIP HIS HAND DASH AWAY A TEAR AND EGGS IT YOU DON'T EVEN LEAVE YOURSELF A BUS FARE HOME YOU WALK BACK QUICKLY AND GET ANOTHER PURSE" ], "begin_byte": 34363, "end_byte": 34644 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb_29", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb", "start": 0, "duration": 13.279, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "As we have said, he is not a rich man and he never seems to earn any money. Sometimes he keeps a shop, and in the way he manages business it must be an expensive thing to keep, for he never charges anybody for anything, he is so generous.", "AS WE HAVE SAID HE IS NOT A RICH MAN AND HE NEVER SEEMS TO EARN ANY MONEY SOMETIMES HE KEEPS A SHOP AND IN THE WAY HE MANAGES BUSINESS IT MUST BE AN EXPENSIVE THING TO KEEP FOR HE NEVER CHARGES ANYBODY FOR ANYTHING HE IS SO GENEROUS" ], "pre_texts": [ "earful trouble, and they never notice any of them. They talk to somebody opposite, and they can't see a third person that is standing bang between the two of them. You might fancy they wore blinkers. Then, again, their hearing is so terribly weak. It really ought to be seen to. People talk and chatter at the very top of their voices close behind them, and they never hear a word--don't know anybody's there, even. After it has been going on for half an hour, and the people \"up stage\" have made themselves hoarse with shouting, and somebody has been boisterously murdered and all the furniture upset, then the people \"down stage\" \"think they hear a noise.\" The comic man always rows with his wife if he is married or with his sweetheart if he is not married. They quarrel all day long. It must be a trying life, you would think, but they appear to like it. How the comic man lives and supports his wife (she looks as if it wanted something to support her, too) and family is always a mystery to us.", "EING WHOM THEY GET THEMSELVES INTO FEARFUL TROUBLE AND THEY NEVER NOTICE ANY OF THEM THEY TALK TO SOMEBODY OPPOSITE AND THEY CAN'T SEE A THIRD PERSON THAT IS STANDING BANG BETWEEN THE TWO OF THEM YOU MIGHT FANCY THEY WILL BLINKERS THEN AGAIN THEIR HEARING IS SO TERRIBLY WEAK IT REALLY OUGHT TO BE SEEN TO PEOPLE TALK AND CHATTER AT THE VERY TOP OF THEIR VOICES CLOSE BEHIND THEM AND THEY NEVER HEAR A WORD DON'T KNOW ANYBODY'S THERE EVEN AFTER IT HAD BEEN GOING ON FOR HALF AN HOUR AND THE PEOPLE UP STAGE HAVE MADE THEMSELVES HOARSE WITH SHOUTING AND SOMEBODY HAS BEEN BOISTEROUSLY MURDERED AND ALL THE FURNITURE UPSET THEN THE PEOPLE DOWNSTAKE THINK THEY HEAR A NOISE THE COMIC MAN ALWAYS AROUSES WITH HIS WIFE IF HE IS MARRIED OR WITH HIS SWEETHEART IF HE IS NOT MARRIED THEY QUARREL ALL DAY LONG IT MUST BE A TRYING LIFE YOU WOULD THINK BUT THEY APPEAR TO LIKE IT HOW THE COMING MAN LIVES AND SUPPORTS HIS WIFE SHE LOOKS AS IF IT WANTED SOMETHING TO SUPPORT HER TOO AND FAMILY IS A MYSTERY TO US" ], "begin_byte": 31443, "end_byte": 31681 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb_32", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb", "start": 0, "duration": 7.04, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "How can any one with a human heart beneath his bosom suggest that people like that should pay for their rest and washing?", "HOW CAN ANY ONE WITH A HUMAN HEART BENEATH HIS BOSOM SUGGEST THAT PEOPLE LIKE THAT SHOULD PAY FOR THEIR RENT AND WASHING" ], "pre_texts": [ "t to ask them to pay for their goods under such distressing circumstances. He stuffs their basket full with twice as much as they came to buy, pushes their money back into their hands, and wipes away a tear. Why doesn't a comic man come and set up a grocery store in our neighborhood? When the shop does not prove sufficiently profitable (as under the above-explained method sometimes happens to be the case) the comic man's wife seeks to add to the income by taking in lodgers. This is a bad move on her part, for it always ends in the lodgers taking her in. The hero and heroine, who seem to have been waiting for something of the sort, immediately