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  ---
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- # Para referencia sobre metadatos de tarjetas de modelos, consulte la especificación: https://github.com/huggingface/hub-docs/blob/main/datasetcard.md?plain=1
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- # Documentación / guía: https://huggingface.co/docs/hub/datasets-cards
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- {}
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-
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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  ---
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- # Tarjeta del Conjunto de Datos para Nombre del Conjunto de Datos
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-
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- ## Descripción del Conjunto de Datos
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-
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- - **Página principal:**
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- - **Repositorio:**
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- - **Artículo:**
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- - **Clasificación:**
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- - **Punto de Contacto:**
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-
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- ### Resumen del Conjunto de Datos
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-
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- Esta tarjeta del conjunto de datos tiene como objetivo ser una plantilla base para nuevos conjuntos de datos. Se ha generado utilizando [esta plantilla en bruto](https://github.com/huggingface/huggingface_hub/blob/main/src/huggingface_hub/templates/datasetcard_template.md?plain=1).
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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- ### Tareas y Clasificaciones Soportadas
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- [Más información necesaria]
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- ### Idiomas
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- [Más información necesaria]
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- ## Estructura del Conjunto de Datos
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- ### Instancias de Datos
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- [Más información necesaria]
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- ### Campos de Datos
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- `id`
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- Identificador único para cada canción en el dataset.
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- `authors`
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- Lista de autores que han escrito la canción.
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- `song_type`
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- Tipo de canción representado como un número entero. Los tipos de canción son:
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- 1: Presentación
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- 2: Pasodoble/Tango
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- 3: Cuplé
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- 4: Estribillo
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- 5: Popurrí
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- 6: Cuarteta
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- `year`
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- Año en que la canción fue escrita o presentada.
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- `group`
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- Nombre del grupo que interpretó la canción.
 
 
 
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- `group_type`
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- Tipo de grupo representado como un número entero. Los tipos de grupo son:
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- 1: Coro
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- 2: Comparsa
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- 3: Chirigota
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- 4: Cuarteto
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- `lyrics`
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- Lista de versos que componen la letra de la canción.
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- ### Divisiones de Datos
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- [Más información necesaria]
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- ## Creación del Conjunto de Datos
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- ### Justificación de la Curación
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- [Más información necesaria]
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- ### Datos de Origen
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- #### Recopilación y Normalización de Datos Iniciales
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- [Más información necesaria]
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- #### ¿Quiénes son los productores del idioma de origen?
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- [Más información necesaria]
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- ### Anotaciones
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- #### Proceso de Anotación
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- [Más información necesaria]
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- #### ¿Quiénes son los anotadores?
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- [Más información necesaria]
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- ### Información Personal y Sensible
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- [Más información necesaria]
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- ## Consideraciones para Usar los Datos
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- ### Impacto Social del Conjunto de Datos
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- [Más información necesaria]
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- ### Discusión de Sesgos
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- [Más información necesaria]
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- ### Otras Limitaciones Conocidas
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- [Más información necesaria]
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- ## Información Adicional
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- ### Curadores del Conjunto de Datos
 
 
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- [Más información necesaria]
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- ### Información de Licencias
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- [Más información necesaria]
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- ### Información de Citas
 
 
 
 
 
 
 
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- [Más información necesaria]
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- ### Contribuciones
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- [Más información necesaria]
 
