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{"id": "AST chinese - 108 - 1", "question": "下列文句，完全沒有錯別字的是：", "A": "外出之前務必仔細檢查，小心門戶，儘量避免霄小趁虛而入", "B": "衣著服飾首重剪裁合宜，適當得體，切莫奇裝異服譁眾取寵", "C": "連日豪雨導致土石鬆動，道路攤方，造成雙向交通嚴重堵塞", "D": "小魚莧菜重在食材新鮮，湯頭甘醇，不需以勾欠增加濃綢度", "E": null, "F": null, "answer": "B", "explanation": "", "metadata": {"timestamp": "2023-10-09T18:27:20.304587", "source": "AST chinese - 108", "explanation_source": ""}, "human_evaluation": {"quality": "", "comments": ""}}
{"id": "AST chinese - 109_2 - 6", "question": "依據下詩，關於陸游養貓的敘述，最適當的是：\n裹鹽迎得小貍奴，盡護山房萬卷書。慚愧家貧策勳薄，寒無氈坐食無魚。（陸游〈贈貓〉）", "A": "貓常把魚吃個精光，讓陸游沒魚可吃", "B": "陸游收入不豐，卻盡力提供貓良好的物質享受", "C": "貓是陸游用鹽換來的，主要工作是守護藏書", "D": "陸游暗用馮諼「食無魚」的典故，抱怨貓貪得無厭", "E": null, "F": null, "answer": "C", "explanation": "", "metadata": {"timestamp": "2023-10-09T18:27:20.306103", "source": "AST chinese - 109_2", "explanation_source": ""}, "human_evaluation": {"quality": "", "comments": ""}}
{"id": "AST chinese - 109_2 - 5", "question": "仕隱一直是古代文學作品的重要主題。下列文句，表達入仕後意欲隱退之情的是：", "A": "鳥獸不可與同群，吾非斯人之徒與而誰與", "B": "誤盡平生是一官，棄家容易變名難。松筠敢厭風霜苦，魚鳥猶思天地寬", "C": "臣本布衣，躬耕於南陽，苟全性命於亂世，不求聞達於諸侯", "D": "不向長安路上行，卻教山寺厭逢迎。味無味處求吾樂，材不材間過此生", "E": null, "F": null, "answer": "B", "explanation": "", "metadata": {"timestamp": "2023-10-09T18:27:20.306098", "source": "AST chinese - 109_2", "explanation_source": ""}, "human_evaluation": {"quality": "", "comments": ""}}
{"id": "AST chinese - 109_2 - 10", "question": "依據下文，關於中西繪畫的敘述，最適當的是：\n由始至終，用毛筆畫成的線條一直都是中國繪畫的要素。歐洲繪畫也是以線條開始的，但是人們的興趣後來從勾勒輪廓的線條轉移到輪廓內的事物中去，把注意力放到光影、體積、柔化輪廓，或者使輪廓模稜的種種表現法上，從而削弱了線條的重要性。中國繪畫走的是一條不同的路。中國畫家從不像歐洲畫家那樣，努力想要把物體重現得和原來一模一樣，表現色彩、質感、體積的具體形象。中國畫家特別強調線條，把線條當作主要的描繪和表現工具。某種風格上的運動如果有摧毀單一線條完整性的趨向，或者要把線條納到面積的處理中，通常就會被認為是從主流分離出去的異端。（改寫自高居翰《中國繪畫史》）", "A": "歐洲畫家重視光影、色彩、體積，更甚於對線條的重視", "B": "中國畫家強調線條的重要性，努力重現物體的具體形象", "C": "歐洲畫家因想重現物體的真實模樣，刻意強調輪廓清晰", "D": "中國畫的線條若太過單一，就常被視為主流之外的異端", "E": null, "F": null, "answer": "A", "explanation": "", "metadata": {"timestamp": "2023-10-09T18:27:20.306130", "source": "AST chinese - 109_2", "explanation_source": ""}, "human_evaluation": {"quality": "", "comments": ""}}
{"id": "AST chinese - 108 - 4", "question": "下列是一段現代散文，依據文意，甲、乙、丙、丁、戊排列順序最適當的是：\n愈是靈心善感的詩人，愈是技巧高妙的詩人，\n甲、悉聽自然\t乙、不必勉強押韻\t丙、形式上有韻與否\n丁、也愈能引發讀者的共鳴\t戊、他的作品節奏愈自然\n但也不必故意避免用韻。（琦君〈不薄今人愛古人—我讀新詩〉）", "A": "丁乙丙甲戊\t", "B": "乙戊丙甲丁\t", "C": "甲丙乙戊丁\t", "D": "戊丁丙甲乙", "E": null, "F": null, "answer": "D", "explanation": "", "metadata": {"timestamp": "2023-10-09T18:27:20.304628", "source": "AST chinese - 108", "explanation_source": ""}, "human_evaluation": {"quality": "", "comments": ""}}
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