come and take possession of the whole house. Of course the comic man could not think of charging for mere board and lodging the man who knocked him down when they were boys together! Besides, was not the heroine (now the hero's wife) the sweetest and the blithest girl in all the village of Deepdale? (They must have been a gloomy band, the others!)", "AN'T FIND IT IN HIS HEART TO ASK THEM TO PAY FOR THEIR GOODS UNDER SUCH DISTRESSING CIRCUMSTANCES HE STUFFS THEIR BASKETS FULL TWICE AS MUCH AS THEY CAME TO BUY PUSHES THEIR MONEY BACK INTO THEIR HANDS AND WIPES AWAY A TEAR WHY DOESN'T THE COMIC MAN COME OUT AND SET UP A GROCERY STORE IN OUR NEIGHBOURHOOD WHEN THE SHOP DOES PROVE SUFFICIENTLY PROFITABLE AS UNDER THE ABOVE EXPLAINED METHOD SOMETIMES HAPPENS TO BE A CASE THE COMIC MAN'S WIFE SEEKS TO ADD TO THE INCOME BY TAKING IN LODGERS THIS IS A BAD MOVE ON HER PART FOR IT ALWAYS ENDS IN THE LODGERS TAKING HER IN THE HERO AND HEROINE WHO SEEMED TO HAVE BEEN WAITING FOR SOMETHING OF THIS SORT IMMEDIATELY COME AND TAKE POSSESSION OF THE WHOLE HOUSE OF COURSE THE COMING MAN COULD NOT THINK OF CHARGING THEM FOR MERE BOARD AND LODGING THE MAN WHO KNOCKED HIM DOWN WHEN THEY WERE BOYS TOGETHER BESIDES WAS NOT THE HEROINE NOW THE HERO'S WIFE THE SWEETEST AND BLITHEST GIRL IN THE VILLAGE OF DEEPDALE THEY MUST HAVE BEEN A GLOOMY BAND THE OTHERS" ], "begin_byte": 32776, "end_byte": 32897 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb_44", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb", "start": 0, "duration": 7.6, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "He does it all in such a genial, light hearted spirit that it is not in one's heart to feel angry with him.", "HE DOES IT WHEN ALL IN SUCH A GENIAL LIGHT HEARTED SPIRIT THAT IT IS NOT IN ONE'S HEART TO FEEL ANGRY WITH HIM" ], "pre_texts": [ "nse of doing for themselves. Heaven's chief duty on the stage is to see to the repayment of all those sums of money that are given or lent to the good people. It is generally requested to do this to the tune of a \"thousand-fold\"--an exorbitant rate when you come to think of it. Heaven is also expected to take care that the villain gets properly cursed, and to fill up its spare time by bringing misfortune upon the local landlord. It has to avenge everybody and to help all the good people whenever they are in trouble. And they keep it going in this direction. And when the hero leaves for prison Heaven has to take care of his wife and child till he comes out; and if this isn't a handful for it, we don't know what would be! Heaven on the stage is always on the side of the hero and heroine and against the police. Occasionally, of late years, the comic man has been a bad man, but you can't hate him for it. What if he does ruin the hero and rob the heroine and help to murder the good old man?", " ALL THE ODD JOBS FOR THEM AND THEY DON'T WANT TO GO TO THE TROUBLE AND EXPENSE OF DOING IT FOR THEMSELVES HEAVEN'S CHIEF DUTY ON THE STAGE IS TO SEE THE REPAYMENT OF ALL THOSE SUMS OF MONEY THAT ARE GIVEN OR LENT TO THE GOOD PEOPLE IT IS GENERALLY QUESTED TO DO THIS TO A TUNE OF A THOUSANDOLD AN EXORBITANT RATE WHEN YOU COME TO THINK OF IT HEAVEN IS ALSO EXPECTED TO TAKE CARE THAT THE VILLAIN GETS PROPERLY CURSED AND TO FILL UP ITS SPARE TIME BY BRINGING MISFORTUNE UPON THE LOCAL LANDLORD IT HAS TO AVENGE EVERYBODY AND TO HELP ALL THE GOOD PEOPLE WHENEVER THEY ARE IN TROUBLE AND THEY KEEP IT GOING IN THIS DIRECTION AND WHEN THE HERO LEAVES PRISON HEAVEN HAS TO TAKE CARE OF HIS WIFE AND CHILD UNTIL HE COMES OUT AND IF THIS ISN'T A HANDFUL FOR IT WE DON'T KNOW WHAT WOULD BE HEAVEN ON THE STAGE IS ALWAYS ON THE SIDE OF THE HERO AND HEROINE AND AGAINST THE POLICE OCCASIONALLY OF LATE YEARS THE COMIC MAN HAS BEEN A BAD MAN WILL BUY ROE AND ROBBED THE HERO AND HAVE MURDERED THE GOOD OLD MAN" ], "begin_byte": 36058, "end_byte": 36165 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_05_jerome_64kb_27", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_05_jerome_64kb", "start": 