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  ---
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+ annotations_creators:
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+ - no-annotation
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+ language:
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+ - es
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+ language_creators:
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+ - machine-generated
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+ license:
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+ - cc-by-sa-4.0
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+ multilinguality:
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+ - monolingual
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+ pretty_name: letrascarnavalcadiz
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+ size_categories:
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+ - 1K<n<10K
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+ source_datasets:
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+ - original
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+ tags:
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+ - lyrics
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+ - carnival
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+ - cadiz
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+ task_categories: []
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+ task_ids: []
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  ---
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+ # Tarjeta del Dataset Letras Carnaval Cádiz
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+
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+ ![logo](https://huggingface.co/datasets/IES-Rafael-Alberti/letras-carnaval-cadiz/resolve/main/assets/logo.svg)
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+
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+ ## Descripción del Dataset
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+
31
+ - **Página de inicio:** https://letrascarnavalcadiz.com
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+ - **Repositorio:** https://huggingface.co/datasets/IES-Rafael-Alberti/letras-carnaval-cadiz
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+ - **Punto de Contacto:** [email protected]
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+
35
+ ### Registro de cambios
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+
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+ |Versión|Descripción|
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+ |-|-|
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+ |v1.0| Lanzamiento inicial del dataset. Incluye más de 1000 letras. Es necesario verificar la precisión de los datos, especialmente el subconjunto midaccurate. |
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+
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+ ### Dataset Summary
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+
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+ This dataset is a comprehensive collection of lyrics from the Carnaval de Cádiz, a significant cultural heritage of the city of Cádiz, Spain. Despite its cultural importance, there has been a lack of a structured database for these lyrics, hindering research and public access to this cultural heritage. This dataset aims to address this gap.
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+
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+ The dataset was created by the Cádiz AI Learning Community, a branch of the non-profit association Spain AI, and was developed by Iván Romero Reyna and Jesús Federico Franco Medinilla, students of the Specialization Course in Artificial Intelligence and Big Data at IES Rafael Alberti during the 2022-2023 academic year. The project is supervised by Jesús Carlos Avecilla de la Herrán, a computational linguist.
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+
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+ Collaboration is encouraged, with individuals able to verify the different records of the dataset at [letrascarnavalcadiz.com](https://letrascarnavalcadiz.com), ensuring the transcription of the lyrics and all data are correct. New lyrics can also be added to the dataset. Corrections and additions are not immediately reflected in the dataset but are updated periodically.
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+
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+ For more information or to report a problem, you can write to [[email protected]](mailto:[email protected]).
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+
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+ ### Supported Tasks and Leaderboards
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+
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+ [More Information Needed]
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+
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+ ### Languages
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+
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+ The dataset is in Spanish, reflecting the language of the Carnaval de Cádiz.
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+
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+ ## Dataset Structure
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+
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+ ### Data Instances
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+
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+ A typical instance in the dataset is formatted in JSON and contains the following fields:
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+
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+ ```json
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+ {
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+ "id": "9de8647521b728c45ff45c1c11208708d055397fd7781b31cf91b473dff224d5",
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+ "authors": ["Juan Carlos Aragón Becerra"],
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+ "song_type": 2,
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+ "year": "2018",
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+ "group": "Los Mafiosos",
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+ "group_type": 2,
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+ "lyrics": [
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+ "Mujer va llegando el momento",
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+ "de ser la que lleve la rienda",
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+ "el camino ha sido largo y polvoriento",
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+ "pero ya no habrá varón que te detenga",
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+ "gritad larga vida a la reina",
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+ "que va a comenzar tu gobierno",
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+ "ojalá no heredes nada",
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+ "de aquel macho que te odiaba",
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+ "porque en el fondo sabía",
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+ "que ya tú te le acercabas",
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+ "y el contigo no podía",
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+ "ten en cuenta cuando hagas justicia",
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+ "de volver a nivelar la balanza",
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+ "y aguantar aunque tragando saliva",
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+ "el deseo de venganza",
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+ "de ser oh humano fatal",
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+ "de ser o que puedo entender",
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+ "tan solo con una mirada",
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+ "la llaga que baña tu alma y tu piel",
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+ "que te sirva la experiencia",
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+ "del macho de la manada",
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+ "la fuerza no vale nada",
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+ "si no es con la inteligencia",
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+ "y ojalá que tu conciencia",
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+ "a mí me brinde la suerte",
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+ "de nunca volver a verte",
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+ "con los pies en una iglesia",
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+ "que ella fue quien escribió",
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+ "que ella fue quien escribió",
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+ "la historia contra vosotras",
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+ "y encima se la cobró",
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+ "y encima se la cobró",
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+ "con mil millones de devotas",
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+ "ojalá que tu corona y tu bandera",
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+ "abran paso a una vida nueva",
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+ "como un mundo en primavera",
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+ "ojalá que a ti no te envenene el poder",
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+ "y que no dejes nunca de ser la mujer",
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+ "que siempre fue nuestra gran compañera"
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+ ]
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+ }
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+ ```
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+
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+ The `id` field uniquely identifies each instance in the dataset, providing a way to reference specific entries. The `authors`, `song_type`, `year`, `group`, and `group_type` fields provide context for the lyrics, while the `lyrics` field itself contains the actual text of the song. The relationships between these fields are implicit in the structure of the dataset, with each instance representing a single song from the Carnaval de Cádiz.
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+
119
+ ### Data Fields
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121
+ `id`
122
 
