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a TOK 'I' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'J' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'K' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'L' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'M' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'N' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'O' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'P' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'Q' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'R' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'S' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'T' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'U' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'V' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'W' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'X' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'Y' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'Z' uppercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'a' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'b' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'c' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'd' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'e' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'f' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'g' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'h' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'i' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'j' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'k' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'l' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'm' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'n' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'o' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'p' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'q' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'r' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 's' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 't' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'u' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'v' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'w' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'x' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'y' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'z' lowercase in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK '.' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK ',' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK ';' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK ':' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK '#' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK ''' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK '"' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK '!' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK '/' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK '(' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK ')' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK '?' punctuation in the style of Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.

a TOK 'A' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'B' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'C' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'D' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'E' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'F' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'G' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'H' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'I' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'J' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'K' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'L' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'M' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'N' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'O' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'P' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'Q' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'R' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'S' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'T' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'U' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'V' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'W' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'X' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'Y' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'Z' uppercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'a' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'b' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'c' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'd' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'e' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'f' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'g' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'h' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'i' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'j' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'k' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'l' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'm' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'n' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'o' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'p' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'q' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.

a TOK 'r' lowercase in the style of Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.