Update README.md

README.md

@@ -61,7 +61,7 @@ You may use `HST` to bolster the vintage/autochrome effect. Though, in contrast
 
 ## Historical Note:
 Prokudin-Gorsky's color photography technique would involve three photo-exposures, either simultaneous or sequential, using specialized color-spectrum filters (basically R.B.G.: red, blue, and green), rendering a subject/shot onto glass plates covered with light-emulsive mixture.<br> 
-The photographer's focus on refining the developer and filter quality, in tandem with his incessant and wide-ranging experimentation, and his persistent usage of glass plates (unwieldly and increasingly old-fashioned, but elsewise extra reliable) ultimately led him to produce a color photography oeuvre of much greater fidelity and vividness than achieved by most of his contemporaries.<br>  
+The photographer's focus on refining the developer and filter quality, in tandem with his incessant and wide-ranging experimentation, and his persistent usage of glass plates (unwieldly and already becoming outmoded by 1910s for B&W on-location shoots, but elsewise extra reliable) ultimately led him to produce a color photography oeuvre of much greater fidelity and vividness than achieved by most of his contemporaries.<br>  
 At the same time, the peculiarities of the photographer's method, coupled with his exceptionally hands-on execution thereof, would manifest in a range of idyosyncratic color, light, and motion artifacts common across the resulting prints.<br>  
 Seldom marring the image as a whole, and less grave than the weaknesses of some contemporenously emerging autochrome techniques, the warm color hazes and flares framing many of Prokudin-Gorsky's prints may be seen as a kind of ephemeral signature.<br> 
 Alongside some of the more subtle chromatic, textural, and (in some measure) figural characteristics of his work, these auras have reliably imprinted themselves into this Flux Schnell LoRA, the fourth in our series of historical adapters for Flux.<br>