123
+ Unique identifier for each song in the dataset. A SHA-256 hash calculated from the first four verses of the lyrics and the group name, with all spaces removed and converted to lowercase (string).
124
 
125
+ `authors`
126
 
127
+ List of authors who have written the song (string array).
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+ `song_type`
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+ The type of song (1: presentación, 2: pasodoble/tango, 3: cuplé, 4: estribillo, 5: popurrí, 6: cuarteta).
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+ `year`
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+ Year the song was written or performed (string).
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+ `group`
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+ Name of the group that performed the song (string).
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+ `group_type`
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+ The type of the group (1: coro, 2: comparsa, 3: chirigota, 4: cuarteto).
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+ `lyrics`
146
 
147
+ The lyrics of the song, represented as an array of verses (string array).
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149
+ ### Data Splits
 
 
 
 
 
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151
+ This dataset does not have traditional training, validation, and test splits. Instead, it is divided into two subsets: "accurate" and "midaccurate".
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153
+ The "accurate" subset contains 957 instances. All fields in this subset have been obtained through web scraping and have undergone at least one human review for accuracy.
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155
+ The "midaccurate" subset contains 226 instances. The 'group' and 'lyrics' fields in this subset were collected through web scraping, but the remaining fields were filled in by querying language models connected to the Internet. Therefore, the data in these fields may not be accurate.
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157
+ | Subset | Instances |
158
+ |-------------|----------:|
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+ | Accurate | 957 |
160
+ | Midaccurate | 226 |
161
 
162
+ Please note that the division into subsets is based on the method and reliability of data collection, rather than a random or stratified split typically used in machine learning tasks. Users of the dataset should consider this when deciding how to use the data.
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164
+ ## Dataset Creation
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166
+ ### Curation Rationale
 
 
 
167
 
168
+ The dataset was created to address a significant need in the cultural heritage of the city of Cádiz, Spain. The Carnaval de Cádiz is a major cultural event, yet there was no structured database of its lyrics that could be consulted for research or public access. This lack of a structured database hindered the exploration and appreciation of this cultural heritage. The dataset was curated to respond to this need.
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170
+ ### Source Data
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172
+ #### Initial Data Collection and Normalization
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174
+ The initial collection of lyrics was carried out through automatic scraping of various websites and multimedia content on the Internet. To maximize the number of records with minimal effort, all collection is being done using different Artificial Intelligence models.
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176
+ #### Who are the source language producers?
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178
+ The source language producers of the dataset are the authors and performers of the songs from the Carnaval de Cádiz. These include a wide range of individuals and groups who have participated in the Carnaval over the years. The dataset does not include self-reported demographic or identity information for these individuals or groups.
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180
+ The data in the dataset was collected from two websites: https://www.alsondelcarnaval.es and http://letrasdesdeelparaiso.blogspot.com. The "accurate" subset of the dataset was collected from the former, while the "midaccurate" subset was collected from the latter. The data was extracted through automatic web scraping, and in the case of the "midaccurate" subset, some fields were filled in by querying language models connected to the Internet.
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182
+ ### Personal and Sensitive Information
183
 
184
+ The only sensitive information in the dataset is the names and surnames of the authors of the lyrics.
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186
+ ## Considerations for Using the Data
187
 
188
+ ### Social Impact of Dataset
189
 
190
+ The use of this dataset has significant social impact.
191
 
192
+ Firstly, this dataset can positively contribute to the understanding and preservation of Cadiz's culture and traditions, as the Carnaval de Cádiz is an integral part of the city's cultural identity. By providing an accessible and easily searchable resource for carnival song lyrics, this dataset can assist cultural researchers, linguists, and the general public in better understanding and appreciating the rich tradition of the Carnaval de Cádiz.
193
 