0, "duration": 11, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "On the eldest daughter's birthday, when there is a big party on, is his favorite time. He comes in about midnight and tells them just as they are going down to supper.", "ON THE ELDEST DAUGHTER'S BIRTHDAY WHEN THERE IS A BIG PARTY ON IS HIS FAVORITE TIME HE COMES IN ABOUT MIDNIGHT AND TELLS THEM JUST AS THEY ARE GOING TO STAND TO SUPPER" ], "pre_texts": [ "ed, bewildered at the knowledge of his most private affairs possessed by his strange visitant, he admits the fact: he had a father. The lawyer smiles with a quiet smile of triumph and scratches his chin. \"You had a mother, too, if I am informed correctly,\" he continues. It is idle attempting to escape this man's supernatural acuteness, and the client owns up to having had a mother also. From this the lawyer goes on to communicate to the client, as a great secret, the whole of his (the client's) history from his cradle upward, and also the history of his nearer relatives, and in less than half an hour from the old man's entrance, or say forty minutes at the outside, the client almost knows what the business is about. On the other occasion, when the client has lost his fortune, the stage lawyer is even still happier. He comes down himself to tell the misfortune (he would not miss the job for worlds), and he takes care to choose the most unpropitious moment possible for breaking the news.", "ITUDE HE FEELS IS USELESS AND AMAZED BEWILDERED AT THE KNOWLEDGE OF HIS MOST PRIVATE AFFAIRS POSSESSED BY THIS STRANGE VISITANT HE ADMITS THE FACT HE HAD A FATHER THE LAWYER SMILES WITH A QUIET SMILE OF TRIUMPH AND SCRATCHES HIS CHIN YOU HAD A MOTHER TOO IF I AM INFORMED CORRECTLY HE CONTINUES IT IS IDLE ATTEMPTING TO ESCAPE THIS MAN'S SUPERNATURAL ACUTENESS AND THE CLIENT OWNS UP TO HAVING A MOTHER ALSO FROM THIS THE LAWYER GOES ON TO COMMUNICATE TO THE CLIENT AS A GREAT SECRET THE WHOLE OF HIS THE CLIENT'S HISTORY FROM HIS CRADLE UPWARD AND ALSO THE HISTORY OF HIS NEARER RELATIVES AND IN LESS THAN HALF AN HOUR FROM THE OLD MAN'S ENTRANCE OR SAY FORTY MINUTES AT THE OUTSIDE THE CLIENT ALMOST KNOWS WHAT THE BUSINESS IS ABOUT ON THE OTHER OCCASION WHEN THE CLIENT HAS LOST HIS FORTUNE THE STAGE LAWYER IS EVEN STILL HAPPIER HE COMES DOWN HIMSELF TO TELL THE MISFORTUNE HE WOULD NOT MISS THE JOB FOR WORLDS AND HE TAKES CARE TO CHOOSE THE MOST UNPROPIOUS MOMENT POSSIBLE FOR BREAKING THE NEWS" ], "begin_byte": 41857, "end_byte": 42024 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_05_jerome_64kb_36", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_05_jerome_64kb", "start": 0, "duration": 19.6, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "In stage literature of a frivolous nature the lawyer is a very different individual. In comedy he is young, he possesses chambers, and he is married (there is no doubt about this latter fact); and his wife and his mother in law spend most of the day in his office and make the dull old place quite lively for him.", "IN STAGE LITERATURE OF A FRIVOLOUS NATURE THE LAWYER IS A VERY DIFFERENT INDIVIDUAL IN COMEDY HE IS YOUNG HE POSSESSES CHAMBERS AND HE IS MARRIED THERE IS NO DOUBT ABOUT THE LATTER FACT AND HIS WIFE AND HIS MOTHER IN LAW SPEND MOST OF THE DAY IN HIS OFFICE AND MAKE THE DOORPLACE QUITE LIVELY FOR HIM" ], "pre_texts": [ "The good stage lawyer has generally nursed the heroine on his knee when a baby (when she was a baby, we mean)--when she was only so high. It seems to have been a part of his professional duties. The good stage lawyer also kisses all the pretty girls in the play and is expected to chuck the housemaid under the chin. It is good to be a good stage lawyer. The good stage lawyer also wipes away a tear when sad things happen; and he turns away to do this and blows his nose, and says he thinks he has a fly in his eye. This touching trait in his character is always held in great esteem by the audience and is much applauded. The good stage lawyer is never by any chance a married man. (Few good men are, so we gather from our married lady friends.) He loved in early life the heroine's mother. That \"sainted woman\" (tear and nose business) died and is now among the angels--the gentleman who did marry her, by the bye, is not quite so sure about this latter point, but the lawyer is fixed on the idea.", "INK OF THE OUTSIDE WORLD THE GOOD STAGE LAWYER HAS GENERALLY NURSED THE HEROINE ON HIS KNEE WHEN A BABY WHEN SHE WAS A BABY WE MEAN WHEN SHE WAS ONLY SO HIGH IT SEEMS TO HAVE BEEN A PART OF HIS PROFESSIONAL DUTIES THE GOOD STAGE LAWYER ALSO KISSES ALL THE PRETTY GIRLS IN THE PLAY AND IS EXPECTED TO CHUCK THE HOUSEMATE UNDER THE CHIN IT IS GOOD TO BE A GOOD STAGE LAWYER THE GOOD STAGE LAWYER ALSO WIPES AWAY A TEAR WHEN SAD THINGS HAPPEN AND TURNS AWAY TO DO THIS AND BLOWS HIS NOSE AND SAYS HE THINKS THAT THE FLY IS IN HIS EYE THIS TOUCHING TRAIT IN HIS CHARACTER IS ALWAYS HELD IN GREAT ESTEEM BY THE AUDIENCE AND IS MUCH APPLAUDED THE SAGE LAWYER IS NEVER BY ANY CHANCE A MARRIED MAN FEW GOOD MEN ARE SO WE GATHER FROM OUR MARRIED LADY FRIENDS HE LOVED IN HIS EARLY LIFE BUT THE HEROINE'S MOTHER THAT SAINTED WOMAN TEAR AND NOSE BUSINESS DIED AND IS NOW AMONG THE ANGELS THE GENTLEMAN WHO DID MARRY HER BY THE BYE IS NOT QUITE SO SURE ABOUT THIS LATTER POINT BUT THE LAWYER IS FIXED ON THE IDEA" ], "begin_byte": 44080, "end_byte": 44393 } } ]

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[ { "id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_06_jerome_64kb_4", "recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_06_jerome_64kb", "start": 0, "duration": 7.32, "channel": 0, "language": "English", "speaker": "1823", "custom": { "texts": [ "She has grit and go in her. She is alive. She can do something to help herself besides calling for \"George.\"", "SHE HAS GRIT AND GO IN HER SHE IS ALIVE SHE CAN DO SOMETHING TO HELP HERSELF BESIDES CALLING FOR GEORGE" ], "pre_texts": [ "hat irritating ass, than a desire to throw bricks at him. The stage adventuress would be a much better woman, too, if it were not for the heroine. The adventuress makes the most complete arrangements for being noble and self-sacrificing--that is, for going away and never coming back, and is just about to carry them out, when the heroine, who has a perfect genius for being in the wrong place at the right time, comes in and spoils it all. No stage adventuress can be good while the heroine is about. The sight of the heroine rouses every bad feeling in her breast. We can sympathize with her in this respect. The heroine often affects ourselves in precisely the same way. There is a good deal to be said in favor of the adventuress. True, she possesses rather too much sarcasm and repartee to make things quite agreeable round the domestic hearth, and when she has got all her clothes on there is not much room left in the place for anybody else; but taken on the whole she is decidedly attractive.", "ENTIMENT FOR THE IRRITATING US THAN A DESIRE TO THROW BRICKS AT HIM THE STAGE ADVENTURESS WOULD BE A MUCH BETTER WOMAN TOO IF IT WERE NOT FOR THE HEROINE THE ADVENTURESS MAKES THE MOST COMPLETE ARRANGEMENTS FOR BEING NOBLE AND SELF SACRIFICING THAT IS FOR GOING AWAY AND NEVER COMING BACK AND IT IS JUST ABOUT TO CARRY THEM OUT WHEN THE HEROINE WHO HAS A PERFECT GENIUS FOR BEING IN THE WRONG PLACE AT THE RIGHT TIME COMES IN AND SPOILS IT ALL NO STAGE ADVENTURESS CAN BE GOOD WHILE THE HEROINE IS ABOUT THE SIGHT OF THE HEROINE ROUGES EVERY BAD FEELING IN HER BREAST WE CAN SYMPATHIZE WITH HER IN THIS RESPECT THE HEROINE OFTEN AFFECTS OURSELVES IN PRECISELY THE SAME WAY THERE IS A GOOD DEAL TO BE SAID IN FAVOUR OF THE ADVENTURESS TRUE SHE POSSESSES RATHER TOO MUCH SARCASM AND REPARTEE TO MAKE THINGS QUITE AGREEABLE ROUND THE DOMESTIC HEARTH AND WHEN SHE HAS GOT ALL HER CLOTHES ON THERE IS MUCH NOT MUCH ROOM LEFT IN THE PLACE FOR ANYBODY ELSE BUT TAKEN ON THE WHOLE SHE IS DECIDEDLY ATTRACTIVE" ], "begin_byte": 54620, "end_byte": 54728 } } ]

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