194
+ Additionally, this dataset can be utilized to enhance natural language processing (NLP) technologies in Spanish, a language that can sometimes be underrepresented in NLP research. By providing a high-quality, culture-specific Spanish text corpus, this dataset can aid in improving the accuracy and cultural relevance of Spanish NLP models.
195
 
196
+ However, there are also risks associated with the use of this dataset. For instance, if used to train text generation models, these models could generate content that reinforces cultural stereotypes or perpetuates existing biases. Moreover, the automatic interpretation of carnival song lyrics can be challenging due to cultural and linguistic subtleties, and errors in this interpretation could lead to misunderstandings or misrepresentations of Cadiz's culture.
197
 
198
+ Finally, although this dataset does not contain a low-resource or underrepresented language, it does focus on a specific cultural tradition from a specific region of Spain. Therefore, its use can impact the Cadiz community by helping to preserve and disseminate its unique culture and traditions.
199
 
200
+ ### Discussion of Biases
201
 
202
+ The dataset is subject to several biases due to the nature of the data collection and the historical context of the Cadiz Carnival.
203
 
204
+ Firstly, there is a temporal bias in the dataset. More recent lyrics are overrepresented compared to older ones, as there is more information available on the internet about modern groups. This may lead to a skewed understanding of the evolution of the Carnival's themes over time.
205
 
206
+ Secondly, the dataset exhibits a popularity bias. Lyrics from more popular groups are overrepresented because individuals have chosen to write about them more frequently. This could potentially limit the diversity of styles and themes represented in the dataset.
207
 
208
+ Thirdly, there is a competition bias. Lyrics from groups that advanced further in the competition stages are overrepresented, resulting in more available lyrics from these groups. This might lead to an overemphasis on the styles and themes that tend to be more successful in the competition.
209
 
210
+ Lastly, the dataset reflects a gender bias. Given that there have historically been more male authors than female authors in the Cadiz Carnival, the majority of the dataset consists of lyrics written by men. This could potentially limit the representation of diverse perspectives and themes in the lyrics.
211
 
212
+ To mitigate these biases, we actively encourage the participation of the community. By verifying the different records of the dataset, reviewing the transcription of the lyrics and all the data for accuracy, and adding new lyrics, we hope to broaden the diversity and representation.
213
 
214
+ ### Other Known Limitations
215
 
216
+ [More Information Needed]
217
 
218
+ ## Additional Information
219
 
220
+ ### Dataset Curators
221
 
222
+ - Iván Romero Reyna. Student of the Specialisation Course in Artificial Intelligence and Big Data at [IES Rafael Alberti](https://iesrafaelalberti.es) during the academic year 2022-2023.
223
+ - Jesús Federico Franco Medinilla. Student of the Specialisation Course in Artificial Intelligence and Big Data at [IES Rafael Alberti](https://iesrafaelalberti.es) during the academic year 2022-2023.
224
+ - Jesús Carlos Avecilla de la Herrán. Promoter in [Cádiz AI](https://www.spain-ai.com).
225
 
226
+ ### Licensing Information
227
 
228
+ [CC BY-SA 4.0](https://creativecommons.org/licenses/by-sa/4.0)
229
 
230
+ ### Citation Information
231
 
232
+ ```
233
+ @misc{letrascarnavalcadiz2023,
234
+ author = {Romero Reyna, Iván and Franco Medinilla, Jesús Federico and Avecilla de la Herrán, Jesús Carlos},
235
+ title = {letras-carnaval-cadiz},
236
+ year = {2023},
237
+ url = {https://huggingface.co/datasets/IES-Rafael-Alberti/letras-carnaval-cadiz}
238
+ }
239
+ ```
240
 
241
+ ### Contributions
242
 
243
+ Thanks to [@ivanro](https://huggingface.co/ivanro), [@jframed281](https://huggingface.co/jframed281) for adding this dataset.
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245
+ Thanks to all the reviewers at [letrascarnavalcadiz.com](https://letrascarnavalcadiz.com).